Annual Report Fiscal Year 2017/2018

Total Page:16

File Type:pdf, Size:1020Kb

Annual Report Fiscal Year 2017/2018 ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change. We must work to remove barriers to access in order LETTER FROM to provide promising artists the opportunity to realize an SFAI education and share their unique visions and contributions with the world. We have the ability, and the ethical responsibility, to THE PRESIDENT provide an educational experience grounded in the integrity of artistic practice, social relevance and preparation for a viable means of livelihood. How best to assure this outcome, for the 2017-2018 WAS AN EXTRAORDINARY YEAR FOR SAN FRANCISCO ART INSTITUTE, near future and the next generation, is a guiding question of bookended by celebrations, from the art- and confetti-filled opening of our new Fort Mason Campus our current strategic planning process overseen by the Board in Fall 2017 to the inspiring return of alumnus Kehinde Wiley as our Commencement honoree. of Trustees and involving students, faculty, staff, alumni and This was my first full academic year as SFAI’s president, and I have come away from it supporters. understanding even more deeply that SFAI is a truly beloved and important institution, poised It is my honor to lead this institution, surrounded by people to further its position in the vanguard of contemporary arts internationally and at the heart of the who are inspired by the core human values that animate Bay Area’s cultural output. our work and give generously to advance our mission. I am SFAI represents a form of cultural agency that is essential in this place and time in history. Art is wholeheartedly committed to the work ahead and look forward present in every society; it is the way in which we push against the edges of what we know in order to sharing news of future efforts. to better understand ourselves and each other, and then connect with the world around us. We tell stories and create community through the sublime communicative power of art. SFAI has been at the forefront of this pursuit for nearly 150 years, engaging with new ideas and technologies to question With gratitude, assumptions, reveal previously unseen things and captivate people's imaginations in ways that are generative and transformative. Students come to SFAI with a dedication to the deep work required to become artists and scholars, and to grow in a caring and challenging environment rooted in respect for the humanity we share and belief in the role of art in shaping our society. Our job is to educate them as adept agents of social change; to train and support individuals who are compelled to be artists and go on to unleash Gordon Knox their aesthetic and intellectual capacities in a wide range of fields. SFAI President 4 BOARD OF TRUSTEES OFFICERS LETTER FROM Pam Rorke Levy, Chair Elizabeth Ronn, Vice Chair Juana Schurman, Secretary THE BOARD CHAIR Steven J. Spector, Treasurer In the current year, the entire SFAI community is working together on a Strategic Plan to be presented TRUSTEES Donna Abrahamson THIS PAST YEAR WAS THE 147TH YEAR OF ARTS INSTRUCTION in June for approval by the Board of Trustees. We are Agnes Bourne OFFERED AT SAN FRANCISCO ART INSTITUTE, and a year of many taking this opportunity to examine the assumptions Rebecca Chou* milestone achievements for our community. that have guided us in the past, and give serious Jonathan Cropper Marcel Houtzager We kicked off the fall 2017 semester welcoming students to our consideration to the needs of our students in a rapidly Chris Lim glorious new Fort Mason campus, 67,000 square feet of light-filled studios, changing world. What is the best way to help each of Tom Loughlin* classrooms, and public galleries. That November our public opening drew our students discover and express their unique artistic Joy Ou Una Ryan more than 4,000 celebrants who marveled at the transformation of Pier 2 from vision? What tools should we be providing them? How Jeremy Stone a single cavernous event space into a