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http://www.seemice.com/Hotel/rin-central-hotel- bucharest RIN Central Hotel Address: 55A, Traian Street City: Bucharest ZIP code: 051783 Country Romania Phone [email protected] No of rooms No of halls NAJVEĆA SALA 107 4 120 Surrounding City About us Facilities With an elegant interior and pleasant atmosphere, RIN Central Hotel guarantees a unique experience. Due to its convenient location, the hotel offers a beautiful view of WiFi the city, providing easy access to tourist attractions during the day and many options Restaurant for entertainment at night. Open parking lot Business center Accommodation RIN Central Hotel offers the 107 rooms, 21 rooms with 3 star classification and the rest of 86 with 4 stars classification. Also, there are 10 non-smoking rooms, 1 room for persons with special needs and 1 room for hypoallergenics. Conference capacities RIN Central Hotel offers a conference center with 4 halls accommodating up to 300 people, suitable for conferences, meetings and trainings. Equipped with the modern facilities, the conference center is the perfect venue for any event or presentation. Additional facilities Bar, limo service, laundry and cleaning services, concierge, room service U T TOTAL CLASSROOM BOARDROOM SQUARE THEATER CABARET BANQUET COCKTAIL W x L x H SHAPE SHAPE m2 Nicolae Iorga 45 - 60 84 - 120 - 80 120 139 - George Calinescu 28 - 30 48 - 70 - 40 60 70 - Mircea Eliade 28 - 30 48 - 70 - 40 60 70 - Liviu Rebreanu 12 - 8 10 - 15 - 10 10 25 - * Capacities by halls for different seating styles Technical equipment Projector Projection canvas Sound System Location Center of Bucharest, 19 km away from Henry Coanda International Airport, 1 km away from University Square (kilometer 0). GPS coordinates 26.120079 (Dužine / Longitude) 44.43011 (Širine / Latitude).

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The Turn. Liviu Rebreanu's Hungarian Drama and Drama Fragments
Acta Universitatis Sapientiae, Philologica, 3, 1 (2011) 79-88 The Turn. Liviu Rebreanu’s Hungarian Drama and Drama Fragments Béla BÍRÓ Sapientia University Department of Humanities [email protected] Abstract. The paper focuses on that moment of Liviu Rebreanu’s activity as a writer when his linguistic turn takes place. The author of Romanian nationality living in the Hungarian state before Trianon, who, according to the ambitions of the family wishing to rise, pursues his school studies in the Hungarian language, writes his first literary experiments (dramas, novel fragments and short stories) in Hungarian. However, while writing the drama fragment entitled Gigi (Ghighi), the writer, dismissed from the army and going through an existential crisis, continues to write in Romanian; through a few pages he translates the text started in Hungarian into Romanian, then he continues it exclusively in Romanian. But the change of the target public – due to significant social and cultural differences – does not make it possible for him to render the selected life material of autobiographical character as originally planned. The text remains in a fragmentary form. The adequate rendering of the autobiographical motifs chosen as the materials of the first works can take place only in his great novels (first of all in Ion and in The Forest of the Hanged [Pădurea spânzuraţilor]), as long as it is in these that the author and his public (implicitely the narrator of the novels and the fictitious readers) can really meet. Based on the reconsideration of the problem of form-content, the study follows the changes that the autobiographical motifs undergo in the communicative space of successive works, as well as the functional mechanisms of rendering.
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