DOCSLIB.ORG

Transcription Records

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

TRANSCRIPTION RECORDS located in Center for Danish Jazz History, Aalborg Universitet This catalogue has been compiled by Niels Sjølin Frederiksen for the jazzcentre between and 2010 and 2015. The records were originally part of the Jazz Medie Collection from Karl Emil Knudsen, Storyville Records, Copenhagen which CDJ took over in 2008. This catalogue is organized after publishing companies , listed in alphabetical order. 1955 MARCH OF DIMES AN ALL STAR RADIO PROGRAM NATIONAL FOUNDATION FOR INFANTILE PARALYSIS, INC. 120 BROADWAY, NEW YORK 5, N. Y. *PLEASE DESTROY TRANSCRIPTION AFTER CAMPAIGN* BROADCAST BETWEEN JAN. 3-31 ONLY – HOWARD J. LONDON, Radio Director Code No. Artist E4-KM-8761 Nat “King” Cole and Orchestra under the direction of Nelson Riddle E4-KM-8762 Liberace, Orchestra under the direction of George Liberace ♥ 1957 HEART FUND February 1-28 AMERICAN HEART ASSOCIATION Transcription rights granted by James E. Petrillo, President AFM Recorded by Gotham Recording Corp. Program “Calling All Hearts” starring ET-II Program Three Gordon MacRae and Shirley Jones GRC-4288A ET-II Program Four Jimmy Durante and Helen Traubel GRC-4288B WAR DEPARTMENT THE ARMED FORCES RADIO SERVICE Presents SERIES ALBUM No. Artists #102 OFFICE OF ARMED FORCES INFORMATION & EDUCATION DEPARTMENT OF DEFENSE Armed Forces Radio & Television Service PROPERTY OF UNITED STATES GOVERNMENT Micro-Groove - Play with .001 pickup stylus Disc Series Artists C-57-END-476 STATION LIBRARY (Track#1) Stars of Jazz, Christmas Eve Program (handwriting on sleeve: Bobby C-57-END-317 Troup, Chico Hamilton, Georgia Carr)//TX #1 Portraits in Music Pt. 2, (Track #2) TX #2 Eddie Fisher (Christmas Day Program) (handwriting on 10-11-57 = Oct. 11th sleeve:Percy Faith ‘Good King Wenceslaus’, Eddie Fisher w/Axel 1957 S?Orch ‘Oh, What a Beautiful Morning’ (10-11-57 = Oct. 11th 1957) END-567/78// Stars of Jazz//Bill Kemp Show (1-9-58 = Jan. 9th 1958) END-607/41 END-567/79// Stars of Jazz//Bill Kemp Show (1-16-58 = Jan. 16th 1958) END-607/42 END-567/80// Stars of Jazz//Bill Kemp Show (1-23-58 = Jan. 23rd 1958) END-607/43 END-567/94// Stars of Jazz//Bill Kemp Show END-607/57 END-567/95// Stars of Jazz//Bill Kemp Show END-607/58 END-567/96// Stars of Jazz//Bill Kemp Show (Handwriting on cover: 96: Bobby END-607/59 (5-15-59 Troup-Host, Joe Juke with Dixie Sextet and Lizzie Miles “Royal Garden = May 15th 1959 Blues”// 59: Bill Kemp with Darla Hood, “I’ll Remember Tony” END-567/96// Stars of Jazz//Bill Kemp Show END-607/59 DUBLET END-567/98// Stars of Jazz//Bill Kemp Show END-607/61 END-567/99// Stars of Jazz//Bill Kemp Show END-607/62 END-567/100// Stars of Jazz//Bill Kemp Show END-607/63 END-567/101// Bill Kemp Show/Stars of Jazz (Handwrite on label 64: 6/24/59 i.e. June END-607/64 24th 1959) END-567/102// Stars of Jazz//Bill Kemp Show END-607/65 END-567/102// Stars of Jazz//Bill Kemp Show END-607/65 DUBLET END-567/103// Stars of Jazz//Bill Kemp Show END-607/66 END-567/104// Stars of Jazz//Bill Kemp Show END-607/67 END-567/105// Stars of Jazz//Bill Kemp Show END-607/68 END-567/106// Stars of Jazz//Bill Kemp Show END-607/69 WAR DEPARTMENT THE ARMED FORCES RADIO SERVICE Presents SERIES PROGRAM No. Artists - 19 – 20 Johnny Mercer Music Shop 19: D 7-26-44//20:D 7-27-44 (Handwrite on label: Bing Crosby) - 85 – Part 1 Comedy Caravan 85 – Part 2 Comedy Caravan (handwrite on label: Durant, Moore, Gibbs) (2-9-45)-damaged - 90 – Part 1 Comedy Caravan (handwrite on label: Durant, Moore, Gibs) 90 – Part 2 Comedy Caravan - 101 – 102 (#101? – no label) Music Hall #102 - 105 – 106 Johnny Mercer’s Music Shop (105: D 8-25-44//106: D 9-1-44) H-3 23 – 24 Personal Album: Ella Mae Morse (Handwrite: CIAA 1/8/43)//Dave Lane (Handwrite: CIAA 1/13/43) H-3 375 – 376 Personal Album: “Anita” (Handwrite: CIAA 6/26/44//”Georgia Gibbs” (Handwrite: CIAA 6/27/44) H-3 429 – 430 Personal Album: Anita (Handwrite: CIAA 8/28/44//Bing Crosby (Handwrite: CIAA 8/29/44 H-3 489 – 490 Personal Album: Ginny Simms/Georgia Gibbs H-3 599 – 600 Personal Album: Bing Crosby//Martha Mears H-3 763 – 764 Personal Album: Danny Kaye//Andrews Sisters (?) WAR AND NAVY DEPARTMENTS ARMED FORCES RADIO SERVICE “The Voice of Information and Education” 33⅓ Outside Start SERIES PROGRAM No. Artists - 116 Music Hall (Handwrite: 2/22/45 Bing Crosby, Eugenie Baird, Guest: Marian Anderson) - 153-154 Across The Board - 242-243 Supper Club (Handwrite: Jo Stafford – M Block) 267 - 268 Supper Club (Handwrite: Jo Stafford) H-3 583-584 Personal Album: Bing Crosby//Martha Mears H-3 587-588 Personal Album: Bing Crosby//Martha Mears H-3 591-592 Personal Album: Bing Crosby//Martha Mears H-3 599-600 Personal Album: Bing Crosby//Martha Mears H-3 763-764 Personal Album: Danny Kaye//Andrew Lester H-7 298 - 299 Downbeat H-11 176 Jubilee Part 1 – Part 2 H-12 905-906 G. I. Jive “Jill” (Handwrite 905: B. Berigan, Hampton, T.D., H. 6-18-45// James; MSCI 6-18-45//(Handwrite 906: E. Hawkins, ???, Ink 6-19-45 Spots, H. James; MSCI 6-19-45) H-14 15 Song Sheet/Johnny Mercer 16 Song Sheet/Bing Crosby P.847- SSL-1625-SSL- SSL-1625: Stan Kenton & His Orch. & The Hollywood P.848 1626 Hucksters. Benny Goodman, Clarinet; Red Norvo, Xylophone; Benny Carter, Alto; Charlie Shavers, Trumpet; Dave Cavanaugh, Tenor; Joe Koch, Baritone; Jimmy Rowles, Piano; Irving Ashby, Guitat; Red Callender, Bass; Lee Young, Drums: 1. Happy Blues - The Hollywood Hucksters; VC Stan Kenton & Benny Goodman 2. Minor Riff - Stan Kenton Orchestra 3. Them There Eyes - 4. Down In Chihuahua VC- Pastels//SSL-1626: Louis Prima And His Orchestra: 1. Say It With A Slap – VC Louis Prima 2. Forsaking All Others - VC Louis Prima and Girl 3. Civilization - VC Louis Prima and Chorus 4. Phil Harris And His Orchestra: Fun And Fancy Free Supper 242 – 243 (Handwrite 242: Jo Stafford (&) M Block. On disc: 1-22-46// Club 1-22-46//1-24-46 (Handwrite 243: Jo Stafford (&) M Block. On disc: 1-24-46 Supper 267 – 268 (Handwrite 267: Jo Stafford. On disc 3-7-46//(Handwrite 268: Jo Club 3-7-46//3-5-46 Stafford. On disc: 3-5-46 P-1441 SSL-2695 Tony Martin and the Pied Pipers With Skip Martin and His P-1442 SSL-2696 Orchestra: 1. Toot Toot Tootsie (Goo’ Bye) 2. Peg O’ My Heart 3. Oh You Beautiful Doll 4. When Get You Alone Tonight 5. There’s Broken Heart For Every Light On Broadway 6. Come Josephine, In My Flying Machine//Buddy Clark With the Orchestra of Ted Dale, Mitchell Ayres and Harry Zimmerman: 1 When Day Is Done 2. Something To Remember You By 3. I Wanna Be Loved 4. You’re Wonderful 5. If You Were Only Mine 6. Isn’t It Better Than Walkin’ In The Rain? Associated The Aristocrat of the Turntable RECORDED PROGRAM SERVICE 25 W. 45th St. New York SPECIAL BMI OUTSIDE START LATERAL 33⅓ No. Artists No. BMI-235-A A: Johnny Messner and his Orchestra: 1. Study in Eight Notes (Prof. Koleslaw (Matrix No. LL-2634) at toy piano) 2. Catching the :02 Local 3. Come Down to Earth, My Angel† 4. Little Sleepy Head† 5. Blues in Minor No. BMI-235-B B: 1. I Like It 2. Heaven Only Knows*† 3. All I Desire* 4. Sweet World* 5. I (Matrix No. 2635) Hear a Rhapsody† (†Vocal refrain by Johnny Messner, *Vocal refrain by Jeanne D’Arcy) MUZAK TRANSRIPTION OUTSIDE START VERTICAL 33⅓ No. Artists No. 60,239-A A: Harry Breuer and his Five Men of Rhythm: 1. Splinter Stomp* 2. Redskin* (Matrix No. ZZ-2657) 3. Scarecrow* 4. Tinker Bell* (*Fox Trot) No. 60,290-B B: Harry Breuer and his Five Men of Rhythm: 1. Chop, Chop* 2. Twinkle, (Matrix No. ZZ-2658 Twinkle Little Star* 3. Thisa Way And Thata Way* 4. Bounce-In-C* 5. Hiram Goes To Town* (*Fox Trot) No. 60,290-A A: Al Goodman and his Salon Orchestra: 1. Once I Loved Thee, Mary Dear* (Matrix No. ZZ-2872) 2. Gentle Annie* 3. Carry Me Back To Old Virginny* 4. Kathleen Mavourneen* (* Light Concert) No. 60,290-B B: John Kirby and his Orchestra: 1. Little Brown Jug* 2. Close Shave* 3. Mr. (Matrix No. ZZ-2884) Haydn Gets Hep* 4. Tweed Me Down* (*Fox Trot) No. 60,391-A A: Shep Fields and his Orchestra: 1. I’m Getting Mighty Lonesome For You* (Matrix No. ZZ-3274) 2. I Threw a Kiss in the Ocean* 3. The Tale Of Peter and the Wolf*† 4. Jersey No. 60,391-B Bounce //B: 1. Singing Sands Of Alamosa* 2. Three Little Sisters*† 3. Sleepy (Matrix No. ZZ-3291) Lagoon* (*Vocal refrain by Ken Curtis †and band) (A: 1-4 & B: 1-3 Fox Trot) ASSOCIATED PROGRAM SERVICE THIS DISC FOR BROADCASTING PURPOSES ONLY AND REMAINS THE PROPERTY OF MUZAK CORPORATION A MUZAK TRANSCRIPTION – NEW YORK, N.Y. Licensed under U.S. patents of Western Electrics, Co, Inc. VERTICAL OUTSIDE START 33⅓ R.P.M. Disc Number ARTISTS No. 60,290-A A: Al Goodman and his Salon Orchestra – Light Concert: 1. Once I Loved (Matrix No. ZZ-2872) Thee, Mary Dear 2.
Recommended publications
  • Excesss Karaoke Master by Artist

    Excesss Karaoke Master by Artist

    XS Master by ARTIST Artist Song Title Artist Song Title (hed) Planet Earth Bartender TOOTIMETOOTIMETOOTIM ? & The Mysterians 96 Tears E 10 Years Beautiful UGH! Wasteland 1999 Man United Squad Lift It High (All About 10,000 Maniacs Candy Everybody Wants Belief) More Than This 2 Chainz Bigger Than You (feat. Drake & Quavo) [clean] Trouble Me I'm Different 100 Proof Aged In Soul Somebody's Been Sleeping I'm Different (explicit) 10cc Donna 2 Chainz & Chris Brown Countdown Dreadlock Holiday 2 Chainz & Kendrick Fuckin' Problems I'm Mandy Fly Me Lamar I'm Not In Love 2 Chainz & Pharrell Feds Watching (explicit) Rubber Bullets 2 Chainz feat Drake No Lie (explicit) Things We Do For Love, 2 Chainz feat Kanye West Birthday Song (explicit) The 2 Evisa Oh La La La Wall Street Shuffle 2 Live Crew Do Wah Diddy Diddy 112 Dance With Me Me So Horny It's Over Now We Want Some Pussy Peaches & Cream 2 Pac California Love U Already Know Changes 112 feat Mase Puff Daddy Only You & Notorious B.I.G. Dear Mama 12 Gauge Dunkie Butt I Get Around 12 Stones We Are One Thugz Mansion 1910 Fruitgum Co. Simon Says Until The End Of Time 1975, The Chocolate 2 Pistols & Ray J You Know Me City, The 2 Pistols & T-Pain & Tay She Got It Dizm Girls (clean) 2 Unlimited No Limits If You're Too Shy (Let Me Know) 20 Fingers Short Dick Man If You're Too Shy (Let Me 21 Savage & Offset &Metro Ghostface Killers Know) Boomin & Travis Scott It's Not Living (If It's Not 21st Century Girls 21st Century Girls With You 2am Club Too Fucked Up To Call It's Not Living (If It's Not 2AM Club Not
  • The Sugar Shoppe the Sugar Shoppe Mp3, Flac, Wma

    The Sugar Shoppe the Sugar Shoppe Mp3, Flac, Wma

    The Sugar Shoppe The Sugar Shoppe mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Pop Album: The Sugar Shoppe Country: UK Released: 2013 Style: Easy Listening, Vocal MP3 version RAR size: 1914 mb FLAC version RAR size: 1871 mb WMA version RAR size: 1786 mb Rating: 4.6 Votes: 264 Other Formats: ADX MMF MP4 ASF AU MPC VQF Tracklist Hide Credits The Original Album Skip-a-long Sam 1 3:00 Written-By – Donovan Leitch* The Attitude 2 2:18 Written-By – Peter Mann Baby Baby 3 3:18 Written-By – Helen Lewis, Kay Lewis Take Me Away 4 2:59 Written-By – Jackie Trent, Tony Hatch Let The Truth Come Out 5 2:57 Written-By – Peter Mann Follow Me (From "Camelot") 6 2:30 Written-By – F. Loewe - A.J. Lerne* Poor Papa 7 2:24 Written-By – Billy Rose, Harry Woods Privilege (From The Film "Privilege") 8 3:08 Written-By – Michael Leander* Papa, Won't You Let Me Go To Town With You 9 3:30 Written-By – Bobbie Gentry The Candy Children Song 10 2:35 Written-By – L. Hood*, P. Mann*, V. Garber* Hangin' Together 11 2:29 Written-By – L. Hood*, P. Mann*, V. Garber* The Bonus Tracks Skip A Long Sam (Mono 45) 12 3:02 Written-By – Donovan Leitch* Let The Truth Come Out (Mono 45) 13 2:59 Written-By – Peter Mann Privilege (From The Film "Privilege") (Mono 45) 14 3:12 Written-By – Michael Leander* Poor Papa (Mono 45) 15 2:26 Written-By – Billy Rose, Harry Woods Save The Country (Acetate) 16 3:04 Written-By – Laura Nyro Easy To Be Hard (Acetate) 17 3:51 Written-By – G.
  • 1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3

    1. Summer Rain by Carl Thomas 2. Kiss Kiss by Chris Brown Feat T Pain 3

    1. Summer Rain By Carl Thomas 2. Kiss Kiss By Chris Brown feat T Pain 3. You Know What's Up By Donell Jones 4. I Believe By Fantasia By Rhythm and Blues 5. Pyramids (Explicit) By Frank Ocean 6. Under The Sea By The Little Mermaid 7. Do What It Do By Jamie Foxx 8. Slow Jamz By Twista feat. Kanye West And Jamie Foxx 9. Calling All Hearts By DJ Cassidy Feat. Robin Thicke & Jessie J 10. I'd Really Love To See You Tonight By England Dan & John Ford Coley 11. I Wanna Be Loved By Eric Benet 12. Where Does The Love Go By Eric Benet with Yvonne Catterfeld 13. Freek'n You By Jodeci By Rhythm and Blues 14. If You Think You're Lonely Now By K-Ci Hailey Of Jodeci 15. All The Things (Your Man Don't Do) By Joe 16. All Or Nothing By JOE By Rhythm and Blues 17. Do It Like A Dude By Jessie J 18. Make You Sweat By Keith Sweat 19. Forever, For Always, For Love By Luther Vandros 20. The Glow Of Love By Luther Vandross 21. Nobody But You By Mary J. Blige 22. I'm Going Down By Mary J Blige 23. I Like By Montell Jordan Feat. Slick Rick 24. If You Don't Know Me By Now By Patti LaBelle 25. There's A Winner In You By Patti LaBelle 26. When A Woman's Fed Up By R. Kelly 27. I Like By Shanice 28. Hot Sugar - Tamar Braxton - Rhythm and Blues3005 (clean) by Childish Gambino 29.
  • Step up Your Playing the Teaching Program for Adults in Atos

    Step up Your Playing the Teaching Program for Adults in Atos

    JOURNAL OF THE AMERICAN THEATRE ORGAN SOCIETY JANUARY | FEBRUARY 2016 www.atos.org ATOS JanFeb 58-1 G.indd 1 12/16/15 7:18 PM STEP UP YOUR PLAYING THE TEACHING PROGRAM FOR ADULTS IN ATOS HOSTS: The Atlanta Chapter of ATOS LOCATION: Atlanta, Georgia DATE: Friday–Sunday, March 4–6 ORGANS: Stephenson High School, 4/22 Page; Strand Theatre Allen GW4; McGee Residence Allen TO5; Double Residence Allen GW 4 INSTRUCTORS: Donna Parker; Tom Helms; Ken Double; and a Special Teaching Session with Richard Hills EVENTS: Four teaching sessions; Special Seminar with Richard Hills; Saturday night concert with Richard Hills at the Grande Page; Closing night dinner party. HOTEL: Fairfield Inn and Suites, Vinings/ Atlanta; 2450 Paces Ferry Road; Atlanta, GA REGISTRATION: Just $249 per person includes all-day session with four instructors, concert at Stephenson H.S. with Richard Hills, transportation to all events, a farewell dinner party. The 4/22 Grande Page Pipe Organ; Stephenson High Space is limited to 22 participants. School; Stone Reserve now! Mountain, Ga Contact Jonas Nordwall at [email protected]. Visit atos.org for more information. ATOS JanFeb 58-1 G.indd 2 12/16/15 7:19 PM THEATRE ORGAN JANUARY | FEBRUARY 2016 Volume 58 | Number 1 FEATURES Name the 12 Organs The Empire Wurlitzer 14 50 Years in Metro-Land Western Reserve II 26 2016 Annual Convention Memories of 36 Buddy Cole DEPARTMENTS 3 Vox Humana 5 President’s Message 6 Directors’ Corner 8 News & Notes 9 Retreat Forward 10 For the Records 48 Chapter News 57 Closing Chord 58 Around the Circuit Connor Palace, Playhouse Square Center THEATRE ORGAN (ISSN 0040-5531) is published bimonthly by the American Theatre Organ On the cover: Society, Inc., 7800 Laguna Vega Drive, Elk Grove, California 95758.
  • Soundies Research

    Soundies Research

    Soundies Disc 1 Golden Oldies Opening & © notice Listed in the order they appear on the disc: Del Casino Surrender 1946 Three Suns with Artie Dunn Beyond the Blue Horizon 1944 Emil Coleman with June Barton Gotta Be This or That 1945 Six Hits and a Miss Sweet Sue, Just You 1941 Harry Cool Stardust 1945 Yvonne De Carlo with Spike Jones band Lamp of Memory 1942 Ray Bloch with Carolyn Marsh I Can’t Give You Anything But Love Baby 1941 Seven Sarongs Heaven Help a Sailor 1941 Zarek and Zarina Male Order 1941 3 Car Hops At Your Service 1941 Juvenile Jubilee with Merle Pitt I Don’t Want to Walk W/out You 1942 Thelma White Hollywood Boogie 1946 Andy Iona Orchestra Tropical Swingaroo 1941 Johnny Long and Orchestra Maria Elena 1943 Varios and Vida (dancers) Begin the Beguine 1943 Larry Clinton Semper Fidelis 1943 Johnny Long In a Shanty In Old Shanty Town 1943 Billy MacDonald & His Highlanders Playmates 1944 Jimmy Dorsey Bar Babble 1943 Jimmy Dorsey with Helen O’Connell Man That’s Groovy 1943 Jimmy Dorsey La Rosita 1943 Gene Krupa with Anita O’Day Let Me Off Uptown 1942 Gene Krupa with Anita O’Day Thanks for the Boogie Ride 1942 Al Donahue with Ellen Connor Java Jive 1943 Al Donahue with Phil Brito Lonesome Road 1943 Victor Young Hold That Tiger 1940 Al Donahue Anvil Chorus 1943 Al Donahue with Ellen Connor Jumpin’ at the Juke Box 1943 Will Bradley Boardwalk Boogie 1941 Will Bradley Barnyard Bounce 1941 Johnny Long Boogie Man 1943 Charlie Spivak Hop, Skip and Jump 1942 Johnny Long It Must Be Jelly 1946 Nat King Cole Frim Fram Sauce 1945 Nat King Cole Calypso Girl (?) Mills Brothers Cielito Lindo 1944 Cab Calloway Minnie the Moocher 1942 Soundies Disc 2 All of these are Soundies except the Artie Shaw number from Second Chorus.
  • The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)

    The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA)

    Recordings at Risk Sample Proposal (Fourth Call) Applicant: The Regents of the University of California, Berkeley – UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project: Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Portions of this successful proposal have been provided for the benefit of future Recordings at Risk applicants. Members of CLIR’s independent review panel were particularly impressed by these aspects of the proposal: • The broad scholarly and public appeal of the included filmmakers; • Well-articulated statements of significance and impact; • Strong letters of support from scholars; and, • A plan to interpret rights in a way to maximize access. Please direct any questions to program staff at [email protected] Application: 0000000148 Recordings at Risk Summary ID: 0000000148 Last submitted: Jun 28 2018 05:14 PM (EDT) Application Form Completed - Jun 28 2018 Form for "Application Form" Section 1: Project Summary Applicant Institution (Legal Name) The Regents of the University of California, Berkeley Applicant Institution (Colloquial Name) UC Berkeley Art Museum & Pacific Film Archive (BAMPFA) Project Title (max. 50 words) Saving Film Exhibition History: Digitizing Recordings of Guest Speakers at the Pacific Film Archive, 1976 to 1986 Project Summary (max. 150 words) In conjunction with its world-renowned film exhibition program established in 1971, the UC Berkeley Art Museum and Pacific Film Archive (BAMPFA) began regularly recording guest speakers in its film theater in 1976. The first ten years of these recordings (1976-86) document what has become a hallmark of BAMPFA’s programming: in-person presentations by acclaimed directors, including luminaries of global cinema, groundbreaking independent filmmakers, documentarians, avant-garde artists, and leaders in academic and popular film criticism.
  • Network Time-Shift-Blog

    Network Time-Shift-Blog

    Michael Biel [email protected] Time Shifting by the Networks The following posts by Elizabeth McLeod, a broadcast journalist and a free-lance broadcast historian specializing in the late 1920s and early 1930s, are reproduced with her permission. Date: Sun, 29 Mar 98 22:23:55 -0500 From: Elizabeth McLeod ([email protected]) Subject: Re: By Means of Electrical Transcription... I'm confused about when the practice of pre-recording (transcribing) radio shows began. I recall reading that the Bing Crosby show was the first transcribed network show (and I seem to recall a Crosby show in which guest star Grade Alien says "this isn 't radio, it's a transcription "), but I also seem to recall that Amos and Andy were distributed on disk. My confusion was added to when I read the little book that comes with the first Smithsonian set of Superman episodes (great set, btw) since there is a reference to prerecording the shows, but I know that The Lone Ranger and such were sometimes performed more than once for different time zones. What's confusing you is the difference between network shows and syndicated shows. "Amos 'n' Andy," when it began in 1928 was distributed by syndication by the Chicago Daily News on 78rpm records -- the first radio program to be pre-recorded in such a manner. This continued thru mid-August of 1929, and ended when the program went to NEC. Many syndicated shows followed in the late 20s and early 30s, including comedies, dramas, serials, and musical features. These were shows produced by independent packagers and sold to stations without the need for wire-line connections.
  • September 2016

    September 2016

    ZEUGHAUSKINO PROGRAMM Zeughauskino Deutsches Historisches Museum Unter den Linden 2 Juli – September 10117 Berlin T +49 30 20304-421 (Büro) 2016 T +49 30 20304-770 (Kinokasse) F +49 30 20304-424 → Douglas Sirk [email protected] → Tausend Takte Übermut www.zeughauskino.de → Slowakische Neue Welle INHALT VORWORT 1 Höhepunkte 2 Von Detlef Sierck zu Douglas Sirk Filmreihen Written on the Wind All I Desire Die Filme von Douglas Sirk 4 Aus dem Fernseharchiv 40 Berlin.Dokument 44 DEFA-Sportfilm 48 FilmDokument 52 Lachende Erben: Tausend Takte Übermut 54 Slowakische Neue Welle 60 Seit seiner Eröffnung im Jahr 1992 interessiert sich das Zeughauskino für das deutsche Exilkino. Neben kleinere Reihen, die ausgewählte S wie Sonderprogramm 68 Filme deutscher Emigranten vorstellten, sind im Laufe der Jahre um- fangreiche Retrospektiven getreten: mehrmonatige Programme, Wiederentdeckt 72 die es gestatteten, Gesamtwerke in ihren vielfältigen Schichtungen und Wendungen wahrzunehmen. Die Œuvres von Max und Marcel Aktuelle Ausstellungen Ophüls, von Fritz Lang und Robert Siodmak wurden auf diese Weise vorgestellt. Am 8. Juli startet mit einer Douglas-Sirk-Retrospektive Sonderausstellungen im Deutschen Historischen Museum 77 eine weitere Filmreihe in dieser Programmtradition. Douglas Sirk gehört zu den zentralen Filmregisseuren der Nachkriegs- Kalender zeit. Unter den deutschen Filmschaffenden, die in den Jahren vor dem Zweiten Weltkrieg in die USA auswanderten, nimmt er eine Son- Alle Termine im Überblick 78 derstellung ein, denn die Filmkarriere des gebürtigen Hamburgers begann erst im „Dritten Reich“, nachdem er 1934 – unter seinem Geburtsnamen Detlef Sierck – einen Vertrag bei der Ufa unterschrie- Filmwerkstatt ben hatte. Ein Großteil seines Werks entstand jedoch in den 1940er Angebote für Schulklassen 84 und 1950er Jahren im amerikanischen Exil.
  • Artie Shaw 1938-1939

    Artie Shaw 1938-1939

    Glenn Miller Archives ARTIE SHAW 1938-1939 Prepared by: Reinhard F. Scheer-Hennings and Dennis M. Spragg In Cooperation with the University of Arizona Updated December 11, 2020 1 Table of Contents I. 1938 ................................................................................................................... 3 June 1938 ............................................................................................................... 3 July 1938 ................................................................................................................ 4 August 1938 ......................................................................................................... 12 September 1938 ................................................................................................... 15 October 1938 ........................................................................................................ 32 November 1938 .................................................................................................... 37 December 1938 .................................................................................................... 60 II. 1939 ............................................................................................................... 101 January 1939 ...................................................................................................... 101 February 1939 .................................................................................................... 131 March 1939 ........................................................................................................
  • Great Escape Vol. 19

    Great Escape Vol. 19

    THE GREAT ESCAPE!* ♪ *“Anything that is good jazz is a great escape. When you’re involved in playing or listening to great jazz, no one can get to you.” -Woody Herman Issue No.19 May/June 2010 Presented by: www.dixieswing.com Buddy Hughes: Big Band Singer By Patrice Hughes with Bob Knack There was never any doubt that Buddy Hughes broadcast some time and he surprised me by sitting down would be a vocalist. He began singing professionally while at the piano and auditioning me on the spot. After a few he was still in high school in Waterloo, Iowa with the Kay bars, he said, ‘Okay, you are on the air at 5PM every day Curly band and in 1938, he joined the Minnesota based for a half hour with your own “Buddy Hughes Show.’” He Bennett-Greten orchestra at $35.00 a week. He “fronted” was then introduced to his accompanist, Eddy Bigham, who the band as singer and broadcast announcer while playing was also Martha Raye’s accompanist overseas and many Midwest ballrooms including the “far-famed Aragon” announcer (Lt.) Harold Stark. After three years overseas in Chicago. After military service in WWII, his career really (20 months in Algiers, the rest in Italy) Buddy didn’t sing took off as he spent time on three of the biggest bands of again until reaching a replacement depot in France. the day, Jimmy Dorsey, Claude Thornhill and Gene Krupa. A GI came up to the bandstand and introduced Buddy Hughes was born June 18th, 1919. he first himself as Buddy Robbins of the old-line music publishing sang on radio station WNT in Waterloo, Iowa, his firm of Robbins, Feist & Miller, New York.
  • Coronet 1956-1962

    Coronet 1956-1962

    AUSTRALIAN RECORD LABELS THE CORONET LABEL 1956–1962 COMPILED BY MICHAEL DE LOOPER OCTOBER 2019 CORONET, 1956–1962 THE CORONET LABEL MADE ITS DEBUT IN JANUARY 1956. PRIOR TO ITS ACQUISITION BY A.R.C., TITLES FROM THE U.S. COLUMBIA CATALOGUE WERE RELEASED IN AUSTRALIA THROUGH PHILIPS RECORDS. CORONET KLC CLASSICAL 12” AND KGC 7” EP’S ARE NOT LISTED HERE CORONET KP SERIES 78’S KP-001 BIBLE TELLS ME SO / SATISFIED MIND MAHALIA JACKSON 2.56 KP-002 OOH BANG JIGGILY JANG / JIMMY UNKNOWN DORIS DAY 1.56 KP-003 MAYBELLINE / THIS BROKEN HEART OF MINE MARTY ROBBINS 1.56 KP-004 I WISH I WAS A CAR / REMEMB'RING PETER LIND HAYES 4.56 KP-005 BONNIE BLUE GAL / BEL SANTE MITCH MILLER AND HIS ORCHESTRA 3.56 KP-006 SIXTEEN TONS / WALKING THE NIGHT AWAY FRANKIE LAINE 1.56 KP-007 PIZZICATO WALTZ / SKIDDLES GEORGE LIBERACE & HIS ORCHESTRA 2.56 KP-008 HEY THERE! / WAKE ME ROSEMARY CLOONEY KP-009 HEY THERE! / HERNANDO'S HIDEAWAY JOHNNIE RAY KP-010 BAND OF GOLD / RUMBLE BOOGIE DON CHERRY 3.56 KP-011 MEMORIES OF YOU / IT'S BAD FOR ME ROSEMARY CLOONEY KP-012 LEARNING TO LOVE / SONG OF SEVENTEEN PEGGY KING KP-013 TELL ME THAT YOU LOVE ME / HOW CAN I REPLACE YOU TONY BENNETT 2.56 KP-014 TOUCH OF LOVE / WITH ALL MY HEART VAL VALENTE 1.56 KP-015 WHO'S SORRY NOW? / A HEART COMES IN HANDY JOHNNIE RAY 2.56 KP-016 TAKE MY HAND / HAPPINESS IS A THING CALLED JOE JERRI ADAMS 6.56 KP-017 JOHNNIE'S COMIN' HOME / LOVE, LOVE, LOVE JOHNNIE RAY 1.56 KP-018 LET IT RING / LOVE'S LITTLE ISLAND DORIS DAY KP-019 LAND OF THE PHARAOHS / THE WORLD IS MINE PERCY FAITH AND HIS ORCHESTRA
  • NBC Transmitter.

    NBC Transmitter.

    m NATIONAL EfiOADCASTINQ COMPANY, general library 30 ROCKEFELLER PLAZA, NEW YORK, N. 1 >:.-s Vr-. iS- ’ NBC VOL. 6 JANUARY, 1940 No. 1 LATEST PROGRESS IN TELEVISION NEW YEAR SftS MANY TRAINING FCC VIEWS NEW PORTABLE UNIT GROUPS HELD FOR YOUNGER MEN elevision de- S the New Year ajrproaches and gets underway, it finds T velops so rapid- AI the largest number yet of employe training courses ly that it is always in action. This is a result of the Company’s policy of filling outmoding its own vacancies from its own ranks. It has been said more and news. This month more often in the past few years that the Company is old there are several enough to prepare its personnel to fill the responsible posi- items for the record. tions created or opened as time goes on, and this year a We are all familiar more comprehensve effort than ever is being made in that with the ten-ton, direction. two-truck mobile Ashton Dunn of Personnel has already organized a group unit which has so for the purpose of learning the structure and activities of successfully picked various departments. It is similar to last year’s group which up such nemos as was developed to satisfy the expressed interest of the younger Evolution of an Idea. boxing and tennis employes. Some of the more specialized courses recently matches, and base- planned or begun are working in connection with the larger ball and football games. This sleek monster is the incredi- group to fill out the general training program.