The New Yorker , Published Weekly by the F - R Pub

Total Page:16

File Type:pdf, Size:1020Kb

The New Yorker , Published Weekly by the F - R Pub February 28 , 1925 Price 15 cents NEW YORKER OLURD BALLOON RE . O - ( 0 U . S . Royal Cord Balloon Tires Note the Scientific Tread Design UJERE is a convincing sales point with strain and wear evenly over the entire tread 11 which the U . S . Tire Dealer is selling surface . Now note also that the tread blocks many a tire these days — are made relatively small . Visualize the action of a Balloon Tire on This is very necessary in a balloon tire . If the the road , and the science of this Royal Cord tread blocks are made larger , they throw heavy tread design immediately makes itself clear . strains on the tire . The U . S . Royal Cord Balloon Tire is built of Under load , the entire width of the tread latex - treated Web Cord - strong and flexible . is in contact with the road . So the outside It is accurately balanced . It is scientifically tread blocks have been built up to give a designed for maximum comfort , safety and ser semi - flat contour . vice life . This reduces the flexing action of the tread shoulders , distributing the United States Rubber Company TRADE TRADE MARK UNITED STATES TIRES A R E GOOD TIRES The New YorkER , published weekly by The F - R Pub . Corp . , 25 W . 45th St . , New York , N . Y . Subscription $ 5 . 00 . Vol . 1 , No . 2 . Feb . 28 , 1925 . Application for entry as second class matter pending . THE NEW YORKER Advisory Editors : Ralph Barton , Marc Connelly , Rea Irvin , George S . Kaufman , Alice Duer Miller , Dorothy Parker , Alexander Woollcott THE TALK OF THE TOWN I AST week saw Spring coquetting on Fifth Ave I hope that eventually the orderly arrangement of nue , but aside from that uncalendared escapade dining car sittings will be able to do away with the ( did you ever notice that sunny late - winter days annoying no - smoking - in - the - diner rule . The sole rea on the Avenue always seem brighter and more gay son for its existence to - day is its discouragement of the with promise than anywhere else in town ? ) there lingering passenger who likes a cigarette or cigar with weren ' t many events of interest to mention in my his coffee . I should think the perfect working of the letter to Aunt Evelyn in Dubuque . Despite implica - new system would allow the momentary comfort of tions of the catch - line of a certain new magazine most tobacco in the minute and three - quarters consumed of the old ladies in Dubuque are most keenly inter - by the waiters in bringing change . ested in things that are supposed to interest only New Yorkers . However , I told her about the number of men pop I used to think that ping up from the South for a few days with offensively tanned faces and the irritating information that they “ They needed an angel in heaven intend to go back again in a couple of days for an So God took Caruso away . ” other month of tropic ease . I thank my lares and was the Height of Something in belles lettres but in penates that at least the time is not ripe yet for their that mist of the dawn ahead in which one senses Per insufferable farewells as they steam away for sum fection an even higher monument to beauty has taken mers abroad . form out of the haze . It is the following from a new popular song entitled “ My Kid ” : Ciro ' s opened the other night with Mary Hay and “ He comes downstairs in his little white nightie Clifton Webb as the supper club ' s dancing team and when they inaugurated their partnership last Tuesday And says his prayers to God Almighty . ” night a noticeably smart crowd filled the place . I I am told it is making thousands of better men and didn ' t go myself after an attache of the restaurant women in vaudeville and night club circles . discounted the need of any further guests the opening night by declining , over the phone , to reserve a table for Aunt Evelyn ' s nephew . The elderly matron with the lifted face has become so common that it must be a very good joke about her that gets even a glancing attention . But the case of I ' d have been obliged to forego the event anyway , Mrs . Louise Conti , 83 years old , erstwhile bathroom it turned out , as a sudden call took me to Baltimore maid at the Plaza , demands a pause in the day ' s occu for the night . The Congressional Limited , I discov - pations . It seems , says the World , that Mrs . Conti has ered , has put in practice the dining car booking system worked hard all her life . When she was 78 , Mrs . one finds on trains in England . Sittings are assigned Conti was still able to stand on her hands . by cards distributed by the dining car steward an hour But a few months ago , despite her matutinal ap or so before the diner is open . It ' s a good system , as plication to the programs of calisthenics in the news the English found out several years ago , though it papers , she found herself a bit stiff in one or two was not functioning any too smoothly on the Limited . muscles when the day ' s work of cleaning forty or When three of us marched in , as our cards provided , fifty bath tubs was over . There were unquestionably at 6 : 15 , to take our places at Table A - 8 , four in - wrinkles in her hands . So she accepted the invitation dividualists were firmly intrenchered . I hope , never - of a beauty specialist whose newspaper advertisement theless , that the system can be put into practice over informed her that a free clinic was available for such here as I know of few unhappier moments than that as she . She tried to take advantage of the offer , but of discovering , after a feeling progress through five to her discomfiture and the amazement of the beauty or six cars , that the corridor of the diner is packed doctors her skin was fine and clear , her teeth were like a six o ' clock subway train . sound , her eyes were bright and from her conversa THE NEW YORKER tion in fluent Italian , French , Spanish and English it of the Army , Navy or National Guard , there is often was obvious that she was vivacious , charming , and a lack of that precision which characterizes the march toujours gai or very nearly . They couldn ' t do much ing of our West Point cadets . But the magnificence about the wrinkles in her hands . of uniform more than makes up for any slight tech nical lack , and it would indeed be a captious critic who would find fault with the appearance of the Guard . Having held its ninety - ninth annual reception and Back in the early days , the organization was known ball the Old Guard has at once subsided into that as the Light Guard and began its career on the Bow lethargy which it maintains between these annual ery . In the ' 30s it was merged with the City Guard functions . However , it is not quite fair to the Old and as such both continued until the Civil War when Guard to intimate that it does nothing but give a they were absorbed by larger commands . After that ball each year , though to do even that steadily for war the veterans of each got together and in 1868 the ninety - nine years requires a certain amount of tenacity . Old Guard was chartered by the State of New York . In addition , the Old Guard has become a standard For many years the annual ball was held in the old part of any New York parade . Academy of Music , and I believe , was also at one time Lined up in their towering bearskin shakos , wearing held in the Madison Square Garden . Still later it their famous uniform of blue trousers and swallow was transferred to the Metropolitan Opera House . tailed coats of white decorated with blue , red and In those days it was classed as one of the " wine gold facings , these doughy warriors are one of the few balls , ” a slang term applied to the large public dances links connecting New York with its past . From to which the wine merchants of the city would send the gold tassels topping off their prodigious shakos to representatives to give away quantities of wine and the tips of their impressive boots the members of the champagne as advertisements for their products . Natu Old Guard have not altered for a century . rally , balls in those days were gayer and more lively While the call to duty at parades or for the mass - affairs , but the Old Guard has managed to withstand ing of the colors at the ball never finds the members even the rigors of prohibition , though many of the lacking in alacrity there is not the same enthusiasm older members aver that the annual gatherings are for drills , which are not compulsory . Thus , although not what they used to be . all members of the organization were once members Theodore Roosevelt was a member of the Old SA Clifton Webb and THE NEW YORKER Guard and at the time of his death was one of that By the way , the oyster scare seems to be finished . venerable body ' s honorary members along with such Despite the sudden appearance of small cards attached notables as King Albert , the Prince of Wales , to the cartes du jour in restaurants , which testified that Marshals Foch , Joffre and Haig , Generals Pershing , the oysters in those restaurants were not only germless Wood and Bullard , and until the election of President but the social equals of the best hors d ' ouvres in the Harding , was the only President to be placed among world , people refused to eat them .
Recommended publications
  • Jazz and the Cultural Transformation of America in the 1920S
    Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive.
    [Show full text]
  • South Pacific
    THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods.
    [Show full text]
  • Storytelling and Social Media
    NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no.
