DOCSLIB.ORG

The Coasters on Atco and King by Claus Röhnisch

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Coasters on Atco and King by Claus Röhnisch Those Hoodlum Friends – The Coasters: Supplement The Coasters on Atco and King by Claus Röhnisch Special supplement to Those Hoodlum Friends – edited by Claus Röhnisch http://www.angelfire.com/mn/coasters/supplement.pdf see Those Hoodlum Friends at http://www.angelfire.com/mn/coasters/ThoseHoodlumFriends.pdf The classic Coasters: Billy Guy, Carl Gardner, Will “Dub” Jones, Cornell Gunter, and guitarist Adolph Jacobs (in late 1958). The Coasters on Atco and King 1 Those Hoodlum Friends – The Coasters: Supplement The Coasters in 2008: Ronnie Bright, Carl Gardner Jr, J.W. Lance, and Alvin Morse (with guitarist Thomas “Curley” Palmer). (photo: Denny Culbert, 2theAdvocate.com, Louisiana) The Coasters receiving their two Golden Records for the double-hit "Searchin´" / "Young Blood" on the Steve Allen TV-show on August 25, 1957. Gardner, Guy, Nunn, Allen, Hughes, and seated Jacobs. (from Cash Box magazine, September 14, 1957 issue). 2 The Coasters on Atco and King Those Hoodlum Friends – The Coasters: Supplement THE COASTERS on Atco and King The Coasters’ Atco recordings – Sessionography, featuring: “There’s A Riot Goin’ On: The Coasters On Atco” – Rhino Handmade 4-set CD RHM2 7740 (December 12, 2007) The Coasters’ recording line-ups are listed as headings. Carl Gardner, lead vocal unless otherwise indicated. The Coasters’ stage guitarists Adolph Jacobs, Albert “Sonny” Forriest, and Thomas “Curley” Palmer also worked in the studios with the vocal group (as shown on personnel listings). Recording location is valid until new location is listed. All unmarked labels are Atco. Only US original issues are listed – singles, EPs and LPs, and when originally not issued on any US single or LP, the first album issue (LP/CD). The seven original US LPs have all their tracks listed, later albums (LP/CD) only tracks not issued on US LPs. Full catalogue number for LP AD2: Atlantic DeLuxe AD2-4003 (mono). CBCD is a bootleg CD titled “Charlie Brown” (2000) with most titles in stereo, Edsel LP is a British issue titled “Thumbin’ A Ride” (1984), GY is a limited edition issued at the Coasters’ 50th Anniversary, and the Mr R&B LP 102 “What Is The Secret Of Your Success?” (1980, reissued on CD in 1990) included never-before-on-LP-issued tracks. All tracks issued on Rhino Handmade RHM2-7740 “There’s A Riot Goin’ On: The Coasters On Atco” (2007) unless indicated (RHM*). Several of the original mono masters appear in stereo masters on that 4CD-set, but are the same takes as the mono masters, marked **. On those tracks representative CD issues with the mono editions are listed. Edited, dubbed and alternate masters are listed separately for each session. Singles issued significantly later than recording dates are marked with year of issue. THE ROBINS or THE COASTERS (LP 101, EP 4503, LP 371, LP AD2) Carl Gardner, lead/tenor; Bobby Nunn, bass/lead-1; Grady Chapman (first session), tenor/lead-2; "Ty" Terrell Leonard, tenor; Billy Richard and Roy Richard, baritones with Gil