Montclair State University Digital Commons Atomos
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Wayne Mcgregor 2008 Why Do I Need to Know This?
INFRA Wayne McGregor 2008 Why do I need to know this? . You need to learn 6 dance works provided by AQA. This is your dance anthology. You will be examined on these in the written exam. Over the next half term you will be learning facts and information about a choreographer and their dance work. You will also be developing your performance and choreography skills based on this dance work. AQA want to make sure you have appreciation , choreography and performance rolled into one. All of this will be tested in your written exam so it is important that you focus in lessons and remember what you are taught. We will not have time to go back and look at this work in depth. Links . https://www.youtube.com/watch?v=UUFJajA qQgs Interview . https://www.youtube.com/watch?v=QUspTH gCtG0 . Video Lesson 1 Learning Objectives. TO know who Wayne McGregor is and what Infra is. Understand what Infra is about. Be able to answer questions which help give a deeper knowledge of Infra. Be able to identify some constituent features of Infra. ENGAGE Who is he? . In pairs - use the statements you have about Wayne McGregor and put them into order of importance. Make sure you can justify your decision. 3 mins Explain Wayne McGregor . English choreographer . Appointed Resident Choreographer of The Royal Ballet in 2006, becoming the first contemporary choreographer to hold the post. His interest in cross-discipline collaboration has seen him work across dance, film, music, visual art, technology and science. A multiple award-winner, McGregor’s work appears in the repertoire of leading international ballet companies and he has created new work for numerous ballet companies. -
Commissioned Orchestral Version of Jonathan Dove’S Mansfield Park, Commemorating the 200Th Anniversary of the Death of Jane Austen
The Grange Festival announces the world premiere of a specially- commissioned orchestral version of Jonathan Dove’s Mansfield Park, commemorating the 200th anniversary of the death of Jane Austen Saturday 16 and Sunday 17 September 2017 The Grange Festival’s Artistic Director Michael Chance is delighted to announce the world premiere staging of a new orchestral version of Mansfield Park, the critically-acclaimed chamber opera by composer Jonathan Dove and librettist Alasdair Middleton, in September 2017. This production of Mansfield Park puts down a firm marker for The Grange Festival’s desire to extend its work outside the festival season. The Grange Festival’s inaugural summer season, 7 June-9 July 2017, includes brand new productions of Monteverdi’s Il ritorno d'Ulisse in patria, Bizet’s Carmen, Britten’s Albert Herring, as well as a performance of Verdi’s Requiem and an evening devoted to the music of Rodgers & Hammerstein and Rodgers & Hart with the John Wilson Orchestra. Mansfield Park, in September, is a welcome addition to the year, and the first world premiere of specially-commissioned work to take place at The Grange. This newly-orchestrated version of Mansfield Park was commissioned from Jonathan Dove by The Grange Festival to celebrate the serendipity of two significant milestones for Hampshire occurring in 2017: the 200th anniversary of the death of Austen, and the inaugural season of The Grange Festival in the heart of the county with what promises to be a highly entertaining musical staging of one of her best-loved novels. Mansfield Park was originally written by Jonathan Dove to a libretto by Alasdair Middleton based on the novel by Jane Austen for a cast of ten singers with four hands at a single piano. -
Studio Wayne Mcgregor Studio Team Job Profile
STUDIO WAYNE MCGREGOR STUDIO TEAM JOB PROFILE VACANCY SUMMARY In March 2017 Studio Wayne McGregor moved into a new state of the art building housed in Here East in Queen Elizabeth Olympic Park and, over the next three years, created a thriving art environment. As a result of the COVID 19 lockdown, the Studio has been shut since mid-March 2020. We have now re- opened but, due to the extra mitigation measure that we need to take in order to make sure that our space complies with current government advice, we are looking to expand our Studio Team – the small group of individuals who support each and every person or group who hires out space at Studio Wayne McGregor. We are seeking Studio Team Members to be responsible for the smooth running of hirers and events at the Studio. This is a good opportunity for someone interested in working in the arts but with little arts experience to become involved in a busy thriving arts environment. Job Title: Studio Team Responsible to: Executive Director + Studio Manager Conditions of Employment: Salary £10.75 per hour Hours: Varied and in response to the needs of the renters Based at: Studio Wayne McGregor, Here East, Queen Elizabeth Olympic Park To apply: Please complete the Form on the Studio Wayne McGregor website: https://waynemcgregor.com/about/auditions-jobs Please also fill out an Equal Opportunity Form separately Closing date: Ongoing until we find 2-3 appropriate candidates – applications will be considered once a week on a Friday. Interviews: All applicants to be invited for an initial Zoom interview will be contacted by the end of the week after your application was submitted. -
