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The Arts Quarterly A Free Publication Dedicated to the SArtistic CommunityFAQ i 3

MISSION ISSUE

- Bay Area Arts Calendar Oct. Nov. Dec. Jan

- Southern Exposure - Galeria de la Raza - Ratio 3 Gallery - Hamburger Eyes - Oakland Museum - Headlands - Art Practical 6)$,B6)B$UWVB4XDUWHUO\BILQDOLQGG 30 Saturday October 16, 1-6pm Visit www.yerbabuena.org/gallerywalk for more details

111 Minna Gallery Chandler Fine Art SF Camerawork 111 Minna Street - 415/974-1719 170 Minna Street - 415/546-1113 657 , 2nd Floor- www.111minnagallery.com www.chandlersf.com 415/512-2020 12 Gallagher Lane Crown Point Press www.sfcamerawork.org 12 Gallagher Lane - 415/896-5700 20 Hawthorne Street - 415/974-6273 UC Berkeley Extension www.12gallagherlane.com www.crownpoint.com 95 3rd Street - 415/284-1081 871 Fine Arts Fivepoints Arthouse www.extension.berkeley.edu/art/gallery.html 20 Hawthorne Street, Lower Level - 72 Tehama Street - 415/989-1166 Visual Aid 415/543-5155 fivepointsarthouse.com 57 Post Street, Suite 905 - 415/777-8242 www.artbook.com/871store Modernism www.visualaid.org The Artists Alley 685 Market Street- 415/541-0461 PAK Gallery 863 Mission Street - 415/522-2440 www.modernisminc.com 425 Second Street , Suite 250 - 818/203-8765 www.theartistsalley.com RayKo Photo Center www.pakink.com

Catherine Clark Gallery 428 3rd Street - 415/495-3773 150 Minna Street - 415/399-1439 raykophoto.com www.cclarkgallery.com

Galleries are open throughout the year. Yerba Buena Gallery Walks occur twice a year and fall. The Yerba Buena Alliance supports the Yerba Buena Nieghborhood by strengthening partnerships, providing critical neighborhood-wide leadership and infrastructure, serving as an information source and forum for the area’s diverse residents, businesses, and visitiors, and promoting the area as a destination. mountain fold 55 Fifth Avenue, 18th Floor , NY 10003 212.255.4304 [email protected] www.mfoldgallery.com Mark mountain fold McCloud 55 Fifth Avenue, 18th Floor New Forms of New York, NY 10003 Loafting Sour Dough 212.255.4304 [email protected] www.mfoldgallery.com November 4th-25th Mission Issue Masthead Content October 10’ - January 11’

Publishers / Founders / Editors Andrew McClintock and Gregory Ito - [email protected] - [email protected] October Listings Hamburger Eyes 8-38 Ray Potes Design Gregory Ito, Andrew McClintock, 99-101 Ray McClure November Listings 40-57 Adobe Books Copy Editor 102-103 Erin Abney December Listings Editorial Interns 58-70 The Oakland Museum Marina Goncharova Lori Fogarty Peggy McNulty January Listings 104-107 SFAQ Staff Writers / Photographer 72-78 Andrew McClintock and Gregory Ito Oakland Contributing Writers Southern Exposure 108 Gabe Scott, Leigh Cooper, Jesse Pol- Courtney Fink lock, Charlotte Miller, Michelle Broder Van Dyke, Marianna Stark, Kid Yellow, Andrew 82-85 Collectors Column Schoultz Ken Harmon, Austin McManus, 109 Amanda Davidson. Galeria de la Raza Contributing Photographers Carolina Ponce de Leon Headlands Amanda Lopez, Parker Tilghman, Abigail 86-87 110-111 Huller, Brian David Stevens, Ted Pushin- sky, Mark Murrmann, Ryan Furtado, Ste- phen Funk, Jenn Hernandez, SF Public Root Division Art Slant (dot) com Library Special Collections. Michelle Mansour 112-113 88-90 Listing Contributors Stella Lochman, Zmira Zilkha, Cameron Art Practical (dot) com Kelly 114-116 91 Social Media Manager Zine Reviews Cameron Kelly Ratio 3 Gallery 117 Advisors Chris Perez John Sanger, Marianna Stark, JD Beltran, Maurice Kanbar 92-93 Bay Area Space Listings 118-123 Special Thanks Eleanor Harwood Gallery Tina Conway, Bette Okeya, Royce Ito, Leigh Cooper, Sarah Edwards, Paula 94-95 Residency Listings Anglim, Eric Rodenbeck, Charles Linder, 124-125 Darryl Smith, Maurice Kanbar, John and Guerrero Gallery Jessica Trippe, Jay Howell, Kent Baer, Eli Ridgway, Heather and Charley Villyard, Andres Guerrero Tyson Vogel, Bryan Whalen, Jamie Alex- 96-98 ander, Justin Giarla, Courtney Fink, Ken Harmen, Elias Bikahi, Alan Bamberger, our friends and peers, and anyone that has helped us out…thank you! www.sfaqonline.com All Material © 2010 SFAQ LLC Advertising Inquiries [email protected] Contributors

Andrew Schoultz is an artist based out of San Francisco who combines meticulous rendering with imagery both familiar and fantastical. Themes of Chaos and destruction forewarn current political and environmental climate, taking form in large-scale installations, , paintings, sculptures and works on paper.

Gabe Scott was born and raised in the Bay Area, and after graduating from San Francisco State, has curated for numerous galleries on the West Coast over the last 9 years. His writing has been featured in Juxtapoz, Art Ltd and the SFAQ and his photography has appeared in Juxtapoz, Alarm Magazine and Hi-Fructose. After living most of his adult life in Oakland and San Francisco, he has relocated to Denver, Colorado, where he works with the Robin Rule Gallery. Despite now spending most of his time in Colorado, he maintains close ties with the San Francisco art community.

Leigh Cooper lives and works in San Francisco, CA. After earning her B.A. in Art and from the University of Colorado in Boulder and traveling throughout to pursue her interest in art; she went on to work for the Foothills Art Cen- ter and the Aspen Art Museum. Relocating to San Francisco in 2008, she has served as the Director of White Walls and the Shooting Gallery for two years.

Kid yellow comes from a foreign land called the east coast. He has a camera. He not only takes pictures with his camera but he also builds pictures for his camera. He laughs too much and will out live you all who don’t laugh. He is a professional human being...Kidyellow(dot)com -Henry Gunderson

Ken Harman is an arts writer and curator living in the Bay Area. In addition to his duties as the managing online editor for Hi-Fructose Magazine as well as San Francisco correspondent for Arrested Motion, Ken also is the founder of Spoke Art, an edition production and pop-up art show organization. Check out more info on his upcoming shows, writing and print releases at www.spokeart.net, www.hifructose.com and www.arrestedmotion.com.

Jesse Pollock was born in the Statue of Liberty in 1980. Three months later Jesse was bartered by his parents for a brand new Pontiac Phoenix. 14 years later a blood test revealed that Jesse was the only son of the artist Jackson Pollock. In 1994 Jesse was sold on EBay (before they banned selling humans) for $600 and was shipped to San Francisco where he has been living on Page St. with Sir Richard Hart (no homo). He is currently work- ing on a feature film starring “the worlds most famous penis” which happens to be his. Check this quarterly in a few months for a scalding review of some genius penis work. -Porous Walker Event Calendar: October SFSFSFAAAQQQ

LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com 8 Event Calendar: October SFSFSFAAAQQQ

LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com PYWMSRSJEQMVVSVIH½KYVI%JSYVXLZMHISMR- Crown Point Press These historical pieces are contrasted with distinctive style, known throughout San Fran- tion, to be announced soon. stallation follows in January 2011. 20 Hawthorne Street artworks from contemporary Bay Area artists cisco and showcased in some of the city’s most -The Marvelous Museum: A Project by Mark ONGOING -Faculty Choice: Out of the Wild San Francisco, CA 94105 and garments by fashion designers Oscar de la popular restaurants and hotspots, deftly de- Dion O End: March 13, 2011 -Mamma Andersson & Jockum Nordstrom Renta and Rodarte. The exhibition highlights picts the interconnectivity between elements End: March 6, 2011 Stanford’s Mark Feldman investigates depictions End: November 6, 2010 several recent acquisitions, including important of the urban environment. This new body of Mounting an unprecedented expedition EXHIBITIONS of nature from the Center’s collections in the Six new color etchings gifts such as an ikat-woven skirt from the Iban [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS through the Museum’s art, history, and natu- Rowland K. Rebele Gallery. Hours: Mon-Sat, 10am-6pm people of Sarawak, and two exquisite continues to explore the many facets of urban, ral science collections, conceptual artist Mark Arion Press -Mami Wata: Arts for Water Spirits in Africa 415-974-6273 mordant-dyed Indian trade cloths used as heir- environmental and experiential relationships of (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- C 1802 Hays Street, The Presidio and Its Diasporas [email protected] loom textiles by the Toraja peoples of Sulawesi, interest to Brian and is also thematically tied to tions and interventions throughout the art gal- San Francisco, 94129 End: January 2, 2010 website: www.crownpoint.com . his latest project, ‘Systems Mural Project’. leries, drawing upon the overlooked orphans, -Current Gallery Exhibition at Arion Press 8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSRXS de Young (415) 750-3600 [email protected] curiosities, and treasures from the collections. Original art, artist books, and prints. Kiki Smith: present a comprehensive examination of the 50 Hagiwara Tea Garden Drive deyoung.famsf.org www.mckinleyartsolutions.com Many of these objects date back to OMCA’s T Artist book entitled “I Love My Love”. Wil- dynamic visual arts associated with water spir- San Francisco, CA 94118 Galería de la Raza Montgomery Gallery predecessor institutions and, while they often liam T. Wiley: Illustrations and a print for “Don its. One hundred works present a compelling -Pat Steir: After Hokusai, after Hiroshige 2857 24th Street 406 Jackson Street lie outside of OMCA’s California focus, still tell Quixote” by Miguel de Cervantes. Raymond range of art forms that portray the water deity End: January 30, 2011 San Francisco, CA 94110 San Francisco, CA 94111 a rich and interesting story of how museum Pettibon: Prints for “South of Heaven” by Jim widely known as Mami Wata (pidgin English for Anderson Gallery -Retrospective Anniversary Exhibition -American Expatriates and the European collections are assembled over time. OMCA Thompson. Julie Mehretu: Artwork for an edi- “Mother Water” or “Water Mistress”). The ex- Complementing Japanesque: The Japanese Print End: January 29, 2011 6:00pm Impressionists Senior Curator of Art René de Guzman will O tion of poems by Sappho. Free to the Public. hibition, organized and produced by the Fowler in the Era of at the Legion of The Retrospective Anniversary Exhibition, will Hours: Tue-Fri 10-5:30pm, Sat 11-5pm, Mon by GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR Hours: 8:30am-5pm, Mon - Fri Museum at UCLA, highlights both traditional Honor, Pat Steir: After Hokusai, after Hiroshige document the visual landscape that has con- appointment of Dion’s work, which will be accompanied by a (415) 668-2542 and contemporary images of Mami Wata and WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWI tributed to the shaping of Galería’s mission of (415) 788-8300 publication by Chronicle Books in partnership [email protected] her consorts from across the African continent, print on Western artists into the late 20th cen- fostering public awareness and appreciation of [email protected] with The Believer magazine. The book itself, like www.arionpress.com as well as from the Caribbean, Brazil, and the tury. American painter, printmaker, and concep- Latino/Chicano art. The exhibit will span art- WWW.MONTGOMERYGALLERY.COM many of Dion’s artworks, is a compendium of B . works from 1970 to 2010. Museum of Craft and Folk Art oddities and discoveries featuring an in-depth XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWX 328 Lomita Dr - Living Traditions: Arts of the selected by Kathan Brown in 1982 to travel to (415) 826-8009 51 Yerba Buena Lane interview with the artist by Lawrence Weschler, Stanford, CA 94305 Masks by contemporary Northwest Coast na- Japan to make a color woodcut for Crown Point [email protected] San Francisco CA 94103 photographs by David Maisel, and writings by a -Go Figure! tive artists in the Native American gallery Press’s groundbreaking printmaking program in www.galeriadelaraza.org - Volver: Mexican Folk Art into Play range of cultural and art historians. E This installation features a variety of contem- -20th-Century Art: Loans from Private Col- Kyoto. There she had the opportunity to work Kala Gallery End: January 16, 2011 www.museumca.org TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR lections closely with artisans trained in the traditional 2990 San Pablo Avenue The Museum of Craft and Folk Art presents an Paul Mahder Gallery diverse media including bronze, clay, glass, and End: November 7, 2010 methods of Japanese woodblock printing. In Berkeley, CA 94702 exhibition of contemporary art that activates 3378 Sacramento Street wood. Among the selections are examples by , expressionism, and surrealism are 1984 and 1985 she turned to subjects derived -New Work from Kala Mexican folk art, including works by Adrian Es- San Francisco, CA 94118 Magdalena Abakanowicz, Robert Arneson, Joan among the examples of major 20th-century art from famous prints by Hokusai and Hiroshige End: November 27, 2010 parza, Maximo Gonzalez, Armando Miguelez, -Window To My Dreams R Brown, Roger Brown, Mel Edwards, Viola Frey, movements in this display, with works by artists in color etchings she produced at Crown Point Beth Fein, Joyce Ertel Hulbert, Carol Ladewig, Favianna Rodriguez and Eduardo Sarabia.To End: November 6, 2010 Robert Graham, Duane Hanson, Manuel Neri, such as Paul Klee and Henri Matisse in the early Press in Oakland. Nancer Lemoins, Shannon Milar, Nichole Maury, celebrate Mexico’s Bicentennial Anniversary The Paul Mahder Gallery presents a new se- , and Peter Vanden Berge. modern gallery. -Van Gogh, Gauguin, Cézanne and Beyond: Hisaharu Motoda, Molly Palmer, Seiko Tachiba- of Independence and the Centennial of the ries of paintings “Window To My Dreams” by -Rodin! The Complete Stanford Collection -Life and Legacy: Leo Holub Photographs and Post-Impressionist Masterpieces from the na, Peter Tonningsen and Noah Wilson Revolution, the Museum of Craft and Folk Art Bulgarian painter, Nikolai Atanassov. Engaging an This expanded display presents 200 works Contemporary Artists’ Prints Musée d’Orsay www.kala.org presents ‘Volver: Mexican Folk Art into Play’, an innovative balance between traditional Europe- from the collection, including bronzes, plasters End: November 7, 2010 End: January 18, 2011 exhibition that looks to traditional crafts from an painting techniques and elegant modernist and waxes, plus a rotating selection of works Featuring Leo Holub’s photograph portraits Herbst Special Exhibition Galleries 100 34th Avenue Mexico and focuses on contemporary works forms, Nikolai Atanassov thematically explores on paper. Twenty large sculptures, including The of artists such as Frank Stella, Roy Lichtenstein, The second of two exhibitions from the Mu- San Francisco, CA 94121 that imbue the materials and processes of pop- a rich visual realm residing at the intersection of Gates of Hell, remain perpetually on view in the and Robert Rauschenberg, along with prints by sée d’Orsay’s permanent collection, Van Gogh, -Thirty-Six Aspects of Mount Fuji in Japanese ular folk arts with conceptual potency. Mexico’s numerous visible and invisible worlds. Rodin Sculpture Garden. these artists in the contemporary gallery. Gauguin, Cézanne and Beyond, opens on Sep- Illustrated Books from the Arthur Tress Col- strong history of traditional arts carries through (415) 474-7707 -Living Traditions: Arts of the Americas (650) 723-4177 XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX lection to the present [email protected] Two galleries integrate work from different Na- museum.stanford.edu with a selection of the most famous late-Im- End: February 20, 2011 day through weaving, painting, carving, and ma- Rayko Photo Center tive American peoples and times, including ma- Contemporary Jewish Museum pressionist paintings by Claude Monet and Au- Logan Gallery nipulate materials. Many artists working today 428 3rd Street jor commissions of Northwest Coast art and a 736 Mission Street guste Renoir, as well as works representing the Noted photographer Arthur Tress (b. 1940) question the ability of those traditional objects San Francisco, CA 94107 recent gift of Precolumbian art. between Third Street and Fourth Street individualist styles of the early modern masters, began collecting Japanese books in the fall of to tell the full story of an evolving culture— -Faith -A New : The Mondavi Family San Francisco, CA 94116 including , Henri de Toulouse- 1965 when he was a student at the Zen study and in response, new artisans and artists work Close: November 5, 2010 Gallery Reinstalled -Black Sabbath Lautrec, Paul Gauguin, and the leaders of Les center associated with the Shokoku-ji temple to update, reform, and activate those original Images by Christopher Churchill, Jennifer Hud- European and American art: portraiture, narra- End: March 22,2011 Nabis, Pierre Bonnard and Edouard Vuillard. MR/]SXS-RXLI]IEVWWMRGIXLEX½VWXHMWGSZ- source traditions. son, Dave Jordano, Eben Ostby, and Bill Vaccaro. tive art, still life, and landscape. Also, changing Yiddish jive?! Sit down and relax or sing along It is here where the Orsay’s collection shines ery, Tress continued to collect books and now (415) 227-4888 In the exhibition, “Faith”, at RayKo Photo Cen- selections of works on paper plus paintings as and . Black Sabbath, based on the 2010 brightest with masterpieces such as Van Gogh’s has a comprehensive collection numbering www.mocfa.org XIV ½ZI HMJJIVIRX TLSXSKVETLIVW JVSQ EVSYRH they might have been in the salon of a collector compilation by the Idelsohn Society of Musical Starry Night over the Rhone, a haunting Self- several hundred volumes. He has selected a Oakland Museum of California the country display selections from their proj- of the period. Preservation, is a musical experience where the Portrait, and Bedroom at Arles. The exhibition WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE 1000 Oak Street ects exploring more than just religious faith, but -African Art in Context visitor is immersed in the sounds of a unique includes a superior collection of paintings from two-part exhibition of illustrated books on the Oakland, CA 94607 faith in God and country and humanity. Ranging Diverse art, including items of dress and body slice of recording history. This exhibition ex- the Pont-Aven school, including Gauguin’s mas- subject of Fuji, the iconic mountain that is the -PIXAR: 25 Years of Animation from documentary photographs to imaginary ornament from the Himba people of Namibia plores the Black-Jewish musical encounter, a terpiece Self-Portrait with Yellow Christ. The enduring symbol of Japan. The Tress collection End: January 9, 2011 landscapes, from rich giant color prints, to small and beadwork by the Zulu and Ndebele peo- secret history of the many Black responses to exhibition concludes with the Orsay’s spec- exhibition brings together books dating from Walt Disney’s arrival in Los Angeles in the intimate bromoil and palladium prints, this ex- ple. Jewish music, life, and culture. We learn how tacular collection of pointillist paintings, rep- the late 1600s through the 19th century that W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX hibition has something for everyone, faithful or -The Life and Legacy of the Stanford Family Black artists treated Jewish music as a resource resented by the masters Georges Seurat and show Fuji viewed from various vantage points, for animation artists in the decades to come. not. Examines the interests and accomplishments of for African-American identity, history, and poli- Paul Signac. The de Young is the only museum at different times of year and during all four Home to a number of leading studios, the San -1000 Cameras XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G tics, whether it was Johnny Mathis singing “Kol in to host the exhibition. seasons. Key among the selections are several Francisco Bay Area has emerged as a global Close: November 5, 2010 Railroad, the Palo Alto Stock Farm, the found- Nidre,” Cab Calloway experimenting with Yid- -To Dye For: A World Saturated in Color volumes featuring illustrations from Hokusai’s center for animation today. PIXAR will provide Artist-in-Residence, Jo Babcock ing of Stanford University, and the early days of dish, or Aretha Franklin doing a 60s take on End: January 9, 2011 One Hundred Views of Mount Fuji, published an unprecedented look at the renowned Em- (415) 495-3773 the museum. “Swanee.” Gallery for Textile Arts between 1834 and 1849 after his successful eryville-based studio (located just a few miles [email protected] -Stone River by Andy Goldsworthy -StoryCorps StoryBooth To Dye For: A World Saturated in Color fea- color print series, Thirty-Six Views of Mount Fuji from OMCA) and showcase the creative work www.raykophoto.com -Longing for Sea-Change End: November 7, 2010 tures over 50 textiles and costumes from the (ca. 1830–1832). behind its wildly successful computer-animated Robert Tat Gallery End: June 26, 2011 The StoryCorps Outpost at the Contemporary Fine Arts Museums’ comprehensive collection (415) 750-3677 ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ 49 Geary Street, Suite 211 This presents a series of video installations by Jewish Museum will be extended for another of textiles from Africa, Asia and the Americas. legionofhonor.famsf.org =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV San Francisco, CA 94108 contemporary artists living and working in Af- year! StoryCorps is an oral history project that A truly cross-cultural presentation, the exhibi- McKinley Art Solutions the OMCA presentation greatly enhances the -Photographer: Unknown rica and the diasporas. The third video in the brings together people from all walks of life by tion showcases objects from diverse cultures 181 Third Street at Howard 2005 MoMA show. In addition to all of the End: November 27, 2010 series, Odile and Odette (14 minutes, 28 sec- providing an intimate space where participants and historical periods, including a tie-dyed tunic San Francisco, CA 94103 artwork from the original presentation, it will Robert Tat Gallery presents a selection of onds), by Yinka Shonibare MBE, shows June 16 can tell their stories in the form of a recorded from the Wari-Nasca culture of pre-Hispanic -Systems MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH photographs by unknown photographers. The - January 9. In this work, two ballerinas, identi- interview. Peru (A.D. 500–900), a paste-resist Mongolian End: Dec 13, 2010 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] prints on view cover the range of vernacular cally dressed in colorful batik-printed tutus, face (415) 655-7800 felt rug from the 15th–17th centuries and a McKinley Art Solutions is pleased to present with Pixar Animation Studios, OMCA will host photography, which has become quite popular each other on a dark stage. Their synchronized [email protected] group of stitch-resist dyed 20th-century ker- ‘Systems’, new works by ubiquitous SF mural- a series of dynamic public programs for audi- in recent years and is now a widely accepted movements within a gilded frame create the il- www.thecjm.org chiefs from the Dida people of the Ivory Coast. ist Brian Barneclo at W San Francisco. Brian’s ences of all ages in conjunction with the exhibi- genre of art photography. The exhibition con- 10 PYWMSRSJEQMVVSVIH½KYVI%JSYVXLZMHISMR- Crown Point Press These historical pieces are contrasted with distinctive style, known throughout San Fran- tion, to be announced soon. stallation follows in January 2011. 20 Hawthorne Street artworks from contemporary Bay Area artists cisco and showcased in some of the city’s most -The Marvelous Museum: A Project by Mark ONGOING -Faculty Choice: Out of the Wild San Francisco, CA 94105 and garments by fashion designers Oscar de la popular restaurants and hotspots, deftly de- Dion O End: March 13, 2011 -Mamma Andersson & Jockum Nordstrom Renta and Rodarte. The exhibition highlights picts the interconnectivity between elements End: March 6, 2011 Stanford’s Mark Feldman investigates depictions End: November 6, 2010 several recent acquisitions, including important of the urban environment. This new body of Mounting an unprecedented expedition EXHIBITIONS of nature from the Center’s collections in the Six new color etchings gifts such as an ikat-woven skirt from the Iban [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS through the Museum’s art, history, and natu- Rowland K. Rebele Gallery. Hours: Mon-Sat, 10am-6pm people of Sarawak, Malaysia and two exquisite continues to explore the many facets of urban, ral science collections, conceptual artist Mark Arion Press -Mami Wata: Arts for Water Spirits in Africa 415-974-6273 mordant-dyed Indian trade cloths used as heir- environmental and experiential relationships of (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- C 1802 Hays Street, The Presidio and Its Diasporas [email protected] loom textiles by the Toraja peoples of Sulawesi, interest to Brian and is also thematically tied to tions and interventions throughout the art gal- San Francisco, California 94129 End: January 2, 2010 website: www.crownpoint.com Indonesia. his latest mural project, ‘Systems Mural Project’. leries, drawing upon the overlooked orphans, -Current Gallery Exhibition at Arion Press 8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSRXS de Young (415) 750-3600 [email protected] curiosities, and treasures from the collections. Original art, artist books, and prints. Kiki Smith: present a comprehensive examination of the 50 Hagiwara Tea Garden Drive deyoung.famsf.org www.mckinleyartsolutions.com Many of these objects date back to OMCA’s T Artist book entitled “I Love My Love”. Wil- dynamic visual arts associated with water spir- San Francisco, CA 94118 Galería de la Raza Montgomery Gallery predecessor institutions and, while they often liam T. Wiley: Illustrations and a print for “Don its. One hundred works present a compelling -Pat Steir: After Hokusai, after Hiroshige 2857 24th Street 406 Jackson Street lie outside of OMCA’s California focus, still tell Quixote” by Miguel de Cervantes. Raymond range of art forms that portray the water deity End: January 30, 2011 San Francisco, CA 94110 San Francisco, CA 94111 a rich and interesting story of how museum Pettibon: Prints for “South of Heaven” by Jim widely known as Mami Wata (pidgin English for Anderson Gallery -Retrospective Anniversary Exhibition -American Expatriates and the European collections are assembled over time. OMCA Thompson. Julie Mehretu: Artwork for an edi- “Mother Water” or “Water Mistress”). The ex- Complementing Japanesque: The Japanese Print End: January 29, 2011 6:00pm Impressionists Senior Curator of Art René de Guzman will O tion of poems by Sappho. Free to the Public. hibition, organized and produced by the Fowler in the Era of Impressionism at the Legion of The Retrospective Anniversary Exhibition, will Hours: Tue-Fri 10-5:30pm, Sat 11-5pm, Mon by GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR Hours: 8:30am-5pm, Mon - Fri Museum at UCLA, highlights both traditional Honor, Pat Steir: After Hokusai, after Hiroshige document the visual landscape that has con- appointment of Dion’s work, which will be accompanied by a (415) 668-2542 and contemporary images of Mami Wata and WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWI tributed to the shaping of Galería’s mission of (415) 788-8300 publication by Chronicle Books in partnership [email protected] her consorts from across the African continent, print on Western artists into the late 20th cen- fostering public awareness and appreciation of [email protected] with The Believer magazine. The book itself, like www.arionpress.com as well as from the Caribbean, Brazil, and the tury. American painter, printmaker, and concep- Latino/Chicano art. The exhibit will span art- WWW.MONTGOMERYGALLERY.COM many of Dion’s artworks, is a compendium of B United States. works from 1970 to 2010. Museum of Craft and Folk Art oddities and discoveries featuring an in-depth Cantor Arts Center XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWX 328 Lomita Dr - Living Traditions: Arts of the Americas selected by Kathan Brown in 1982 to travel to (415) 826-8009 51 Yerba Buena Lane interview with the artist by Lawrence Weschler, Stanford, CA 94305 Masks by contemporary Northwest Coast na- Japan to make a color woodcut for Crown Point [email protected] San Francisco CA 94103 photographs by David Maisel, and writings by a -Go Figure! tive artists in the Native American gallery Press’s groundbreaking printmaking program in www.galeriadelaraza.org - Volver: Mexican Folk Art into Play range of cultural and art historians. E This installation features a variety of contem- -20th-Century Art: Loans from Private Col- Kyoto. There she had the opportunity to work Kala Gallery End: January 16, 2011 www.museumca.org TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR lections closely with artisans trained in the traditional 2990 San Pablo Avenue The Museum of Craft and Folk Art presents an Paul Mahder Gallery diverse media including bronze, clay, glass, and End: November 7, 2010 methods of Japanese woodblock printing. In Berkeley, CA 94702 exhibition of contemporary art that activates 3378 Sacramento Street wood. Among the selections are examples by Cubism, expressionism, and surrealism are 1984 and 1985 she turned to subjects derived -New Work from Kala Mexican folk art, including works by Adrian Es- San Francisco, CA 94118 Magdalena Abakanowicz, Robert Arneson, Joan among the examples of major 20th-century art from famous prints by Hokusai and Hiroshige End: November 27, 2010 parza, Maximo Gonzalez, Armando Miguelez, -Window To My Dreams R Brown, Roger Brown, Mel Edwards, Viola Frey, movements in this display, with works by artists in color etchings she produced at Crown Point Beth Fein, Joyce Ertel Hulbert, Carol Ladewig, Favianna Rodriguez and Eduardo Sarabia.To End: November 6, 2010 Robert Graham, Duane Hanson, Manuel Neri, such as Paul Klee and Henri Matisse in the early Press in Oakland. Nancer Lemoins, Shannon Milar, Nichole Maury, celebrate Mexico’s Bicentennial Anniversary The Paul Mahder Gallery presents a new se- Isamu Noguchi, and Peter Vanden Berge. modern gallery. -Van Gogh, Gauguin, Cézanne and Beyond: Hisaharu Motoda, Molly Palmer, Seiko Tachiba- of Independence and the Centennial of the ries of paintings “Window To My Dreams” by -Rodin! The Complete Stanford Collection -Life and Legacy: Leo Holub Photographs and Post-Impressionist Masterpieces from the na, Peter Tonningsen and Noah Wilson Revolution, the Museum of Craft and Folk Art Bulgarian painter, Nikolai Atanassov. Engaging an This expanded display presents 200 works Contemporary Artists’ Prints Musée d’Orsay www.kala.org presents ‘Volver: Mexican Folk Art into Play’, an innovative balance between traditional Europe- from the collection, including bronzes, plasters End: November 7, 2010 End: January 18, 2011 Legion of Honor exhibition that looks to traditional crafts from an painting techniques and elegant modernist and waxes, plus a rotating selection of works Featuring Leo Holub’s photograph portraits Herbst Special Exhibition Galleries 100 34th Avenue Mexico and focuses on contemporary works forms, Nikolai Atanassov thematically explores on paper. Twenty large sculptures, including The of artists such as Frank Stella, Roy Lichtenstein, The second of two exhibitions from the Mu- San Francisco, CA 94121 that imbue the materials and processes of pop- a rich visual realm residing at the intersection of Gates of Hell, remain perpetually on view in the and Robert Rauschenberg, along with prints by sée d’Orsay’s permanent collection, Van Gogh, -Thirty-Six Aspects of Mount Fuji in Japanese ular folk arts with conceptual potency. Mexico’s numerous visible and invisible worlds. Rodin Sculpture Garden. these artists in the contemporary gallery. Gauguin, Cézanne and Beyond, opens on Sep- Illustrated Books from the Arthur Tress Col- strong history of traditional arts carries through (415) 474-7707 -Living Traditions: Arts of the Americas (650) 723-4177 XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX lection to the present [email protected] Two galleries integrate work from different Na- museum.stanford.edu with a selection of the most famous late-Im- End: February 20, 2011 day through weaving, painting, carving, and ma- Rayko Photo Center tive American peoples and times, including ma- Contemporary Jewish Museum pressionist paintings by Claude Monet and Au- Logan Gallery nipulate materials. Many artists working today 428 3rd Street jor commissions of Northwest Coast art and a 736 Mission Street guste Renoir, as well as works representing the Noted photographer Arthur Tress (b. 1940) question the ability of those traditional objects San Francisco, CA 94107 recent gift of Precolumbian art. between Third Street and Fourth Street individualist styles of the early modern masters, began collecting Japanese books in the fall of to tell the full story of an evolving culture— -Faith -A New 19th Century: The Mondavi Family San Francisco, CA 94116 including Vincent van Gogh, Henri de Toulouse- 1965 when he was a student at the Zen study and in response, new artisans and artists work Close: November 5, 2010 Gallery Reinstalled -Black Sabbath Lautrec, Paul Gauguin, and the leaders of Les center associated with the Shokoku-ji temple to update, reform, and activate those original Images by Christopher Churchill, Jennifer Hud- European and American art: portraiture, narra- End: March 22,2011 Nabis, Pierre Bonnard and Edouard Vuillard. MR/]SXS-RXLI]IEVWWMRGIXLEX½VWXHMWGSZ- source traditions. son, Dave Jordano, Eben Ostby, and Bill Vaccaro. tive art, still life, and landscape. Also, changing Yiddish jive?! Sit down and relax or sing along It is here where the Orsay’s collection shines ery, Tress continued to collect books and now (415) 227-4888 In the exhibition, “Faith”, at RayKo Photo Cen- selections of works on paper plus paintings as and dance. Black Sabbath, based on the 2010 brightest with masterpieces such as Van Gogh’s has a comprehensive collection numbering www.mocfa.org XIV ½ZI HMJJIVIRX TLSXSKVETLIVW JVSQ EVSYRH they might have been in the salon of a collector compilation by the Idelsohn Society of Musical Starry Night over the Rhone, a haunting Self- several hundred volumes. He has selected a Oakland Museum of California the country display selections from their proj- of the period. Preservation, is a musical experience where the Portrait, and Bedroom at Arles. The exhibition WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE 1000 Oak Street ects exploring more than just religious faith, but -African Art in Context visitor is immersed in the sounds of a unique includes a superior collection of paintings from two-part exhibition of illustrated books on the Oakland, CA 94607 faith in God and country and humanity. Ranging Diverse art, including items of dress and body slice of recording history. This exhibition ex- the Pont-Aven school, including Gauguin’s mas- subject of Fuji, the iconic mountain that is the -PIXAR: 25 Years of Animation from documentary photographs to imaginary ornament from the Himba people of Namibia plores the Black-Jewish musical encounter, a terpiece Self-Portrait with Yellow Christ. The enduring symbol of Japan. The Tress collection End: January 9, 2011 landscapes, from rich giant color prints, to small and beadwork by the Zulu and Ndebele peo- secret history of the many Black responses to exhibition concludes with the Orsay’s spec- exhibition brings together books dating from Walt Disney’s arrival in Los Angeles in the intimate bromoil and palladium prints, this ex- ple. Jewish music, life, and culture. We learn how tacular collection of pointillist paintings, rep- the late 1600s through the 19th century that W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX hibition has something for everyone, faithful or -The Life and Legacy of the Stanford Family Black artists treated Jewish music as a resource resented by the masters Georges Seurat and show Fuji viewed from various vantage points, for animation artists in the decades to come. not. Examines the interests and accomplishments of for African-American identity, history, and poli- Paul Signac. The de Young is the only museum at different times of year and during all four Home to a number of leading studios, the San -1000 Cameras XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G tics, whether it was Johnny Mathis singing “Kol in North America to host the exhibition. seasons. Key among the selections are several Francisco Bay Area has emerged as a global Close: November 5, 2010 Railroad, the Palo Alto Stock Farm, the found- Nidre,” Cab Calloway experimenting with Yid- -To Dye For: A World Saturated in Color volumes featuring illustrations from Hokusai’s center for animation today. PIXAR will provide Artist-in-Residence, Jo Babcock ing of Stanford University, and the early days of dish, or Aretha Franklin doing a 60s take on End: January 9, 2011 One Hundred Views of Mount Fuji, published an unprecedented look at the renowned Em- (415) 495-3773 the museum. “Swanee.” Gallery for Textile Arts between 1834 and 1849 after his successful eryville-based studio (located just a few miles [email protected] -Stone River by Andy Goldsworthy -StoryCorps StoryBooth To Dye For: A World Saturated in Color fea- color print series, Thirty-Six Views of Mount Fuji from OMCA) and showcase the creative work www.raykophoto.com -Longing for Sea-Change End: November 7, 2010 tures over 50 textiles and costumes from the (ca. 1830–1832). behind its wildly successful computer-animated Robert Tat Gallery End: June 26, 2011 The StoryCorps Outpost at the Contemporary Fine Arts Museums’ comprehensive collection (415) 750-3677 ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ 49 Geary Street, Suite 211 This presents a series of video installations by Jewish Museum will be extended for another of textiles from Africa, Asia and the Americas. legionofhonor.famsf.org =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV San Francisco, CA 94108 contemporary artists living and working in Af- year! StoryCorps is an oral history project that A truly cross-cultural presentation, the exhibi- McKinley Art Solutions the OMCA presentation greatly enhances the -Photographer: Unknown rica and the diasporas. The third video in the brings together people from all walks of life by tion showcases objects from diverse cultures 181 Third Street at Howard 2005 MoMA show. In addition to all of the End: November 27, 2010 series, Odile and Odette (14 minutes, 28 sec- providing an intimate space where participants and historical periods, including a tie-dyed tunic San Francisco, CA 94103 artwork from the original presentation, it will Robert Tat Gallery presents a selection of onds), by Yinka Shonibare MBE, shows June 16 can tell their stories in the form of a recorded from the Wari-Nasca culture of pre-Hispanic -Systems MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH photographs by unknown photographers. The - January 9. In this work, two ballerinas, identi- interview. Peru (A.D. 500–900), a paste-resist Mongolian End: Dec 13, 2010 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] prints on view cover the range of vernacular cally dressed in colorful batik-printed tutus, face (415) 655-7800 felt rug from the 15th–17th centuries and a McKinley Art Solutions is pleased to present with Pixar Animation Studios, OMCA will host photography, which has become quite popular each other on a dark stage. Their synchronized [email protected] group of stitch-resist dyed 20th-century ker- ‘Systems’, new works by ubiquitous SF mural- a series of dynamic public programs for audi- in recent years and is now a widely accepted movements within a gilded frame create the il- www.thecjm.org chiefs from the Dida people of the Ivory Coast. ist Brian Barneclo at W San Francisco. Brian’s ences of all ages in conjunction with the exhibi- genre of art photography. The exhibition con- 11 centrates on the vernacular photograph as “ac- Night (press night) – Thurs., Oct. 7. $25 gen- Cultural Encounters presents Friday Nights at www.mercurytwenty.com Oakland, CA 94608 say and do and violá, the performer becomes cidental art.” Connoisseurship plays an impor- eral admission or $35 premium admission for the de Young. Every Friday Night, join Made- Oddball Film + Video -Wanderlust for Wonders’ Sake the audience! $10 regular/$8 YBCA Mem/Stu/ tant role. Gallery director Robert Tat explains “I “Shock Boxes” and “Turkish Lounges” moiselle Kim for a hands-on art making project 275 Capp Street Opening Reception: October 1, 2010 Sen/Tea. O screen these images with the same criteria I use -PEARLS OVER for all ages. No museum admission required for San Francisco, CA 7:00-10:00pm -SESAME STREET: A CELEBRATION [LIRIZEPYEXMRKE½RIEVXTLSXSKVETLEVXMWXMG End: December 19, 2010 most programs. Info: (415) 750-3531 or amar- -Krazy Kats Closing Tea and Artist’s Talk: October 24, Open: October 1, 2010 appeal, engaging or emotional subject matter, An original musical by Link Martin (book/lyr- [email protected] Date: October 1, 2010 2010 3:00-6:00pm End: October 30, 2010 and print quality. I’m looking for photographs ics) and Richard “Scrumbly” Koldewyn (music), -Mission Muralismo [[[SHHFEPP½PQGSQ Kerri Lee Johnson’s work implies an overarching Screening Room that were made without the intention of being PEARLS OVER SHANGHAI is the centerpiece Date: October 1, 2010 Rare Device narrative that alludes to the migratory move- Having recently reached its 40th year, we cel- C art, yet posses an artistic quality. I often search of Thrillpeddlers’ 3rd annual Theatre of the Time: 5:00–8:45pm 1845 Market Street at Guerrero ments and rituals of a fabled society. Through IFVEXI7IWEQI7XVIIX[MXLXLMWWIVMIWSJ½PQW XLVSYKL SZIV  TLSXSKVETLW XS ½RH XLEX Ridiculous Revival, and marks the 40th anni- Clarion Alley: Mission Center for Cutting-Edge San Francisco, CA 94103 a reoccurring cast of characters, objects and and clips from the beloved TV show, which in- one ‘gem in the rough’ that meets my standards versary of the formation of The Cockettes, a , organized by Annice Jacoby in part- -New Work by Omar Lee landscapes, she anachronistically blends various cludes some of the most memorable moments to qualify as a Found Image.” gender-bending theatrical troupe who not only nership with Muralists Opening Reception: October 1, 2010 LMWXSVMGEPMHIRXM½IVWXSGVIEXIEWSGMIX]WYFNIGX as well as never-before-seen footage. Sesame Hours: Tue-Sat 11am-5:30pm originated this show, but also exerted a pro- -Slideshow 7:00-9:00pm to its own alternate trajectory - at once reliant Street premiered in 1969 on PBS and is now T End: October 31, 2010 (415) 781-1122 JSYRH MR¾YIRGI SR XLI GYPXYVI SJ SYV XMQIW Date: October 1, 2010 upon and devoid of history. the longest-running children’s television series [email protected] from the phenomenon of midnight movies to Time: 7:00–8:30pm New paintings by San Francisco artist Omar Hours: Thur-Sun 12-6pm in the U.S., and broadcast in more than 140 www.roberttat.com glitter rock stars (such as David Bowie and the Digital images of the stunning street art of Lee. (510) 817-4042 countries. The show was groundbreaking for its San Francisco Arts Commission New York Dolls) and their outrageous fashions. Clarion Alley 415-863-3969 [email protected] mixture of educational and entertaining con- O -’s Three Heads Six Arms Pearls is a psychedelic musical inspired by sin -Lecture www.raredevice.net www.thecompoundgallery.com tent, teaching children life skills while encourag- soaked Old Shanghai and Busby Berkeley mov- Date: October 1, 2010 Royal NoneSuch Gallery Toomey Tourell ing development in math and literacy. World renowned contemporary artist Zhang ie musicals from Hollywood’s Golden Age. Time: 6:30–8:30pm 4231 Telegraph Ave. 49 Geary Street -SESAME STREET AT 40: MILESTONES ON Huan’s colossal Three Heads Six Arms (2008) http://thrillpeddlers.com Lecture presented by the movers and shakers Oakland CA, 94609 San Francisco, CA 94108 THE STREET makes its world premiere as part of the San YBCA of the Clarion Alley scene Rupa and the April -Beauty Forms -Maria Park Date: October 1, 2010 B Francisco-Shanghai Sister City 30th Anniver- 701 Mission Street Fishes Opening Reception: October 1, 2010 Date: October 1, 2010 Time: 7:30pm sary Celebration. Standing over 26 feet tall and San Francisco, CA 94103 Artists-in-Residence Workshop 7:00-10:00pm. Opening Reception: October 7, 2010 This “best-of” compilation features dozens of [IMKLMRKEPQSWX½JXIIRXSRW8LVII,IEHW7M\ -PAUSE: Practice and Exchange Closing reception: October 1, 2010 6:00-8:30 0]HME +VIIV MW E ZMWYEP EVXMWX ½PQQEOIV ERH 5:30-7:30pm classic moments, including excerpts from the Arms is Zhang’s largest sculpture to date. The End: November 28, 2010 pm. Celebrate works by Ala Ebtekar, Pireeni theater practitioner, whose conceptual prac- Close: October 31, 2010 ½VWXITMWSHIGIPIFVMX]KYIWXWERHWSQISJXLI E sculpture, which is being presented by the San Gallery 3 Sundaralingam, Julie Chang and Erika Chong XMGIMRGPYHIWMRWXEPPEXMSR½PQERHZMHISWLEHS[ (415) 989-6444 best bits from Bert and Ernie, Big Bird, and the Francisco Arts Commission, will be on loan Koki Tanaka: Nothing related, but something Shuch. theatre, puppetry, hand-made animation and www.toomey-tourell.com rest of the gang. (81 min, digital video) through 2011 courtesy of the artist and The could be associated. Koki Tanaka is a mixed-me- (415) 750-3600 objects, prints and drawings. She works with Velvet da Vinci www.ybca.org Pace Gallery in New York. dia artist who uses video and found objects to deyoung.famsf.org themes of modern allegory & euphemism in 2015 at (415) 252-4638. GVIEXIMGSRMGVI¾IGXMSRWSJIZIV]HE]PMJI'SQ- Elins Eagles Smith Gallery narrative structures exploring the language of San Francisco, CA 94109 R www.sfartscommission.org bining humor with social criticism, he manipu- 49 Geary Street Suite 520 theatre, folkoristics and material culture and -The Plastic Show SF Playhouse lates everyday objects in their surroundings, re- San Francisco, CA 94108 how they play out in the personal and politi- Opening Reception: October 1, 2010 533 Sutter Street at Powell leasing them from any utilitarian function they -Gary Komarin: Recent Paintings cal arena. 6:00-8:00pm 2 Saturday San Francisco, CA 94102 may have, to create an entirely new meaning. Open: October 1, 2010 (415) 652-1623 End: October 31, 2010 -The Sunset Limited www.ybca.org End: October 30, 2010 www.royalnonesuchgallery.com Velvet da Vinci in San Francisco presents The Catharine Clark Gallery End: November 6, 2010 (415) 981-1080 Studio One Art Center Plastic Show, an exhibition featuring work from 150 Minna Street A startling encounter on a New York subway www.eesgallery.com 365 45th Street the recently published Lark Jewelry Book 500 San Francisco, CA 94105 platform leads two strangers to a run-down Lucie Stern Community Theatre Oakland, CA 94609 Plastic Jewelry Designs. The Plastic Show fea- -Masami Teraoka tenement where they engage in a brilliant ver- 1 Friday 1MHHPI½IPH6H$1IPZMPPI -FIRST FRIDAY READING SERIES tures 250 pieces by 75 artists employing a vari- Opening Reception: October 2, 2010 bal duel on a subject no less compelling than Palo Alto, CA Date: October 1, 2010 ety of plastic materials such as resin, latex, rub- 5:00–7:00pm the meaning of life. -The 11th Annual Funny Girlz: A Smorgas- Time: 7:30-9:30pm ber, epoxy, and thermoplastics, many of which Close: November 13, 2010 www.sfplayhouse.org Artist-Xchange bord of Women Comedians -AFTER SCHOOL ARTS ACADEMY are reused or recycled. Masami Teraoka is widely known for early The Marsh 3169 16th Street Date: October 1, 2010 Date: October 1, 2010 (415) 441-0109 works that combine the aesthetics of tradition- 1062 Valencia Street at 22nd Street San Francisco CA 94103 Time: 8:00pm Time: After school - 6:30pm [email protected] al Japanese Edo period woodblock prints, or San Francisco, CA -Layers of Abstraction Kung Pao Kosher Comedy presents The 11th 1EVXLE6SRO &VMER8IEVI½PQWJVSQ'LIPWIE www.velvetdavinci.com ukiyo-e, with products and cultural references -THE REAL AMERICANS Opening Reception: October 1, 2010 Annual Funny Girlz: A Smorgasbord of Women Walton Vessel Gallery informed by Western society. His newest paint- End: November 6, 2010 7-10pm Comedians with Shazia Mirza, Carla Clayy, Dha- Students enrolled in Studio One Art Center’s 471 25th Street ings expand upon Teraoka’s prescient preoc- Dan Hoyle turns his eye and ear on America’s End: October 31, 2010 ya Lakshminarayanan, and Lisa Geduldig. TICK- after school arts academy will enjoy an after Oakland, CA cupation with globalism and hypocrisy and the culture wars. Fleeing the liberal bubble of San Join us as we explore the illusion of visible real- ETS $25 http://www.brownpapertickets.com school snack, homework tutors, and one class -Augmented Realms Catholic Church sex abuse scandal through sty- Francisco and his hipster friends, he spent 100 ity. There will be 15-20 local San Francisco art- (415) 522-3737 each day led by our master artists in mediums Opening Reception: October 1, 2010 listic appropriation of early European Renais- days traveling through small-town America in ists displaying abstract works of art. http://www.koshercomedy.com such as poetry, ceramics, drama, movement, 6:00-9:00pm sance painting. In these works Teraoka adopts search of some tough country wisdom and a Abstraction is a continuum. The departure Mercury 20 Gallery cooking, paintings, drawing, and much more! End: October 30, 2010 6:00pm the compositions and palette of Renaissance way to bridge America’s urban/rural divide. In- from accurate representation can be slight, par- 475 25th Street at Telegraph Fees are 15 dollars per day. Pick up is avilable Sculpture and Installation by Morgania E. Moore painting—complete with gold-leaf frames—in stead, he found himself immersed in the popu- tial, or complete. Oakland, CA 94612 from select schools. and Paintings by Michelle Stitz. Nature-based combination with the aesthetics of traditional list anger of the people whom Sarah Palin fa- www.artist-xchange.com -Tongue & Groove (510) 597-5027 sculptures and paintings blur the edges be- Edo-era masters. mously described as “The Real Americans” and City Art Cooperative Gallery Opening Reception: October 1, 2010 [email protected] X[IIRXLIHI½RMXMSRSJ((EVX[SVO -Chris Doyle awed at the disconnect between Obama Na- 828 Valencia Street 6:00-9:00pm WWW.STUDIOONEARTCENTER.NET Hours: Tue-Sat 11-6pm Opening Reception: October 2, 2010 tion and Palin Country. Showtimes on Wednes- San Francisco, CA 94110 Close: October 28, 2010 Studio Quercus www.vessel-gallery.com 5:00–7:00pm day, Thursday & Friday at 8:00 pm; Saturday at -Sacred and Profane artist Kathleen King presents paint- 385 26th Street YBCA Close: November 13, 2010 5:00 pm Opening Reception: October 1, 2010 ings and painted objects in her exhibit “Tongue Oakland, CA 701 Mission Street Chris Doyle in the Media Room. www.themarsh.org 7:00pm-10:00pm and Groove”. The artist corresponds in earnest -Madame Lucretia’s Parlor For the Study of San Francisco, CA 94103 (415) 399-1439 Thrillpeddlers’ Hypnodrome The- End: October 31, 2010 empathy with materials found in urban streets, the Occult and the Macabre -A Rotozaza Production: Etiquette [email protected] atre A new group show centered around the theme building sites and dumpsters, decorating them Opening Reception: October 1, 2010 Date: October 1, 2010 www.cclarkgallery.com 575 10th Street of “Sacred and Profane,” with artists encour- with calligraphic gesture and blunt geometry 6:00-10:00pm Time: 12:00, 1:00pm, 2:00pm, 3:00pm, de Young San Francisco, CA 94103 aged to interpret the theme as broadly as they derived from vernacular culture and the vocab- Costume Party Reception: October 30, 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm 50 Hagiwara Tea Garden Drive -SHOCKTOBERFEST 2010 wish. Media includes paintings, photography, ulary of Modernism. The work makes a poetic 2010 6:00-9:00pm Grand Lobby San Francisco, CA 94118 End: November 19, 2010 mixed-media, digital imagery and more. to everyday experience and the For the month of October Studio Quercus will Etiquette is a half-hour participatory perfor- -Access Advisors’ Open House and Disability Thrillpeddlers is proud to announce their sig- (415) 970-9900 process of life production as contained in life transform into Madam Lucretia’s Victorian-era mance experience for two people where audi- Arts Festival nature Halloween show SHOCKTOBERFEST!! www.cityartgallery.org itself.Kathleen King was born in Oakland, CA parlour, ready for ence members perform the piece themselves, Date: October 2, 2010 2010: KISS OF BLOOD (3 one-act plays), the de Young and has a BA in Art from UC Berkeley. Her All Hallows Eve. A group installation. for each other. Participants – who may pur- Time: 10:00am-3:00pm 11th annual presentation of Grand Guignol ter- 50 Hagiwara Tea Garden Drive work has been exhibited locally at Pro Arts, (510) 452-4670 chase single tickets or go as a pair – meet at The Access Advisors put a spotlight on muse- ror plays and titillating farces, running Thursdays San Francisco, CA 94118 Hang Gallery, and 66 Balmy and is represented www.studioquercus.com YBCA, where they receive simple audio equip- um access with art, performances and a special and Fridays at 8:00 pm from Sept. 30 through -Friday Nights at the de Young in numerous private collections. [email protected] ment and are guided to a nearby café. Partici- lecture. Nov. 19, 2010, with a special Halloween perfor- Date: October 1, 2010 Hours: Thur-Sat 12-6pm and by appointment The Compound Gallery pants sit at a table with carefully arranged ob- -Toulouse-Lautrec and Disability Culture mance on Sunday, Oct. 31 at 8:00 pm. Opening Time: 5:00–8:45pm (510) 701-4620 1167 65th Street jects and are given instructions about what to Date: October 2, 2010 12 centrates on the vernacular photograph as “ac- Night (press night) – Thurs., Oct. 7. $25 gen- Cultural Encounters presents Friday Nights at www.mercurytwenty.com Oakland, CA 94608 say and do and violá, the performer becomes cidental art.” Connoisseurship plays an impor- eral admission or $35 premium admission for the de Young. Every Friday Night, join Made- Oddball Film + Video -Wanderlust for Wonders’ Sake the audience! $10 regular/$8 YBCA Mem/Stu/ tant role. Gallery director Robert Tat explains “I “Shock Boxes” and “Turkish Lounges” moiselle Kim for a hands-on art making project 275 Capp Street Opening Reception: October 1, 2010 Sen/Tea. O screen these images with the same criteria I use -PEARLS OVER SHANGHAI for all ages. No museum admission required for San Francisco, CA 7:00-10:00pm -SESAME STREET: A CELEBRATION [LIRIZEPYEXMRKE½RIEVXTLSXSKVETLEVXMWXMG End: December 19, 2010 most programs. Info: (415) 750-3531 or amar- -Krazy Kats Closing Tea and Artist’s Talk: October 24, Open: October 1, 2010 appeal, engaging or emotional subject matter, An original musical by Link Martin (book/lyr- [email protected] Date: October 1, 2010 2010 3:00-6:00pm End: October 30, 2010 and print quality. I’m looking for photographs ics) and Richard “Scrumbly” Koldewyn (music), -Mission Muralismo [[[SHHFEPP½PQGSQ Kerri Lee Johnson’s work implies an overarching Screening Room that were made without the intention of being PEARLS OVER SHANGHAI is the centerpiece Date: October 1, 2010 Rare Device narrative that alludes to the migratory move- Having recently reached its 40th year, we cel- C art, yet posses an artistic quality. I often search of Thrillpeddlers’ 3rd annual Theatre of the Time: 5:00–8:45pm 1845 Market Street at Guerrero ments and rituals of a fabled society. Through IFVEXI7IWEQI7XVIIX[MXLXLMWWIVMIWSJ½PQW XLVSYKL SZIV  TLSXSKVETLW XS ½RH XLEX Ridiculous Revival, and marks the 40th anni- Clarion Alley: Mission Center for Cutting-Edge San Francisco, CA 94103 a reoccurring cast of characters, objects and and clips from the beloved TV show, which in- one ‘gem in the rough’ that meets my standards versary of the formation of The Cockettes, a Street Art, organized by Annice Jacoby in part- -New Work by Omar Lee landscapes, she anachronistically blends various cludes some of the most memorable moments to qualify as a Found Image.” gender-bending theatrical troupe who not only nership with Precita Eyes Muralists Opening Reception: October 1, 2010 LMWXSVMGEPMHIRXM½IVWXSGVIEXIEWSGMIX]WYFNIGX as well as never-before-seen footage. Sesame Hours: Tue-Sat 11am-5:30pm originated this show, but also exerted a pro- -Slideshow 7:00-9:00pm to its own alternate trajectory - at once reliant Street premiered in 1969 on PBS and is now T End: October 31, 2010 (415) 781-1122 JSYRH MR¾YIRGI SR XLI GYPXYVI SJ SYV XMQIW Date: October 1, 2010 upon and devoid of history. the longest-running children’s television series [email protected] from the phenomenon of midnight movies to Time: 7:00–8:30pm New paintings by San Francisco artist Omar Hours: Thur-Sun 12-6pm in the U.S., and broadcast in more than 140 www.roberttat.com glitter rock stars (such as David Bowie and the Digital images of the stunning street art of Lee. (510) 817-4042 countries. The show was groundbreaking for its San Francisco Arts Commission New York Dolls) and their outrageous fashions. Clarion Alley 415-863-3969 [email protected] mixture of educational and entertaining con- O -Zhang Huan’s Three Heads Six Arms Pearls is a psychedelic musical inspired by sin -Lecture www.raredevice.net www.thecompoundgallery.com tent, teaching children life skills while encourag- Civic Center Plaza soaked Old Shanghai and Busby Berkeley mov- Date: October 1, 2010 Royal NoneSuch Gallery Toomey Tourell ing development in math and literacy. World renowned contemporary artist Zhang ie musicals from Hollywood’s Golden Age. Time: 6:30–8:30pm 4231 Telegraph Ave. 49 Geary Street -SESAME STREET AT 40: MILESTONES ON Huan’s colossal Three Heads Six Arms (2008) http://thrillpeddlers.com Lecture presented by the movers and shakers Oakland CA, 94609 San Francisco, CA 94108 THE STREET makes its world premiere as part of the San YBCA of the Clarion Alley scene Rupa and the April -Beauty Forms -Maria Park Date: October 1, 2010 B Francisco-Shanghai Sister City 30th Anniver- 701 Mission Street Fishes Opening Reception: October 1, 2010 Date: October 1, 2010 Time: 7:30pm sary Celebration. Standing over 26 feet tall and San Francisco, CA 94103 Artists-in-Residence Kearny Street Workshop 7:00-10:00pm. Opening Reception: October 7, 2010 This “best-of” compilation features dozens of [IMKLMRKEPQSWX½JXIIRXSRW8LVII,IEHW7M\ -PAUSE: Practice and Exchange Closing reception: October 1, 2010 6:00-8:30 0]HME +VIIV MW E ZMWYEP EVXMWX ½PQQEOIV ERH 5:30-7:30pm classic moments, including excerpts from the Arms is Zhang’s largest sculpture to date. The End: November 28, 2010 pm. Celebrate works by Ala Ebtekar, Pireeni theater practitioner, whose conceptual prac- Close: October 31, 2010 ½VWXITMWSHIGIPIFVMX]KYIWXWERHWSQISJXLI E sculpture, which is being presented by the San Gallery 3 Sundaralingam, Julie Chang and Erika Chong XMGIMRGPYHIWMRWXEPPEXMSR½PQERHZMHISWLEHS[ (415) 989-6444 best bits from Bert and Ernie, Big Bird, and the Francisco Arts Commission, will be on loan Koki Tanaka: Nothing related, but something Shuch. theatre, puppetry, hand-made animation and www.toomey-tourell.com rest of the gang. (81 min, digital video) through 2011 courtesy of the artist and The could be associated. Koki Tanaka is a mixed-me- (415) 750-3600 objects, prints and drawings. She works with Velvet da Vinci www.ybca.org Pace Gallery in New York. dia artist who uses video and found objects to deyoung.famsf.org themes of modern allegory & euphemism in 2015 Polk Street at Broadway (415) 252-4638. GVIEXIMGSRMGVI¾IGXMSRWSJIZIV]HE]PMJI'SQ- Elins Eagles Smith Gallery narrative structures exploring the language of San Francisco, CA 94109 R www.sfartscommission.org bining humor with social criticism, he manipu- 49 Geary Street Suite 520 theatre, folkoristics and material culture and -The Plastic Show SF Playhouse lates everyday objects in their surroundings, re- San Francisco, CA 94108 how they play out in the personal and politi- Opening Reception: October 1, 2010 533 Sutter Street at Powell leasing them from any utilitarian function they -Gary Komarin: Recent Paintings cal arena. 6:00-8:00pm 2 Saturday San Francisco, CA 94102 may have, to create an entirely new meaning. Open: October 1, 2010 (415) 652-1623 End: October 31, 2010 -The Sunset Limited www.ybca.org End: October 30, 2010 www.royalnonesuchgallery.com Velvet da Vinci in San Francisco presents The Catharine Clark Gallery End: November 6, 2010 (415) 981-1080 Studio One Art Center Plastic Show, an exhibition featuring work from 150 Minna Street A startling encounter on a New York subway www.eesgallery.com 365 45th Street the recently published Lark Jewelry Book 500 San Francisco, CA 94105 platform leads two strangers to a run-down Lucie Stern Community Theatre Oakland, CA 94609 Plastic Jewelry Designs. The Plastic Show fea- -Masami Teraoka tenement where they engage in a brilliant ver- 1 Friday 1MHHPI½IPH6H$1IPZMPPI -FIRST FRIDAY READING SERIES tures 250 pieces by 75 artists employing a vari- Opening Reception: October 2, 2010 bal duel on a subject no less compelling than Palo Alto, CA Date: October 1, 2010 ety of plastic materials such as resin, latex, rub- 5:00–7:00pm the meaning of life. -The 11th Annual Funny Girlz: A Smorgas- Time: 7:30-9:30pm ber, epoxy, and thermoplastics, many of which Close: November 13, 2010 www.sfplayhouse.org Artist-Xchange bord of Women Comedians -AFTER SCHOOL ARTS ACADEMY are reused or recycled. Masami Teraoka is widely known for early The Marsh 3169 16th Street Date: October 1, 2010 Date: October 1, 2010 (415) 441-0109 works that combine the aesthetics of tradition- 1062 Valencia Street at 22nd Street San Francisco CA 94103 Time: 8:00pm Time: After school - 6:30pm [email protected] al Japanese Edo period woodblock prints, or San Francisco, CA -Layers of Abstraction Kung Pao Kosher Comedy presents The 11th 1EVXLE6SRO &VMER8IEVI½PQWJVSQ'LIPWIE www.velvetdavinci.com ukiyo-e, with products and cultural references -THE REAL AMERICANS Opening Reception: October 1, 2010 Annual Funny Girlz: A Smorgasbord of Women Walton Vessel Gallery informed by Western society. His newest paint- End: November 6, 2010 7-10pm Comedians with Shazia Mirza, Carla Clayy, Dha- Students enrolled in Studio One Art Center’s 471 25th Street ings expand upon Teraoka’s prescient preoc- Dan Hoyle turns his eye and ear on America’s End: October 31, 2010 ya Lakshminarayanan, and Lisa Geduldig. TICK- after school arts academy will enjoy an after Oakland, CA cupation with globalism and hypocrisy and the culture wars. Fleeing the liberal bubble of San Join us as we explore the illusion of visible real- ETS $25 http://www.brownpapertickets.com school snack, homework tutors, and one class -Augmented Realms Catholic Church sex abuse scandal through sty- Francisco and his hipster friends, he spent 100 ity. There will be 15-20 local San Francisco art- (415) 522-3737 each day led by our master artists in mediums Opening Reception: October 1, 2010 listic appropriation of early European Renais- days traveling through small-town America in ists displaying abstract works of art. http://www.koshercomedy.com such as poetry, ceramics, drama, movement, 6:00-9:00pm sance painting. In these works Teraoka adopts search of some tough country wisdom and a Abstraction is a continuum. The departure Mercury 20 Gallery cooking, paintings, drawing, and much more! End: October 30, 2010 6:00pm the compositions and palette of Renaissance way to bridge America’s urban/rural divide. In- from accurate representation can be slight, par- 475 25th Street at Telegraph Fees are 15 dollars per day. Pick up is avilable Sculpture and Installation by Morgania E. Moore painting—complete with gold-leaf frames—in stead, he found himself immersed in the popu- tial, or complete. Oakland, CA 94612 from select schools. and Paintings by Michelle Stitz. Nature-based combination with the aesthetics of traditional list anger of the people whom Sarah Palin fa- www.artist-xchange.com -Tongue & Groove (510) 597-5027 sculptures and paintings blur the edges be- Edo-era masters. mously described as “The Real Americans” and City Art Cooperative Gallery Opening Reception: October 1, 2010 [email protected] X[IIRXLIHI½RMXMSRSJ((EVX[SVO -Chris Doyle awed at the disconnect between Obama Na- 828 Valencia Street 6:00-9:00pm WWW.STUDIOONEARTCENTER.NET Hours: Tue-Sat 11-6pm Opening Reception: October 2, 2010 tion and Palin Country. Showtimes on Wednes- San Francisco, CA 94110 Close: October 28, 2010 Studio Quercus www.vessel-gallery.com 5:00–7:00pm day, Thursday & Friday at 8:00 pm; Saturday at -Sacred and Profane East Bay artist Kathleen King presents paint- 385 26th Street YBCA Close: November 13, 2010 5:00 pm Opening Reception: October 1, 2010 ings and painted objects in her exhibit “Tongue Oakland, CA 701 Mission Street Chris Doyle in the Media Room. www.themarsh.org 7:00pm-10:00pm and Groove”. The artist corresponds in earnest -Madame Lucretia’s Parlor For the Study of San Francisco, CA 94103 (415) 399-1439 Thrillpeddlers’ Hypnodrome The- End: October 31, 2010 empathy with materials found in urban streets, the Occult and the Macabre -A Rotozaza Production: Etiquette [email protected] atre A new group show centered around the theme building sites and dumpsters, decorating them Opening Reception: October 1, 2010 Date: October 1, 2010 www.cclarkgallery.com 575 10th Street of “Sacred and Profane,” with artists encour- with calligraphic gesture and blunt geometry 6:00-10:00pm Time: 12:00, 1:00pm, 2:00pm, 3:00pm, de Young San Francisco, CA 94103 aged to interpret the theme as broadly as they derived from vernacular culture and the vocab- Costume Party Reception: October 30, 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm 50 Hagiwara Tea Garden Drive -SHOCKTOBERFEST 2010 wish. Media includes paintings, photography, ulary of Modernism. The work makes a poetic 2010 6:00-9:00pm Grand Lobby San Francisco, CA 94118 End: November 19, 2010 mixed-media, digital imagery and more. connection to everyday experience and the For the month of October Studio Quercus will Etiquette is a half-hour participatory perfor- -Access Advisors’ Open House and Disability Thrillpeddlers is proud to announce their sig- (415) 970-9900 process of life production as contained in life transform into Madam Lucretia’s Victorian-era mance experience for two people where audi- Arts Festival nature Halloween show SHOCKTOBERFEST!! www.cityartgallery.org itself.Kathleen King was born in Oakland, CA parlour, ready for ence members perform the piece themselves, Date: October 2, 2010 2010: KISS OF BLOOD (3 one-act plays), the de Young and has a BA in Art from UC Berkeley. Her All Hallows Eve. A group installation. for each other. Participants – who may pur- Time: 10:00am-3:00pm 11th annual presentation of Grand Guignol ter- 50 Hagiwara Tea Garden Drive work has been exhibited locally at Pro Arts, (510) 452-4670 chase single tickets or go as a pair – meet at The Access Advisors put a spotlight on muse- ror plays and titillating farces, running Thursdays San Francisco, CA 94118 Hang Gallery, and 66 Balmy and is represented www.studioquercus.com YBCA, where they receive simple audio equip- um access with art, performances and a special and Fridays at 8:00 pm from Sept. 30 through -Friday Nights at the de Young in numerous private collections. [email protected] ment and are guided to a nearby café. Partici- lecture. Nov. 19, 2010, with a special Halloween perfor- Date: October 1, 2010 Hours: Thur-Sat 12-6pm and by appointment The Compound Gallery pants sit at a table with carefully arranged ob- -Toulouse-Lautrec and Disability Culture mance on Sunday, Oct. 31 at 8:00 pm. Opening Time: 5:00–8:45pm (510) 701-4620 1167 65th Street jects and are given instructions about what to Date: October 2, 2010 13 Time: 10:00am Gallery Heist ple” the sounds of other instruments—from its San Francisco, CA 94103 The Castro Street Fair is a community street recorded This Brings Us To with his exciting, Lecture titled Toulouse-Lautrec and Disability 679 Geary Street birth in a California garage in the ‘50s, through -A Rotozaza Production: Etiquette celebration that was founded by Harvey Milk in KIRVITYWLMRK>SSMHIRWIQFPILMW½VWXEPFYQ Culture by Jennifer Shaw and Anthony Tusler. San Francisco, CA 94102 its dominance on concert stages in the ‘70s, to Date: October 2, 2010 1974. Hundreds of local artists, vendors, craft- in eight years. Incidentally, a zooid is a cell that O -Children’s Workshops -Adam Caldwell: These Fragments its near-religious cult of followers today. From Time: 12:00pm, 1:00pm, 2:00pm, 3:00pm, speople, and organizations line the streets and can move independently of the larger organism Date: October 2, 2010 Opening Reception: October 2, 2010 the Beatles to Black Sabbath to Kanye West, 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm celebrate the diversity of the neighborhood. to which it belongs. It is a word that accurately Time: 10:30-12:00pm 7:00pm-11:00pm Mellodrama is a 50-year odyssey of musical Grand Lobby Stages with live entertainment and dance stag- describes Henry Threadgill’s thrilling new music, Kimball Education Gallery Closing Reception November 6, 2010 invention, revolution, betrayal and rediscovery, Etiquette is a half-hour participatory perfor- es can be found throughout the fairgrounds. stressing interaction and among the Children’s Workshops: Doing and Viewing Art 7:00pm-11:00pm with testimonies from Brian Wilson (Beach mance experience for two people where audi- www.castrostreetfair.org participants. $20/$35/$50 Premium C and Big Kids/Little Kids present contemporary (415) 563-1708 Boys), Mike Pinder (Moody ), Rod Argent ence members perform the piece themselves, Contemporary Jewish Museum (866) 920-5299 sculpture. Tours of current exhibitions are fol- www.galleryheist.com (The Zombies), Ian McDonald (King Crimson), for each other. Participants – who may pur- 736 Mission Street www.sfjazz.org lowed by studio workshops taught by profes- Guerrero Gallery Richard Chamberlin (Chamberlin Company), chase single tickets or go as a pair – meet at between Third Street and Fourth Street Legion of Honor sional artist-teachers. Programs are appropriate 2700 19th Street Tom Rhea (Berklee School of Music), and YBCA, where they receive simple audio equip- San Francisco, CA 94116 100 34th Avenue T for children ages 4–12. An adult must accom- San Francisco, CA 94110 Pea Hicks (Optiganally Yours). Opening is Rick ment and are guided to a nearby café. Partici- -Reinventing Ritual: Contemporary Art and San Francisco, CA 94121 pany children under the age of eight years old. -Materialism (Yes) Wakeman’s half-hr. history of the instru- pants sit at a table with carefully arranged ob- Design for Jewish Life -Organ Concert Programs are free after museum admission. End: October 2, 2010 ment (visuals by David Cox), plus commentary jects and are given instructions about what to End: October 3, 2010 Date: October 3, 2010 Register 15 minutes before class. Space is lim- Guerrero Gallery’s seventh offering, Material- by SF’s own expert on all things Sampled, Jon say and do and violá, the performer becomes 8LI½VWXQENSVMRXIVREXMSREPI\LMFMXMSRXSI\- Time: 4:00pm ited. No late admittance. For a schedule and ism, will feature new works by Greg Lamarche “” Leidecker. ALSO: James Brundage’s the audience! $10 regular/$8 YBCA Mem/Stu/ amine the reinvention of Jewish ritual in art and (415) 750-3677 O information [email protected]. Info: and Aaron Noble. Mellotron is in the house for all to tickle…and Sen/Tea design. www.legionofhonor.org (415) 750-3658 Hours: Tue-Sat 11am-7pm, Sun 12-5pm an Optigantoo! -SESAME STREET AT 40: MILESTONES ON (415) 655-7800 SOMArts Cultural Center -Masterpieces of Dutch and Flemish Art: The (415) 400-5168 (415)648-0654 THE STREET [email protected] 934 Brannan Street Rose-Marie and Eijk van Otterloo Collection [email protected] www.othercinema.com Date: October 2, 2010 www.thecjm.org San Francisco, CA 94123 B Close: October 2, 2011 Hespe Gallery SF Camerawork Time: 7:30pm de Young -ArtSpan’s Open Studios Exhibition 3RISJXLI½RIWXGSPPIGXMSRWSJXLGIRXYV] 251 Post Street Suite 420 657 Mission Street 2nd Floor This “best-of” compilation features dozens of 50 Hagiwara Tea Garden Drive Open: October 3, 2010 Dutch Old Masters belongs not to a museum, San Francisco, CA San Francisco, CA classic moments, including excerpts from the San Francisco, CA 94118 Close: October 24, 2010 but to Rose-Marie and Eijk van Otterloo, who -Mimi Jensen: Recent Still Life Paintings -Public Screening ½VWXITMWSHIGIPIFVMX]KYIWXWERHWSQISJXLI -Gojogo Hours: Wed-Fri 12:00-4:00pm, Sat-Sun 10:00- have been called “the most important collec- End: October 2, 2010 End: October 2, 2010 best bits from Bert and Ernie, Big Bird, and the Date: October 3, 2010 5:00pm E tors you’ve never heard of.” Masterworks from Mimi Jensen’s new series of still life oil paintings (EVVMR 1EVXMR ERH8SVWXIR >IREW &YVRW´ ½PQ rest of the gang. (81 min, digital video) Time: 2:00-4:00pm www.somarts.org this collection are constantly sought after for will be on view at Hespe Gallery. The Abominable Freedom -Art Savvy: TechnoCRAFT at Intersection presents Gojogo, a perfor- Southern Exposure American and international exhibitions. Now (415) 776-5918 (415) 512-2020 Date: October 2, 2010 mance of western classical and jazz combina- 3030 20th Street JSVXLI½VWXXMQIXLI:ER3XXIVPSSW´QEVZIPSYW www.hespe.com www.sfcamerawork.org Time: 3:00-5:00pm tions with the rhythmic traditions of India. San Francisco, CA 94110 R Dutch Golden Age paintings are showcased to- Legion of Honor SOAP Gallery Grand Lobby. Art Savvy provides an oppor- -Photo/Synthesis -Sunday Morning Brunch: News of Common gether in an exhibition, debuting in the Nether- 100 34th Avenue 3180 Mission Street XYRMX] XS VI½RI ]SYV SFWIVZEXMSREP WOMPPW ERH End: October 3, 2010 Possibility Issue 3 Launch lands at the Mauritshuis (the Royal Picture Gal- San Francisco, CA 94121 between Cesar Chavez & Valencia deepen your connection with contemporary Fisher Family Gallery Date: October 3, 2010 lery in The Hague) and then coming to America -Recent Studies in Textiles from the Silk Road San Francisco, 94110 art through guided tours in a social setting. Photo/Synthesis highlights the dynamic trend in Time: 11:00am-1:00pm and the Legion of Honor. The selection of in China -Bert Bergen & Cori Crowley -Artist Talk XLI½IPHSJGSRXIQTSVEV]TLSXSKVETL]SJGSR- Sunday Morning Brunch launches the third is- paintings includes premier examples of quint- Date: October 2, 2010 Open: October 2, 2010 Date: October 2, 2010 structed collages, assemblages and other multi- sue of “News of Common Possibility,” an ongo- essentially Dutch subjects—from portraits and Time: 10:30am Close: October 30, 2010 Time: 2:00-4:00pm part or composite photo-based projects. Dat- ing series of thematic newspapers initiated by still lifes to landscapes and charming scenes of Lecture titled Recent Studies in Textiles from We are the colony of the divine consumption. YAAW Lounge FREE w/ gallery admission. Koki ing from the 1960s to the present, the works Anthony Marcellini and produced in collabora- everyday life. Collectively these works chron- the Silk Road in China by Dr. Zhao Feng. Info: Using the narrative from Marshall Applewhite’s 8EREOE[MPP HMWGYWW LMW TVSGIWW ERH MR¾YIRGIW in this exhibition transcend the limitations of tion with invited guest editors. This issue titled, icle a 17th-century Holland that served as a (415) 750-3531 [email protected] monologue in his Heaven’s Gate videos as a within his art practice. traditional photography in which the camera “Everything Familiar has Disappeared,” was model for early American society and culture. -The Fragrant Past: Perfumes and Their Con- framework, Bert Bergen and Cori Crowley www.ybca.org simply captures a unique view or a decisive mo- guest edited in collaboration with artist and Consummate examples of the craft of painting, tainers in Ancient Greece present a more rapturous and otherworldly ment in time. Breaking free of the conventional writer Matthew Rana and examines the form the works in the Van Otterloo collection are Date: October 2, 2010 perspective on ant colony life. Behavior, reason frame, they are instead the products of various and function of the newspaper comic strip in an extraordinary in their beauty and in excellent Time: 2:00pm ERHJEQMPMEPEJ½RMX]EVIHMJJIVIRXVIEPMXMIWMRXLI methods of assembling and organizing multiple age when the fate of print media is uncertain. condition. Famous artists such as Rembrandt, Ancient Art Council presents a lecture titled ant world, and this collaborative installation of 3 Sunday photographic images into larger artistic state- Join Rana, chef Nicole Lo Bue and contributors Frans Hals, and Hendrick Avercamp are fea- The Fragrant Past: Perfumes and Their Contain- LERHQEHI¾EKWERHWGVIIRTVMRXWXEOIWXLIXS- ments. In each case, the sum communicates to Issue 3 for a homemade brunch and con- tured, as are genre specialists Frans van Mieris ers in Ancient Greece by Dr. Jasper Gaunt. talitarian instinct of these creatures and makes much more than the component parts. Artists versation. and Gerrit Dou, whose magical Dog at Rest is -Organ Concert it ecstatic. Alphonse Berber Projects like David Hockney, Olafur Eliasson, Ed Rus- (415) 863-2141 so typically Dutch in its quiet intense study of a Date: October 2, 2010 (415) 920-9199 575 Sutter St Suite 202 cha, and Nigel Poor have used photo-collage, www.soex.org small dog curled up asleep. Time: 4:00pm [email protected] San Francisco, CA 94102 photo-assemblage, and related practices to WE Artspace (415) 750-3600 (415) 750-3677 http://riversoap.com/soap-gallery -DON PORCELLA explore elements of scale, space, time and nar- 768 40th Street deyoung.famsf.org www.legionofhonor.org SOMArts Cultural Center End: October 3, 2010 rative. Photo/Synthesis features a selection of Oakland, CA 94609 Frey Norris Gallery Mercury 20 Gallery 934 Brannan Street New York artist Don Porcella creates whimsical photographs by these artists and others from -ri-FLEKT 456 Geary Street at Mason 475 25th Street at Telegraph San Francisco, CA 94123 and subversive sculptures and installations using the collections of the Fine Arts Museums of San Begin: October 3, 2010 San Francisco, CA 94102 Oakland, CA 94612 -ArtLaunch pipe cleaners. Growing up in suburban Califor- Francisco and Charles and Diane Frankel. End: November 20, 2010 -Summer Group Exhibition -Artist Talk Date: October 2, 2010 nia, Porcella draws from his experience of “strip (415) 750-3600 Chris Sollars’ work revolves around the rec- End: October 2, 2010 Date: October 2, 2010 Time: 6:00-9:00pm malls and shopping mall culture.” His strong deyoung.famsf.org lamation and subversion of private and pub- (415) 346-7812 Time: 2:00pm Ticketed Fundraiser for ArtSpan Open Studios MRXIVIWXMRGSQMGWERHXLIEFWYVHVI¾IGXWXLI lic space through interventions, the results of www.freynorris.com Hours: Thur-Sat 12-6pm and by appointment (415) 552-1770 MR¾YIRGI SJ XLI QER] WGMIRGI ½GXMSR [VMXIVW 401 which are integrated into mixed media instal- Galerie de la Raza (510) 701-4620 www.somarts.org living in the . The hand- San Francisco 94102 lations utilizing drawing, photography, sculpture 2857 24th Street www.mercurytwenty.com St. George Spirits Distillery made quality of his work and “non-traditional -Pre-concert talk with Henry Threadgill and video. At WE, Sollars will create a series San Francisco, CA 94110 Oddball Film + Video 2601 Monarch Street modes of art making,” along with his apprecia- Date: October 3, 2010 of works based on the interior and exterior of -Family Day at Galeria 275 Capp Street Alameda, CA tion of folk art and outsider art, comes in part Time: 7:00pm WE. Inside, Sollars will use images and objects Date: October 2, 2010 San Francisco, CA -Dancing at the Distillery JVSQ XLI MR¾YIRGI SJ LMW TEVIRXW LMW QSXLIV As a groundbreaking alto saxophonist, com- from around the private/public WE space, as Time: 2:00-6:00pm -Down the Rabbit Hole Date: October 2, 2010 =ZSRRI4SVGIPPEMWE[IPPORS[R½FIVEVXMWXERH poser and conceptualist, Chicago-based Henry inspiration for a collection of works both on The Family Day, created in appreciation of Date: October 2, 2010 Time: 8:00-11:00pm LMWJEXLIVQEHIERH½\IHEPQSWXER]XLMRKF] Threadgill has been in a league of his own for display and intervened around the room. From Galeria’s cherished community, is intended to [[[SHHFEPP½PQGSQ Description: St. George Spirits, the makers of hand. decades. A member of the Association for the the Window gallery to the street, Sollars will invited neighbors and new individuals to dis- Other Cinema Hangar One & Kala Art Institute present Danc- [email protected] Advancement of Creative Musicians (AACM) take inspiration from the Bus stop and neigh- cover Galeria’s curiculum. Children will be able 992 Valencia Street ing at the Distillery featuring live music, tasty ap- Castro Street since the ‘60s, Threadgill played with Muhal borhood for a series of interventions, sculp- to participate in hands-on-art-making activities San Francisco, CA 94110 petizers & dessert, signature specialty cocktails San Francisco Richard Abrams’ pioneering Experimental Band tures and videos. with local artists and craftsmen. Guest will ex- -MELLODRAMA F]7X+ISVKI7TMVMXWERHQYGLQSVI&IRI½X -Castro Street Fair and organized the heralded group Air start- www.weartspace.com perience a sampling of Galeria’s programs and Date: October 2, 2010 for Kala Art Institute. Tickets: $45 advance, $55 Date: October 3, 2010 ing in 1975. Threadgill also led such unique YBCA enjoy music, art and performance. 8LI½VWXSJ½ZIMRSYV(IEH1IHMEWYMXIXLMW at door, must be over 21, ID required The Fair is located in the heart of San Francis- and stimulating ensembles as his Sextett, Very 701 Mission Street (415) 826-8009 media-archaeological doc by Dianna Dilworth www.kala.org co’s Castro District, at the intersection of Mar- Very Circus, and Make a Move. The recipient San Francisco, CA 94103 [email protected] explores the rising and falling fortunes of the YBCA ket & Castro Streets and the surrounding area. of a Guggenheim Fellowship in 2003 and a U.S. -A Rotozaza Production: Etiquette 701 Mission Street Artist Fellowship in 2008, Threadgill recently Date: October 2, 2010 14 www.galeriadelaraza.org 1IPPSXVSR°XLI½VWXQYWMGEPOI]FSEVHXS±WEQ - Time: 10:00am Gallery Heist ple” the sounds of other instruments—from its San Francisco, CA 94103 The Castro Street Fair is a community street recorded This Brings Us To with his exciting, Lecture titled Toulouse-Lautrec and Disability 679 Geary Street birth in a California garage in the ‘50s, through -A Rotozaza Production: Etiquette celebration that was founded by Harvey Milk in KIRVITYWLMRK>SSMHIRWIQFPILMW½VWXEPFYQ Culture by Jennifer Shaw and Anthony Tusler. San Francisco, CA 94102 its dominance on concert stages in the ‘70s, to Date: October 2, 2010 1974. Hundreds of local artists, vendors, craft- in eight years. Incidentally, a zooid is a cell that O -Children’s Workshops -Adam Caldwell: These Fragments its near-religious cult of followers today. From Time: 12:00pm, 1:00pm, 2:00pm, 3:00pm, speople, and organizations line the streets and can move independently of the larger organism Date: October 2, 2010 Opening Reception: October 2, 2010 the Beatles to Black Sabbath to Kanye West, 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm celebrate the diversity of the neighborhood. to which it belongs. It is a word that accurately Time: 10:30-12:00pm 7:00pm-11:00pm Mellodrama is a 50-year odyssey of musical Grand Lobby Stages with live entertainment and dance stag- describes Henry Threadgill’s thrilling new music, Kimball Education Gallery Closing Reception November 6, 2010 invention, revolution, betrayal and rediscovery, Etiquette is a half-hour participatory perfor- es can be found throughout the fairgrounds. stressing interaction and freedom among the Children’s Workshops: Doing and Viewing Art 7:00pm-11:00pm with testimonies from Brian Wilson (Beach mance experience for two people where audi- www.castrostreetfair.org participants. $20/$35/$50 Premium C and Big Kids/Little Kids present contemporary (415) 563-1708 Boys), Mike Pinder (Moody Blues), Rod Argent ence members perform the piece themselves, Contemporary Jewish Museum (866) 920-5299 sculpture. Tours of current exhibitions are fol- www.galleryheist.com (The Zombies), Ian McDonald (King Crimson), for each other. Participants – who may pur- 736 Mission Street www.sfjazz.org lowed by studio workshops taught by profes- Guerrero Gallery Richard Chamberlin (Chamberlin Company), chase single tickets or go as a pair – meet at between Third Street and Fourth Street Legion of Honor sional artist-teachers. Programs are appropriate 2700 19th Street Tom Rhea (Berklee School of Music), and YBCA, where they receive simple audio equip- San Francisco, CA 94116 100 34th Avenue T for children ages 4–12. An adult must accom- San Francisco, CA 94110 Pea Hicks (Optiganally Yours). Opening is Rick ment and are guided to a nearby café. Partici- -Reinventing Ritual: Contemporary Art and San Francisco, CA 94121 pany children under the age of eight years old. -Materialism (Yes) Wakeman’s half-hr. history of the instru- pants sit at a table with carefully arranged ob- Design for Jewish Life -Organ Concert Programs are free after museum admission. End: October 2, 2010 ment (visuals by David Cox), plus commentary jects and are given instructions about what to End: October 3, 2010 Date: October 3, 2010 Register 15 minutes before class. Space is lim- Guerrero Gallery’s seventh offering, Material- by SF’s own expert on all things Sampled, Jon say and do and violá, the performer becomes 8LI½VWXQENSVMRXIVREXMSREPI\LMFMXMSRXSI\- Time: 4:00pm ited. No late admittance. For a schedule and ism, will feature new works by Greg Lamarche “Wobbly” Leidecker. ALSO: James Brundage’s the audience! $10 regular/$8 YBCA Mem/Stu/ amine the reinvention of Jewish ritual in art and (415) 750-3677 O information [email protected]. Info: and Aaron Noble. Mellotron is in the house for all to tickle…and Sen/Tea design. www.legionofhonor.org (415) 750-3658 Hours: Tue-Sat 11am-7pm, Sun 12-5pm an Optigantoo! -SESAME STREET AT 40: MILESTONES ON (415) 655-7800 SOMArts Cultural Center -Masterpieces of Dutch and Flemish Art: The (415) 400-5168 (415)648-0654 THE STREET [email protected] 934 Brannan Street Rose-Marie and Eijk van Otterloo Collection [email protected] www.othercinema.com Date: October 2, 2010 www.thecjm.org San Francisco, CA 94123 B Close: October 2, 2011 Hespe Gallery SF Camerawork Time: 7:30pm de Young -ArtSpan’s Open Studios Exhibition 3RISJXLI½RIWXGSPPIGXMSRWSJXLGIRXYV] 251 Post Street Suite 420 657 Mission Street 2nd Floor This “best-of” compilation features dozens of 50 Hagiwara Tea Garden Drive Open: October 3, 2010 Dutch Old Masters belongs not to a museum, San Francisco, CA San Francisco, CA classic moments, including excerpts from the San Francisco, CA 94118 Close: October 24, 2010 but to Rose-Marie and Eijk van Otterloo, who -Mimi Jensen: Recent Still Life Paintings -Public Screening ½VWXITMWSHIGIPIFVMX]KYIWXWERHWSQISJXLI -Gojogo Hours: Wed-Fri 12:00-4:00pm, Sat-Sun 10:00- have been called “the most important collec- End: October 2, 2010 End: October 2, 2010 best bits from Bert and Ernie, Big Bird, and the Date: October 3, 2010 5:00pm E tors you’ve never heard of.” Masterworks from Mimi Jensen’s new series of still life oil paintings (EVVMR 1EVXMR ERH8SVWXIR >IREW &YVRW´ ½PQ rest of the gang. (81 min, digital video) Time: 2:00-4:00pm www.somarts.org this collection are constantly sought after for will be on view at Hespe Gallery. The Abominable Freedom -Art Savvy: TechnoCRAFT Jazz at Intersection presents Gojogo, a perfor- Southern Exposure American and international exhibitions. Now (415) 776-5918 (415) 512-2020 Date: October 2, 2010 mance of western classical and jazz combina- 3030 20th Street JSVXLI½VWXXMQIXLI:ER3XXIVPSSW´QEVZIPSYW www.hespe.com www.sfcamerawork.org Time: 3:00-5:00pm tions with the rhythmic traditions of India. San Francisco, CA 94110 R Dutch Golden Age paintings are showcased to- Legion of Honor SOAP Gallery Grand Lobby. Art Savvy provides an oppor- -Photo/Synthesis -Sunday Morning Brunch: News of Common gether in an exhibition, debuting in the Nether- 100 34th Avenue 3180 Mission Street XYRMX] XS VI½RI ]SYV SFWIVZEXMSREP WOMPPW ERH End: October 3, 2010 Possibility Issue 3 Launch lands at the Mauritshuis (the Royal Picture Gal- San Francisco, CA 94121 between Cesar Chavez & Valencia deepen your connection with contemporary Fisher Family Gallery Date: October 3, 2010 lery in The Hague) and then coming to America -Recent Studies in Textiles from the Silk Road San Francisco, 94110 art through guided tours in a social setting. Photo/Synthesis highlights the dynamic trend in Time: 11:00am-1:00pm and the Legion of Honor. The selection of in China -Bert Bergen & Cori Crowley -Artist Talk XLI½IPHSJGSRXIQTSVEV]TLSXSKVETL]SJGSR- Sunday Morning Brunch launches the third is- paintings includes premier examples of quint- Date: October 2, 2010 Open: October 2, 2010 Date: October 2, 2010 structed collages, assemblages and other multi- sue of “News of Common Possibility,” an ongo- essentially Dutch subjects—from portraits and Time: 10:30am Close: October 30, 2010 Time: 2:00-4:00pm part or composite photo-based projects. Dat- ing series of thematic newspapers initiated by still lifes to landscapes and charming scenes of Lecture titled Recent Studies in Textiles from We are the colony of the divine consumption. YAAW Lounge FREE w/ gallery admission. Koki ing from the 1960s to the present, the works Anthony Marcellini and produced in collabora- everyday life. Collectively these works chron- the Silk Road in China by Dr. Zhao Feng. Info: Using the narrative from Marshall Applewhite’s 8EREOE[MPP HMWGYWW LMW TVSGIWW ERH MR¾YIRGIW in this exhibition transcend the limitations of tion with invited guest editors. This issue titled, icle a 17th-century Holland that served as a (415) 750-3531 [email protected] monologue in his Heaven’s Gate videos as a within his art practice. traditional photography in which the camera “Everything Familiar has Disappeared,” was model for early American society and culture. -The Fragrant Past: Perfumes and Their Con- framework, Bert Bergen and Cori Crowley www.ybca.org simply captures a unique view or a decisive mo- guest edited in collaboration with artist and Consummate examples of the craft of painting, tainers in Ancient Greece present a more rapturous and otherworldly ment in time. Breaking free of the conventional writer Matthew Rana and examines the form the works in the Van Otterloo collection are Date: October 2, 2010 perspective on ant colony life. Behavior, reason frame, they are instead the products of various and function of the newspaper comic strip in an extraordinary in their beauty and in excellent Time: 2:00pm ERHJEQMPMEPEJ½RMX]EVIHMJJIVIRXVIEPMXMIWMRXLI methods of assembling and organizing multiple age when the fate of print media is uncertain. condition. Famous artists such as Rembrandt, Ancient Art Council presents a lecture titled ant world, and this collaborative installation of 3 Sunday photographic images into larger artistic state- Join Rana, chef Nicole Lo Bue and contributors Frans Hals, and Hendrick Avercamp are fea- The Fragrant Past: Perfumes and Their Contain- LERHQEHI¾EKWERHWGVIIRTVMRXWXEOIWXLIXS- ments. In each case, the sum communicates to Issue 3 for a homemade brunch and con- tured, as are genre specialists Frans van Mieris ers in Ancient Greece by Dr. Jasper Gaunt. talitarian instinct of these creatures and makes much more than the component parts. Artists versation. and Gerrit Dou, whose magical Dog at Rest is -Organ Concert it ecstatic. Alphonse Berber Projects like David Hockney, Olafur Eliasson, Ed Rus- (415) 863-2141 so typically Dutch in its quiet intense study of a Date: October 2, 2010 (415) 920-9199 575 Sutter St Suite 202 cha, and Nigel Poor have used photo-collage, www.soex.org small dog curled up asleep. Time: 4:00pm [email protected] San Francisco, CA 94102 photo-assemblage, and related practices to WE Artspace (415) 750-3600 (415) 750-3677 http://riversoap.com/soap-gallery -DON PORCELLA explore elements of scale, space, time and nar- 768 40th Street deyoung.famsf.org www.legionofhonor.org SOMArts Cultural Center End: October 3, 2010 rative. Photo/Synthesis features a selection of Oakland, CA 94609 Frey Norris Gallery Mercury 20 Gallery 934 Brannan Street New York artist Don Porcella creates whimsical photographs by these artists and others from -ri-FLEKT 456 Geary Street at Mason 475 25th Street at Telegraph San Francisco, CA 94123 and subversive sculptures and installations using the collections of the Fine Arts Museums of San Begin: October 3, 2010 San Francisco, CA 94102 Oakland, CA 94612 -ArtLaunch pipe cleaners. Growing up in suburban Califor- Francisco and Charles and Diane Frankel. End: November 20, 2010 -Summer Group Exhibition -Artist Talk Date: October 2, 2010 nia, Porcella draws from his experience of “strip (415) 750-3600 Chris Sollars’ work revolves around the rec- End: October 2, 2010 Date: October 2, 2010 Time: 6:00-9:00pm malls and shopping mall culture.” His strong deyoung.famsf.org lamation and subversion of private and pub- (415) 346-7812 Time: 2:00pm Ticketed Fundraiser for ArtSpan Open Studios MRXIVIWXMRGSQMGWERHXLIEFWYVHVI¾IGXWXLI Herbst Theatre lic space through interventions, the results of www.freynorris.com Hours: Thur-Sat 12-6pm and by appointment (415) 552-1770 MR¾YIRGI SJ XLI QER] WGMIRGI ½GXMSR [VMXIVW 401 Van Ness Avenue which are integrated into mixed media instal- Galerie de la Raza (510) 701-4620 www.somarts.org living in the San Francisco Bay area. The hand- San Francisco 94102 lations utilizing drawing, photography, sculpture 2857 24th Street www.mercurytwenty.com St. George Spirits Distillery made quality of his work and “non-traditional -Pre-concert talk with Henry Threadgill and video. At WE, Sollars will create a series San Francisco, CA 94110 Oddball Film + Video 2601 Monarch Street modes of art making,” along with his apprecia- Date: October 3, 2010 of works based on the interior and exterior of -Family Day at Galeria 275 Capp Street Alameda, CA tion of folk art and outsider art, comes in part Time: 7:00pm WE. Inside, Sollars will use images and objects Date: October 2, 2010 San Francisco, CA -Dancing at the Distillery JVSQ XLI MR¾YIRGI SJ LMW TEVIRXW LMW QSXLIV As a groundbreaking alto saxophonist, com- from around the private/public WE space, as Time: 2:00-6:00pm -Down the Rabbit Hole Date: October 2, 2010 =ZSRRI4SVGIPPEMWE[IPPORS[R½FIVEVXMWXERH poser and conceptualist, Chicago-based Henry inspiration for a collection of works both on The Family Day, created in appreciation of Date: October 2, 2010 Time: 8:00-11:00pm LMWJEXLIVQEHIERH½\IHEPQSWXER]XLMRKF] Threadgill has been in a league of his own for display and intervened around the room. From Galeria’s cherished community, is intended to [[[SHHFEPP½PQGSQ Description: St. George Spirits, the makers of hand. decades. A member of the Association for the the Window gallery to the street, Sollars will invited neighbors and new individuals to dis- Other Cinema Hangar One & Kala Art Institute present Danc- [email protected] Advancement of Creative Musicians (AACM) take inspiration from the Bus stop and neigh- cover Galeria’s curiculum. Children will be able 992 Valencia Street ing at the Distillery featuring live music, tasty ap- Castro Street since the ‘60s, Threadgill played with Muhal borhood for a series of interventions, sculp- to participate in hands-on-art-making activities San Francisco, CA 94110 petizers & dessert, signature specialty cocktails San Francisco Richard Abrams’ pioneering Experimental Band tures and videos. with local artists and craftsmen. Guest will ex- -MELLODRAMA F]7X+ISVKI7TMVMXWERHQYGLQSVI&IRI½X -Castro Street Fair and organized the heralded group Air start- www.weartspace.com perience a sampling of Galeria’s programs and Date: October 2, 2010 for Kala Art Institute. Tickets: $45 advance, $55 Date: October 3, 2010 ing in 1975. Threadgill also led such unique YBCA enjoy music, art and performance. 8LI½VWXSJ½ZIMRSYV(IEH1IHMEWYMXIXLMW at door, must be over 21, ID required The Fair is located in the heart of San Francis- and stimulating ensembles as his Sextett, Very 701 Mission Street (415) 826-8009 media-archaeological doc by Dianna Dilworth www.kala.org co’s Castro District, at the intersection of Mar- Very Circus, and Make a Move. The recipient San Francisco, CA 94103 [email protected] explores the rising and falling fortunes of the YBCA ket & Castro Streets and the surrounding area. of a Guggenheim Fellowship in 2003 and a U.S. -A Rotozaza Production: Etiquette www.galeriadelaraza.org 1IPPSXVSR°XLI½VWXQYWMGEPOI]FSEVHXS±WEQ - 701 Mission Street Artist Fellowship in 2008, Threadgill recently Date: October 2, 2010 15 Time: 12:00pm, 1:00pm, 2:00pm, 3:00pm, Tuesday night sound and movement series After-school classes for children offer an in- your place. (415) 956-3560 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm is curated by Yugen Orchestra (inaugurated depth exploration of world cultures through www.arionpress.com www.dolbychadwickgallery.com Grand Lobby 5 Tuesday 2007) members Ava Mendoza, Jake Rodriquez the de Young’s extensive collections. Classes are ArtPeople Gallery Ever Gold Gallery O Etiquette is a half-hour participatory perfor- and Theatre of Yugen Associate Ensemble free; reservations are required. 50 Post Street Level 2 #41 441 O”Farrell Street mance experience for two people where audi- Member Edward Shocker. Each event features deyoung.famsf.org San Francisco, CA 94104 San Francisco, CA ence members perform the piece themselves, de Young performers that blur the lines between physi- (415) 750-3658 -DREAMSCAPES - Oil Paintings by Carolyn -Debris from the Cultural Underground for each other. Participants – who may pur- 50 Hagiwara Tea Garden Drive cality and . Legion of Honor Zaroff Opening Reception: October 7, 2010 chase single tickets or go as a pair – meet at San Francisco, CA 94118 www.theatreofyugen.org 100 34th Avenue Opening Reception: October 7, 2010 6-9pm C YBCA, where they receive simple audio equip- -A Salute to the Centenary of Schéhérazade Togonon Gallery San Francisco, CA 94121 4:00-7:00pm Lecture: October 14, 2010 7:00pm ment and are guided to a nearby café. Partici- Wilsey Court 77 Geary Street Second Floor -October Artists in Residence End: October 15, 2010 Performance: October 21, 2010 7:00pm pants sit at a table with carefully arranged ob- Begin: October 5, 2010 San Francisco, CA 94108 Begin: October 6, 2010 Carolyn Zaroff is a California nature painter Closing Reception: October 28, 2010 jects and are given instructions about what to End: October 31, 2010 -Paintings End: October 31, 2010 who is passionate about color, texture, and 6-9pm say and do and violá, the performer becomes In honor of the centenary of the original Begin: October 5, 2010 Kimball Education Gallery contrasting forms in landscape and the sea. “John Held, Jr. Debris from the Cultural Under- T Russes production of Schéhérazade, which pre- ground,” chronicles four decades of involve- the audience! $10 regular/$8 YBCA Mem/Stu/ Opening Reception: October 7, 2010 October Artist-in-Residence: Dan Taulapapa This new collection of work carries her interest Sen/Tea miered in at the Opéra Garnier in 1910, 5:00-7:00pm McMullin. Following his work this summer in beyond painting in nature, which she has done ment in the international cultural undergrounds -Tough Guys we are pleased to exhibit a small selection of End: October 30,2010 XLI'SSO-WPERHW[MXLXLI4EGM½G%VX%WWSGME- for most of her painting life. In Dreamscapes of Fluxus, Mail Art, rubber stamp and zine Date: October 3, 2010 costume studies and set designs intended for Servando Garcia, Connie Harris, Catherine tion and a residency in Fiji at the University of she has looked within for the colors and forms cultures by the San Francisco artist, writer, col- O Time: 2:00 pm Ballets Russes productions. Under the direction Woskow XLI7SYXL4EGM½G7EQSEREVXMWX(ER8EYPETETE which affect her emotionally and stay with her lector, bibliographer and cultural historian. The End: October 24, 2010 of Sergei Diaghilev, the Ballets Russes (Russian -Peripheral Vision McMullin will be working in the artist studio on imaginatively. Carolyn Zaroff is represented by exhibition explores Held’s interest since the Screening Room &EPPIX FIGEQISRISJXLIQSWXMR¾YIRXMEPFEP- Begin: October 5, 2010 a series of paintings based on the communal the San Francisco Women’s Art Gallery, the seventies in confronting the challenging art of +ERKWXIV½PQWEVIERMRXVMKYMRKTVMWQXLVSYKL let companies of the 20th century, admired Opening Reception: October 7, 2010 body of Oceania. Sa means family and sacred in Healdsburg Center for the Arts, as well as Art- his time, having met artist Ray Johnson, who which to view one of the darker aspects of both for its pioneering innovations in move- 5:00-7:00pm 7EQSERERHXLIWI[SVOWVI¾IGXXLIGSQQY- people Gallery. On the island of Kauai where introduced him to Mail Art, and George Maci- B ment studies and for the collaborations that End: October 30,2010 REPREXYVISJ4EGM½G-WPERHIVGYPXYVI[MXL8EYPE- she paints during winter visits, she is represent- unas, the impresario of Fluxus, which counted American Jewish history: Jewish gangsters and Jewish crime. Scratch the bark on your family Diaghilev encouraged between dance, music, Photographs Without Pictures. Klea Mckenna, papa’s groundbreaking utilization of realistic and ed by the Shaning Cierra Gallery in Hanapepe. among its adherents Joseph Beuys, Nam June XVIIERH]SYQE]½RHE.I[MWLKERKWXIVSVEX and the visual arts. Works on view include an Rebecca Najdowski, Jessica Skloven abstract elements from indigenous Oceania (415) 956-3650 Paik and Yoko Ono. Held’s interest in the dif- least someone who paid one off. This series original costume design by famed Russian de- (415) 398 5572 artmaking, one of the origins of modern ideas [email protected] fusion of open cultural participation over long E provides an exhilarating and endlessly enter- signer Léon Bakst (1866–1924) for the sultan www.togonongallery.com of the abstract in art, taken in a new direction www.artpeople.net distances through DiY (Do-it-Youself) practice taining window into this little-discussed part of in Schéhérazade. The tells the story of YBCA today by contemporary artists of Oceania. Sia- Braunstein/Quay Gallery PIHXSEGXMZIMRZSPZIQIRXMRXLI½IPHWSJ1EMP ½PQLMWXSV]'YVEXIHF]2ERG]/*MWLQER One Thousand and One Nights, a collection of 701 Mission Street po tapa Polynesian print making materials are 230 Clementina Street Art (DiY art), rubber stamps (DiY craft) and Reg/$6 YBCA & SFJFF Mem/Stu/Sen/Tea traditional folk stories derived from the Middle San Francisco, CA 94103 available for public participation as well. San Francisco, CA 94103 ^MRIW (M= TYFPMWLMRK %WTIGXW SJ XLIWI ½IPHW -Eight Men Out East and South Asia, as told to the sultan by the -Art Savvy: Koki Tanaka (415) 750-3677 -Judy Pfaff: Sculptural Paintings and Held’s involvement with them, are present- R Date: October 3, 2010 Persian queen for whom the ballet is named. Date: October 5,2010 legionofhonor.famsf.org Begin: October 7, 2010 ed in this retrospective exhibition blending art Time: 2:00pm A rechoreographed interpretation of Diaghi- Time: 1:00-2:00pm, 6:00-7:00pm Oakland Museum of California Opening Reception: October 9, 2010 and life over a forty year period. Screenwriter and director John Sayles knocks lev’s ballet will be performed by San Francisco’s Grand Lobby 1000 Oak Street 3:00-5:00pm [email protected] it out of the park with this drama about the Alonzo King LINES Ballet from October 14 to %VX 7EZZ] TVSZMHIW ER STTSVXYRMX] XS VI½RI Oakland, CA 94607 End: November 6, 2010 www.evergoldgallery.blogspot.com intersection between baseball and the shadowy 24, 2010. your observational skills and deepen your con- -Days of the Dead Judy Pfaff’s visually rich, texturally diverse, and Exploratorium world of organized crime. Sayles explores how (415) 750-3600 nection with contemporary art. Begin: October 6, 2010 psychologically complex subject matter consis- 3601 Lyon Street Jewish gangster Arnold Rothstein paid off the deyoung.famsf.org (415) 321-1310 End: December 5, 2010 tently intrigues and delights viewers. Naturally San Francisco, CA 94123 Chicago White Sox to “throw” the 1919 World Hespe Gallery [email protected] Days of the Dead returns to OMCA in its 17th curious, Pfaff has an innate ability to rejuvenate -Exploratorium After Dark: Sol Systems Series. (1988, 119 min, 35mm) 251 Post Street, Suite 420 year. The exhibition will be curated by artist everyday objects into unusually striking visual Date: October 7, 2010 -PlayCRAFT: A Game of Your Design San Francisco, CA and cultural worker Jaime Cortez in one of the matter. Her large scale multi-media works are Time: 6:00-10:00pm Date: October 3, 2010 -Marianne Kolb: New Work newly renovated exhibition spaces in OMCA’s a rare combination of elegance and detritus. An Alternative Energy Exploration. At the heart Test your wit, creativity and courage with Play- Begin: October 5, 2010 6 Wednesday Gallery of California Art. This year’s theme will (415) 278-9850 of the Exploratorium’s After Dark for Octo- CRAFT. Discover secret spaces in our galleries Opening Reception: October 7, 2010 continue to provide audiences with a basic fun- www.bquayartgallery.com FIV EVI X[S JSSX XEPP ¾S[IVWE TVSNIGX SJ while you create your own design object. 5:30-7:30pm damental understanding and appreciation of Creativity Explored Black Rock Solar and Poetic Kinetics, Inc. As the -Zinc Details Pop-up Shop at YBCA End: October 30, 2010 Andrea Schwartz Gallery this Meso-American tradition as well as provide 3245 16th Street WYRVMWIWXLIX[SWSPEVTS[IVIHOMRIXMG¾S[- Date: October 3, 2010 Hespe Gallery is pleased to announce a solo 525 2nd Street a forum for the tradition to grow and expand San Francisco CA 94103 ers open gently in the morning, track sunlight Room for Big Ideas exhibition for gallery artist, Marianne Kolb. In San Francisco, CA 94107 its vocabulary through new artistic expressions. -Ritual/Habitual: The Secret Life of Objects during the day and close again each night. The Visit Zinc Details, one of San Francisco’s most this new series of paintings, Kolb continues to -John Belingheri (510) 238-2200 Opening Reception: October 7, 2010 QYPXMGSPSVIH¾S[IVW[MPPWIRWI[LIRTISTPI unique and popular retail outlets for the design explore the humanity of her subject while fo- Opening Reception: October 6, 2010 www.museumca.org 7:00-9:00pm sit down at their bases, automatically leaning conscious in the Room for Big Ideas. GYWMRKSRXLI½KYVEXMZIEWTIGXSJXLI[SVO 5:30pm-7:30pm 4EGM½G*MPQ%VGLMZI End: November 20, 2010 SZIVXSTVSZMHIWLEHI8LI¾S[IVW[MPPFISYX- -TechnoCRAFT (415) 776-5918 End: November 12, 2010 2626 Bancroft Way This exhibition explores how “ritual” and “ha- ½XXIH[MXLWXEXISJXLIEVXXIGLRSPSK]ERH[MPP Close: October 3, 2010 www.hespe.com Andrea Schwartz Gallery presents a solo ex- Berkeley, CA bitual” objects, and their use, can become indis- draw people into their space with an unprec- TechnoCRAFT traces the current trend in de- SF Camerawork hibition by John Belingheri. Belingheri’s oil and -Radical Light: 1953-1960 tinguishable and interchangeable. edented visual allure. As visitors sit down, the WMKRE[E]JVSQ½\IHSFNIGXWXS[EVHSTIRHI- 657 Mission Street 2nd Floor mixed media paintings create a space of con- Date: October 6, 2010 [email protected] ¾S[IVVISVMIRXWXSJEGIXLIQTVSZMHMRKFSXL sign platforms that invite people to participate San Francisco, CA trasting balance and imbalance. His work ex- Time: 7:30 www.creativityexplored.org shade and one’s very own Alice in Wonderland in the creative process. Curated by Yves Béhar -Criminal Queers presses an inter-relationship of form and pro- SF Cinematheque de Young I\TIVMIRGI8LIWSPEVWYR¾S[IVWEVINYWXX[SMR www.ybca.org Open: October 5, 2010 cess, of contradiction and turmoil. www.Sfcinematheque.org 50 Hagiwara Tea Garden Drive a collection of objects, organizations and activi- End: October 23, 2010 Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00pm- San Francisco, CA 94118 ties that explore alternative energy sources and )VMG 7XERPI] ERH 'LVMW :EVKEW´ ½PQ 'VMQMREP 5:00pm -Lecture uses – from the whimsical to the serious – be- Queers public screening. (415) 495-2090 Date: October 7, 2010 ing featured. After Dark is included in the price 4 Monday -Free First Tuesday www.asgallery.com 7 Thursday Time: 10:00am of admission to the Exploratorium. Date: October 5, 2010 ATA Art history lecture titled The San Francisco (415) 561-0360 Admission is free all day! The current exhibi- 992 Valencia Street Scene: Art of the Bay in the Postwar Era. www.exploratorium.edu SOMArts Cultural Center tion is Suggestions of a Life Being Lived, a bold San Francisco, CA 94110 Arion Press (415) 750-3600 Frey Norris Gallery 934 Brannan Street presentation of contemporary work that looks -Light Captured/ Divisions Recorded 1802 Hays Street, The Presidio deyoung.famsf.org 456 Geary Street San Francisco, CA 94123 at queerness as a set of political alliances and Date: October 6, 2010 San Francisco, CA 94129 Dolby Chadwick Gallery between Mason and Taylor -Feast of Words: A Storytelling Potluck possibilities. Time: 7:30pm -Tours Of Arion Press and M&H Type 210 Post Street, Suite 205 San Francisco, CA Date: October 4, 2010 (415) 512-2020 SF Cinematheque Date: October 7, 2010 San Francisco, CA 94108 -Things We Think When We Believe We Know Time: 7:00pm-9:00pm www.sfcamerawork.org www.Sfcinematheque.org Time: 3:00pm-4:30pm -Heroes and Animals Opening Reception: October 7, 2010 Open Mic signup begins at 6:30pm Theatre of Yugen de Young Live demonstration tours of the historic type- Opening Reception: October 7, 2010 6:00-8:00pm www.somarts.org 2840 Mariposa 50 Hagiwara Tea Garden Drive foundry, printing facility, and bookbindery of 5:30-7:30pm End: November 6, 2010 San Francisco, CA 94110 San Francisco, CA 94118 Arion Press and M&H Type are conducted ev- End: October 30, 2010 Things We Think When We Believe We Know, -The Sound is the Movement -Art After School: 1st Grade (session 2) ery Thursday at 3:00 p.m. The tours are spon- New paintings by Alex Kanevsky %RHVIE (I^W}´W ½VWX I\LMFMXMSR SR XLI;IWX Date: October 5, 2010 Date: October 6, 2010 WSVIHF]XLIRSRTVS½X+VEFLSVR-RWXMXYXI Hours: Tue-Fri 10:00am-6:00pm, Sat 11:00am- Coast, approaches folklore from a perspective Crossing musical concert with dance, this new 5:00pm of wonder and profound uncertainty. Evasive 16 Time: 4:00-5:30pm per person. Tour size is limited; please reserve Time: 12:00pm, 1:00pm, 2:00pm, 3:00pm, Tuesday night sound and movement series After-school classes for children offer an in- your place. (415) 956-3560 4:00pm, 5:00pm, 6:00pm, 7:00pm, 8:00pm is curated by Yugen Orchestra (inaugurated depth exploration of world cultures through www.arionpress.com www.dolbychadwickgallery.com Grand Lobby 5 Tuesday 2007) members Ava Mendoza, Jake Rodriquez the de Young’s extensive collections. Classes are ArtPeople Gallery Ever Gold Gallery O Etiquette is a half-hour participatory perfor- and Theatre of Yugen Associate Ensemble free; reservations are required. 50 Post Street Level 2 #41 441 O”Farrell Street mance experience for two people where audi- Member Edward Shocker. Each event features deyoung.famsf.org San Francisco, CA 94104 San Francisco, CA ence members perform the piece themselves, de Young performers that blur the lines between physi- (415) 750-3658 -DREAMSCAPES - Oil Paintings by Carolyn -Debris from the Cultural Underground for each other. Participants – who may pur- 50 Hagiwara Tea Garden Drive cality and musicality. Legion of Honor Zaroff Opening Reception: October 7, 2010 chase single tickets or go as a pair – meet at San Francisco, CA 94118 www.theatreofyugen.org 100 34th Avenue Opening Reception: October 7, 2010 6-9pm C YBCA, where they receive simple audio equip- -A Salute to the Centenary of Schéhérazade Togonon Gallery San Francisco, CA 94121 4:00-7:00pm Lecture: October 14, 2010 7:00pm ment and are guided to a nearby café. Partici- Wilsey Court 77 Geary Street Second Floor -October Artists in Residence End: October 15, 2010 Performance: October 21, 2010 7:00pm pants sit at a table with carefully arranged ob- Begin: October 5, 2010 San Francisco, CA 94108 Begin: October 6, 2010 Carolyn Zaroff is a California nature painter Closing Reception: October 28, 2010 jects and are given instructions about what to End: October 31, 2010 -Paintings End: October 31, 2010 who is passionate about color, texture, and 6-9pm say and do and violá, the performer becomes In honor of the centenary of the original Ballets Begin: October 5, 2010 Kimball Education Gallery contrasting forms in landscape and the sea. “John Held, Jr. Debris from the Cultural Under- T Russes production of Schéhérazade, which pre- ground,” chronicles four decades of involve- the audience! $10 regular/$8 YBCA Mem/Stu/ Opening Reception: October 7, 2010 October Artist-in-Residence: Dan Taulapapa This new collection of work carries her interest Sen/Tea miered in Paris at the Opéra Garnier in 1910, 5:00-7:00pm McMullin. Following his work this summer in beyond painting in nature, which she has done ment in the international cultural undergrounds -Tough Guys we are pleased to exhibit a small selection of End: October 30,2010 XLI'SSO-WPERHW[MXLXLI4EGM½G%VX%WWSGME- for most of her painting life. In Dreamscapes of Fluxus, Mail Art, rubber stamp and zine Date: October 3, 2010 costume studies and set designs intended for Servando Garcia, Connie Harris, Catherine tion and a residency in Fiji at the University of she has looked within for the colors and forms cultures by the San Francisco artist, writer, col- O Time: 2:00 pm Ballets Russes productions. Under the direction Woskow XLI7SYXL4EGM½G7EQSEREVXMWX(ER8EYPETETE which affect her emotionally and stay with her lector, bibliographer and cultural historian. The End: October 24, 2010 of Sergei Diaghilev, the Ballets Russes (Russian -Peripheral Vision McMullin will be working in the artist studio on imaginatively. Carolyn Zaroff is represented by exhibition explores Held’s interest since the Screening Room &EPPIX FIGEQISRISJXLIQSWXMR¾YIRXMEPFEP- Begin: October 5, 2010 a series of paintings based on the communal the San Francisco Women’s Art Gallery, the seventies in confronting the challenging art of +ERKWXIV½PQWEVIERMRXVMKYMRKTVMWQXLVSYKL let companies of the 20th century, admired Opening Reception: October 7, 2010 body of Oceania. Sa means family and sacred in Healdsburg Center for the Arts, as well as Art- his time, having met artist Ray Johnson, who which to view one of the darker aspects of both for its pioneering innovations in move- 5:00-7:00pm 7EQSERERHXLIWI[SVOWVI¾IGXXLIGSQQY- people Gallery. On the island of Kauai where introduced him to Mail Art, and George Maci- B ment studies and for the collaborations that End: October 30,2010 REPREXYVISJ4EGM½G-WPERHIVGYPXYVI[MXL8EYPE- she paints during winter visits, she is represent- unas, the impresario of Fluxus, which counted American Jewish history: Jewish gangsters and Jewish crime. Scratch the bark on your family Diaghilev encouraged between dance, music, Photographs Without Pictures. Klea Mckenna, papa’s groundbreaking utilization of realistic and ed by the Shaning Cierra Gallery in Hanapepe. among its adherents Joseph Beuys, Nam June XVIIERH]SYQE]½RHE.I[MWLKERKWXIVSVEX and the visual arts. Works on view include an Rebecca Najdowski, Jessica Skloven abstract elements from indigenous Oceania (415) 956-3650 Paik and Yoko Ono. Held’s interest in the dif- least someone who paid one off. This series original costume design by famed Russian de- (415) 398 5572 artmaking, one of the origins of modern ideas [email protected] fusion of open cultural participation over long E provides an exhilarating and endlessly enter- signer Léon Bakst (1866–1924) for the sultan www.togonongallery.com of the abstract in art, taken in a new direction www.artpeople.net distances through DiY (Do-it-Youself) practice taining window into this little-discussed part of in Schéhérazade. The ballet tells the story of YBCA today by contemporary artists of Oceania. Sia- Braunstein/Quay Gallery PIHXSEGXMZIMRZSPZIQIRXMRXLI½IPHWSJ1EMP ½PQLMWXSV]'YVEXIHF]2ERG]/*MWLQER One Thousand and One Nights, a collection of 701 Mission Street po tapa Polynesian print making materials are 230 Clementina Street Art (DiY art), rubber stamps (DiY craft) and Reg/$6 YBCA & SFJFF Mem/Stu/Sen/Tea traditional folk stories derived from the Middle San Francisco, CA 94103 available for public participation as well. San Francisco, CA 94103 ^MRIW (M= TYFPMWLMRK %WTIGXW SJ XLIWI ½IPHW -Eight Men Out East and South Asia, as told to the sultan by the -Art Savvy: Koki Tanaka (415) 750-3677 -Judy Pfaff: Sculptural Paintings and Held’s involvement with them, are present- R Date: October 3, 2010 Persian queen for whom the ballet is named. Date: October 5,2010 legionofhonor.famsf.org Begin: October 7, 2010 ed in this retrospective exhibition blending art Time: 2:00pm A rechoreographed interpretation of Diaghi- Time: 1:00-2:00pm, 6:00-7:00pm Oakland Museum of California Opening Reception: October 9, 2010 and life over a forty year period. Screenwriter and director John Sayles knocks lev’s ballet will be performed by San Francisco’s Grand Lobby 1000 Oak Street 3:00-5:00pm [email protected] it out of the park with this drama about the Alonzo King LINES Ballet from October 14 to %VX 7EZZ] TVSZMHIW ER STTSVXYRMX] XS VI½RI Oakland, CA 94607 End: November 6, 2010 www.evergoldgallery.blogspot.com intersection between baseball and the shadowy 24, 2010. your observational skills and deepen your con- -Days of the Dead Judy Pfaff’s visually rich, texturally diverse, and Exploratorium world of organized crime. Sayles explores how (415) 750-3600 nection with contemporary art. Begin: October 6, 2010 psychologically complex subject matter consis- 3601 Lyon Street Jewish gangster Arnold Rothstein paid off the deyoung.famsf.org (415) 321-1310 End: December 5, 2010 tently intrigues and delights viewers. Naturally San Francisco, CA 94123 Chicago White Sox to “throw” the 1919 World Hespe Gallery [email protected] Days of the Dead returns to OMCA in its 17th curious, Pfaff has an innate ability to rejuvenate -Exploratorium After Dark: Sol Systems Series. (1988, 119 min, 35mm) 251 Post Street, Suite 420 year. The exhibition will be curated by artist everyday objects into unusually striking visual Date: October 7, 2010 -PlayCRAFT: A Game of Your Design San Francisco, CA and cultural worker Jaime Cortez in one of the matter. Her large scale multi-media works are Time: 6:00-10:00pm Date: October 3, 2010 -Marianne Kolb: New Work newly renovated exhibition spaces in OMCA’s a rare combination of elegance and detritus. An Alternative Energy Exploration. At the heart Test your wit, creativity and courage with Play- Begin: October 5, 2010 6 Wednesday Gallery of California Art. This year’s theme will (415) 278-9850 of the Exploratorium’s After Dark for Octo- CRAFT. Discover secret spaces in our galleries Opening Reception: October 7, 2010 continue to provide audiences with a basic fun- www.bquayartgallery.com FIV EVI X[S JSSX XEPP ¾S[IVWE TVSNIGX SJ while you create your own design object. 5:30-7:30pm damental understanding and appreciation of Creativity Explored Black Rock Solar and Poetic Kinetics, Inc. As the -Zinc Details Pop-up Shop at YBCA End: October 30, 2010 Andrea Schwartz Gallery this Meso-American tradition as well as provide 3245 16th Street WYRVMWIWXLIX[SWSPEVTS[IVIHOMRIXMG¾S[- Date: October 3, 2010 Hespe Gallery is pleased to announce a solo 525 2nd Street a forum for the tradition to grow and expand San Francisco CA 94103 ers open gently in the morning, track sunlight Room for Big Ideas exhibition for gallery artist, Marianne Kolb. In San Francisco, CA 94107 its vocabulary through new artistic expressions. -Ritual/Habitual: The Secret Life of Objects during the day and close again each night. The Visit Zinc Details, one of San Francisco’s most this new series of paintings, Kolb continues to -John Belingheri (510) 238-2200 Opening Reception: October 7, 2010 QYPXMGSPSVIH¾S[IVW[MPPWIRWI[LIRTISTPI unique and popular retail outlets for the design explore the humanity of her subject while fo- Opening Reception: October 6, 2010 www.museumca.org 7:00-9:00pm sit down at their bases, automatically leaning conscious in the Room for Big Ideas. GYWMRKSRXLI½KYVEXMZIEWTIGXSJXLI[SVO 5:30pm-7:30pm 4EGM½G*MPQ%VGLMZI End: November 20, 2010 SZIVXSTVSZMHIWLEHI8LI¾S[IVW[MPPFISYX- -TechnoCRAFT (415) 776-5918 End: November 12, 2010 2626 Bancroft Way This exhibition explores how “ritual” and “ha- ½XXIH[MXLWXEXISJXLIEVXXIGLRSPSK]ERH[MPP Close: October 3, 2010 www.hespe.com Andrea Schwartz Gallery presents a solo ex- Berkeley, CA bitual” objects, and their use, can become indis- draw people into their space with an unprec- TechnoCRAFT traces the current trend in de- SF Camerawork hibition by John Belingheri. Belingheri’s oil and -Radical Light: 1953-1960 tinguishable and interchangeable. edented visual allure. As visitors sit down, the WMKRE[E]JVSQ½\IHSFNIGXWXS[EVHSTIRHI- 657 Mission Street 2nd Floor mixed media paintings create a space of con- Date: October 6, 2010 [email protected] ¾S[IVVISVMIRXWXSJEGIXLIQTVSZMHMRKFSXL sign platforms that invite people to participate San Francisco, CA trasting balance and imbalance. His work ex- Time: 7:30 www.creativityexplored.org shade and one’s very own Alice in Wonderland in the creative process. Curated by Yves Béhar -Criminal Queers presses an inter-relationship of form and pro- SF Cinematheque de Young I\TIVMIRGI8LIWSPEVWYR¾S[IVWEVINYWXX[SMR www.ybca.org Open: October 5, 2010 cess, of contradiction and turmoil. www.Sfcinematheque.org 50 Hagiwara Tea Garden Drive a collection of objects, organizations and activi- End: October 23, 2010 Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00pm- San Francisco, CA 94118 ties that explore alternative energy sources and )VMG 7XERPI] ERH 'LVMW :EVKEW´ ½PQ 'VMQMREP 5:00pm -Lecture uses – from the whimsical to the serious – be- Queers public screening. (415) 495-2090 Date: October 7, 2010 ing featured. After Dark is included in the price 4 Monday -Free First Tuesday www.asgallery.com 7 Thursday Time: 10:00am of admission to the Exploratorium. Date: October 5, 2010 ATA Art history lecture titled The San Francisco (415) 561-0360 Admission is free all day! The current exhibi- 992 Valencia Street Scene: Art of the Bay in the Postwar Era. www.exploratorium.edu SOMArts Cultural Center tion is Suggestions of a Life Being Lived, a bold San Francisco, CA 94110 Arion Press (415) 750-3600 Frey Norris Gallery 934 Brannan Street presentation of contemporary work that looks -Light Captured/ Divisions Recorded 1802 Hays Street, The Presidio deyoung.famsf.org 456 Geary Street San Francisco, CA 94123 at queerness as a set of political alliances and Date: October 6, 2010 San Francisco, CA 94129 Dolby Chadwick Gallery between Mason and Taylor -Feast of Words: A Storytelling Potluck possibilities. Time: 7:30pm -Tours Of Arion Press and M&H Type 210 Post Street, Suite 205 San Francisco, CA Date: October 4, 2010 (415) 512-2020 SF Cinematheque Date: October 7, 2010 San Francisco, CA 94108 -Things We Think When We Believe We Know Time: 7:00pm-9:00pm www.sfcamerawork.org www.Sfcinematheque.org Time: 3:00pm-4:30pm -Heroes and Animals Opening Reception: October 7, 2010 Open Mic signup begins at 6:30pm Theatre of Yugen de Young Live demonstration tours of the historic type- Opening Reception: October 7, 2010 6:00-8:00pm www.somarts.org 2840 Mariposa 50 Hagiwara Tea Garden Drive foundry, printing facility, and bookbindery of 5:30-7:30pm End: November 6, 2010 San Francisco, CA 94110 San Francisco, CA 94118 Arion Press and M&H Type are conducted ev- End: October 30, 2010 Things We Think When We Believe We Know, -The Sound is the Movement -Art After School: 1st Grade (session 2) ery Thursday at 3:00 p.m. The tours are spon- New paintings by Alex Kanevsky %RHVIE (I^W}´W ½VWX I\LMFMXMSR SR XLI;IWX Date: October 5, 2010 Date: October 6, 2010 WSVIHF]XLIRSRTVS½X+VEFLSVR-RWXMXYXI Hours: Tue-Fri 10:00am-6:00pm, Sat 11:00am- Coast, approaches folklore from a perspective Crossing musical concert with dance, this new Time: 4:00-5:30pm per person. Tour size is limited; please reserve 5:00pm of wonder and profound uncertainty. Evasive 17 and compelling threads of stories play out in Modernbook Gallery San Francisco, California, 94108 End: October 30, 2010 tori, Michael Hunter, Jessica Labatte, and Casey :MWMSRWSJ,IEPMRK¯3TIRMRK6IGITXMSRI\LMFM- ceramics, embroideries, cut and painted paper +IEV]7XVIIXXL¾SSV -Paintings The man in the maze as tribute and stepping McGonagle. Curated by Robin Juan tion curated by Rene and Rio Yañez MPPYQMREXIHXYRRIPFSSOWERHQM\IHQIHMEMR- San Francisco, CA 94108 Opening Reception: October 7, 2010 stone. An offering of sorts to mountains and (415) 359-9800 www.somarts.org O stallations. Many of these sometimes operatic -Carol Beckwith & Angela Fisher: Dinka 5:00-7:00pm neighborhoods and the people that inhabit www.hydestreetgallery.com YBCA scenes seem to be in dialogue with one an- Opening Reception/Book Signing: Octo- End: October 30, 2010 them. Sometimes you have to go in to be able [email protected] 701 Mission Street other across media, narrating fantastic journeys ber 7, 2010 5:30-7:30pm Servando Garcia, Connie Harris, Catherine to come out again. Featuring the work of co- Jewish Community Center San Francisco, CA 94103 still unwritten. End: November 27, 2010 Woskow owner Chad Kipfer 3200 California Street -How Can You Stay in the House All Day and (415) 346-7812 World-renowned photographers Angela Fisher -Peripheral Vision (415) 359-9211 San Francisco, CA 94118 Not Go Anywhere? C www.freynorris.com and Carol Beckwith have devoted their lives Opening Reception: October 7, 2010 bigumbrellastudios.com Date: October 8, 2010 Date: October 8, 2010 George Krevsky Gallery to documenting the rapidly vanishing way of 5:00-7:00pm Contemporary Jewish Museum Time: 8:00pm Novellus Theater 77 Geary Street life and cultures of the indigenous people of End: October 30, 2010 736 Mission Street -Pre-Concert Talk with Marcus Shelby Hailed as “one of the most adventurous art- San Francisco, CA 94108 Africa. Turning their lenses to the great pasto- Photographs Without Pictures. Klea Mckenna, between Third Street and Fourth Street Marcus Shelby has long been a superb upright ists working today” (Time Out New York), re- T -Helen Berggruen: Itinerant Regionalist ralists of the Sudan, they present a story that Rebecca Najdowski, Jessica Skloven San Francisco, CA 94116 FEWWMWX FYX XLI WGSTI SJ LMW [SVO MR¾YIRGI nowned interdisciplinary artist Ralph Lemon Opening Reception: October 7, 5:30- WXEVXIH[MXLXLIMV½VWXZMWMXXSXLMWVIKMSRXLMVX] www.togonongallery.com -As It Is Written: Project 304,805 and acclaim prove he is much more. He gained returns to YBCA with a groundbreaking mul- 7:30pm years ago in their latest publication, DINKA: (415) 398-5572 Begin: October 8, 2009 initial recognition as leader of the young post- timedia project of epic – and intimate-- pro- End: November 20, 2010 The Great Cattle Herders of the African Sudan. Toomey Tourell End: March 29, 2011 bop group Black/Note and currently leads and portions. Through live performance, a multi- The George Krevsky Gallery takes great plea- Granted acceptance among the Dinka people, 49 Geary Street As It Is Written: Project 304,805 is centered writes for his Marcus Shelby Jazz Orchestra. QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR O WYVI MR ERRSYRGMRK XLIMV EPP OMGOSJJ I\LMFMXMSR who call themselves “jieng” and “mony-jang” San Francisco, CA 94108 around a soferet (a professionally trained fe- 7LIPF]MWTVEGXMGEPP]YFMUYMXSYW,IMWERMR¾YIR- of objects,How Can You Stay in the House All Helen Berggruen: Itinerant Regionalist, open- meaning “men of men”, Beckwith and Fisher -Maria Park male scribe) who, while on public view, will tial educator, has won countless awards, scored (E]ERH2SX+S%R][LIVI#I\TPSVIWLYQER ing Thursday, October 7, and running through beautifully capture this rare symbiosis between Opening Reception: October 7th, 2010 [VMXISYXXLIIRXMVIXI\XSJXLI8SVELSZIVXLI ½PQWERHXLIEXVMGEPWLS[WERHLEWGSQTSWIH connections, loss and the elusive but ever-com- Saturday, November 30, 2010. The solo show, man and animal with their photographs show- 5:30-7:30pm course of a full year. music for ballet and dance companies. To SF- pelling possibility of grace. $30 Reg; $25 YBCA &IVKKVYIR´W ½VWX MR 7ER *VERGMWGS WMRGI  casing these legendary cattlemen. End: October 31, 2010 (415) 655-7800 JAZZ, Shelby brings his latest large-scale work, Mem/Stu/Sen/Tea B highlights landscapes in the Regionalist and (415) 732-0300 The gallery is located in San Francisco at 49 entitled MLK. The piece celebrates the life of -Performance [email protected] Figurative tradition. More than 25 oil paintings www.modernbook.com +IEV]7XVIIXSRXLIXL¾SSV8LIKEPPIV]LSYVW www.thecjm.org Martin Luther King Jr., and integrates fresh or- Date: October 8, 2010 and watercolors depicting views of Europe, the Oakland International Film Festi- are Tuesday through Friday, 11:00-5:30 PM, and de Young chestrations of African American spirituals with Time: 8:00pm Midwest, and Northern California, are featured val Saturday, 11:00-5:00 PM, or by appointment. 50 Hagiwara Tea Garden Drive the Civil Rights era music of John Coltrane and Post-Show Conversation with Ralph Lemon// E at the gallery located at 77 Geary Street in San Begin: October 7, 2010 [email protected] San Francisco, CA 94118 Charles Mingus. $20/$30 Premium Fri, Oct 8//Novellus Theater//FREE w/ perfor- Francisco. End: October 17, 2010 (415) 989-6444 -Friday Nights at the de Young (866) 920-5299 mance ticket Hours: Tue-Sat 11:00am-5:30pm Various Times and locations check website for http://www.toomey-tourell.com Date: October 8, 2010 www.sfjazz.org www.ybca.org (415) 397-9748 details YBCA Time: 5:00-8:45pm Legion of Honor www.georgekrevskygallery.com http://www.oiff.org/ 701 Mission Street Cultural Encounters presents Friday Nights at 100 34th Avenue R George Lawson Gallery SF Arts Commission San Francisco, CA 94103 the de Young. Every Friday Night, join Made- San Francisco, CA 94121 49 Geary 2nd Floor Market Street between Powell and First streets -How Can You Stay in the House All Day and moiselle Kim for a hands-on art making project Date: October 8, 2010 9 Saturday San Francisco CA 94108 -DANCE: Market Performance Not Go Anywhere? for all ages. Time: 6:00-8:30pm -Stephen Westfall: Recent Paintings Date: October 7, 2010 Date: October 7, 2010 -Nuits de Saint-Germain Join artist, Dan Taulapapa McMullin and inde- Opening Reception: October 7, 2010 Time: 1:00-5:00pm Novellus Theater Date: October 8, 2010 pendent curator Giles Peterson in the Kimball 1890 Bryant St Studios 5:30-7:30pm End: October 10, 2010 Hailed as “one of the most adventurous art- Time: 6:30–8:30pm Education Gallery for a lively discussion about 1890 Bryant Street -Clem Crosby: Small Paintings Zaccho Dance Theatre will perform the world ists working today” (Time Out New York), re- French music of the 1930s, ’40s, and ’50s urban Samoan art created outside of the Sa- San Francisco, CA 94110 Opening Reception: October 7, 2010 TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI nowned interdisciplinary artist Ralph Lemon -Ballets Russes and Alonzo King LINES Ballet moan Islands during the last decade. -October Open Studios 5:30-7:30pm TIVJSVQERGI SR 1EVOIX 7XVIIX I\TPSVMRK XLI returns to YBCA with a groundbreaking mul- Date: October 8, 2010 legionofhonor.famsf.org Date: October 9, 2010 (415) 772-0977 history of African Americans’ early contribu- timedia project of epic – and intimate-- pro- Time: 6:30–8:30pm Oddball Film + Video Time: 11:00-6:00pm [email protected] tions to the development of San Francisco. The portions. Through live performance, a multi- Ballet studios delight the audience with dance 275 Capp Street Mission Artists United in support of ArtSpan’s www.georgelawsongallery.com performance is being presented as part of the QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR classes San Francisco, CA October Open Studios invite you to visit hun- Hespe Gallery San Francisco Arts Commission’s Art on Mar- of objects,How Can You Stay in the House All -de Young Poetry Series -Weirdsville 19 dreds of artists in the Mission. 251 Post Street, Suite 420 ket Street Temporary Projects Program, which (E]ERH2SX+S%R][LIVI#I\TPSVIWLYQER Date: October 8, 2010 Date: October 8, 2010 [email protected] San Francisco, CA commissions interdisciplinary projects from Bay connections, loss and the elusive but ever-com- Time: 7:00–8:00 pm [[[SHHFEPP½PQGSQ www.missionartistsunited.org -Marianne Kolb: New Work Area artist annually. Sailing Away tells the story pelling possibility of grace. $30 Reg; $25 YBCA de Young Poetry Series with Harryette Mullen SF Arts Commission www.artspan.org Opening Reception: October 7, 2010 of eight prominent African Americans who Mem/Stu/Sen/Tea and Elizabeth Robinson. Market Street between Powell and First streets ActivSpace 5:30-7:30pm lived and worked near Market Street during the -Performance -Lecture -DANCE: Market Street Dance Performance 3150 18th Street End: October 30, 2010 mid-nineteenth century and of the events lead- Date: October 7 2010 Date: October 8, 2010 Date: October 7, 2010 San Francisco, CA 94110 Hespe Gallery is pleased to announce a solo MRKYTXSXLIQEWWI\SHYWSJ%JVMGER%QIVM- Time: 8:00pm Time: 6:00–8:30pm Time: 1:00-5:00pm -October Open Studios I\LMFMXMSR JSV KEPPIV] EVXMWX 1EVMERRI /SPF -R cans from San Francisco in 1858. Post-Show Conversation with Ralph Lemon// Special talk by Artist-in-Residence Dan Taula- End: October 10, 2010 Date: October 9, 2010 this new series of paintings, Kolb continues to (415) 252-4638 Fri, Oct 8//Novellus Theater//FREE w/ perfor- papa McMullin and independent curator Giles Zaccho Dance Theatre will perform the world Time: 11:00-6:00pm I\TPSVIXLILYQERMX]SJLIVWYFNIGX[LMPIJS- www.sfartscommission.org mance ticket Peterson. TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI Mission Artists United in support of ArtSpan’s GYWMRKSRXLI½KYVEXMZIEWTIGXSJXLI[SVO SF Camerawork -Exhibition (415) 750-3600 TIVJSVQERGI SR 1EVOIX 7XVIIX I\TPSVMRK XLI October Open Studios invite you to visit hun- (415) 776-5918 6457 Mission Street, 2nd Floor Begin: October 7, 2010 deyoung.famsf.org history of African Americans’ early contribu- dreds of artists in the Mission. www.hespe.com San Francisco, CA 94105 End: October 10, 2010 Hackett | Mill tions to the development of San Francisco. The [email protected] Kokoro Studio -Suggestions of a Life Being Lived Terrace Gallery 201 Post Street Suite 1000 performance is being presented as part of the www.missionartistsunited.org 682 Geary Street Date: October 7, 2010 %RMRWXEPPEXMSRSJTLSXSKVETLW½PQERHEWPMHI San Francisco, CA 94108 San Francisco Arts Commission’s Art on Mar- www.artspan.org San Francisco, CA Time: 5:00-8:00pm show created by Ralph Lemon inspired by his -Manuel Neri: Collage 1958-1960 ket Street Temporary Projects Program, which Art Explosion 17th -Retrospective: Fall Group Show by Ko- Join us after work as we stay open late! Have eight-year collaboration with centenarian Wal- Opening Reception: October 8, 2010 commissions interdisciplinary projects from Bay 2425 17th Street korostars some wine, enjoy some music, and see the XIV'EVXIVLMW[MJI)HREERHLMWI\XIRHIHGSQ- 5:00-7:00pm Area artist annually. Sailing Away tells the story San Francisco, CA Opening Reception: October 7, 2010 group show. munity in Bentonia End: December 23, 2010 of eight prominent African Americans who -October Open Studios 7:00-10:00pm (415) 512-2020 www.ybca.org Hackett Mill presents early collage work by lived and worked near Market Street during the Date: October 9, 2010 End: October 28, 2010 sfcamerawork.org Bay Area artist Manuel Neri, including canvases, mid-nineteenth century and of the events lead- Time: 11:00-6:00pm Once upon a time, or so the story goes... Ko- SFMOMA sculptures and works on paper. MRKYTXSXLIQEWWI\SHYWSJ%JVMGER%QIVM- Mission Artists United in support of ArtSpan’s koro Studio celebrates its October anniversary 151 Third Street (415) 362-3377 cans from San Francisco in 1858. October Open Studios invite you to visit hun- highlighting illustrious lineup from the previous San Francisco, CA 8 Friday Gallery (415) 252-4638 dreds of artists in the Mission. year. Opening night pumpkin carving contest. -R½RMXI'MX] 1987 Hyde Street www.sfartscommission.org [email protected] kokorostudio.us Date: October 7, 2010 San Francisco, CA 94109 SOMArts Cultural Center www.missionartistsunited.org Mill Valley Film Festival Time: 7:00pm Big Umbrella Studios -Days of Plenty 934 Brannan Street www.artspan.org Begin: October 7, 2010 All Identity is Local, Who Am I Where, Quien 906.5 Divisadero Street End: October 8, 2010 San Francisco, CA 94123 Art Explosion Alabama End: October 17, 2010 Soy y donde soy? San Francisco, CA ,]HI7XVIIX+EPPIV]TVIWIRXWEKVSYTI\LMFM- -Day of the Dead 744 Alabama Street Various Times and locations check website for www.sfmoma.org -I’itoi tion curated by guest curator, Robin Juan, from Date: October 8, 2010 San Francisco, CA details Togonon Gallery Opening Reception: October 8, 2010 Chicago’s Hungryman Gallery. Days of Plenty Time: 6:00-10:00pm -October Open Studios LXXT[[[GE½PQSVKQZJJ 77 Geary Street 2nd Floor 7:00-11:00pm I\LMFMXW'LMGEKSFEWIHEVXMWXW'EVWSR*MWO:MX- Day of the Dead: Honoring Revolution with Date: October 9, 2010 18 and compelling threads of stories play out in Modernbook Gallery San Francisco, California, 94108 End: October 30, 2010 tori, Michael Hunter, Jessica Labatte, and Casey :MWMSRWSJ,IEPMRK¯3TIRMRK6IGITXMSRI\LMFM- ceramics, embroideries, cut and painted paper +IEV]7XVIIXXL¾SSV -Paintings The man in the maze as tribute and stepping McGonagle. Curated by Robin Juan tion curated by Rene and Rio Yañez MPPYQMREXIHXYRRIPFSSOWERHQM\IHQIHMEMR- San Francisco, CA 94108 Opening Reception: October 7, 2010 stone. An offering of sorts to mountains and (415) 359-9800 www.somarts.org O stallations. Many of these sometimes operatic -Carol Beckwith & Angela Fisher: Dinka 5:00-7:00pm neighborhoods and the people that inhabit www.hydestreetgallery.com YBCA scenes seem to be in dialogue with one an- Opening Reception/Book Signing: Octo- End: October 30, 2010 them. Sometimes you have to go in to be able [email protected] 701 Mission Street other across media, narrating fantastic journeys ber 7, 2010 5:30-7:30pm Servando Garcia, Connie Harris, Catherine to come out again. Featuring the work of co- Jewish Community Center San Francisco, CA 94103 still unwritten. End: November 27, 2010 Woskow owner Chad Kipfer 3200 California Street -How Can You Stay in the House All Day and (415) 346-7812 World-renowned photographers Angela Fisher -Peripheral Vision (415) 359-9211 San Francisco, CA 94118 Not Go Anywhere? C www.freynorris.com and Carol Beckwith have devoted their lives Opening Reception: October 7, 2010 bigumbrellastudios.com Date: October 8, 2010 Date: October 8, 2010 George Krevsky Gallery to documenting the rapidly vanishing way of 5:00-7:00pm Contemporary Jewish Museum Time: 8:00pm Novellus Theater 77 Geary Street life and cultures of the indigenous people of End: October 30, 2010 736 Mission Street -Pre-Concert Talk with Marcus Shelby Hailed as “one of the most adventurous art- San Francisco, CA 94108 Africa. Turning their lenses to the great pasto- Photographs Without Pictures. Klea Mckenna, between Third Street and Fourth Street Marcus Shelby has long been a superb upright ists working today” (Time Out New York), re- T -Helen Berggruen: Itinerant Regionalist ralists of the Sudan, they present a story that Rebecca Najdowski, Jessica Skloven San Francisco, CA 94116 FEWWMWX FYX XLI WGSTI SJ LMW [SVO MR¾YIRGI nowned interdisciplinary artist Ralph Lemon Opening Reception: October 7, 5:30- WXEVXIH[MXLXLIMV½VWXZMWMXXSXLMWVIKMSRXLMVX] www.togonongallery.com -As It Is Written: Project 304,805 and acclaim prove he is much more. He gained returns to YBCA with a groundbreaking mul- 7:30pm years ago in their latest publication, DINKA: (415) 398-5572 Begin: October 8, 2009 initial recognition as leader of the young post- timedia project of epic – and intimate-- pro- End: November 20, 2010 The Great Cattle Herders of the African Sudan. Toomey Tourell End: March 29, 2011 bop group Black/Note and currently leads and portions. Through live performance, a multi- The George Krevsky Gallery takes great plea- Granted acceptance among the Dinka people, 49 Geary Street As It Is Written: Project 304,805 is centered writes for his Marcus Shelby Jazz Orchestra. QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR O WYVI MR ERRSYRGMRK XLIMV EPP OMGOSJJ I\LMFMXMSR who call themselves “jieng” and “mony-jang” San Francisco, CA 94108 around a soferet (a professionally trained fe- 7LIPF]MWTVEGXMGEPP]YFMUYMXSYW,IMWERMR¾YIR- of objects,How Can You Stay in the House All Helen Berggruen: Itinerant Regionalist, open- meaning “men of men”, Beckwith and Fisher -Maria Park male scribe) who, while on public view, will tial educator, has won countless awards, scored (E]ERH2SX+S%R][LIVI#I\TPSVIWLYQER ing Thursday, October 7, and running through beautifully capture this rare symbiosis between Opening Reception: October 7th, 2010 [VMXISYXXLIIRXMVIXI\XSJXLI8SVELSZIVXLI ½PQWERHXLIEXVMGEPWLS[WERHLEWGSQTSWIH connections, loss and the elusive but ever-com- Saturday, November 30, 2010. The solo show, man and animal with their photographs show- 5:30-7:30pm course of a full year. music for ballet and dance companies. To SF- pelling possibility of grace. $30 Reg; $25 YBCA &IVKKVYIR´W ½VWX MR 7ER *VERGMWGS WMRGI  casing these legendary cattlemen. End: October 31, 2010 (415) 655-7800 JAZZ, Shelby brings his latest large-scale work, Mem/Stu/Sen/Tea B highlights landscapes in the Regionalist and (415) 732-0300 The gallery is located in San Francisco at 49 entitled MLK. The piece celebrates the life of -Performance [email protected] Figurative tradition. More than 25 oil paintings www.modernbook.com +IEV]7XVIIXSRXLIXL¾SSV8LIKEPPIV]LSYVW www.thecjm.org Martin Luther King Jr., and integrates fresh or- Date: October 8, 2010 and watercolors depicting views of Europe, the Oakland International Film Festi- are Tuesday through Friday, 11:00-5:30 PM, and de Young chestrations of African American spirituals with Time: 8:00pm Midwest, and Northern California, are featured val Saturday, 11:00-5:00 PM, or by appointment. 50 Hagiwara Tea Garden Drive the Civil Rights era music of John Coltrane and Post-Show Conversation with Ralph Lemon// E at the gallery located at 77 Geary Street in San Begin: October 7, 2010 [email protected] San Francisco, CA 94118 Charles Mingus. $20/$30 Premium Fri, Oct 8//Novellus Theater//FREE w/ perfor- Francisco. End: October 17, 2010 (415) 989-6444 -Friday Nights at the de Young (866) 920-5299 mance ticket Hours: Tue-Sat 11:00am-5:30pm Various Times and locations check website for http://www.toomey-tourell.com Date: October 8, 2010 www.sfjazz.org www.ybca.org (415) 397-9748 details YBCA Time: 5:00-8:45pm Legion of Honor www.georgekrevskygallery.com http://www.oiff.org/ 701 Mission Street Cultural Encounters presents Friday Nights at 100 34th Avenue R George Lawson Gallery SF Arts Commission San Francisco, CA 94103 the de Young. Every Friday Night, join Made- San Francisco, CA 94121 49 Geary 2nd Floor Market Street between Powell and First streets -How Can You Stay in the House All Day and moiselle Kim for a hands-on art making project Date: October 8, 2010 9 Saturday San Francisco CA 94108 -DANCE: Market Street Dance Performance Not Go Anywhere? for all ages. Time: 6:00-8:30pm -Stephen Westfall: Recent Paintings Date: October 7, 2010 Date: October 7, 2010 -Nuits de Saint-Germain Join artist, Dan Taulapapa McMullin and inde- Opening Reception: October 7, 2010 Time: 1:00-5:00pm Novellus Theater Date: October 8, 2010 pendent curator Giles Peterson in the Kimball 1890 Bryant St Studios 5:30-7:30pm End: October 10, 2010 Hailed as “one of the most adventurous art- Time: 6:30–8:30pm Education Gallery for a lively discussion about 1890 Bryant Street -Clem Crosby: Small Paintings Zaccho Dance Theatre will perform the world ists working today” (Time Out New York), re- French music of the 1930s, ’40s, and ’50s urban Samoan art created outside of the Sa- San Francisco, CA 94110 Opening Reception: October 7, 2010 TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI nowned interdisciplinary artist Ralph Lemon -Ballets Russes and Alonzo King LINES Ballet moan Islands during the last decade. -October Open Studios 5:30-7:30pm TIVJSVQERGI SR 1EVOIX 7XVIIX I\TPSVMRK XLI returns to YBCA with a groundbreaking mul- Date: October 8, 2010 legionofhonor.famsf.org Date: October 9, 2010 (415) 772-0977 history of African Americans’ early contribu- timedia project of epic – and intimate-- pro- Time: 6:30–8:30pm Oddball Film + Video Time: 11:00-6:00pm [email protected] tions to the development of San Francisco. The portions. Through live performance, a multi- Ballet studios delight the audience with dance 275 Capp Street Mission Artists United in support of ArtSpan’s www.georgelawsongallery.com performance is being presented as part of the QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR classes San Francisco, CA October Open Studios invite you to visit hun- Hespe Gallery San Francisco Arts Commission’s Art on Mar- of objects,How Can You Stay in the House All -de Young Poetry Series -Weirdsville 19 dreds of artists in the Mission. 251 Post Street, Suite 420 ket Street Temporary Projects Program, which (E]ERH2SX+S%R][LIVI#I\TPSVIWLYQER Date: October 8, 2010 Date: October 8, 2010 [email protected] San Francisco, CA commissions interdisciplinary projects from Bay connections, loss and the elusive but ever-com- Time: 7:00–8:00 pm [[[SHHFEPP½PQGSQ www.missionartistsunited.org -Marianne Kolb: New Work Area artist annually. Sailing Away tells the story pelling possibility of grace. $30 Reg; $25 YBCA de Young Poetry Series with Harryette Mullen SF Arts Commission www.artspan.org Opening Reception: October 7, 2010 of eight prominent African Americans who Mem/Stu/Sen/Tea and Elizabeth Robinson. Market Street between Powell and First streets ActivSpace 5:30-7:30pm lived and worked near Market Street during the -Performance -Lecture -DANCE: Market Street Dance Performance 3150 18th Street End: October 30, 2010 mid-nineteenth century and of the events lead- Date: October 7 2010 Date: October 8, 2010 Date: October 7, 2010 San Francisco, CA 94110 Hespe Gallery is pleased to announce a solo MRKYTXSXLIQEWWI\SHYWSJ%JVMGER%QIVM- Time: 8:00pm Time: 6:00–8:30pm Time: 1:00-5:00pm -October Open Studios I\LMFMXMSR JSV KEPPIV] EVXMWX 1EVMERRI /SPF -R cans from San Francisco in 1858. Post-Show Conversation with Ralph Lemon// Special talk by Artist-in-Residence Dan Taula- End: October 10, 2010 Date: October 9, 2010 this new series of paintings, Kolb continues to (415) 252-4638 Fri, Oct 8//Novellus Theater//FREE w/ perfor- papa McMullin and independent curator Giles Zaccho Dance Theatre will perform the world Time: 11:00-6:00pm I\TPSVIXLILYQERMX]SJLIVWYFNIGX[LMPIJS- www.sfartscommission.org mance ticket Peterson. TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI Mission Artists United in support of ArtSpan’s GYWMRKSRXLI½KYVEXMZIEWTIGXSJXLI[SVO SF Camerawork -Exhibition (415) 750-3600 TIVJSVQERGI SR 1EVOIX 7XVIIX I\TPSVMRK XLI October Open Studios invite you to visit hun- (415) 776-5918 6457 Mission Street, 2nd Floor Begin: October 7, 2010 deyoung.famsf.org history of African Americans’ early contribu- dreds of artists in the Mission. www.hespe.com San Francisco, CA 94105 End: October 10, 2010 Hackett | Mill tions to the development of San Francisco. The [email protected] Kokoro Studio -Suggestions of a Life Being Lived Terrace Gallery 201 Post Street Suite 1000 performance is being presented as part of the www.missionartistsunited.org 682 Geary Street Date: October 7, 2010 %RMRWXEPPEXMSRSJTLSXSKVETLW½PQERHEWPMHI San Francisco, CA 94108 San Francisco Arts Commission’s Art on Mar- www.artspan.org San Francisco, CA Time: 5:00-8:00pm show created by Ralph Lemon inspired by his -Manuel Neri: Collage 1958-1960 ket Street Temporary Projects Program, which Art Explosion 17th -Retrospective: Fall Group Show by Ko- Join us after work as we stay open late! Have eight-year collaboration with centenarian Wal- Opening Reception: October 8, 2010 commissions interdisciplinary projects from Bay 2425 17th Street korostars some wine, enjoy some music, and see the XIV'EVXIVLMW[MJI)HREERHLMWI\XIRHIHGSQ- 5:00-7:00pm Area artist annually. Sailing Away tells the story San Francisco, CA Opening Reception: October 7, 2010 group show. munity in Bentonia End: December 23, 2010 of eight prominent African Americans who -October Open Studios 7:00-10:00pm (415) 512-2020 www.ybca.org Hackett Mill presents early collage work by lived and worked near Market Street during the Date: October 9, 2010 End: October 28, 2010 sfcamerawork.org Bay Area artist Manuel Neri, including canvases, mid-nineteenth century and of the events lead- Time: 11:00-6:00pm Once upon a time, or so the story goes... Ko- SFMOMA sculptures and works on paper. MRKYTXSXLIQEWWI\SHYWSJ%JVMGER%QIVM- Mission Artists United in support of ArtSpan’s koro Studio celebrates its October anniversary 151 Third Street (415) 362-3377 cans from San Francisco in 1858. October Open Studios invite you to visit hun- highlighting illustrious lineup from the previous San Francisco, CA 8 Friday Hyde Street Gallery (415) 252-4638 dreds of artists in the Mission. year. Opening night pumpkin carving contest. -R½RMXI'MX] 1987 Hyde Street www.sfartscommission.org [email protected] kokorostudio.us Date: October 7, 2010 San Francisco, CA 94109 SOMArts Cultural Center www.missionartistsunited.org Mill Valley Film Festival Time: 7:00pm Big Umbrella Studios -Days of Plenty 934 Brannan Street www.artspan.org Begin: October 7, 2010 All Identity is Local, Who Am I Where, Quien 906.5 Divisadero Street End: October 8, 2010 San Francisco, CA 94123 Art Explosion Alabama End: October 17, 2010 Soy y donde soy? San Francisco, CA ,]HI7XVIIX+EPPIV]TVIWIRXWEKVSYTI\LMFM- -Day of the Dead 744 Alabama Street Various Times and locations check website for www.sfmoma.org -I’itoi tion curated by guest curator, Robin Juan, from Date: October 8, 2010 San Francisco, CA details Togonon Gallery Opening Reception: October 8, 2010 Chicago’s Hungryman Gallery. Days of Plenty Time: 6:00-10:00pm -October Open Studios LXXT[[[GE½PQSVKQZJJ 77 Geary Street 2nd Floor 7:00-11:00pm I\LMFMXW'LMGEKSFEWIHEVXMWXW'EVWSR*MWO:MX- Day of the Dead: Honoring Revolution with Date: October 9, 2010 19 Time: 11:00-6:00pm an object of adoration and a victim of civiliza- http://galleryhijinks.com Party of eight prominent African Americans who -October Open Studios Mission Artists United in support of ArtSpan’s tion. In the 19th century photographers played Guerrero Gallery Date: October 9, 2010 lived and worked near Market Street during the Date: October 9, 2010 October Open Studios invite you to visit hun- a decisive role in preservationist movements, 2700 19th Street Join Russ Forster for an unforgettable night of mid-nineteenth century and of the events lead- Time: 11:00-6:00pm O dreds of artists in the Mission. and their descendants continue to shed light San Francisco, CA 94110 8-track delights, featuring a 16mm screening of ing up to the mass exodus of African Ameri- Mission Artists United in support of ArtSpan’s [email protected] on the precarious condition of the planet. -Something Better his SWTR, a gleefully obsessive doc by Forster cans from San Francisco in 1858. October Open Studios invite you to visit hun- www.missionartistsunited.org Developed and Undeveloped: Photographic Begin: October 9, 2010 and Dan Sutherland that chronicles their epic (415) 252-4638 dreds of artists in the Mission. www.artspan.org Landscapes,installed in the de Young’s gallery End: November 6, 2010 10,000-mile pilgrimage through a national un- www.sfartscommission.org [email protected] Art Explosion Harrison for rotating photography exhibitions, features a Richard Colman Featured Solo, Ryan Travis derground of 8-track tape fanatics. Thrill to the Shooting Gallery www.missionartistsunited.org C 2345 Harrison Street diverse selection of photographs of the 19th, Christian Project Room. banjo stylings of the original song “8-Track Luv” 839 Larkin Street www.artspan.org San Francisco, CA 20th, and 21st centuries. From the pristine Hours: Tue–Sat 11:00am-7:00pm, Sun performed by Half Pro! Dance to the nostalgic San Francisco, CA 94109 White Walls -October Open Studios western views of Ansel Adams to the scarred 12:00pm-5:00pm karaoke sounds of Monsieur Fromage! Sweat Begin: October 9, 2010 835 Larkin Street Date: October 9, 2010 quarries of Edward Burtynsky, the exhibition (415) 400-5168 to the world premiere of the Black Metal ex- End: November 6, 2010 San Francisco, CA 94109 Time: 11:00-6:00pm presents a variety of approaches to framing [email protected] ercise video Home Exorcise! Indulge in compli- Cradle Stories and In Search of a New Land 6IXVS½XXIHERH3XLIV*SVQWSJ:MRXEKI*Y- T Jancar Jones Gallery Mission Artists United in support of ArtSpan’s the landscape, with scenes of unspoiled wilder- mentary cake and champagne to celebrate the The Shooting Gallery is proud to present a two turism October Open Studios invite you to visit hun- ness contrasted with sites bearing evidence of 965 Mission, Suite 120 6th wedding anniversary of Russ and Maggie! man show, Cradle Stories and In Search of a Opening Reception: October 9, 2010 dreds of artists in the Mission. human intervention. Drawing from the collec- San Francisco, CA 94103 PLUS glimpses of Russ’ zines (paper and video), New Land: New Works by Lucas Soi and C3. 7:00-11:00pm [email protected] tions of the Achenbach Foundation for Graphic -Michael Guidetti a demonstration of the Telex 12-tape turret &SXL EVXMWXW GVIEXI ½KYVEXMZI HVE[MRKW XS I\- End: November 6, 2010 O www.missionartistsunited.org Arts, the Paul Sack Trust, and Charles and Diane End: October 9, 2010 player, and an 8-track trivia contest, with prizes! plore the trappings of everyday and fantastical With a deep interest in process and structure, www.artspan.org Frankel, the exhibition also includes works by (415) 281-3770 (415) 648-0654 mythology and the rites and rituals that result %YKYWXMRI/S½IGVIEXIW[SVOWSJMRXIRWIHIXEMP Braunstein/Quay Gallery Mathew Brady, Carleton Watkins, Robert Ad- www.jancarjones.com www.othercinema.com from these polarities. centered on the order of balance. The precision 230 Clementina Street ams, Shi Guorui and Michael Light. Kala Institute Ping Pong Gallery (415) 931-8035 SJ /S½I´W±HVEJXIH²EVX MW WXVSRKP] MRWTMVIH F] San Francisco, CA 94103 -Children’s Workshops 2990 San Pablo Avenue 1240 22nd Street www.shootinggallerysf.com modern architecture as well as the form and B Date: October 9, 2010 Berkeley, CA 94702 Southern Exposure -Judy Pfaff: Sculptural Paintings San Francisco, CA 94107 shape of typography. In his quest for balance, Opening Reception: October 9, 2010 Time: 10:30am–12:00pm End: October 9, 2010 -New Work by Josh Podoll 3030 20th Street /S½ILEVQSRM^IWSTTSWMRKERHGSRXVEHMGXSV] 3:00-5:00pm Kimball Education Gallery The Kala Gallery is proud to present our 2009- Opening Reception: September 9, 2010 San Francisco, CA 94110 dynamics in his work by setting futuristic com- End: November 6, 2010 Children’s Workshops: Doing and Viewing Art 2010 Fellowship artists in a two-part exhibition. 6:00-9:00pm -ART PUBLISHING NOW: BAY AREA positions against vintage earth-toned palettes, E Judy Pfaff’s visually rich, texturally diverse, and and Big Kids/Little Kids present contemporary Residency Projects Part II features work by Ter- End: October 9, 2010 Begin: October 9, 2010 and creating organically complex formations psychologically complex subject matter consis- sculpture. Tours of current exhibitions are fol- ry Berlier, Jeffrey Hantman, Sean McFarland and 4MRK4SRK+EPPIV]MWTPIEWIHXSTVIWIRXMXW½VWX End: October 10, 2010 through meticulously structured line-work and tently intrigues and delights viewers. Naturally lowed by studio workshops taught by profes- Ranu Mukherjee. solo exhibition with San Francisco artist Josh Art Publishing Now (APN), a two-day event PE]IVMRK %YKYWXMRI /S½I MW E WIPJXEYKLX EVX- curious, Pfaff has an innate ability to rejuvenate sional artist-teachers. Programs are appropriate (510) 549-2977 Podoll. Podoll presents a new series of large, dedicated to the investigation and showcasing ist living and working in Los Angeles. He has everyday objects into unusually striking visual for children ages 4 through 12. An adult must www.kala.org colorful paintings that communicate a “vivid of art publishing practices in the Bay Area. Art shown extensively worldwide with highlighted R matter. Her large scale multi-media works are accompany children under the age of eight Legion of Honor awakeness that is more like a lucid dream than Publishing Now includes a summit of presenta- shows in New York, California, Japan, The Neth- a rare combination of elegance and detritus. years old. Programs are free after museum ad- 100 Legion of Honor Drive a waking perception of nature.” tions and critical discussions, an after-party, an erlands, Germany and Switzerland. (415) 278-9850 mission. Register 15 minutes before class. Space San Francisco, CA 94121 (415) 550-7483 art publishers fair, and a library and archive. (415) 931-1500 www.bquayartgallery.com is limited. No late admittance. -Nikki Yanofsky [email protected] -Art Publishing Now Summit www.whitewallssf.com Congregation Sherith Israel (415) 750-3600 Date: October 9, 2010 www.pingponggallery.com Date: October 9, 2010 Workspace Limited 2266 California Street deyoung.famsf.org TIme: 2:00pm Project Artaud Time: 11:00am-6:00pm 2150 San Francisco, CA 94115 Developing Environments Florence Gould Theatre 499 Alabama Street Please register to attend at www.artpublishing- San Francisco, CA 94110 Date: October 9, 2010 540 Alabama Street To say that Nikki Yanofksy is “special” is an un- San Francisco, CA 94110 now.org. The 2010 Art Publishing Now Summit -October Open Studios Time: 8:00pm San Francisco, CA 94110 derstatement. Just 16, Nikki has quickly become -October Open Studios invites you to join leading creators of print, on- Date: October 9, 2010 Pre-concert talk with Anat & Avishai Cohen -October Open Studios one of the top jazz and pop singers in . Date: October 9, 2010 PMRIERHI\TIVMQIRXEPTYFPMGEXMSRWXSVI¾IGXSR Time: 11:00-6:00pm Since moving from Israel to the U.S. in 1996, Date: October 9, 2010 Yanofsky launched her career at the 2006 Mon- Time: 11:00-6:00pm the most urgent issues and exciting possibilities Mission Artists United in support of ArtSpan’s clarinetist and tenor-saxophonist Anat Cohen Time: 11:00-6:00pm treal Jazz Festival, performing when she was Mission Artists United in support of ArtSpan’s in art publishing today. With topics ranging from October Open Studios invite you to visit hun- has played everything from modern jazz to Bra- Mission Artists United in support of ArtSpan’s only 12. She sang a track on tribute October Open Studios invite you to visit hun- “Publish AND Perish” to “West Coast Critical?”, dreds of artists in the Mission. zilian choro, Argentine tango, Afro-Cuban and October Open Studios invite you to visit hun- CD We All Love Ella, becoming the youngest dreds of artists in the Mission. the event will include a series of presentations, [email protected] classical music. With two consecutive Down- dreds of artists in the Mission. artist to ever record for Verve, and in 2008 re- [email protected] conversations, and panels intended to yield in- www.missionartistsunited.org Beat Critics Poll Rising-Star Clarinet awards [email protected] PIEWIHLIV½VWXEPFYQ[LMGLVIGIMZIHETEMVSJ www.missionartistsunited.org sight and encourage innovation in Bay Area art www.artspan.org and a 2009 Best Clarinetist award from the Jazz www.missionartistsunited.org Juno nominations. So rapid has been her ascent www.artspan.org publishing. For a full list of topics and presenters YBCA Journalists Association, she is easily the most www.artspan.org that she was chosen to sing Canada’s nation- Red Brick Studio please go to www.artpublishingnow.org. 701 Mission Street exciting young player on the instrument. Co- Exploratorium al anthem at the opening ceremonies of the 2111 Mission Street 3rd Floor -After Party San Francisco, CA 94103 hen has a stellar series of CDs to her credit, 3601 Lyon Street 2010 Winter Olympics. Yanofsky’s new Decca San Francisco, CA 94110 Date: October 9, 2010 -How Can You Stay in the House All Day and including the recent release Clarinetwork: Live San Francisco, CA CD, Nikki, was produced by the legendary Phil -October Open Studios Time: 6:00pm-10:00pm Not Go Anywhere? at the Village Vanguard. Anat’s brother, trum- -Charles and Ray Eames Ramone and songwriter Jesse Harris, widely Date: October 9, 2010 Join Art Publishing Now Summit and Fair par- Date: October 9, 2010 peter Avishai Cohen, is another rising star and Date: October 9, 2010 known for his work with Norah Jones. Already Time: 11:00-6:00pm ticipants for a get together at Southern Expo- Novellus Theater one of the most important jazz musicians to Time: 2:00pm working with artists like Herbie Hancock and Mission Artists United in support of ArtSpan’s sure. Purchase food from some of SF’s favor- Hailed as “one of the most adventurous art- emerge from Israel. A member of the all-star McBean Theater Wyclef Jean and performing from Jamaica to October Open Studios invite you to visit hun- ite street food vendors including El Tonayense ists working today” (Time Out New York), re- SFJAZZ Collective, he is also the co-leader of 7*'MRIQEXLIUYI%WIGXMSRSJWLSVX½PQW Japan, it’s staggering to consider that Nikki Ya- dreds of artists in the Mission. Taco Truck. Drinks and libations sponsored by nowned interdisciplinary artist Ralph Lemon the eclectic world-jazz group Third World Love www.sfcinematheque.org nofsky is just getting started. [email protected] Trumer Brauerei, BridgePort Brewery, and Spo- returns to YBCA with a groundbreaking mul- and has worked with the likes of , Gallery Hijinks -Organ Concert www.missionartistsunited.org etzl Brewery. timedia project of epic – and intimate-- pro- Jason Lindner, Lionel Loueke and Dafnis Prieto, 2309 Bryant Street Date: October 9, 2010 www.artspan.org (415) 863-2141 portions. Through live performance, a multi- among others. Avishai has released a number San Francisco CA, 94110 Time: 4:00pm SF Arts Commission www.soex.org QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR of heralded , including his most recent, -Highly Contagious Group Show www.legionofhonor.org Market Street between Powell and First streets The Blue Studio of objects,How Can You Stay in the House All Flood, which features a unique trio of trumpet, End: October 9th 2010 Mission Cultural Center -DANCE: Market Street Dance Performance 2111 Mission Street Day and Not Go Anywhere? explores human piano and percussion. Highly Contagious is Gallery Hijinks’ second 2868 Mission Street Date: October 9, 2010 San Francisco, CA 94110 connections, loss and the elusive but ever-com- (866) 920-5299 group exhibition featuring Chris Blackstock, San Francisco, CA Time: 1:00-5:00pm -October Open Studios pelling possibility of grace. $30 Reg; $25 YBCA www.sfjazz.org Peter Gronquist, Robert Minervini, Sebastian -R½RMXI'MX] End: October 10, 2010 Date: October 9, 2010 Mem/Stu/Sen/Tea de Young Wahl, Langdon Graves, Andrea Wan, Catherine Date: October 9, 2010 Zaccho Dance Theatre will perform the world Time: 11:00-6:00pm -Performance 50 Hagiwara Tea Garden Drive Ryan, and Jen Mann. We present these eight Time: 8:30pm TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI Mission Artists United in support of ArtSpan’s Date: October 9, 2010 San Francisco, CA 94118 emerging artists as a glimpse of what hijinks All Identity is Local, Some Lost Tribes of San performance on Market Street exploring the October Open Studios invite you to visit hun- Time: 8:00pm -Developed and Undeveloped: Photographic lie ahead. Together they bring a refreshing as- Francisco. Presented by SFMOMA in conjunc- history of African Americans’ early contribu- dreds of artists in the Mission. www.ybca.org Landscapes sortment of artistic mediums and perspectives. tion with Litquake tions to the development of San Francisco. The [email protected] Begin: October 9, 2010 Clay sculptures and glamorized trophy heads www.sfmoma.org performance is being presented as part of the www.missionartistsunited.org End: March 6, 2011 are displayed in the windows while resin col- OTHER CINEMA San Francisco Arts Commission’s Art on Mar- www.artspan.org Fisher Family Gallery lage, oil, acrylic, watercolor, charcoal and graph- 992 Valencia Street ket Street Temporary Projects Program, which The SUB At once powerful and vulnerable, the natural ite works within. San Francisco, CA 94110 commissions interdisciplinary projects from Bay 199 Capp Street 10 Sunday environment has been portrayed alternately as [email protected] -So Wrong They’re Right 15th Anniversary Area artist annually. Sailing Away tells the story San Francisco, CA 20 Time: 11:00-6:00pm an object of adoration and a victim of civiliza- http://galleryhijinks.com Party of eight prominent African Americans who -October Open Studios Mission Artists United in support of ArtSpan’s tion. In the 19th century photographers played Guerrero Gallery Date: October 9, 2010 lived and worked near Market Street during the Date: October 9, 2010 October Open Studios invite you to visit hun- a decisive role in preservationist movements, 2700 19th Street Join Russ Forster for an unforgettable night of mid-nineteenth century and of the events lead- Time: 11:00-6:00pm O dreds of artists in the Mission. and their descendants continue to shed light San Francisco, CA 94110 8-track delights, featuring a 16mm screening of ing up to the mass exodus of African Ameri- Mission Artists United in support of ArtSpan’s [email protected] on the precarious condition of the planet. -Something Better his SWTR, a gleefully obsessive doc by Forster cans from San Francisco in 1858. October Open Studios invite you to visit hun- www.missionartistsunited.org Developed and Undeveloped: Photographic Begin: October 9, 2010 and Dan Sutherland that chronicles their epic (415) 252-4638 dreds of artists in the Mission. www.artspan.org Landscapes,installed in the de Young’s gallery End: November 6, 2010 10,000-mile pilgrimage through a national un- www.sfartscommission.org [email protected] Art Explosion Harrison for rotating photography exhibitions, features a Richard Colman Featured Solo, Ryan Travis derground of 8-track tape fanatics. Thrill to the Shooting Gallery www.missionartistsunited.org C 2345 Harrison Street diverse selection of photographs of the 19th, Christian Project Room. banjo stylings of the original song “8-Track Luv” 839 Larkin Street www.artspan.org San Francisco, CA 20th, and 21st centuries. From the pristine Hours: Tue–Sat 11:00am-7:00pm, Sun performed by Half Pro! Dance to the nostalgic San Francisco, CA 94109 White Walls -October Open Studios western views of Ansel Adams to the scarred 12:00pm-5:00pm karaoke sounds of Monsieur Fromage! Sweat Begin: October 9, 2010 835 Larkin Street Date: October 9, 2010 quarries of Edward Burtynsky, the exhibition (415) 400-5168 to the world premiere of the Black Metal ex- End: November 6, 2010 San Francisco, CA 94109 Time: 11:00-6:00pm presents a variety of approaches to framing [email protected] ercise video Home Exorcise! Indulge in compli- Cradle Stories and In Search of a New Land 6IXVS½XXIHERH3XLIV*SVQWSJ:MRXEKI*Y- T Jancar Jones Gallery Mission Artists United in support of ArtSpan’s the landscape, with scenes of unspoiled wilder- mentary cake and champagne to celebrate the The Shooting Gallery is proud to present a two turism October Open Studios invite you to visit hun- ness contrasted with sites bearing evidence of 965 Mission, Suite 120 6th wedding anniversary of Russ and Maggie! man show, Cradle Stories and In Search of a Opening Reception: October 9, 2010 dreds of artists in the Mission. human intervention. Drawing from the collec- San Francisco, CA 94103 PLUS glimpses of Russ’ zines (paper and video), New Land: New Works by Lucas Soi and C3. 7:00-11:00pm [email protected] tions of the Achenbach Foundation for Graphic -Michael Guidetti a demonstration of the Telex 12-tape turret &SXL EVXMWXW GVIEXI ½KYVEXMZI HVE[MRKW XS I\- End: November 6, 2010 O www.missionartistsunited.org Arts, the Paul Sack Trust, and Charles and Diane End: October 9, 2010 player, and an 8-track trivia contest, with prizes! plore the trappings of everyday and fantastical With a deep interest in process and structure, www.artspan.org Frankel, the exhibition also includes works by (415) 281-3770 (415) 648-0654 mythology and the rites and rituals that result %YKYWXMRI/S½IGVIEXIW[SVOWSJMRXIRWIHIXEMP Braunstein/Quay Gallery Mathew Brady, Carleton Watkins, Robert Ad- www.jancarjones.com www.othercinema.com from these polarities. centered on the order of balance. The precision 230 Clementina Street ams, Shi Guorui and Michael Light. Kala Institute Ping Pong Gallery (415) 931-8035 SJ /S½I´W±HVEJXIH²EVX MW WXVSRKP] MRWTMVIH F] San Francisco, CA 94103 -Children’s Workshops 2990 San Pablo Avenue 1240 22nd Street www.shootinggallerysf.com modern architecture as well as the form and B Date: October 9, 2010 Berkeley, CA 94702 Southern Exposure -Judy Pfaff: Sculptural Paintings San Francisco, CA 94107 shape of typography. In his quest for balance, Opening Reception: October 9, 2010 Time: 10:30am–12:00pm End: October 9, 2010 -New Work by Josh Podoll 3030 20th Street /S½ILEVQSRM^IWSTTSWMRKERHGSRXVEHMGXSV] 3:00-5:00pm Kimball Education Gallery The Kala Gallery is proud to present our 2009- Opening Reception: September 9, 2010 San Francisco, CA 94110 dynamics in his work by setting futuristic com- End: November 6, 2010 Children’s Workshops: Doing and Viewing Art 2010 Fellowship artists in a two-part exhibition. 6:00-9:00pm -ART PUBLISHING NOW: BAY AREA positions against vintage earth-toned palettes, E Judy Pfaff’s visually rich, texturally diverse, and and Big Kids/Little Kids present contemporary Residency Projects Part II features work by Ter- End: October 9, 2010 Begin: October 9, 2010 and creating organically complex formations psychologically complex subject matter consis- sculpture. Tours of current exhibitions are fol- ry Berlier, Jeffrey Hantman, Sean McFarland and 4MRK4SRK+EPPIV]MWTPIEWIHXSTVIWIRXMXW½VWX End: October 10, 2010 through meticulously structured line-work and tently intrigues and delights viewers. Naturally lowed by studio workshops taught by profes- Ranu Mukherjee. solo exhibition with San Francisco artist Josh Art Publishing Now (APN), a two-day event PE]IVMRK %YKYWXMRI /S½I MW E WIPJXEYKLX EVX- curious, Pfaff has an innate ability to rejuvenate sional artist-teachers. Programs are appropriate (510) 549-2977 Podoll. Podoll presents a new series of large, dedicated to the investigation and showcasing ist living and working in Los Angeles. He has everyday objects into unusually striking visual for children ages 4 through 12. An adult must www.kala.org colorful paintings that communicate a “vivid of art publishing practices in the Bay Area. Art shown extensively worldwide with highlighted R matter. Her large scale multi-media works are accompany children under the age of eight Legion of Honor awakeness that is more like a lucid dream than Publishing Now includes a summit of presenta- shows in New York, California, Japan, The Neth- a rare combination of elegance and detritus. years old. Programs are free after museum ad- 100 Legion of Honor Drive a waking perception of nature.” tions and critical discussions, an after-party, an erlands, Germany and Switzerland. (415) 278-9850 mission. Register 15 minutes before class. Space San Francisco, CA 94121 (415) 550-7483 art publishers fair, and a library and archive. (415) 931-1500 www.bquayartgallery.com is limited. No late admittance. -Nikki Yanofsky [email protected] -Art Publishing Now Summit www.whitewallssf.com Congregation Sherith Israel (415) 750-3600 Date: October 9, 2010 www.pingponggallery.com Date: October 9, 2010 Workspace Limited 2266 California Street deyoung.famsf.org TIme: 2:00pm Project Artaud Time: 11:00am-6:00pm 2150 Folsom Street San Francisco, CA 94115 Developing Environments Florence Gould Theatre 499 Alabama Street Please register to attend at www.artpublishing- San Francisco, CA 94110 Date: October 9, 2010 540 Alabama Street To say that Nikki Yanofksy is “special” is an un- San Francisco, CA 94110 now.org. The 2010 Art Publishing Now Summit -October Open Studios Time: 8:00pm San Francisco, CA 94110 derstatement. Just 16, Nikki has quickly become -October Open Studios invites you to join leading creators of print, on- Date: October 9, 2010 Pre-concert talk with Anat & Avishai Cohen -October Open Studios one of the top jazz and pop singers in Canada. Date: October 9, 2010 PMRIERHI\TIVMQIRXEPTYFPMGEXMSRWXSVI¾IGXSR Time: 11:00-6:00pm Since moving from Israel to the U.S. in 1996, Date: October 9, 2010 Yanofsky launched her career at the 2006 Mon- Time: 11:00-6:00pm the most urgent issues and exciting possibilities Mission Artists United in support of ArtSpan’s clarinetist and tenor-saxophonist Anat Cohen Time: 11:00-6:00pm treal Jazz Festival, performing when she was Mission Artists United in support of ArtSpan’s in art publishing today. With topics ranging from October Open Studios invite you to visit hun- has played everything from modern jazz to Bra- Mission Artists United in support of ArtSpan’s only 12. She sang a track on the Verve tribute October Open Studios invite you to visit hun- “Publish AND Perish” to “West Coast Critical?”, dreds of artists in the Mission. zilian choro, Argentine tango, Afro-Cuban and October Open Studios invite you to visit hun- CD We All Love Ella, becoming the youngest dreds of artists in the Mission. the event will include a series of presentations, [email protected] classical music. With two consecutive Down- dreds of artists in the Mission. artist to ever record for Verve, and in 2008 re- [email protected] conversations, and panels intended to yield in- www.missionartistsunited.org Beat Critics Poll Rising-Star Clarinet awards [email protected] PIEWIHLIV½VWXEPFYQ[LMGLVIGIMZIHETEMVSJ www.missionartistsunited.org sight and encourage innovation in Bay Area art www.artspan.org and a 2009 Best Clarinetist award from the Jazz www.missionartistsunited.org Juno nominations. So rapid has been her ascent www.artspan.org publishing. For a full list of topics and presenters YBCA Journalists Association, she is easily the most www.artspan.org that she was chosen to sing Canada’s nation- Red Brick Studio please go to www.artpublishingnow.org. 701 Mission Street exciting young player on the instrument. Co- Exploratorium al anthem at the opening ceremonies of the 2111 Mission Street 3rd Floor -After Party San Francisco, CA 94103 hen has a stellar series of CDs to her credit, 3601 Lyon Street 2010 Winter Olympics. Yanofsky’s new Decca San Francisco, CA 94110 Date: October 9, 2010 -How Can You Stay in the House All Day and including the recent release Clarinetwork: Live San Francisco, CA CD, Nikki, was produced by the legendary Phil -October Open Studios Time: 6:00pm-10:00pm Not Go Anywhere? at the Village Vanguard. Anat’s brother, trum- -Charles and Ray Eames Ramone and songwriter Jesse Harris, widely Date: October 9, 2010 Join Art Publishing Now Summit and Fair par- Date: October 9, 2010 peter Avishai Cohen, is another rising star and Date: October 9, 2010 known for his work with Norah Jones. Already Time: 11:00-6:00pm ticipants for a get together at Southern Expo- Novellus Theater one of the most important jazz musicians to Time: 2:00pm working with artists like Herbie Hancock and Mission Artists United in support of ArtSpan’s sure. Purchase food from some of SF’s favor- Hailed as “one of the most adventurous art- emerge from Israel. A member of the all-star McBean Theater Wyclef Jean and performing from Jamaica to October Open Studios invite you to visit hun- ite street food vendors including El Tonayense ists working today” (Time Out New York), re- SFJAZZ Collective, he is also the co-leader of 7*'MRIQEXLIUYI%WIGXMSRSJWLSVX½PQW Japan, it’s staggering to consider that Nikki Ya- dreds of artists in the Mission. Taco Truck. Drinks and libations sponsored by nowned interdisciplinary artist Ralph Lemon the eclectic world-jazz group Third World Love www.sfcinematheque.org nofsky is just getting started. [email protected] Trumer Brauerei, BridgePort Brewery, and Spo- returns to YBCA with a groundbreaking mul- and has worked with the likes of John Zorn, Gallery Hijinks -Organ Concert www.missionartistsunited.org etzl Brewery. timedia project of epic – and intimate-- pro- Jason Lindner, Lionel Loueke and Dafnis Prieto, 2309 Bryant Street Date: October 9, 2010 www.artspan.org (415) 863-2141 portions. Through live performance, a multi- among others. Avishai has released a number San Francisco CA, 94110 Time: 4:00pm SF Arts Commission www.soex.org QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR of heralded albums, including his most recent, -Highly Contagious Group Show www.legionofhonor.org Market Street between Powell and First streets The Blue Studio of objects,How Can You Stay in the House All Flood, which features a unique trio of trumpet, End: October 9th 2010 Mission Cultural Center -DANCE: Market Street Dance Performance 2111 Mission Street Day and Not Go Anywhere? explores human piano and percussion. Highly Contagious is Gallery Hijinks’ second 2868 Mission Street Date: October 9, 2010 San Francisco, CA 94110 connections, loss and the elusive but ever-com- (866) 920-5299 group exhibition featuring Chris Blackstock, San Francisco, CA Time: 1:00-5:00pm -October Open Studios pelling possibility of grace. $30 Reg; $25 YBCA www.sfjazz.org Peter Gronquist, Robert Minervini, Sebastian -R½RMXI'MX] End: October 10, 2010 Date: October 9, 2010 Mem/Stu/Sen/Tea de Young Wahl, Langdon Graves, Andrea Wan, Catherine Date: October 9, 2010 Zaccho Dance Theatre will perform the world Time: 11:00-6:00pm -Performance 50 Hagiwara Tea Garden Drive Ryan, and Jen Mann. We present these eight Time: 8:30pm TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI Mission Artists United in support of ArtSpan’s Date: October 9, 2010 San Francisco, CA 94118 emerging artists as a glimpse of what hijinks All Identity is Local, Some Lost Tribes of San performance on Market Street exploring the October Open Studios invite you to visit hun- Time: 8:00pm -Developed and Undeveloped: Photographic lie ahead. Together they bring a refreshing as- Francisco. Presented by SFMOMA in conjunc- history of African Americans’ early contribu- dreds of artists in the Mission. www.ybca.org Landscapes sortment of artistic mediums and perspectives. tion with Litquake tions to the development of San Francisco. The [email protected] Begin: October 9, 2010 Clay sculptures and glamorized trophy heads www.sfmoma.org performance is being presented as part of the www.missionartistsunited.org End: March 6, 2011 are displayed in the windows while resin col- OTHER CINEMA San Francisco Arts Commission’s Art on Mar- www.artspan.org Fisher Family Gallery lage, oil, acrylic, watercolor, charcoal and graph- 992 Valencia Street ket Street Temporary Projects Program, which The SUB At once powerful and vulnerable, the natural ite works within. San Francisco, CA 94110 commissions interdisciplinary projects from Bay 199 Capp Street 10 Sunday environment has been portrayed alternately as [email protected] -So Wrong They’re Right 15th Anniversary Area artist annually. Sailing Away tells the story San Francisco, CA 21 1890 Bryant St Studios youngest-ever faculty member by the time she Date: October 10, 2010 3030 20th Street portions. Through live performance, a multi- San Francisco, CA 94133 1890 Bryant Street was 20. Further, she has worked with jazz giants Time: 3:00pm San Francisco, CA 94110 QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR -Lecture San Francisco, CA 94110 from McCoy Tyner to Joe Lovano, Regina Cart- With a distinctive blend of Pan-American jazz -ART PUBLISHING NOW: BAY AREA of objects,How Can You Stay in the House All Date: October 11, 2010 O -October Open Studios er, Pat Metheny, Michel Camilo, Mike Stern and (covering the music of the Americas, folkloric End: October 10, 2010 Day and Not Go Anywhere? explores human Time: 7:30pm Date: October 10, 2010 others. But what distinguishes Esperanza from and world music), Danilo Pérez is among the Art Publishing Now (APN), a two-day event connections, loss and the elusive but ever-com- Taravat Talepasand. 2010 Richard Diebenkorn Time: 11:00-6:00pm the pack, are her vocals — singing in English, most dynamic musicians of our time. Born and dedicated to the investigation and showcasing pelling possibility of grace. $30 Reg; $25 YBCA Teaching Fellow. Mission Artists United in support of ArtSpan’s Spanish and Portuguese, she represents one of raised in Panama, he started playing piano at of art publishing practices in the Bay Area. Art Mem/Stu/Sen/Tea (415) 771-7020 October Open Studios invite you to visit hun- the most exciting voices in jazz. Spalding’s inno- three and studied at the National Conserva- Publishing Now includes a summit of presenta- -Installation: Meditation www.sfaq.edu C dreds of artists in the Mission. vative new CD, Chamber Music Society, com- tory when he was ten. Perez has worked with tions and critical discussions, an after-party, an Date: October 10, 2010 SFMOMA [email protected] bines a classical string trio with a rhythm section some of the greatest names in jazz including art publishers fair, and a library and archive. Time: 12:00-6:00pm 151 Third Street www.missionartistsunited.org and features guests including Milton Nascimen- Michael Brecker, Joe Lovano, Wynton Marsalis, -Art Publishers Fair Novellus Theater San Francisco, CA www.artspan.org to and Gil Goldstein. Talk to anyone who saw Dizzy Gillespie, Paquito D’Rivera, Roy Haynes, Date: October 10, 2010 -MURDER, INC. -R½RMXI'MX]4SMWSR4EPEXI T ActivSpace her sold-out SFJAZZ show last fall and they’ll Tito Puente and Jon Hendricks, among oth- Time: 11:00am-6:00pm Date: October 10, 2010 Date: October 11, 2010 3150 18th Street tell you: don’t miss Esperanza! ers. He has for years been a member of the The fair showcases the breadth and depth of Time: 2:00 pm Time: 7:00pm San Francisco, CA 94110 (866) 920-5299 Wayne Shorter Quartet along with John Pa- art publishing projects in the Bay Area. The Murder, Inc. is a stylized drama about the Brook- Artist Talk with Amy Franceschini -October Open Studios www.sfjazz.org titucci (bass) and Brian Blade (drums), one fair hosts more than 50 Bay Area independent lyn mobsters who terrorized in www.sfmoma.org Date: October 10, 2010 de Young of the world’s most cohesive and acclaimed publishing and related projects presenting a di- the 1930s featuring David Stewart as Louis O Time: 11:00-6:00pm 50 Hagiwara Tea Garden Drive groups. Earning three Grammy nominations verse range of the best in contemporary art “Lepke” Buchalter,” Oscar-nominated Peter Falk Mission Artists United in support of ArtSpan’s San Francisco, CA 94118 along the way, Perez has released nine albums publications ranging from periodicals, websites, as “Kid Twist” Reles, and a few minutes of jazz October Open Studios invite you to visit hun- -Performance as a leader including his latest, Panama Suite. He editions and more. For a full list of participating great Sarah Vaughn. (1960, 103 min, 35mm) 12 Tuesday dreds of artists in the Mission. Date: October 10, 2010 serves as the Cultural Ambassador of Panama, vendors please go to www.artpublishingnow. -Film Screening: Solaris by Andrei Tarkovsky [email protected] Time: 1:00-2:30 pm is the president and founder of the Panama Jazz org. Date October 10, 2010 B www.missionartistsunited.org Classical Revolution and Brazilian pianist Weber (415) 863-2141 Time: 4:30pm Festival, and is the Ambassador of Goodwill for de Young www.artspan.org Lago perform a collaboration. UNICEF. Danilo performs the music of Theloni- www.soex.org Screening Room 50 Hagiwara Tea Garden Drive Art Explosion 17th Street (415) 750-3531 ous Monk on October 10, Monk’s birthday, pro- The Blue Studio -Exhibition San Francisco, CA 94118 2425 17th Street deyoung.famsf.org viding a rare treat for SFJAZZ Members only. 2111 Mission Street End: October 10, 2010 Date: October 12, 2010 E San Francisco, CA Developing Environments (866) 920-5299 San Francisco, CA 94110 Terrace Gallery Time: 8:00pm -October Open Studios 540 Alabama Street www.sfjazz.org -October Open Studios %RMRWXEPPEXMSRSJTLSXSKVETLW½PQERHEWPMHI The American Decorative Arts Forum presents Date: October 10, 2010 San Francisco, CA 94110 Project Artaud Date: October 10, 2010 show created by Ralph Lemon inspired by his a lecture titled Japanning in America by Chris- Time: 11:00-6:00pm -October Open Studios 499 Alabama Street Time: 11:00-6:00pm eight-year collaboration with centenarian Wal- tine Thompson. Mission Artists United in support of ArtSpan’s Date: October 10, 2010 San Francisco, CA 94110 Mission Artists United in support of ArtSpan’s ter Carter, his wife Edna and his extended com- (415) 750-7634 R October Open Studios invite you to visit hun- Time: 11:00-6:00pm -October Open Studios October Open Studios invite you to visit hun- munity in Bentonia deyoung.famsf.org dreds of artists in the Mission. Mission Artists United in support of ArtSpan’s Date: October 10, 2010 dreds of artists in the Mission. www.ybca.org [email protected] October Open Studios invite you to visit hun- Time: 11:00-6:00pm [email protected] www.missionartistsunited.org dreds of artists in the Mission. Mission Artists United in support of ArtSpan’s www.missionartistsunited.org www.artspan.org [email protected] October Open Studios invite you to visit hun- www.artspan.org 13 Wednesday Art Explosion Alabama www.missionartistsunited.org dreds of artists in the Mission. The SUB 11 Monday 744 Alabama Street www.artspan.org [email protected] 199 Capp Street San Francisco, CA Exploratorium www.missionartistsunited.org San Francisco, CA Cantor Arts Center -October Open Studios 3601 Lyon Street www.artspan.org -October Open Studios Herbst Theatre 328 Lomita Dr Date: October 10, 2010 San Francisco, CA 94123 Red Brick Studio Date: October 10, 2010 401 Van Ness Avenue Stanford, CA 94305 Time: 11:00-6:00pm -10/10/10: An Auspicious Day to Celebrate 2111 Mission Street 3rd Floor Time: 11:00-6:00pm San Francisco, CA 94102 -Vodoun/Vodounon: Portraits of Initiates Mission Artists United in support of ArtSpan’s the Powers of Ten San Francisco, CA 94110 Mission Artists United in support of ArtSpan’s -Chucho Valdés Begin: October 13, 2010 October Open Studios invite you to visit hun- Date: October 10, 2010 -October Open Studios October Open Studios invite you to visit hun- Date: October 11, 2010 End: March 20, 2010 dreds of artists in the Mission. “Take your pleasure seriously,” is a famous Date: October 10, 2010 dreds of artists in the Mission. Time: 7:30pm This exhibition features 25 compelling diptychs [email protected] statement of American designer Charles Time: 11:00-6:00pm [email protected] One of the world’s great pianists, Chucho Val- by the Belgian photographer Jean-Dominique www.missionartistsunited.org Eames, and the Exploratorium in San Francisco Mission Artists United in support of ArtSpan’s www.missionartistsunited.org dés is a virtuoso of seemingly limitless abilities Burton, who pairs black-and-white portraits www.artspan.org intends to do just that. The Exploratorium will October Open Studios invite you to visit hun- www.artspan.org and a giant among Cuban musicians. He is the with color photographs for a sensitive por- Art Explosion Harrison GIPIFVEXIXLI)EQIW´MHIEWERHWTIGM½GEPP]XLIMV dreds of artists in the Mission. Workspace Limited son of the esteemed pianist Bebo Valdés and trayal of Vodoun practitioners and their sacred 2345 Harrison Street JEQSYW½PQ4S[IVWSJ8IR8LIHE][MPPMRGPYHI [email protected] 2150 Folsom Street EXVYITVSHMK][LSPIHLMW½VWXXVMSEX-R shrines. Burton’s images provide an exceptional San Francisco, CA activities, demonstrations, conversations, and www.missionartistsunited.org San Francisco, CA 94110 1973, Valdés co-founded the legendary band glimpse into the esoteric domain of this tradi- -October Open Studios SJGSYVWI½PQWI\TPSVMRKXLIVIPEXMZIWGEPISJ www.artspan.org -October Open Studios Irakere with Paquito D’Rivera and Arturo San- tional Fon religion, now called variously Vodou, Date: October 10, 2010 things, and the philosophy and ideas of Charles SF Arts Commission Date: October 10, 2010 doval, which became the most important group Vodun, Vaudou, or Vaudoux, as practiced in the Time: 11:00-6:00pm and Ray Eames. The Eames were arguably the Market Street between Powell and First streets Time: 11:00-6:00pm in Cuba. Over his amazing career, Valdés has heart of its birthplace, the current-day Republic Mission Artists United in support of ArtSpan’s most important and egalitarian American de- -DANCE: Market Street Dance Performance Mission Artists United in support of ArtSpan’s led more than 20 albums, appeared on over of Benin. Burton’s work is accompanied by a October Open Studios invite you to visit hun- signers of the 20th century and contributed Date: October 9, 2010 October Open Studios invite you to visit hun- 100, and won seven Grammy Awards. He has documentary video, which plays alongside the dreds of artists in the Mission. XSXLI½IPHWSJIHYGEXMSREVGLMXIGXYVIHIWMKR Time: 1:00-5:00pm dreds of artists in the Mission. collaborated with several of the most promi- artworks in this exhibition. [email protected] manufacturing, cinema and photography. This End: October 10, 2010 [email protected] nent pianists, including Herbie Hancock, Chick (650) 723-4177 www.missionartistsunited.org event is included in the price of admission to Zaccho Dance Theatre will perform the world www.missionartistsunited.org Corea, Kenny Barron, Gonzalo Rubalcaba and museum.stanford.edu www.artspan.org the museum. TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI www.artspan.org others. In 2000, Valdés was inducted into the de Young Davies Symphony Hall -Plankton Properties performance on Market Street exploring the YBCA Latin Jazz Hall of Fame with fellow trailblazers 50 Hagiwara Tea Garden Drive 201 Van Ness Avenue Date: October 10, 2010 history of African Americans’ early contribu- 701 Mission Street Tito Puente, Eddie Palmieri and Lalo Schifrin. San Francisco, CA 94118 San Francisco 94102 End: October 21, 2010 tions to the development of San Francisco. The San Francisco, CA 94103 Most recently he’s come full-circle, recording Date: October 13, 2010 -Esperanza Spalding Chamber Music Society Our ocean waters teem with tiny microscopic performance is being presented as part of the -Tough Guys the Grammy-nominated duet Juntos Time: 4:00–5:30pm Date: October 10, 2010 life called plankton. Using recycled plastic, you’ll San Francisco Arts Commission’s Art on Mar- Date: October 10, 2010 para Siempre with his father, a release which -Art After School: 2nd Grade (session 1) Time: 8:00pm create a sculpture sparked by your exploration ket Street Temporary Projects Program, which Time: 2:00pm combines traditional Cuban music and fresh in- After-school classes for children offer an in- Seemingly overnight, bassist-singer Esperanza of the museum’s Living Systems’ plankton ex- commissions interdisciplinary projects from Bay Images of Jewish Gangsters in Film terpretations of jazz standards. For Chucho Val- depth exploration of world cultures through Spading has created a sensation in the music hibits. Investigate concepts such as mobility, im- Area artist annually. Sailing Away tells the story -How Can You Stay in the House All Day and dés, going into his father’s business was clearly the de Young’s extensive collections. Classes are world, with over 150 performances a year from pact and diversity in your art. Leave with your of eight prominent African Americans who Not Go Anywhere? the right move — and Latin jazz hasn’t been free; reservations are required. Classes meet Austin City Limits to President Obama’s 2009 own translucent sculpture and a newfound un- lived and worked near Market Street during the Date: October 10, 2010 the same since. Don’t miss this rare San Fran- twice. Nobel Peace Prize Ceremony in Oslo. Her derstanding of our San Francisco Bay. mid-nineteenth century and of the events lead- Novellus Theater cisco appearance, featuring an all-Cuban band. (415) 750-3658 2008 major label debut, Esperanza, rose quickly www.exploratorium.edu ing up to the mass exodus of African Ameri- Hailed as “one of the most adventurous art- Chucho’s last one was in 2003! deyoung.famsf.org on the Billboard jazz chart and stayed there for Herbst Theatre cans from San Francisco in 1858. ists working today” (Time Out New York), re- (866) 920-5299 Focus Gallery 62 weeks. As a bassist, Spalding’s credentials are 401 Van Ness Avenue (415) 252-4638 nowned interdisciplinary artist Ralph Lemon www.sfjazz.org 1534 impeccable — she attended the prestigious San Francisco 94102 www.sfartscommission.org returns to YBCA with a groundbreaking mul- SFAI San Francisco, CA 94133 Berklee School of Music and became their -Thelonious Monk’s Birthday Party Southern Exposure timedia project of epic – and intimate-- pro- 800 Chestnut Street 22 1890 Bryant St Studios youngest-ever faculty member by the time she Date: October 10, 2010 3030 20th Street portions. Through live performance, a multi- San Francisco, CA 94133 1890 Bryant Street was 20. Further, she has worked with jazz giants Time: 3:00pm San Francisco, CA 94110 QIHMEMRWXEPPEXMSR½PQZMHISERHERI\LMFMXMSR -Lecture San Francisco, CA 94110 from McCoy Tyner to Joe Lovano, Regina Cart- With a distinctive blend of Pan-American jazz -ART PUBLISHING NOW: BAY AREA of objects,How Can You Stay in the House All Date: October 11, 2010 O -October Open Studios er, Pat Metheny, Michel Camilo, Mike Stern and (covering the music of the Americas, folkloric End: October 10, 2010 Day and Not Go Anywhere? explores human Time: 7:30pm Date: October 10, 2010 others. But what distinguishes Esperanza from and world music), Danilo Pérez is among the Art Publishing Now (APN), a two-day event connections, loss and the elusive but ever-com- Taravat Talepasand. 2010 Richard Diebenkorn Time: 11:00-6:00pm the pack, are her vocals — singing in English, most dynamic musicians of our time. Born and dedicated to the investigation and showcasing pelling possibility of grace. $30 Reg; $25 YBCA Teaching Fellow. Mission Artists United in support of ArtSpan’s Spanish and Portuguese, she represents one of raised in Panama, he started playing piano at of art publishing practices in the Bay Area. Art Mem/Stu/Sen/Tea (415) 771-7020 October Open Studios invite you to visit hun- the most exciting voices in jazz. Spalding’s inno- three and studied at the National Conserva- Publishing Now includes a summit of presenta- -Installation: Meditation www.sfaq.edu C dreds of artists in the Mission. vative new CD, Chamber Music Society, com- tory when he was ten. Perez has worked with tions and critical discussions, an after-party, an Date: October 10, 2010 SFMOMA [email protected] bines a classical string trio with a rhythm section some of the greatest names in jazz including art publishers fair, and a library and archive. Time: 12:00-6:00pm 151 Third Street www.missionartistsunited.org and features guests including Milton Nascimen- Michael Brecker, Joe Lovano, Wynton Marsalis, -Art Publishers Fair Novellus Theater San Francisco, CA www.artspan.org to and Gil Goldstein. Talk to anyone who saw Dizzy Gillespie, Paquito D’Rivera, Roy Haynes, Date: October 10, 2010 -MURDER, INC. -R½RMXI'MX]4SMWSR4EPEXI T ActivSpace her sold-out SFJAZZ show last fall and they’ll Tito Puente and Jon Hendricks, among oth- Time: 11:00am-6:00pm Date: October 10, 2010 Date: October 11, 2010 3150 18th Street tell you: don’t miss Esperanza! ers. He has for years been a member of the The fair showcases the breadth and depth of Time: 2:00 pm Time: 7:00pm San Francisco, CA 94110 (866) 920-5299 Wayne Shorter Quartet along with John Pa- art publishing projects in the Bay Area. The Murder, Inc. is a stylized drama about the Brook- Artist Talk with Amy Franceschini -October Open Studios www.sfjazz.org titucci (bass) and Brian Blade (drums), one fair hosts more than 50 Bay Area independent lyn mobsters who terrorized New York City in www.sfmoma.org Date: October 10, 2010 de Young of the world’s most cohesive and acclaimed publishing and related projects presenting a di- the 1930s featuring David Stewart as Louis O Time: 11:00-6:00pm 50 Hagiwara Tea Garden Drive groups. Earning three Grammy nominations verse range of the best in contemporary art “Lepke” Buchalter,” Oscar-nominated Peter Falk Mission Artists United in support of ArtSpan’s San Francisco, CA 94118 along the way, Perez has released nine albums publications ranging from periodicals, websites, as “Kid Twist” Reles, and a few minutes of jazz October Open Studios invite you to visit hun- -Performance as a leader including his latest, Panama Suite. He editions and more. For a full list of participating great Sarah Vaughn. (1960, 103 min, 35mm) 12 Tuesday dreds of artists in the Mission. Date: October 10, 2010 serves as the Cultural Ambassador of Panama, vendors please go to www.artpublishingnow. -Film Screening: Solaris by Andrei Tarkovsky [email protected] Time: 1:00-2:30 pm is the president and founder of the Panama Jazz org. Date October 10, 2010 B www.missionartistsunited.org Classical Revolution and Brazilian pianist Weber (415) 863-2141 Time: 4:30pm Festival, and is the Ambassador of Goodwill for de Young www.artspan.org Lago perform a collaboration. UNICEF. Danilo performs the music of Theloni- www.soex.org Screening Room 50 Hagiwara Tea Garden Drive Art Explosion 17th Street (415) 750-3531 ous Monk on October 10, Monk’s birthday, pro- The Blue Studio -Exhibition San Francisco, CA 94118 2425 17th Street deyoung.famsf.org viding a rare treat for SFJAZZ Members only. 2111 Mission Street End: October 10, 2010 Date: October 12, 2010 E San Francisco, CA Developing Environments (866) 920-5299 San Francisco, CA 94110 Terrace Gallery Time: 8:00pm -October Open Studios 540 Alabama Street www.sfjazz.org -October Open Studios %RMRWXEPPEXMSRSJTLSXSKVETLW½PQERHEWPMHI The American Decorative Arts Forum presents Date: October 10, 2010 San Francisco, CA 94110 Project Artaud Date: October 10, 2010 show created by Ralph Lemon inspired by his a lecture titled Japanning in America by Chris- Time: 11:00-6:00pm -October Open Studios 499 Alabama Street Time: 11:00-6:00pm eight-year collaboration with centenarian Wal- tine Thompson. Mission Artists United in support of ArtSpan’s Date: October 10, 2010 San Francisco, CA 94110 Mission Artists United in support of ArtSpan’s ter Carter, his wife Edna and his extended com- (415) 750-7634 R October Open Studios invite you to visit hun- Time: 11:00-6:00pm -October Open Studios October Open Studios invite you to visit hun- munity in Bentonia deyoung.famsf.org dreds of artists in the Mission. Mission Artists United in support of ArtSpan’s Date: October 10, 2010 dreds of artists in the Mission. www.ybca.org [email protected] October Open Studios invite you to visit hun- Time: 11:00-6:00pm [email protected] www.missionartistsunited.org dreds of artists in the Mission. Mission Artists United in support of ArtSpan’s www.missionartistsunited.org www.artspan.org [email protected] October Open Studios invite you to visit hun- www.artspan.org 13 Wednesday Art Explosion Alabama www.missionartistsunited.org dreds of artists in the Mission. The SUB 11 Monday 744 Alabama Street www.artspan.org [email protected] 199 Capp Street San Francisco, CA Exploratorium www.missionartistsunited.org San Francisco, CA Cantor Arts Center -October Open Studios 3601 Lyon Street www.artspan.org -October Open Studios Herbst Theatre 328 Lomita Dr Date: October 10, 2010 San Francisco, CA 94123 Red Brick Studio Date: October 10, 2010 401 Van Ness Avenue Stanford, CA 94305 Time: 11:00-6:00pm -10/10/10: An Auspicious Day to Celebrate 2111 Mission Street 3rd Floor Time: 11:00-6:00pm San Francisco, CA 94102 -Vodoun/Vodounon: Portraits of Initiates Mission Artists United in support of ArtSpan’s the Powers of Ten San Francisco, CA 94110 Mission Artists United in support of ArtSpan’s -Chucho Valdés Begin: October 13, 2010 October Open Studios invite you to visit hun- Date: October 10, 2010 -October Open Studios October Open Studios invite you to visit hun- Date: October 11, 2010 End: March 20, 2010 dreds of artists in the Mission. “Take your pleasure seriously,” is a famous Date: October 10, 2010 dreds of artists in the Mission. Time: 7:30pm This exhibition features 25 compelling diptychs [email protected] statement of American designer Charles Time: 11:00-6:00pm [email protected] One of the world’s great pianists, Chucho Val- by the Belgian photographer Jean-Dominique www.missionartistsunited.org Eames, and the Exploratorium in San Francisco Mission Artists United in support of ArtSpan’s www.missionartistsunited.org dés is a virtuoso of seemingly limitless abilities Burton, who pairs black-and-white portraits www.artspan.org intends to do just that. The Exploratorium will October Open Studios invite you to visit hun- www.artspan.org and a giant among Cuban musicians. He is the with color photographs for a sensitive por- Art Explosion Harrison GIPIFVEXIXLI)EQIW´MHIEWERHWTIGM½GEPP]XLIMV dreds of artists in the Mission. Workspace Limited son of the esteemed pianist Bebo Valdés and trayal of Vodoun practitioners and their sacred 2345 Harrison Street JEQSYW½PQ4S[IVWSJ8IR8LIHE][MPPMRGPYHI [email protected] 2150 Folsom Street EXVYITVSHMK][LSPIHLMW½VWXXVMSEX-R shrines. Burton’s images provide an exceptional San Francisco, CA activities, demonstrations, conversations, and www.missionartistsunited.org San Francisco, CA 94110 1973, Valdés co-founded the legendary band glimpse into the esoteric domain of this tradi- -October Open Studios SJGSYVWI½PQWI\TPSVMRKXLIVIPEXMZIWGEPISJ www.artspan.org -October Open Studios Irakere with Paquito D’Rivera and Arturo San- tional Fon religion, now called variously Vodou, Date: October 10, 2010 things, and the philosophy and ideas of Charles SF Arts Commission Date: October 10, 2010 doval, which became the most important group Vodun, Vaudou, or Vaudoux, as practiced in the Time: 11:00-6:00pm and Ray Eames. The Eames were arguably the Market Street between Powell and First streets Time: 11:00-6:00pm in Cuba. Over his amazing career, Valdés has heart of its birthplace, the current-day Republic Mission Artists United in support of ArtSpan’s most important and egalitarian American de- -DANCE: Market Street Dance Performance Mission Artists United in support of ArtSpan’s led more than 20 albums, appeared on over of Benin. Burton’s work is accompanied by a October Open Studios invite you to visit hun- signers of the 20th century and contributed Date: October 9, 2010 October Open Studios invite you to visit hun- 100, and won seven Grammy Awards. He has documentary video, which plays alongside the dreds of artists in the Mission. XSXLI½IPHWSJIHYGEXMSREVGLMXIGXYVIHIWMKR Time: 1:00-5:00pm dreds of artists in the Mission. collaborated with several of the most promi- artworks in this exhibition. [email protected] manufacturing, cinema and photography. This End: October 10, 2010 [email protected] nent pianists, including Herbie Hancock, Chick (650) 723-4177 www.missionartistsunited.org event is included in the price of admission to Zaccho Dance Theatre will perform the world www.missionartistsunited.org Corea, Kenny Barron, Gonzalo Rubalcaba and museum.stanford.edu www.artspan.org the museum. TVIQMIVISJ7EMPMRK%[E]EWMXIWTIGM½GHERGI www.artspan.org others. In 2000, Valdés was inducted into the de Young Davies Symphony Hall -Plankton Properties performance on Market Street exploring the YBCA Latin Jazz Hall of Fame with fellow trailblazers 50 Hagiwara Tea Garden Drive 201 Van Ness Avenue Date: October 10, 2010 history of African Americans’ early contribu- 701 Mission Street Tito Puente, Eddie Palmieri and Lalo Schifrin. San Francisco, CA 94118 San Francisco 94102 End: October 21, 2010 tions to the development of San Francisco. The San Francisco, CA 94103 Most recently he’s come full-circle, recording Date: October 13, 2010 -Esperanza Spalding Chamber Music Society Our ocean waters teem with tiny microscopic performance is being presented as part of the -Tough Guys the Grammy-nominated duet album Juntos Time: 4:00–5:30pm Date: October 10, 2010 life called plankton. Using recycled plastic, you’ll San Francisco Arts Commission’s Art on Mar- Date: October 10, 2010 para Siempre with his father, a release which -Art After School: 2nd Grade (session 1) Time: 8:00pm create a sculpture sparked by your exploration ket Street Temporary Projects Program, which Time: 2:00pm combines traditional Cuban music and fresh in- After-school classes for children offer an in- Seemingly overnight, bassist-singer Esperanza of the museum’s Living Systems’ plankton ex- commissions interdisciplinary projects from Bay Images of Jewish Gangsters in Film terpretations of jazz standards. For Chucho Val- depth exploration of world cultures through Spading has created a sensation in the music hibits. Investigate concepts such as mobility, im- Area artist annually. Sailing Away tells the story -How Can You Stay in the House All Day and dés, going into his father’s business was clearly the de Young’s extensive collections. Classes are world, with over 150 performances a year from pact and diversity in your art. Leave with your of eight prominent African Americans who Not Go Anywhere? the right move — and Latin jazz hasn’t been free; reservations are required. Classes meet Austin City Limits to President Obama’s 2009 own translucent sculpture and a newfound un- lived and worked near Market Street during the Date: October 10, 2010 the same since. Don’t miss this rare San Fran- twice. Nobel Peace Prize Ceremony in Oslo. Her derstanding of our San Francisco Bay. mid-nineteenth century and of the events lead- Novellus Theater cisco appearance, featuring an all-Cuban band. (415) 750-3658 2008 major label debut, Esperanza, rose quickly www.exploratorium.edu ing up to the mass exodus of African Ameri- Hailed as “one of the most adventurous art- Chucho’s last one was in 2003! deyoung.famsf.org on the Billboard jazz chart and stayed there for Herbst Theatre cans from San Francisco in 1858. ists working today” (Time Out New York), re- (866) 920-5299 Focus Gallery 62 weeks. As a bassist, Spalding’s credentials are 401 Van Ness Avenue (415) 252-4638 nowned interdisciplinary artist Ralph Lemon www.sfjazz.org 1534 Grant Avenue impeccable — she attended the prestigious San Francisco 94102 www.sfartscommission.org returns to YBCA with a groundbreaking mul- SFAI San Francisco, CA 94133 Berklee School of Music and became their -Thelonious Monk’s Birthday Party Southern Exposure timedia project of epic – and intimate-- pro- 800 Chestnut Street 23 -Elephant in the Room Cultural Underground www.sfmoma.org contrasting forms in landscape and the sea. Date: October 15, 2010 Closing Reception: October 13, 2010 Date: October 14, 2010 YBCA This new collection of work carries her interest Time: 7:00pm 6:00-8:00pm Time: 7:00pm 701 Mission Street beyond painting in nature, which she has done Lecture by Dr. Anne Prah-Perochon, historian 16 Saturday O End: October 14, 2010 Held will present a lecture on “Forty Years Ac- San Francisco, CA 94103 for most of her painting life. In Dreamscapes and contributor to the journal -Améri- Nancy Calef’s “Peoplescapes,” (oil, sculptured cumulating Debris from the Cultural Under- -Lecture: Contemporary Japanese Art, Part 1 she has looked within for the colors and forms que 1:AM characters and applied objects on canvas), ad- ground,” commenting on his four decade his- Date: October 14, 2010 which affect her emotionally and stay with her (415) 750-3600 1000 Howard Street at 6th Street dressing cultural, political and spiritual issues tory with an international network of cultural Time: 6:00-8:00pm imaginatively. Carolyn Zaroff is represented by deyoung.famsf.org San Francisco, CA facing society, will be on display at Focus Gal- workers and interviews with such notable art- Los Angeles-based historian Rika Hiro will dis- the San Francisco Women’s Art Gallery, the Jancar Jones Gallery -The Classics C lery. By juxtaposing people in recognizable ists as John Cage, Ray Johnson and Alan Kaprow. cuss Japanese art from the 1960s to 1980s. Healdsburg Center for the Arts, as well as Art- 965 Mission Street #120 End: October 16, 2010 places and situations, each painting weaves to- [email protected] -Katya Bonnenfant: La Destitution de la people Gallery. On the island of Kauai where San Francisco, CA 94103 www.1amsf.com KIXLIV E WXSV] EFSYX GSRXIQTSVEV] PMJI½PPIH www.evergoldgallery.blogspot.com Jeune Fille she paints during winter visits, she is represent- -Bill Jenkins ArtPeople Gallery with layers of detail, symbolism and humor. Focus Gallery Begin: October 14, 2010 ed by the Shaning Cierra Gallery in Hanapepe. Opening Reception: October 15, 2010 50 Post Street Level 2 #41 http://nancycalefgallery.com 1534 Grant Avenue End: January 9, 2011 (415) 956-3650 6:00-9:00pm San Francisco, CA 94104 T Terrace Gallery -ArtSpan’s San Francisco Open Studio -Ceremonial Blessing San Francisco, CA 94133 [email protected] End: November 12, 2010 Date: October 13, 2010 -Elephant in the Room 0E(IWXMXYXMSRHIPENIYRI½PPIMWGSQTSWIHSJ www.artpeople.net (415) 281-3770 Date: October 16, 2010 Time: 5:00-5:30pm End: October 14, 2010 wallpaper, wooden sculptures, and projected BAER RIDGWAY www.jancarjones.com Time: 11:00am-6:00pm Featuring Florencia Pierre, performer, healer, Nancy Calef’s “Peoplescapes,” (oil, sculptured animations depicting warring cartoon-like char- 172 Minna Street Legion of Honor ArtPeople Gallery is a participant in the 2010 O and “Mambo” or priestess of the Vodou religion characters and applied objects on canvas), ad- acters in masks who represent various cultures. San Francisco, CA 94105 100 34th Avenue SF Open Studios. The gallery will be open both of Haiti. Meet at Stone River sculpture in front dressing cultural, political and spiritual issues These monsters play out concepts inspired by -Chris Duncan: Eye Against I San Francisco, CA 94121 days (Oct.16 & 17) from 11am to 6pm, to give of the Center. facing society, will be on display at Focus Gal- the philosophical theories of the French writers Close: October 15th, 2010 -Special Preview the public the opportunity to enjoy art and to (415) 706-0898 lery. By juxtaposing people in recognizable collective Tiqqun, active from 1999-2001. Por- -Julio Morales: Revisiting Date: October 15, 2010 start a dialogue with artists whose works will 4EGM½G*MPQ%VGLMZI places and situations, each painting weaves to- traying a young girl as the embodiment of the Close: October 15th, 2010 Time: 1:00–5:00pm be on display. B capitalist machine and the meaninglessness of Bookstore Project Space (415) 956-3650 2626 Bancroft Way KIXLIV E WXSV] EFSYX GSRXIQTSVEV] PMJI½PPIH Members-only preview hours for Japanesque: Berkeley, CA with layers of detail, symbolism and humor. modern life, the collective calls for a new social -Zachary Royer Scholz: Tape, Paint, Repaint The Japanese Print in the Era of Impressionism [email protected] -Radical Light: 1961-1971 http://nancycalefgallery.com order, in which the young girl is overthrown. Close: October 15th, 2010 -Special Party www.artpeople.net Date: October 13, 2010 (415) 706-0898 -JIM HENSON & FRIENDS: INSIDE THE Hallway Project Space Date: October 15, 2010 )PIERSV,EV[SSH+EPPIV] E Time: 7:30pm Herbst Theatre SESAME STREET VAULT (415) 777-1366 Time: 8:00-9:30pm 1295 Alabama Street SF Cinematheque. A co-presentations with Pa- 401 Van Ness Avenue Date: October 14, 2010 www.baerridgway.com Members’ evening with music and cash bar cel- San Francisco, CA 94110 GM½G*MPQ%VGLMZI San Francisco, CA 94102 Time: 7:30 pm &IVOIPI]%VX1YWIYQ ebrating Japanesque -Colleen Sanders www.sfcinematheque.org -Celebrating Chick Corea This program highlights the contributions of 2626 Bancroft Way (415) 750-3677 End: October 16, 2010 7*'EQIVE[SVO Date: October 14, 2010 Jim Henson and his early Sesame Street col- Berkeley, CA legionofhonor.famsf.org (415) 282-4248 R 6457 Mission Street 2nd Floor Time: 7:30pm laborators, Frank Oz, Jerry Nelson, Fran Brill -Radical l@te 3HHFEPP*MPQ:MHIS [email protected] San Francisco, CA 94105 The Manhattan Transfer has been so consis- and Caroll Spinney. In addition to old favorites, Date: October 15, 2010 275 Capp Street www.eleanorharwood.com -Artist Talk & Book Signing tently excellent through the decades and their there are some extremely rare clips from spe- Time: 7:30 San Francisco, CA )PIGXVMG;SVOW Date: October 13, 2010 shows appear so effortless that it’s easy to take cials and guest appearances on other television Book Launch, presented by SF Cinematheque -Roaring Twenties 130 8th Street Listen to photographer R.A. McBride speak their accomplishments for granted. But how programs. (83 min, digital video) ERH4EGM½G*MPQ%VGLMZI Date: October 15, 2010 San Francisco, CA 94103 about her work, and pick up a copy of her new many other vocal groups have lasted 38 years -Cao Fei: 2009 RMB City Series www.sfcinematheque.com Live music by Rick Quisol, “the Dimesotre -Ablution book and have it signed! The gallery will stay (mostly with the same personnel), and have Video Lounge 'EPH[IPP7R]HIV+EPPIV] Dandy”. End: October 16, 2010 open until 7 pm, when the lecture will begin. ranged from to rock, to Brazilian and pop, Begin: October 14, 2010 341 Sutter Street [[[SHHFEPP½PQGSQ In Ana Teresa Fernandez’ exhibition Ablution, (415) 512-2020 while retaining their popularity and high quality? End: January 9, 2011 San Francisco, CA 94108 7ER*VERGMWGS(SGYQIRXEV]*IWXM- [EXIV´WEFMPMX]XSVI¾IGXERHHMWXSVXTPE]WEGIR- sfcamerawork.org Tim Hauser, Alan Paul, Janis Siegel and Cheryl www.ybca.org -Recent paintings by Gary Bukovnik val tral role. Fernandez’ large-scale photo-realist Bentyne have continually stretched themselves Begin: October 15, 2010 Begin: October 15, 2010 paintings are based on performances by the through the years, whether performing “Java End: October 31, 2010 End: October 28, 2010 artist. By embracing a strong love of metaphor Jive,” “Boy From New York City,” “Twilight Zone/ (415) 392-2299 LXXT[[[W½RHMIGSQ and a dose of magical realism, these paintings Twilight Tone,” “Birdland” or a full album of Jon 15 Friday www.caldwellsnyder.com 7[IHMWL%QIVMGER,EPP defy easy categorization of being simply one 14 Thursday Hendricks-penned vocalese. Most recently de Young 2174 Market Street thing. Those familiar with Fernandez’ work will they have accomplished the near-impossible, 50 Hagiwara Tea Garden Drive San Francisco, CA 94114 see a further questioning of modern society in Arion Press recording The Chick Corea Songbook with 21 Grand San Francisco, CA 94118 -Pre-Concert Talk with Garaj Mahal this latest body of work. Questions of gender 1802 Hays Street, The Presidio Corea himself as guest soloist. This legendary 416 25th Street -Friday Nights at the de Young Date: October 15, 2010 roles, divisions of labor and class are all posed in San Francisco, CA 94129 foursome mixes all of their musical inspira- Oakland, CA Date: October 15, 2010 Time: 8:00pm an arena of masterful painting that is unique to -Tours Of Arion Press and M&H Type tions together in exciting performances while -The Other Other Time: 5:00-8:45pm With unparalleled power to transport listen- *IVRERHI^´[SVO-RERIZIVI\TERHMRKHI½RM- Date: October 12, 2010 always exuding class and sophistication. There End: October 15, 2010 Cultural Encounters presents Friday Nights at ers to new musical worlds, Garaj Mahal creates tion of Ablution, Fernandez looks at literal, cor- Time: 3:00pm-4:30pm has never been a group quite like the Manhat- In these times of economic uncertainty and the de Young. Every Friday Night, join Made- an irresistible blend of blistering funk grooves, poreal and spiritual facets of a word that has Live demonstration tours of the historic type- tan Transfer. disparity, environmental crisis and political up- moiselle Kim for a hands-on art making project inspired jazz improvisations and East Indian had great meaning in almost every culture. foundry, printing facility, and bookbindery of (866) 920-5299 heaval alongside questionable ethics regarding for all ages. No museum admission required for atmospherics reminiscent of both Mahavishnu -Left to Swoon Arion Press and M&H Type are conducted ev- www.sfjazz.org the manipulation of nature’s most complex cre- most programs. Info: (415) 750-3531 or amar- and Shakti. The phenomenal guitarist Fareed End: October 16, 2010 ery Thursday at 3:00 p.m. The tours are spon- Rare Device ations, the other is often felt to be close at hand. [email protected] Haque, electric bass virtuoso Kai Eckhardt, and In Left to Swoon, Elaine Buckholtz explores the WSVIHF]XLIRSRTVS½X+VEFLSVR-RWXMXYXI 1845 Market Street at Guerrero What does it mean to be “other” in this global- -Friday Night Soirées multi-keyboardist Eric Levy began working to- interface between light, architecture, and paint- per person. Tour size is limited; please reserve San Francisco, CA ized, multicultural, corporate-sponsored world? Date: October 15, 2010 gether in 2000, with several albums and world ing in her collaborative installation with Ana Te- your place -The Exquisite Book What does the future of “other” look like and Time: 6:30-8:30pm tours now on their collective resumé. But the resa Fernandez. Her fascination with light has a [email protected]. Date: October 14, 2010 LS[HS[IYWIPERKYEKIXSHI½RIERHVIMR- Friday Night Soirées with the Alliance Française latest CD, More Mr. Nice Guy, makes clear their PSRKLMWXSV]ERHMRLIV½VWXMRWXEPPEXMSREX)PIG- www.arionpress.com Time: 7:00-9:00pm force “otherness”? The Other Other featuring featuring Baguette Quartette new drummer Sean Rickman takes the band tric Works she will explore light as an ephem- de Young Book signing and drawing rally with artists who the works by artists JC Lenochan, Eric Sanchez, -Tableaux Vivants to another level. Individually, these players have eral phenomenon and intervention to unmask 50 Hagiwara Tea Garden Drive participated in ‘The Exquisite Book’, in which Luther Thie & Kathryn Williamson with video Date: October 15, 2010 credits to boggle the mind, including Sting, hidden aspects of architectural forms in rela- San Francisco, CA 94118 one hundred indie artists play an ingenious ver- screenings by Lynda Jarman, Ron Longsdorf, Time: 6:30–8:30pm Chick Corea, John McLaughlin, Zakir Hussain, tion to painting. Left To Swoon will explore the -Contemporary Art in the FAMSF Collection sion of the Exquisite Corpse drawing game. Niloo Tehranchi & Kathryn Williamson that ex- Music that was heard on the streets of Paris Steps Ahead, Dave Holland, Billy Cobham, Pa- collision between space, image, movement, and Date: October 14, 2010 (415) 863-3969 plore these and other questions. during the 1920s–’40s quito D’Rivera, Steve Coleman and others. But light. What can happen when a painting is put Time: 10:00am www.raredevice.net (510) 444-7263 -Major Events During the Time of the Im- taken together, Garaj Mahal is even more than MRXS QSXMSR MR VI¾IGXMZI WYVJEGIW XLEX UYMIXP] Art history lecture titled Contemporary Art in SFMOMA 21grand.org pressionists the sum of its formidable parts. Whether laying distort image, translating it back into an abstrac- the FAMSF Collection. 151 Third Street ArtPeople Gallery Date: October 15, 2010 HS[RE&SPP][SSH¾EZSVIHFSSKEPSSSVNEQ- tion of moving light and activating it through a (415) 750-3658 San Francisco, CA 50 Post Street Level 2 #41 Time: 6:00–8:30pm ming with the ferocity of a heavy metal group, time based medium. Creating quiet light spec- deyoung.famsf.org -Jordan Belson: Films Sacred and Profane San Francisco, CA 94104 Actor/artist demonstrations by Berthe Morisot Garaj Mahal is one of the most utterly thrilling tacles that activate the negative spaces and Ever Gold Gallery Date: October 14, 2010 -DREAMSCAPES (Peggy Gyulai), Vincent van Gogh (Jeremy Sut- groups in jazz. interfaces in architectural sites is at the center 441 O”Farrell Street Time: 7:00pm End: October 15, 2010 ton), Henri Toulouse-Lautrec (Valentine) and (866) 920-5299 of what motivates Buckholtz’s current body of San Francisco, CA Presented in association with Center for Visual Carolyn Zaroff is a California nature painter Paul Gauguin (Marius Starkey) www.sfjazz.org work. Audio artist, Floor Vahn, in collabortation -Forty Years Accumulating Debris from the Musi who is passionate about color, texture, and -Lecture with Buckholtz, will add an sound element to 24 -Elephant in the Room Cultural Underground www.sfmoma.org contrasting forms in landscape and the sea. Date: October 15, 2010 Closing Reception: October 13, 2010 Date: October 14, 2010 YBCA This new collection of work carries her interest Time: 7:00pm 6:00-8:00pm Time: 7:00pm 701 Mission Street beyond painting in nature, which she has done Lecture by Dr. Anne Prah-Perochon, historian 16 Saturday O End: October 14, 2010 Held will present a lecture on “Forty Years Ac- San Francisco, CA 94103 for most of her painting life. In Dreamscapes and contributor to the journal France-Améri- Nancy Calef’s “Peoplescapes,” (oil, sculptured cumulating Debris from the Cultural Under- -Lecture: Contemporary Japanese Art, Part 1 she has looked within for the colors and forms que 1:AM characters and applied objects on canvas), ad- ground,” commenting on his four decade his- Date: October 14, 2010 which affect her emotionally and stay with her (415) 750-3600 1000 Howard Street at 6th Street dressing cultural, political and spiritual issues tory with an international network of cultural Time: 6:00-8:00pm imaginatively. Carolyn Zaroff is represented by deyoung.famsf.org San Francisco, CA facing society, will be on display at Focus Gal- workers and interviews with such notable art- Los Angeles-based historian Rika Hiro will dis- the San Francisco Women’s Art Gallery, the Jancar Jones Gallery -The Classics C lery. By juxtaposing people in recognizable ists as John Cage, Ray Johnson and Alan Kaprow. cuss Japanese art from the 1960s to 1980s. Healdsburg Center for the Arts, as well as Art- 965 Mission Street #120 End: October 16, 2010 places and situations, each painting weaves to- [email protected] -Katya Bonnenfant: La Destitution de la people Gallery. On the island of Kauai where San Francisco, CA 94103 www.1amsf.com KIXLIV E WXSV] EFSYX GSRXIQTSVEV] PMJI½PPIH www.evergoldgallery.blogspot.com Jeune Fille she paints during winter visits, she is represent- -Bill Jenkins ArtPeople Gallery with layers of detail, symbolism and humor. Focus Gallery Begin: October 14, 2010 ed by the Shaning Cierra Gallery in Hanapepe. Opening Reception: October 15, 2010 50 Post Street Level 2 #41 http://nancycalefgallery.com 1534 Grant Avenue End: January 9, 2011 (415) 956-3650 6:00-9:00pm San Francisco, CA 94104 T Terrace Gallery -ArtSpan’s San Francisco Open Studio -Ceremonial Blessing San Francisco, CA 94133 [email protected] End: November 12, 2010 Date: October 13, 2010 -Elephant in the Room 0E(IWXMXYXMSRHIPENIYRI½PPIMWGSQTSWIHSJ www.artpeople.net (415) 281-3770 Date: October 16, 2010 Time: 5:00-5:30pm End: October 14, 2010 wallpaper, wooden sculptures, and projected BAER RIDGWAY www.jancarjones.com Time: 11:00am-6:00pm Featuring Florencia Pierre, performer, healer, Nancy Calef’s “Peoplescapes,” (oil, sculptured animations depicting warring cartoon-like char- 172 Minna Street Legion of Honor ArtPeople Gallery is a participant in the 2010 O and “Mambo” or priestess of the Vodou religion characters and applied objects on canvas), ad- acters in masks who represent various cultures. San Francisco, CA 94105 100 34th Avenue SF Open Studios. The gallery will be open both of Haiti. Meet at Stone River sculpture in front dressing cultural, political and spiritual issues These monsters play out concepts inspired by -Chris Duncan: Eye Against I San Francisco, CA 94121 days (Oct.16 & 17) from 11am to 6pm, to give of the Center. facing society, will be on display at Focus Gal- the philosophical theories of the French writers Close: October 15th, 2010 -Special Preview the public the opportunity to enjoy art and to (415) 706-0898 lery. By juxtaposing people in recognizable collective Tiqqun, active from 1999-2001. Por- -Julio Morales: Revisiting Gabriel Orozco Date: October 15, 2010 start a dialogue with artists whose works will 4EGM½G*MPQ%VGLMZI places and situations, each painting weaves to- traying a young girl as the embodiment of the Close: October 15th, 2010 Time: 1:00–5:00pm be on display. B capitalist machine and the meaninglessness of Bookstore Project Space (415) 956-3650 2626 Bancroft Way KIXLIV E WXSV] EFSYX GSRXIQTSVEV] PMJI½PPIH Members-only preview hours for Japanesque: Berkeley, CA with layers of detail, symbolism and humor. modern life, the collective calls for a new social -Zachary Royer Scholz: Tape, Paint, Repaint The Japanese Print in the Era of Impressionism [email protected] -Radical Light: 1961-1971 http://nancycalefgallery.com order, in which the young girl is overthrown. Close: October 15th, 2010 -Special Party www.artpeople.net Date: October 13, 2010 (415) 706-0898 -JIM HENSON & FRIENDS: INSIDE THE Hallway Project Space Date: October 15, 2010 )PIERSV,EV[SSH+EPPIV] E Time: 7:30pm Herbst Theatre SESAME STREET VAULT (415) 777-1366 Time: 8:00-9:30pm 1295 Alabama Street SF Cinematheque. A co-presentations with Pa- 401 Van Ness Avenue Date: October 14, 2010 www.baerridgway.com Members’ evening with music and cash bar cel- San Francisco, CA 94110 GM½G*MPQ%VGLMZI San Francisco, CA 94102 Time: 7:30 pm &IVOIPI]%VX1YWIYQ ebrating Japanesque -Colleen Sanders www.sfcinematheque.org -Celebrating Chick Corea This program highlights the contributions of 2626 Bancroft Way (415) 750-3677 End: October 16, 2010 7*'EQIVE[SVO Date: October 14, 2010 Jim Henson and his early Sesame Street col- Berkeley, CA legionofhonor.famsf.org (415) 282-4248 R 6457 Mission Street 2nd Floor Time: 7:30pm laborators, Frank Oz, Jerry Nelson, Fran Brill -Radical l@te 3HHFEPP*MPQ:MHIS [email protected] San Francisco, CA 94105 The Manhattan Transfer has been so consis- and Caroll Spinney. In addition to old favorites, Date: October 15, 2010 275 Capp Street www.eleanorharwood.com -Artist Talk & Book Signing tently excellent through the decades and their there are some extremely rare clips from spe- Time: 7:30 San Francisco, CA )PIGXVMG;SVOW Date: October 13, 2010 shows appear so effortless that it’s easy to take cials and guest appearances on other television Book Launch, presented by SF Cinematheque -Roaring Twenties 130 8th Street Listen to photographer R.A. McBride speak their accomplishments for granted. But how programs. (83 min, digital video) ERH4EGM½G*MPQ%VGLMZI Date: October 15, 2010 San Francisco, CA 94103 about her work, and pick up a copy of her new many other vocal groups have lasted 38 years -Cao Fei: 2009 RMB City Series www.sfcinematheque.com Live music by Rick Quisol, “the Dimesotre -Ablution book and have it signed! The gallery will stay (mostly with the same personnel), and have Video Lounge 'EPH[IPP7R]HIV+EPPIV] Dandy”. End: October 16, 2010 open until 7 pm, when the lecture will begin. ranged from swing to rock, to Brazilian and pop, Begin: October 14, 2010 341 Sutter Street [[[SHHFEPP½PQGSQ In Ana Teresa Fernandez’ exhibition Ablution, (415) 512-2020 while retaining their popularity and high quality? End: January 9, 2011 San Francisco, CA 94108 7ER*VERGMWGS(SGYQIRXEV]*IWXM- [EXIV´WEFMPMX]XSVI¾IGXERHHMWXSVXTPE]WEGIR- sfcamerawork.org Tim Hauser, Alan Paul, Janis Siegel and Cheryl www.ybca.org -Recent paintings by Gary Bukovnik val tral role. Fernandez’ large-scale photo-realist Bentyne have continually stretched themselves Begin: October 15, 2010 Begin: October 15, 2010 paintings are based on performances by the through the years, whether performing “Java End: October 31, 2010 End: October 28, 2010 artist. By embracing a strong love of metaphor Jive,” “Boy From New York City,” “Twilight Zone/ (415) 392-2299 LXXT[[[W½RHMIGSQ and a dose of magical realism, these paintings Twilight Tone,” “Birdland” or a full album of Jon 15 Friday www.caldwellsnyder.com 7[IHMWL%QIVMGER,EPP defy easy categorization of being simply one 14 Thursday Hendricks-penned vocalese. Most recently de Young 2174 Market Street thing. Those familiar with Fernandez’ work will they have accomplished the near-impossible, 50 Hagiwara Tea Garden Drive San Francisco, CA 94114 see a further questioning of modern society in Arion Press recording The Chick Corea Songbook with 21 Grand San Francisco, CA 94118 -Pre-Concert Talk with Garaj Mahal this latest body of work. Questions of gender 1802 Hays Street, The Presidio Corea himself as guest soloist. This legendary 416 25th Street -Friday Nights at the de Young Date: October 15, 2010 roles, divisions of labor and class are all posed in San Francisco, CA 94129 foursome mixes all of their musical inspira- Oakland, CA Date: October 15, 2010 Time: 8:00pm an arena of masterful painting that is unique to -Tours Of Arion Press and M&H Type tions together in exciting performances while -The Other Other Time: 5:00-8:45pm With unparalleled power to transport listen- *IVRERHI^´[SVO-RERIZIVI\TERHMRKHI½RM- Date: October 12, 2010 always exuding class and sophistication. There End: October 15, 2010 Cultural Encounters presents Friday Nights at ers to new musical worlds, Garaj Mahal creates tion of Ablution, Fernandez looks at literal, cor- Time: 3:00pm-4:30pm has never been a group quite like the Manhat- In these times of economic uncertainty and the de Young. Every Friday Night, join Made- an irresistible blend of blistering funk grooves, poreal and spiritual facets of a word that has Live demonstration tours of the historic type- tan Transfer. disparity, environmental crisis and political up- moiselle Kim for a hands-on art making project inspired jazz improvisations and East Indian had great meaning in almost every culture. foundry, printing facility, and bookbindery of (866) 920-5299 heaval alongside questionable ethics regarding for all ages. No museum admission required for atmospherics reminiscent of both Mahavishnu -Left to Swoon Arion Press and M&H Type are conducted ev- www.sfjazz.org the manipulation of nature’s most complex cre- most programs. Info: (415) 750-3531 or amar- and Shakti. The phenomenal guitarist Fareed End: October 16, 2010 ery Thursday at 3:00 p.m. The tours are spon- Rare Device ations, the other is often felt to be close at hand. [email protected] Haque, electric bass virtuoso Kai Eckhardt, and In Left to Swoon, Elaine Buckholtz explores the WSVIHF]XLIRSRTVS½X+VEFLSVR-RWXMXYXI 1845 Market Street at Guerrero What does it mean to be “other” in this global- -Friday Night Soirées multi-keyboardist Eric Levy began working to- interface between light, architecture, and paint- per person. Tour size is limited; please reserve San Francisco, CA ized, multicultural, corporate-sponsored world? Date: October 15, 2010 gether in 2000, with several albums and world ing in her collaborative installation with Ana Te- your place -The Exquisite Book What does the future of “other” look like and Time: 6:30-8:30pm tours now on their collective resumé. But the resa Fernandez. Her fascination with light has a [email protected]. Date: October 14, 2010 LS[HS[IYWIPERKYEKIXSHI½RIERHVIMR- Friday Night Soirées with the Alliance Française latest CD, More Mr. Nice Guy, makes clear their PSRKLMWXSV]ERHMRLIV½VWXMRWXEPPEXMSREX)PIG- www.arionpress.com Time: 7:00-9:00pm force “otherness”? The Other Other featuring featuring Baguette Quartette new drummer Sean Rickman takes the band tric Works she will explore light as an ephem- de Young Book signing and drawing rally with artists who the works by artists JC Lenochan, Eric Sanchez, -Tableaux Vivants to another level. Individually, these players have eral phenomenon and intervention to unmask 50 Hagiwara Tea Garden Drive participated in ‘The Exquisite Book’, in which Luther Thie & Kathryn Williamson with video Date: October 15, 2010 credits to boggle the mind, including Sting, hidden aspects of architectural forms in rela- San Francisco, CA 94118 one hundred indie artists play an ingenious ver- screenings by Lynda Jarman, Ron Longsdorf, Time: 6:30–8:30pm Chick Corea, John McLaughlin, Zakir Hussain, tion to painting. Left To Swoon will explore the -Contemporary Art in the FAMSF Collection sion of the Exquisite Corpse drawing game. Niloo Tehranchi & Kathryn Williamson that ex- Music that was heard on the streets of Paris Steps Ahead, Dave Holland, Billy Cobham, Pa- collision between space, image, movement, and Date: October 14, 2010 (415) 863-3969 plore these and other questions. during the 1920s–’40s quito D’Rivera, Steve Coleman and others. But light. What can happen when a painting is put Time: 10:00am www.raredevice.net (510) 444-7263 -Major Events During the Time of the Im- taken together, Garaj Mahal is even more than MRXS QSXMSR MR VI¾IGXMZI WYVJEGIW XLEX UYMIXP] Art history lecture titled Contemporary Art in SFMOMA 21grand.org pressionists the sum of its formidable parts. Whether laying distort image, translating it back into an abstrac- the FAMSF Collection. 151 Third Street ArtPeople Gallery Date: October 15, 2010 HS[RE&SPP][SSH¾EZSVIHFSSKEPSSSVNEQ- tion of moving light and activating it through a (415) 750-3658 San Francisco, CA 50 Post Street Level 2 #41 Time: 6:00–8:30pm ming with the ferocity of a heavy metal group, time based medium. Creating quiet light spec- deyoung.famsf.org -Jordan Belson: Films Sacred and Profane San Francisco, CA 94104 Actor/artist demonstrations by Berthe Morisot Garaj Mahal is one of the most utterly thrilling tacles that activate the negative spaces and Ever Gold Gallery Date: October 14, 2010 -DREAMSCAPES (Peggy Gyulai), Vincent van Gogh (Jeremy Sut- groups in jazz. interfaces in architectural sites is at the center 441 O”Farrell Street Time: 7:00pm End: October 15, 2010 ton), Henri Toulouse-Lautrec (Valentine) and (866) 920-5299 of what motivates Buckholtz’s current body of San Francisco, CA Presented in association with Center for Visual Carolyn Zaroff is a California nature painter Paul Gauguin (Marius Starkey) www.sfjazz.org work. Audio artist, Floor Vahn, in collabortation -Forty Years Accumulating Debris from the Musi who is passionate about color, texture, and -Lecture with Buckholtz, will add an sound element to 25 the installation, Left to Swoon. through a series of oil paintings on canvas and OTHER CINEMA 7SYXLIVR)\TSWYVI 8VMERKPI+EPPIV] beautifully crafted jazz and new music, com- (415) 626-5496 works on paper. Using the two buildings and 992 Valencia Street 3030 20th Street 47 Kearny Street TPIXIP]YREQTPM½IHERHTIVJSVQIHSRXLIJEQ- www.sfelectricworks.com their histories as a starting point, the artist plays San Francisco, CA 94110 San Francisco, CA 94110 San Francisco, CA 94108 ily of clarinets. O )\TPSVEXSVMYQ with time, space, color and light in the series of -Video Screening -Myth of Ten Thousand Things -The 49th Anniversary Show: The Present deyoung.famsf.org 3601 Lyon Street paintings. The title of the show also references Date: October 16, 2010 Date: October 16, 2010 End: October 16, 2010 )\TPSVEXSVMYQ San Francisco, CA 94123 the Booker Prize shortlisted novel by Simon Beth Federici and Laura Harrison’s Space, Land, Time: 7:00pm-9:00pm The Present, the second show of the 49th An- 3601 Lyon Street -Marin Country Day School 1E[IVXLEXGVIEXIWE½GXMSREPWXSV]EFSYX1MIW and Time: Underground Adventures with Ant The Myth of Ten Thousand Things is a process- niversary Exhibits following the previous show San Francisco, CA 94123 Date: October 16, 2010 van der Rohe’s Tugendhat Villa in Brno, Czech Farm delves into the work of that renegade based collaboration between Dylan Bolles and The Past, focuses more recent works of the gal- -Plankton Properties C Time: 10:00pm–12:00pm Republic ‘70s collective. Radical architects, video pio- Sasha Hom, which combines written and oral lery artists. Date: October 17 , 2010 MCDS embarked on a long-range visioning (415) 296-9661 neers (Media Burn, Eternal Frame), and mor- storytelling, music, performance, installation and Hours: Tue-Sat, 11:00am-5:00pm Time: 9:30am–12:30pm process six years ago, the organization made a http://www.gregorylindgallery.com dantly funny cultural commentators, the Ant graphic arts to tell family stories. In episodic ex- (415) 392-1686 Connections workshops use science to inspire commitment to sustainability. That commitment /VS[W[SVO Farmers (Chip Lord in person) built a body plorations on the themes of voice, place, and [email protected] you to create a piece of art. Begin by delving T led to a physical and intellectual transforma- 480 23rd Street side entrance of subversive work that questions the status family, Bolles and Hom cultivate performance www.triangle-sf.com into a topic in science using museum exhibits tion of the campus in its architecture, curricu- Oakland, CA quo, mashing upBucky Fuller and NASA with environments that embed practioners and YBCA ERHUYMGOI\TIVMQIRXW4EYWIXSVI¾IGXSRSF- lum, and workplace practice. MCDS recently -Constructed Landscapes: Mark Baugh-Sa- trashy backyard Americana. Chip kicks in with EYHMIRGI QIQFIVW MRXS E GSRXMRYSYW ½IPH SJ 701 Mission Street servations, personal associations, and reactions. completed the second phase of its long-range saki his own piece in this book-launch of UC Press’ change. Curated by Nathan Lynch San Francisco, CA 94103 Then it’s your turn to respond by making art, be master plan. The completed building project – End: October 16, 2010 Radical Light: Alternative Film and Video in the (415) 863-2141 -Longplayer San Francisco: 1,000 Years in it conceptual, literal, or anywhere in between. O designed by San Francisco based EHDD Archi- In this solo exhibition, Mark Baugh-Sasaki pres- SF Bay Area, which includes Marita Sturken’s ar- www.soex.org Three Simultaneous Acts Learn basic techniques for using an alternative tecture as the largest zero energy classroom ents sculptural works integrating video and ticle on the group. Opening the program isAr- 7XITLIR;MVX^+EPPIV] Date: October 16, 2010 art material, then let your creative engines roar. complex in North America – is now also LEED photography that combine the organic with chimedia’s (David Cox and Molly Hankwitz) 49 Geary Street 3rd Floor Time: 7:00am–11:00pm Led by an art educator, these workshops give JSV 7GLSSPW 4PEXMRYQ GIVXM½IH -X MRGPYHIW E the industrial, the technological with the artis- LEPJLVPIGXYVIHIQS4PE]½IPHW1MRHQETWERH San Francisco, CA 94108 YBCA Forum ]SY XMQI XS ½RH E TIVWSREP GSRRIGXMSR [MXL 29,000 square- foot Learning Resource Center tic.Part , part Andy Goldsworthy, Screen Culture, on the increasingly aggressive -Dave Anderson: One Block Longplayer is a 1,000 year long musical compo- science and enjoy creating a work of art. Con- B with art studios, technology labs, project rooms, Baugh-Sasaki demonstrates a nuanced and in- nections adult art workshops are appropriate use of screen displays and data-mining to de- End: October 16, 2010 sition by musician and artist Jem Finer that has library and high-performance classrooms. Join tegrated relationship to the constructed land- pict, and control, the idea of self and the city. -Barbara Crane: Private Views been playing since 1999. This performance of for all levels of science and art experience. $25 Alice Moore, MCDS Director of Environmental scapes of our time. SPECIAL TREATS: Come early for Carl Diehl’s End: October 16, 2010 a 1,000 minute excerpt will be performed live members, $35 non-members, choose between Sustainability, for a tour and discussion of this (510) 229-7035 Polterzeitgeist, and during intermission, David (415) 433-6879 by musicians playing 365 Tibetan bowl gongs. Sunday and Thursday workshop. E exceptional learning environment. Limited to www.krowswork.com Sherman—in from Arizona for the anthology’s www.wirtzgallery.com Longplayer is presented in conjunction with the (415) 561-0367 20 participants. 0IKMSRSJ,SRSV release—debuts his video installation An Out- 7[IHMWL%QIVMGER,EPP Long Conversation, an epic relay of one-to-one www.exploratorium.edu *MZITSMRXW%VXLSYWI 100 34th Avenue door Cinema in West Texas. 2174 Market Street conversations among some of the Bay Area’s 0IKMSRSJ,SRSV 72 Tehama San Francisco, CA 94121 (415) 648-0654 San Francisco, CA 94114 most interesting minds. 100 34th Avenue San Francisco, CA 94105 -Japanesque: The Japanese Print in the Era of www.othercinema.com -Meklit Hadero -Lecture: Contemporary Japanese Art, Part II San Francisco, CA 94121 R ;EV¾S[IV2I[TEMRXMRKWF]3FM/EYJQERR Impressionism 4EGM½G*MPQ%VGLMZI Date: October 16, 2010 Date: October 16, 2010 -Worcester Porcelain in the Collection of the End: October 16, 2010 Begin: October 16, 2010 2626 Bancroft Way Time: 8:00pm Time: 2:00-4:00pm British Museum Five Points Art House is pleased to announce End: January 9, 2011 Berkeley, CA An artist poised to break through to world- Los Angeles-based curator Gabriel Ritter will Date: October 17, 2010 the new paintings by Obi Kaufmann on dis- Japanesque: The Japanese Print in the Era of -Radical Light: Stories Untold wide stardom, Meklit Hadero writes seductive discuss Japanese art from the 1990s to the Time: 10:00am play in a solo exhibit opening September 18, Impressionism introduces audiences to the Date: October 16, 2010 WSRKWMR¾YIRGIHF]NE^^WSYPJSPOERHLIV)XLM- present. The San Francisco Ceramics Circle presents a 2010. Obi Kaufmann is a painter known for development of the Japanese print over two Time: 6:00pm opian heritage. Born in Addis Ababa, she and .-1 ,)2732  *6-)2(7 -27-()8,) lecture titled Worcester Porcelain in the Col- raw and spirited works that are epic, dark and centuries (1700–1900) and reveals its pro- SF Cinematheque. A co-presentation with Pa- LIVJEQMP]¾IH)XLMSTMEEJXIVXLIVIZSPYXMSRMR SESAME STREET VAULT lection of the British Museum. TSTYPEXIHF]½KYVEXMZIGLEVEGXIVW[LSI\MWXMR JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI GM½G*MPQ%VGLMZI 1974. She grew up primarily in Brooklyn, sing- Date: October 16, 2010 -Organ Concert a nouveau world of gothic expressionism. era of Impressionism. It complements the de -Radical Light: The Erotic Exoitc ing in choirs and developing her unique musical Time: 2:00 pm Date: October 17, 2010 MRJS$½ZITSMRXWEVXLSYWIGSQ Young’s presentation of paintings from the Mu- Date: October 16, 2010 style. Hadero earned a degree in political sci- This program highlights the contributions of Time: 4:00pm +EPPIV],MNMROW sée d’Orsay, many of which are aesthetically in- Time: 8:30pm ence from Yale, though the pull of music be- Jim Henson and his early Sesame Street col- www.legionofhonor.org 2309 Bryant Street debted to concepts of the Japanese print, and SF Cinematheque. A co-presentation with Pa- came the primary focus of her life. She settled laborators, Frank Oz, Jerry Nelson, Fran Brill 1MPP:EPPI]*MPQ*IWXMZEP San Francisco CA, 94110 also the exhibition Pat Steir: After Hokusai, after GM½G*MPQ%VGLMZI in San Francisco, immersing herself in the city’s and Caroll Spinney. In addition to old favorites, End: October 17, 2010 -´Q,IVI2S[F]1EVO;EVVIR.EGUYIW Hiroshige. Culled primarily from the holdings of www.sfcinematheque.org rich art and music scenes, and soon gained a there are some extremely rare clips from spe- Various Times and locations check website for Opening Reception: October 16, 2010 the Achenbach Foundation for Graphic Arts, 4EXVMGME7[IIXS[+EPPIV] reputation as a talented singer-songwriter who cials and guest appearances on other television details 6:00pm – 10:00pm the exhibition of approximately 250 prints, 77 Geary Street draws comparisons to such vocal legends as programs. (83 min, digital video) LXXT[[[GE½PQSVKQZJJ Exhibition Ends: November 15, 2010 drawings, paintings, and artist’s books unfolds San Francisco, CA 94108 Joni Mitchell and . Hadero’s 2010 www.ybca.org 3EOPERH -RXIVREXMSREP *MPQ *IWXM- Mark Warren Jacques admittedly has an amo- MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- -Michael Hall: Reclamation album, On a Day Like This, is a critically lauded ZEP rous disposition and this time he’s fallen in love ence. End: October 16, 2010 collection of personal songs featuring some of End: October 17, 2010 with San Francisco. While embracing different -Emeryville Taiko -Whitney Lynn: Event Recorders the Bay Area’s best musicians. Join her for an Various Times and locations check website for cultures, ideals and perspectives his style has Date: October 16, 2010 End: October 16, 2010 thrilling performance at the Swedish and you’ll details under-gone a metamorphosis both conceptu- Time: 12:00–12:30pm Michael Hall, Reclamation is a painterly explora- understand what the buzz is about! 17 Sunday http://www.oiff.org/ ally and symbolically. Introspection of the mind, Court of Honor tion of the coastal defense structures located in (866) 920-5299 4EGM½G*MPQ%VGLMZI FSH]ERHWSYPEVIHMZYPKIH½KYVEXMZIP][LMPIVI- -Demonstration the San Francisco Bay Area. Based in the history www.sfjazz.org %VX4ISTPI+EPPIV] 2626 Bancroft Way maining abstract. Bright colors cluster together Date: October 16, 2010 of landscape painting, but injected with remains 8LIEXVISJ=YKIR 50 Post Street Level 2 #41 Berkeley, CA with patterns and stark edges as elements of Time: 12:30-4:00pm of the complicated military history in the Bay 2840 Mariposa Street San Francisco, CA 94104 -Radica Light: Procession of the Image Pro- the natural world take form with bare boned Artist demonstration of traditional woodblock Area, the paintings imagine the bunker’s further San Francisco, CA 94110 -ArtSpan’s San Francisco Open Studio cessors foliage and starry constellations. This exhibition printing techniques dissolution into the landscape. -Professional Development Weekend Work- Date: October 17, 2010 Date: October 17, 2010 plays as both a cycle of self-assessment for the -Traditional music by Sawai Koto (415) 788-5126 shops Time: 11:00am-6:00pm Time: 6:30pm artist as well as a bold statement of place and Date: October 16, 2010 [email protected] Date: October 16, 2010 ArtPeople Gallery is a participant in the 2010 SF Cinematheque time, Here - Now. Time: 2:00-3:00pm 731%VXW'YPXYVEP'IRXIV Time: 1:00-5:00pm SF Open Studios. The gallery will be open both www.sfcinematheque.org [email protected] -Organ Concert 934 Brannan Street These Training Intensives are focused on ex- days (Oct.16 & 17) from 11am to 6pm, to give 4VIWMHMSSJ7ER*VERGMWGS3J½GIVW´ http://galleryhijinks.com Date: October 16, 2010 San Francisco, CA 94123 ploring underlying foundations of Nohgaku the public the opportunity to enjoy art and to 'PYF +VIKSV]0MRH+EPPIV] Time: 4:00pm -Mobile Arts Platform Launch (accomplished entertainment) for contempo- start a dialogue with artists whose works will 50 Moraga Avenue 49 Geary Street 5th Floor (415) 750-3677 Date: October 16th, 2010 rary application. Often described as the art of be on display. San Francisco, CA 94129 San Francisco, CA 94108 legionofhonor.famsf.org Time: 10:00am-5:00pm performance, Nohgaku refers to the classical (415) 956-3650 -Intersections 5: Colors Concepts Contours -Der Glasraum 1MGLEIP6SWIRXLEP+EPPIV] SOMArts presents the Mobile Arts Platform, Japanese theatre forms of Noh (Drama) and [email protected] Opening Reception: October 17, 2010 End: October 16, 2010 365 Valencia Street a mobile pop-up gallery and series of curated Kyogen (Comedy). The inherent principles are www.artpeople.net 1:00-4:00 Gregory Lind Gallery is proud to present new San Francisco, CA 94103 exhibitions to debut in collaboration with the time-tested, unique and come together to cre- HI=SYRK Closing Reception: December 19, 2010 work by Irish artist Eamon O’Kane. “Der Glass- -This Room Used to Be a Studio SJJWMXI TEVXRIVW 8LI ½VWX MW XLI 4SXVIVS ,MPP EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG 50 Hagiwara Tea Garden Drive 3:00pm VEYQ²MWXLIEVXMWX´W½VWXWSPSI\LMFMXMSR[MXLXLI End: October 16, 2010 Neighborhood House Festival. The SOMArts The Saturday workshops will be an introduc- San Francisco, CA 94118 Fiber/DIMENSIONS artists bring a diversity of gallery and includes paintings and works on pa- Paper sculptures by Meghan Gordon MAP exhibition will be found at the corner of tion to necessary underlying principles. The -Clarinet Thing disciplines to their work from weaving, felting, per. In this exhibition, O’Kane explores the rela- (415) 552-1010 20thst and Arkansas in a temporary mobile gal- Sunday workshops will be an opportunity to Date: October 17, 2010 quilting, and paper making to painting, wood- tionship between Philip Johnson’s Glass House [email protected] lery from 10:00 AM – 5:00 PM. (415) 621-0507 Time: 2:00–4:00pm working, printing, and welding. Their biennial and Mies van der Rohe’s Farnsworth House www.rosenthalgallery.com www.somarts.org www.theatreofyugen.org Jazz at Intersection presents Clarinet Thing, group show, Intersections 5, will represent over 26 the installation, Left to Swoon. through a series of oil paintings on canvas and OTHER CINEMA 7SYXLIVR)\TSWYVI 8VMERKPI+EPPIV] beautifully crafted jazz and new music, com- (415) 626-5496 works on paper. Using the two buildings and 992 Valencia Street 3030 20th Street 47 Kearny Street TPIXIP]YREQTPM½IHERHTIVJSVQIHSRXLIJEQ- www.sfelectricworks.com their histories as a starting point, the artist plays San Francisco, CA 94110 San Francisco, CA 94110 San Francisco, CA 94108 ily of clarinets. O )\TPSVEXSVMYQ with time, space, color and light in the series of -Video Screening -Myth of Ten Thousand Things -The 49th Anniversary Show: The Present deyoung.famsf.org 3601 Lyon Street paintings. The title of the show also references Date: October 16, 2010 Date: October 16, 2010 End: October 16, 2010 )\TPSVEXSVMYQ San Francisco, CA 94123 the Booker Prize shortlisted novel by Simon Beth Federici and Laura Harrison’s Space, Land, Time: 7:00pm-9:00pm The Present, the second show of the 49th An- 3601 Lyon Street -Marin Country Day School 1E[IVXLEXGVIEXIWE½GXMSREPWXSV]EFSYX1MIW and Time: Underground Adventures with Ant The Myth of Ten Thousand Things is a process- niversary Exhibits following the previous show San Francisco, CA 94123 Date: October 16, 2010 van der Rohe’s Tugendhat Villa in Brno, Czech Farm delves into the work of that renegade based collaboration between Dylan Bolles and The Past, focuses more recent works of the gal- -Plankton Properties C Time: 10:00pm–12:00pm Republic ‘70s collective. Radical architects, video pio- Sasha Hom, which combines written and oral lery artists. Date: October 17 , 2010 MCDS embarked on a long-range visioning (415) 296-9661 neers (Media Burn, Eternal Frame), and mor- storytelling, music, performance, installation and Hours: Tue-Sat, 11:00am-5:00pm Time: 9:30am–12:30pm process six years ago, the organization made a http://www.gregorylindgallery.com dantly funny cultural commentators, the Ant graphic arts to tell family stories. In episodic ex- (415) 392-1686 Connections workshops use science to inspire commitment to sustainability. That commitment /VS[W[SVO Farmers (Chip Lord in person) built a body plorations on the themes of voice, place, and [email protected] you to create a piece of art. Begin by delving T led to a physical and intellectual transforma- 480 23rd Street side entrance of subversive work that questions the status family, Bolles and Hom cultivate performance www.triangle-sf.com into a topic in science using museum exhibits tion of the campus in its architecture, curricu- Oakland, CA quo, mashing upBucky Fuller and NASA with environments that embed practioners and YBCA ERHUYMGOI\TIVMQIRXW4EYWIXSVI¾IGXSRSF- lum, and workplace practice. MCDS recently -Constructed Landscapes: Mark Baugh-Sa- trashy backyard Americana. Chip kicks in with EYHMIRGI QIQFIVW MRXS E GSRXMRYSYW ½IPH SJ 701 Mission Street servations, personal associations, and reactions. completed the second phase of its long-range saki his own piece in this book-launch of UC Press’ change. Curated by Nathan Lynch San Francisco, CA 94103 Then it’s your turn to respond by making art, be master plan. The completed building project – End: October 16, 2010 Radical Light: Alternative Film and Video in the (415) 863-2141 -Longplayer San Francisco: 1,000 Years in it conceptual, literal, or anywhere in between. O designed by San Francisco based EHDD Archi- In this solo exhibition, Mark Baugh-Sasaki pres- SF Bay Area, which includes Marita Sturken’s ar- www.soex.org Three Simultaneous Acts Learn basic techniques for using an alternative tecture as the largest zero energy classroom ents sculptural works integrating video and ticle on the group. Opening the program isAr- 7XITLIR;MVX^+EPPIV] Date: October 16, 2010 art material, then let your creative engines roar. complex in North America – is now also LEED photography that combine the organic with chimedia’s (David Cox and Molly Hankwitz) 49 Geary Street 3rd Floor Time: 7:00am–11:00pm Led by an art educator, these workshops give JSV 7GLSSPW 4PEXMRYQ GIVXM½IH -X MRGPYHIW E the industrial, the technological with the artis- LEPJLVPIGXYVIHIQS4PE]½IPHW1MRHQETWERH San Francisco, CA 94108 YBCA Forum ]SY XMQI XS ½RH E TIVWSREP GSRRIGXMSR [MXL 29,000 square- foot Learning Resource Center tic.Part Nam June Paik, part Andy Goldsworthy, Screen Culture, on the increasingly aggressive -Dave Anderson: One Block Longplayer is a 1,000 year long musical compo- science and enjoy creating a work of art. Con- B with art studios, technology labs, project rooms, Baugh-Sasaki demonstrates a nuanced and in- nections adult art workshops are appropriate use of screen displays and data-mining to de- End: October 16, 2010 sition by musician and artist Jem Finer that has library and high-performance classrooms. Join tegrated relationship to the constructed land- pict, and control, the idea of self and the city. -Barbara Crane: Private Views been playing since 1999. This performance of for all levels of science and art experience. $25 Alice Moore, MCDS Director of Environmental scapes of our time. SPECIAL TREATS: Come early for Carl Diehl’s End: October 16, 2010 a 1,000 minute excerpt will be performed live members, $35 non-members, choose between Sustainability, for a tour and discussion of this (510) 229-7035 Polterzeitgeist, and during intermission, David (415) 433-6879 by musicians playing 365 Tibetan bowl gongs. Sunday and Thursday workshop. E exceptional learning environment. Limited to www.krowswork.com Sherman—in from Arizona for the anthology’s www.wirtzgallery.com Longplayer is presented in conjunction with the (415) 561-0367 20 participants. 0IKMSRSJ,SRSV release—debuts his video installation An Out- 7[IHMWL%QIVMGER,EPP Long Conversation, an epic relay of one-to-one www.exploratorium.edu *MZITSMRXW%VXLSYWI 100 34th Avenue door Cinema in West Texas. 2174 Market Street conversations among some of the Bay Area’s 0IKMSRSJ,SRSV 72 Tehama San Francisco, CA 94121 (415) 648-0654 San Francisco, CA 94114 most interesting minds. 100 34th Avenue San Francisco, CA 94105 -Japanesque: The Japanese Print in the Era of www.othercinema.com -Meklit Hadero -Lecture: Contemporary Japanese Art, Part II San Francisco, CA 94121 R ;EV¾S[IV2I[TEMRXMRKWF]3FM/EYJQERR Impressionism 4EGM½G*MPQ%VGLMZI Date: October 16, 2010 Date: October 16, 2010 -Worcester Porcelain in the Collection of the End: October 16, 2010 Begin: October 16, 2010 2626 Bancroft Way Time: 8:00pm Time: 2:00-4:00pm British Museum Five Points Art House is pleased to announce End: January 9, 2011 Berkeley, CA An artist poised to break through to world- Los Angeles-based curator Gabriel Ritter will Date: October 17, 2010 the new paintings by Obi Kaufmann on dis- Japanesque: The Japanese Print in the Era of -Radical Light: Stories Untold wide stardom, Meklit Hadero writes seductive discuss Japanese art from the 1990s to the Time: 10:00am play in a solo exhibit opening September 18, Impressionism introduces audiences to the Date: October 16, 2010 WSRKWMR¾YIRGIHF]NE^^WSYPJSPOERHLIV)XLM- present. The San Francisco Ceramics Circle presents a 2010. Obi Kaufmann is a painter known for development of the Japanese print over two Time: 6:00pm opian heritage. Born in Addis Ababa, she and .-1 ,)2732  *6-)2(7 -27-()8,) lecture titled Worcester Porcelain in the Col- raw and spirited works that are epic, dark and centuries (1700–1900) and reveals its pro- SF Cinematheque. A co-presentation with Pa- LIVJEQMP]¾IH)XLMSTMEEJXIVXLIVIZSPYXMSRMR SESAME STREET VAULT lection of the British Museum. TSTYPEXIHF]½KYVEXMZIGLEVEGXIVW[LSI\MWXMR JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI GM½G*MPQ%VGLMZI 1974. She grew up primarily in Brooklyn, sing- Date: October 16, 2010 -Organ Concert a nouveau world of gothic expressionism. era of Impressionism. It complements the de -Radical Light: The Erotic Exoitc ing in choirs and developing her unique musical Time: 2:00 pm Date: October 17, 2010 MRJS$½ZITSMRXWEVXLSYWIGSQ Young’s presentation of paintings from the Mu- Date: October 16, 2010 style. Hadero earned a degree in political sci- This program highlights the contributions of Time: 4:00pm +EPPIV],MNMROW sée d’Orsay, many of which are aesthetically in- Time: 8:30pm ence from Yale, though the pull of music be- Jim Henson and his early Sesame Street col- www.legionofhonor.org 2309 Bryant Street debted to concepts of the Japanese print, and SF Cinematheque. A co-presentation with Pa- came the primary focus of her life. She settled laborators, Frank Oz, Jerry Nelson, Fran Brill 1MPP:EPPI]*MPQ*IWXMZEP San Francisco CA, 94110 also the exhibition Pat Steir: After Hokusai, after GM½G*MPQ%VGLMZI in San Francisco, immersing herself in the city’s and Caroll Spinney. In addition to old favorites, End: October 17, 2010 -´Q,IVI2S[F]1EVO;EVVIR.EGUYIW Hiroshige. Culled primarily from the holdings of www.sfcinematheque.org rich art and music scenes, and soon gained a there are some extremely rare clips from spe- Various Times and locations check website for Opening Reception: October 16, 2010 the Achenbach Foundation for Graphic Arts, 4EXVMGME7[IIXS[+EPPIV] reputation as a talented singer-songwriter who cials and guest appearances on other television details 6:00pm – 10:00pm the exhibition of approximately 250 prints, 77 Geary Street draws comparisons to such vocal legends as programs. (83 min, digital video) LXXT[[[GE½PQSVKQZJJ Exhibition Ends: November 15, 2010 drawings, paintings, and artist’s books unfolds San Francisco, CA 94108 Joni Mitchell and Nina Simone. Hadero’s 2010 www.ybca.org 3EOPERH -RXIVREXMSREP *MPQ *IWXM- Mark Warren Jacques admittedly has an amo- MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- -Michael Hall: Reclamation album, On a Day Like This, is a critically lauded ZEP rous disposition and this time he’s fallen in love ence. End: October 16, 2010 collection of personal songs featuring some of End: October 17, 2010 with San Francisco. While embracing different -Emeryville Taiko -Whitney Lynn: Event Recorders the Bay Area’s best musicians. Join her for an Various Times and locations check website for cultures, ideals and perspectives his style has Date: October 16, 2010 End: October 16, 2010 thrilling performance at the Swedish and you’ll details under-gone a metamorphosis both conceptu- Time: 12:00–12:30pm Michael Hall, Reclamation is a painterly explora- understand what the buzz is about! 17 Sunday http://www.oiff.org/ ally and symbolically. Introspection of the mind, Court of Honor tion of the coastal defense structures located in (866) 920-5299 4EGM½G*MPQ%VGLMZI FSH]ERHWSYPEVIHMZYPKIH½KYVEXMZIP][LMPIVI- -Demonstration the San Francisco Bay Area. Based in the history www.sfjazz.org %VX4ISTPI+EPPIV] 2626 Bancroft Way maining abstract. Bright colors cluster together Date: October 16, 2010 of landscape painting, but injected with remains 8LIEXVISJ=YKIR 50 Post Street Level 2 #41 Berkeley, CA with patterns and stark edges as elements of Time: 12:30-4:00pm of the complicated military history in the Bay 2840 Mariposa Street San Francisco, CA 94104 -Radica Light: Procession of the Image Pro- the natural world take form with bare boned Artist demonstration of traditional woodblock Area, the paintings imagine the bunker’s further San Francisco, CA 94110 -ArtSpan’s San Francisco Open Studio cessors foliage and starry constellations. This exhibition printing techniques dissolution into the landscape. -Professional Development Weekend Work- Date: October 17, 2010 Date: October 17, 2010 plays as both a cycle of self-assessment for the -Traditional music by Sawai Koto (415) 788-5126 shops Time: 11:00am-6:00pm Time: 6:30pm artist as well as a bold statement of place and Date: October 16, 2010 [email protected] Date: October 16, 2010 ArtPeople Gallery is a participant in the 2010 SF Cinematheque time, Here - Now. Time: 2:00-3:00pm 731%VXW'YPXYVEP'IRXIV Time: 1:00-5:00pm SF Open Studios. The gallery will be open both www.sfcinematheque.org [email protected] -Organ Concert 934 Brannan Street These Training Intensives are focused on ex- days (Oct.16 & 17) from 11am to 6pm, to give 4VIWMHMSSJ7ER*VERGMWGS3J½GIVW´ http://galleryhijinks.com Date: October 16, 2010 San Francisco, CA 94123 ploring underlying foundations of Nohgaku the public the opportunity to enjoy art and to 'PYF +VIKSV]0MRH+EPPIV] Time: 4:00pm -Mobile Arts Platform Launch (accomplished entertainment) for contempo- start a dialogue with artists whose works will 50 Moraga Avenue 49 Geary Street 5th Floor (415) 750-3677 Date: October 16th, 2010 rary application. Often described as the art of be on display. San Francisco, CA 94129 San Francisco, CA 94108 legionofhonor.famsf.org Time: 10:00am-5:00pm performance, Nohgaku refers to the classical (415) 956-3650 -Intersections 5: Colors Concepts Contours -Der Glasraum 1MGLEIP6SWIRXLEP+EPPIV] SOMArts presents the Mobile Arts Platform, Japanese theatre forms of Noh (Drama) and [email protected] Opening Reception: October 17, 2010 End: October 16, 2010 365 Valencia Street a mobile pop-up gallery and series of curated Kyogen (Comedy). The inherent principles are www.artpeople.net 1:00-4:00 Gregory Lind Gallery is proud to present new San Francisco, CA 94103 exhibitions to debut in collaboration with the time-tested, unique and come together to cre- HI=SYRK Closing Reception: December 19, 2010 work by Irish artist Eamon O’Kane. “Der Glass- -This Room Used to Be a Studio SJJWMXI TEVXRIVW 8LI ½VWX MW XLI 4SXVIVS ,MPP EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG 50 Hagiwara Tea Garden Drive 3:00pm VEYQ²MWXLIEVXMWX´W½VWXWSPSI\LMFMXMSR[MXLXLI End: October 16, 2010 Neighborhood House Festival. The SOMArts The Saturday workshops will be an introduc- San Francisco, CA 94118 Fiber/DIMENSIONS artists bring a diversity of gallery and includes paintings and works on pa- Paper sculptures by Meghan Gordon MAP exhibition will be found at the corner of tion to necessary underlying principles. The -Clarinet Thing disciplines to their work from weaving, felting, per. In this exhibition, O’Kane explores the rela- (415) 552-1010 20thst and Arkansas in a temporary mobile gal- Sunday workshops will be an opportunity to Date: October 17, 2010 quilting, and paper making to painting, wood- tionship between Philip Johnson’s Glass House [email protected] lery from 10:00 AM – 5:00 PM. (415) 621-0507 Time: 2:00–4:00pm working, printing, and welding. Their biennial and Mies van der Rohe’s Farnsworth House www.rosenthalgallery.com www.somarts.org www.theatreofyugen.org Jazz at Intersection presents Clarinet Thing, group show, Intersections 5, will represent over 27 35 of their amazing artists. Free Workshops Time: 7:00pm After-school classes for children offer an in- Opening Reception October 21, 2010 organ grooves with great technical sophistica- special visits from some of the music industry’s will held Friday afternoons starting Oct. 19th. www.sfmoma.org depth exploration of world cultures through 5:00-9:00pm XMSR ,MWGSPPEFSVEXMSRW[MXL.SLR7GS½IPHEVI biggest names. (82 min, digital video) (415) 499–1655 the de Young’s extensive collections. Classes are End: December 4, 2010 the stuff of legend.) Combine those modern www.ybca.org O LXXT[[[½FIVHMQIRWMSRWGSQ free; reservations are required. Classes meet -Margaret Tedesco masters and the results will be explosive! This 8LIEXVISJ=YKIR twice. Opening Reception October 21, 2010 show promises to be a high-energy, all-star 2840 Mariposa Street 19 Tuesday (415) 750-3658 5:00-9:00pm blowout of the highest order. San Francisco, CA 94110 deyoung.famsf.org End: December 4, 2010 (866) 920-5299 22 Friday -Professional Development Weekend Work- Herbst Theatre The Bookstore Project Space www.sfjazz.org C shops 'VIEXMZMX])\TPSVIH 401 Van Ness Avenue -Mads Lynnerup /EPE%VX-RWXMXYXI Date: October 17, 2010 3245 16th Street San Francisco, CA 94102 Opening Reception October 21, 2010 2990 San Pablo Avenue %RXLSR]1IMIV*MRI%VXW Time: 1:00-5:00pm San Francisco, CA 94103 -A Ride With Bob: The Bob Wills Musical 5:00-9:00pm Berkeley, CA 94702 1969 California Street 8LIWI8VEMRMRK -RXIRWMZIW EVI JSGYWIH SR I\- -CE Conversations Date: October 20, 2010 End: December 4, 2010 -Blurring the Lines San Francisco, CA 94109 T ploring underlying foundations of Nohgaku Date: October 19, 2010 Time: 7:30pm (415) 777-1366 Begin: October 21, 2010 -Teresita Fernandez (accomplished entertainment) for contempo- Time: 1:00-2:00pm Currently celebrating their 40th year, Asleep www.baerridgway.com Opening Reception: October 28, 2010 End: October 22, 2010 rary application. Often described as the art of CE Conversations is an ongoing series of dis- at the Wheel has kept Western Swing alive HI=SYRK 6:00-8:00pm New work. performance, Nohgaku refers to the classical cussions between Creativity Explored staff and ERH MRZMKSVEXIH&IWX X]TM½IH F] &SF;MPPW MR ,EKM[EVE8IE+EVHIR(VMZI Artist Talk: November 6, 2010 2:00pm Hours: Tue-Fri 10:00am-5:00pm Japanese theatre forms of Noh (Drama) and people interested in learning more about the the 1930s and ‘40s, Western Swing uses instru- San Francisco, CA 94118 Blurring the Lines investigates elusive experi- (415) 351-1400 O Kyogen (Comedy). The inherent principles are artists, the organization, and our work. Come QIRXW EWWSGMEXIH [MXL GSYRXV] QYWMG ½HHPI 6I¾IGXMSRW SR 'SPPIGXMRK8LI 7E\I 'SPPIG- ences relating to visual perception, the body [[[ERXLSR]QIMIV½RIEVXWGSQ time-tested, unique and come together to cre- meet some of Creativity Explored’s studio art- steel guitar and various string instruments) tion of Contemporary Craft and the decay and regeneration found in na- %8% EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG ists and teaching staff, and to learn more about to perform a wide-ranging repertoire that in- Date: October 21, 2010 ture. Working at the intersection of drawing, 992 Valencia Street The Saturday workshops will be an introduc- our organization. Questions and comments are cludes swinging jazz, ballads and cowboy folk Time; 10:00am performance and object-making, these artists San Francisco, CA tion to necessary underlying principles. The welcome! songs. The music faded in popularity and was %VX LMWXSV] PIGXYVI XMXPIH 6I¾IGXMSRW SR 'SP- imaginatively engage in the use of simple every- -5th Annual ATA Film & Video Festival B Sunday workshops will be an opportunity to in danger of being forgotten when the Wheel day materials to create works ranging from the (415) 863-2108 lecting: The Saxe Collection of Contemporary Date: October 22, 2010 (415) 621-0507 [email protected] QEHIXLIMV½VWXVIGSVHMRKWMR8LIKVSYT Craft. sparsely elegant to the obsessively quirky. Art- Time: 8:00pm www.theatreofyugen.org www.creativityexplored.org caught on fast and by 1977 was voted the Best (415) 750-3531 ists: David Fought, Wendy Hough, Sandra Ono, Lo-Fi Future =&'% 7SYXLIVR)\TSWYVI Country & Western Band by . Un- deyoung.famsf.org Robert Ortbal, Curated by Lauren Davies www.festival.atasite.org/2010 E 701 Mission Street 3030 20th Street der the direction of Ray Benson, Asleep at the )ZIV+SPH+EPPIV] www.kala.org 'EWXVS8LIEXIV San Francisco, CA 94103 San Francisco, CA 94110 Wheel has performed “A Ride With Bob: The 441 O”Farrell Street 6EVI(IZMGI 429 Castro Street -LITTLE CAESAR -Thinkings: Brad Borevitz Bob Wills Musical,” recorded over 25 albums San Francisco, CA 1EVOIX7XVIIXEX+YIVVIVS San Francisco, CA Date: October 17, 2010 Date: October 19, 2010 (including the recent Willie & The Wheel with -Withheld: A Conversational Memoir San Francisco, CA -Berlin & Beyond Time: 2:00pm Time: 7:00–9:00pm Willie Nelson), and remained the true beacon Date: October 21, 2010 -Crafting a Meaningful Home Begin: October 22, 2010 R )H[EVH+6SFMRWSR FSVR)QQERYIP+SPHIR- of Western Swing for fans worldwide. Time: 7:00pm Begin: October 21, 2010 Thinkings: How computers change the way we End: October 28, 2010 FIVK MWVMZIXMRKEWXLIVYXLPIWW-XEPMER%QIVMGER see by altering the way we think, a three-part (866) 920-5299 San Francisco playwright and actor Jeremy Reception/Book Signing: October 21, 2010 http://www.berlinandbeyond.com/ mobster Caesar Enrico Bandello in this classic HMWGYWWMSRWIVMIW-R8LMROMRKW&VEH&SVIZMX^JE- www.sfjazz.org +VIGS[MPPTVIWIRXI\GIVTXWJVSQ±;MXLLIPH% 7:00-9:00pm 'EPZEV]4VIWF]XIVMER'LYVGL KERKWXIV ½PQ WIX MR 4VSLMFMXMSRIVE 'LMGEKS cilitates an exploration of the impact of com- 4EGM½G*MPQ%VGLMZI Conversational Memoir,” which resulted from End: November 14, 2010 2515 Robinson seethes as Caesar (known as Rico), puters on art practice and the practice of every 2626 Bancroft Way the transcription of ten interview sessions be- Projects from the new book ‘Crafting a Mean- San Francisco, CA a maniacal, ambitious crook. (1931, 79 min, day life through a participatory, experimental Berkeley, CA tween the artist and playwright earlier in the MRKJYP,SQI´IHMXIHF]1IK1EXIS-PEWGS[MPP -The Power of Place 35mm) pedagogy. Over the course of three evenings -Radical Light: 1969-1979 ]IEV+VIGS´W[SVOMWGYVVIRXP]MRHIZIPSTQIRX be on exhibit. Date: October 22, 2010 -Tough Guys participants will work through three concepts Date: October 20, 2010 at The Marsh. (415) 863-3969 Time: 8:00pm-9:30pm Date: October 17, 2010 that are crucial to understanding computer im- Time: 7:30pm [email protected] www.raredevice.net 7ER*VERGMWGS+MVPW'LSVYW%QYWMGEPI\TPSVE- Time: 2:00pm ages: the automation of variation, the automa- SF Cinematheque. A co-presentation with Pa- www.evergoldgallery.blogspot.com 7*131% tion of places holy, heart-stirring, majestic and -QEKIWSJ.I[MWL+ERKWXIVWMR*MPQ tion of the sublime, and the automation of the GM½G*MPQ%VGLMZI )\TPSVEXSVMYQ 151 Third Street nostalgic celebrates the opening of Artistic Di- www.ybca.org image. www.sfcinematheque.org 3601 Lyon Street San Francisco, CA rector Susan McMane’s Tenth Anniversary Sea- (415) 863-2141 San Francisco, CA 94123 -Now Playing: Beth Custer son with a retrospective of her programming www.soex.org -Plankton Properties Date: October 21, 2010 plus several new works. Program includes mu- 8VMERKPI+EPPIV] Date: October 21, 2010 Time: 6:00pm sic by Brahms, Von Bingen, and the Haydns, as 18 Monday 47 Kearny Street 21 Thursday Time: 9:30am-12:30pm -RGSRNYRGXMSR[MXL7*'MRIQEXLIUYI well as guest artist The New Esterházy Quartet. San Francisco, CA 94108 Our ocean waters teem with tiny microscopic www.sfmoma.org www.sfgirlschorus.org -Common Ground life called plankton. Using recycled plastic, you’ll 7XITLIR;MVX^+EPPIV] HI=SYRK 4EVO0MJI Begin: October 19, 2010 %VMSR4VIWW create a sculpture sparked by your exploration +IEV]7XVIIXVH*PSSV ,EKM[EVE8IE+EVHIR(VMZI 220 Clement Street Opening Reception: October 23, 2010 1802 Hays Street The Presidio of the museum’s Living Systems’ plankton ex- San Francisco, CA 94108 San Francisco, CA 94118 San Francisco, CA 94118 3:00-5:00pm San Francisco, CA 94129 LMFMXW-RZIWXMKEXIGSRGITXWWYGLEWQSFMPMX]MQ- -Catherine Wagner: Reparations -Friday Nights at the de Young -You Knew This Was Coming End: November 27, 2010 -Tours Of Arion Press and M&H Type pact and diversity in your art. Leave with your Begin: October 21, 2010 Date: October 22, 2010 End: October 18, 2010 Two Person Show featuring intriguing wood Date: October 21, 2010 own translucent sculpture and a newfound un- Opening Reception: November 4, 2010 Time: 5:00–8:45pm Sahar Al-Sawaf, Sadie Barnette, Rich Bott, Mike sculptures by Patricia Lyons Stroud and exqui- Time: 3:00pm-4:30pm derstanding of our San Francisco Bay. 5:30-7:30pm Cultural Encounters presents Friday Nights at Calway-Fagen, Thomas Helman, Vincent Man- WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- Live demonstration tours of the historic type- (415) 561-0360 End: November 27, 2010 the de Young. Every Friday Night, join Made- ganello, Clare Parry and Louis M Schmidt. Cu- riere. The organic materials used by the two foundry, printing facility, and bookbindery of Ar- www.exploratorium.edu www.wirtzgallery.com moiselle Kim for a hands-on art making project rated by Louis Schmidt. artists echo a poetic interplay between wood ion Press and M&H Type are conducted every Herbst Theatre 8LI2SVXL4SMRX+EPPIV] for all ages. No museum admission required for (415) 386-7275 and paper. Thursday at 3:00 p.m. The tours are sponsored 401 Van Ness Avenue 407 Jackson Street most programs. www.parklifestore.com Hours: Tue - Sat, 11am-5pm F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV San Francisco 94102 San Francisco, CA 94111 -Tango No. 9 7*%- (415) 392-1686 person. -James Carter with John Medeski -Gottardo Piazzoni and His Legacy Date: October 22, 2010 800 Chestnut Street [email protected] (415) 668-2542 Date: October 21, 2010 Begin: October 21, 2010 Time: 6:30–8:30pm San Francisco, CA 94133 www.triangle-sf.com [email protected] Time: 7:30pm End: November 20, 2010 A synthesis of old school, nuevo, and contem- -Lisa Sanditz www.arionpress.com The stunning matchup of maverick saxo- Russell Chatham, Maurice Del Mue, and Thom- porary tango Date: October 18, 2010 %8% phonist James Carter and keyboard magician as Wood. -Le Café Peetnik Time: 7:30pm 992 Valencia Street John Medeski, which led to the brilliant, funk- (415) 781-7550 Date: October 22, 2010 Lecture by Lisa Sanditz. Winifred Johnson Clive San Francisco, CA drenched 2009 CD Heaven On Earth, re- www.northpointgallery.com Time: 1:00–8:30pm Foundation, Distinguished Visiting Fellowship 20 Wednesday -5th Annual ATA Film & Video Festival unites for a passionate reprise. Carter is a true =&'% Relax with a tasting of Peet’s among a tableau JSV-RXIVHMWGMTPMREV]4EMRXMRK4VEGXMGIW Date: October 21, 2010 virtuoso who burst onto the jazz scene with 701 Mission Street vivant of artists (415) 771-7020 HI=SYRK Time: 8:00pm Wynton Marsalis at age 17 and evolved into San Francisco, CA 94103 -Gauguin’s Baudelairean Dream www.sfai.edu ,EKM[EVE8IE+EVHIR(VMZI Human Nature one of the great saxophonists of his genera- -SING! THE MUSIC OF SESAME STREET Date: October 22, 2010 7*131% San Francisco, CA 94118 www.festival.atasite.org/2010 tion, releasing 13 masterful CDs as a leader to Date: October 21, 2010 Time: 7:00 pm 151 Third Street -Art After School: 2nd Grade (session 2) &%)66-(+;%= date. John Medeski, a dynamic keyboardist who Time: 7:30pm 0IGXYVIF]4VSJIWWSV.EQIW,SYWI½IPHSJ9' San Francisco, CA Date: October 20, 2010 172 Minna Street gained fame in the ‘90s with funk/jazz phenom- A joyous, sometimes hilarious and poignant sa- Davis -Bay Area Ecstatic Time: 4:00–5:30pm San Francisco, CA 94105 enon Medeski, Martin and Wood, is an unpar- lute to forty years of Sesame Street music, fea- 4EGM½G-WPERHIV4SIXV] Date: October 18, 2010 -Mads Lynnerup: New Work alleled musical chameleon who balances nasty turing the original show classics, parodies and Date: October 22, 2010 28 35 of their amazing artists. Free Workshops Time: 7:00pm After-school classes for children offer an in- Opening Reception October 21, 2010 organ grooves with great technical sophistica- special visits from some of the music industry’s will held Friday afternoons starting Oct. 19th. www.sfmoma.org depth exploration of world cultures through 5:00-9:00pm XMSR ,MWGSPPEFSVEXMSRW[MXL.SLR7GS½IPHEVI biggest names. (82 min, digital video) (415) 499–1655 the de Young’s extensive collections. Classes are End: December 4, 2010 the stuff of legend.) Combine those modern www.ybca.org O LXXT[[[½FIVHMQIRWMSRWGSQ free; reservations are required. Classes meet -Margaret Tedesco masters and the results will be explosive! This 8LIEXVISJ=YKIR twice. Opening Reception October 21, 2010 show promises to be a high-energy, all-star 2840 Mariposa Street 19 Tuesday (415) 750-3658 5:00-9:00pm blowout of the highest order. San Francisco, CA 94110 deyoung.famsf.org End: December 4, 2010 (866) 920-5299 22 Friday -Professional Development Weekend Work- Herbst Theatre The Bookstore Project Space www.sfjazz.org C shops 'VIEXMZMX])\TPSVIH 401 Van Ness Avenue -Mads Lynnerup /EPE%VX-RWXMXYXI Date: October 17, 2010 3245 16th Street San Francisco, CA 94102 Opening Reception October 21, 2010 2990 San Pablo Avenue %RXLSR]1IMIV*MRI%VXW Time: 1:00-5:00pm San Francisco, CA 94103 -A Ride With Bob: The Bob Wills Musical 5:00-9:00pm Berkeley, CA 94702 1969 California Street 8LIWI8VEMRMRK -RXIRWMZIW EVI JSGYWIH SR I\- -CE Conversations Date: October 20, 2010 End: December 4, 2010 -Blurring the Lines San Francisco, CA 94109 T ploring underlying foundations of Nohgaku Date: October 19, 2010 Time: 7:30pm (415) 777-1366 Begin: October 21, 2010 -Teresita Fernandez (accomplished entertainment) for contempo- Time: 1:00-2:00pm Currently celebrating their 40th year, Asleep www.baerridgway.com Opening Reception: October 28, 2010 End: October 22, 2010 rary application. Often described as the art of CE Conversations is an ongoing series of dis- at the Wheel has kept Western Swing alive HI=SYRK 6:00-8:00pm New work. performance, Nohgaku refers to the classical cussions between Creativity Explored staff and ERH MRZMKSVEXIH&IWX X]TM½IH F] &SF;MPPW MR ,EKM[EVE8IE+EVHIR(VMZI Artist Talk: November 6, 2010 2:00pm Hours: Tue-Fri 10:00am-5:00pm Japanese theatre forms of Noh (Drama) and people interested in learning more about the the 1930s and ‘40s, Western Swing uses instru- San Francisco, CA 94118 Blurring the Lines investigates elusive experi- (415) 351-1400 O Kyogen (Comedy). The inherent principles are artists, the organization, and our work. Come QIRXW EWWSGMEXIH [MXL GSYRXV] QYWMG ½HHPI 6I¾IGXMSRW SR 'SPPIGXMRK8LI 7E\I 'SPPIG- ences relating to visual perception, the body [[[ERXLSR]QIMIV½RIEVXWGSQ time-tested, unique and come together to cre- meet some of Creativity Explored’s studio art- steel guitar and various string instruments) tion of Contemporary Craft and the decay and regeneration found in na- %8% EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG ists and teaching staff, and to learn more about to perform a wide-ranging repertoire that in- Date: October 21, 2010 ture. Working at the intersection of drawing, 992 Valencia Street The Saturday workshops will be an introduc- our organization. Questions and comments are cludes swinging jazz, ballads and cowboy folk Time; 10:00am performance and object-making, these artists San Francisco, CA tion to necessary underlying principles. The welcome! songs. The music faded in popularity and was %VX LMWXSV] PIGXYVI XMXPIH 6I¾IGXMSRW SR 'SP- imaginatively engage in the use of simple every- -5th Annual ATA Film & Video Festival B Sunday workshops will be an opportunity to in danger of being forgotten when the Wheel day materials to create works ranging from the (415) 863-2108 lecting: The Saxe Collection of Contemporary Date: October 22, 2010 (415) 621-0507 [email protected] QEHIXLIMV½VWXVIGSVHMRKWMR8LIKVSYT Craft. sparsely elegant to the obsessively quirky. Art- Time: 8:00pm www.theatreofyugen.org www.creativityexplored.org caught on fast and by 1977 was voted the Best (415) 750-3531 ists: David Fought, Wendy Hough, Sandra Ono, Lo-Fi Future =&'% 7SYXLIVR)\TSWYVI Country & Western Band by Rolling Stone. Un- deyoung.famsf.org Robert Ortbal, Curated by Lauren Davies www.festival.atasite.org/2010 E 701 Mission Street 3030 20th Street der the direction of Ray Benson, Asleep at the )ZIV+SPH+EPPIV] www.kala.org 'EWXVS8LIEXIV San Francisco, CA 94103 San Francisco, CA 94110 Wheel has performed “A Ride With Bob: The 441 O”Farrell Street 6EVI(IZMGI 429 Castro Street -LITTLE CAESAR -Thinkings: Brad Borevitz Bob Wills Musical,” recorded over 25 albums San Francisco, CA 1EVOIX7XVIIXEX+YIVVIVS San Francisco, CA Date: October 17, 2010 Date: October 19, 2010 (including the recent Willie & The Wheel with -Withheld: A Conversational Memoir San Francisco, CA -Berlin & Beyond Time: 2:00pm Time: 7:00–9:00pm Willie Nelson), and remained the true beacon Date: October 21, 2010 -Crafting a Meaningful Home Begin: October 22, 2010 R )H[EVH+6SFMRWSR FSVR)QQERYIP+SPHIR- of Western Swing for fans worldwide. Time: 7:00pm Begin: October 21, 2010 Thinkings: How computers change the way we End: October 28, 2010 FIVK MWVMZIXMRKEWXLIVYXLPIWW-XEPMER%QIVMGER see by altering the way we think, a three-part (866) 920-5299 San Francisco playwright and actor Jeremy Reception/Book Signing: October 21, 2010 http://www.berlinandbeyond.com/ mobster Caesar Enrico Bandello in this classic HMWGYWWMSRWIVMIW-R8LMROMRKW&VEH&SVIZMX^JE- www.sfjazz.org +VIGS[MPPTVIWIRXI\GIVTXWJVSQ±;MXLLIPH% 7:00-9:00pm 'EPZEV]4VIWF]XIVMER'LYVGL KERKWXIV ½PQ WIX MR 4VSLMFMXMSRIVE 'LMGEKS cilitates an exploration of the impact of com- 4EGM½G*MPQ%VGLMZI Conversational Memoir,” which resulted from End: November 14, 2010 2515 Fillmore Street Robinson seethes as Caesar (known as Rico), puters on art practice and the practice of every 2626 Bancroft Way the transcription of ten interview sessions be- Projects from the new book ‘Crafting a Mean- San Francisco, CA a maniacal, ambitious crook. (1931, 79 min, day life through a participatory, experimental Berkeley, CA tween the artist and playwright earlier in the MRKJYP,SQI´IHMXIHF]1IK1EXIS-PEWGS[MPP -The Power of Place 35mm) pedagogy. Over the course of three evenings -Radical Light: 1969-1979 ]IEV+VIGS´W[SVOMWGYVVIRXP]MRHIZIPSTQIRX be on exhibit. Date: October 22, 2010 -Tough Guys participants will work through three concepts Date: October 20, 2010 at The Marsh. (415) 863-3969 Time: 8:00pm-9:30pm Date: October 17, 2010 that are crucial to understanding computer im- Time: 7:30pm [email protected] www.raredevice.net 7ER*VERGMWGS+MVPW'LSVYW%QYWMGEPI\TPSVE- Time: 2:00pm ages: the automation of variation, the automa- SF Cinematheque. A co-presentation with Pa- www.evergoldgallery.blogspot.com 7*131% tion of places holy, heart-stirring, majestic and -QEKIWSJ.I[MWL+ERKWXIVWMR*MPQ tion of the sublime, and the automation of the GM½G*MPQ%VGLMZI )\TPSVEXSVMYQ 151 Third Street nostalgic celebrates the opening of Artistic Di- www.ybca.org image. www.sfcinematheque.org 3601 Lyon Street San Francisco, CA rector Susan McMane’s Tenth Anniversary Sea- (415) 863-2141 San Francisco, CA 94123 -Now Playing: Beth Custer son with a retrospective of her programming www.soex.org -Plankton Properties Date: October 21, 2010 plus several new works. Program includes mu- 8VMERKPI+EPPIV] Date: October 21, 2010 Time: 6:00pm sic by Brahms, Von Bingen, and the Haydns, as 18 Monday 47 Kearny Street 21 Thursday Time: 9:30am-12:30pm -RGSRNYRGXMSR[MXL7*'MRIQEXLIUYI well as guest artist The New Esterházy Quartet. San Francisco, CA 94108 Our ocean waters teem with tiny microscopic www.sfmoma.org www.sfgirlschorus.org -Common Ground life called plankton. Using recycled plastic, you’ll 7XITLIR;MVX^+EPPIV] HI=SYRK 4EVO0MJI Begin: October 19, 2010 %VMSR4VIWW create a sculpture sparked by your exploration +IEV]7XVIIXVH*PSSV ,EKM[EVE8IE+EVHIR(VMZI 220 Clement Street Opening Reception: October 23, 2010 1802 Hays Street The Presidio of the museum’s Living Systems’ plankton ex- San Francisco, CA 94108 San Francisco, CA 94118 San Francisco, CA 94118 3:00-5:00pm San Francisco, CA 94129 LMFMXW-RZIWXMKEXIGSRGITXWWYGLEWQSFMPMX]MQ- -Catherine Wagner: Reparations -Friday Nights at the de Young -You Knew This Was Coming End: November 27, 2010 -Tours Of Arion Press and M&H Type pact and diversity in your art. Leave with your Begin: October 21, 2010 Date: October 22, 2010 End: October 18, 2010 Two Person Show featuring intriguing wood Date: October 21, 2010 own translucent sculpture and a newfound un- Opening Reception: November 4, 2010 Time: 5:00–8:45pm Sahar Al-Sawaf, Sadie Barnette, Rich Bott, Mike sculptures by Patricia Lyons Stroud and exqui- Time: 3:00pm-4:30pm derstanding of our San Francisco Bay. 5:30-7:30pm Cultural Encounters presents Friday Nights at Calway-Fagen, Thomas Helman, Vincent Man- WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- Live demonstration tours of the historic type- (415) 561-0360 End: November 27, 2010 the de Young. Every Friday Night, join Made- ganello, Clare Parry and Louis M Schmidt. Cu- riere. The organic materials used by the two foundry, printing facility, and bookbindery of Ar- www.exploratorium.edu www.wirtzgallery.com moiselle Kim for a hands-on art making project rated by Louis Schmidt. artists echo a poetic interplay between wood ion Press and M&H Type are conducted every Herbst Theatre 8LI2SVXL4SMRX+EPPIV] for all ages. No museum admission required for (415) 386-7275 and paper. Thursday at 3:00 p.m. The tours are sponsored 401 Van Ness Avenue 407 Jackson Street most programs. www.parklifestore.com Hours: Tue - Sat, 11am-5pm F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV San Francisco 94102 San Francisco, CA 94111 -Tango No. 9 7*%- (415) 392-1686 person. -James Carter with John Medeski -Gottardo Piazzoni and His Legacy Date: October 22, 2010 800 Chestnut Street [email protected] (415) 668-2542 Date: October 21, 2010 Begin: October 21, 2010 Time: 6:30–8:30pm San Francisco, CA 94133 www.triangle-sf.com [email protected] Time: 7:30pm End: November 20, 2010 A synthesis of old school, nuevo, and contem- -Lisa Sanditz www.arionpress.com The stunning matchup of maverick saxo- Russell Chatham, Maurice Del Mue, and Thom- porary tango Date: October 18, 2010 %8% phonist James Carter and keyboard magician as Wood. -Le Café Peetnik Time: 7:30pm 992 Valencia Street John Medeski, which led to the brilliant, funk- (415) 781-7550 Date: October 22, 2010 Lecture by Lisa Sanditz. Winifred Johnson Clive San Francisco, CA drenched 2009 CD Heaven On Earth, re- www.northpointgallery.com Time: 1:00–8:30pm Foundation, Distinguished Visiting Fellowship 20 Wednesday -5th Annual ATA Film & Video Festival unites for a passionate reprise. Carter is a true =&'% Relax with a tasting of Peet’s among a tableau JSV-RXIVHMWGMTPMREV]4EMRXMRK4VEGXMGIW Date: October 21, 2010 virtuoso who burst onto the jazz scene with 701 Mission Street vivant of artists (415) 771-7020 HI=SYRK Time: 8:00pm Wynton Marsalis at age 17 and evolved into San Francisco, CA 94103 -Gauguin’s Baudelairean Dream www.sfai.edu ,EKM[EVE8IE+EVHIR(VMZI Human Nature one of the great saxophonists of his genera- -SING! THE MUSIC OF SESAME STREET Date: October 22, 2010 7*131% San Francisco, CA 94118 www.festival.atasite.org/2010 tion, releasing 13 masterful CDs as a leader to Date: October 21, 2010 Time: 7:00 pm 151 Third Street -Art After School: 2nd Grade (session 2) &%)66-(+;%= date. John Medeski, a dynamic keyboardist who Time: 7:30pm 0IGXYVIF]4VSJIWWSV.EQIW,SYWI½IPHSJ9' San Francisco, CA Date: October 20, 2010 172 Minna Street gained fame in the ‘90s with funk/jazz phenom- A joyous, sometimes hilarious and poignant sa- Davis -Bay Area Ecstatic Time: 4:00–5:30pm San Francisco, CA 94105 enon Medeski, Martin and Wood, is an unpar- lute to forty years of Sesame Street music, fea- 4EGM½G-WPERHIV4SIXV] Date: October 18, 2010 -Mads Lynnerup: New Work alleled musical chameleon who balances nasty turing the original show classics, parodies and Date: October 22, 2010 29 Time: 6:00–8:30pm and Charles Mingus, La- and unlimited potential. Parlato won the cov- al approach to art making, with the fundamen- star-studded celebration of his more than 40- ists and arts collectives from the Middle East/ Performance from the Samoan, Tongan, Cham- teef has primarily been a leader throughout eted Thelonious Monk International Jazz Vocals tals of storytelling at the core of her work. year career, yet he is still very much in his prime. North Africa/Central Asia and its Diaspora. The SVVS,E[EMMER'SSO-WPERHIV1ESVMERH4EGM½G his career with over 70 innovative albums to Competition in 2004 and released her self- [[[NEGO½WGLIVKEPPIV]GSQ :MIY\*EVOE8SYVqMWXLIWSRSJXLIKVIEX1EPMER one-day festival creates a place for gathering, O communities LMWGVIHMX,I[EWSRISJXLI½VWXXSIQIVKI titled debut the following year. In addition to Legion of Honor KYMXEVMWX%PM*EVOE8SYVq;LMPIGIVXEMRP]JSPPS[- research and exchange, while offering diverse deyoung.famsf.org from mainstream jazz and explore “world” mu- touring with her own group, she has collabo- 100 34th Avenue ing in his father’s footsteps, Vieux is a monster perspectives and artistic explorations of the Electric Works sic, on his landmark 1961 Prestige record East- rated with artists including Wayne Shorter, Ter- San Francisco, CA 94121 KYMXEVMWXMRLMWS[RVMKLX[MXLMR¾YIRGIWJEVFI- realities, aspirations and preoccupations of the 130 8th Street ern Sounds. And he had a great run of classic ence Blanchard, Kenny Barron, Esperanza Spald- -Organ Concert yond their homeland. Mixing traditional Malian region in the past decade. Curated by Taraneh San Francisco, CA 94103 releases on the Impulse! label from 1964-66. ing, Oscar Castro-Neves, Diane Reeves and Date: October 23, 2010 songs and the sounds of ancient Africa with Hemami. Co-presented with the Arab Film Fes- C -Repossessed Rather than use the word “jazz,” Lateef prefers others. Her acclaimed 2009 CD, In A Dream, Time; 4:00pm FPYIWERHVSGO8SYVqGVIEXIW[SVPHQYWMGJSV tival. Opening Reception: October 22, 2010 to call his music “,” meaning, features brilliant sidemen Lionel Loueke (gui- -Athenian Vase-Painting after the Persian XLI WX GIRXYV]8SYQERM (MEFEXq EPWS LEMPW (415) 863-2141 6:00-8:00pm “that which comes from one’s spiritual, physical tar) and Aaron Parks (keyboards), and includes Wars from Mali and went into his father’s business: www.soex.org End: November 26, 2010 and emotional self.” And what better place than sparkling new versions of Herbie Hancock and Date: October 23, 2010 he is a renowned kora player and the son of The Rrazz Room T In Repossessed, Lucy Puls continues her ex- Grace Cathedral to continue this journey? Pro- Wayne Shorter material. Gretchen Parlato, to Time: 2:00pm 7MHMOM(MEFEXqJEQIHJSVLMWOSVE[SVOEW[IPP 222 Mason Street at O’Farrell Street ploration of the discarded items of our culture. viding subtle support will be Yusef’s frequent whom improvising seems as natural as breath- Ancient Art Council presents a lecture titled Collaborating with artists from Bela Fleck to San Francisco, CA 94102 With the attention of an anthropologist, Puls collaborator, percussionist Adam Rudolph. ing, has an immaculate sense of timing, nuanced Attic Afternoon: Athenian Vase-Painting after &N}VOERH(EQSR%PFEVR8SYQERM(MEFEXqMW -Somebody to Love: My Musical Tribute To offers these items with a contemporary aes- (866) 920-5299 phrasing, and the ability to make the impossible the Persian Wars by Dr. J. Michael Padgett. the hottest and most visionary kora player of Freddie Mercury thetic. In this exhibition what is discarded is the www.sfjazz.org sound effortless. www.legionofhonor.org our times. Date: October 23, 2010 O very idea of a home—Puls has gleaned photo - Legion of Honor (866) 920-5299 Marx & Zavattero Ratio 3 Time: 10:30pm graphs and items from foreclosed houses. The 100 34th Avenue www.sfjazz.org 77 Geary Street, 2nd Floor 1447 Stevenson Street Carly Ozard will be “Queen For A Day”, paying surprise is that some of the items: disposals, San Francisco, CA 94121 The Rrazz Room San Francisco, CA 94108 San Francisco, CA 94103 homage to her musical idol, sharing historic & chandeliers, door locks are lovingly remade in Date: October 22, 2010 222 Mason Street at O’Farrell Street -Compound Eyes on the World -Ruth Laskey unknown facts about Mercury’s public & per- her sculpture studio from paper. Time: 6:00–8:30pm San Francisco, CA 94102 End: October 23, 2010 End:October 23, 2010 sonal lifestyle. Musical Direction by Joe Wicht / B 8LIFIWXMR4EGM½G-WPERHIVTSIXV]TIVJSVQERGI -Somebody to Love: My Musical Tribute To Marx & Zavattero is proud to announce Com- Opening Reception: September 10, 2010 Special Guest Star Katya Smirnoff-Skye. $20 + Hours: Mon-Fri 11:00am–6:00pm, Sat 11:00am- 5:00pm of the San Francisco Bay Area from the Samo- Freddie Mercury pound Eyes on the World, Andrew Schoultz’s 6:00-8:00pm a two drink minimum (415) 626-5496 an, Tongan, Chamorro, Hawaiian, Cook Islander Date: October 22, 2010 ambitious second solo exhibition at the gallery. -Lee Lozano: Notebooks 1967-70 (866) 468-3399 www.sfelectricworks.com 1ESVMERH4EGM½GGSQQYRMXMIW Time: 10:30pm Inspired by the shifting nature of history as re- End: October 23, 2010 www.carlyozard.com E Fivepoints Arthouse legionofhonor.famsf.org Carly Ozard will be “Queen For A Day”, paying cord in the past, present, and future, Schoultz’s Opening Reception: September 10, 2010 Triangle Gallery 72 Tehama Oddball Film + Video homage to her musical idol, sharing historic & latest exhibition alludes to the tornado of in- 6:00-8:00pm 47 Kearny Street San Francisco, CA 94105 275 Capp Street unknown facts about Mercury’s public & per- formation present today and the assumption (415) 821-3371 San Francisco, CA 94108 -Proximity San Francisco, CA sonal lifestyle. Musical Direction by Joe Wicht / that we are able to sift through the detritus to [email protected] -Common Ground Opening Reception: October 22, 2010 -Bongo Beatin’ Beatnicks Special Guest Star Katya Smirnoff-Skye. $20 + ½RHGPEVMX]ERHQIERMRK8LIHVMZMRKJSVGIFI- Rena Bransten Gallery Opening Reception: October 23, 2010 R 7:00pm Date: October 22, 2010 a two drink minimum hind this body of work straddles a line of duality 77 Geary Street 3:00-5:00pm End: November 13, 2010 [[[SHHFEPP½PQGSQ (866) 468-3399 FIX[IIRTIVGIMZIHVIEPMX]ERH½GXMSRGVIEXMRKE San Francisco, CA 94108 End: November 27, 2010 New sculpture and installation by Elizabeth Park Life www.carlyozard.com theatrical tour de force of mixed media paint- -VIK MUNIZ: New Works Two Person Show featuring intriguing wood Amento and Jessica Laurent, curated by Erik 220 Clement Street ings, drawings, monotypes, and sculpture. End: October 23, 2010 sculptures by Patricia Lyons Stroud and exqui- Parra. San Francisco, CA 94118 Hours: Tue-Fri 10:30am-5:30pm, Sat 11:00am- Vik Muniz presents new works from his evolv- WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- MRJS$½ZITSMRXWEVXLSYWIGSQ -Steven Lopez and Masako Miki 5:00pm ing Paper Series. Previously, this series was made riere. The organic materials used by the two Gallery Bergelli Begin: October 22, 2010 23 Saturday (415) 627-9111 up of famous black and white photographs that artists echo a poetic interplay between wood 483 Magnolia Avenue End: November 25, 2010 [email protected] had been recreated using cut paper in tones of and paper. Larkspur, CA 94939 (415) 386-7275 www.marxzav.com the gray scale. This time, Muniz moves beyond Hours: Tue-Sat 11:00am-5:00pm 1EVMS+SQI^1IQSVMIWSJXLI-R½RMXI www.parklifestore.com de Young Michael Rosenthal Gallery photography into the world of painting and (415) 392-1686 Opening Reception: October 22, 2010 SFMOMA 50 Hagiwara Tea Garden Drive 365 Valencia Street printmaking to create works in color. [email protected] 6:00–8:00pm 151 Third Street San Francisco, CA 94118 San Francisco, CA 94103 (415) 982-3292 www.triangle-sf.com End: November 25, 2010 San Francisco, CA -Children’s Workshops -Megan Whitmarsh: Yetti Rock Band www.renabranstengallery.com YBCA Gomez’s paintings beckon the viewers to their -New Work: R. H. Quaytman Date: October 23, 2010 Opening Reception: October 23, 2010 SF Camerawork 701 Mission Street own childhood. His vibrant work breathes life Begin: October 22, 2010 Time: 10:30-12:00pm 6:00pm-9:00pm 657 Mission Street 2nd Floor San Francisco, CA 94103 and joy. The source of his images is often au- End: January 16, 2011 Kimball Education Gallery Close: December 4, 2010 San Francisco, CA -SING! THE MUSIC OF SESAME STREET tobiographical and reminiscent of the fantasies The core of R. H. Quaytman’s work consists Children’s Workshops: Doing and Viewing Art The artist will create a layered, textile-based in- -Suggestions of a Life Being Lived Date: October 23, 2010 of his childhood. Images of paper ships, circus of small, thought-provoking paintings made on and Big Kids/Little Kids present contemporary stallation of recursive artworks launched from End: October 23, 2010 Time: 2:00pm whirls, and the priest who rode the bicycle wood panels. She uses a variety of techniques sculpture. Tours of current exhibitions are fol- recognizable cultural iconography (i.e.: Joni Suggestions of a Life Being Lived, a bold pre- A joyous, sometimes hilarious and poignant sa- evoke memories of his growing years. Playful and painterly vocabularies to knowingly explore lowed by studio workshops taught by profes- 1MXGLIPPWGMIRGI½GXMSR2I[;EZIXLI1YT- sentation of contemporary work that explores lute to forty years of Sesame Street music, fea- objects such as the juggler, the ballerina, the the complex history of painting. Collectively, her sional artist-teachers. Programs are appropriate pets & New Age); resulting in a rueful sort of queer activism, intentional and imagined com- turing the original show classics, parodies and horse, intermingle with simple architectural works portray a tantalizing range of patterns for children ages 4 through 12. An adult must Pop art that explores the oscillation between munities, self-determinism, and DIY alternative special visits from some of the music industry’s GSRWXVYGXMSRW MR¾YIRGIH F] XLI PMXIVEXYVI SJ ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] accompany children under the age of eight mass culture and subjective narrative. world-making. The exhibition features 16 art- biggest names. (82 min, digital video) Latin-American magic realism. He creates a in relation to the architecture in which they are years old. Programs are free after museum ad- (415) 552-1010 MWXW[SVOMRKMRTLSXSKVETL]½PQZMHISEGXMZMWQ www.ybca.org world of fantasy, reassembling familiar images exhibited in order to purposively propel the di- mission. Register 15 minutes before class. Space www.rosenthalgallery.com and education. Organized for SF Camerawork and spaces, creating a new synthesis. The artist rection of the viewer’s movement. For SFMO- is limited. No late admittance. Oddball Film + Video by independent guest curators Danny Oren- describes his work as communicating without MA she will debut a new chapter of her work (415) 750-3658 275 Capp Street dorff and Adrienne Skye Roberts, Suggestions saying the obvious, as that would eliminate the that will focus on San Francisco poet Robert deyoung.famsf.org San Francisco, CA of a Life Being Lived looks at queerness as a set 24 Sunday attraction of the painting. Duncan. Quaytman’s subjects often operate Eleanor Harwood Gallery -Strange Sinema 29 of political alliances and possibilities that exist (415) 945-9454 on both personal and broader cultural levels: 1295 Alabama Street Date: October 23, 2010 beyond the sphere of dominant gay and lesbian [email protected] (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W San Francisco, CA 94110 [[[SHHFEPP½PQGSQ culture. de Young Grace Cathedral TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH -John Chiara Paramount Theatre (415) 512-2020 50 Hagiwara Tea Garden Drive 1100 California Street with the San Francisco Renaissance and Black Opening Reception: October 23, 2010 2025 Broadway www.sfcamerawork.org San Francisco, CA 94118 San Francisco, CA 94108 Mountain Poetry. This new body of paintings 7:00-10:00pm Oakland, CA 94612 Southern Exposure -San-ju: Thirty Years of Asian American Jazz - will represent the 17th chapter in her oeuvre. End: December 4, 2010 -Salute to Farka Touré 3030 20th Street Date: October 24, 2010 Date: October 22, 2010 www.sfmoma.org (415) 282-4248 Date: October 23, 2010 San Francisco, CA 94110 Time: 2:00–4:00pm Time: 8:00pm Swedish American Hall www.eleanorharwood.com Time: 8:00pm -Time after Time: Actions and Interactions Jazz at Intersection presents Anthony Brown To say that Yusef Lateef has had a remarkable 2174 Market Street Jack Fischer Gallery 8LMW ½VWXIZIV GSPPEFSVEXMSR FIX[IIR XLVII Date: October 23, 2010 and Friends performing San-ju: Thirty Years of career would be a major understatement. La- San Francisco, CA 94114 49 Geary Suite 418 world-class artists proves the blues are truly a Time: 12:00pm-10:00pm Asian American Jazz. teef, who celebrates his 90th birthday this year, -Gretchen Parlato San Francisco, CA 94108 KPSFEPTLIRSQIRSR8EN1ELEPMWELYKIP]MR¾Y- Southern Exposure and the Arab Film Festival (415) 750-3531 was recently honored as a 2010 NEA Jazz Mas- Date: October 22, 2010 -Missives From A Parallel World ential blues and roots musician, but one with present Time after Time: Actions and Interac- deyoung.famsf.org XIV3RXLIXIRSV¾YXIERHSFSILILEWERMR- Time: 8:00pm End: October 23rd, 2010. artistic interests that stretch into a variety of XMSRWESRIHE]JIWXMZEPJIEXYVMRKHMKMXEPERH½PQ First Congregational Church imitable voice, and along with and One of the most widely respected young sing- 6IGIRX[SVOF]-RI^7XSVIV9XMPM^MRKXLI½KYVI musics from the U.S., West Africa, Latin Amer- experimentations in narrative, performance, 2345 Channing Way John Coltrane, he was a trailblazer of modal ers in jazz, Gretchen Parlato has an enchant- personal symbols, and abstract elements, Inez ica, Europe, Hawaii and the Caribbean. Mahal’s documentation, actions and interventions by Berkeley, CA jazz. Although he had stints with Dizzy Gillespie, ing, sensual voice, a highly personal jazz style, Storer employs a distinctive and highly individu- most recent Heads Up release, Maestro, is a IQIVKMRK ERH IWXEFPMWLIH ½PQQEOIVW EVX- -Susan McMane 30 Time: 6:00–8:30pm Cannonball Adderley and Charles Mingus, La- and unlimited potential. Parlato won the cov- al approach to art making, with the fundamen- star-studded celebration of his more than 40- ists and arts collectives from the Middle East/ Performance from the Samoan, Tongan, Cham- teef has primarily been a leader throughout eted Thelonious Monk International Jazz Vocals tals of storytelling at the core of her work. year career, yet he is still very much in his prime. North Africa/Central Asia and its Diaspora. The SVVS,E[EMMER'SSO-WPERHIV1ESVMERH4EGM½G his career with over 70 innovative albums to Competition in 2004 and released her self- [[[NEGO½WGLIVKEPPIV]GSQ :MIY\*EVOE8SYVqMWXLIWSRSJXLIKVIEX1EPMER one-day festival creates a place for gathering, O communities LMWGVIHMX,I[EWSRISJXLI½VWXXSIQIVKI titled debut the following year. In addition to Legion of Honor KYMXEVMWX%PM*EVOE8SYVq;LMPIGIVXEMRP]JSPPS[- research and exchange, while offering diverse deyoung.famsf.org from mainstream jazz and explore “world” mu- touring with her own group, she has collabo- 100 34th Avenue ing in his father’s footsteps, Vieux is a monster perspectives and artistic explorations of the Electric Works sic, on his landmark 1961 Prestige record East- rated with artists including Wayne Shorter, Ter- San Francisco, CA 94121 KYMXEVMWXMRLMWS[RVMKLX[MXLMR¾YIRGIWJEVFI- realities, aspirations and preoccupations of the 130 8th Street ern Sounds. And he had a great run of classic ence Blanchard, Kenny Barron, Esperanza Spald- -Organ Concert yond their homeland. Mixing traditional Malian region in the past decade. Curated by Taraneh San Francisco, CA 94103 releases on the Impulse! label from 1964-66. ing, Oscar Castro-Neves, Diane Reeves and Date: October 23, 2010 songs and the sounds of ancient Africa with Hemami. Co-presented with the Arab Film Fes- C -Repossessed Rather than use the word “jazz,” Lateef prefers others. Her acclaimed 2009 CD, In A Dream, Time; 4:00pm FPYIWERHVSGO8SYVqGVIEXIW[SVPHQYWMGJSV tival. Opening Reception: October 22, 2010 to call his music “autophysiopsychic,” meaning, features brilliant sidemen Lionel Loueke (gui- -Athenian Vase-Painting after the Persian XLI WX GIRXYV]8SYQERM (MEFEXq EPWS LEMPW (415) 863-2141 6:00-8:00pm “that which comes from one’s spiritual, physical tar) and Aaron Parks (keyboards), and includes Wars from Mali and went into his father’s business: www.soex.org End: November 26, 2010 and emotional self.” And what better place than sparkling new versions of Herbie Hancock and Date: October 23, 2010 he is a renowned kora player and the son of The Rrazz Room T In Repossessed, Lucy Puls continues her ex- Grace Cathedral to continue this journey? Pro- Wayne Shorter material. Gretchen Parlato, to Time: 2:00pm 7MHMOM(MEFEXqJEQIHJSVLMWOSVE[SVOEW[IPP 222 Mason Street at O’Farrell Street ploration of the discarded items of our culture. viding subtle support will be Yusef’s frequent whom improvising seems as natural as breath- Ancient Art Council presents a lecture titled Collaborating with artists from Bela Fleck to San Francisco, CA 94102 With the attention of an anthropologist, Puls collaborator, percussionist Adam Rudolph. ing, has an immaculate sense of timing, nuanced Attic Afternoon: Athenian Vase-Painting after &N}VOERH(EQSR%PFEVR8SYQERM(MEFEXqMW -Somebody to Love: My Musical Tribute To offers these items with a contemporary aes- (866) 920-5299 phrasing, and the ability to make the impossible the Persian Wars by Dr. J. Michael Padgett. the hottest and most visionary kora player of Freddie Mercury thetic. In this exhibition what is discarded is the www.sfjazz.org sound effortless. www.legionofhonor.org our times. Date: October 23, 2010 O very idea of a home—Puls has gleaned photo - Legion of Honor (866) 920-5299 Marx & Zavattero Ratio 3 Time: 10:30pm graphs and items from foreclosed houses. The 100 34th Avenue www.sfjazz.org 77 Geary Street, 2nd Floor 1447 Stevenson Street Carly Ozard will be “Queen For A Day”, paying surprise is that some of the items: disposals, San Francisco, CA 94121 The Rrazz Room San Francisco, CA 94108 San Francisco, CA 94103 homage to her musical idol, sharing historic & chandeliers, door locks are lovingly remade in Date: October 22, 2010 222 Mason Street at O’Farrell Street -Compound Eyes on the World -Ruth Laskey unknown facts about Mercury’s public & per- her sculpture studio from paper. Time: 6:00–8:30pm San Francisco, CA 94102 End: October 23, 2010 End:October 23, 2010 sonal lifestyle. Musical Direction by Joe Wicht / B 8LIFIWXMR4EGM½G-WPERHIVTSIXV]TIVJSVQERGI -Somebody to Love: My Musical Tribute To Marx & Zavattero is proud to announce Com- Opening Reception: September 10, 2010 Special Guest Star Katya Smirnoff-Skye. $20 + Hours: Mon-Fri 11:00am–6:00pm, Sat 11:00am- 5:00pm of the San Francisco Bay Area from the Samo- Freddie Mercury pound Eyes on the World, Andrew Schoultz’s 6:00-8:00pm a two drink minimum (415) 626-5496 an, Tongan, Chamorro, Hawaiian, Cook Islander Date: October 22, 2010 ambitious second solo exhibition at the gallery. -Lee Lozano: Notebooks 1967-70 (866) 468-3399 www.sfelectricworks.com 1ESVMERH4EGM½GGSQQYRMXMIW Time: 10:30pm Inspired by the shifting nature of history as re- End: October 23, 2010 www.carlyozard.com E Fivepoints Arthouse legionofhonor.famsf.org Carly Ozard will be “Queen For A Day”, paying cord in the past, present, and future, Schoultz’s Opening Reception: September 10, 2010 Triangle Gallery 72 Tehama Oddball Film + Video homage to her musical idol, sharing historic & latest exhibition alludes to the tornado of in- 6:00-8:00pm 47 Kearny Street San Francisco, CA 94105 275 Capp Street unknown facts about Mercury’s public & per- formation present today and the assumption (415) 821-3371 San Francisco, CA 94108 -Proximity San Francisco, CA sonal lifestyle. Musical Direction by Joe Wicht / that we are able to sift through the detritus to [email protected] -Common Ground Opening Reception: October 22, 2010 -Bongo Beatin’ Beatnicks Special Guest Star Katya Smirnoff-Skye. $20 + ½RHGPEVMX]ERHQIERMRK8LIHVMZMRKJSVGIFI- Rena Bransten Gallery Opening Reception: October 23, 2010 R 7:00pm Date: October 22, 2010 a two drink minimum hind this body of work straddles a line of duality 77 Geary Street 3:00-5:00pm End: November 13, 2010 [[[SHHFEPP½PQGSQ (866) 468-3399 FIX[IIRTIVGIMZIHVIEPMX]ERH½GXMSRGVIEXMRKE San Francisco, CA 94108 End: November 27, 2010 New sculpture and installation by Elizabeth Park Life www.carlyozard.com theatrical tour de force of mixed media paint- -VIK MUNIZ: New Works Two Person Show featuring intriguing wood Amento and Jessica Laurent, curated by Erik 220 Clement Street ings, drawings, monotypes, and sculpture. End: October 23, 2010 sculptures by Patricia Lyons Stroud and exqui- Parra. San Francisco, CA 94118 Hours: Tue-Fri 10:30am-5:30pm, Sat 11:00am- Vik Muniz presents new works from his evolv- WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- MRJS$½ZITSMRXWEVXLSYWIGSQ -Steven Lopez and Masako Miki 5:00pm ing Paper Series. Previously, this series was made riere. The organic materials used by the two Gallery Bergelli Begin: October 22, 2010 23 Saturday (415) 627-9111 up of famous black and white photographs that artists echo a poetic interplay between wood 483 Magnolia Avenue End: November 25, 2010 [email protected] had been recreated using cut paper in tones of and paper. Larkspur, CA 94939 (415) 386-7275 www.marxzav.com the gray scale. This time, Muniz moves beyond Hours: Tue-Sat 11:00am-5:00pm 1EVMS+SQI^1IQSVMIWSJXLI-R½RMXI www.parklifestore.com de Young Michael Rosenthal Gallery photography into the world of painting and (415) 392-1686 Opening Reception: October 22, 2010 SFMOMA 50 Hagiwara Tea Garden Drive 365 Valencia Street printmaking to create works in color. [email protected] 6:00–8:00pm 151 Third Street San Francisco, CA 94118 San Francisco, CA 94103 (415) 982-3292 www.triangle-sf.com End: November 25, 2010 San Francisco, CA -Children’s Workshops -Megan Whitmarsh: Yetti Rock Band www.renabranstengallery.com YBCA Gomez’s paintings beckon the viewers to their -New Work: R. H. Quaytman Date: October 23, 2010 Opening Reception: October 23, 2010 SF Camerawork 701 Mission Street own childhood. His vibrant work breathes life Begin: October 22, 2010 Time: 10:30-12:00pm 6:00pm-9:00pm 657 Mission Street 2nd Floor San Francisco, CA 94103 and joy. The source of his images is often au- End: January 16, 2011 Kimball Education Gallery Close: December 4, 2010 San Francisco, CA -SING! THE MUSIC OF SESAME STREET tobiographical and reminiscent of the fantasies The core of R. H. Quaytman’s work consists Children’s Workshops: Doing and Viewing Art The artist will create a layered, textile-based in- -Suggestions of a Life Being Lived Date: October 23, 2010 of his childhood. Images of paper ships, circus of small, thought-provoking paintings made on and Big Kids/Little Kids present contemporary stallation of recursive artworks launched from End: October 23, 2010 Time: 2:00pm whirls, and the priest who rode the bicycle wood panels. She uses a variety of techniques sculpture. Tours of current exhibitions are fol- recognizable cultural iconography (i.e.: Joni Suggestions of a Life Being Lived, a bold pre- A joyous, sometimes hilarious and poignant sa- evoke memories of his growing years. Playful and painterly vocabularies to knowingly explore lowed by studio workshops taught by profes- 1MXGLIPPWGMIRGI½GXMSR2I[;EZIXLI1YT- sentation of contemporary work that explores lute to forty years of Sesame Street music, fea- objects such as the juggler, the ballerina, the the complex history of painting. Collectively, her sional artist-teachers. Programs are appropriate pets & New Age); resulting in a rueful sort of queer activism, intentional and imagined com- turing the original show classics, parodies and horse, intermingle with simple architectural works portray a tantalizing range of patterns for children ages 4 through 12. An adult must Pop art that explores the oscillation between munities, self-determinism, and DIY alternative special visits from some of the music industry’s GSRWXVYGXMSRW MR¾YIRGIH F] XLI PMXIVEXYVI SJ ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] accompany children under the age of eight mass culture and subjective narrative. world-making. The exhibition features 16 art- biggest names. (82 min, digital video) Latin-American magic realism. He creates a in relation to the architecture in which they are years old. Programs are free after museum ad- (415) 552-1010 MWXW[SVOMRKMRTLSXSKVETL]½PQZMHISEGXMZMWQ www.ybca.org world of fantasy, reassembling familiar images exhibited in order to purposively propel the di- mission. Register 15 minutes before class. Space www.rosenthalgallery.com and education. Organized for SF Camerawork and spaces, creating a new synthesis. The artist rection of the viewer’s movement. For SFMO- is limited. No late admittance. Oddball Film + Video by independent guest curators Danny Oren- describes his work as communicating without MA she will debut a new chapter of her work (415) 750-3658 275 Capp Street dorff and Adrienne Skye Roberts, Suggestions saying the obvious, as that would eliminate the that will focus on San Francisco poet Robert deyoung.famsf.org San Francisco, CA of a Life Being Lived looks at queerness as a set 24 Sunday attraction of the painting. Duncan. Quaytman’s subjects often operate Eleanor Harwood Gallery -Strange Sinema 29 of political alliances and possibilities that exist (415) 945-9454 on both personal and broader cultural levels: 1295 Alabama Street Date: October 23, 2010 beyond the sphere of dominant gay and lesbian [email protected] (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W San Francisco, CA 94110 [[[SHHFEPP½PQGSQ culture. de Young Grace Cathedral TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH -John Chiara Paramount Theatre (415) 512-2020 50 Hagiwara Tea Garden Drive 1100 California Street with the San Francisco Renaissance and Black Opening Reception: October 23, 2010 2025 Broadway www.sfcamerawork.org San Francisco, CA 94118 San Francisco, CA 94108 Mountain Poetry. This new body of paintings 7:00-10:00pm Oakland, CA 94612 Southern Exposure -San-ju: Thirty Years of Asian American Jazz -Yusef Lateef will represent the 17th chapter in her oeuvre. End: December 4, 2010 -Salute to Ali Farka Touré 3030 20th Street Date: October 24, 2010 Date: October 22, 2010 www.sfmoma.org (415) 282-4248 Date: October 23, 2010 San Francisco, CA 94110 Time: 2:00–4:00pm Time: 8:00pm Swedish American Hall www.eleanorharwood.com Time: 8:00pm -Time after Time: Actions and Interactions Jazz at Intersection presents Anthony Brown To say that Yusef Lateef has had a remarkable 2174 Market Street Jack Fischer Gallery 8LMW ½VWXIZIV GSPPEFSVEXMSR FIX[IIR XLVII Date: October 23, 2010 and Friends performing San-ju: Thirty Years of career would be a major understatement. La- San Francisco, CA 94114 49 Geary Suite 418 world-class artists proves the blues are truly a Time: 12:00pm-10:00pm Asian American Jazz. teef, who celebrates his 90th birthday this year, -Gretchen Parlato San Francisco, CA 94108 KPSFEPTLIRSQIRSR8EN1ELEPMWELYKIP]MR¾Y- Southern Exposure and the Arab Film Festival (415) 750-3531 was recently honored as a 2010 NEA Jazz Mas- Date: October 22, 2010 -Missives From A Parallel World ential blues and roots musician, but one with present Time after Time: Actions and Interac- deyoung.famsf.org XIV3RXLIXIRSV¾YXIERHSFSILILEWERMR- Time: 8:00pm End: October 23rd, 2010. artistic interests that stretch into a variety of XMSRWESRIHE]JIWXMZEPJIEXYVMRKHMKMXEPERH½PQ First Congregational Church imitable voice, and along with Miles Davis and One of the most widely respected young sing- 6IGIRX[SVOF]-RI^7XSVIV9XMPM^MRKXLI½KYVI musics from the U.S., West Africa, Latin Amer- experimentations in narrative, performance, 2345 Channing Way John Coltrane, he was a trailblazer of modal ers in jazz, Gretchen Parlato has an enchant- personal symbols, and abstract elements, Inez ica, Europe, Hawaii and the Caribbean. Mahal’s documentation, actions and interventions by Berkeley, CA jazz. Although he had stints with Dizzy Gillespie, ing, sensual voice, a highly personal jazz style, Storer employs a distinctive and highly individu- most recent Heads Up release, Maestro, is a IQIVKMRK ERH IWXEFPMWLIH ½PQQEOIVW EVX- -Susan McMane 31 (EXI3GXSFIV [[[WJNE^^SVK -Maira Kalman: Various Illuminations (EXI3GXSFIV -Berlin & Beyond PEVKIWXWSPEVLIEXIHJEGMPMXMIWMR2SVXLIVR'EPM- 8MQITQTQ SOMArts Cultural Center End: October 26, 2010 8MQITQ End: October 28, 2010 JSVRMEERH[EWHIWMKREXIHSRISJXLIGSYRXV]´W 7ER*VERGMWGS+MVPW'LSVYW &VERRER7XVIIX 8LI½VWXQENSVI\LMFMXMSRHIHMGEXIHXS1EMVE [[WJEMIHY LXXT[[[FIVPMRERHFI]SRHGSQ XSTKVIIRFYMPHMRKWF]XLI%QIVMGER-RWXM- O % QYWMGEP I\TPSVEXMSR SJ TPEGIW LSP] LIEVX 7ER*VERGMWGS'% /EPQERXLIMPPYWXVEXSVEYXLSVERHHIWMKRIVVI- Theatre of Yugen Contemporary Jewish Museum XYXISJ%VGLMXIGXW'SQQMXXIISRXLI)RZMVSR- WXMVVMRK QENIWXMG ERH RSWXEPKMG GIPIFVEXIW XLI -ArtSpan’s Open Studios Exhibition RS[RIHJSVVIRHIVMRKXLIITLIQIVEPERHTVS- 1EVMTSWE 1MWWMSR7XVIIX QIRX%WSPEVLIEXIHL]HVSRMGW]WXIQ VEHMERX STIRMRK SJ%VXMWXMG (MVIGXSV 7YWER 1G1ERI´W End: October 24, 2010 JSYRH[MXLKVIEXHIXEMPERH[MX 7ER*VERGMWGS'% 7ER*VERGMWGS'% ¾SSV LIEXWMXWWUYEVIJIIXSJWXYHMSERH 8IRXL%RRMZIVWEV]7IEWSR[MXLEVIXVSWTIGXMZI (415) 552-1770 (415) 655-7800 -Sorya! -Reclaimed: Paintings from the Collection of GPEWWVSSQWTEGIWEPPS[MRKVIXIRXMSRSJI\MWXMRK SJ LIV TVSKVEQQMRK TPYW WIZIVEP RI[ [SVOW [[[WSQEVXWSVK MRJS$XLIGNQSVK (EXI3GXSFIV Jacques Goudstikker KPE^MRK ERH QE\MQM^MRK HE]PMKLX EGGIWW 6IG]- C 4VSKVEQMRGPYHIWQYWMGF]&VELQW:SR&MRKIR Swarm Gallery [[[XLIGNQSVK 7IPIGXMSRWJVSQSYV)RKPMWLERH/]SKIR6ITIV- &IKMR3GXSFIV GPIHGSRXIRX GIPPYPSWI MRWYPEXMSR EPWS TVSZMHIW ERHXLI,E]HRWEW[IPPEWKYIWXEVXMWX8LI2I[ 560 Second Street XSMVI8LIEXVISJ=YKIR´W½JXLERRYEP7SV]E[MPP )RH1EVGL EGSYWXMGEPFIRI½XW )WXIVLj^]5YEVXIX 3EOPERH'% TVIWIRXXLIGPEWWMG/]SKIRGSQIH]3[P1SYR- 6EVIP]WIIR 3PH 1EWXIV TEMRXMRKW VIZIEP XLI (415) 561-0360 [[[WJKMVPWGLSVYWSVK -BUILDING STEAM | LYNN KOBLE XEMR4VMIWXEW[IPPEWI\GIVTXWJVSQERI[EH- PIKEG]SJETVIIQMRIRX.I[MWLEVXHIEPIV[LSWI [[[I\TPSVEXSVMYQIHY Herbst Theatre End: October 24, 2010 ETXEXMSRSJ&IR.SRWSR´W:SPTSRIF]GSQTER] ZEWX GSPPIGXMSR [EW PSSXIH F] XLI 2E^MW (MW- Gregory Lind T -REYKYVEP I\LMFMXMSR JSV E ]IEVPSRK WSYRH 27 Wednesday :ER2IWW%ZIRYI ERHFSEVHQIQFIV0PYMW:EPPWERHHMWXMRKYMWLIH GSZIV E HVEQEXMG WXSV] SJ KVIEX EVX MRNYWXMGI +IEV]7XVIIXXL¾SSV 7ER*VERGMWGS'% TVSKVEQ GSGYVEXIH F] .IJJ )MWIRFIVK%EVSR TPE][VMKLX+VIK+SMZERRM´W2SL/MHW']GPI ERH VIGPEQEXMSR-RGPYHIH EVI [SVOW F] 7EPS- 7ER*VERGMWGS'% -Kenny Barron > TIVJSVQERGI MW XLI;SVPH KS WXVEMKLX EJXIV WIVZMRK E TVMWSR XIVQFYX MW ,EKM[EVE8IE+EVHIR(VMZI Cantor Arts Center 7ER*VERGMWGS'% Marx & Zavattero 4VIQMIVI SJ %RKIP:SMGIW 6LETWSH] 3R %R- GLEPPIRKIH F] XLI XIQTXEXMSRW ERH TVIWWYVIW 7ER*VERGMWGS'% 0SQMXE(V -CCA Walking Tour +IEV]7XVIIXRH*PSSV KIP -WPERH 4SIXV] FEWIH YTSR TSIQW [VMXXIR LI JEGIW IWTIGMEPP] F] 1SRO°XLI PSGEP VEGO - -Art After School: 3rd Grade (session 1) 7XERJSVH'% (EXI3GXSFIV 7ER*VERGMWGS'% F] 'LMRIWI .ETERIWI ERH 6YWWMER .I[MWL MQ- IXIIV[LSSVMKMREPP]PIHLMQEWXVE]  (EXI3GXSFIV -Sacred Waters: Arts for Mami Wata and 8MQITQ -Forrest Williams: Crossways QMKVERXW [LS [IVI HIXEMRIH SR%RKIP -WPERH QMRQQ 8MQI¯TQ Other Divinities in Africa/Diaspora .SMR ''% (MVIGXSV SJ 6IWIEVGL ERH 4PERRMRK &IKMR3GXSFIV JVSQ8LI[SVOJIEXYVIWTSIX+IRR] [[[]FGESVK %JXIVWGLSSP GPEWWIW JSV GLMPHVIR SJJIV ER MR (EXI3GXSFIV (EZMH1IGOIPSRE[EPOMRKXSYVERHHMWGYWWMSR )RH(IGIQFIV 0MQERHEGLEQFIVNE^^IRWIQFPIGSQTVMWIHSJ HITXL I\TPSVEXMSR SJ [SVPH GYPXYVIW XLVSYKL 8MQITQ SJ ''%´W MRWTMVMRK IHYGEXMSREP JEGMPMX] MR 7ER -RLMWQYGLERXMGMTEXIHJSYVXLWSPSI\LMFMXMSR TMTE 'LMRIWIPYXI [SSH[MRHWERHEVL]XLQ XLIHI=SYRK´WI\XIRWMZIGSPPIGXMSRW'PEWWIWEVI 0IGXYVI ,IRV] .SLR (VI[EP 4L( (ITEVX- *VERGMWGS1IGOIP[MPPHMWGYWWXLIQEMRGEQTYW EX1EV\ >EZEXXIVS2I[=SVOTEMRXIV*SVVIWX WIGXMSR 1MR > TIVJSVQERGI MW XLI;SVPH KS WXVEMKLX EJXIV WIVZMRK E TVMWSR XIVQFYX MW ,EKM[EVE8IE+EVHIR(VMZI Cantor Arts Center 7ER*VERGMWGS'% Marx & Zavattero 4VIQMIVI SJ %RKIP:SMGIW 6LETWSH] 3R %R- GLEPPIRKIH F] XLI XIQTXEXMSRW ERH TVIWWYVIW 7ER*VERGMWGS'% 0SQMXE(V -CCA Walking Tour +IEV]7XVIIXRH*PSSV KIP -WPERH 4SIXV] FEWIH YTSR TSIQW [VMXXIR LI JEGIW IWTIGMEPP] F] 1SRO°XLI PSGEP VEGO - -Art After School: 3rd Grade (session 1) 7XERJSVH'% (EXI3GXSFIV 7ER*VERGMWGS'% F] 'LMRIWI .ETERIWI ERH 6YWWMER .I[MWL MQ- IXIIV[LSSVMKMREPP]PIHLMQEWXVE]  (EXI3GXSFIV -Sacred Waters: Arts for Mami Wata and 8MQITQ -Forrest Williams: Crossways QMKVERXW [LS [IVI HIXEMRIH SR%RKIP -WPERH QMRQQ 8MQI¯TQ Other Divinities in Africa/Diaspora .SMR ''% (MVIGXSV SJ 6IWIEVGL ERH 4PERRMRK &IKMR3GXSFIV JVSQ8LI[SVOJIEXYVIWTSIX+IRR] [[[]FGESVK %JXIVWGLSSP GPEWWIW JSV GLMPHVIR SJJIV ER MR (EXI3GXSFIV (EZMH1IGOIPSRE[EPOMRKXSYVERHHMWGYWWMSR )RH(IGIQFIV 0MQERHEGLEQFIVNE^^IRWIQFPIGSQTVMWIHSJ HITXL I\TPSVEXMSR SJ [SVPH GYPXYVIW XLVSYKL 8MQITQ SJ ''%´W MRWTMVMRK IHYGEXMSREP JEGMPMX] MR 7ER -RLMWQYGLERXMGMTEXIHJSYVXLWSPSI\LMFMXMSR TMTE 'LMRIWIPYXI [SSH[MRHWERHEVL]XLQ XLIHI=SYRK´WI\XIRWMZIGSPPIGXMSRW'PEWWIWEVI 0IGXYVI ,IRV] .SLR (VI[EP 4L( (ITEVX- *VERGMWGS1IGOIP[MPPHMWGYWWXLIQEMRGEQTYW EX1EV\ >EZEXXIVS2I[=SVOTEMRXIV*SVVIWX WIGXMSR 1MR

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LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com 40 Event Calendar: November SFSFSFAAAQQQ

LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G End: March 22,2011 The second of two exhibitions from the Mu- Bay Area artist Manuel Neri, including canvases, distinctive style, known throughout San Fran- Railroad, the Palo Alto Stock Farm, the found- The Secret Musical History of Black-Jewish sée d’Orsay’s permanent collection, Van Gogh, sculptures and works on paper. cisco and showcased in some of the city’s most ONGOING ing of Stanford University, and the early days of Relations. Yiddish jive?! Sit down and relax or Gauguin, Cézanne and Beyond, opens on Sep- www.hackettmill.com popular restaurants and hotspots, deftly de- N the museum. sing along and dance. Black Sabbath, based on XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX Kala Art institute picts the interconnectivity between elements -Stone River by Andy Goldsworthy the 2010 compilation by the Idelsohn Society with a selection of the most famous late-Im- 2990 San Pablo Ave. of the urban environment. This new body of EXHIBITIONS -Longing for Sea-Change of Musical Preservation, is a musical experience pressionist paintings by Claude Monet and Au- Berkeley, CA 94702 [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS End: June 26, 2011 where the visitor is immersed in the sounds guste Renoir, as well as works representing the -New Work from Kala continues to explore the many facets of urban, Arion Press This presents a series of video installations by of a unique slice of recording history. This ex- individualist styles of the early modern masters, Beth Fein, Joyce Ertel Hulbert, Carol Ladewig, environmental and experiential relationships of O 1802 Hays Street, The Presidio contemporary artists living and working in Af- hibition explores the Black-Jewish musical including Vincent van Gogh, Henri de Toulouse- Nancer Lemoins, Shannon Milar, Nichole Maury, interest to Brian and is also thematically tied to San Francisco, CA 94129 rica and the diasporas. The third video in the encounter, a secret history of the many Black Lautrec, Paul Gauguin, and the leaders of Les Hisaharu Motoda, Molly Palmer, Seiko Tachiba- his latest mural project, ‘Systems Mural Project’. -Arion Press Exhibition series, Odile and Odette (14 minutes, 28 sec- responses to Jewish music, life, and culture. We Nabis, Pierre Bonnard and Edouard Vuillard. na, Peter Tonningsen and Noah Wilson. [email protected] Original art, artist books, and prints. Kiki Smith: onds), by Yinka Shonibare MBE, shows June 16 learn how Black artists treated Jewish music as It is here where the Orsay’s collection shines (510) 549-2977 www.mckinleyartsolutions.com V Artist book entitled “I Love My Love”. Wil- - January 9. In this work, two ballerinas, identi- a resource for African-American identity, his- brightest with masterpieces such as Van Gogh’s www.kala.org Museum of Craft and Folk Art liam T. Wiley: Illustrations and a print for “Don cally dressed in colorful batik-printed tutus, face tory, and politics, whether it was Johnny Mathis Starry Night over the Rhone, a haunting Self- Krowswork 51 Yerba Buena Lane Quixote” by Miguel de Cervantes. Raymond each other on a dark stage. Their synchronized singing “Kol Nidre,” Cab Calloway experiment- Portrait, and Bedroom at Arles. The exhibition 480 23rd Street, side entrance San Francisco CA 94103 Pettibon: Prints for “South of Heaven” by Jim movements within a gilded frame create the il- ing with Yiddish, or Aretha Franklin doing a 60s includes a superior collection of paintings from Oakland, CA -Volver: Mexican Folk Art into Play Thompson. Julie Mehretu: Artwork for an edi- PYWMSRSJEQMVVSVIH½KYVI%JSYVXLZMHISMR- take on “Swanee.” the Pont-Aven school, including Gauguin’s mas- -Where I’m Calling From End: January 16, 2011 E tion of poems by Sappho. stallation follows in January 2011. -As It Is Written: Project 304,805 terpiece Self-Portrait with Yellow Christ. The End: December 5, 2010 The Museum of Craft and Folk Art presents an (415) 668-2542 -Vodoun/Vodounon: Portraits of Initiates End: March 29, 2011 exhibition concludes with the Orsay’s spec- Group exhibition with video, photography, in- exhibition of contemporary art that activates [email protected] End: March 20, 2010 As It Is Written: Project 304,805 is centered tacular collection of pointillist paintings, rep- stallation. Mexican folk art, including works by Adrian Es- www.arionpress.com This exhibition features 25 compelling diptychs around a soferet (a professionally trained fe- resented by the masters Georges Seurat and (510) 229-7035 parza, Maximo Gonzalez, Armando Miguelez, M BAER RIDGWAY EXHIBITIONS by the Belgian photographer Jean-Dominique male scribe) who, while on public view, will Paul Signac. The de Young is the only museum www.krowswork.com Favianna Rodriguez and Eduardo Sarabia. To 172 Minna Street Burton, who pairs black-and-white portraits write out the entire text of the Torah over the in North America to host the exhibition. Legion of Honor celebrate Mexico’s Bicentennial Anniversary of San Francisco, CA 94105 with color photographs for a sensitive por- course of a full year. -To Dye For 100 34th Avenue Independence (September 15) and the Cen- -Mads Lynnerup: New Work trayal of Vodoun practitioners and their sacred (415) 655-7800 End: January 9, 2011 San Francisco, CA 94121 tennial of the Revolution (November 20), the End: December 4, 2010 shrines. Burton’s images provide an exceptional [email protected] To Dye For: A World Saturated in Color fea- -Japanesque Museum of Craft and Folk Art presents ‘Volver: B -Margaret Tedesco glimpse into the esoteric domain of this tradi- www.thecjm.org tures over 50 textiles and costumes from the End: January 9, 2011 Mexican Folk Art into Play’, an exhibition that End: December 4, 2010 tional Fon religion, now called variously Vodou, de Young Fine Arts Museums’ comprehensive collection Japanesque: The Japanese Print in the Era of looks to traditional crafts from Mexico and fo- Curates The Bookstore Project Space Vodun, Vaudou, or Vaudoux, as practiced in the 50 Hagiwara Tea Garden Drive of textiles from Africa, Asia and the Americas. Impressionism introduces audiences to the cuses on contemporary works that imbue the -Mads Lynnerup : Hallway Project Space heart of its birthplace, the current-day Republic San Francisco, CA 94118 A truly cross-cultural presentation, the exhibi- development of the Japanese print over two materials and processes of popular folk arts End: December 4, 2010 of Benin. Burton’s work is accompanied by a -Developed and Undeveloped tion showcases objects from diverse cultures centuries (1700–1900) and reveals its pro- with conceptual potency. E documentary video, which plays alongside the and historical periods, including a tie-dyed tunic JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI (415) 227-4888 (415) 777-1366 End: March 6, 2011 www.baerridgway.com artworks in this exhibition. At once powerful and vulnerable, the natural from the Wari-Nasca culture of pre-Hispanic era of Impressionism. It complements the de www.mocfa.org Cantor Arts Center -Faculty Choice environment has been portrayed alternately as Peru (A.D. 500–900), a paste-resist Mongolian Young’s presentation of paintings from the Mu- Oakland Museum of California 328 Lomita Dr End: March 13, 2011 an object of adoration and a victim of civiliza- felt rug from the 15th–17th centuries and a sée d’Orsay, many of which are aesthetically in- 1000 Oak Street R Stanford, CA 94305 Out of the Wild in the Rowland K. Rebele Gal- tion. In the 19th century photographers played group of stitch-resist dyed 20th-century ker- debted to concepts of the Japanese print, and Oakland, CA -Go Figure! lery. Stanford’s Mark Feldman investigates de- a decisive role in preservationist movements, chiefs from the Dida people of the Ivory Coast. also the exhibition Pat Steir: After Hokusai, after -PIXAR: 25 Years of Animation This installation features a variety of contem- pictions of nature from the Center’s collections. and their descendants continue to shed light These historical pieces are contrasted with Hiroshige. Culled primarily from the holdings of End: January 9, 2011 TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR -Memory in the Patricia S. Rebele Gallery on the precarious condition of the planet. artworks from contemporary Bay Area artists the Achenbach Foundation for Graphic Arts, Walt Disney’s arrival in Los Angeles in the diverse media including bronze, clay, glass, and End: February 20, 2010 Developed and Undeveloped: Photographic and garments by fashion designers Oscar de la the exhibition of approximately 250 prints, W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX wood. Among the selections are examples by As the theme of memory is considered by a Landscapes,installed in the de Young’s gallery Renta and Rodarte. The exhibition highlights drawings, paintings, and artist’s books unfolds for animation artists in the decades to come. Magdalena Abakanowicz, Robert Arneson, Joan number of arts groups at Stanford, this display for rotating photography exhibitions, features a several recent acquisitions, including important MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- Home to a number of leading studios, the San Brown, Roger Brown, Mel Edwards, Viola Frey, expands that community conversation and asks diverse selection of photographs of the 19th, gifts such as an ikat-woven skirt from the Iban ence. Francisco Bay Area has emerged as a global Robert Graham, Duane Hanson, Manuel Neri, viewers to consider the role that memory plays 20th, and 21st centuries. From the pristine people of Sarawak, Malaysia and two exquisite -Thirty-Six Aspects of Mount Fuji center for animation today. PIXAR will provide Isamu Noguchi, and Peter Vanden Berge. in the present. western views of Ansel Adams to the scarred mordant-dyed Indian trade cloths used as heir- End: February 20, 2011 an unprecedented look at the renowned Em- -Living Traditions -Mami Wata quarries of Edward Burtynsky, the exhibition loom textiles by the Toraja peoples of Sulawesi, Noted photographer Arthur Tress (b. 1940) eryville-based studio (located just a few miles Arts of the Americas in the Native American End: January 2, 2010 presents a variety of approaches to framing Indonesia. began collecting Japanese books in the fall of from OMCA) and showcase the creative work gallery. Masks by contemporary Northwest Arts for Water Spirits in Africa and Its Diaspo- the landscape, with scenes of unspoiled wilder- (415) 750-3600 1965 when he was a student at the Zen study behind its wildly successful computer-animated Coast native artists. VEW8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSR ness contrasted with sites bearing evidence of deyoung.famsf.org center associated with the Shkoku-ji temple in ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ -Rodin! to present a comprehensive examination of the human intervention. Drawing from the collec- Galería de la Raza /]SXS-R XLI  ]IEVW WMRGI XLEX ½VWX HMWGSZ- =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV The Complete Stanford Collection. This ex- dynamic visual arts associated with water spir- tions of the Achenbach Foundation for Graphic 2857 24th Street ery, Tress continued to collect books and now the OMCA presentation greatly enhances the panded display presents 200 works from the its. One hundred works present a compelling Arts, the Paul Sack Trust, and Charles and Diane San Francisco, CA 94110 has a comprehensive collection numbering 2005 MoMA show. In addition to all of the collection, including bronzes, plasters and wax- range of art forms that portray the water deity Frankel, the exhibition also includes works by -Retrospective Anniversary Exhibition several hundred volumes. He has selected a artwork from the original presentation, it will es, plus a rotating selection of works on paper. widely known as Mami Wata (pidgin English for Mathew Brady, Carleton Watkins, Robert Ad- End: January 29, 2011 WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH Twenty large sculptures, including The Gates of “Mother Water” or “Water Mistress”). The ex- ams, Shi Guorui and Michael Light. The Retrospective Anniversary Exhibition, will two-part exhibition of illustrated books on the 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] Hell, remain perpetually on view in the Rodin hibition, organized and produced by the Fowler -Pat Steir document the visual landscape that has con- subject of Fuji, the iconic mountain that is the with Pixar Animation Studios, OMCA will host Sculpture Garden. Museum at UCLA, highlights both traditional End: January 30, 2011 tributed to the shaping of Galería’s mission of enduring symbol of Japan. The Tress collection a series of dynamic public programs for audi- -Living Traditions: Arts of the Americas and contemporary images of Mami Wata and Complementing Japanesque: The Japanese Print fostering public awareness and appreciation of exhibition brings together books dating from ences of all ages in conjunction with the exhibi- Two galleries integrate work from different Na- her consorts from across the African continent, in the Era of Impressionism at the Legion of Latino/Chicano art. The exhibit will span art- the late 1600s through the 19th century that tion, to be announced soon. tive American peoples and times, including ma- as well as from the Caribbean, Brazil, and the Honor, Pat Steir: After Hokusai, after Hiroshige works from 1970 to 2010. show Fuji viewed from various vantage points, -The Marvelous Museum: Mark Dion jor commissions of Northwest Coast art and a United States. WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWI (415) 826-8009 at different times of year and during all four End: March 6, 2011 recent gift of Precolumbian art. museum.stanford.edu print on Western artists into the late 20th cen- [email protected] seasons. Key among the selections are several Mounting an unprecedented expedition -A New 19th Century Contemporary Jewish Museum tury. American painter, printmaker, and concep- www.galeriadelaraza.org volumes featuring illustrations from Hokusai’s through the Museum’s art, history, and natu- The Mondavi Family Gallery Reinstalled. Euro- 736 Mission Street XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWX Gregory Lind One Hundred Views of Mount Fuji, published ral science collections, conceptual artist Mark pean and American art: portraiture, narrative between Third Street and Fourth Street selected by Kathan Brown in 1982 to travel to +IEV]7XVIIX*MJXL¾SSV between 1834 and 1849 after his successful (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- art, still life, and landscape. Also, changing selec- San Francisco, CA 94116 Japan to make a color woodcut for Crown Point San Francisco, CA 94108 color print series, Thirty-Six Views of Mount Fuji tions and interventions throughout the art gal- tions of works on paper plus paintings as they -Reclaimed Press’s groundbreaking printmaking program in -Seth Koen: Narwhellian (ca. 1830–1832). leries, drawing upon the overlooked orphans, might have been in the salon of a collector of End: March 29, 2011 Kyoto. There she had the opportunity to work End: December 11, 2010 www.famsf.org curiosities, and treasures from the collections. the period. Rarely-seen Old Master paintings reveal the closely with artisans trained in the traditional http://www.gregorylindgallery.com McKinley Art Solutions Many of these objects date back to OMCA’s -African Art in Context legacy of a preeminent Jewish art dealer whose methods of Japanese woodblock printing. In (415) 296-9661 181 Third Street at Howard predecessor institutions and, while they often Diverse art, including items of dress and body vast collection was looted by the Nazis. Dis- 1984 and 1985 she turned to subjects derived Hackett | Mill San Francisco, CA 94103 lie outside of OMCA’s California focus, still tell ornament from the Himba people of Namibia cover a dramatic story of great art, injustice from famous prints by Hokusai and Hiroshige 201 Post Street Suite 1000 -Systems a rich and interesting story of how museum and beadwork by the Zulu and Ndebele peo- and reclamation. Included are works by Salo- in color etchings she produced at Crown Point San Francisco, CA 94108 End: December 13, 2010 collections are assembled over time. OMCA ple. mon Jacobsz van Ruysdael , Ferdinand Bol, and Press in Oakland. -Manuel Neri: Collage 1958-1960 McKinley Art Solutions is pleased to present Senior Curator of Art René de Guzman will -The Life and Legacy of the Stanford Family Lorenzo Baldissera Tiepolo. -Van Gogh, Gauguin, Cézanne and Beyond End: December 23, 2010 ‘Systems’, new works by ubiquitous SF mural- GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR Examines the interests and accomplishments of -Black Sabbath End: January 18, 2011 Hackett Mill presents early collage work by ist Brian Barneclo at W San Francisco. Brian’s of Dion’s work, which will be accompanied by a 42 XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G End: March 22,2011 The second of two exhibitions from the Mu- Bay Area artist Manuel Neri, including canvases, distinctive style, known throughout San Fran- Railroad, the Palo Alto Stock Farm, the found- The Secret Musical History of Black-Jewish sée d’Orsay’s permanent collection, Van Gogh, sculptures and works on paper. cisco and showcased in some of the city’s most ONGOING ing of Stanford University, and the early days of Relations. Yiddish jive?! Sit down and relax or Gauguin, Cézanne and Beyond, opens on Sep- www.hackettmill.com popular restaurants and hotspots, deftly de- N the museum. sing along and dance. Black Sabbath, based on XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX Kala Art institute picts the interconnectivity between elements -Stone River by Andy Goldsworthy the 2010 compilation by the Idelsohn Society with a selection of the most famous late-Im- 2990 San Pablo Ave. of the urban environment. This new body of EXHIBITIONS -Longing for Sea-Change of Musical Preservation, is a musical experience pressionist paintings by Claude Monet and Au- Berkeley, CA 94702 [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS End: June 26, 2011 where the visitor is immersed in the sounds guste Renoir, as well as works representing the -New Work from Kala continues to explore the many facets of urban, Arion Press This presents a series of video installations by of a unique slice of recording history. This ex- individualist styles of the early modern masters, Beth Fein, Joyce Ertel Hulbert, Carol Ladewig, environmental and experiential relationships of O 1802 Hays Street, The Presidio contemporary artists living and working in Af- hibition explores the Black-Jewish musical including Vincent van Gogh, Henri de Toulouse- Nancer Lemoins, Shannon Milar, Nichole Maury, interest to Brian and is also thematically tied to San Francisco, CA 94129 rica and the diasporas. The third video in the encounter, a secret history of the many Black Lautrec, Paul Gauguin, and the leaders of Les Hisaharu Motoda, Molly Palmer, Seiko Tachiba- his latest mural project, ‘Systems Mural Project’. -Arion Press Exhibition series, Odile and Odette (14 minutes, 28 sec- responses to Jewish music, life, and culture. We Nabis, Pierre Bonnard and Edouard Vuillard. na, Peter Tonningsen and Noah Wilson. [email protected] Original art, artist books, and prints. Kiki Smith: onds), by Yinka Shonibare MBE, shows June 16 learn how Black artists treated Jewish music as It is here where the Orsay’s collection shines (510) 549-2977 www.mckinleyartsolutions.com V Artist book entitled “I Love My Love”. Wil- - January 9. In this work, two ballerinas, identi- a resource for African-American identity, his- brightest with masterpieces such as Van Gogh’s www.kala.org Museum of Craft and Folk Art liam T. Wiley: Illustrations and a print for “Don cally dressed in colorful batik-printed tutus, face tory, and politics, whether it was Johnny Mathis Starry Night over the Rhone, a haunting Self- Krowswork 51 Yerba Buena Lane Quixote” by Miguel de Cervantes. Raymond each other on a dark stage. Their synchronized singing “Kol Nidre,” Cab Calloway experiment- Portrait, and Bedroom at Arles. The exhibition 480 23rd Street, side entrance San Francisco CA 94103 Pettibon: Prints for “South of Heaven” by Jim movements within a gilded frame create the il- ing with Yiddish, or Aretha Franklin doing a 60s includes a superior collection of paintings from Oakland, CA -Volver: Mexican Folk Art into Play Thompson. Julie Mehretu: Artwork for an edi- PYWMSRSJEQMVVSVIH½KYVI%JSYVXLZMHISMR- take on “Swanee.” the Pont-Aven school, including Gauguin’s mas- -Where I’m Calling From End: January 16, 2011 E tion of poems by Sappho. stallation follows in January 2011. -As It Is Written: Project 304,805 terpiece Self-Portrait with Yellow Christ. The End: December 5, 2010 The Museum of Craft and Folk Art presents an (415) 668-2542 -Vodoun/Vodounon: Portraits of Initiates End: March 29, 2011 exhibition concludes with the Orsay’s spec- Group exhibition with video, photography, in- exhibition of contemporary art that activates [email protected] End: March 20, 2010 As It Is Written: Project 304,805 is centered tacular collection of pointillist paintings, rep- stallation. Mexican folk art, including works by Adrian Es- www.arionpress.com This exhibition features 25 compelling diptychs around a soferet (a professionally trained fe- resented by the masters Georges Seurat and (510) 229-7035 parza, Maximo Gonzalez, Armando Miguelez, M BAER RIDGWAY EXHIBITIONS by the Belgian photographer Jean-Dominique male scribe) who, while on public view, will Paul Signac. The de Young is the only museum www.krowswork.com Favianna Rodriguez and Eduardo Sarabia. To 172 Minna Street Burton, who pairs black-and-white portraits write out the entire text of the Torah over the in North America to host the exhibition. Legion of Honor celebrate Mexico’s Bicentennial Anniversary of San Francisco, CA 94105 with color photographs for a sensitive por- course of a full year. -To Dye For 100 34th Avenue Independence (September 15) and the Cen- -Mads Lynnerup: New Work trayal of Vodoun practitioners and their sacred (415) 655-7800 End: January 9, 2011 San Francisco, CA 94121 tennial of the Revolution (November 20), the End: December 4, 2010 shrines. Burton’s images provide an exceptional [email protected] To Dye For: A World Saturated in Color fea- -Japanesque Museum of Craft and Folk Art presents ‘Volver: B -Margaret Tedesco glimpse into the esoteric domain of this tradi- www.thecjm.org tures over 50 textiles and costumes from the End: January 9, 2011 Mexican Folk Art into Play’, an exhibition that End: December 4, 2010 tional Fon religion, now called variously Vodou, de Young Fine Arts Museums’ comprehensive collection Japanesque: The Japanese Print in the Era of looks to traditional crafts from Mexico and fo- Curates The Bookstore Project Space Vodun, Vaudou, or Vaudoux, as practiced in the 50 Hagiwara Tea Garden Drive of textiles from Africa, Asia and the Americas. Impressionism introduces audiences to the cuses on contemporary works that imbue the -Mads Lynnerup : Hallway Project Space heart of its birthplace, the current-day Republic San Francisco, CA 94118 A truly cross-cultural presentation, the exhibi- development of the Japanese print over two materials and processes of popular folk arts End: December 4, 2010 of Benin. Burton’s work is accompanied by a -Developed and Undeveloped tion showcases objects from diverse cultures centuries (1700–1900) and reveals its pro- with conceptual potency. E documentary video, which plays alongside the and historical periods, including a tie-dyed tunic JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI (415) 227-4888 (415) 777-1366 End: March 6, 2011 www.baerridgway.com artworks in this exhibition. At once powerful and vulnerable, the natural from the Wari-Nasca culture of pre-Hispanic era of Impressionism. It complements the de www.mocfa.org Cantor Arts Center -Faculty Choice environment has been portrayed alternately as Peru (A.D. 500–900), a paste-resist Mongolian Young’s presentation of paintings from the Mu- Oakland Museum of California 328 Lomita Dr End: March 13, 2011 an object of adoration and a victim of civiliza- felt rug from the 15th–17th centuries and a sée d’Orsay, many of which are aesthetically in- 1000 Oak Street R Stanford, CA 94305 Out of the Wild in the Rowland K. Rebele Gal- tion. In the 19th century photographers played group of stitch-resist dyed 20th-century ker- debted to concepts of the Japanese print, and Oakland, CA -Go Figure! lery. Stanford’s Mark Feldman investigates de- a decisive role in preservationist movements, chiefs from the Dida people of the Ivory Coast. also the exhibition Pat Steir: After Hokusai, after -PIXAR: 25 Years of Animation This installation features a variety of contem- pictions of nature from the Center’s collections. and their descendants continue to shed light These historical pieces are contrasted with Hiroshige. Culled primarily from the holdings of End: January 9, 2011 TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR -Memory in the Patricia S. Rebele Gallery on the precarious condition of the planet. artworks from contemporary Bay Area artists the Achenbach Foundation for Graphic Arts, Walt Disney’s arrival in Los Angeles in the diverse media including bronze, clay, glass, and End: February 20, 2010 Developed and Undeveloped: Photographic and garments by fashion designers Oscar de la the exhibition of approximately 250 prints, W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX wood. Among the selections are examples by As the theme of memory is considered by a Landscapes,installed in the de Young’s gallery Renta and Rodarte. The exhibition highlights drawings, paintings, and artist’s books unfolds for animation artists in the decades to come. Magdalena Abakanowicz, Robert Arneson, Joan number of arts groups at Stanford, this display for rotating photography exhibitions, features a several recent acquisitions, including important MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- Home to a number of leading studios, the San Brown, Roger Brown, Mel Edwards, Viola Frey, expands that community conversation and asks diverse selection of photographs of the 19th, gifts such as an ikat-woven skirt from the Iban ence. Francisco Bay Area has emerged as a global Robert Graham, Duane Hanson, Manuel Neri, viewers to consider the role that memory plays 20th, and 21st centuries. From the pristine people of Sarawak, Malaysia and two exquisite -Thirty-Six Aspects of Mount Fuji center for animation today. PIXAR will provide Isamu Noguchi, and Peter Vanden Berge. in the present. western views of Ansel Adams to the scarred mordant-dyed Indian trade cloths used as heir- End: February 20, 2011 an unprecedented look at the renowned Em- -Living Traditions -Mami Wata quarries of Edward Burtynsky, the exhibition loom textiles by the Toraja peoples of Sulawesi, Noted photographer Arthur Tress (b. 1940) eryville-based studio (located just a few miles Arts of the Americas in the Native American End: January 2, 2010 presents a variety of approaches to framing Indonesia. began collecting Japanese books in the fall of from OMCA) and showcase the creative work gallery. Masks by contemporary Northwest Arts for Water Spirits in Africa and Its Diaspo- the landscape, with scenes of unspoiled wilder- (415) 750-3600 1965 when he was a student at the Zen study behind its wildly successful computer-animated Coast native artists. VEW8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSR ness contrasted with sites bearing evidence of deyoung.famsf.org center associated with the Shkoku-ji temple in ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ -Rodin! to present a comprehensive examination of the human intervention. Drawing from the collec- Galería de la Raza /]SXS-R XLI  ]IEVW WMRGI XLEX ½VWX HMWGSZ- =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV The Complete Stanford Collection. This ex- dynamic visual arts associated with water spir- tions of the Achenbach Foundation for Graphic 2857 24th Street ery, Tress continued to collect books and now the OMCA presentation greatly enhances the panded display presents 200 works from the its. One hundred works present a compelling Arts, the Paul Sack Trust, and Charles and Diane San Francisco, CA 94110 has a comprehensive collection numbering 2005 MoMA show. In addition to all of the collection, including bronzes, plasters and wax- range of art forms that portray the water deity Frankel, the exhibition also includes works by -Retrospective Anniversary Exhibition several hundred volumes. He has selected a artwork from the original presentation, it will es, plus a rotating selection of works on paper. widely known as Mami Wata (pidgin English for Mathew Brady, Carleton Watkins, Robert Ad- End: January 29, 2011 WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH Twenty large sculptures, including The Gates of “Mother Water” or “Water Mistress”). The ex- ams, Shi Guorui and Michael Light. The Retrospective Anniversary Exhibition, will two-part exhibition of illustrated books on the 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] Hell, remain perpetually on view in the Rodin hibition, organized and produced by the Fowler -Pat Steir document the visual landscape that has con- subject of Fuji, the iconic mountain that is the with Pixar Animation Studios, OMCA will host Sculpture Garden. Museum at UCLA, highlights both traditional End: January 30, 2011 tributed to the shaping of Galería’s mission of enduring symbol of Japan. The Tress collection a series of dynamic public programs for audi- -Living Traditions: Arts of the Americas and contemporary images of Mami Wata and Complementing Japanesque: The Japanese Print fostering public awareness and appreciation of exhibition brings together books dating from ences of all ages in conjunction with the exhibi- Two galleries integrate work from different Na- her consorts from across the African continent, in the Era of Impressionism at the Legion of Latino/Chicano art. The exhibit will span art- the late 1600s through the 19th century that tion, to be announced soon. tive American peoples and times, including ma- as well as from the Caribbean, Brazil, and the Honor, Pat Steir: After Hokusai, after Hiroshige works from 1970 to 2010. show Fuji viewed from various vantage points, -The Marvelous Museum: Mark Dion jor commissions of Northwest Coast art and a United States. WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWI (415) 826-8009 at different times of year and during all four End: March 6, 2011 recent gift of Precolumbian art. museum.stanford.edu print on Western artists into the late 20th cen- [email protected] seasons. Key among the selections are several Mounting an unprecedented expedition -A New 19th Century Contemporary Jewish Museum tury. American painter, printmaker, and concep- www.galeriadelaraza.org volumes featuring illustrations from Hokusai’s through the Museum’s art, history, and natu- The Mondavi Family Gallery Reinstalled. Euro- 736 Mission Street XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWX Gregory Lind One Hundred Views of Mount Fuji, published ral science collections, conceptual artist Mark pean and American art: portraiture, narrative between Third Street and Fourth Street selected by Kathan Brown in 1982 to travel to +IEV]7XVIIX*MJXL¾SSV between 1834 and 1849 after his successful (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- art, still life, and landscape. Also, changing selec- San Francisco, CA 94116 Japan to make a color woodcut for Crown Point San Francisco, CA 94108 color print series, Thirty-Six Views of Mount Fuji tions and interventions throughout the art gal- tions of works on paper plus paintings as they -Reclaimed Press’s groundbreaking printmaking program in -Seth Koen: Narwhellian (ca. 1830–1832). leries, drawing upon the overlooked orphans, might have been in the salon of a collector of End: March 29, 2011 Kyoto. There she had the opportunity to work End: December 11, 2010 www.famsf.org curiosities, and treasures from the collections. the period. Rarely-seen Old Master paintings reveal the closely with artisans trained in the traditional http://www.gregorylindgallery.com McKinley Art Solutions Many of these objects date back to OMCA’s -African Art in Context legacy of a preeminent Jewish art dealer whose methods of Japanese woodblock printing. In (415) 296-9661 181 Third Street at Howard predecessor institutions and, while they often Diverse art, including items of dress and body vast collection was looted by the Nazis. Dis- 1984 and 1985 she turned to subjects derived Hackett | Mill San Francisco, CA 94103 lie outside of OMCA’s California focus, still tell ornament from the Himba people of Namibia cover a dramatic story of great art, injustice from famous prints by Hokusai and Hiroshige 201 Post Street Suite 1000 -Systems a rich and interesting story of how museum and beadwork by the Zulu and Ndebele peo- and reclamation. Included are works by Salo- in color etchings she produced at Crown Point San Francisco, CA 94108 End: December 13, 2010 collections are assembled over time. OMCA ple. mon Jacobsz van Ruysdael , Ferdinand Bol, and Press in Oakland. -Manuel Neri: Collage 1958-1960 McKinley Art Solutions is pleased to present Senior Curator of Art René de Guzman will -The Life and Legacy of the Stanford Family Lorenzo Baldissera Tiepolo. -Van Gogh, Gauguin, Cézanne and Beyond End: December 23, 2010 ‘Systems’, new works by ubiquitous SF mural- GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR Examines the interests and accomplishments of -Black Sabbath End: January 18, 2011 Hackett Mill presents early collage work by ist Brian Barneclo at W San Francisco. 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Quaytman 1MWWMSR7XVIIX Caldwell Snyder Gallery WYVJEGIEWMJMX[IVIEGERZEW 3´*EVVIPP7XVIIX )RH.ERYEV] 7ER*VERGMWGS'% 7YXXIV7XVIIX   7ER*VERGMWGS'% 8LI GSVI SJ 6 , 5YE]XQER´W [SVO GSRWMWXW -Audience as Subject Part 1: Medium 7ER*VERGMWGS'% MRJS$ZIPZIXHEZMRGMGSQ Arion Press -New Forms of Loafting Sour Dough SJWQEPPXLSYKLXTVSZSOMRKTEMRXMRKWQEHISR )RH*IFVYEV] -Enrique Santana [[[ZIPZIXHEZMRGMGSQ ,E]W7XVIIX8LI4VIWMHMS 3TIRMRK 6IGITXMSR 2SZIQFIV   [SSHTERIPW7LIYWIWEZEVMIX]SJXIGLRMUYIW Gallery 1 &IKMR2SZIQFIV 7ER*VERGMWGS'% TQ ERHTEMRXIVP]ZSGEFYPEVMIWXSORS[MRKP]I\TPSVI %YHMIRGI EW 7YFNIGX MW E X[STEVX I\LMFMXMSR )RH2SZIQIFIV -Tours Of Arion Press and M&H Type 'PSWMRK 6IGITXMSR 2SZIQFIV   XLIGSQTPI\LMWXSV]SJTEMRXMRK'SPPIGXMZIP]LIV XLEX GSRWMHIVW XLI EYHMIRGI FVSEHP] EW E PMZ [[[GEPH[IPPWR]HIVGSQ (EXI2SZIQFIV TQ [SVOW TSVXVE] E XERXEPM^MRK VERKI SJ TEXXIVRW MRK SVKERMWQ SJ TEVXMGMTEXMRK ZMI[IVW SJ PMZI SFAI 3 Wednesday 8MQITQTQ ±1EVO1G'PSYH[EWXLILIEHSJER07(GSR ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] IZIRXW8LI SFNIGX SJ XLI MRZIWXMKEXMSR MW XLI 'LIWXRYX7XVIIX 0MZIHIQSRWXVEXMSRXSYVWSJXLILMWXSVMGX]TI WTMVEG] XLEX KEMRIH E RI[ KIRIVEXMSR XS XLI MRVIPEXMSRXSXLIEVGLMXIGXYVIMR[LMGLXLI]EVI HVEQEXMG ERH REVVEXMZI TSXIRXMEP SJ EYHMIRGI 7ER*VERGMWGS'% JSYRHV]TVMRXMRKJEGMPMX]ERHFSSOFMRHIV]SJ%V GEYWISJ07(²EWWMWXERX97EXXSVRI]1MOI3PM I\LMFMXIHMRSVHIVXSTYVTSWMZIP]TVSTIPXLIHM QIQFIVW°XLIMV TL]WMGEP FSHMIW I\TVIWWMSRW -Jim Shaw ATA MSR4VIWWERH1 ,8]TIEVIGSRHYGXIHIZIV] ZIVWEMH±-XMWEGEYWIXLEXGVIEXIWMRTISTPIXLI VIGXMSRSJXLIZMI[IV´WQSZIQIRX*SV7*13 EXXMXYHIWKIWXYVIWERHEGXMSRW°XLMWYRMUYIWS  (EXI2SZIQIFIV :EPIRGME7XVIIX 8LYVWHE]EXTQ8LIXSYVWEVIWTSRWSVIH GETEGMX]XSQEOIPMJIXLVIEXIRMRKERHPMJIWXIEP 1%WLI[MPPHIFYXERI[GLETXIVSJLIV[SVO GMEPFSH]QEHIYTSJMRHMZMHYEPW 8MQITQ 7ER*VERGMWGS'% F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV MRKHIGMWMSRW²8LIEVXMWXGSRXMRYIWXSHSGYQIRX XLEX[MPP JSGYW SR 7ER *VERGMWGS TSIX6SFIVX -Yoshua Okón: 2007-2010 ;MRMJVIH .STLRWSR 'PMZI *SYRHEXMSR (MWXMR -Radical Light, Women of the West:70’s Bay TIVWSR XLI07(LMXSVHSWISJFPSXXIVMRQMRYXIHIXEMP (YRGER 5YE]XQER´W WYFNIGXW SJXIR STIVEXI )RH*IFVYEV] KYMWLIH:MWMXMMRK*IPPS[WLMTJSV-RXIVHMWGMTPMREV] Area Experimentalists   EWLIGSQQIRXWSRXLIWXEXISJXLIEVXWERH SR FSXL TIVWSREP ERH FVSEHIV GYPXYVEP PIZIPW Gallery 2 4EMRXMRK4VEGXMGIW (EXI2SZIQFIV KVEFLSVR$EVMSRTVIWWGSQ TSPMXMGWMRVIPEXMSRXSTW]GLIHIPMGW (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W =SWLYE3OzR´WZMHISMRWXEPPEXMSRWEVIFYMPXSR [[[WJEMIHY 8MQITQ ArtPeople Gallery IZIVKSPHKEPPIV]$KQEMPGSQ TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH MQTVSZMWEXMSREPREVVEXMZIWGVIEXIHF]XLIEVXMWX 7*'MRIQEXLIUYI 4SWX7XVIIX0IZIP [[[IZIVKSPHKEPPIV]FPSKWTSXGSQ [MXLXLI7ER*VERGMWGS6IREMWWERGIERH&PEGO ERH LMW GSPPEFSVEXSVW QSWXP] RSREGXSVW [MPP [[[WJGMRIQEXLIUYISVK 7ER*VERGMWGS'% Exploratorium 1SYRXEMR 4SIXV]8LMW RI[ FSH] SJ TEMRXMRKW MRK XS TEVXMGMTEXI MR E KEQI SJ WSGMEP GLERGI Cantor Arts Center -PLACES TO BE, THINGS TO DO 0]SR7XVIIX [MPPVITVIWIRXXLIXLGLETXIVMRLIVSIYZVI XLEXQE]IEWMP]WTMVEPSYXSJGSRXVSP'IRXIVIH 0SQMXE(V 3TIRMRK 6IGITXMSR 2SZIQFIV   7ER*VERGMWGS'% -Exposed: Voyeurism, Surveillance and the EVSYRH IQSXMSREPP] GLEVKIH I\TVIWWMSRW SJ 2 Tuesday 7XERJSVH'% TQ -After Dark: Fear Camera TS[IV ERH GSRXIQTPEXMSRW SJ JIEV HIEXLWI\ -Chiaroscuro Woodcuts )RH2SZIQFIV (EXI2SZIQFIV )RH%TVMP ERHREXMSRLSSHXLIWI[SVOWTVSZSOIZMI[IVW Corden|Potts Gallery &IKMR2SZIQFIV %PER1E^^IXXM´WI\LMFMXMSRSJRI[TEMRXMRKW[MPP 8MQITQ 'SSVKERM^IHF]7*131%ERH8EXI1SHIVR XSGSRWMHIVUYIWXMSRWSJWSGMEPGSRHYGXERHXLI +IEV]7XVIIX7YMXI )RH*IFVYEV] ½PPXLIKEPPIV][MXLMQEKIWSJXVEZIP,MWEFWXVEGX ;LEXEVI]SYEJVEMHSJ#7TMHIVW#)EVXLUYEOIW# )\TSWIHKEXLIVWQSVIXLERX[SLYRHVIHTMG FILEZMSVSJMRHMZMHYEPW[MXLMRW]WXIQWSJWSGMEP 7ER*VERGMWGS'% 4VSQMWIH +MJXW JVSQ XLI /MVO )H[EVH 0SRK PERHWGETIW NSYVRI] XLVSYKL LMPPW WIE ERH WO] 8LMRKW XLEX KS FYQT MR XLI RMKLX# 3V WSQI XYVIWXLEXXSKIXLIVJSVQEXMQIP]MRUYMV]MRXS VIWXVEMRX -Silent Respiration of Forests/Evanescence – 'SPPIGXMSR3RISJXLIKPSVMIWSJXLGIRXYV] GSQFMRMRKXLIQIQSVMIWERHQSSHWSJTPEGIW XLMRKQSVIWSGMEPPMOIWE]MRKXLI[VSRKXLMRK XLI[E]WMR[LMGLEVXMWXWERHIZIV]HE]TISTPI -Katya Bonnenfant: La Destitution de la Lotus -XEPMERTVMRXQEOMRK[EWXLIMRZIRXMSRERHTVS TEWWIHXLVSYKL%PWSWLS[R[MPPFI[SVOJVSQ PSSOMRK PMOI E JSSP KIXXMRK LYVX F] WSQISRI EPMOILEZITVSFIHXLIGEQIVE´WTS[IVJYPZS] Jeune Fille PMJIVEXMSR SJ GLMEVSWGYVS [SSHGYXW XLI ½VWX XLI8MQIWGETI7IVMIWIZSOMRKNSYVRI]WXLVSYKL ]SYXVYWX#3VEVIEPPJIEVWWMQTP]QEWOWJSVXLI 45 FMK JIEV°XLI KVIEX YRORS[R FI]SRH XLI ZIMP JSVQIV)EWX+IVQER]8LMW[MPPFILMW½VWXWSPS Stop by after work for a glass of wine and join )RH(IGIQFIV   VIWMRXSGVIEXILIVXE\MHIVQ]WGYPTXYVIW SJXIR SJ HIEXL# )\TPSVEXSVMYQ%JXIV (EVO I\TPSVIW I\LMFMXMSRWMRGINSMRMRKXLIKEPPIV]MR us for the opening reception for SF Camera- (415) 626-7495 MRJS$WMPZIVQERKEPPIV]GSQ VIJIVVIHXSEW³ZIKERXE\MHIVQ]´  JIEV XLVSYKL ½PQ I\LMFMXW ERH WTIGMEP EGXMZM- [email protected] [SVO´W  &IRI½X%YGXMSR 4VIZMI[ )\LMFM- www.gallery16.com [[[WMPZIVQERKEPPIV]GSQ Hours: Thursday-Sunday 12:00pm-6:00pm N ties. Come play with fear: its effects on per- Kokoro Studio tion! gallery16.blogspot.com SOMArts Cultural Center   ception, its links with pleasure, and the ways in +IEV]7XVIIX (415) 512-2020 Krowswork 934 Brannan Street [email protected] which fears can be manipulated for good or ill. 7ER*VERGMWGS'% sfcamerawork.org VH7XVIIXWMHIIRXVERGI 7ER*VERGMWGS'% www.thecompoundgallery.com 4LSFMEWXLI½KLXZW¾MKLXVIWTSRWIXLIIJJIGXW -Too Close to See: JiandYin Stephen Wirtz Gallery 3EOPERH'% -I Live Here SF Velvet da Vinci of fear on bodies and brains…all are fair game. 3TIRMRK 6IGITXMSR 2SZIQFIV   +IEV]7XVIIXVH¾SSV -Where I’m Calling From 3TIRMRK 6IGITXMSR 2SZIQFIV   4SPO7XVIIXEX&VSEH[E] O 'SRJVSRX]SYVJIEVWEXXLI)\TPSVEXSVMYQ°MX 7:00pm-10:00pm 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   6:00-9:00pm 7ER*VERGMWGS'% GSYPH GLERKI ]SYV ZMI[ SJ [LEX MX QIERW XS )RH(IGIQFIV -Catherine Wagner: Reparations 5:00-9:00pm )RH2SZIQFIV -PIERCE HEALEY FI EJVEMH%JXIV (EVO MW MRGPYHIH MR XLI TVMGI 'YVVIRX VIWMHIRXW SJ XLI -7'4 VIWMHIRG] TVS- 3TIRMRK 6IGITXMSR 2SZIQFIV   )RH2SZIQFIV )\LMFMXMSRGYVEXIHF].YPMI1MGLIPIGSQQYRMX] 3TIRMRK 6IGITXMSR 2SZIQFIV   SJEHQMWWMSRXSXLI)\TPSVEXSVMYQ3VFIGSQI KVEQ MR &VSSOP]R 2= .MVEHIN 1IIQEPEM ERH 5:30–7:30pm ;LIVI -´Q 'EPPMRK *VSQ SV ,EPJ[E] ,SQI based photography and story telling project. TQ ER%JXIV (EVO QIQFIV ERH EXXIRH XLI RI\X 4SQTMPME>SY1IIQEPEMI\TPSVIXLIGSQTPI\M- )RH2SZIQFIV EKVSYTWLS[JIEXYVMRKZMHISEFSYXXLIXIPI- Hours: Tue-Fri 12:00-7:00pm, Sat 12:00-5:00pm )RH2SZIQFIV V (415) 552-1770 X[IPZI%JXIV(EVOIZIRXWJSV ties of relationships and the simultaneous inti-   TLSRIF](EPI,S]X6IKMRE'PEVOMRME.ER4IE- :IPZIXHE:MRGMMR7ER*VERGMWGSTVIWIRXW2I[ EJXIVHEVO$I\TPSVEXSVMYQIHY macy and distance that results. Coming from www.wirtzgallery.com cock, and others. Taking its name from a Ray- www.somarts.org ;SVOF]4MIVGI,IEP]%WOMPPIHIRKVEZIVERH Fraenkel Gallery VIWTIGXMZIWGYPTXYVEPERHNI[IPV]FEGOKVSYRHW Toomey Tourell Fine Art QSRH'EVZIV´WWLSVXWXSV]XLMWWLS[I\EQMRIW Southern Exposure HVEJXWQER (YFPMRIV 4MIVGI ,IEP] GEVZIW HVE- 49 Geary Street JiandYin bind their works with a palpable sense 49 Geary Street the telephone and how its role has shifted from 3030 20th Street QEXMGEPP] HIXEMPIH ERH MQEKMREXMZI WXSVMIW MRXS E 7ER*VERGMWGS'% of duality, connection and balance. Their work 7ER*VERGMWGS'% EWMKRM½GEXMSRSJTPEGIXSETPEGIPIWWRIWW 7ER*VERGMWGS'% QIXEP,IEPPS[WXLIIRKVEZMRKSRIEGLSJLMW -LEE FRIEDLANDER manifests itself through the purity of truth and -Robert Donald (510) 229-7035 -Joshua Kit Clayton SRISJEOMRH TMIGIW XS XEOI SZIV XLI QIXEP´W &IKMR2SZIQFIV XEOIWJSVQEWWLSVX½PQWGYPTXYVIMROSRTE- &IKMR2SZIQFIV [email protected] (EXI2SZIQFIV WYVJEGIEWMJMX[IVIEGERZEW )RH(IGIQFIV TIV ERH JEFVMGEXIH XI\XMPIW3RI KIXW E WIRWI 3TIRMRK 6IGITXMSR 2SZIQFIV   www.krowswork.com 8MQITQ (415) 441-0109 1960 - 2010 or How I Got from There to Here XLEX.MERH=MR´W[SVOWEVIWXMPPMRTVSKVIWWIZIRE 5:30-7:30pm Rare Device % ZMHISHMVIGXIH KVSYT I\IVGMWIQIHMXEXMSR MRJS$ZIPZIXHEZMRGMGSQ M MR4MGXYVIWSV0IWW pieces sit serene and still in front of you. Taking )RH(IGIQFIV GSRZIVWEXMSR F] .SWLYE /MX 'PE]XSR±'SVHSR [[[ZIPZIXHEZMRGMGSQ 1EVOIX7XVIIX www.fraenkelgallery.com the most basic of human conditions; adaptation, Hours: Tue-Fri 11:00-5:30pm, Sat 11:00-5:00pm, 7ER*VERGMWGS'% 3JJ XLI 'SRXIQTX MR E;SVH 'SQTEVXQIRX Vessel Gallery GEORGE LAWSON GALLERY .MERH=MRLEZIGVIEXIHEVXXLEXMWMJER]XLMRKYX- or by appointment -Sarah McNeil ERH 3XLIV ;LMWTIVMRK 1SQIRXW ² MRZIWXM- 471 25th Street +IEV]RH¾SSV terly romantic.   &IKMR2SZIQFIV KEXIWXLIYWIWERHZEPYIWSJGSRXIQTXL]KMIRI 3EOPERH'% B 7ER*VERGMWGS'% kokorostudio.us [email protected] )RH2SZIQFIV language, and importantly, of whispering as a -William Harsh, Eve Singer, Cyrus Tilton -Stephen Beal: Recent Paintings Robert Koch Gallery http://www.toomey-tourell.com 2I[ HVE[MRKW F] 2I[ >IEPERH EVXMWX 7EVEL QIERW SJ GSRXEMRQIRX TEVEHS\MGEPP] XLVSYKL 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR 2SZIQFIV   49 Geary Street, 5th Floor 1G2IMP XLITVSGIWWSJTVSTEKEXMSR8LILSYVPSRKZMH- 6:00pm-9:00pm 5:30-7:30 pm 7ER*VERGMWGS'%   eo asks audience members to consider and/or )RH2SZIQFIV (415) 772-0977 -Masao Yamamoto MRJS$VEVIHIZMGIRIX discuss their own relationship to contempt and 1SHIVRMWX4EMRXIV;MPPMEQ,EVWLMWEREVXMWXPMZ- E [email protected] 3TIRMRK 6IGITXMSR 2SZIQFIV   5 Friday [[[VEVIHIZMGIRIX SXLIVXSTMGW[MXLMRXLIWTEGISJXLIZMHISMXWIPJ MRKERH[SVOMRKMRXLI7ER*VERGMWGS&E]%VIE www.georgelawsongallery.com 5:30-7:30pm RayKo Photo Center   [MXL SZIV  ]IEVW SJ HIHMGEXIH WXYHMS TVEG- Herbst Theatre )RH(IGIQFIV 8LMVH7XVIIX [[[WSI\SVK XMGI4VMQEVMP]ERSMPTEMRXIVLIEPWS[SVOWI\- :ER2IWW%ZIRYI Robert Koch Gallery is pleased to present its American Indian Film Festival 7ER*VERGMWGS'% STUDIO ONE ART CENTER XIRWMZIP][MXLSXLIVTEMRXMRKERHHVE[MRKQI- R San Francisco 94102 ½VWXI\LMFMXMSRSJTLSXSKVETLWF]1EWES=EQE- &IKMR2SZIQFIV -Faith 365 45th Street HMEERH[MXLQSRSX]TITVMRXQEOMRK)ZI7MRKIV - QSXS[LMGL[MPPHVE[JVSQLMW%&S\SJ/Y )RH2SZIQFIV )RH2SZIQFIV 3EOPERH'% is a jewelry artist based in San Francisco. She (EXI2SZIQFIV Nakazora, and Kawa=Flow. Yamamoto’s is in- LXXT[[[EM½WJGSQ -RXLII\LMFMXMSR±*EMXL²EX6E]/S4LSXS'IR- -First Friday Reading Series MW EPWS E XI\XMPI HIWMKRIV[SVOMRK MR VITIEXIH Time: 7:30pm WTMVIHF]>IRTLMPSWSTL]ERHLMWTLMPSWSTLMGEP Artist-Xchange XIV ½ZI HMJJIVIRX TLSXSKVETLIVW JVSQ EVSYRH (EXI2SZIQFIV JSVQW ERH QEVOQEOMRK±0EVKIP] MRWTMVIH F] %YRMUYITIVJSVQIV[LSVIJIVWXSLIVWIPJEW ERHWTMVMXYEPVSSXWGSRXVMFYXIXSLMWHMWXMRGXMZI 3169 16th Street the country display selections from their proj- Time: 7:30-9:30pm architecture and landscapes, I am always on the “a human Gaza Strip” due to her multi-ethnic photographic style, in which the ordinary is re- 7ER*VERGMWGS'% IGXWI\TPSVMRKQSVIXLERNYWXVIPMKMSYWJEMXLFYX (SVSXLIE0EWO]ERH)PM^EFIXL,EXQEOIV WIEVGLJSVRI[KISQIXVMGJSVQWERHXI\XYVIW FEGOKVSYRH 2EXEGLE %XPEW JYWIW %VEFMG ERH ZIEPIHEWWSQIXLMRKI\XVESVHMREV] -Realism faith in God and country and humanity. Ranging -After School Arts Academy Cyrus Tilton is an Oakland-based sculptor, with 2SVXL %JVMGER QYWMG [MXL IPIGXVSRMGE HERGI (415) 421-0122 3TIRMRK 6IGITXMSR 2SZIQFIV   from documentary photographs to imaginary (EXI2SZIQFIV SZIVEHIGEHISJTVEGXMGIMRMRXIVREXMSREPPEVKI music and hip hop to create an irresistible hy- [email protected] 7:00pm-10:00pm landscapes, from rich giant color prints, to small 8MQI%JXIVWGLSSP¯TQ WGEPITYFPMGERHTVMZEXIWGYPTXYVIQEOMRK8MPXSR brid, bound together by her sensuous, passion- www.kochgallery.com )RH2SZIQFIVXL MRXMQEXIFVSQSMPERHTEPPEHMYQTVMRXWXLMWI\- 7XYHIRXWIRVSPPIHMR7XYHMS3RI%VX'IRXIVW is highly skilled in a range of mediums including EXI ZSMGI 3J &VMXMWL ERH )K]TXMER SVMKMR WLI Scott Nichols Gallery Reproducing the truth and accuracy of their LMFMXMSRLEWWSQIXLMRKJSVIZIV]SRIJEMXLJYPSV %JXIV7GLSSP%VXW%GEHIQ][MPPIRNS]ERHEJXIV bronze to paper mache. [EWMR¾YIRGIHF]XLI1SVSGGERQYWMGXLEXWLI 49 Geary, Suite 415 subjects, there will be 15-20 local San Francisco not. school snack, homework tutors and one class Hours: Tue-Sat 11:00am-6:00pm heard while growing up, but simultaneously ab- 7ER*VERGMWGS'% artists displaying life like works of art. Realism is -1000 Cameras each day led by our master arts in medium   WSVFIH;IWXIVRTST%XPEW[LSWMRKWMR*VIRGL -Yosemite Photographers and Photographs EREVXMWXMGQSZIQIRXXLEXVIRHIVWPMJIPMOIGLEV- )\LMFMXMSR)RHW2SZIQFIVXL WYGL EW TSIXV] GIVEQMGW HVEQE QSZIQIRX [[[ZIWWIPKEPPIV]GSQ %VEFMG 7TERMWL ERH )RKPMWL LEW GSPPEFSVEXIH &IKMR2SZIQFIV acters, situations, and objects. (415) 495-3773 cooking, painting, drawing and much more! [MXL 8VERWKPSFEP 9RHIVKVSYRH .EL ;SFFPI )RH(IGIQFIV   [email protected] (510) 597-5027 Sarah Brightman, Sinead O’Connor and many   [[[EVXMWX\GLERKIGSQ www.raykophoto.com [email protected] SXLIVW1SWXVIGIRXP]WLILEWTYWLIHFI]SRH [email protected] Big Umbrella Studios Royal NoneSuch Gallery www.studioartcenter.net 6 Saturday HERGIVL]XLQWXSIQFVEGI%VEFMGGPEWWMGEPQY- www.scottnicholsgallery.com (MZMWEHIVS7XVIIX 8IPIKVETL%ZI Studio Quercus WMG ERH )YVSTIER XVEHMXMSREPWSRKW)\TERHMRK Scott Richards Contemporary Art 7ER*VERGMWGS'% 3EOPERH'% XL7XVIIX SRXLISVGLIWXVEPWGSTISJLIVQEWXIVJYP 4SWX7XVIIX7YMXI -paper.mail.bus.com -Odd Façade 3EOPERH'% 941Geary VIPIEWI %RE ,MRE LIV RI[ ,EVQSRME 1YRHM 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR *VMHE] 2SZIQFIV  -Sherilyn Tharp: Wood Carvings 941 Geary Street '(1SYRUEPMFEJIEXYVIWETMIGI8YVOMWLIR- -SWEET TOOTH 7:00-11:00 pm 2010 7:00-10:00pm &IKMR2SZIQFIV 7ER*VERGMWGS'% WIQFPIERHEGLEQFIVSVGLIWXVE-R[LEXIZIV 3TIRMRK 6IGITXMSR 2SZIQFIV   %WLS[SJXLI[SVOSJ&MK9QFVIPPE7XYHMSW Odd Facade, a solo show from installation artist 3TIRMRK6IGITXMSR2SZIQFIV -Fuck You All WIXXMRKXLIQYWMGSJ2EXEGLE%XPEWMWEWIHYG- 5:30-7:30pm QIQFIV%VXMWXW1YGLSJMXSRTETIVPMOIXLEX ERH½PQQEOIV(SYK+EVXL;MPPMEQW 6:00pm – 9:00pm &IKMR2SZIQFIV XMZIXIWXEQIRXXSXLITS[IVSJQYPXMGYPXYVEPMWQ )RH(IGIQFIV stuff we used to get called-mail, back when we (415) 652-1623 )RH(IGIQFIV )RH(IGIQFIV PIEZMRKEYHMIRGIWFVIEXLPIWW %KVSYTI\LMFMXMSREFSYXSYVGSQTPMGEXIHVI- used to ride the bus... www.royalnonesuchgallery.com (510) 452-4670 +IEV] MW TPIEWIH XS TVIWIRX *YGO=SY%PP   PEXMSRWLMT [MXL W[IIXW 4EMRXMRK ERH WGYPTXYVI (415) 359-9211 Silverman Gallery MRJS$WXYHMSUYIVGYWGSQ XLI MRXIVREXMSREP XVEZIPMRK GSPPIGXMSR SJ TLS- www.sfjazz.org F]%YHVI]*PEGO1IP6EQSW;E]RI8LMIFEYH bigumbrellastudios.com 7YXXIV7XVIIX [[[WXYHMSUYIVGYWGSQ XSKVETLW XLEX WTER XLI TVSPM½G ERH MR¾YIRXMEP Hespe Gallery (ERMIP(SYOI0YMKM&IRIHMGIRXM6SFIVXS&IV- CounterPulse 7ER*VERGMWGS'% The Compound Gallery GEVIIV SJ EVXMWX+PIR )*VMIHQER2S[ MR MXW 4SWX7XVIIX7YMXI REVHM%PI\&PEY4IXIV 1EHIPMRI4S[IPP(SYK 1MWWMSR7XVIIX -Shannon Finley: Solo Exhibition 1167 65th Street XL]IEVXLMWI\LMFMXMSRQEOIWMXW[E]XS7ER 7ER*VERGMWGS'% ;IFF8SQ1G/MRPI](EZMH1MGLEIP7QMXL4I- 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   3EOPERH'% *VERGMWGS JSV XLI ½VWX XMQI FVMRKMRK [MXL MX 0E[VIRGI+MTI((6 XIV%RXSR8NEPJ7TEVREE] -Tranny Fest Film Festival TQ -Beastmaster: Jaime Lakatos the work that presented some of the world’s 3TIRMRK 6IGITXMSR 2SZIQFIV     &IKMR2SZIQFIV )RH(IGIQFIV 3TIRMRK 6IGITXMSR 2SZIQFIV   QSWX WMKRM½GERX TLSXSKVETLMG GSRXVMFYXMSRW 5:30pm–7:30pm www.srcart.com http://www.freshmeatproductions.org/ In his bright colored paintings, Finley constructs 7:00-10:00pm to the punk and hip hop subcultures and not )RH(IGIQFIV SF Camerawork GALLERY 16 multiple layers of paint on top of each other 'PSWMRK 6IGITXMSR 2SZIQFIV   only documented the genesis of skate culture, Hespe Gallery is pleased to announce a solo 1MWWMSR7XVIIXRH*PSSV 501 Third Street ERHGVIEXIWTVMWQEXMGWTEGIWERH½KYVIW8VERW- 3:00-6:00pm but helped shape it for generations to come. I\LMFMXMSRSJRI[[SVOF]VIRS[RIH%QIVM- 7ER*VERGMWGS'% 7ER*VERGMWGS'% PYGIRX GSPPEKIPMOI WLETIW IZSOI KISQIXVMGEPP] 4VIWIRXMRK XLI &VMHI SJ (EV[MRWXIMR ERH XLI *VMIHQER´W +IEV] I\LMFMXMSR SJ *YGO=SY GER EVXMWX 0E[VIRGI +MTI +MTI´W RI[ WIVMIW &IRI½X%YGXMSR4VIZMI[ -MICHELLE GRABNER + BRAD KILLAM abstracted formations seemingly holographic EQE^MRK LYRXMRK PSHKI SJ IZSPYXMSR KSRI %PP[MPPJIEXYVIWIZIVEPRIZIVFIJSVIWIIRGSP- [MPP JSGYW SR PMJI MR XLI ((6 (IYXWGLI (I- 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR 2SZIQFIV   ERHXLVIIHMQIRWMSREP8LMWMWLMW½VWXWSPSI\- [VSRK4VMRXWHVE[MRKWERHWGYPTXYVIF].EMQI laborations with Shepard Fairey, which will be mokratische Republik) the formal name of the TQ 6:00-9:00pm LMFMXMSRMRXLI97ERH[MXL7MPZIVQER+EPPIV] 0EOEXSW0EOEXSWYWIWEQM\XYVISJJEFVMGWERH displayed along with the original photographs 46 FMK JIEV°XLI KVIEX YRORS[R FI]SRH XLI ZIMP JSVQIV)EWX+IVQER]8LMW[MPPFILMW½VWXWSPS Stop by after work for a glass of wine and join )RH(IGIQFIV   VIWMRXSGVIEXILIVXE\MHIVQ]WGYPTXYVIW SJXIR SJ HIEXL# )\TPSVEXSVMYQ%JXIV (EVO I\TPSVIW I\LMFMXMSRWMRGINSMRMRKXLIKEPPIV]MR us for the opening reception for SF Camera- (415) 626-7495 MRJS$WMPZIVQERKEPPIV]GSQ VIJIVVIHXSEW³ZIKERXE\MHIVQ]´  JIEV XLVSYKL ½PQ I\LMFMXW ERH WTIGMEP EGXMZM- [email protected] [SVO´W  &IRI½X%YGXMSR 4VIZMI[ )\LMFM- www.gallery16.com [[[WMPZIVQERKEPPIV]GSQ Hours: Thursday-Sunday 12:00pm-6:00pm N ties. Come play with fear: its effects on per- Kokoro Studio tion! gallery16.blogspot.com SOMArts Cultural Center   ception, its links with pleasure, and the ways in +IEV]7XVIIX (415) 512-2020 Krowswork 934 Brannan Street [email protected] which fears can be manipulated for good or ill. 7ER*VERGMWGS'% sfcamerawork.org VH7XVIIXWMHIIRXVERGI 7ER*VERGMWGS'% www.thecompoundgallery.com 4LSFMEWXLI½KLXZW¾MKLXVIWTSRWIXLIIJJIGXW -Too Close to See: JiandYin Stephen Wirtz Gallery 3EOPERH'% -I Live Here SF Velvet da Vinci of fear on bodies and brains…all are fair game. 3TIRMRK 6IGITXMSR 2SZIQFIV   +IEV]7XVIIXVH¾SSV -Where I’m Calling From 3TIRMRK 6IGITXMSR 2SZIQFIV   4SPO7XVIIXEX&VSEH[E] O 'SRJVSRX]SYVJIEVWEXXLI)\TPSVEXSVMYQ°MX 7:00pm-10:00pm 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   6:00-9:00pm 7ER*VERGMWGS'% GSYPH GLERKI ]SYV ZMI[ SJ [LEX MX QIERW XS )RH(IGIQFIV -Catherine Wagner: Reparations 5:00-9:00pm )RH2SZIQFIV -PIERCE HEALEY FI EJVEMH%JXIV (EVO MW MRGPYHIH MR XLI TVMGI 'YVVIRX VIWMHIRXW SJ XLI -7'4 VIWMHIRG] TVS- 3TIRMRK 6IGITXMSR 2SZIQFIV   )RH2SZIQFIV )\LMFMXMSRGYVEXIHF].YPMI1MGLIPIGSQQYRMX] 3TIRMRK 6IGITXMSR 2SZIQFIV   SJEHQMWWMSRXSXLI)\TPSVEXSVMYQ3VFIGSQI KVEQ MR &VSSOP]R 2= .MVEHIN 1IIQEPEM ERH 5:30–7:30pm ;LIVI -´Q 'EPPMRK *VSQ SV ,EPJ[E] ,SQI based photography and story telling project. TQ ER%JXIV (EVO QIQFIV ERH EXXIRH XLI RI\X 4SQTMPME>SY1IIQEPEMI\TPSVIXLIGSQTPI\M- )RH2SZIQFIV EKVSYTWLS[JIEXYVMRKZMHISEFSYXXLIXIPI- Hours: Tue-Fri 12:00-7:00pm, Sat 12:00-5:00pm )RH2SZIQFIV V (415) 552-1770 X[IPZI%JXIV(EVOIZIRXWJSV ties of relationships and the simultaneous inti-   TLSRIF](EPI,S]X6IKMRE'PEVOMRME.ER4IE- :IPZIXHE:MRGMMR7ER*VERGMWGSTVIWIRXW2I[ EJXIVHEVO$I\TPSVEXSVMYQIHY macy and distance that results. Coming from www.wirtzgallery.com cock, and others. Taking its name from a Ray- www.somarts.org ;SVOF]4MIVGI,IEP]%WOMPPIHIRKVEZIVERH Fraenkel Gallery VIWTIGXMZIWGYPTXYVEPERHNI[IPV]FEGOKVSYRHW Toomey Tourell Fine Art QSRH'EVZIV´WWLSVXWXSV]XLMWWLS[I\EQMRIW Southern Exposure HVEJXWQER (YFPMRIV 4MIVGI ,IEP] GEVZIW HVE- 49 Geary Street JiandYin bind their works with a palpable sense 49 Geary Street the telephone and how its role has shifted from 3030 20th Street QEXMGEPP] HIXEMPIH ERH MQEKMREXMZI WXSVMIW MRXS E 7ER*VERGMWGS'% of duality, connection and balance. Their work 7ER*VERGMWGS'% EWMKRM½GEXMSRSJTPEGIXSETPEGIPIWWRIWW 7ER*VERGMWGS'% QIXEP,IEPPS[WXLIIRKVEZMRKSRIEGLSJLMW -LEE FRIEDLANDER manifests itself through the purity of truth and -Robert Donald (510) 229-7035 -Joshua Kit Clayton SRISJEOMRH TMIGIW XS XEOI SZIV XLI QIXEP´W &IKMR2SZIQFIV XEOIWJSVQEWWLSVX½PQWGYPTXYVIMROSRTE- &IKMR2SZIQFIV [email protected] (EXI2SZIQFIV WYVJEGIEWMJMX[IVIEGERZEW )RH(IGIQFIV TIV ERH JEFVMGEXIH XI\XMPIW3RI KIXW E WIRWI 3TIRMRK 6IGITXMSR 2SZIQFIV   www.krowswork.com 8MQITQ (415) 441-0109 1960 - 2010 or How I Got from There to Here XLEX.MERH=MR´W[SVOWEVIWXMPPMRTVSKVIWWIZIRE 5:30-7:30pm Rare Device % ZMHISHMVIGXIH KVSYT I\IVGMWIQIHMXEXMSR MRJS$ZIPZIXHEZMRGMGSQ M MR4MGXYVIWSV0IWW pieces sit serene and still in front of you. Taking )RH(IGIQFIV GSRZIVWEXMSR F] .SWLYE /MX 'PE]XSR±'SVHSR [[[ZIPZIXHEZMRGMGSQ 1EVOIX7XVIIX www.fraenkelgallery.com the most basic of human conditions; adaptation, Hours: Tue-Fri 11:00-5:30pm, Sat 11:00-5:00pm, 7ER*VERGMWGS'% 3JJ XLI 'SRXIQTX MR E;SVH 'SQTEVXQIRX Vessel Gallery GEORGE LAWSON GALLERY .MERH=MRLEZIGVIEXIHEVXXLEXMWMJER]XLMRKYX- or by appointment -Sarah McNeil ERH 3XLIV ;LMWTIVMRK 1SQIRXW ² MRZIWXM- 471 25th Street +IEV]RH¾SSV terly romantic.   &IKMR2SZIQFIV KEXIWXLIYWIWERHZEPYIWSJGSRXIQTXL]KMIRI 3EOPERH'% B 7ER*VERGMWGS'% kokorostudio.us [email protected] )RH2SZIQFIV language, and importantly, of whispering as a -William Harsh, Eve Singer, Cyrus Tilton -Stephen Beal: Recent Paintings Robert Koch Gallery http://www.toomey-tourell.com 2I[ HVE[MRKW F] 2I[ >IEPERH EVXMWX 7EVEL QIERW SJ GSRXEMRQIRX TEVEHS\MGEPP] XLVSYKL 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR 2SZIQFIV   49 Geary Street, 5th Floor 1G2IMP XLITVSGIWWSJTVSTEKEXMSR8LILSYVPSRKZMH- 6:00pm-9:00pm 5:30-7:30 pm 7ER*VERGMWGS'%   eo asks audience members to consider and/or )RH2SZIQFIV (415) 772-0977 -Masao Yamamoto MRJS$VEVIHIZMGIRIX discuss their own relationship to contempt and 1SHIVRMWX4EMRXIV;MPPMEQ,EVWLMWEREVXMWXPMZ- E [email protected] 3TIRMRK 6IGITXMSR 2SZIQFIV   5 Friday [[[VEVIHIZMGIRIX SXLIVXSTMGW[MXLMRXLIWTEGISJXLIZMHISMXWIPJ MRKERH[SVOMRKMRXLI7ER*VERGMWGS&E]%VIE www.georgelawsongallery.com 5:30-7:30pm RayKo Photo Center   [MXL SZIV  ]IEVW SJ HIHMGEXIH WXYHMS TVEG- Herbst Theatre )RH(IGIQFIV 8LMVH7XVIIX [[[WSI\SVK XMGI4VMQEVMP]ERSMPTEMRXIVLIEPWS[SVOWI\- :ER2IWW%ZIRYI Robert Koch Gallery is pleased to present its American Indian Film Festival 7ER*VERGMWGS'% STUDIO ONE ART CENTER XIRWMZIP][MXLSXLIVTEMRXMRKERHHVE[MRKQI- R San Francisco 94102 ½VWXI\LMFMXMSRSJTLSXSKVETLWF]1EWES=EQE- &IKMR2SZIQFIV -Faith 365 45th Street HMEERH[MXLQSRSX]TITVMRXQEOMRK)ZI7MRKIV -Natacha Atlas QSXS[LMGL[MPPHVE[JVSQLMW%&S\SJ/Y )RH2SZIQFIV )RH2SZIQFIV 3EOPERH'% is a jewelry artist based in San Francisco. She (EXI2SZIQFIV Nakazora, and Kawa=Flow. Yamamoto’s is in- LXXT[[[EM½WJGSQ -RXLII\LMFMXMSR±*EMXL²EX6E]/S4LSXS'IR- -First Friday Reading Series MW EPWS E XI\XMPI HIWMKRIV[SVOMRK MR VITIEXIH Time: 7:30pm WTMVIHF]>IRTLMPSWSTL]ERHLMWTLMPSWSTLMGEP Artist-Xchange XIV ½ZI HMJJIVIRX TLSXSKVETLIVW JVSQ EVSYRH (EXI2SZIQFIV JSVQW ERH QEVOQEOMRK±0EVKIP] MRWTMVIH F] %YRMUYITIVJSVQIV[LSVIJIVWXSLIVWIPJEW ERHWTMVMXYEPVSSXWGSRXVMFYXIXSLMWHMWXMRGXMZI 3169 16th Street the country display selections from their proj- Time: 7:30-9:30pm architecture and landscapes, I am always on the “a human Gaza Strip” due to her multi-ethnic photographic style, in which the ordinary is re- 7ER*VERGMWGS'% IGXWI\TPSVMRKQSVIXLERNYWXVIPMKMSYWJEMXLFYX (SVSXLIE0EWO]ERH)PM^EFIXL,EXQEOIV WIEVGLJSVRI[KISQIXVMGJSVQWERHXI\XYVIW FEGOKVSYRH 2EXEGLE %XPEW JYWIW %VEFMG ERH ZIEPIHEWWSQIXLMRKI\XVESVHMREV] -Realism faith in God and country and humanity. Ranging -After School Arts Academy Cyrus Tilton is an Oakland-based sculptor, with 2SVXL %JVMGER QYWMG [MXL IPIGXVSRMGE HERGI (415) 421-0122 3TIRMRK 6IGITXMSR 2SZIQFIV   from documentary photographs to imaginary (EXI2SZIQFIV SZIVEHIGEHISJTVEGXMGIMRMRXIVREXMSREPPEVKI music and hip hop to create an irresistible hy- [email protected] 7:00pm-10:00pm landscapes, from rich giant color prints, to small 8MQI%JXIVWGLSSP¯TQ WGEPITYFPMGERHTVMZEXIWGYPTXYVIQEOMRK8MPXSR brid, bound together by her sensuous, passion- www.kochgallery.com )RH2SZIQFIVXL MRXMQEXIFVSQSMPERHTEPPEHMYQTVMRXWXLMWI\- 7XYHIRXWIRVSPPIHMR7XYHMS3RI%VX'IRXIVW is highly skilled in a range of mediums including EXI ZSMGI 3J &VMXMWL ERH )K]TXMER SVMKMR WLI Scott Nichols Gallery Reproducing the truth and accuracy of their LMFMXMSRLEWWSQIXLMRKJSVIZIV]SRIJEMXLJYPSV %JXIV7GLSSP%VXW%GEHIQ][MPPIRNS]ERHEJXIV bronze to paper mache. [EWMR¾YIRGIHF]XLI1SVSGGERQYWMGXLEXWLI 49 Geary, Suite 415 subjects, there will be 15-20 local San Francisco not. school snack, homework tutors and one class Hours: Tue-Sat 11:00am-6:00pm heard while growing up, but simultaneously ab- 7ER*VERGMWGS'% artists displaying life like works of art. Realism is -1000 Cameras each day led by our master arts in medium   WSVFIH;IWXIVRTST%XPEW[LSWMRKWMR*VIRGL -Yosemite Photographers and Photographs EREVXMWXMGQSZIQIRXXLEXVIRHIVWPMJIPMOIGLEV- )\LMFMXMSR)RHW2SZIQFIVXL WYGL EW TSIXV] GIVEQMGW HVEQE QSZIQIRX [[[ZIWWIPKEPPIV]GSQ %VEFMG 7TERMWL ERH )RKPMWL LEW GSPPEFSVEXIH &IKMR2SZIQFIV acters, situations, and objects. (415) 495-3773 cooking, painting, drawing and much more! [MXL 8VERWKPSFEP 9RHIVKVSYRH .EL ;SFFPI )RH(IGIQFIV   [email protected] (510) 597-5027 Sarah Brightman, Sinead O’Connor and many   [[[EVXMWX\GLERKIGSQ www.raykophoto.com [email protected] SXLIVW1SWXVIGIRXP]WLILEWTYWLIHFI]SRH [email protected] Big Umbrella Studios Royal NoneSuch Gallery www.studioartcenter.net 6 Saturday HERGIVL]XLQWXSIQFVEGI%VEFMGGPEWWMGEPQY- www.scottnicholsgallery.com (MZMWEHIVS7XVIIX 8IPIKVETL%ZI Studio Quercus WMG ERH )YVSTIER XVEHMXMSREPWSRKW)\TERHMRK Scott Richards Contemporary Art 7ER*VERGMWGS'% 3EOPERH'% XL7XVIIX SRXLISVGLIWXVEPWGSTISJLIVQEWXIVJYP 4SWX7XVIIX7YMXI -paper.mail.bus.com -Odd Façade 3EOPERH'% 941Geary VIPIEWI %RE ,MRE LIV RI[ ,EVQSRME 1YRHM 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR *VMHE] 2SZIQFIV  -Sherilyn Tharp: Wood Carvings 941 Geary Street '(1SYRUEPMFEJIEXYVIWETMIGI8YVOMWLIR- -SWEET TOOTH 7:00-11:00 pm 2010 7:00-10:00pm &IKMR2SZIQFIV 7ER*VERGMWGS'% WIQFPIERHEGLEQFIVSVGLIWXVE-R[LEXIZIV 3TIRMRK 6IGITXMSR 2SZIQFIV   %WLS[SJXLI[SVOSJ&MK9QFVIPPE7XYHMSW Odd Facade, a solo show from installation artist 3TIRMRK6IGITXMSR2SZIQFIV -Fuck You All WIXXMRKXLIQYWMGSJ2EXEGLE%XPEWMWEWIHYG- 5:30-7:30pm QIQFIV%VXMWXW1YGLSJMXSRTETIVPMOIXLEX ERH½PQQEOIV(SYK+EVXL;MPPMEQW 6:00pm – 9:00pm &IKMR2SZIQFIV XMZIXIWXEQIRXXSXLITS[IVSJQYPXMGYPXYVEPMWQ )RH(IGIQFIV stuff we used to get called-mail, back when we (415) 652-1623 )RH(IGIQFIV )RH(IGIQFIV PIEZMRKEYHMIRGIWFVIEXLPIWW %KVSYTI\LMFMXMSREFSYXSYVGSQTPMGEXIHVI- used to ride the bus... www.royalnonesuchgallery.com (510) 452-4670 +IEV] MW TPIEWIH XS TVIWIRX *YGO=SY%PP   PEXMSRWLMT [MXL W[IIXW 4EMRXMRK ERH WGYPTXYVI (415) 359-9211 Silverman Gallery MRJS$WXYHMSUYIVGYWGSQ XLI MRXIVREXMSREP XVEZIPMRK GSPPIGXMSR SJ TLS- www.sfjazz.org F]%YHVI]*PEGO1IP6EQSW;E]RI8LMIFEYH bigumbrellastudios.com 7YXXIV7XVIIX [[[WXYHMSUYIVGYWGSQ XSKVETLW XLEX WTER XLI TVSPM½G ERH MR¾YIRXMEP Hespe Gallery (ERMIP(SYOI0YMKM&IRIHMGIRXM6SFIVXS&IV- CounterPulse 7ER*VERGMWGS'% The Compound Gallery GEVIIV SJ EVXMWX+PIR )*VMIHQER2S[ MR MXW 4SWX7XVIIX7YMXI REVHM%PI\&PEY4IXIV 1EHIPMRI4S[IPP(SYK 1MWWMSR7XVIIX -Shannon Finley: Solo Exhibition 1167 65th Street XL]IEVXLMWI\LMFMXMSRQEOIWMXW[E]XS7ER 7ER*VERGMWGS'% ;IFF8SQ1G/MRPI](EZMH1MGLEIP7QMXL4I- 7ER*VERGMWGS'% 3TIRMRK 6IGITXMSR 2SZIQFIV   3EOPERH'% *VERGMWGS JSV XLI ½VWX XMQI FVMRKMRK [MXL MX 0E[VIRGI+MTI((6 XIV%RXSR8NEPJ7TEVREE] -Tranny Fest Film Festival TQ -Beastmaster: Jaime Lakatos the work that presented some of the world’s 3TIRMRK 6IGITXMSR 2SZIQFIV     &IKMR2SZIQFIV )RH(IGIQFIV 3TIRMRK 6IGITXMSR 2SZIQFIV   QSWX WMKRM½GERX TLSXSKVETLMG GSRXVMFYXMSRW 5:30pm–7:30pm www.srcart.com http://www.freshmeatproductions.org/ In his bright colored paintings, Finley constructs 7:00-10:00pm to the punk and hip hop subcultures and not )RH(IGIQFIV SF Camerawork GALLERY 16 multiple layers of paint on top of each other 'PSWMRK 6IGITXMSR 2SZIQFIV   only documented the genesis of skate culture, Hespe Gallery is pleased to announce a solo 1MWWMSR7XVIIXRH*PSSV 501 Third Street ERHGVIEXIWTVMWQEXMGWTEGIWERH½KYVIW8VERW- 3:00-6:00pm but helped shape it for generations to come. I\LMFMXMSRSJRI[[SVOF]VIRS[RIH%QIVM- 7ER*VERGMWGS'% 7ER*VERGMWGS'% PYGIRX GSPPEKIPMOI WLETIW IZSOI KISQIXVMGEPP] 4VIWIRXMRK XLI &VMHI SJ (EV[MRWXIMR ERH XLI *VMIHQER´W +IEV] I\LMFMXMSR SJ *YGO=SY GER EVXMWX 0E[VIRGI +MTI +MTI´W RI[ WIVMIW &IRI½X%YGXMSR4VIZMI[ -MICHELLE GRABNER + BRAD KILLAM abstracted formations seemingly holographic EQE^MRK LYRXMRK PSHKI SJ IZSPYXMSR KSRI %PP[MPPJIEXYVIWIZIVEPRIZIVFIJSVIWIIRGSP- [MPP JSGYW SR PMJI MR XLI ((6 (IYXWGLI (I- 3TIRMRK 6IGITXMSR 2SZIQFIV   3TIRMRK 6IGITXMSR 2SZIQFIV   ERHXLVIIHMQIRWMSREP8LMWMWLMW½VWXWSPSI\- [VSRK4VMRXWHVE[MRKWERHWGYPTXYVIF].EMQI laborations with Shepard Fairey, which will be mokratische Republik) the formal name of the TQ 6:00-9:00pm LMFMXMSRMRXLI97ERH[MXL7MPZIVQER+EPPIV] 0EOEXSW0EOEXSWYWIWEQM\XYVISJJEFVMGWERH displayed along with the original photographs 47 JSVXLI½VWXXMQI End: November 6, 2010 San Francisco, CA 94110 engage in a brilliant verbal turism San Francisco, CA 94121   Richard Colman Featured Solo. Ryan Travis -Screening duel on a subject no less compelling than the End: November 6, 2010 -José James & Jef Neve www.941geary.com Christian Project Room. Date: November 6, 2010 meaning of life. With a deep interest in process and structure, (EXI2SZIQFIV N Braunstein/Quay Gallery ,SYVW8YIW7EX EQTQ 7YR  With a visual trip through rocket history, Me-   %YKYWXMRI/S½IGVIEXIW[SVOWSJMRXIRWIHIXEMP Time: 2:00 pm 'PIQIRXMRE7XVIIX 5:00pm gan Shaw Prelinger, author of Another Science www.sfplayhouse.org centered on the order of balance. The precision Florence Gould Theatre 7ER*VERGMWGS'% (415) 400-5168 Fiction: Advertising the Space Race, presents Shooting Gallery SJ /S½I´W±HVEJXIH²EVX MW WXVSRKP] MRWTMVIH F] An astonishing newcomer, José James has been -Judy Pfaff: Sculptural Paintings [email protected] a slideshow about the past, and the future, 0EVOMR7XVIIX modern architecture as well as the form and called “a jazz singer for the hip-hop generation.” End: November 6, 2010 Herbst Theatre of the technologies of design and advertising San Francisco, CA 94109 shape of typography. In his quest for balance, His warm baritone and modern approach re- O Judy Pfaff’s visually rich, texturally diverse, and 401 Van Ness Avenue that promised deliverance from theCold War. -Cradle Stories and In Search of a New Land /S½ILEVQSRM^IWSTTSWMRKERHGSRXVEHMGXSV] ¾IGX IPIQIRXW SJ NE^^WSYP ERH WTSOIR [SVH psychologically complex subject matter consis- San Francisco, 94102 Her handsome volume (available at the show) Exhibition Ends: November 6, 2010 dynamics in his work by setting futuristic com- [LMPI LI GSRWMHIVW OI] MR¾YIRGIW XS FI .SLR tently intrigues and delights viewers. Naturally -Roy Haynes and the Fountain of Youth Band represents the harvest from the fertile image- The Shooting Gallery is proud to present a two positions against vintage earth-toned palettes, Coltrane, Marvin Gaye and Billie Holiday. A curious, Pfaff has an innate ability to rejuvenate Date: November 6, 2010 bank that is her SoMA library.ALSO IN PER- man show, Cradle Stories and In Search of a and creating organically complex formations singular talent, James has recorded with leg- V everyday objects into unusually striking visual Time: 8:00pm SON, Jesse Lerner escapes from SoCal with 2I[0ERH2I[;SVOWF]0YGEW7SMERH' through meticulously structured line-work and ends including Junior Mance, Hamilton matter. Her large-scale multi-media works are Does any active jazz musician have a history XLI [SVPH TVIQMIVI SJ LMW JIEXYVI IWWE] ½PQ &SXL EVXMWXW GVIEXI ½KYVEXMZI HVE[MRKW XS I\- PE]IVMRK %YKYWXMRI /S½I MW E WIPJXEYKLX EVX- and Christian McBride. His debut release, The a rare combination of elegance and detritus. that can match that of drummer Roy Haynes? Atomic Sublime. This rich compilation doc, on plore the trappings of everyday and fantastical ist living and working in Los Angeles. He has Dreamer, was named to the JazzTimes Top 50   Since 1945, Haynes has played with major the ideological role of the Abstract Expression- mythology and the rites and rituals that result shown extensively worldwide with highlighted CDs of 2008. José’s new project on the Impulse! www.bquayartgallery.com league artists including Lester Young, Char- ist movement constitutes a critically engaging from these polarities. shows in New York, California, Japan, The Neth- label, For All We Know, is a set of gorgeous du- E CounterPulse lie Parker, Bud Powell, Dizzy Gillespie, Sarah inquiry into the interface of art and politics in   erlands, Germany and Switzerland. ets with Jef Neve, a young piano phenomenon. 1MWWMSR7XVIIX Vaughan, Miles Davis, Thelonious Monk, John the McCarthy era. PLUS jaw-dropping dollops www.shootinggallerysf.com   Neve is among the brightest stars in the Euro- San Francisco, CA Coltrane, Stan Getz, Gary Burton, Chick Corea, of the nuclear mindset from Classifying Nuclear SOAP Gallery www.whitewallssf.com pean jazz scene, having released six bestselling -Tranny Fest Film Festival Pat Metheny, Danilo Perez and scores of others. Weapons, Operation Ivy, Fighting Fires After 1MWWMSR7XVIIX CDs and regularly playing to sold-out crowds. M Begin: November 6, 2010 While he came out of the era, Haynes %XSQMG%XXEGOE'-%½PQWXVMTERH(EXSQMG between Cesar Chavez & Valencia The matchup of James and Neve is a highlight http://www.freshmeatproductions.org/ has always kept his style modern, colorful and test blasts! San Francisco, 94110 of the Festival — two inspired young artists, Cricket Engine Gallery dynamic. He has led his Fountain of Youth Band www.othercinema.com -Sasha Petrenko: Pieces of You-topia steeped in jazz heritage and at the height of )QFEVGEHIVS%ZI&YMPHMRK for the past decade, and while his sidemen are Palace of Fine Arts Theatre Begins: November 6, 2010 7 Sunday their powers, performing in the beautiful Gould Oakland, CA 94606 always quite a bit younger than he is, Haynes 0]SR7XVIIX End: December 4, 2010 Theatre. B -Hardwear still emerges as the most youthful musician on 7ER*VERGMWGS'% Me and You-topia or You and Me-topia, a bi- Cantor Arts Center (866) 920-5299 Begin: November 6, 2010 5:00pm–9:00pm WXEKI;EXGLMRK6S],E]RIWTPE]MXMWHMJ½GYPXXS -Ledisi coastal, multi-disciplinary work that will include 0SQMXE(V www.sfjazz.org End: November 29, 2010 believe that he is 85; clearly he has found the Date: November 6, 2010 sculpture, performance. Demonstrations and 7XERJSVH'% Palace of Fine Arts Theatre Sculpture and wearable art by Shelly Courn- Fountain of Youth on the bandstand. Time: 8:00pm video by Sasha Petrenko and collaborators. -20th-Century Art 0]SR7XVIIX oyer, Solo Exhibition. This exhibition includes: (866) 920-5299 One of the most versatile singers of her gen- (415) 920-9199 )RH2SZIQFIV 7ER*VERGMWGS'% E Ceremonial Body Adornment, Fine Art Jewelry eration, Ledisi grew up around music. Born in [email protected] -Yellowjackets www.sfjazz.org 20th-Century Art: Loans from Private Collec- and Sculpture Kala Art Institute New Orleans, she sang with the New Orleans http://riversoap.com/soap-gallery tions in the early modern gallery. Cubism, ex- (EXI2SZIQFIV www.CricketEngine.org 2990 San Pablo Avenue Symphony Orchestra when she was just eight. THE MARSH pressionism, and surrealism are among the ex- 8MQITQ www.ShellyCournoyer.com &IVOIPI]'% After her family moved to Oakland, she sang 1062 Valencia Street at 22nd Street amples of major 20th-century art movements One of the iconic jazz fusion bands born in the R Crown Point Press -Blurring the Lines with local bands and performed cabaret with San Francisco, CA 94110 in this display, with works by artists such as Paul ³WXLI=IPPS[NEGOIXWLEZIGSRXMRYIHXSIZSPZI 20 Hawthorne Street Date: November 6, 2010 Beach Blanket Babylon. Over the next few -The Real Americans Klee and Henri Matisse. and create great new music across three de- San Francisco, CA 94105 Time: 2:00 pm years, she worked up through Bay Area music End: November 6, 2010 -Life and Legacy: Leo Holub cades. The group features original members -Mamma Andersson & Jockum Nordstrom Blurring the Lines investigates elusive experi- scene, gained national attention and became an Dan Hoyle turns his eye and ear on America’s )RH2SZIQFIV Russell Ferrante (keyboards) and Jimmy Haslip End: November 6, 2010 ences relating to visual perception, the body international superstar. