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View Or Download Full Colour Catalogue May 2021
VIEW OR DOWNLOAD FULL COLOUR CATALOGUE 1986 — 2021 CELEBRATING 35 YEARS Ian Green - Elaine Sunter Managing Director Accounts, Royalties & Promotion & Promotion. ([email protected]) ([email protected]) Orders & General Enquiries To:- Tel (0)1875 814155 email - [email protected] • Website – www.greentrax.com GREENTRAX RECORDINGS LIMITED Cockenzie Business Centre Edinburgh Road, Cockenzie, East Lothian Scotland EH32 0XL tel : 01875 814155 / fax : 01875 813545 THIS IS OUR DOWNLOAD AND VIEW FULL COLOUR CATALOGUE FOR DETAILS OF AVAILABILITY AND ON WHICH FORMATS (CD AND OR DOWNLOAD/STREAMING) SEE OUR DOWNLOAD TEXT (NUMERICAL LIST) CATALOGUE (BELOW). AWARDS AND HONOURS BESTOWED ON GREENTRAX RECORDINGS AND Dr IAN GREEN Honorary Degree of Doctorate of Music from the Royal Conservatoire, Glasgow (Ian Green) Scots Trad Awards – The Hamish Henderson Award for Services to Traditional Music (Ian Green) Scots Trad Awards – Hall of Fame (Ian Green) East Lothian Business Annual Achievement Award For Good Business Practises (Greentrax Recordings) Midlothian and East Lothian Chamber of Commerce – Local Business Hero Award (Ian Green and Greentrax Recordings) Hands Up For Trad – Landmark Award (Greentrax Recordings) Featured on Scottish Television’s ‘Artery’ Series (Ian Green and Greentrax Recordings) Honorary Member of The Traditional Music and Song Association of Scotland and Haddington Pipe Band (Ian Green) ‘Fuzz to Folk – Trax of My Life’ – Biography of Ian Green Published by Luath Press. Music Type Groups : Traditional & Contemporary, Instrumental -
SARAH JAROSZ Stretching Bluegrass Boundaries—And Shrugging Off the ‘Child Prodigy’ Tag
JULY/AUGUST 2011 ISSUE MMUSICMAG.COM SPOTLIGHT Scott Simontacchi SARAH JAROSZ Stretching bluegrass boundaries—and shrugging off the ‘child prodigy’ tag Sarah JaroSz iS enJoying With her time divided between touring a moment of rare respite in the midst of and studies at Boston’s new england an extensive summer tour. “it’s been pretty Conservatory of Music, Jarosz concedes that rigorous, but it’s been good,” says the Texas finding opportunities to write new material native with a sigh. The fresh-faced 20-year-old has been a challenge—and has accordingly is clearly more than up to the demands of seen fit to express herself through an eclectic the road—but as evidenced on Follow Me choice of covers. Follow Me Down finds Down, her new sophomore album, Jarosz’s her tackling Bob Dylan’s “ring Them Bells” JULY/AUGUST 2011 abilities on guitar, banjo, piano, mandolin and radiohead’s “The Tourist,” the latter of and vocals belie her years. Touted as a which evolved out of an impromptu jam with M MUSIC & MUSICIANS child prodigy since her early teens, Jarosz Punch Brothers mandolinist Chris Thile. MAGAZINE shrugs off the label. “i don’t know if i am “i feel lucky to have grown up listening to or not,” she says. “i think it had more to different styles and not being closed off to any do with being surrounded by so many of particular genre,” she says. my heroes and being able to learn from Jarosz has come a long way since them at an early age.” her breakthrough performance at the 2007 indeed, Jarosz’s grammy-nominated Telluride Bluegrass Festival. -
The Dark Side User Manual
USER MANUAL 1.0.2 EASTWEST | THE DARK SIDE IMPORTANT COMPATIBILITY NOTE! Our Revolutionary New Opus Software Engine Our brand new Opus software engine has been years in development, and replaces the Play engine. All EastWest Libraries (with the exception of the original Hollywood Orchestra, the original Hollywood Solo Instruments, and the MIDI Guitar Series) are supported in Opus, allowing them to take advantage of a faster, more powerful, more flexible, and better looking software engine. Opus comes with some incredible new features such as individual instrument down- loads, customized key-switches, new effects for the mixer page, scalable retina user interface upgrades for legacy products, a powerful new script language, and many more features that allow you to completely customize the sound of each instrument. It’s one of the most exciting developments in the history of our company and will be the launching pad for many exciting new products in the future. Using Opus and Play Together Opus and Play are two separate software products, anything you have saved in your projects will still load up inside the saved Play version of the plugins. You can update your current/existing projects to Opus if you so choose, or leave them saved within Play. After purchasing or upgrading to Opus you do not need to use Play, but it may be more convenient to make small adjustments to an older composition in your DAW loading the instruments saved in Play instead of replacing them with Opus. For any new composi- tion, just use Opus. A Note About User Manuals All EastWest Libraries have their own user manuals (like this one) that refer to instru- ments and controls that are specific to their respective libraries, as well as referencing the Play User Manual for controls that are common to all EastWest Libraries. -
Calendar Filled with Holes by Adrienne Belz Girl’S Soccer Game Against Bryan
the Vol. 57 No. 5 bagpipeonline.com BAGPIPEOctober 7, 2010 The Parking Lottery Exploring Covenant’s parking vices and virtues ANNIE HUNTINGTON by Karin Olson late to class looking for one.” plaints have been from off-campus However, many students find parking. [email protected] Greg Ford, Safety and Security students. parking at Scotland Yard to be “They should either not let Coordinator, believes frustration There are an estimated 834 park- inconvenient. freshmen have cars or they need to For those driving cars at Covenant with parking anywhere is inevi- ing spaces on Covenant’s campus “I didn’t pay $100 for an off- invest more money in off-campus College, finding a parking spot can table. where students may park. This campus sticker so I could park in parking for students,” said Gore. quickly spiral into a moment of “I often feel that Covenant gets a year, the school sold about 680 Scotland Yard. By the time I get to Parking permits at Covenant anxiety and frustration. ‘bad rap’ when it comes to parking permits. Ford said the lots closer to school, I don’t have time for a long are $100 for main campus park- “You’re lucky to find a parking simply because parking is a sensi- campus are clogged because people walk up from one of the satellite ing (off-campus parking permit spot the first few lots you try,” said tive issue anywhere you go,” he are refusing to park in Scotland parking lots,” said senior Lisa Cow- free of charge), $75 for Scotland senior Alison Gore, who lives off said. -
All Around the World the Global Opportunity for British Music
1 all around around the world all ALL British Music for Global Opportunity The AROUND THE WORLD CONTENTS Foreword by Geoff Taylor 4 Future Trade Agreements: What the British Music Industry Needs The global opportunity for British music 6 Tariffs and Free Movement of Services and Goods 32 Ease of Movement for Musicians and Crews 33 Protection of Intellectual Property 34 How the BPI Supports Exports Enforcement of Copyright Infringement 34 Why Copyright Matters 35 Music Export Growth Scheme 12 BPI Trade Missions 17 British Music Exports: A Worldwide Summary The global music landscape Europe 40 British Music & Global Growth 20 North America 46 Increasing Global Competition 22 Asia 48 British Music Exports 23 South/Central America 52 Record Companies Fuel this Global Success 24 Australasia 54 The Story of Breaking an Artist Globally 28 the future outlook for british music 56 4 5 all around around the world all around the world all The Global Opportunity for British Music for Global Opportunity The BRITISH MUSIC IS GLOBAL, British Music for Global Opportunity The AND SO IS ITS FUTURE FOREWORD BY GEOFF TAYLOR From the British ‘invasion’ of the US in the Sixties to the The global strength of North American music is more recent phenomenal international success of Adele, enhanced by its large population size. With younger Lewis Capaldi and Ed Sheeran, the UK has an almost music fans using streaming platforms as their unrivalled heritage in producing truly global recording THE GLOBAL TOP-SELLING ARTIST principal means of music discovery, the importance stars. We are the world’s leading exporter of music after of algorithmically-programmed playlists on streaming the US – and one of the few net exporters of music in ALBUM HAS COME FROM A BRITISH platforms is growing. -
Record Collector Magazine
The Year of the HOBSE hat Mark Linkous of priated lyrical inspiration from south Waits, Grandaddy and Mercury Rev, Sparklehorse once briefly Virginian novelists, Ohio-born cinematog- Sparklehorse cut through their off-kilter died is probably the least raphers and film-makers, l6th Century music with almost perverse experimenta- interesting thing about him. English dramatists, esoteric American tion. They are as likely to create vigorous, In 1997, the American musician troubadors, a French poet and music critic feedback-enfettered rock songs as they collapsed in the en suite bathroom of and a deadpan American songlrrriter. He's are drowsy instrumentals; as likely to a London hotel with his legs pinned also sung about: pigs, horses, butchered forge fragile, debilitated ballads as beneath him for 14 hours. He was cows, "painbirds" and "pianobirds", esoteric, sample-heavy interludes. eventually found by a maid and rabbits, spiders, insects, leeches, hum- For the most part, this music is taken to St. Mary's Hospital, where, mingbirds, "hundreds of sparrows", poignant, melancholic and touching. On for two minutes, his heart stopped wolves, crows, snails, dogs, tigers and their first album, Viuadixiesubmarine- beating. It reads like a meta "more yellow birds". transmissionplot, Linkous even sang rock'n'roll story for a man who like Mark Linkous and his more or less about rescuing an iniured hawk: "I chased kindred spirits Grandaddy - anon)"rnous -has co-conspirators crush guitars, him round, tried to pick him up." Linkous tried to circumvent rock'n'roll clich6. tape loops, organs and frequently distort- has explained, "but he kept biting Nearly dying isn't cool. -
David Lynch to Show New Works at Solo Gallery Exhibition.” Los Angeles Times
Ng, David. “David Lynch to show new works at solo gallery exhibition.” Los Angeles Times. 14 November 2013. Web. David Lynch to show new works at solo gallery exhibition David Lynch will be opening a show this month at Kayne Griffin Corcoran. It will run Nov. 23 through Jan.4. David Lynch hasn't released a new feature since "Inland Empire" in 2006, but the director has been creating visual art and exhibiting surreal creations in gallery shows. Lynch held solo exhibitions in Los Angeles in 2009 and 2011, and will be opening yet another show this month at Kayne Griffin Corcoran. The exhibition, which is being curated by Brett Littman, executive director of the Drawing Center in New York, will focus on how Lynch uses "naming" in film, photography, drawings and other works dating from 1968 to the present. Kayne Griffin Corcoran said the show will run from Nov. 23 to Jan. 4, and will feature a group of new paintings, drawings and watercolors by Lynch. The filmmaker, whose credits include "Blue Velvet," "Mulholland Dr." and the "Twin Peaks" television series, has previously exhibited his art at William Griffin Gallery in Santa Monica. In 2009, he showed original artwork for the album "Dark Night of the Soul," featuring music by Danger Mouse and Sparklehorse, at L.A.'s Michael Kohn Gallery. Next year, Lynch's work will be the subject of a retrospective show at the Pennsylvania Academy of Fine Arts in Philadelphia, where the director studied in his youth. The show will feature approximately 75 paintings and drawings created by Lynch since 1965. -
N Ew Y O R K F Lu T E F a Ir 2021
The New York Flute Club Nancy Toff, President Deirdre McArdle, Flute Fair Program Chair The New York Flute Fair 2021 A VIRTUAL TOOLBOX with guest artist Julien Beaudiment Principal flutist, Lyon (France) Opera Orchestra Saturday and Sunday, April 10 and 11, 2021 via Zoom NEW YORK FLUTE FAIR 2021 BOARD OF DIRECTORS NANCY TOFF, President PATRICIA ZUBER, First Vice President KAORU HINATA, Second Vice President DEIRDRE MCARDLE, Recording Secretary KATHERINE SAENGER, Membership Secretary MAY YU WU, Treasurer AMY APPLETON JEFF MITCHELL JENNY CLINE NICOLE SCHROEDER RAIMATO DIANE COUZENS LINDA RAPPAPORT FRED MARCUSA JAYN ROSENFELD JUDITH MENDENHALL RIE SCHMIDT MALCOLM SPECTOR ADVISORY BOARD JEANNE BAXTRESSER ROBERT LANGEVIN STEFÁN RAGNAR HÖSKULDSSON MICHAEL PARLOFF SUE ANN KAHN RENÉE SIEBERT PAST PRESIDENTS Georges Barrère, 1920-1944 Eleanor Lawrence, 1979-1982 John Wummer, 1944-1947 John