ROH2 Performances.Qxd 20/9/07 16:55 Page 1
ROH2_performances.qxd 20/9/07 16:55 Page 1 Royal Opera House Performance Review 2006/07 ROH2: Music and Events Visiting Opera Companies D a n c e Visiting Dance Companies ROH2_performances.qxd 20/9/07 16:55 Page 2 Contents 01 ROH2 MU S I C A N D EV E N T S 02 ROH2 VI S I T I N G OP E R A CO M PA N I E S 03 ROH2 DA N C E 04 ROH2 VI S I T I N G DA N C E CO M PA N I E S ROH2_performances.qxd 20/9/07 16:55 Page 3 3 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 01 ROH2 MU S I C A N D EV E N T S ROH2_performances.qxd 20/9/07 16:55 Page 4 4 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 TH E SU N D A Y SE S S I O N Presented by the Royal Opera House in association with BBC Radio 3 Paul Hamlyn Hall NU M B E R O F PE R F O R M A N C E S 1 (7 May 2006) A concert featuring music by Julian Joseph, and a performance of Richard Rodney Bennett’s Jazz Calendar, which was choreographed by Sir Frederick Ashton in 1968. ROH2_performances.qxd 20/9/07 16:55 Page 5 5 ROH2 MU S I C A N D EV E N T S 2 0 0 6 / 2 0 0 7 RO H BRA S S SO L O I S T S CE L E B R AT E TH E RO YA L BA L L E T Paul Hamlyn Hall NU M B E R O F PE R F O R M A N C E S 1 (4 June 2007) DI R E C TO R Eric Crees RO M E O A N D JU L I E T Sergei Prokofiev, arranged by Paul Archibald SU I T E F R O M ‘ C H E C K M A T E ’ Sir Arthur Bliss, arranged by Eric Crees (World Premiere) SY M P H O N Y F O R BRA S S Sir Malcom Arnold SU I T E F R O M ‘ B I L L Y T H E KI D ’ Aaron Copland, arranged by Eric Crees MU S I C I A N S TR U M P E T S Ian Balmain, David Carstairs, Paul Archibald, Chris Deacon, -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries. -
Wayne Mcgregor | Random Dance
WAYNE MCGREGOR | RANDOM DANCE FEBRUARY 13, 2014 OZ SUPPORTS THE CREATION, DEVELOPMENT AND PRESENTATION OF SIGNIFICANT CONTEMPORARY PERFORMING AND VISUAL ART WORKS BY LEADING ARTISTS WHOSE CONTRIBUTION INFLUENCES THE ADVANCEMENT OF THEIR FIELD. ADVISORY BOARD Amy Atkinson Karen Elson Jill Robinson Anne Brown Karen Hayes Patterson Sims Libby Callaway Gavin Ivester Mike Smith Chase Cole Keith Meacham Ronnie Steine Jen Cole Ellen Meyer Joseph Sulkowski Stephanie Conner Dave Pittman Stacy Widelitz Gavin Duke Paul Polycarpou Betsy Wills Kristy Edmunds Anne Pope Mel Ziegler A MESSAGE FROM OZ Welcome and thank you for joining us for our first presentation as a new destination for contemporary performing and visual arts in Nashville. By being in the audience, you are not only supporting the visiting artists who have brought their work to Nashville for this rare occasion, you are also supporting the growth of contemporary art in this region. We thank you for your continued support. We are exceptionally lucky and very proud to have with us this evening, one of the worlds’ most inspiring choreographic minds, Wayne McGregor. An artist who emphasizes collaboration and a wide range of perspectives in his creative process, McGregor brings his own brilliant intellect and painterly vision to life in each of his works. In FAR, we witness the mind and body as interconnected forces; distorted and sensual within the same frame. As ten stunning dancers hyperextend and crouch, rapidly moving through light and shadow to a mesmerizing score, the relationship between imagination and movement becomes each viewer’s own interpretation. An acronym for Flesh in the Age of Reason, McGregor’s FAR investigates self-understanding and exemplifies the theme from Roy Porter’s novel by the same name, “that we outlive our mortal existence most enduringly in the ideas we leave behind.” Strap in. -
Calendar Filled with Holes by Adrienne Belz Girl’S Soccer Game Against Bryan
the Vol. 57 No. 5 bagpipeonline.com BAGPIPEOctober 7, 2010 The Parking Lottery Exploring Covenant’s parking vices and virtues ANNIE HUNTINGTON by Karin Olson late to class looking for one.” plaints have been from off-campus However, many students find parking. [email protected] Greg Ford, Safety and Security students. parking at Scotland Yard to be “They should either not let Coordinator, believes frustration There are an estimated 834 park- inconvenient. freshmen have cars or they need to For those driving cars at Covenant with parking anywhere is inevi- ing spaces on Covenant’s campus “I didn’t pay $100 for an off- invest more money in off-campus College, finding a parking spot can table. where students may park. This campus sticker so I could park in parking for students,” said Gore. quickly spiral into a moment of “I often feel that Covenant gets a year, the school sold about 680 Scotland Yard. By the time I get to Parking permits at Covenant anxiety and frustration. ‘bad rap’ when it comes to parking permits. Ford said the lots closer to school, I don’t have time for a long are $100 for main campus park- “You’re lucky to find a parking simply because parking is a sensi- campus are clogged because people walk up from one of the satellite ing (off-campus parking permit spot the first few lots you try,” said tive issue anywhere you go,” he are refusing to park in Scotland parking lots,” said senior Lisa Cow- free of charge), $75 for Scotland senior Alison Gore, who lives off said. -
World Premiere of Angels' Atlas by Crystal Pite
World Premiere of Angels’ Atlas by Crystal Pite Presented with Chroma & Marguerite and Armand Principal Dancer Greta Hodgkinson’s Farewell Performances Casting Announced February 26, 2020… Karen Kain, Artistic Director of The National Ballet of Canada, today announced the casting for Angels’ Atlas by Crystal Pite which makes its world premiere on a programme with Chroma by Wayne McGregor and Marguerite and Armand by Frederick Ashton. The programme is onstage February 29 – March 7, 2020 at the Four Seasons Centre for the Performing Arts. #AngelsAtlasNBC #ChromaNBC #MargueriteandArmandNBC The opening night cast of Angels’ Atlas features Principal Dancers Heather Ogden and Harrison James, First Soloist Jordana Daumec, Hannah Fischer and Donald Thom, Second Soloists Spencer Hack and Siphesihle November and Corps de Ballet member Hannah Galway. Principal Dancer Greta Hodgkinson retires from the stage after a career that has spanned over a period of 30 years. She will dance the role of Marguerite opposite Principal Dancer Guillaume Côté in Marguerite and Armand on opening night. The company will honour Ms. Hodgkinson at her final performance on Saturday, March 7 at 7:30 pm. Principal Dancers Sonia Rodriguez, Francesco Gabriele Frola and Harrison James will dance the title roles in subsequent performances. Chroma will feature an ensemble cast including Principal Dancers Skylar Campbell, Svetlana Lunkina, Heather Ogden and Brendan Saye, First Soloists Tina Pereira and Tanya Howard, Second Soloists Christopher Gerty, Siphesihle November and Brent -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
David Lynch to Show New Works at Solo Gallery Exhibition.” Los Angeles Times
Ng, David. “David Lynch to show new works at solo gallery exhibition.” Los Angeles Times. 14 November 2013. Web. David Lynch to show new works at solo gallery exhibition David Lynch will be opening a show this month at Kayne Griffin Corcoran. It will run Nov. 23 through Jan.4. David Lynch hasn't released a new feature since "Inland Empire" in 2006, but the director has been creating visual art and exhibiting surreal creations in gallery shows. Lynch held solo exhibitions in Los Angeles in 2009 and 2011, and will be opening yet another show this month at Kayne Griffin Corcoran. The exhibition, which is being curated by Brett Littman, executive director of the Drawing Center in New York, will focus on how Lynch uses "naming" in film, photography, drawings and other works dating from 1968 to the present. Kayne Griffin Corcoran said the show will run from Nov. 23 to Jan. 4, and will feature a group of new paintings, drawings and watercolors by Lynch. The filmmaker, whose credits include "Blue Velvet," "Mulholland Dr." and the "Twin Peaks" television series, has previously exhibited his art at William Griffin Gallery in Santa Monica. In 2009, he showed original artwork for the album "Dark Night of the Soul," featuring music by Danger Mouse and Sparklehorse, at L.A.'s Michael Kohn Gallery. Next year, Lynch's work will be the subject of a retrospective show at the Pennsylvania Academy of Fine Arts in Philadelphia, where the director studied in his youth. The show will feature approximately 75 paintings and drawings created by Lynch since 1965. -
Mario Ferraro 00
City Research Online City, University of London Institutional Repository Citation: Ferraro Jr., Mario (2011). Contemporary opera in Britain, 1970-2010. (Unpublished Doctoral thesis, City University London) This is the unspecified version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/1279/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] CONTEMPORARY OPERA IN BRITAIN, 1970-2010 MARIO JACINTO FERRARO JR PHD in Music – Composition City University, London School of Arts Department of Creative Practice and Enterprise Centre for Music Studies October 2011 CONTEMPORARY OPERA IN BRITAIN, 1970-2010 Contents Page Acknowledgements Declaration Abstract Preface i Introduction ii Chapter 1. Creating an Opera 1 1. Theatre/Opera: Historical Background 1 2. New Approaches to Narrative 5 2. The Libretto 13 3. The Music 29 4. Stage Direction 39 Chapter 2. Operas written after 1970, their composers and premieres by 45 opera companies in Britain 1. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA.