TARAVAT TALEPASAND BORN 1979, Eugene, OR EDUCATION 2006
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Tom Betthauser
TOM BETTHAUSER b. San Francisco 1987 CONTACT: [email protected] EDUCATION: Yale University, School of Art — MFA, Painting / Drawing 2012 San Francisco Art Institute — BFA, Painting / Drawing 2010 TEACHING / EMPLOYMENT EXPERIENCE: College of Marin, CA – Adjunct Professor, Beginning & Advanced Painting, May 2018 – Present San Francisco Art Institute, CA – Public Education Instructor, Jan 2018 – Present West Valley College, San Jose CA – Adjunct Professor, Studio Art / Art History, 2017 – Present University of California San Diego CA – Visiting Artist (lecture / studio visits) – Nov 2017 Wylie & May Louise Jones Gallery, Bakersfield CA – Chief Gallery Director / Curator, 2014 – 2017 Bakersfield College, CA – Adjunct Professor, Studio Art / Art History, 2014 – 2017 Cerro Coso Community College, CA – Adjunct Prof. Studio Art / Art History, 2013 – 2017 Natural History Museum of Los Angeles – Exhibit Technician (Seasonal) 2015 – 2016 Artvoices Magazine, Los Angeles CA – Contributing Writer, 2014 – 2016 Yale School of Art, New Haven CT – Teaching Assistant to Samuel Messer, 2011 – 2012 Yale School of Art, New Haven CT – Chief Graduate Admissions Coordinator, 2011 – 2012 Yale School of Art, New Haven CT – Art Handler / Installation Assistant, 2011 – 2012 San Francisco Art Institute, CA –Teaching Assistant / Academic Tutor, 2007 – 2010 Exploratorium Museum, CA – Explainer / Tactile Dome / Public Programs, 2006 – 2012 SELECTED GROUP / SOLO EXHIBITIONS: 2015 – PRESENT Crocker Museum of Art, CA – Big Names Small Art Benefit Auction – May -
SFAC Galleries 2019 Exhibition Schedule Main Gallery: Part And
SFAC Galleries 2019 Exhibition Schedule Main Gallery: Part and Parcel Curated by Taraneh Hemami January 25 – March 30 (9 weeks) Artists: Tannaz Farsi (Oregon), Gelare Khoshgozaran (Los Angeles), Sahar Khoury (Bay Area), Minoosh Zomorodinia (Bay Area) This exhibition features works by four women artists who are part of the Iranian diaspora. Note: the last week of the exhibition corresponds with an international conference hosted by SFSU’s Center for Iranian Diaspora Studies (http://ids.sfsu.edu/conference). Main Gallery: Title TBD Curated by Margaret Tedesco April 19 – June 22 (9 weeks) Artists: Ed Aulerich-Sugai + additional artists Margaret is curating an exhibition the features work from the estate of Ed Aulerich-Sugai, an Asian American painter and printmaker (1950–1994). In the last years of his life in the Bay Area, Aulerich-Sugai created a unique visual record of living with HIV/AIDS. His work will be alongside artists currently living with HIV. City Hall: Title TBD Curated by Abby Chen June, 2019 – April, 2020 Main Gallery: Title TBD Co-curated by Jacqueline Francis and Kathy Zarur July 12 – September 14 (9 weeks) This group exhibition will conclude our multi-year exhibition and public program focus on the City’s Sanctuary City status, and issues related to immigration and refugee status. Main Gallery: Curated by Jackie Im October 4 – December 14 (10 weeks [including Thanksgiving holiday week]) SFAC Galleries Associate Curator is organizing a group exhibition related to self-care. 2019 Guest Curators (in chronological order) Taraneh Hemami (motion for honorarium at September 2018 VAC) Taraneh Hemami engages in diverse strategies including installation, object and media productions, collective and participatory projects as well as curation to explore themes of displacement, preservation, and representation. -
Amanda Marchand
AMANDA MARCHAND EDUCATION: 2000 M.F.A., photography, San Francisco Art Institute, San Francisco, C.A 1992 Multi-media studies, Emily Carr College of Art & Design, Vancouver, B.C. 1990 B.A., Queen’s University, Kingston, O.N. SELECTED SOLO EXHIBITIONS: 2015 Night Garden, Traywick Contemporary, Berkeley, CA 2012 Night Garden: The Summer Project, http://amandamarchand.com/blog/ 2005 The Density of Air, Bolinas Art Museum, Bolinas, CA 2004 415/514. San Francisco City Hall, Arts Commission Gallery, San Francisco, CA 2003 Amanda Marchand & Dennis McLeod. Traywick Gallery, San Francisco, CA 2002 You Came So Close. The Project Space, Headlands Center for the Arts, Marin, CA 2001 Under his Knowledge, Gallery Petite L.G., Houston, TX SELECTED GROUP EXHIBITIONS: 2015 Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA Center Forward, The Center for Fine Art Photography, Fort Collins, CO Curve, CENTER, Santa Fe, NM Mind-scape, (exhibition and book launch), Datz Museum, Seoul, Korea 2012 Materials + Process, Traywick Contemporary, Berkeley, CA 2011 Tomorrow’s Stars: Verge Art Brooklyn, Dumbo, NY Manipulated, Castell Photography, Asheville, NC George Eastman House Panel (see below), Preview Show/Auction, The Metropolitain Pavillion, NY 2010 George Eastman House Preview Show and Auction, Sotheby’s, NY Love Pictures, curated by Will Mebane and Scott Tolmie. 2009 Group Show, Cavallo Point Lodge, Marin, CA. 2008 Arm’s Length in: Ceramics and the Treachery of Objects in the Digital Age. (Catalogue), Scripps College, 64th Annual, Claremont, CA. (collaboration with Jeanne Quinn) 2005 Photo New York. SFAI, Metropolitan Pavilion, New York, NY. Photo-Based. Traywick Contemporary, Berkeley, CA. -
D-L Alvarez B
! D-L Alvarez b. 1966 Lives and works in Berlin, Germany Solo Exhibitions 2015 The Children’s Hour, [2nd Floor Projects], San Francisco, CA 2014 D-L Alvarez and Eileen Maxson, Artadia Gallery, New York, NY 2013 The Unforgiving Minute, Derek Eller Gallery, New York, NY 2012 D-L Alvarez: MATRIX 243, Berkley Art Museum, Berkley, CA 2011 Galeria Casado Santapau, Madrid, Spain 2009 Dusty Hayes, 2nd Floor Projects, San Francisco, CA 2008 Dead Leafs, Galeria Casado Santapau, Madrid, Spain 2007 Parents' Day, Derek Eller Gallery, New York, NY DIG, with Wayne Smith, Derek Eller Gallery (project room), New York, NY 2006 Casper, (with Matthew Lutz-Kinoy), A +B Arratiabeer, Berlin, Germany, 2005 rise, Derek Eller Gallery, New York, NY Ice, Glue, Berlin, Germany 2004 Beausoleil, Derek Eller Gallery, New York, NY 2002 The Road to Hell Less Traveled, Derek Eller Gallery, New York, NY 2000 Sculpture Garden, Derek Eller Gallery, New York, NY ! ! 1999 Chorus, John Berggruen Gallery, San Francisco, CA 1998 Knights Gathering Flowers, Derek Eller Gallery, New York, NY Dust, Th.e (Theoretical Events), Naples, Italy 1995 Dandylion, Jack Hanley Gallery, San Francisco, CA A Shepherd and His Flock, London Projects, London, UK 1994 Night of the Hunter, Kiki, San Francisco, CA 1990 Political Stance, (installation documenting performance), ATA, San Francisco, CA 1989 Elvis Clocked, Les Indes Galantes, Paris, France Group Exhibitions 2017 Drawings from the Collection: 1980 to Today, San Francisco Museum of Modern Art, San Francisco, CA 2016 Subject To Capital, Henry -
San Francisco 9
300 ©Lonely Planet Publications Pty Ltd See also separate subindexes for: 5 EATING P304 6 DRINKING & NIGHTLIFE P306 3 ENTERTAINMENT P307 7 SHOPPING P307 2 SPORTS & ACTIVITIES P308 Index 4 SLEEPING P309 16th Ave Steps 137 A iDS (Acquired immune Bay Area Rapid Transit, see California Historical Society 22nd St Hill 175 Deficiency Syndrome) BART Museum 86 49 Geary 83 264 Bay Bridge 13, 80, 284, 17 Calistoga 231 77 Geary 83 air travel 286-7 Bay Model Visitor Center car travel 286, 289-90 826 Valencia 151 Alamo Square Park 186, 190 (Sausalito) 224 Carnaval 21, 157 1906 Great Quake & Fire Alcatraz 9, 52-5, 8, 52 Bay to Breakers 21, 23 Cartoon Art Museum 85-6 283-4 alleyways 20 beaches 20, 61, 206 Casa Nuestra (St Helena) 1989 Loma Prieta Quake 284 ambulances 293 Beat movement 118, 119, 229 Amtrak 287 122, 131, 262 Castello di Amorosa Angel island 228 Beat Museum 118 (Calistoga) 229-30 A animals 19-20, 24 beer 30, 32, 270 Castro, the 49, 173-82, accommodations 336 Belden Place 93 239-52, see also AP Hotaling Warehouse 82 accommodations 241, 251 Sleeping subindex Aquarium of the Bay 58 Benziger (Glen Ellen) 236 drinking & nightlife 174, Avenues, the 252 Aquatic Park 57 Berkeley 217-20, 218 177, 180-1 Castro, the 251 architecture 19, 191, 279-82, Bernal Heights 171 entertainment 181 Chinatown 248-9 5, 190-1 bicycling 41, 74, 87, 113, 214, food 174, 176-7 Civic Center & the area codes 296 232, 238, 291 highlights 173-4 Tenderloin 243-7 arts 273-5 bike-share program 291 shopping 174, 181-2 Downtown 243-7 Asian Art Museum 81 bisexual travelers 36-7 -
Annual Report Fiscal Year 2017/2018
ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change. -
Enrique Chagoya
SHARK’S INK. 550 BLUE MOUNTAIN ROAD LYONS CO 80540 303 823 9190 WWW.SHARKSINK.COM [email protected] ENRIQUE CHAGOYA Born: 1953 Mexico City, Mexico Education: 1987 MFA, University of California, Berkeley 1986 MA, University of California, Berkeley 1984 BFA, San Francisco Art Institute 1972 -75 Universidad Nacional Autónoma de México Selected Solo Exhibitions: 2012 “The Portentious Life of Death in Mayalandia”, Smith Andersen Editions, Palo Alto, CA “Creative Minds: Enrique Chagoya,” San Jose Museum of Art, San Jose, CA 2011 “New Works on Paper,” Gallery Paule Anglim, San Francisco, CA “Enrique Chagoya: Surviving Paradise/Sobreviviendo el Paraíso,” di Rosa Preserve, Napa, CA 2010 “YTREBIL: Prints and Drawings by Enrique Chagoya,” Galaría de la Raza, SanFrancisco, CA “Collisions between Historical Visions: The Art of Enrique Chagoya”, The Bing Stanford in Washington Gallery, Washington, DC 2009 “Liberty Club: The Prints of Enrique Chagoya,” Smith Andersen Editions, Palo Alto, CA 2008 San Jose Museum of Art. Upcoming Retrospective with Catalog. National and International traveling show, San Jose, CA “Illegal Alien’s Guide to Critical Theory,” Gallery Paule Anglim, San Francisco, CA 2007/08 “Enrique Chagoya: Borderlandia,” Des Moines Art Center, Des Moines, IA (September 21, 2007 – January 6, 2008). Catalog. traveling to: Berkeley Art Museum, Berkeley, CA (February 13 – May 18, 2008) Palm Springs Art Museum, Palm Springs, CA (September 12 – December 7, 2008) 2007 Lisa Sette Gallery, “Illegal Alien’s Guide to Greater America,” Scottsdale, -
FY2014-2016 Panelist Biographies—November
FY2014-2016 Grant Review Panel Approval List (November) Elmaz Abinader Professor of English, Mills College; Faculty and Board Member, Voices of Our Nation Arts Foundation Born in 1954 in a small town in Pennsylvania, Elmaz Abinader has always felt as if she lived in two worlds: one in her home and the other outside the doors. Her home life was very much rooted in Lebanese tradition. Her childhood activities contrasted with those of the other children in her community. Abinader’s first published book, Children of the Roojme: A Family’s Journey from Lebanon, is about cultural belonging and family strength. She has published a collection of poems, In The Country of My Dreams, which won the Josephine Miles PEN Oakland award in 2000. Abinader has also written and performed three plays: “When Silence is Frightening,” “Under The Ramadan Moon,” and “Country of Origin,” which won two “Drammies,” Portland’s Critic’s Circle Awards for Theater. Deeply involved with political activism, Abinader frequently writes articles about issues affecting Arabs and Arab-Americans. She also published an article on the Living Issue, post 9/11 website in which she writes about her experiences as an Arab-American after 9/11 and her fears for the future. Other work includes “For Arab Americans, Pain in Familiar Faces,” an essay published on the Refuse and Resist website about the suffering in Palestine, and “In The Country of My Dreams. For Marcel Khalife & Khalil Gibran,” in which she offers her support for songwriter Marcel Khalife. Abinader teaches creative writing at Mills College. She is also a resident and hosts summer writing workshops on memoir and creative non-fiction at the University of San Francisco’s Voices of Our Nations Arts Foundation, which sponsors workshops for published and developing writers. -
Patti Smith: Wing an Exhibition of Photographs by Patti Smith on View for One Week Only at San Francisco Art Institute in Collaboration with Kurimanzutto
FOR IMMEDIATE RELEASE Patti Smith: Wing An exhibition of photographs by Patti Smith on view for one week only at San Francisco Art Institute in collaboration with kurimanzutto January 14–19, 2019 (San Francisco, CA, December 10, 2018) San Francisco Art Institute (SFAI) and kurimanzutto are honored to announce Wing, an exhibition of photographs by visual artist, writer, and performer, Patti Smith. Presented from January 14–19, 2019, at the Diego Rivera Gallery at SFAI’s historic Chestnut Street campus, the exhibition features a selection of photographs centered on Smith’s connection to fellow artists such as Frida Kahlo and Diego Rivera. The exhibition, which runs concurrently with the FOG Design+Art fair, is open and free to the public. This show focuses on Smith’s strong ties to the artistic and literary movements pursued during travels to Mexico. Presented in the same space as Rivera’s 1931 fresco, The Making of a Fresco Showing the Building of a City, the exhibition sparks a direct dialogue between Smith’s imagery and the subjects of her intimate gaze. In her work, Smith reflects upon the timeless act of artistic creation and alchemy that unites artists by referring to a brotherhood of mental bonds that keeps ideas alive. In this way, the artist expresses her kinship to Mexico and solidarity with its revolutionary people— a sentiment demonstrated during performances and visits to the country over the years. During these trips, Smith composed and dedicated poetry to figures such as Diego Rivera and Frida Kahlo, Isamu Noguchi, Roberto Bolaño, and the habitués of the Café La Habana, which included Octavio Paz and Che Guevara. -
2015-011315Fed
National Register Nomination Case Report HEARING DATE: OCTOBER 21, 2015 Date: October 21, 2015 Case No.: 2015-011315FED Project Address: 800 Chestnut Street (San Francisco Art Institute) Zoning: RH-3 (Residential House, Three-Family) 40-X Height and Bulk District Block/Lot: 0049/001 Project Sponsor: Carol Roland-Nawi, Ph.D., State Historic Preservation Officer California Office of Historic Preservation 1725 23rd Street, Suite 100 Sacramento, CA 95816 Staff Contact: Shannon Ferguson – (415) 575-9074 [email protected] Reviewed By: Timothy Frye – (415) 575-6822 [email protected] Recommendation: Send resolution of findings recommending that, subject to revisions, OHP approve nomination of the subject property to the National Register BACKGROUND In its capacity as a Certified Local Government (CLG), the City and County of San Francisco is given the opportunity to comment on nominations to the National Register of Historic Places (National Register). Listing on the National Register of Historic Places provides recognition by the federal government of a building’s or district’s architectural and historical significance. The nomination materials for the individual listing of the San Francisco Art Institute at 800 Chestnut Street were prepared by Page & Turnbull. PROPERTY DESCRIPTION 800 Chestnut Street, also known as the San Francisco Art Institute, is located in San Francisco’s Russian Hill neighborhood on the northwest corner of Chestnut and Jones streets. The property comprises two buildings: the 1926 Spanish Colonial Revival style original building designed by Bakewell & Brown (original building) and the 1969 Brutalist addition designed by Paffard Keatinge-Clay (addition). Constructed of board formed concrete with red tile roofs, the original building is composed of small interconnected multi-level volumes that step up from Chestnut Street to Jones Street and range from one to two stories and features a five-story campanile, Churrigueresque entranceway and courtyard with tiled fountain. -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: [email protected] SEEKING CIVILIZATION: Art and Cartography A GROUP EXHIBITION ABOUT THE POLITICS OF WAYFINDING March 23 – May 6, 2017 Opening Reception: Thursday, March 23, 6-8PM Miguel Angel Ríos, Le Premier Voyage a L'inconnu, 1992-93, Cibachrome mounted on pleated canvas with push pins, 63 x 126 inches (160 x 320 cm) March 2, 2016 – San Francisco – Gallery Wendi Norris is pleased to present Seeking Civilization: Art and Cartography, a group exhibition featuring San Francisco-based or represented artists Michael Arcega, Val Britton, Guillermo Galindo, Taraneh Hemami, Omar Mismar, Miguel Angel Ríos and Adrien Segal. Expanding on Robert Storr’s seminal 1994 exhibition, Mapping, at the Museum of Modern Art, New York, which highlighted works by Ríos, Seeking Civilization: Art and Cartography offers a timely re-contextualization of the cartographic narrative in contemporary art and the politics of wayfinding. Including works ranging from deconstructed colonial maps to neon light installations documenting personal journeys in search of love, featured artworks investigate and reflect on nationhood, citizenship, migration, identity politics, evolving cities, climate change, and the relationship between freedom and borders. Curated in the same anthological style as the original 1994 MoMA exhibition, Seeking Civilization: Art and Cartography unites work across a wide range of materials and scales, and presents new, never-before-seen contemporary artworks alongside seminal post-colonial works from the 1990’s. Anchoring the exhibition is Miguel Angel Ríos’ Le Premier Voyage a L'inconnu, a large-scale Cibachrome print mounted on hand-pleated canvas and attached to the wall using push pins. -
Cultural Arts Programs Coordinator
C ul tura l A rts Progra ms C ul tur a l A r ts & Ma r ket i ng Di v i si on To: Cultural Affairs Commission Attn: Matais Pouncil From: Public Art Advisory Committee Date: May 24, 2010 Re: RECOMMENDATION TO APPOINT KEVIN CHEN, NICK DONG AND CELESTE HOWELL TO THE CULTURAL AFFAIRS COMMISSION’S PUBLIC ART ADVISORY COMMITTEE SUMMARY On May 3, 2010 the Public Art Advisory Committee (PAAC) voted to recommend to the Cultural Affairs Commission the appointment of arts professionals Kevin Chen, Nick Dong and Celeste Howell to threeyear terms. Staff recommends that these terms commence on June 1, 2010 and expire on May 31, 2013 for Kevin Chen and Nick Dong. For Celeste Howell staff recommends that the term commence on December 1, 2010 and expire on November 30, 2013. The PAAC is a ninemember standing advisory committee of the Cultural Affairs Commission. The PAAC and its duties were established by the City’s 1989 Percent for Art Ordinance (No. 11086 C.M.S.), which defines the PAAC as “a professionally qualified citizen committee recommended by the Oakland Arts Council [later renamed the Cultural Affairs Commission] and approved by City Council to oversee quality control of the public art program, its projects, and to recommend to the Cultural Arts Division the sites, scope of project, artworks and artists for the public art projects.” FISCAL IMPACT Acceptance of this recommendation will not result in any new expenditure of City funds. The PAAC is a volunteer advisory body and there is no financial appropriation for this committee.