    [Show full text]
  • Life of John H.W. Hawkins
    THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES I LIFE JOHN H. W. HAWKINS COMPILED BY HIS SON, REV. WILLIAM GEOEGE HAWKINS, A.M. "The noble self the conqueror, earnest, generous friend of the inebriate, the con- devsted advocate of the sistent, temperance reform in all its stages of development, and the kind, to aid sympathising brother, ready by voice and act every form of suffering humanity." SIXTH THOUSAND. BOSTON: PUBLISHED BY. BRIGGS AND RICHAEDS, 456 WAsnujdTn.N (-'TKI:I:T, Con. ESSEX. NEW YORK I SHELDON, HLAKKMAN & C 0. 1862. Entered according to Act of Congress, in the year 1859, by WILLIAM GEORGE HAWKINS, In the Clerk's Office of the District Court for the District of Massachusetts. LITHOTYPED BT COWLES AND COMPANY, 17 WASHINGTON ST., BOSTON. Printed by Geo. C. Rand and Ayery. MY GRANDMOTHER, WHOSE PRAYERS, UNINTERMITTED FOR MORE THAN FORTY" YEARS, HAVE, UNDER GOD, SAVED A SON, AND GIVEN TO HER NATIVE COUNTRY A PHILANTHROPIST, WHOSE MULTIPLIED DEEDS OF LOVE ARE EVERYWHERE TO BE SEEN, AND WHICH ARE HERE BUT IMPERFECTLY RECORDED, is $0lunu IS AFFECTIONATELY DEDICATED 550333 PREFACE. THE compiler of this volume has endeavored to " obey the command taught him in his youth, Honor thy father," etc., etc. He has, therefore, turned aside for a brief period from his professional duties, to gather up some memorials of him whose life is here but imperfectly delineated. It has indeed been a la- bor of love how and ; faithfully judiciously performed must be left for others to say. The writer has sought to avoid multiplying his own words, preferring that the subject of this memoir and his friends should tell their own story.
    [Show full text]
  • Annual Report Fiscal Year 2017/2018
    ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change.
    [Show full text]
  • Where the Salmon Run: the Life and Legacy of Billy Frank Jr
    LEGACY PROJECT A century-old feud over tribal fishing ignited brawls along Northwest rivers in the 1960s. Roughed up, belittled, and handcuffed on the banks of the Nisqually River, Billy Frank Jr. emerged as one of the most influential Indians in modern history. Inspired by his father and his heritage, the elder united rivals and survived personal trials in his long career to protect salmon and restore the environment. Courtesy Northwest Indian Fisheries Commission salmon run salmon salmon run salmon where the where the “I hope this book finds a place in every classroom and library in Washington State. The conflicts over Indian treaty rights produced a true warrior/states- man in the person of Billy Frank Jr., who endured personal tragedies and setbacks that would have destroyed most of us.” TOM KEEFE, former legislative director for Senator Warren Magnuson Courtesy Hank Adams collection “This is the fascinating story of the life of my dear friend, Billy Frank, who is one of the first people I met from Indian Country. He is recognized nationally as an outstanding Indian leader. Billy is a warrior—and continues to fight for the preservation of the salmon.” w here the Senator DANIEL K. INOUYE s almon r un heffernan the life and legacy of billy frank jr. Trova Heffernan University of Washington Press Seattle and London ISBN 978-0-295-99178-8 909 0 000 0 0 9 7 8 0 2 9 5 9 9 1 7 8 8 Courtesy Michael Harris 9 780295 991788 LEGACY PROJECT Where the Salmon Run The Life and Legacy of Billy Frank Jr.