Bernal,ts; Willard McDaniel,pno/celeste-4; Charlie "Chuck" Norris,gtr; Ralph "Waldo" Hamilton,bs; John "Jessie" Sailes,dms. Unknown, eng; Jerry Leiber and Mike Stoller,prod. Prob. Mike Stoller, pno on LS 29, 31, 32. Prob. Radio Recorders, 7000 Santa Monica, Boulevard, Hollywood c:a February-March, 1954 LS 13 The Hatchet Man -1 Spark 116, 71090, Collectables CD 9974 LS 29 I Love Paris -2 Spark 113 LS 31 Whadaya Want? -2 Spark 110, 71090 LS 32 If Teardrops Were Kisses -4 Spark 110, GY, Collectables CD 9974 Note: All four issued on (British) Sequel CD 868 (1997). All tracks of Rhino mono 2CD 71090, titled “50 Coastin’ Classics” (1992), listed for overview (marked 71090). Collectables CD 9974 titled “Smokey Joe’s Cafe” (2006) by The Robins. with prob. Richard Berry,lead bass vcl-3; Mike Stoller,arr/pno; Gil Bernal,ts; Barney Kessell,gtr; Ralph "Waldo" Hamilton,bs; John "Jessie" Sailes,dms. Abe "Bunny" Robyn,eng; Jerry Leiber and Mike Stoller,prod. Master Recorders, 533 North Fairfax Avenue, Los Angeles early 1954 LS 15 57C-245 (59C-4073) Wrap It Up -1 (Gardner,second lead) Spark 103, LP 101, 71090 LS 16 57C-246 (59C-4074) Riot In Cell Block # 9 -3 Spark 103, EP 4503, LP 101, LP 371, LP AD2, 71090 c:a August, 1954 LS 22 57C-281 (59C-4093) Loop De Loop Mambo Spark 107, EP 4503, LP 101 LS 14 57C-282 (59C-4094) One Kiss Spark 113, LP 101, 71090 LS 23 57C-283 (59C-4095) I Must Be Dreamin Spark 116, LP 101, LP AD2, 71090 LS 24 57C-284 (59C-4096) Framed -1 Spark 107, EP 4503, LP 101, LP AD2, 71090 prob. July 7, 1955 (or poss. January, 1955) LS 30 55C-32, S-1669 Smokey Joe´s Cafe Spark 122, 6059, LP 101, LP 371, LP AD2, 71090 LS 21 55C-33, S-1670 Just Like A Fool Spark 122, 6059, 71090 Note: Mike Stoller states in the liner notes of Rhino R2 71090 that "The Hatchet Man" was the first Robins date on Spark. Last session wrongly listed as recorded in 1954 on RHM2 7740, which may feature Grady Chapman. Michel Ruppli and the Atlantic files give September 28, 1955 as recording date, but that was the day the Spark masters were purchased by Atco. Earlier discographies have listed above recordings in three sessions in order of LS master numbers. Spark single 103 was released in June 1954, single 110 in February 1955, and single 122 in September. Master series 57C- allocated for LP 101 in 1957. Collectables CD 9974 as by The Robins, has "One Kiss" titled "One Kiss Led To Another”. LS 23 titled “I Must Be Dreamin’” on LP. S-master numbers used on Atco single. The Coasters were formed in October, 1955. In 1957 and 1958 several of the Robins´ Spark recordings were reissued on LP and EP as by the Coasters, leading to the common misconception that the Robins had transformed into the Coasters. In fact Gardner and Nunn were recruited by manager Lester Sill and producers Jerry Leiber - Mike Stoller. Due to touring engagements there was not enough recorded material available when Atco needed recordings for the Coasters’ first LP. Atco LP 33- 101 titled “The Coasters” (1957, issued in electronic simulated stereo 1960), reissued as one half of Collectables CD 76566 “The Coasters - One By One” (2004). LP 371, full catalogue number SD33-371 (only stereo edition issued), titled “Their Greatest Recordings - The Early Years” (1971). The British Edsel LP ED 156 “Thumbin’ A Ride” (1984), The Coasters’ British London EP of 1959, Atco LP 33-371 “Their Greatest Recordings – The Early Years” (November, 1971), Bill Millar’s book of 1974, the British Atlantic LP K 30057 “20 Great Originals” (1978), and the US 2-set Atlantic DeLuxe LP AD 2-4003 “Young Blood” (July, 1982). The Coasters on Atco and King 3 Those Hoodlum Friends – The Coasters: Supplement THE COASTERS Carl Gardner, lead/tenor; Billy Guy, baritone/lead-1; Bobby Nunn, bass; Leon Hughes, tenor with Mike Stoller, arr/pno; Gil Bernal,ts; Barney Kessell and prob. Adolph Jacobs,gtrs; Ralph Hamilton,bs; Jessie Sailes,dms/perc; Chico Guerrero,congas. Abe Robyn,eng; Leiber-Stoller,prod. Omit ts on 56C-67. "Hollywood" / Master Recorders, 533 North Fairfax Avenue, Los Angeles January 11, 1956 56C-67 S-1857 Brazil (Gardner, Nunn, Guy joint leads) 6073, LP 101, 71090 56C-68 S-1858 Down In Mexico 6064, LP 101, LP 111, Clarion LP 605, LP 371, LP AD2, 71090 56C-69 S-1859 One Kiss Led To Another 6073, LP 101, Clarion LP 605, 71090 56C-70 S-1860 Turtle Dovin´ 6064, LP 101, LP 371, LP AD2 (not WCD), 71090 Note: S-master numbers used on singles. Atco LP 33-111 and stereo version SD33-111 titled “The Coasters’ Greatest Hits” (1959). Clarion LP 605 and stereo version SD-605 titled “That Is Rock & Roll” (1965). Atlantic DeLuxe mono LP AD2-4003 titled “Young Blood” (1982). 20 tracks on that 2-set LP (which spells “Girls Girls Girls” and “Run Red Run” with commas and a “The” before “Idol With The Golden Head”), reissued with some alternate stereo editions (marked WCD) on Warner CD 27604 “The Ultimate Coasters” (1986). S-1860 titled “Turtle Dovin” on Rhino 2CD 71090. with Obe "Young" Jessie,harmony-vcl (omit Hughes); Mike Stoller,arr/pno; Gil Bernal or poss. Plas Johnson,ts; Barney Kessell,gtr/mandolin-5; Adolph Jacobs,gtr; Ralph Hamilton,bs; Jessie Sailes and A.L. (Abe) Stoller,dms; Joe Oliveira,perc; poss. Chico Guerrero,congas. Abe Robyn,eng; Leiber-Stoller,prod. Omit ts on 57C-105 and -108. February 12/15, 1957 (mostly filed as February 15) 57C-105 (59C-3689) Lola -5 LP 101 57C-106 57C-186 (59C-3690) Sweet Georgia Brown (Gardner, Guy, Nunn joint leads) 6104, LP 111, 71090 57C-107 57C-187 (59C-3691) Young Blood 6087, EP 4501, LP 101, LP 111, LP 371, LP AD2, 71090 57C-108 57C-188 (59C-3692) Searchin´ -1 6087, EP 4501, LP 101, LP 111, LP 371, LP AD2, 71090 Note: Master numbers 106 - 108 later changed to 186 - 188 and used on Atco singles. "Young" Jessie was hired for this session with the Coasters (contrary to the belief that he was a Coasters member - and may be the one singing the phrase "you know I'll bring her in some day" on "Searchin'"). with Jesse Stone,dir/poss.prod; Lowell "Count" Hastings,ts; prob. Mike Stoller,arr; Kenny Burrell,gtr; Lloyd Trotman,bs; Joe Marshall,dms. Capitol Studios, New York City June 12-13, 1957 57C-229 (59C-4083) Wait A Minute -1 rejected (see note), (RHM*) Note: Probably edited on December 4, 1957 (see 57C-326) and may be same master track (59C-4083 poss.
Load more

Recommended publications
  • Song Played by the Beatles at the Cavern Club 1961-1963
    PLAYLIST JUNE 10th 2012 This week’s show (and playlist) is a bit different. We will be spinning ONLY songs performed by The Beatles at The Cavern Club between the years 1961-1963. Hope ya dig it! Next Sunday (Fathers Day) Three hours of ALL McCartney music (with & without the Beatles) HOUR 1 SONG PLAYED BY THE BEATLES AT THE CAVERN CLUB 1961-1963 A Taste Of Honey (Paul) – PLEASE PLEASE ME 1963 Ain't She Sweet (John) – ANTHOLOGY 1 1994 Anna (John) – PLEASE PLEASE ME Baby It's You (John) – ANTHOLOGY 1 1994 Besame Mucho (Paul) – ANTHOLOGY 1Boys (Ringo) 2.14 Voice BREAK Chains (George) – PLEASE PLEASE ME Clarabella (Paul) – LIVE AT THE BBC 1995 Don't Ever Change (George/Paul) – LIVE AT THE BBC Glad All Over (George) – LIVE AT THE BBC Hello Little Girl (John) – ANTHOLOGY 1 RINGO - Hey Baby (Ringo) ROTOGRAVURE 1976 2.41 Voice BREAK Hippy Hippy Shake (Paul) – LIVE AT THE BBC Honeymoon Song (Paul) – LIVE AT THE BBC I Call Your Name (John) PAST MASTERS ----------------- I Forgot To Remember To Forget (George) – LIVE AT THE BBC I'm Gonna Sit Right Down And Cry (John)– LIVE AT THE BBC Johnny B.Goode (John) – LIVE AT THE BBC Kansas City (Paul) – LIVE AT THE BBC Keep Your Hands Off My Baby (John) – LIVE AT THE BBC Lend Me Your Comb (John) – ANTHOLOGY 1 Like Dreamers Do (Paul) – ANTHOLOGY 1 2.33 Voice BREAK Long Tall Sally (Paul) ) – ANTHOLOGY 1 Love Of The Loved (Paul) Decca TAPES 1962 Lucille (Paul) Wings Glasgow LIVE 1979 Matchbox (Paul `93) SOUNDCHECK Memphis (John) Decca TAPES Money (John) – Sweden RADIO 1 LIVE 1963 Mr.
    [Show full text]
  • Songs by Artist
    Songs by Artist October 2009 Title Versions Title Versions Title Versions (Hed)Planet Earth 101 Dalmations Wvocal 2 Pistols & Ray J Blackout TH Cruella De Vil DI You Know Me 09 Other Side TH 10cc 2 Play & Thomes Jules & Jucxi “VARIOUS“ Donna SF Careless Whisper MR ROCK N ROLL MEGAMIX ST Dreadlock Holiday 3 2 Unlimited „STANDARD“ I'm Mandy SF No Limit SF AIN'T SHE SWEET ST I'm Not In Love 6 No Limits SF ALL OF ME ST Rubber Bullets 3 20 Fingers BILL BAILEY WON'T YOU PLEASE ST Things We Do For Love, The 3 Short Dick Man 2 COME HOME Wall Street Shuffle SF 20 MILLAS HAS ANYBODY SEEN MY GAL ST We Do For Love SC FLANS 06 HEART OF MY HEART ST 112 21 Demands IF YOU KNEW SUSIE ST Come See Me SC Give Me A Minute TH I'M GONNA SIT RIGHT DOWN AND ST Cupid SC 21 Demands Wvocal WRITE Dance With Me 3 Give Me A Minute TH ME AND MY SHADOW ST It's Over Now 2 21St Century Girls OH YOU BEAUTIFUL DOLL ST Only You SC 21St Century Girls SF RED RED ROBIN ST Peaches & Cream 5 2Pac SING-A-LONG MEDLEY 2 ST Right Here For You PH California Love (Original Version) SC SWANEE ST U Already Know 2 3 Colours Red UNDERNEATH THE ARCHES ST 112 & Ludacris Beautiful Day SF WE'LL MEET AGAIN ST Hot & Wet PH 3 Days Grace YOU ARE MY SUNSHINE ST 12 Gauge I Hate Everything About You 2 1 Giant Leap & Maxi, Jazz & Robbie Dunkie Butt SC Just Like You 2 Williams 12 Stones Never Too Late SC My Culture EZ Crash TU Pain CB 10 CC Far Away TH 3 Days Of Grace Donna ZM 1910 Fruitgum Co.
    [Show full text]
  • Atto Secondo
    ATTO SECONDO SCENA PRIMA Sipario chiuso Descrizione della scena La presidentessa di una importante società di marketing, con appoggi rilevanti a livello politico, parla al telefono con il direttore di un'importante rete televisiva. E' seduta davanti alla sua scrivania. Indossa una base nera, una giacca avvitata e un cappello a tesa larga con un foulard annodato intorno alla tesa Personaggi: attrice Attitudini: recitazione Sottofondo musicale da decidere LUCI A GIORNO Apertura sipario Presidentessa (Parla al telefono)Sì, ciao… va bene dai, basta smancerie… ascoltami bene, devo chiederti il solito favore… Va bene, va bene… lo so che sei contento di farmi un favore… ma basta!… cos’è questo rumore, che fai scodinzoli? Allora, questo favore… sì, certo, è un onore per te ma… zitto!… Sì, va bene, sono la migliore di tutte. Allora… ho qui una lista di nomi, di scocciatori che vogliono calcare le scene: teatro... televisione… vedi tu!Attori? Ma che ne so! Sono amici di amici, parenti stretti e lontani, cugini di zii di secondo grado eccetera… Allora (guardando una lista di nomi che ha in mano)segnati questi nomi: Repetti Gianfranco e Fabri Federica. Vorrebbero fare i carabinieri in una fiction… Quale fiction? Non so, quante ce n’è sui carabinieri? Dieci, venti? Ne basta una… Appuntati o marescialli? Ma che caspita ne so! Dai, sono amici del ministro che mi deve dare dei finanziamenti.. Se va bene una fiction sulla guardia di finanza? Mah, non so… credo di sì… Ecco, uno finanziere e uno pompiere… Hai solo una parti da cantanti e ballerini? Va bene dai, fa lo stesso.
    [Show full text]
  • Shoosh 800-900 Series Master Tracklist 800-977
    SHOOSH CDs -- 800 and 900 Series www.opalnations.com CD # Track Title Artist Label / # Date 801 1 I need someone to stand by me Johnny Nash & Group ABC-Paramount 10212 1961 801 2 A thousand miles away Johnny Nash & Group ABC-Paramount 10212 1961 801 3 You don't own your love Nat Wright & Singers ABC-Paramount 10045 1959 801 4 Please come back Gary Warren & Group ABC-Paramount 9861 1957 801 5 Into each life some rain must fall Zilla & Jay ABC-Paramount 10558 1964 801 6 (I'm gonna) cry some time Hoagy Lands & Singers ABC-Paramount 10171 1961 801 7 Jealous love Bobby Lewis & Group ABC-Paramount 10592 1964 801 8 Nice guy Martha Jean Love & Group ABC-Paramount 10689 1965 801 9 Little by little Micki Marlo & Group ABC-Paramount 9762 1956 801 10 Why don't you fall in love Cozy Morley & Group ABC-Paramount 9811 1957 801 11 Forgive me, my love Sabby Lewis & the Vibra-Tones ABC-Paramount 9697 1956 801 12 Never love again Little Tommy & The Elgins ABC-Paramount 10358 1962 801 13 Confession of love Del-Vikings ABC-Paramount 10341 1962 801 14 My heart V-Eights ABC-Paramount 10629 1965 801 15 Uptown - Downtown Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 16 Bring back your heart Del-Vikings ABC-Paramount 10208 1961 801 17 Don't restrain me Joe Corvets ABC-Paramount 9891 1958 801 18 Traveler of love Ronnie Haig & Group ABC-Paramount 9912 1958 801 19 High school romance Ronnie & The Hi-Lites ABC-Paramount 10685 1965 801 20 I walk on Little Tommy & The Elgins ABC-Paramount 10358 1962 801 21 I found a girl Scott Stevens & The Cavaliers ABC-Paramount
    [Show full text]
  • Cornell Gunter's Coasters, Elsberry Hobbs' Drifters, and the Platters
    Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 2-14-2003 Cornell Gunter's Coasters, Elsberry Hobbs' Drifters, and The lP atters Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Cornell Gunter's Coasters, Elsberry Hobbs' Drifters, and The lP atters" (2003). Center for Performing Arts Memorabilia. Book 200. http://opus.govst.edu/cpa_memorabilia/200 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. Governors State University fOR PERfORMIhO flftJS Presents Cornell Gunter's Coasters, Elsberry Hobbs' Drifters, and The Platters February 14, 2003 2001/2002 Season sponsored in part by a grant from the: SOU" TH IAN! "O CONVENTION & VISITORS BUREAU 1-463-895-3233 www c^cvtj coin Cornell Gunter's Coasters from 1958-1996, with the exception of his time in the military and his work as a medical assistant. Hobbs was the leader of The Drift- ers from 1969 through his untimely death in 1996. This year marks the 35th Anniver- sary of the formation of Cornell During their greatest years as a touring group they performed for Gunter's Coasters out of the ashes three Presidents, the US Constitution's 200th Anniversary Good Will of the surprising breakup of The Tour of Russia, on all three national network TV stations, and through- Coaster group several months ear- out the world.
    [Show full text]
  • Keeping the Tradition Y B 2 7- in MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar
    June 2011 | No. 110 Your FREE Guide to the NYC Jazz Scene nycjazzrecord.com Dee Dee Bridgewater RIAM ANG1 01 Keeping The Tradition Y B 2 7- IN MEMO4 BILL19 Cooper-Moore • Orrin Evans • Edition Records • Event Calendar It’s always a fascinating process choosing coverage each month. We’d like to think that in a highly partisan modern world, we actually live up to the credo: “We New York@Night Report, You Decide”. No segment of jazz or improvised music or avant garde or 4 whatever you call it is overlooked, since only as a full quilt can we keep out the cold of commercialism. Interview: Cooper-Moore Sometimes it is more difficult, especially during the bleak winter months, to 6 by Kurt Gottschalk put together a good mixture of feature subjects but we quickly forget about that when June rolls around. It’s an embarrassment of riches, really, this first month of Artist Feature: Orrin Evans summer. Just like everyone pulls out shorts and skirts and sandals and flipflops, 7 by Terrell Holmes the city unleashes concert after concert, festival after festival. This month we have the Vision Fest; a mini-iteration of the Festival of New Trumpet Music (FONT); the On The Cover: Dee Dee Bridgewater inaugural Blue Note Jazz Festival taking place at the titular club as well as other 9 by Marcia Hillman city venues; the always-overwhelming Undead Jazz Festival, this year expanded to four days, two boroughs and ten venues and the 4th annual Red Hook Jazz Encore: Lest We Forget: Festival in sight of the Statue of Liberty.
    [Show full text]
  • Why Am I Doing This?
    LISTEN TO ME, BABY BOB DYLAN 2008 by Olof Björner A SUMMARY OF RECORDING & CONCERT ACTIVITIES, NEW RELEASES, RECORDINGS & BOOKS. © 2011 by Olof Björner All Rights Reserved. This text may be reproduced, re-transmitted, redistributed and otherwise propagated at will, provided that this notice remains intact and in place. Listen To Me, Baby — Bob Dylan 2008 page 2 of 133 1 INTRODUCTION .................................................................................................................................................................. 4 2 2008 AT A GLANCE ............................................................................................................................................................. 4 3 THE 2008 CALENDAR ......................................................................................................................................................... 5 4 NEW RELEASES AND RECORDINGS ............................................................................................................................. 7 4.1 BOB DYLAN TRANSMISSIONS ............................................................................................................................................... 7 4.2 BOB DYLAN RE-TRANSMISSIONS ......................................................................................................................................... 7 4.3 BOB DYLAN LIVE TRANSMISSIONS .....................................................................................................................................
    [Show full text]
  • 47955 the Musician's Lifeline INT01-192 PRINT REV INT03 08.06.19.Indd
    181 Our Contributors Carl Allen: jazz drummer, educator Brian Andres: drummer, educator David Arnay: jazz pianist, composer, educator at University of Southern California Kenny Aronoff: live and studio rock drummer, author Rosa Avila: drummer Jim Babor: percussionist, Los Angeles Philharmonic, educator at University of Southern California Jennifer Barnes: vocalist, arranger, educator at University of North Texas Bob Barry: (jazz) photographer John Beasley: jazz pianist, studio musician, composer, music director John Beck: percussionist, educator (Eastman School of Music, now retired) Bob Becker: xylophone virtuoso, percussionist, composer Shelly Berg: jazz pianist, dean of Frost Music School at University of Miami Chuck Berghofer: jazz bassist, studio musician Julie Berghofer: harpist Charles Bernstein: film composer Ignacio Berroa: Cuban drummer, educator, author Charlie Bisharat: violinist, studio musician Gregg Bissonette: drummer, author, voice-over actor Hal Blaine: legendary studio drummer (Wrecking Crew fame) Bob Breithaupt: drummer, percussionist, educator at Capital University Bruce Broughton: composer, EMMY Chris Brubeck: bassist, bass trombonist, composer Gary Burton: vibes player, educator (Berklee College of Music, now retired), GRAMMY 182 THE MUSICIAN’S LIFELINE Jorge Calandrelli: composer, arranger, GRAMMY Dan Carlin: award-winning engineer, educator at University of Southern California Terri Lyne Carrington: drummer, educator at Berklee College of Music, GRAMMY Ed Carroll: trumpeter, educator at California Institute of
    [Show full text]
  • Chicago Was a Key R&B and Blues
    By Harry Weinger h e g r e a te st h a r m o n y g r o u p o p ment,” “Pain in My Heart” and original all time, the Dells thrilled au­ versions of “Oh W hat a Nile” and “Stay diences with their amazing in My Comer.” After the Dells survived vocal interplay, between the a nasty car accident in 1958, their perse­ gruff, exp lore voice of Mar­ verance became a trademark. During vin Junior and the keening their early down periods, they carried on high tenor of Johnny Carter, thatwith sweet- innumerable gigs that connected T the dots of postwar black American- homeChicago blend mediated by Mickey McGill and Veme Allison, and music history: schooling from Harvey the talking bass voice from Chuck Fuqua, studio direction from Willie Barksdale. Their style formed the tem­ Dixon and Quincy Jones, singing back­ plate for every singing group that came grounds for Dinah Washington and Bar­ after them. They’ve been recording and bara Lewis (“Hello Stranger”) and tours touring together for more than fifty with Ray Charles. years, with merely one lineup change: A faithful Phil Chess helped the Dells Carter, formerly ©f the Flamingos reinvigorate their career in 1967. By the (t ool Hall of Fame inductees), replaced end of the sixties, they had enough clas­ Johnny Funches in i960. sics on Cadet/Chess - including “There Patience and camaraderie helped the Is,” “Always Together,” “I Can Sing a Dills stay the course. Starting out in the Rainbow/Love Is Blue” and brilliant Chicago suburb of Harvey, Illinois, in remakes of “Stay in My Comer” and “Oh, 1953, recording for Chess subsidiaries What a Night” (with a slight variation in Checker and Cadet and then Vee-Jay, the its title) - to make them R&B chart leg­ Dells had attained Hall of Fame merit by ends.
    [Show full text]
  • 50S 60S 70S.Txt 10Cc - I'm NOT in LOVE 10Cc - the THINGS WE DO for LOVE
    50s 60s 70s.txt 10cc - I'M NOT IN LOVE 10cc - THE THINGS WE DO FOR LOVE A TASTE OF HONEY - OOGIE OOGIE OOGIE ABBA - DANCING QUEEN ABBA - FERNANDO ABBA - I DO I DO I DO I DO I DO ABBA - KNOWING ME KNOWING YOU ABBA - MAMMA MIA ABBA - SOS ABBA - TAKE A CHANCE ON ME ABBA - THE NAME OF THE GAME ABBA - WATERLOU AC/DC - HIGHWAY TO HELL AC/DC - YOU SHOOK ME ALL NIGHT LONG ACE - HOW LONG ADRESSI BROTHERS - WE'VE GOT TO GET IT ON AGAIN AEROSMITH - BACK IN THE SADDLE AEROSMITH - COME TOGETHER AEROSMITH - DREAM ON AEROSMITH - LAST CHILD AEROSMITH - SWEET EMOTION AEROSMITH - WALK THIS WAY ALAN PARSONS PROJECT - DAMNED IF I DO ALAN PARSONS PROJECT - DOCTOR TAR AND PROFESSOR FETHER ALAN PARSONS PROJECT - I WOULDNT WANT TO BE LIKE YOU ALBERT, MORRIS - FEELINGS ALIVE N KICKIN - TIGHTER TIGHTER ALLMAN BROTHERS - JESSICA ALLMAN BROTHERS - MELISSA ALLMAN BROTHERS - MIDNIGHT RIDER ALLMAN BROTHERS - RAMBLIN MAN ALLMAN BROTHERS - REVIVAL ALLMAN BROTHERS - SOUTHBOUND ALLMAN BROTHERS - WHIPPING POST ALLMAN, GREG - MIDNIGHT RIDER ALPERT, HERB - RISE AMAZING RHYTHM ACES - THIRD RATE ROMANCE AMBROSIA - BIGGEST PART OF ME AMBROSIA - HOLDING ON TO YESTERDAY AMBROSIA - HOW MUCH I FEEL AMBROSIA - YOU'RE THE ONLY WOMAN AMERICA - DAISY JANE AMERICA - HORSE WITH NO NAME AMERICA - I NEED YOU AMERICA - LONELY PEOPLE AMERICA - SISTER GOLDEN HAIR AMERICA - TIN MAN Page 1 50s 60s 70s.txt AMERICA - VENTURA HIGHWAY ANDERSON, LYNN - ROSE GARDEN ANDREA TRUE CONNECTION - MORE MORE MORE ANKA, PAUL - HAVING MY BABY APOLLO 100 - JOY ARGENT - HOLD YOUR HEAD UP ATLANTA RHYTHM SECTION - DO IT OR DIE ATLANTA RHYTHM SECTION - IMAGINARY LOVER ATLANTA RHYTHM SECTION - SO IN TO YOU AVALON, FRANKIE - VENUS AVERAGE WHITE BD - CUT THE CAKE AVERAGE WHITE BD - PICK UP THE PIECES B.T.
    [Show full text]
  • To Download Or Read
    1 President’s Column SBS Smiles When Blues Fans Use By Sally Katen Amazon Smile I am going to start this article with thoughts of Did you know you can support the Sacramento Blues Society every everyone in our blues community: friends, family time you shop online at Amazon, at no cost to you? AmazonSmile and musicians, I am sending prayers that we are is a simple and automatic way for you to support SBS. When you all staying safe. It is hard to be confined day after shop online at smile.amazon.com, you'll find the exact same low day, and to keep mentally sane too! To those who prices, vast selection and convenient shopping experience as are still working, be safe and thank you. Amazon.com, with the added bonus that Amazon will donate 0.5% With all the music being canceled or postponed, it seems strange of the price of your eligible purchases to SBS when we are selected not to go out and see friends and enjoy the music we all love. I was as your charity of choice. looking forward to SBS Women Sing the Blues this past Sunday, Go to Amazonsmile.com. Sign into your Amazon account (or create and am sorry that the SBS has had to step back from live shows for one). go to the Charity List. Select "The Sacramento Blues Society". now. Most future events for which I had tickets throughout May have Start shopping and you'll be giving a bit of Blues back. Thank you! been rescheduled to dates later in the year.
    [Show full text]
  • Recorded Jazz in the 20Th Century
    Recorded Jazz in the 20th Century: A (Haphazard and Woefully Incomplete) Consumer Guide by Tom Hull Copyright © 2016 Tom Hull - 2 Table of Contents Introduction................................................................................................................................................1 Individuals..................................................................................................................................................2 Groups....................................................................................................................................................121 Introduction - 1 Introduction write something here Work and Release Notes write some more here Acknowledgments Some of this is already written above: Robert Christgau, Chuck Eddy, Rob Harvilla, Michael Tatum. Add a blanket thanks to all of the many publicists and musicians who sent me CDs. End with Laura Tillem, of course. Individuals - 2 Individuals Ahmed Abdul-Malik Ahmed Abdul-Malik: Jazz Sahara (1958, OJC) Originally Sam Gill, an American but with roots in Sudan, he played bass with Monk but mostly plays oud on this date. Middle-eastern rhythm and tone, topped with the irrepressible Johnny Griffin on tenor sax. An interesting piece of hybrid music. [+] John Abercrombie John Abercrombie: Animato (1989, ECM -90) Mild mannered guitar record, with Vince Mendoza writing most of the pieces and playing synthesizer, while Jon Christensen adds some percussion. [+] John Abercrombie/Jarek Smietana: Speak Easy (1999, PAO) Smietana
    [Show full text]