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Network Time-Shift-Blog
Michael Biel [email protected] Time Shifting by the Networks The following posts by Elizabeth McLeod, a broadcast journalist and a free-lance broadcast historian specializing in the late 1920s and early 1930s, are reproduced with her permission. Date: Sun, 29 Mar 98 22:23:55 -0500 From: Elizabeth McLeod ([email protected]) Subject: Re: By Means of Electrical Transcription... I'm confused about when the practice of pre-recording (transcribing) radio shows began. I recall reading that the Bing Crosby show was the first transcribed network show (and I seem to recall a Crosby show in which guest star Grade Alien says "this isn 't radio, it's a transcription "), but I also seem to recall that Amos and Andy were distributed on disk. My confusion was added to when I read the little book that comes with the first Smithsonian set of Superman episodes (great set, btw) since there is a reference to prerecording the shows, but I know that The Lone Ranger and such were sometimes performed more than once for different time zones. What's confusing you is the difference between network shows and syndicated shows. "Amos 'n' Andy," when it began in 1928 was distributed by syndication by the Chicago Daily News on 78rpm records -- the first radio program to be pre-recorded in such a manner. This continued thru mid-August of 1929, and ended when the program went to NEC. Many syndicated shows followed in the late 20s and early 30s, including comedies, dramas, serials, and musical features. These were shows produced by independent packagers and sold to stations without the need for wire-line connections. -
Franklin Roosevelt, Thomas Dewey and the Wartime Presidential Campaign of 1944
POLITICS AS USUAL: FRANKLIN ROOSEVELT, THOMAS DEWEY, AND THE WARTIME PRESIDENTIAL CAMPAIGN OF 1944 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. POLITICS AS USUAL: FRANKLIN ROOSEVELT, THOMAS DEWEY AND THE WARTIME PRESIDENTIAL CAMPAIGN OF 1944 A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy By Michael A. Davis, B.A., M.A. University of Central Arkansas, 1993 University of Central Arkansas, 1994 December 2005 University of Arkansas Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ABSTRACT This dissertation examines the U.S. wartime presidential campaign of 1944. In 1944, the United States was at war with the Axis Powers of World War II, and Democrat Franklin D. Roosevelt, already serving an unprecedented third term as President of the United States, was seeking a fourth. Roosevelt was a very able politician and-combined with his successful performance as wartime commander-in-chief-- waged an effective, and ultimately successful, reelection campaign. Republicans, meanwhile, rallied behind New York Governor Thomas E. Dewey. Dewey emerged as leader of the GOP at a critical time. Since the coming of the Great Depression -for which Republicans were blamed-the party had suffered a series of political setbacks. Republicans were demoralized, and by the early 1940s, divided into two general national factions: Robert Taft conservatives and Wendell WiIlkie "liberals." Believing his party's chances of victory over the skilled and wily commander-in-chiefto be slim, Dewey nevertheless committed himself to wage a competent and centrist campaign, to hold the Republican Party together, and to transform it into a relevant alternative within the postwar New Deal political order. -
County D Emocratic Ticket S Napes
'Kidnaped' Child Found Dead in Parents' Home SEE STORY BELOW Weather HOME Sunny and cold today, high In THEDAILY mid-20s. Clear and cold tonight, low In teens. Tomorrow, mostly Red Bank, Freehold tunny, high around 30. Outlook Long Branch FINAL Saturday, Increasing cloudiness I 7 and cold. MONMOUTH COUNTY'S HOME NEWSPAPER FOR 89 YEARS DIAL 741-0010 VOL. 90, NO. 165 RED BANK, N. J., THURSDAY, FEBRUARY 22, 1968 10c PER COPY PAGE ONE Howard, Kiernan Ready, Campi, Bedell Uncertain County D emocratic Ticket Snapes By CHARLES A. JOHNSTON year to be effective Jan. 1. -man James M. Coleman Jr. of ed freeholder, the first in 30 FREEHOLD — Monmouth The problems in pulling this Asbury Park, who somehow got years for the Democrats in County Democrats are shaping ticket together are not as obvi- tabbed as a "conservative" Monmouth, and got along well up behind a ticket this year^ ous as real. candidate. with an otherwise all-Republi- of Howard, Kiernan, Campi and The advantages are over- The assemblyman has been can board. Bedell. whelming to a party that or- asked to bid again but so far In November, if he runs, he Rep. James J. Howard and dinarily, in a presidential year, is refusing. If he goes, there he would have to oppose Sheriff Paul Kiernan, who will stands to lose by substantial will be two reasons: he thinks the two Republicans he con- be running for re-election, like margins. that the trend is so strongly sorted with most, Director Jo- the combination. Only in 1964, when the Re- GOP that he can make it, and seph C. -
NBC Transmitter.
m NATIONAL EfiOADCASTINQ COMPANY, general library 30 ROCKEFELLER PLAZA, NEW YORK, N. 1 >:.-s Vr-. iS- ’ NBC VOL. 6 JANUARY, 1940 No. 1 LATEST PROGRESS IN TELEVISION NEW YEAR SftS MANY TRAINING FCC VIEWS NEW PORTABLE UNIT GROUPS HELD FOR YOUNGER MEN elevision de- S the New Year ajrproaches and gets underway, it finds T velops so rapid- AI the largest number yet of employe training courses ly that it is always in action. This is a result of the Company’s policy of filling outmoding its own vacancies from its own ranks. It has been said more and news. This month more often in the past few years that the Company is old there are several enough to prepare its personnel to fill the responsible posi- items for the record. tions created or opened as time goes on, and this year a We are all familiar more comprehensve effort than ever is being made in that with the ten-ton, direction. two-truck mobile Ashton Dunn of Personnel has already organized a group unit which has so for the purpose of learning the structure and activities of successfully picked various departments. It is similar to last year’s group which up such nemos as was developed to satisfy the expressed interest of the younger Evolution of an Idea. boxing and tennis employes. Some of the more specialized courses recently matches, and base- planned or begun are working in connection with the larger ball and football games. This sleek monster is the incredi- group to fill out the general training program. -
The American Legion Monthly [Volume 18, No. 3 (March 1935)]
rDhis (ZMonth — KARL W. DETZER * Rupert Hughes Marquis James ' How Can I—a Business Man— Really Learn Law at Home? are not alone in asking that question, etc. Their names and addresses are readily own individual needs. You study under a defi- YOUPractically every man has seen where available for your direct investigation. nite, clear-cut plan involving continual use of knowledge of law would have helped his Second: Out of this twenty-four years' ex- tne Problem Method, dealing with actual legal success. The entire structure of business is held perience in training so many individuals in problems. Thus you learn by actually handling together by contracts and legal relations—and sucn varying conditions, LaSalle naturally has le 8a l problems, analyzing cases, and making the man who knows law has a distinct advan- worked out, and perfected, the material and definite legal decisions—not by merely memo- tage—for himself and his firm. methods of 'teaching law by home study. We rizing rules. You will find it fascinating and Again, countless occasions arise outside of have had to meet, and solve, every possible practical—dealing with many of your own the office—rental leases, life insurance, inheri- problem. No matter what your situation, your problems. tance questions, domestic affairs, taxes and handicap, your education, your needs and de- Fifth: In certain permitted states, each year, trust agreements are but a few—on each of sires, etc.—we have already trained success- LaSalle trained men pass the bar examinations which you may stand to lose unless you know fully some man in similar circumstances. -
Akron1185381373.Pdf (1.49
© 2007 DAVID ZIETSMA ALL RIGHTS RESERVED IMAGINING HEAVEN AND HELL: RELIGION, NATIONAL IDENTITY, AND U.S. FOREIGN RELATIONS, 1930-1953 A Dissertation Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy David Zietsma August, 2007 IMAGINING HEAVEN AND HELL: RELIGION, NATIONAL IDENTITY, AND U.S. FOREIGN RELATIONS, 1930-1953 David Zietsma Dissertation Approved: Accepted: _____________________________ _____________________________ Advisor Department Chair Dr. Walter L. Hixson Dr. Walter L. Hixson _____________________________ _____________________________ Committee Member Dean of the College Dr. T. J. Boisseau Dr. Ronald F. Levant _____________________________ _____________________________ Committee Member Dean of the Graduate School Dr. Mary Ann Heiss Dr. George R. Newkome _____________________________ _____________________________ Committee Member Date Dr. Brant T. Lee _____________________________ Committee Member Dr. Elizabeth Mancke ii ABSTRACT This dissertation argues that religiously framed narratives of national identity conditioned the United States approach to the world from 1930 to 1953. When the Great Depression called into question U.S. manifest destiny, Americans reified their divine chosenness first through a “good neighbor” national image and later through a narrative imagining the United States as a righteous nation battling evil enemies. During the Franklin Roosevelt and Harry Truman administrations, competing religious groups/organizations -
Moviequizzex
SATITRDAY. SFPTEMRER 17. 1021 TIIE SEATTLE STAR PAGE a 1-?Mary Miles Minter, Colonial. 2?Alice Terry, Winter Garden. It?Bill Fairbanks, Hex. 4?Cullen Landis, Strnnd. s?Gladys Walton, Clemmer. G?Rudolph Valentino ard Stuart Holmes, Blue Mouse. 7?Tom Moore, Liberty. 8? Katherine MaeDonald, Coliseum. 1 ' ' Max Linder Film Ranks W ® H@air Picks the Subject to AT Rclure Pa/ier Archie llociln, former viudi'vlllit alar, W quit* > hit at Movie Good Ones Pruning Out MOVIES the strand U lii THE alngltig prologue Quizzex theatre till* link, nlifff ho the an Idol picture companies of "The Old Neat." Waverly-?lt that both A native of france ?and Motion are now I.eeter Cuneoa hobby In irurk i»r- la true reorganizing their deplng. The *ur of "Pat of I'KIM I>ou* ana Mary enjoyed aucceaaful of his homeland- Max Linder, the staffs to meet BL(*K MOl SB "The Four Hnrsemfii of the Apocalypae." with Till- din*" ha« hiii own private truii» "No ataiit' inreera before appearing: on changed condition* which hare Woman Know"." which cornea to the Clemmer next flaturday, will motion picture star, ha* an eye for Uolph (Valentino and Alice Tarry. ranch at hie Beverly Hill* lioma. Is one of the »rrirn, but whether they necessitated more economical produc- t'nlvaraal'a beat produttlona. Mutxl Julienne Hcott and Htuart auccumb to the attra* live offera feminine pulchritude that is truly STRAND?'The with Mary AMen. Jlolmea are leading munagera tion. In discunslng the changes at Old Neat." own In the rolra. from the theatrical re- The Wallace Held* havt their malna to he Mary la quoted Ziegfeldian. -
Bensman, Marvin R.; Walker, Dennis Sources of Broadcast Audio
DOCUMENT RESUME ED 109 724 CS 5,01 094 AUTHOR Bensman, Marvin R.; Walker, Dennis TITLE Sources of Broadcast Audio Programming. PUB DATE 75 NOTE 332p. EDRS PRICE MF-$0.76 HC-$17.13 PLUS POSTAGE DESCRIPTORS *Broadcast Industry; Instructional Materials; *Phonograph Records; *gadio; Resource Materials IDENTIFIERS *DiscographieS _ABSTRACT This publication'is the result of a search conducted for sources of,recordings of old radio programs. Section 1 consists of an annotated list of broadcast programs available on commercial phonograph records. Section 2 consists of an annotated listing of associations concerned with the preservation of recorded broadcast material, organizations which sell programs, newsletters and publications by individuals who collect and trade old radio prograts, and institutions which ha *e collections which are available to some degree for research and teaching purposes. Section 3 is a computerized- catalog of over 100 private collections which was devised to locate specific programs as well as to give some idea of the depth of the material available from such sources. (TS) ****************************************************4i***************** Documents acquired by ERIC Include manyinformal unpublished * materials not available from other sources. ERIC wakes everyeffort * * to obtain the best copy available. nevertheless, items ofmarginal * * reproducibility are often encountered and this affects thequality * * of the microfiche and hardcopy reproductions ERIC makesavailable * * via the ERIC Document Reproduction Service -
The Recording Musician and Union Power: a Case Study of the American Federation of Musicians
SMU Law Review Volume 37 Issue 4 Article 1 1983 The Recording Musician and Union Power: A Case Study of the American Federation of Musicians Robert A. Gorman Follow this and additional works at: https://scholar.smu.edu/smulr Recommended Citation Robert A. Gorman, The Recording Musician and Union Power: A Case Study of the American Federation of Musicians, 37 SW L.J. 697 (1983) https://scholar.smu.edu/smulr/vol37/iss4/1 This Article is brought to you for free and open access by the Law Journals at SMU Scholar. It has been accepted for inclusion in SMU Law Review by an authorized administrator of SMU Scholar. For more information, please visit http://digitalrepository.smu.edu. THE RECORDING MUSICIAN AND UNION POWER: A CASE STUDY OF THE AMERICAN FEDERATION OF MUSICIANS by Robert A. Gorman * CONTENTS Page I. THE RISE OF RECORDED MUSIC AND OF JAMES C. PETRILLO .................................................. 699 II. THE 1942 RECORDING BAN AND THE CREATION OF THE RECORDING AND TRANSCRIPTION FUND ................... 705 III. UNION ATTEMPTS TO INCREASE RADIO EMPLOYMENT, AND THE LEA A CT .............................................. 709 IV. THE TAFT-HARTLEY ACT, THE RECORDING BAN OF 1948, AND THE CREATION OF THE MUSIC PERFORMANCE TRUST F UN D S ..................................................... 722 V. THE STATE OF THE ENTERTAINMENT INDUSTRIES, 1945- 1955 ....................................................... 728 VI. THE TRUST FUNDS IN 1954-1955, AND THE APPEAL OF L OCAL 47 .................................................. 734 VII. THE REVOLT WITHIN LOCAL 47 ........................... 741 VIII. THE TRUST FUND HEARINGS OF 1956 ..................... 749 * A.B., LL.B., Harvard University. Professor of Law, University of Pennsylvania. This Article is a revised and updated version of a study prepared at the request of the Copyright Office and published in a volume of hearings on performers' rights. -
ARSC Journal
Pre-LP Recordings of RCA at 33 1/3 rpm. through 1931 to 1934 by Ted Fagan Once it had been proved that sound could be reproduced, the next steps entailed improvement of quality, expansion of versatility and increase in the amount of material that could be fitted on the discs or cylinders. Many experiments were made with different playing heads and needles, bigger discs and cylinders, narrower grooves and, finally, slower speeds. This is not the place to enter a study of the differences between the materials used for diaphragms on the playing heads, nor for the manufacture of needles, except for a passing mention of this later. Sizes of the records themselves went from 5 inches to 18 and groove widths varied from 150 per inch to 450. By 1930 the engineers had discovered that a recording speed of 33 1/3 revolutions per minute could be controlled, relied upon and to a large extent, avoided the distortion that usually spoiled the sound when the grooves get closer to the central spindle. In 1931, the company issued brochures and catalogues that announced the advent of a new technique which permitted recordings at this slower speed. One of these catalogues is quoted extensively in Oliver Read and Walter Welch's book From Tin-foil to Stereo (pp. 292 et seq). The crucial portion of the announcement reads: " ••• now the Long Playing Record takes its place in the Victor Catalogue. A policy of recording all major works on both standard and 33 1/3 rpm. records has been adopted. The playing time has been fixed at such length that no sacrifice of musical quality - inevitable if the grooves are carried too near the center of the record - need be made ••• " Commercially, however, the slower playing records were not a great success. -
Transcription Records
TRANSCRIPTION RECORDS located in Center for Danish Jazz History, Aalborg Universitet This catalogue has been compiled by Niels Sjølin Frederiksen for the jazzcentre between and 2010 and 2015. The records were originally part of the Jazz Medie Collection from Karl Emil Knudsen, Storyville Records, Copenhagen which CDJ took over in 2008. This catalogue is organized after publishing companies , listed in alphabetical order. 1955 MARCH OF DIMES AN ALL STAR RADIO PROGRAM NATIONAL FOUNDATION FOR INFANTILE PARALYSIS, INC. 120 BROADWAY, NEW YORK 5, N. Y. *PLEASE DESTROY TRANSCRIPTION AFTER CAMPAIGN* BROADCAST BETWEEN JAN. 3-31 ONLY – HOWARD J. LONDON, Radio Director Code No. Artist E4-KM-8761 Nat “King” Cole and Orchestra under the direction of Nelson Riddle E4-KM-8762 Liberace, Orchestra under the direction of George Liberace ♥ 1957 HEART FUND February 1-28 AMERICAN HEART ASSOCIATION Transcription rights granted by James E. Petrillo, President AFM Recorded by Gotham Recording Corp. Program “Calling All Hearts” starring ET-II Program Three Gordon MacRae and Shirley Jones GRC-4288A ET-II Program Four Jimmy Durante and Helen Traubel GRC-4288B WAR DEPARTMENT THE ARMED FORCES RADIO SERVICE Presents SERIES ALBUM No. Artists #102 OFFICE OF ARMED FORCES INFORMATION & EDUCATION DEPARTMENT OF DEFENSE Armed Forces Radio & Television Service PROPERTY OF UNITED STATES GOVERNMENT Micro-Groove - Play with .001 pickup stylus Disc Series Artists C-57-END-476 STATION LIBRARY (Track#1) Stars of Jazz, Christmas Eve Program (handwriting on sleeve: Bobby C-57-END-317 Troup, Chico Hamilton, Georgia Carr)//TX #1 Portraits in Music Pt. 2, (Track #2) TX #2 Eddie Fisher (Christmas Day Program) (handwriting on 10-11-57 = Oct. -
Anita Stewart
Anita Stewart Also Known As: Anna Marie Stewart, Anna Steward, Mrs. Rudolph Cameron, Mrs. George Converse Lived: February 7, 1895 - May 4, 1961 Worked as: company director, composer, film actress, novelist, producer, singer Worked In: United States by Hugh Neely Anita Stewart began her career as an actress at the Vitagraph Company in 1911, and rose to become one of the most popular stars of the teens. In 1918 she started Anita Stewart Productions, in partnership with Louis B. Mayer, and began to produce her own feature films for First National Exhibitors Circuit. Anita Stewart Productions produced seventeen feature films between 1918 and 1922. After concluding her association with Mayer, Stewart accepted an offer from William Randolph Hearst to appear in Cosmopolitan Productions. She continued to make films with Fox, Columbia, and lesser studios through the end of the silent era, appearing in her last feature in 1938. Born Anna Marie Stewart in Brooklyn in 1895, she was the middle of three siblings. Her older sister Lucille Lee and younger brother George also became film actors. Lucille Lee Stewart was the first to work in films, starting with the Biograph Company in 1910, and shortly thereafter moving to the Vitagraph Company, where she met and married director Ralph Ince, younger brother of Thomas Ince. Anna Marie Stewart was a high school student who had done a little modeling when Ralph Ince telephoned to say he needed some extra juveniles for a film. After her start in early 1911, sixteen-year-old Anna quickly became a Vitagraph regular, appearing in vehicles that featured the “Vitagraph Girl,” lead actress Florence Turner.