    [Show full text]
  • Nota De Prensa
    Cuadrante de actividades y proyecciones para el público -XVII SICF (8-16 de noviembre de 2007)- Teatro Cervantes Salón Actos Rectorado Invitados/homenajes/galas Actividades paralelas ▲ Cine Alameda Paraninfo Presentación películas Proyecciones ► Jueves 8 Viernes 9 Sábado 10 Domingo 11 Lunes 12 Martes 13 Miércoles 14 Jueves 15 Viernes 16 + ►21:00 ▲20:30 Gala inaugural + Homenaje Concierto de BSO a cargo de la Tippi Hedren + cortos The Quiet OCUMA y la Orquesta Sinfónica y Fairy Tale y largo Mr. Brooks. Provincial de Málaga. ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 The Quiet + Fairy Tale La muerte en directo (fantástico The entrance (Informativa). Cortometrajes andaluces a The last winter (Informativa). Black night (Informaiva). Película sorpresa (Premieres (cortometrajes) + Mr. Brooks €). ►18:15 Concurso*. + ►18:30 ►18:30 2007). (largometraje). ►18:45 Cecilie (Concurso). ►18:45 Cello (Concurso). Presenta Lee I’m a cyborg, but that’s OK + ►21:00 + ►18:45 Storm warning (Concurso). ►20:15 Cold prey (Concurso). Woo Chul (director). (Concurso). Gala de clausura + entrega de The 4th dimension (Concurso). ►20:30 Kilómetro 31 (Premieres 2007). ►20:30 + ►20:15 ►20:30 premios + proyección de Exiled. Presentan Tom Mattera y David La habitación de Fermat ►22:15 Rec (Premieres 2007). Kaena. The Prophecy The mad (Concurso). Mazzoni (directores). (Concurso). La antena (Concurso). ►22:30 (Homenaje a Lauren Films). ►22:15 ►20:30 + ►22:15 Wicked flowers (Concurso). Presenta Antonio Llorens The ferryman (Informativa). Rogue (Concurso). (distribuidor). Sala 1 Los pájaros (Homenaje a Tippi ►00:00 + ►22:30 Hedren). Presenta Tippi Hedren ►22:15 1408 (Premieres 2007).
    [Show full text]
  • Viewer’S Male Gaze
    Women and Children First: ​ American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Xander Somogyi Candidate for Honors in History at Oberlin College Professor Leonard Smith, Advisor Spring 2018 Acknowledgments This paper would not have been possible without the help of my advisor and dear friend, Professor Leonard Smith. Whether giving useful critiques or a simple ganbatte (good luck!), ​ ​ Professor Smith was consistently there to help with this project: thank you. I would also like to thank my parents, Kathleen Chamberlain and Victoria Somogyi, who have always been interested in, and engaged with, my academic pursuits. To my friends who believed in me, helped with and encouraged my research--especially Hannah Kim, Juanbi Berretta, and my fellow classmates in the Honors Seminar--I am deeply grateful. I would finally like to dedicate this paper to the research assistants and librarians at Oberlin’s Mudd Library and the New York Public Library. Not only did they help me greatly throughout this project, but they instilled a great love for research in me I never thought I had. Title page photograph: Contrasting images of the Japanese from National Geographic’s ​ ​ ​ 1960 article “Japan, the Exquisite Enigma.” 2 Note on Japanese Names Because this paper is written with an American frame in mind, I have followed the Western convention, not the Japanese, in organising Japanese name format. All names in this paper will begin with given name first and surnames last (for instance, Michiko Shoda). 3 Table of Contents Introduction
    [Show full text]
  • “Come On! Try It! You Just Might Like It!”
    “COME ON! TRY IT! YOU JUST MIGHT LIKE IT!” BY MARC PETTY CRUCIGER, M.D. PRESENTED TO THE CHIT CHAT CLUB SAN FRANCISCO, CALIFORNIA SEPTEMBER 10, 2012 Although the Chit-Chat Club is not the place where one usually comes to confess a private addiction, I shall, with your gentle sympathy and kind indulgence, break that very time-honored and noble tradition this evening. Are you ready? Tonight I freely and openly confess that I am an addict, not to cocaine or alcohol, but to a wonderfully satisfying, delightfully intoxicating, and incredibly addictive magazine that arrives every week called The New Yorker. Like an addiction to cocaine and alcohol, its possession and consumption gives me an exhilarating “high” for a short time, but, like all addictive drugs, it leaves me craving for more. Thank God, I need wait no longer than 6 days or so between “highs.” And fortunately these “highs” that I require weekly are not too dear for, if that were not the case, I would surely have been in financial ruin a very long time ago. It is hard to say just when, exactly, my addiction actually started. But, I suppose, like all addictions, it started innocently enough. You know, the old, “Come on! Try it! You just might like it!” Although I do not remember those exact words spoken to me, what I do remember as a child is seeing my soon-to-be-drug-of-choice strewn on a coffee table or in the hands of my parents, Swarthmore and MIT educated, who were either chortling hysterically or ravenously consuming it with the very clear-cut mien of “Do not interrupt me at this moment or else” that only parents can impart with such authority.
    [Show full text]
  • The Library of Congress Information Bulletin, 2001. INSTITUTION Library of Congress, Washington, DC
    DOCUMENT RESUME ED 464 636 IR 058 442 AUTHOR Lamolinara, Guy, Ed. TITLE The Library of Congress Information Bulletin, 2001. INSTITUTION Library of Congress, Washington, DC. ISSN ISSN-0041-7904 PUB DATE 2001-00-00 NOTE 423p. AVAILABLE FROM For full text: http://www.loc.gov/loc/lcib/. r)Tro w^-k. JOURNAL CIT Library of Congress Information Bulletin; v60 n1-12 2001 EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Electronic Libraries; *Exhibits; *Library Collections; *Library Services; *National Libraries; World Wide Web IDENTIFIERS *Library of Congress ABSTRACT These 12 issues, representing one calendar year (2001) of "The Library of Congress Information Bulletin," contain information on Library of Congress new collections and program developments, lectures and readings, financial support and materials donations, budget, honors and awards, World Wide Web sites and digital collections, new publications, exhibits, and preservation. Cover stories include:(1) "5 Million Items Online: National Digital Library Program Reaches Goal";(2) "Celebration and Growth: The Year in Review"; (3) "The World of Hannah Arendt: Selection of Papers of Political Philosopher Now Online"; (4) "'Born in Slavery': An Introduction to the WPA Slave Narratives"; (5) "Photographer to the Czar: The Startling Work of Sergei Prokudin-Gorskii"; (6) "World Treasures: Library Opens New Gallery of Global Collections"; (7) "National Book Festival: First Lady, Library To Host First-Ever Event"; (8) "Shadows, Dreams, Substance: 'The Floating World of Ukiyo-e' Exhibition Opens"; (9) "'The Joy of the Written Work': Library and First Lady Host First National Book Festival"; (10) "'Human Nature and the Power of Culture': Margaret Mead Exhibition Opens"; and (11)"Photos from the Clarence H.
    [Show full text]
  • Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
    Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................
    [Show full text]
  • David L. Smith Collection Ca
    Collection # P 0568 OM 0616 CT 2355–2368 DVD 0866–0868 DAVID L. SMITH COLLECTION CA. 1902–2014 Collection Information Biographical Sketch Scope and Content Note Series Contents Processed by Barbara Quigley and Courtney Rookard February 27, 2017 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 6 boxes of photographs, 1 OVA graphics box, 1 OVB COLLECTION: photographs box, 4 flat-file folders of movie posters; 1 folder of negatives; 9 manuscript boxes; 7 oversize manuscript folders; 1 artifact; 14 cassette tapes; 3 CDs; 1 thumb drive; 18 books COLLECTION 1902–2014 DATES: PROVENANCE: Gift from David L. Smith, July 2015 RESTRICTIONS: Any materials listed as being in Cold Storage must be requested at least 4 hours in advance. COPYRIGHT: The Indiana Historical Society does not hold the copyright for the majority of the items in this collection. REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED HOLDINGS: ACCESSION 2015.0215, 2017.0023 NUMBER: NOTES: BIOGRAPHICAL SKETCH David L. Smith is Professor Emeritus of Telecommunications at Ball State University in Muncie, Indiana, where he taught for twenty-three years. He is the author of Hoosiers in Hollywood (published by the Indiana Historical Society in 2006), Sitting Pretty: The Life and Times of Clifton Webb (University Press of Mississippi, 2011), and Indianapolis Television (Arcadia Publishing, 2012). He was the host of a series called When Movies Were Movies on WISH-TV in Indianapolis from 1971–1981, and served as program manager for the station for twenty years.
    [Show full text]