Solum, 1983-1986 Milton Wittgenstein, 1947-1952 Eleanor Lawrence, 1986-1989 Mildred Hunt Wummer, 1952-1955 Sue Ann Kahn, 1989-1992 Frederick Wilkins, 1955-1957 Nancy Toff, 1992-1995 Harry H. Moskovitz, 1957-1960 Rie Schmidt, 1995-1998 Paige Brook, 1960-1963 Patricia Spencer, 1998-2001 Mildred Hunt Wummer, 1963-1964 Jan Vinci, 2001-2002 Maurice S. Rosen, 1964-1967 Jayn Rosenfeld, 2002-2005 Harry H. Moskovitz, 1967-1970 David Wechsler, 2005-2008 Paige Brook, 1970-1973 Nancy Toff, 2008-2011 Eleanor Lawrence, 1973-1976 John McMurtery, 2011-2012 Harold Jones, 1976-1979 Wendy Stern, 2012-2015 Patricia Zuber, 2015-2018 FLUTE FAIR STAFF Program Chair: Deirdre McArdle -
A Centenary Celebration 100 Years of the London Chamber Orchestra
Available to stream online from 7:30pm, 7 May 2021 until midnight, 16 May 2021 A Centenary Celebration 100 years of the London Chamber Orchestra Programme With Christopher Warren-Green, conductor Handel Arrival of the Queen of Sheba Jess Gillam, presenter Mozart Divertimento in D Major, K205, I. Largo – Allegro Debussy Danses Sacrée et Profane Maconchy Concertino for Clarinet and Orchestra, III. Allegro Soloists Mozart Eine Kleine Nachtmusik, I. Allegro Anne Denholm, harp Britten Courtly Dance No. 5 Mark van de Wiel, clarinet Maxwell Davies Farewell to Stromness Various A Century of Music (premiere) Soloists, A Century of Music Elgar Introduction and Allegro Mary Bevan, soprano Pekka Kuusisto, violin London Chamber Orchestra Alison Balsom, trumpet Ksenija Sidorova, accordion Violin 1 Viola Flute & Piccolo Benjamin Beilman, violin Clio Gould Rosemary Warren-Green Harry Winstanley Jess Gillam, saxophone Manon Derome Kate Musker Gina McCormack Becky Low Oboe Sophie Lockett Jenny Coombes Gordon Hunt Imogen East Alison Alty Composers, A Century of Music Eunsley Park Cello Rob Yeomans Robert Max Clarinet & Bass Clarinet John Rutter Edward Bale Joely Koos Mark van de Wiel Freya Waley-Cohen Julia Graham Violin 2 Rachael Lander Bassoon Paul Max Edlin Charles Sewart Meyrick Alexander George Morton Anna Harpham Bass Alexandra Caldon Andy Marshall Horn Tim Jackson Guy Button Ben Daniel-Greep Richard Watkins Jo Godden Michael Thompson Gabriel Prokofiev Harriet Murray Percussion Cheryl Frances-Hoad Julian Poole Trumpet Ross Brown If you’re joining us in the virtual concert hall, we’d love to know about it! Tag us on your social media using the hashtag #LCOTogether George Frideric Handel Wolfgang Amadeus Mozart Arrival of the Queen of Sheba Divertimento in D Major, K205 I. -
Guitar Week, July 24-30, 2016 7:30- 8:30 Breakfast
JULY 3 - AUGUST 6, 2016 AT WARREN WILSON COLLEGE, ASHEVILLE, NC The Swannanoa Gathering Warren Wilson College, PO Box 9000, Asheville, NC 28815-9000 phone/fax: (828) 298-3434 email: [email protected] • website: www.swangathering.com shipping address: The Swannanoa Gathering, 701 Warren Wilson Rd., Swannanoa, NC 28778 For college admission information contact: [email protected] or 1-800-934-3536 WARREN WILSON COLLEGE CLASS INFORMATION President Dr. Steven L. Solnick The workshops take place at various sites around the Warren Wilson Vice President and Dean of the College Dr. Paula Garrett campus and environs, (contact: [email protected] or 1-800-934-3536 Vice President for Administration and Finance Stephanie Owens for college admission information) including classrooms, Kittredge Theatre, our Vice President of Advancement K. Johnson Bowles Bryson Gym dancehall and campus Pavilion, the campus gardens and patios, Vice President for Enrollment and Marketing Janelle Holmboe Dean of Student Life Paul Perrine and our own jam session tents. Each year we offer over 150 classes. Students are Dean of Service Learning Cathy Kramer free to create their own curriculum from any of the classes in any programs offered Dean of Work Ian Robertson for each week. Students may list a class choice and an alternate for each of our scheduled class periods, but concentration on two, or perhaps three classes is THE SWANNANOA GATHERING strongly recommended, and class selections are required for registration. We ask that you be thoughtful in making your selections, since we will consider Director Jim Magill them to be binding choices for which we will reserve you space. -
John Marks Exits Spotify SIGN up HERE (FREE!)
April 2, 2021 The MusicRow Weekly Friday, April 2, 2021 John Marks Exits Spotify SIGN UP HERE (FREE!) If you were forwarded this newsletter and would like to receive it, sign up here. THIS WEEK’S HEADLINES John Marks Exits Spotify Scotty McCreery Signs With UMPG Nashville Brian Kelley Partners With Warner Music Nashville For Solo Music River House Artists/Sony Music Nashville Sign Georgia Webster Sony Music Publishing Renews With Tom Douglas John Marks has left his position as Global Director of Country Music at Spotify, effective March 31, 2021. Date Set For 64th Annual Grammy Awards Marks joined Spotify in 2015, as one of only two Nashville Spotify employees covering the country market. While at the company, Marks was instrumental in growing the music streaming platform’s Hot Country Styles Haury Signs With brand, championing new artists, and establishing Spotify’s footprint in Warner Chappell Music Nashville. He was an integral figure in building Spotify’s reputation as a Nashville global symbol for music consumption and discovery and a driver of country music culture; culminating 6 million followers and 5 billion Round Hill Inks Agreement streams as of 4th Quarter 2020. With Zach Crowell, Establishes Joint Venture Marks spent most of his career in programming and operations in With Tape Room terrestrial radio. He moved to Nashville in 2010 to work at SiriusXM, where he became Head of Country Music Programming. During his 5- Carrie Underwood Deepens year tenure at SiriusXM, he brought The Highway to prominence, helping Her Musical Legacy With ‘My to bring artists like Florida Georgia Line, Old Dominion, Kelsea Ballerini, Chase Rice, and Russell Dickerson to a national audience. -
Kauffman Center for the Performing Arts (816) 994-7229 | [email protected]
NEWS RELEASE Contact: FOR IMMEDIATE RELEASE Bess Wallerstein Huff, Director of Marketing Monday, March 13, 2017 Kauffman Center for the Performing Arts (816) 994-7229 | [email protected] KAUFFMAN CENTER FOR THE PERFORMING ARTS ANNOUNCES TWO NEW CONCERTS Michael McDonald and Boz Scaggs perform June 17 Mary Chapin Carpenter and special guest Sarah Jarosz perform July 26 Kansas City, MO – Today, the Kauffman Center for the Performing Arts announced two new concerts in the Kauffman Center Presents series. Classic rock standouts Michael McDonald and Boz Scaggs will perform in Muriel Kauffman Theatre on Saturday, June 17. Both musicians made their names as members of legendary rock groups and have since enjoyed successful solo careers. McDonald sang with Steely Dan and was a member of The Doobie Brothers. Scaggs spent time as lead singer for the Steve Miller Band. Tickets for the event range from $59 to $139, and go on sale to the public at 10 a.m. Friday, March 24. Folk and country singer-songwriter Mary Chapin Carpenter will be joined by special guest Sarah Jarosz on Wednesday, July 26 in Muriel Kauffman Theatre. Carpenter is a five-time GRAMMY Award-winner and Nashville Songwriters Hall of Fame inductee. Jarosz took home this year’s GRAMMY awards for Best American Roots Performance and Best Folk Album. Tickets for the event range from $29 to $69, and go on sale to the public at 10 a.m. Friday, March 24. Tickets will be available through the Kauffman Center Box Office at (816) 994-7222, via the Kauffman Center mobile app, or online at www.kauffmancenter.org.