best-in-class facility for art-making and do we connect each student with the extraordinary exhibitions. Within weeks of the project’s completion, our architects at Leddy resources and opportunities that abound in the city TRUSTEES-AT-LARGE Maytum Stacy were recognized in glowing reviews that proclaimed the space that surrounds us? How can we do a better job of Don E. Hardy* “… has an unmistakable public, social presence…the confident restoration is a helping students and alumni live happy and productive Annie Leibovitz* Barry J. McGee* triumph.” (SF Chronicle, John King) lives? Brent F. Sikkema* It’s hard to believe that opening weekend was little more than a year ago. These are the questions that will drive our Since opening the Fort Mason campus we’ve staged some 60 exhibitions of discussions, as we commit ourselves once again to TRUSTEES EMERITI student and professional work between the two campuses, often working in delivering the finest arts education in the world. It will Gardiner Hempel partnership with other arts organizations. We’ve hosted more than 30 lectures be our responsibility to decide what that means today, Charles Hobson Bonnie Levinson featuring resident and visiting artists and scholars, and opened our doors to at a time when freedom of speech and expression are Howard Oringer many other Bay Area cultural organizations, who have used our spectacular openly under attack in our country; what it will mean Paul Sack event spaces to celebrate their own landmark occasions, including the Whole in 2021 on SFAI’s 150th anniversary; and what it might John Sanger mean for generations of artists to come. Jack Schafer Earth Catalog’s 50th Anniversary, a 50th anniversary convening for Leonardo/ Roselyne C. Swig The International Society for the Arts, Sciences and Technology, and an We cannot do this work without your help. As the Christopher Tellis SFMOMA benefactor event during the FOG Design+Art fair. new Chair of the SFAI Board of Trustees, I invite you This year we burnished our global reputation by expanding and to join us in the vitally important job ahead, supporting FACULTY TRUSTEES strengthening our network of relationships with leading arts organizations the education of artists whose work will define our Mads Lynnerup culture… and our place in history. Cristóbal Martínez around the world. One case in point: our pioneering work with the finest Chinese art schools, led by former President Fred Martin more than 30 years STUDENT TRUSTEES ago, paid dividends as President Gordon Knox returned to China last January Graduate Student Trustee and re-established formal partnerships with the China Academy of Art and Thank you. Kate Rannells Central Academy of Fine Arts. This set the stage for exhibition exchanges Undergraduate Student Trustee and symposia that gather intelligence from the leading edge of arts education Frank Nunez worldwide. In May we were proud to welcome SFAI alumnus Kehinde Wiley (BFA STUDENT REPRESENTATIVES ‘99) back to campus to receive an honorary doctorate, in recognition of an Pam Rorke Levy Graduate Representative extraordinary career that includes Barack Obama’s official presidential portrait. SFAI Board Chair Eliza Mitchell He delivered a commencement address to an audience of students, faculty, Undegraduate Representative staff, and supporters, and sat down for a lively conversation with President Freddie Lopez-Daniel Gordon Knox at the Fort Mason Campus, in front of a packed audience of SFAI supporters. *Alum 5 HISTORY Founded in 1871 by artists, scholars, and community leaders who possessed a cultural vision for the West, SFAI has produced generations of creative leaders who have profoundly shaped the cultural life of the Bay Area, United States, and world. Artists at SFAI have been at the vanguard of the most important art movements of the last century including fine art photography, the Beat movement, Abstract Expressionism, Bay Area Figuration, avant- garde film, conceptualism, video and performance art, and social practice, and continue to advance contemporary art and the role of artists in today’s society. Left: Pre Diego Rivera Gallery, circa 1927.
Recommended publications
  • Tom Betthauser
    TOM BETTHAUSER b. San Francisco 1987 ​ CONTACT: [email protected] EDUCATION: Yale University, School of Art — MFA, Painting / Drawing 2012 San Francisco Art Institute — BFA, Painting / Drawing 2010 TEACHING / EMPLOYMENT EXPERIENCE: College of Marin, CA – Adjunct Professor, Beginning & Advanced Painting, May 2018 – Present San Francisco Art Institute, CA – Public Education Instructor, Jan 2018 – Present West Valley College, San Jose CA – Adjunct Professor, Studio Art / Art History, 2017 – Present University of California San Diego CA – Visiting Artist (lecture / studio visits) – Nov 2017 Wylie & May Louise Jones Gallery, Bakersfield CA – Chief Gallery Director / Curator, 2014 – 2017 Bakersfield College, CA – Adjunct Professor, Studio Art / Art History, 2014 – 2017 Cerro Coso Community College, CA – Adjunct Prof. Studio Art / Art History, 2013 – 2017 Natural History Museum of Los Angeles – Exhibit Technician (Seasonal) 2015 – 2016 Artvoices Magazine, Los Angeles CA – Contributing Writer, 2014 – 2016 Yale School of Art, New Haven CT – Teaching Assistant to Samuel Messer, 2011 – 2012 Yale School of Art, New Haven CT – Chief Graduate Admissions Coordinator, 2011 – 2012 Yale School of Art, New Haven CT – Art Handler / Installation Assistant, 2011 – 2012 San Francisco Art Institute, CA –Teaching Assistant / Academic Tutor, 2007 – 2010 Exploratorium Museum, CA – Explainer / Tactile Dome / Public Programs, 2006 – 2012 SELECTED GROUP / SOLO EXHIBITIONS: 2015 – PRESENT ​ ​ Crocker Museum of Art, CA – Big Names Small Art Benefit Auction – May
    [Show full text]
  • Amanda Marchand
    AMANDA MARCHAND EDUCATION: 2000 M.F.A., photography, San Francisco Art Institute, San Francisco, C.A 1992 Multi-media studies, Emily Carr College of Art & Design, Vancouver, B.C. 1990 B.A., Queen’s University, Kingston, O.N. SELECTED SOLO EXHIBITIONS: 2015 Night Garden, Traywick Contemporary, Berkeley, CA 2012 Night Garden: The Summer Project, http://amandamarchand.com/blog/ 2005 The Density of Air, Bolinas Art Museum, Bolinas, CA 2004 415/514. San Francisco City Hall, Arts Commission Gallery, San Francisco, CA 2003 Amanda Marchand & Dennis McLeod. Traywick Gallery, San Francisco, CA 2002 You Came So Close. The Project Space, Headlands Center for the Arts, Marin, CA 2001 Under his Knowledge, Gallery Petite L.G., Houston, TX SELECTED GROUP EXHIBITIONS: 2015 Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA Center Forward, The Center for Fine Art Photography, Fort Collins, CO Curve, CENTER, Santa Fe, NM Mind-scape, (exhibition and book launch), Datz Museum, Seoul, Korea 2012 Materials + Process, Traywick Contemporary, Berkeley, CA 2011 Tomorrow’s Stars: Verge Art Brooklyn, Dumbo, NY Manipulated, Castell Photography, Asheville, NC George Eastman House Panel (see below), Preview Show/Auction, The Metropolitain Pavillion, NY 2010 George Eastman House Preview Show and Auction, Sotheby’s, NY Love Pictures, curated by Will Mebane and Scott Tolmie. 2009 Group Show, Cavallo Point Lodge, Marin, CA. 2008 Arm’s Length in: Ceramics and the Treachery of Objects in the Digital Age. (Catalogue), Scripps College, 64th Annual, Claremont, CA. (collaboration with Jeanne Quinn) 2005 Photo New York. SFAI, Metropolitan Pavilion, New York, NY. Photo-Based. Traywick Contemporary, Berkeley, CA.
    [Show full text]
  • D-L Alvarez B
    ! D-L Alvarez b. 1966 Lives and works in Berlin, Germany Solo Exhibitions 2015 The Children’s Hour, [2nd Floor Projects], San Francisco, CA 2014 D-L Alvarez and Eileen Maxson, Artadia Gallery, New York, NY 2013 The Unforgiving Minute, Derek Eller Gallery, New York, NY 2012 D-L Alvarez: MATRIX 243, Berkley Art Museum, Berkley, CA 2011 Galeria Casado Santapau, Madrid, Spain 2009 Dusty Hayes, 2nd Floor Projects, San Francisco, CA 2008 Dead Leafs, Galeria Casado Santapau, Madrid, Spain 2007 Parents' Day, Derek Eller Gallery, New York, NY DIG, with Wayne Smith, Derek Eller Gallery (project room), New York, NY 2006 Casper, (with Matthew Lutz-Kinoy), A +B Arratiabeer, Berlin, Germany, 2005 rise, Derek Eller Gallery, New York, NY Ice, Glue, Berlin, Germany 2004 Beausoleil, Derek Eller Gallery, New York, NY 2002 The Road to Hell Less Traveled, Derek Eller Gallery, New York, NY 2000 Sculpture Garden, Derek Eller Gallery, New York, NY ! ! 1999 Chorus, John Berggruen Gallery, San Francisco, CA 1998 Knights Gathering Flowers, Derek Eller Gallery, New York, NY Dust, Th.e (Theoretical Events), Naples, Italy 1995 Dandylion, Jack Hanley Gallery, San Francisco, CA A Shepherd and His Flock, London Projects, London, UK 1994 Night of the Hunter, Kiki, San Francisco, CA 1990 Political Stance, (installation documenting performance), ATA, San Francisco, CA 1989 Elvis Clocked, Les Indes Galantes, Paris, France Group Exhibitions 2017 Drawings from the Collection: 1980 to Today, San Francisco Museum of Modern Art, San Francisco, CA 2016 Subject To Capital, Henry
    [Show full text]
  • San Francisco 9
    300 ©Lonely Planet Publications Pty Ltd See also separate subindexes for: 5 EATING P304 6 DRINKING & NIGHTLIFE P306 3 ENTERTAINMENT P307 7 SHOPPING P307 2 SPORTS & ACTIVITIES P308 Index 4 SLEEPING P309 16th Ave Steps 137 A iDS (Acquired immune Bay Area Rapid Transit, see California Historical Society 22nd St Hill 175 Deficiency Syndrome) BART Museum 86 49 Geary 83 264 Bay Bridge 13, 80, 284, 17 Calistoga 231 77 Geary 83 air travel 286-7 Bay Model Visitor Center car travel 286, 289-90 826 Valencia 151 Alamo Square Park 186, 190 (Sausalito) 224 Carnaval 21, 157 1906 Great Quake & Fire Alcatraz 9, 52-5, 8, 52 Bay to Breakers 21, 23 Cartoon Art Museum 85-6 283-4 alleyways 20 beaches 20, 61, 206 Casa Nuestra (St Helena) 1989 Loma Prieta Quake 284 ambulances 293 Beat movement 118, 119, 229 Amtrak 287 122, 131, 262 Castello di Amorosa Angel island 228 Beat Museum 118 (Calistoga) 229-30 A animals 19-20, 24 beer 30, 32, 270 Castro, the 49, 173-82, accommodations 336 Belden Place 93 239-52, see also AP Hotaling Warehouse 82 accommodations 241, 251 Sleeping subindex Aquarium of the Bay 58 Benziger (Glen Ellen) 236 drinking & nightlife 174, Avenues, the 252 Aquatic Park 57 Berkeley 217-20, 218 177, 180-1 Castro, the 251 architecture 19, 191, 279-82, Bernal Heights 171 entertainment 181 Chinatown 248-9 5, 190-1 bicycling 41, 74, 87, 113, 214, food 174, 176-7 Civic Center & the area codes 296 232, 238, 291 highlights 173-4 Tenderloin 243-7 arts 273-5 bike-share program 291 shopping 174, 181-2 Downtown 243-7 Asian Art Museum 81 bisexual travelers 36-7
    [Show full text]
  • Storytelling and Social Media
    NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no.
    [Show full text]
  • Enrique Chagoya
    SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] ENRIQUE CHAGOYA Born: 1953 Mexico City, Mexico Education: 1987 MFA, University of California, Berkeley 1986 MA, University of California, Berkeley 1984 BFA, San Francisco Art Institute 1972 -75 Universidad Nacional Autónoma de México Selected Solo Exhibitions: 2012 “The Portentious Life of Death in Mayalandia”, Smith Andersen Editions, Palo Alto, CA “Creative Minds: Enrique Chagoya,” San Jose Museum of Art, San Jose, CA 2011 “New Works on Paper,” Gallery Paule Anglim, San Francisco, CA “Enrique Chagoya: Surviving Paradise/Sobreviviendo el Paraíso,” di Rosa Preserve, Napa, CA 2010 “YTREBIL: Prints and Drawings by Enrique Chagoya,” Galaría de la Raza, SanFrancisco, CA “Collisions between Historical Visions: The Art of Enrique Chagoya”, The Bing Stanford in Washington Gallery, Washington, DC 2009 “Liberty Club: The Prints of Enrique Chagoya,” Smith Andersen Editions, Palo Alto, CA 2008 San Jose Museum of Art. Upcoming Retrospective with Catalog. National and International traveling show, San Jose, CA “Illegal Alien’s Guide to Critical Theory,” Gallery Paule Anglim, San Francisco, CA 2007/08 “Enrique Chagoya: Borderlandia,” Des Moines Art Center, Des Moines, IA (September 21, 2007 – January 6, 2008). Catalog. traveling to: Berkeley Art Museum, Berkeley, CA (February 13 – May 18, 2008) Palm Springs Art Museum, Palm Springs, CA (September 12 – December 7, 2008) 2007 Lisa Sette Gallery, “Illegal Alien’s Guide to Greater America,” Scottsdale,
