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Jazz and the Cultural Transformation of America in the 1920S
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2003 Jazz and the cultural transformation of America in the 1920s Courtney Patterson Carney Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the History Commons Recommended Citation Carney, Courtney Patterson, "Jazz and the cultural transformation of America in the 1920s" (2003). LSU Doctoral Dissertations. 176. https://digitalcommons.lsu.edu/gradschool_dissertations/176 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. JAZZ AND THE CULTURAL TRANSFORMATION OF AMERICA IN THE 1920S A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Philosophy in The Department of History by Courtney Patterson Carney B.A., Baylor University, 1996 M.A., Louisiana State University, 1998 December 2003 For Big ii ACKNOWLEDGEMENTS The real truth about it is no one gets it right The real truth about it is we’re all supposed to try1 Over the course of the last few years I have been in contact with a long list of people, many of whom have had some impact on this dissertation. At the University of Chicago, Deborah Gillaspie and Ray Gadke helped immensely by guiding me through the Chicago Jazz Archive. -
South Pacific
THE MUSICO-DRAMATIC EVOLUTION OF RODGERS AND HAMMERSTEIN’S SOUTH PACIFIC DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By James A. Lovensheimer, M.A. ***** The Ohio State University 2003 Dissertation Committee: Approved by Professor Arved Ashby, Adviser Professor Charles M. Atkinson ________________________ Adviser Professor Lois Rosow School of Music Graduate Program ABSTRACT Since its opening in 1949, Rodgers and Hammerstein’s Pulitzer Prize- winning musical South Pacific has been regarded as a masterpiece of the genre. Frequently revived, filmed for commercial release in 1958, and filmed again for television in 2000, it has reached audiences in the millions. It is based on selected stories from James A. Michener’s book, Tales of the South Pacific, also a Pulitzer Prize winner; the plots of these stories, and the musical, explore ethnic and cutural prejudice, a theme whose treatment underwent changes during the musical’s evolution. This study concerns the musico-dramatic evolution of South Pacific, a previously unexplored process revealing the collaborative interaction of two masters at the peak of their creative powers. It also demonstrates the authors’ gradual softening of the show’s social commentary. The structural changes, observable through sketches found in the papers of Rodgers and Hammerstein, show how the team developed their characterizations through musical styles, making changes that often indicate changes in characters’ psychological states; they also reveal changing approaches to the musicalization of the novel. Studying these changes provides intimate and, occasionally, unexpected insights into Rodgers and Hammerstein’s creative methods. -
Storytelling and Social Media
NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no. -
Life of John H.W. Hawkins
THE LIBRARY OF THE UNIVERSITY OF CALIFORNIA LOS ANGELES I LIFE JOHN H. W. HAWKINS COMPILED BY HIS SON, REV. WILLIAM GEOEGE HAWKINS, A.M. "The noble self the conqueror, earnest, generous friend of the inebriate, the con- devsted advocate of the sistent, temperance reform in all its stages of development, and the kind, to aid sympathising brother, ready by voice and act every form of suffering humanity." SIXTH THOUSAND. BOSTON: PUBLISHED BY. BRIGGS AND RICHAEDS, 456 WAsnujdTn.N (-'TKI:I:T, Con. ESSEX. NEW YORK I SHELDON, HLAKKMAN & C 0. 1862. Entered according to Act of Congress, in the year 1859, by WILLIAM GEORGE HAWKINS, In the Clerk's Office of the District Court for the District of Massachusetts. LITHOTYPED BT COWLES AND COMPANY, 17 WASHINGTON ST., BOSTON. Printed by Geo. C. Rand and Ayery. MY GRANDMOTHER, WHOSE PRAYERS, UNINTERMITTED FOR MORE THAN FORTY" YEARS, HAVE, UNDER GOD, SAVED A SON, AND GIVEN TO HER NATIVE COUNTRY A PHILANTHROPIST, WHOSE MULTIPLIED DEEDS OF LOVE ARE EVERYWHERE TO BE SEEN, AND WHICH ARE HERE BUT IMPERFECTLY RECORDED, is $0lunu IS AFFECTIONATELY DEDICATED 550333 PREFACE. THE compiler of this volume has endeavored to " obey the command taught him in his youth, Honor thy father," etc., etc. He has, therefore, turned aside for a brief period from his professional duties, to gather up some memorials of him whose life is here but imperfectly delineated. It has indeed been a la- bor of love how and ; faithfully judiciously performed must be left for others to say. The writer has sought to avoid multiplying his own words, preferring that the subject of this memoir and his friends should tell their own story. -
Annual Report Fiscal Year 2017/2018
ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change. -
Where the Salmon Run: the Life and Legacy of Billy Frank Jr
LEGACY PROJECT A century-old feud over tribal fishing ignited brawls along Northwest rivers in the 1960s. Roughed up, belittled, and handcuffed on the banks of the Nisqually River, Billy Frank Jr. emerged as one of the most influential Indians in modern history. Inspired by his father and his heritage, the elder united rivals and survived personal trials in his long career to protect salmon and restore the environment. Courtesy Northwest Indian Fisheries Commission salmon run salmon salmon run salmon where the where the “I hope this book finds a place in every classroom and library in Washington State. The conflicts over Indian treaty rights produced a true warrior/states- man in the person of Billy Frank Jr., who endured personal tragedies and setbacks that would have destroyed most of us.” TOM KEEFE, former legislative director for Senator Warren Magnuson Courtesy Hank Adams collection “This is the fascinating story of the life of my dear friend, Billy Frank, who is one of the first people I met from Indian Country. He is recognized nationally as an outstanding Indian leader. Billy is a warrior—and continues to fight for the preservation of the salmon.” w here the Senator DANIEL K. INOUYE s almon r un heffernan the life and legacy of billy frank jr. Trova Heffernan University of Washington Press Seattle and London ISBN 978-0-295-99178-8 909 0 000 0 0 9 7 8 0 2 9 5 9 9 1 7 8 8 Courtesy Michael Harris 9 780295 991788 LEGACY PROJECT Where the Salmon Run The Life and Legacy of Billy Frank Jr. -
Nota De Prensa
Cuadrante de actividades y proyecciones para el público -XVII SICF (8-16 de noviembre de 2007)- Teatro Cervantes Salón Actos Rectorado Invitados/homenajes/galas Actividades paralelas ▲ Cine Alameda Paraninfo Presentación películas Proyecciones ► Jueves 8 Viernes 9 Sábado 10 Domingo 11 Lunes 12 Martes 13 Miércoles 14 Jueves 15 Viernes 16 + ►21:00 ▲20:30 Gala inaugural + Homenaje Concierto de BSO a cargo de la Tippi Hedren + cortos The Quiet OCUMA y la Orquesta Sinfónica y Fairy Tale y largo Mr. Brooks. Provincial de Málaga. ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 ►16:30 The Quiet + Fairy Tale La muerte en directo (fantástico The entrance (Informativa). Cortometrajes andaluces a The last winter (Informativa). Black night (Informaiva). Película sorpresa (Premieres (cortometrajes) + Mr. Brooks €). ►18:15 Concurso*. + ►18:30 ►18:30 2007). (largometraje). ►18:45 Cecilie (Concurso). ►18:45 Cello (Concurso). Presenta Lee I’m a cyborg, but that’s OK + ►21:00 + ►18:45 Storm warning (Concurso). ►20:15 Cold prey (Concurso). Woo Chul (director). (Concurso). Gala de clausura + entrega de The 4th dimension (Concurso). ►20:30 Kilómetro 31 (Premieres 2007). ►20:30 + ►20:15 ►20:30 premios + proyección de Exiled. Presentan Tom Mattera y David La habitación de Fermat ►22:15 Rec (Premieres 2007). Kaena. The Prophecy The mad (Concurso). Mazzoni (directores). (Concurso). La antena (Concurso). ►22:30 (Homenaje a Lauren Films). ►22:15 ►20:30 + ►22:15 Wicked flowers (Concurso). Presenta Antonio Llorens The ferryman (Informativa). Rogue (Concurso). (distribuidor). Sala 1 Los pájaros (Homenaje a Tippi ►00:00 + ►22:30 Hedren). Presenta Tippi Hedren ►22:15 1408 (Premieres 2007). -
Viewer’S Male Gaze
Women and Children First: American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Xander Somogyi Candidate for Honors in History at Oberlin College Professor Leonard Smith, Advisor Spring 2018 Acknowledgments This paper would not have been possible without the help of my advisor and dear friend, Professor Leonard Smith. Whether giving useful critiques or a simple ganbatte (good luck!), Professor Smith was consistently there to help with this project: thank you. I would also like to thank my parents, Kathleen Chamberlain and Victoria Somogyi, who have always been interested in, and engaged with, my academic pursuits. To my friends who believed in me, helped with and encouraged my research--especially Hannah Kim, Juanbi Berretta, and my fellow classmates in the Honors Seminar--I am deeply grateful. I would finally like to dedicate this paper to the research assistants and librarians at Oberlin’s Mudd Library and the New York Public Library. Not only did they help me greatly throughout this project, but they instilled a great love for research in me I never thought I had. Title page photograph: Contrasting images of the Japanese from National Geographic’s 1960 article “Japan, the Exquisite Enigma.” 2 Note on Japanese Names Because this paper is written with an American frame in mind, I have followed the Western convention, not the Japanese, in organising Japanese name format. All names in this paper will begin with given name first and surnames last (for instance, Michiko Shoda). 3 Table of Contents Introduction -
“Come On! Try It! You Just Might Like It!”
“COME ON! TRY IT! YOU JUST MIGHT LIKE IT!” BY MARC PETTY CRUCIGER, M.D. PRESENTED TO THE CHIT CHAT CLUB SAN FRANCISCO, CALIFORNIA SEPTEMBER 10, 2012 Although the Chit-Chat Club is not the place where one usually comes to confess a private addiction, I shall, with your gentle sympathy and kind indulgence, break that very time-honored and noble tradition this evening. Are you ready? Tonight I freely and openly confess that I am an addict, not to cocaine or alcohol, but to a wonderfully satisfying, delightfully intoxicating, and incredibly addictive magazine that arrives every week called The New Yorker. Like an addiction to cocaine and alcohol, its possession and consumption gives me an exhilarating “high” for a short time, but, like all addictive drugs, it leaves me craving for more. Thank God, I need wait no longer than 6 days or so between “highs.” And fortunately these “highs” that I require weekly are not too dear for, if that were not the case, I would surely have been in financial ruin a very long time ago. It is hard to say just when, exactly, my addiction actually started. But, I suppose, like all addictions, it started innocently enough. You know, the old, “Come on! Try it! You just might like it!” Although I do not remember those exact words spoken to me, what I do remember as a child is seeing my soon-to-be-drug-of-choice strewn on a coffee table or in the hands of my parents, Swarthmore and MIT educated, who were either chortling hysterically or ravenously consuming it with the very clear-cut mien of “Do not interrupt me at this moment or else” that only parents can impart with such authority. -
The Library of Congress Information Bulletin, 2001. INSTITUTION Library of Congress, Washington, DC
DOCUMENT RESUME ED 464 636 IR 058 442 AUTHOR Lamolinara, Guy, Ed. TITLE The Library of Congress Information Bulletin, 2001. INSTITUTION Library of Congress, Washington, DC. ISSN ISSN-0041-7904 PUB DATE 2001-00-00 NOTE 423p. AVAILABLE FROM For full text: http://www.loc.gov/loc/lcib/. r)Tro w^-k. JOURNAL CIT Library of Congress Information Bulletin; v60 n1-12 2001 EDRS PRICE MF01/PC17 Plus Postage. DESCRIPTORS Electronic Libraries; *Exhibits; *Library Collections; *Library Services; *National Libraries; World Wide Web IDENTIFIERS *Library of Congress ABSTRACT These 12 issues, representing one calendar year (2001) of "The Library of Congress Information Bulletin," contain information on Library of Congress new collections and program developments, lectures and readings, financial support and materials donations, budget, honors and awards, World Wide Web sites and digital collections, new publications, exhibits, and preservation. Cover stories include:(1) "5 Million Items Online: National Digital Library Program Reaches Goal";(2) "Celebration and Growth: The Year in Review"; (3) "The World of Hannah Arendt: Selection of Papers of Political Philosopher Now Online"; (4) "'Born in Slavery': An Introduction to the WPA Slave Narratives"; (5) "Photographer to the Czar: The Startling Work of Sergei Prokudin-Gorskii"; (6) "World Treasures: Library Opens New Gallery of Global Collections"; (7) "National Book Festival: First Lady, Library To Host First-Ever Event"; (8) "Shadows, Dreams, Substance: 'The Floating World of Ukiyo-e' Exhibition Opens"; (9) "'The Joy of the Written Work': Library and First Lady Host First National Book Festival"; (10) "'Human Nature and the Power of Culture': Margaret Mead Exhibition Opens"; and (11)"Photos from the Clarence H. -
Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star
Washington University in St. Louis Washington University Open Scholarship Arts & Sciences Electronic Theses and Dissertations Arts & Sciences Spring 5-15-2020 Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star Caleb Taylor Boyd Washington University in St. Louis Follow this and additional works at: https://openscholarship.wustl.edu/art_sci_etds Part of the Film and Media Studies Commons, Music Commons, and the Sociology Commons Recommended Citation Boyd, Caleb Taylor, "Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star" (2020). Arts & Sciences Electronic Theses and Dissertations. 2169. https://openscholarship.wustl.edu/art_sci_etds/2169 This Dissertation is brought to you for free and open access by the Arts & Sciences at Washington University Open Scholarship. It has been accepted for inclusion in Arts & Sciences Electronic Theses and Dissertations by an authorized administrator of Washington University Open Scholarship. For more information, please contact [email protected]. WASHINGTON UNIVERSITY IN ST. LOUIS Department of Music Dissertation Examination Committee: Todd Decker, Chair Ben Duane Howard Pollack Alexander Stefaniak Gaylyn Studlar Oscar Levant: Pianist, Gershwinite, Middlebrow Media Star by Caleb T. Boyd A dissertation presented to The Graduate School of Washington University in partial fulfillment of the requirements for the degree of Doctor of Philosophy May 2020 St. Louis, Missouri © 2020, Caleb T. Boyd Table of Contents List of Figures ................................................................................................................................ -
David L. Smith Collection Ca
Collection # P 0568 OM 0616 CT 2355–2368 DVD 0866–0868 DAVID L. SMITH COLLECTION CA. 1902–2014 Collection Information Biographical Sketch Scope and Content Note Series Contents Processed by Barbara Quigley and Courtney Rookard February 27, 2017 Manuscript and Visual Collections Department William Henry Smith Memorial Library Indiana Historical Society 450 West Ohio Street Indianapolis, IN 46202-3269 www.indianahistory.org COLLECTION INFORMATION VOLUME OF 6 boxes of photographs, 1 OVA graphics box, 1 OVB COLLECTION: photographs box, 4 flat-file folders of movie posters; 1 folder of negatives; 9 manuscript boxes; 7 oversize manuscript folders; 1 artifact; 14 cassette tapes; 3 CDs; 1 thumb drive; 18 books COLLECTION 1902–2014 DATES: PROVENANCE: Gift from David L. Smith, July 2015 RESTRICTIONS: Any materials listed as being in Cold Storage must be requested at least 4 hours in advance. COPYRIGHT: The Indiana Historical Society does not hold the copyright for the majority of the items in this collection. REPRODUCTION Permission to reproduce or publish material in this collection RIGHTS: must be obtained from the Indiana Historical Society. ALTERNATE FORMATS: RELATED HOLDINGS: ACCESSION 2015.0215, 2017.0023 NUMBER: NOTES: BIOGRAPHICAL SKETCH David L. Smith is Professor Emeritus of Telecommunications at Ball State University in Muncie, Indiana, where he taught for twenty-three years. He is the author of Hoosiers in Hollywood (published by the Indiana Historical Society in 2006), Sitting Pretty: The Life and Times of Clifton Webb (University Press of Mississippi, 2011), and Indianapolis Television (Arcadia Publishing, 2012). He was the host of a series called When Movies Were Movies on WISH-TV in Indianapolis from 1971–1981, and served as program manager for the station for twenty years.