Romance Languages 506 LITERATURE
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Between Worlds Contents
BETWEEN WORLDS CONTENTS 14 Acknowledgments 16 Introduction Timothy 0. Benson and Eva Forgacs SECTION 1: STYLE AS THE CRUCIBLE OF PAST AND FUTURE Chapter 1: National Traditions Germany Carl Vinnen. "Quousque Tandem," from A Protest of German Artists [1911I Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) Czech-Speaking Lands Milos Jiranek, "The Czechness of our Art," Radikatni iisty (1900I Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled ii9ii) Poland Juliusz Kaden-Bandrowski, "Wyspiariski as a Painter-Poet (Personal Impressions]," Przeglqd Poranny I1907] Stanistaw Witkiewicz, Excerpts from Jon Matejko (1908) Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" I1912I Wtodzirnierz Zu-tawski, "Wyspiariski's Stained Glass Windows at the Wawel Cathedral," Maski (1918] Hungary Lajos Fulep, Excerpt from Hungarian Art I1916I Yugoslavia Exhibition Committee of University Youth (Belgrade], Invitation Letter (1904) Chapter 2: New Alternatives Prague Emil Filla, "Honore Daumier: A Few Notes on His Work," Volne smery (1910] Pavel Janak, "The Prism and the Pyramid" Umeiecky mesicnik (1911] Otto Gutfreund, "Surface and Space," Umeiecky mesicnik (1912) Emil Filla, "On the Virtue of Neo-Primitivism," Volne smery (1912) Vaclav Vilem Stech, Introduction to the second Skupina exhibition catalogue (1912) Bohumil Kubista, "The Intellectual Basis of Modern Time," Ceska kutturo I1912-13] Josef Capek, Fragments of correspondence I1913] Josef Capek, "The Beauty of Modern Visual Form," Printed [1913-14I Vlastislav Hofman, "The Spirit of Change in Visual Art," Almanoch no rok [1914) Budapest Gyb'rgy Lukacs, "Forms and the Soul," Excerpt from Richard Beer-Hoffmann 11910) Karoly Kernstok, "Investigative Art," Nyugat (1910) Gyorgy Lukacs, "The Ways Have Parted," Nyugat [1910) Karoly Kernstok, The Role of the Artist in Society," Huszadik szazad (1912) Bucharest Ion Minulescu, Fragment from "Light the Torches," Revisto celorlaiti (1908) N. -
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De Styl 2x2 <rH IRH & Weimar Biflxelles OER STURM L'ESPRIT Berlin £ Wlan NOUVEAU 3 o CO a LA o .6 VIE o s £ D E Paris PQ S IU LETTRES DIE AKTION ET DES ARTS Paris ZEMIT Berlin Berlin InternaclonAIlt akllvlsta mQv^ssetl foly61rat • Sserkeutl: KattAk Uijof m Fe- leldssievkesxtO: Josef Kalmer • Sxerkesxtds^g £• klad6hlvafal: Wlen, XIIL Bei* Amallenstrasse 26. L 11 • Megjelen^s dAtuma 1922 oktdber 19 m EUfflrctM Ar: EOT £VRE: 3S.OOO osztr&k kor^ 70 ssokol, lOO dlnAr, 200 lei, SOO mArka m EQTE8 SZXM XltA: 3000 ositrAk korona, 7 siokol, lO dlnAr, 20 lei, SO mArka MA •b VIE 6vfolyam, 1. tx6m • A lapban megJelenO clkkek6rt a weriO felel. Drackerei .Elbemflfcl", Wien, IX., Berggtue 31. a sourcebook of central european avant-gardes, 1910-1930 CONTENTS 14 Acknowledgments 16 | Introduction Timothy 0. Benson and Eva Forgacs 49 Germany 50 Carl Vinnen, "Quousque Tandem," from A Protest of German Artists (1911) 52 Wilhelm Worringer, "The Historical Development of Modern Art," from The Struggle for Art (1911) 55 Czech-Speaking Lands 56 Milos Jiranek, "The Czechness of our Art," Radikalni tisty (1900) 57 Bohumil Kubista, "Josef Manes Exhibition at the Topic Salon," Prehled [1911) 59 Poland 60 ; Juliusz Kaden-Bandrowski, "Wyspianski as a Painter-Poet (Personal Impressions)," Przeglad Poranny (1907) 61 Stanistaw Witkiewicz, Excerpts from Jan Matejko (1908) 64 Jacek Malczewski, "On the Artist's Calling and the Tasks of Art" (1912) 66 Wiodzimierz Zutawski, "Wyspianski's Stained Glass Windows at the Wawel Cathedral," Maski (1918) 70 Hungary 71 ! Lajos Fulep, -
„Partizanatul Fanatic”. O Interogaţie Despre Obsesia Modelului În Critica Literară
sincronizare durabilitate FONDUL SOCIAL EUROPEAN Investeşte în Modele culturale OAMENI EUROPENE Modele, continuităţi şi rupturi în poezia română contemporană Autor:Anca-Raluca I. PERŢA Lucrare realizată în cadrul proiectului "Cultura română şi modele culturale europene - cercetare, sincronizare, durabilitate", cofinanţat din FONDUL SOCIAL EUROPEAN prin Programul Operaţional Sectorial pentru Dezvoltarea Resurselor Umane 2007 – 2013, Contract nr. POSDRU/159/1.5/S/136077. Titlurile şi drepturile de proprietate intelectuală şi industrial ă asupra rezultatelor obţinute în cadrul stagiului de cercetare postdoctorală aparţinAcademiei Române. * * * Punctele de vedere exprimate în lucrare aparţin autorului şi nu angajează Comisia Europeană şi Academia Română, beneficiara proiectului. DTP, complexul editorial/ redacţional, traducerea şi corectura aparţin autorului. Descărcare gratuită pentru uz personal, în scopuri didactice sau ştiinţifice. Reproducerea publică, fie şi parţială şi pe orice suport, este posibilă numai cu acordul prealabil al Academiei Române. ISBN 978-973-167-334-9 SUMAR Cap. I. Partizanatul fanatic. O interogaţie despre obsesia modelului în critica literară 1. O introducere…………………………………………………….................................. 4 2. În aș teptarea „marelui poet, poate nenăscut”..................................................................... 6 3. „Anxietatea influenţei” – o teorie a Modelului? ................................................................ 9 4. Critica literară, Sublimul şi Modelul. „What could a literary -
The Turn. Liviu Rebreanu's Hungarian Drama and Drama Fragments
Acta Universitatis Sapientiae, Philologica, 3, 1 (2011) 79-88 The Turn. Liviu Rebreanu’s Hungarian Drama and Drama Fragments Béla BÍRÓ Sapientia University Department of Humanities [email protected] Abstract. The paper focuses on that moment of Liviu Rebreanu’s activity as a writer when his linguistic turn takes place. The author of Romanian nationality living in the Hungarian state before Trianon, who, according to the ambitions of the family wishing to rise, pursues his school studies in the Hungarian language, writes his first literary experiments (dramas, novel fragments and short stories) in Hungarian. However, while writing the drama fragment entitled Gigi (Ghighi), the writer, dismissed from the army and going through an existential crisis, continues to write in Romanian; through a few pages he translates the text started in Hungarian into Romanian, then he continues it exclusively in Romanian. But the change of the target public – due to significant social and cultural differences – does not make it possible for him to render the selected life material of autobiographical character as originally planned. The text remains in a fragmentary form. The adequate rendering of the autobiographical motifs chosen as the materials of the first works can take place only in his great novels (first of all in Ion and in The Forest of the Hanged [Pădurea spânzuraţilor]), as long as it is in these that the author and his public (implicitely the narrator of the novels and the fictitious readers) can really meet. Based on the reconsideration of the problem of form-content, the study follows the changes that the autobiographical motifs undergo in the communicative space of successive works, as well as the functional mechanisms of rendering. -
Perpessicius-Mentiuni-Critice.Pdf
PERPESSICIUS MEN|IUNI CRITICE CUPRINS Not[ asupra edi\iei .....................................................................2 Tabel cronologic ..........................................................................3 MEN|IUNI DE ISTORIOGRAFIE LITERAR{ +I FOLCLOR LOCUL LUI DIMITRIE CANTEMIR }N LITERATURA ROM~N{ .... 11 LA CENTENARUL LUI ANTON PANN ......................................... 29 EMINESCIANA PROZA LITERAR{ A LUI EMINESCU ......................................... 64 EMINESCU +I TEATRUL .......................................................... 107 POSTUMELE LUI EMINESCU .................................................. 132 EMINESCU +I FOLCLORUL ..................................................... 140 ALECSANDRIANA POEZIA LUI VASILE ALECSANDRI ........................................... 170 ALECSANDRI +I LIMBA LITERAR{ .......................................... 191 VASILE ALECSANDRI, DUP{ 75 DE ANI .................................. 208 MEN|IUNI CRITICE BOGDAN PETRICEICU HASDEU .............................................. 215 CARAGIALE — }NTEMEIETORUL REALISMULUI NOSTRU CRITIC ..................................................................... 244 NOTE DESPRE ARTA PROZEI LA CARAGIALE .......................... 248 GEORGE CO+BUC .................................................................. 262 LIRISM +I NARA|IUNE }N OPERA LUI MIHAIL SADOVEANU 265 CARTEA POEMELOR NE-”OSTENITE” ..................................... 270 ACTUALITATEA LUI BACOVIA ................................................ 274 CAMIL PETRESCU +I -
Felix Aderca – Mãrturiile Unui Mãrturisitor Al Unei Generaþii
www. revista-mozaicul.ro REVISTà DE CULTURà FONDATà LA CRAIOVA, ÎN 1838, DE CONSTANTIN LECCA • SERIE NOUà • ANUL XVI • NR. 1 (171) • 2013 • 24 PAGINI • 2 lei nnn CONSTANTIN M. POPA exclusivitate Într-acolo se moare ºi l-am trimis chiar în acea direcþie fãrã ezitãri fãrã vestiri de tâlcuri fãrã obsesia bibliotecii din Alexandria doar cu gândul la severa jubilaþie a sfârºitului Va fi frumos va fi îngrozitor cu sumbra mãreþie a prãbuºirilor interioare printre cuvinte explodând cu cenuºa lui Händel împrãºtiatã din urnele corurilor gospel cu vacarmul vastei claviaturi a lavelor eliberate din ogive în recea sclipire a focurilor de artificii Gheþari în flãcãri precum girafele lui Dali oraºele reptile sfârtecate de ochii asteroizilor cãrþi înecate în stranii valuri agonia regnului fãrã nume al diferenþelor dintre bolgii ºi ceruri neutralizate Acolo se moare în caligrafii rânjinde ºi propoziþii eliptice de-a lungul unor elaborãri vehemente în alba tristeþe a paginilor sacre nu puteam rata aceastã Apocalipsã Va avea ce povesti supravieþuitorilor. Felix Aderca – mãrturiile unui mãrturisitor al unei generaþii Confesiuni Sabin Pautza: „muzica este materie organizatã” Miºcarea ideilor: Felix Aderca, „un nostalgic al viitorului” Semneazã: George Popescu l Gabriel Nedelea l Maria Dinu l Ovidiu Ghidirmic l Cristinel Marco Lucchesi – Trandafir l Daniela Micu poeme l Petriºor Militaru l Viorel Pîrligras l Anca Rãdulescu Raffaello Sanzio da Urbino - Portretul lui Bindo Altoviti is hosting a spectacular retrospective of ooo the great 16th Century Renaissance pain- NNN 111 (171) • 2013 ter and artist Raphael. The exhibition spe- cifically portrays the latter years of the In this issue: ARTE artist when he was living in Rome; his tri- Mihaela VELEA: Klimt & Künstler- umphant popularity and the golden op- AVANTEXT kompagnie portunity he seized of working for two Constantin M. -
Ion D. Sîrbu Mama Africa
Revistă de cultură, informaţie și atitudine editată de Teatrul Naţional „Marin Sorescu“, Craiova nr. 1 (43) | Ianuarie – Aprilie 2021 Nicolae COANDE „Ultimele” Ion D. Sîrbu Andrei ȘERBAN în dialog cu Nicolae Coande „M-ar bucura să colaborez cu Teatrul din Craiova” George BANU Andrei Șerban – Inteligența inimii Marius DOBRIN Mama Africa HEKTOMERON1 „VĂRUL SHAKESPEARE“, CLAUDIU BLEONŢ, GEORGE ALBERT COSTEA © FLORIN CHIREA Peter Brook: „Între actori și spectatori nu există decât o diferență de situație și nici o opoziție fundamentală“. Nicolae Coande „Ultimele“ Ion D. Sîrbu ........................................................................................................................................................................................................... 4 *** Vărul Shakespeare în varianta engleză ....................................................................................................................................................... 5 Marius Dobrin Cap! Cap! Cap! ..................................................................................................................................................................................................................................... 6 Andrei Șerban „M-ar bucura să colaborez cu Teatrul din Craiova“ ...................................................................................................................... 11 SUMAR George Banu Andrei Șerban – Inteligența inimii ................................................................................................................................................................... -
Engaged in Action As Character
MINISTRY OF EDUCATION, RESEARCH, YOUTH AND SPORT “1 DECEMBRIE 1918” UNIVERSITY OF ALBA IULIA FACULTY OF HISTORY AND PHILOLOGY Ph. D. THESIS Summary SCIENTIFIC COORDINATOR: Professor Doctor Mircea Braga Ph. D. Candidate Maria Spătariu ALBA IULIA 2010 MINISTRY OF EDUCATION, RESEARCH, YOUTH AND SPORT “ 1 DECEMBRIE 1918” UNIVERSITY OF ALBA IULIA FACULTY OF HISTORY AND PHILOLOGY REPORTAGE AND LITERATURE: DISSOCIATIONS AND INTERFERENCES IN THE ROMANIAN LITERATURE Summary SCIENTIFIC COORDINATOR: Professor Doctor Mircea Braga Ph. D. Candidate Maria Spătariu ALBA IULIA 2010 Content Foreword………………………………….……….…...…………………….……..….p. 5 Chapter I. The reportage, literature and journalism triangle..........................................p. 8 I. 1. Reviews and controversies in defining reportage........................................p. 9 I. 2. Reportage and journalistic writing.............................................................p. 11 I. 3. Reportage and literature............................................................................p. 14 I. 4. The features of reportage as literary and communication act ………......p. 19 I. 5. Author - character, author - narrator and narrator – lecturer relations ..... p. 20 I. 6. Interferences between literature and journalism……................................p. 22 I. 7. The typology of reportage .........................................................................p. 29 Chapter II. Foreshadowing reportage (from chronicles to travel notes)…..............… p. 32 II. 1. Elements of reportage in the Romanian -
The Uprising” Novel Map
International Review of Social Research 2016; 6(2): 91–97 Research Article Open Access Theodor Cepraga “The Uprising” Novel Map. Real and Imaginary Space in Liviu Rebreanu’s Vision DOI 10.1515/irsr-2016-0012 representations of the space in literary works, while the Received: February 23, 2016; Accepted: April 29, 2016 third is called géopoétique and concentrates on the Abstract: The literary works represent a genuine source relations between the space and the literary genres. for researching and understanding the geographical On the other hand, the idea of the “Literary Atlas of space. Most of the time, this space is perceived and Europe” contributes to the creation of a bridge between figured in various ways by the different authors referring literature and the geographical space with the help of GIS to it. When available, the best way to study these (Geographical Information System) (Reuschel, Piatti, and mental representations is by using maps created by the Hurni, 2013). In this project the authors have developed a authors themselves. This article concentrates on Liviu method to map the different spatial data encountered in a Rebreanu’s novel “The Uprising” and on the map which given text. A similar study uses GIS to map qualitative data helped him to better depict the plot and the characters. extracted from literary works, associating the emotions The cartographical representation was created by Liviu and the feelings described with the geographical space Rebreanu and was published together with other drafts (Cooper and Gregory, 2011). from the author’s personal archive. The paper analyzes the In Romania, Andreea Răsuceanu (2013) uses the map using cartographical, historical and literary sources concepts of narrative space and literary geography to with the aim of understanding how the author reshaped examine the writings of Mircea Eliade from a spatial the real space to better suit his literary imagination. -
Post-Communist Romanian Cinema: Context and the Turn to Realism
MA MAJOR RESEARCH PAPER Post-Communist Romanian Cinema: Context and the Turn to Realism Dana Iliescu j. Supervisor: Janine Marchessault Second Reader: Jean Bruce The Major Research Paper is submitted in partial fulfillment of the requirements for the degree of Master of Arts Joint Graduate Program in Communication & Culture Ryerson University - York University Toronto, Ontario, Canada May 6, 2009 o Contents Introduction .....................................................................................................................2 Part 1: The Reality of Romanian Cinema ........................................................................ 8 Contexts ........................................................................................................................... 9 Pre-Communism .............................................................................................................14 Communism and After .................................................................................................... 17 The Mode of Film Production .......................................................................................... 19 Part 2: Realism ................................................................................................................22 Origins .............................................................................................................................23 The Visibility of Post-Communist Space .......................................................................... 33 Moralities ..........................................................................................................................39 -
Romanian Literary Perspectives and European Confluences
IULIAN BOLDEA Romanian Literary Perspectives and European Confluences 2011 1 Romanian Literary Perspectives and European Confluences: Iulian Boldea, Edition asymetria, 2011 ISBN 978-2-9536827-0-0. EAN 9782953682700. Edition asymetria 16, residence Les Nouveaux Horizons, 78990 Elancourt, France Printed at S.C. Cromatic Tipo S.R.L. Tg. Mureș, Romania, Calarasilor Street No. 58, Post code 540046 ISBN 978-2-9536827-0-0 2 TABLE OF CONTENTS AN INTRODUCTION. THE CANON IN THE ROMANIAN LITERATURE ................................... 5 FAIRIES IN ROMANIAN FAIRY TALES .......................................................................................... 11 LITERATURE AND NATIONAL SPECIFICITY: LIVIU REBREANU ............................................ 18 SACRED AND PROFANE IN TUDOR ARGHEZI’S POETRY ........................................................ 23 LUCIAN BLAGA – METHAPHYSICAL COORDINATES OF THE POETIC DISCOURSE .......... 34 REPRESENTATIONS OF THE IMAGINARY IN THE ROMANIAN POETIC AVANT-GARDE 54 E. LOVINESCU AND THE ART OF PORTRAIT .............................................................................. 63 GEORGE BACOVIA AND THE AVATARS OF DAMNATION ..................................................... 75 THE SPACE OF THE CITY BETWEEN MYTH AND REALITY. ................................................... 83 IDENTITY AND RUPTURE IN E. CIORAN’S WORK ..................................................................... 87 N. STEINHARDT – THE WAY TO THE TRUTH ............................................................................ -
Relaţia Lucian Blaga – Nicolae Iorga. Între Adulaţie Şi Negaţie Sau O ,,Încrucişare” De Destine
Relaţia Lucian Blaga – Nicolae Iorga. Între adulaţie şi negaţie sau o ,,încrucişare” de destine Mihaela BACALI Universitatea din București, Şcoala Doctorală a Facultăţii de Limbi și Literaturi Străine University of Bucharesc, Doctoral School of Faculty of Foreign Languages and Literatures Personal e-mail: [email protected] The Lucian Blaga – Nicolae Iorga relationship. Between adulation and negation, or a crossroad of destinies The present article represents an analysis of the relationship between two major Romanian writers, Lucian Blaga and Nicolae Iorga, quite friendly in its beginnings, but trasnformed in a strong opposition with the gradual assertion of the poet in the literary life of the period. Which were the causes of this radical change, and also which were its consequences ? The article aims at answering these two questions, which, as simple as they may seem, actually realize an overview of the whole cultural field of the Romanian interwar. Keywords: history of Romanian literature Romanian interwar period, Lucian Blaga, Nicolae Iorga friendship, admiration, hostility, contestation, polemics ,,Nici unul dintre scriitorii contemporani cu filosoful G. Bogdan-Duică sau Iorga, nu au reuşit să înţeleagă opera român nu a trăit şi nu a lucrat într-un climat atât de lui Blaga, sau au judecat-o în afara unor criterii estetice. puţin prielnic creaţiei, într-o accentuată stare tensională, Deşi nu totdeauna a răspuns public acestor mostre de determinată de mobilizarea tuturor resurselor de apărare ,,intoleranţă agresivă”, considerând că a răspunde este ale organismului pentru a face faţă agresiunii psihice sub demnitatea sa, Blaga a fost profund marcat de lipsa exercitate asupra sa”, afirmă I.