    [Show full text]
  • Patti Smith: Wing an Exhibition of Photographs by Patti Smith on View for One Week Only at San Francisco Art Institute in Collaboration with Kurimanzutto
    FOR IMMEDIATE RELEASE Patti Smith: Wing An exhibition of photographs by Patti Smith on view for one week only at San Francisco Art Institute in collaboration with kurimanzutto January 14–19, 2019 (San Francisco, CA, December 10, 2018) San Francisco Art Institute (SFAI) and kurimanzutto are honored to announce Wing, an exhibition of photographs by visual artist, writer, and performer, Patti Smith. Presented from January 14–19, 2019, at the Diego Rivera Gallery at SFAI’s historic Chestnut Street campus, the exhibition features a selection of photographs centered on Smith’s connection to fellow artists such as Frida Kahlo and Diego Rivera. The exhibition, which runs concurrently with the FOG Design+Art fair, is open and free to the public. This show focuses on Smith’s strong ties to the artistic and literary movements pursued during travels to Mexico. Presented in the same space as Rivera’s 1931 fresco, The Making of a Fresco Showing the Building of a City, the exhibition sparks a direct dialogue between Smith’s imagery and the subjects of her intimate gaze. In her work, Smith reflects upon the timeless act of artistic creation and alchemy that unites artists by referring to a brotherhood of mental bonds that keeps ideas alive. In this way, the artist expresses her kinship to Mexico and solidarity with its revolutionary people— a sentiment demonstrated during performances and visits to the country over the years. During these trips, Smith composed and dedicated poetry to figures such as Diego Rivera and Frida Kahlo, Isamu Noguchi, Roberto Bolaño, and the habitués of the Café La Habana, which included Octavio Paz and Che Guevara.
    [Show full text]
  • 2015-011315Fed
    National Register Nomination Case Report HEARING DATE: OCTOBER 21, 2015 Date: October 21, 2015 Case No.: 2015-011315FED Project Address: 800 Chestnut Street (San Francisco Art Institute) Zoning: RH-3 (Residential House, Three-Family) 40-X Height and Bulk District Block/Lot: 0049/001 Project Sponsor: Carol Roland-Nawi, Ph.D., State Historic Preservation Officer California Office of Historic Preservation 1725 23rd Street, Suite 100 Sacramento, CA 95816 Staff Contact: Shannon Ferguson – (415) 575-9074 [email protected] Reviewed By: Timothy Frye – (415) 575-6822 [email protected] Recommendation: Send resolution of findings recommending that, subject to revisions, OHP approve nomination of the subject property to the National Register BACKGROUND In its capacity as a Certified Local Government (CLG), the City and County of San Francisco is given the opportunity to comment on nominations to the National Register of Historic Places (National Register). Listing on the National Register of Historic Places provides recognition by the federal government of a building’s or district’s architectural and historical significance. The nomination materials for the individual listing of the San Francisco Art Institute at 800 Chestnut Street were prepared by Page & Turnbull. PROPERTY DESCRIPTION 800 Chestnut Street, also known as the San Francisco Art Institute, is located in San Francisco’s Russian Hill neighborhood on the northwest corner of Chestnut and Jones streets. The property comprises two buildings: the 1926 Spanish Colonial Revival style original building designed by Bakewell & Brown (original building) and the 1969 Brutalist addition designed by Paffard Keatinge-Clay (addition). Constructed of board formed concrete with red tile roofs, the original building is composed of small interconnected multi-level volumes that step up from Chestnut Street to Jones Street and range from one to two stories and features a five-story campanile, Churrigueresque entranceway and courtyard with tiled fountain.
    [Show full text]
  • Restaurant Index
    ACCOMMODATIONS INDEX 391 ACCOMMODATIONS INDEX Acqua Hotel, 61, 64 Hotel del Sol, 53, 59, 63, 71 Adelaide Hostel, 41 Hotel des Arts, 53, 59, 63, 72 Andrews Hotel, 53, 59, 63, 64 Hotel Diva, 39, 53, 58, 63, 72 Auberge de Soleil, 62, 64 Hotel Drisco, 53, 59, 72 Hotel Durant, 61, 73 Beresford Arms, 53, 60, 65 Hotel Frank, 53, 59, 73 Berkeley hotels, 61 Hotel Kabuki, 53, 59, 73 Best Western Americania Hotel, 38, 53, 60, 65 Hotel Majestic, 53, 58, 63, 72 Best Western Carriage Inn, 53, 60, 63, 65 Hotel Monaco, 39, 52, 53, 58, 63, 72 Best Western Grosvenor Hotel, 61, 64 Hotel Nikko, 53, 58, 63, 72 Best Western Hotel Tomo!, 39, 53, 59, 63, 64 Hotel Palomar, 53, 58, 73 Best Western Sonoma Valley Inn, 62, 64 Hotel Rex, 53, 59, 73 Buena Vista Motor Inn, 53, 60, 63, 65 Hotel St. Helena, 62, 73 Campton Place Hotel, 53, 58, 65 Hotel Triton, 39, 53, 58, 63, 74 Casa Madrona, 61, 65 Hotel Union Square, 53, 59, 63, 74 Cedar Gables Inn, 62, 66 Hotel Vertigo, 39, 53, 59, 63, 74 Civic Center district hotels, motels, 53 Hotel Vitale, 53, 58, 75 Claremont Resort & Spa, 61, 66 hotels. See also specific hotel, motel Clift Hotel, 53, 58, 66 accommodations generally, 37–40 Comfort Inn by the Bay, 53, 60, 67 comparisons (table), 58–63 Cornell Hotel de France, 41, 53, 60, 63, 67 information chart (table), 64–85 Cow Hollow Motor Inn & Suites, 53, 60, 67 maps, 55–57 phone numbers, toll-free, 48 Days Inn at the Beach, 53, 60, 66 ratings, rankings, 47–54 Days Inn Lombard, 53, 60, 66 Huntington Hotel, 53, 58, 75, 105 Donatello, The, 53, 58, 63, 66 Hyatt Fisherman’s Wharf, 53, 58, 75 Doubletree Hotel Berkeley Marina, 61, 67 Hyatt Regency San Francisco, 53, 58, 74 Doubletree Hotel San Francisco Airport, 61, 67 Hyatt Regency San Francisco Airport, 61, 74 Dr.
    [Show full text]
  • Curriculum Vitae
    38 Walker Street New York, NY 10013 tel: 212-564-8480 www.georgeadamsgallery.com ENRIQUE CHAGOYA BORN: Mexico City, Mexico, 1953. LIVES: Stanford, CA. EDUCATION: University of California, Berkeley, M.F.A., 1987. University of California, Berkeley, M.A., 1986. San Francisco Art Institute, B.F.A., 1984. Universidad Nacional Autonoma de Mexico, Political Economy, 1972-75. AWARDS: John Simon Guggenheim Memorial Fellowship, 2021. National Academy of Design Inductee, 2020. Artadia Foundation Grant, 2005. Biennial Award, The Louis Comfort Tiffany Foundation, New York City, 1997. Academy Award for Visual Arts, American Academy of Arts and Letters, New York City, 1997. Public art commission for new SFO international terminal, San Francisco Art Commission, 1997. Eureka Fellowship, Fleishacker Foundation, San Francisco, 1996. Artist fellowship and residency at Giverny, France, Lila Wallace Foundation/Foundation Monet, 1995. NEA Fellowship for works on paper, 1993. WESTAF/NEA Fellowship for works on paper, 1992. Eisner Prize in Art, UC Berkeley, 1986. Distinguished Alumni, San Francisco Art Institute, 1985. Bronze Roller, outstanding printmaking student, San Francisco Art Institute, 1984. SOLO EXHIBITIONS: “Enrique Chagoya: The Seven Deadly Sins and Utopiàs Coloniales,” Anglim Trimble Gallery, San Francisco, CA, 2020-21. “Aliens,” Triton Museum of Art, Santa Clara, CA, 2020. “Everyone is an Alienígeno: Enrique Chagoya,” Florida Gulf Coast University Art Galleries, Fort Myers, FL, 2019. “Enrique Chagoya: Reverse Anthropology,” Hallie Ford Museum of Art, Williamette University, Salem, OR, 2018- 19. "Enrique Chagoya: Reimagining the New World," Nevada Museum of Art, Reno, NV, 2018. "Then and Now: Aliens Sans Frontières," George Adams Gallery, New York, NY, 2018. "Enrique Chagoya: Aliens Sans Frontières," Rockefeller Arts Center, Fredonia, NY, 2018.
    [Show full text]
  • Viewer’S Male Gaze
    Women and Children First: ​ American Magazine Image Depictions of Japan and the Japanese, 1951-1960 Xander Somogyi Candidate for Honors in History at Oberlin College Professor Leonard Smith, Advisor Spring 2018 Acknowledgments This paper would not have been possible without the help of my advisor and dear friend, Professor Leonard Smith. Whether giving useful critiques or a simple ganbatte (good luck!), ​ ​ Professor Smith was consistently there to help with this project: thank you. I would also like to thank my parents, Kathleen Chamberlain and Victoria Somogyi, who have always been interested in, and engaged with, my academic pursuits. To my friends who believed in me, helped with and encouraged my research--especially Hannah Kim, Juanbi Berretta, and my fellow classmates in the Honors Seminar--I am deeply grateful. I would finally like to dedicate this paper to the research assistants and librarians at Oberlin’s Mudd Library and the New York Public Library. Not only did they help me greatly throughout this project, but they instilled a great love for research in me I never thought I had. Title page photograph: Contrasting images of the Japanese from National Geographic’s ​ ​ ​ 1960 article “Japan, the Exquisite Enigma.” 2 Note on Japanese Names Because this paper is written with an American frame in mind, I have followed the Western convention, not the Japanese, in organising Japanese name format. All names in this paper will begin with given name first and surnames last (for instance, Michiko Shoda). 3 Table of Contents Introduction
    [Show full text]
  • W E S T C O a S T a R T S a N D C U L T U
    free SWEST COAST ARTS AND CULTUREFAQ Jay DeFeo Jens Hoffmann Kathan Brown Bay Area Latino Arts Part 1: Enrique Chagoya - MENA Report Part 1: Istanbul Biennial with Jens Hoffmann - Scales Fall From My Eyes: Bay Area Beat Generation Visual Art as told to Paul Karlstrom - Peter Selz - Crown Point Press: Kathan Brown SFAQ Artist Spread - Paulson Bott Press - Collectors Corner: Peter Kirkeby Flop Box Zine Reviews - Bay Area Event Calendar: August, September, October West Coast Residency Listing SAN FRANCISCO ARTS QUARTERLY ISSUE.6 ROBERT BECHTLE A NEW SOFT GROUND ETCHING Brochure available Three Houses on Pennsylvania Avenue, 2011. 30½ x 39", edition 40. CROWN POINT PRESS 20 Hawthorne Street San Francisco, CA 94105 www.crownpoint.com 415.974.6273 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER berman_sf_quarterly_final.pdf The Sixth Los Angeles International Contemporary Art Fair September 30 - October 2, 2011 J.W. Marriott Ritz Carlton www.artla.net \ 323.965.1000 Bruce of L.A. B. Elliott, 1954 Collection of John Sonsini Ceramics Annual of America 2011 October 7-9, 2011 ART FAIR SAN FRANCISCO FORT MASON | FESTIVAL PAVILION DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 For more information contact: Public Hours December 1- 4, 2011 [email protected] 1.877.459.9CAA www.ceramicsannual.org “The best hotel art fair in the world.” DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 Public Hours December 1- 4, 2011 “The best hotel art fair in the world.” Lucas Soi ìWe Bought The Seagram Buildingî October 6th-27th For all your art supply needs, pick Blick.
    [Show full text]