Cultural Arts Programs Coordinator
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SFAC Galleries 2019 Exhibition Schedule Main Gallery: Part And
SFAC Galleries 2019 Exhibition Schedule Main Gallery: Part and Parcel Curated by Taraneh Hemami January 25 – March 30 (9 weeks) Artists: Tannaz Farsi (Oregon), Gelare Khoshgozaran (Los Angeles), Sahar Khoury (Bay Area), Minoosh Zomorodinia (Bay Area) This exhibition features works by four women artists who are part of the Iranian diaspora. Note: the last week of the exhibition corresponds with an international conference hosted by SFSU’s Center for Iranian Diaspora Studies (http://ids.sfsu.edu/conference). Main Gallery: Title TBD Curated by Margaret Tedesco April 19 – June 22 (9 weeks) Artists: Ed Aulerich-Sugai + additional artists Margaret is curating an exhibition the features work from the estate of Ed Aulerich-Sugai, an Asian American painter and printmaker (1950–1994). In the last years of his life in the Bay Area, Aulerich-Sugai created a unique visual record of living with HIV/AIDS. His work will be alongside artists currently living with HIV. City Hall: Title TBD Curated by Abby Chen June, 2019 – April, 2020 Main Gallery: Title TBD Co-curated by Jacqueline Francis and Kathy Zarur July 12 – September 14 (9 weeks) This group exhibition will conclude our multi-year exhibition and public program focus on the City’s Sanctuary City status, and issues related to immigration and refugee status. Main Gallery: Curated by Jackie Im October 4 – December 14 (10 weeks [including Thanksgiving holiday week]) SFAC Galleries Associate Curator is organizing a group exhibition related to self-care. 2019 Guest Curators (in chronological order) Taraneh Hemami (motion for honorarium at September 2018 VAC) Taraneh Hemami engages in diverse strategies including installation, object and media productions, collective and participatory projects as well as curation to explore themes of displacement, preservation, and representation. -
Lynn Hershman Leeson B
! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC LYNN HERSHMAN LEESON B. 1941 Lives and works in San Francisco, California EDUCATION B.S. Case Western Reserve University M.A. San Francisco State University SELECT SOLO EXHIBITIONS 2017 Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California, February 10 - May 21 (forthcoming) 2016 Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia, October 20 - December 11 Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia, October 18 - December 10 Trans Genesis: Evaporations and Mutations, Vilma Gold, London, England, October 4 - 29 Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio, March 10 - August 8 Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany, February 27 - June 5 2015 Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany, June 14 - November 15 Lynn Hershman Leeson: Origin of the Species (Part 2), Modern Art Oxford, Oxford, United Kingdom, May 29 - August 9 Lynn Hershman Leeson: Origin of the Species, Bridget Donahue, New York, New York, February 19 - April 5 2014 Lynn Hershman Leeson: Civic Radar, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, December 13 - April 6 2013 Present Tense, Gallery Paule Anglim, San Francisco, California Agent Ruby Files, San Francisco Museum of Modern Art, San Francisco, California 2012 Me as Roberta, Museum of Contemporary Art, Krakow, Poland, February 17–April 29 Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Bremen, Germany, June 2 - August 19 W.A.R. Documentary screening, Reina Sofia, Madrid, Spain, March 12 W.A.R. -
JENIFER K WOFFORD [email protected]
JENIFER K WOFFORD www.wofflehouse.com [email protected] EDUCATION 2007 MFA, University of California at Berkeley, Berkeley, CA (summa cum laude) 1995 BFA, San Francisco Art Institute, San Francisco, CA UNIVERSITY 2007- Part-time Faculty/Term* Full-time Faculty, University of San Francisco, San Francisco, CA 2017 Drawing for Non-Majors/Drawing 1 Spring 2012-14, 2016, 2017, Fall 2012, 2014, 2016 Winter Intersession 2013, 2015, 2016, Summer 2014, 2017 An introductory drawing course, emphasizing the development of both technique and theme. Projects focus on a range of observational drawing skills and materials, and culminate in a more concept and theme-driven portfolio. First Year Seminar: Comics and Graphic Novels in the Margins Fall 2016 A first-year seminar incorporating readings, discussion, written/studio projects and field trips in order to introduce new college students to the cultural life of the Bay Area. Illustration I Spring 2015, 2016 Introduction to the skills, materials, history and language of illustration. Students problem-solve for specific challenges that are technical, thematic, or contextual in nature and create a portfolio of 2D and 3D work in a variety of media. Digital Photography 1 Spring 2016 An introductory studio course focusing on the technical, compositional and thematic basics of digital capture, image editing and printing. Hand-on studio/lab work is supplemented with lectures on contemporary photo, field trips and guest lectures. Sculpture I Fall 2015 Winter Intersession 2014, 2017 Summer 2015, 2016 An introductory sculpture course focused on formal and technical aspects of low-relief, 3D and installation work. Projects focus on a range of skills and materials. -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
Neighborhood Watch: a Microhistory of the Mission School GLEN HELFAND
3308_Plates_10.5x12.5_v27gr.indd08_Plates_10.5x12.5_v27gr.indd 346346 88/30/09/30/09 99:00:48:00:48 PMPM Neighborhood Watch: A Microhistory of the Mission School GLEN HELFAND San Francisco’s topography is notoriously composed of microclimates, a phenomenon that certainly led to the formation of the city’s neighborhoods and our appreciation of them. The Mission School, arguably the only identifi able “movement” to emerge in the Bay Area in the late twentieth century, trades on notions of locality as they relate to time and place. One can pinpoint this artistic strain of scrappy, witty, heartfelt San Francisco–made work to a couple of zip codes— the sunny 94103 and 94110—and a time frame roughly spanning the mid-1990s to the mid-2000s. While there are a few artists who are immediately associated with it—Barry McGee (pl. xx), Chris Johanson (pl. xx), and Margaret Kilgallen among them—the Mission School perhaps better describes a state of mind and a pivotal, modern-day fi n de siècle moment in Bay Area social and art history, one that unfolded in various pockets of the city. In the decade that encompasses the turn of the millennium, San Francisco was the locus of a cultural shift dramatic enough to be compared to the rise and collapse of the Gold Rush. The dot-com era coincided with the unveiling of an of cial new cultural neighborhood, Yerba Buena. SFMOMA opened its new building in 1995 in an economy that was just getting its bearings. Yerba Buena Center for the Arts had appeared just fi fteen months before—its construction-site walls featuring graf ti-infl ected fi gurative murals by the then-emerging art- ist Barry McGee.1 The Metreon entertainment mall started business in 1999, the Museum of the African Diaspora opened in 2005, and the Contemporary Jewish Museum debuted in 2008. -
D-L Alvarez B
! D-L Alvarez b. 1966 Lives and works in Berlin, Germany Solo Exhibitions 2015 The Children’s Hour, [2nd Floor Projects], San Francisco, CA 2014 D-L Alvarez and Eileen Maxson, Artadia Gallery, New York, NY 2013 The Unforgiving Minute, Derek Eller Gallery, New York, NY 2012 D-L Alvarez: MATRIX 243, Berkley Art Museum, Berkley, CA 2011 Galeria Casado Santapau, Madrid, Spain 2009 Dusty Hayes, 2nd Floor Projects, San Francisco, CA 2008 Dead Leafs, Galeria Casado Santapau, Madrid, Spain 2007 Parents' Day, Derek Eller Gallery, New York, NY DIG, with Wayne Smith, Derek Eller Gallery (project room), New York, NY 2006 Casper, (with Matthew Lutz-Kinoy), A +B Arratiabeer, Berlin, Germany, 2005 rise, Derek Eller Gallery, New York, NY Ice, Glue, Berlin, Germany 2004 Beausoleil, Derek Eller Gallery, New York, NY 2002 The Road to Hell Less Traveled, Derek Eller Gallery, New York, NY 2000 Sculpture Garden, Derek Eller Gallery, New York, NY ! ! 1999 Chorus, John Berggruen Gallery, San Francisco, CA 1998 Knights Gathering Flowers, Derek Eller Gallery, New York, NY Dust, Th.e (Theoretical Events), Naples, Italy 1995 Dandylion, Jack Hanley Gallery, San Francisco, CA A Shepherd and His Flock, London Projects, London, UK 1994 Night of the Hunter, Kiki, San Francisco, CA 1990 Political Stance, (installation documenting performance), ATA, San Francisco, CA 1989 Elvis Clocked, Les Indes Galantes, Paris, France Group Exhibitions 2017 Drawings from the Collection: 1980 to Today, San Francisco Museum of Modern Art, San Francisco, CA 2016 Subject To Capital, Henry -
FY20 SFAC Community Investments-Funding
Community Investments FY19-20 Artistic Legacy Grant (ALG) Funding Recommendations Applicant Average Project Description Grant Amount Score Zaccho S.F. 96 San Francisco Arts Commission funds will be used to support the creation of a comprehensive digital archive of $40,00 Zaccho Dance Theatre’s Co-Founder and Artistic Director Joanna Haigood’s 40 years of choreography and performance work. We seek to digitize our extensive media library and embed it within an updated, rebranded Zaccho.org website, ultimately creating a permanent archive of Haigood’s pioneering work in aerial dance and site- specific performance for an expanding audience of global scholars, cultural researchers, performers, and dance enthusiasts. Community Investments FY19-20 Cultural Equity Initiatives (CEI) Funding Recommendations Applicant Budget Project Description Fiscal Sponsor Size Grant Amount 3rd I South $150- San Francisco Arts Commission funds will be used to stabilize 3rd i by increasing both the Asian $400K Artistic and Managing Directors' time commitments and their annual compensation. As a result Independent of the initiative, the Artistic Director will launch 3 new programs that will expand 3rd i's artistic Film offerings and increase our services to Bay Area media artists of South Asian descent; the $81,800 Managing Director will increase 3rd i's operating budget to $200,000 by CY 2022 and will formulate and implement a new social marketing strategy that will expand 3rd i's audiences. American $150- San Francisco Arts Commission funds will be used to support AIFI to create a strategic plan, Indian Film $400K business plan, and marketing plan, and realign the organization infrastructure for financial Institute stability and sustainability. -
2020-10-01 Bollinger Cv
REBECA BOLLINGER EDUCATION 1993 BFA, San Francisco Art Institute, San Francisco, CA AWARDS 2018 Art + Process + Ideas, Artist-in-Residence, Mills College Art Museum, Oakland, CA 2014 Creative Capacity Fund, Center for Cultural Innovation, Los Angeles, CA 2010 Dennis Gallagher and Sam Perry Ceramic Residency Program, Oakland, CA 2008 Aperture West Book Prize, New York, NY (nominee) 2008 Bay Area Video Coalition Access Award, San Francisco, CA (commission) 2004 James D. Phelan Art Award in Video, San Francisco, CA 2004 The Rockefeller Foundation Media Arts Fellowship, New York, NY (nominee) 2004 John Simon Guggenheim Memorial Foundation Fellowship, New York, NY (nominee) 2001 The Artadia Award, New York, NY 2001 The Rockefeller Foundation Media Arts Fellowship, New York, NY (nominee) 1999 Artist in Residence, The LAB, San Francisco, CA 1999 Creation & Presentation Grant, National Endowment for the Arts, Washington, DC 1998 Artist in Residence, Loyola University, New Orleans, LA (commission) 1997 Eureka Fellowship, The Fleishhacker Foundation, San Francisco, CA 1996 SECA Award in Electronic Media, San Francisco Museum of Modern Art, CA 1996 Artist in Residence, Headlands Center for the Arts, Sausalito, CA 1996 The Veronica di Rosa Award for New Media, Headlands Center for the Arts, Sausalito, CA 1996 Artists Equipment Access Award, Bay Area Video Coalition, San Francisco, CA SELECTED ONE | TWO PERSON EXHIBITIONS 2020 Threshold, Interface Gallery, Oakland, CA (2-person exhibition with Léonie Guyer) 2019 The Burrow, Gallery 16, San Francisco, -
STEPHANIE SYJUCO B. 1974 Manila, Phillipines Lives and Works in San Francisco, CA Education 2005 Stanford University, M.F.A. 19
STEPHANIE SYJUCO b. 1974 Manila, Phillipines Lives and works in San Francisco, CA Education 2005 Stanford University, M.F.A. 1995 San Francisco Art Institute, B.F.A. Selected Solo Exhibitions 2020 (Forthcoming) Stephanie Syjuco: Citizens, Hartell Gallery, Cornell University, Ithaca, NY (Forthcoming) Stephanie Syjuco: The Visible Invisible, Blaffer Art Museum, TX 2019 Stephanie Syjuco: Rogue States, The Contemporary Art Museum St. Louis, St. Louis, MO Stephanie Syjuco: Recent Work, University of Kentucky Art Museum, Lexington, KY Spectral City, RLWindow, RYAN LEE, New York, NY 2018 "I AM AN...,", Cantor Art Center, Stanford University, Stanford, CA 2017 CITIZENS, RYAN LEE, New York, NY Red Banner, RLWindow, RYAN LEE, New York, NY 2016 Neutral Calibration Studies (Ornament + Crime), Catharine Clark Gallery, San Francisco, CA Ornament + Crime (Redux), RLProject, RYAN LEE, New York, NY 2014 Market Forces, Temple Contemporary, Philadelphia, PA American Rubble (Lancaster Avenue), Haverford College, Ardmore, PA FREE TEXTS, Ulrich Museum of Art at Wichita State University, KS Modern Ruins (Popular Cannibals), Recology Artist in Residence Program, San Francisco, CA FREE TEXTS, Galerie Joseph Tang, Paris, FR 2013 RAIDERS, Ryan Lee Gallery, project space, New York, NY 2012 Montalvo Historical Fabrications and Souvenirs, project commission in collaboration with Michael Arcega as Las Marianas, Montalvo Art Center, Saratoga, CA RAIDERS Redux, Catharine Clark Gallery Project Space, New York, NY 2011 Currents Series: Stephanie Syjuco: Pattern Migration, -
FY2014-2016 Panelist Biographies—November
FY2014-2016 Grant Review Panel Approval List (November) Elmaz Abinader Professor of English, Mills College; Faculty and Board Member, Voices of Our Nation Arts Foundation Born in 1954 in a small town in Pennsylvania, Elmaz Abinader has always felt as if she lived in two worlds: one in her home and the other outside the doors. Her home life was very much rooted in Lebanese tradition. Her childhood activities contrasted with those of the other children in her community. Abinader’s first published book, Children of the Roojme: A Family’s Journey from Lebanon, is about cultural belonging and family strength. She has published a collection of poems, In The Country of My Dreams, which won the Josephine Miles PEN Oakland award in 2000. Abinader has also written and performed three plays: “When Silence is Frightening,” “Under The Ramadan Moon,” and “Country of Origin,” which won two “Drammies,” Portland’s Critic’s Circle Awards for Theater. Deeply involved with political activism, Abinader frequently writes articles about issues affecting Arabs and Arab-Americans. She also published an article on the Living Issue, post 9/11 website in which she writes about her experiences as an Arab-American after 9/11 and her fears for the future. Other work includes “For Arab Americans, Pain in Familiar Faces,” an essay published on the Refuse and Resist website about the suffering in Palestine, and “In The Country of My Dreams. For Marcel Khalife & Khalil Gibran,” in which she offers her support for songwriter Marcel Khalife. Abinader teaches creative writing at Mills College. She is also a resident and hosts summer writing workshops on memoir and creative non-fiction at the University of San Francisco’s Voices of Our Nations Arts Foundation, which sponsors workshops for published and developing writers. -
For Immediate Release
FOR IMMEDIATE RELEASE Contact: [email protected] SEEKING CIVILIZATION: Art and Cartography A GROUP EXHIBITION ABOUT THE POLITICS OF WAYFINDING March 23 – May 6, 2017 Opening Reception: Thursday, March 23, 6-8PM Miguel Angel Ríos, Le Premier Voyage a L'inconnu, 1992-93, Cibachrome mounted on pleated canvas with push pins, 63 x 126 inches (160 x 320 cm) March 2, 2016 – San Francisco – Gallery Wendi Norris is pleased to present Seeking Civilization: Art and Cartography, a group exhibition featuring San Francisco-based or represented artists Michael Arcega, Val Britton, Guillermo Galindo, Taraneh Hemami, Omar Mismar, Miguel Angel Ríos and Adrien Segal. Expanding on Robert Storr’s seminal 1994 exhibition, Mapping, at the Museum of Modern Art, New York, which highlighted works by Ríos, Seeking Civilization: Art and Cartography offers a timely re-contextualization of the cartographic narrative in contemporary art and the politics of wayfinding. Including works ranging from deconstructed colonial maps to neon light installations documenting personal journeys in search of love, featured artworks investigate and reflect on nationhood, citizenship, migration, identity politics, evolving cities, climate change, and the relationship between freedom and borders. Curated in the same anthological style as the original 1994 MoMA exhibition, Seeking Civilization: Art and Cartography unites work across a wide range of materials and scales, and presents new, never-before-seen contemporary artworks alongside seminal post-colonial works from the 1990’s. Anchoring the exhibition is Miguel Angel Ríos’ Le Premier Voyage a L'inconnu, a large-scale Cibachrome print mounted on hand-pleated canvas and attached to the wall using push pins. -
TARAVAT TALEPASAND BORN 1979, Eugene, OR EDUCATION 2006
TARAVAT TALEPASAND BORN 1979, Eugene, OR EDUCATION 2006 San Francisco Art Institute, San Francisco, CA MFA, Painting 2001 Rhode Island School of Design, Providence, RI BFA, Illustration 2000 Athens School of Fine Arts, Athens, Greece Painting, Printmaking SOLO EXHIBITIONS 2015 “Not an Arab Spring,” Beta Pictoris Gallery, Birmingham, AL 2012 “Pathe!” Guerrero Gallery, San Francisco, CA 2011 “The Corrupt Minority,” Steven Zevitas Gallery, Boston, MA 2010 “Taravat Talepasand: Drawings,” Yerba Buena Center for the Arts, San Francisco, CA 2009 “Situation Critical,” Marx & Zavattero, San Francisco, CA “Hampah: Ala Ebtekar & Taravat Talepasand,” Charlie James Gallery, Los Angeles, CA 2008 “To the Martyrs!” Plane Space, New York, NY 2007 “Seeya and Sefeed,” Heather Marx Gallery, San Francisco, CA 2006 “Taravat Talepasand," Vernissage, Fort Mason, San Francisco, CA 2002 “New Works, From Greece,” Blackfish Gallery, Portland, OR SELECTED GROUP EXHIBITIONS 2017 “In the Fields of Empty Days: Kings, Heroes, Demons and Saints in Iranian Art,” LACMA, Los Angeles, CA 2016 Terry Powers, Taravat Talepasand, John DefaZio, Guerrero Gallery, San Francisco, CA “Vinyl Icons: Persian Pop and Turkish Psychedelia,” Vane Gallery, New Castle, UK ARCO Madrid, Spain 2015 “Bootleg Show,” Printed Matter, Inc., New York, NY Passport 2015, San Francisco Arts Commission, San Francisco, CA Volta11, Markthalle, Basel, SwitZerland Miami Art Fair, New York, New York “Amen,” Bass & Reiner, San Francisco, CA Volta NY, New York, New York Azadi va Edalat, Oglethorpe University,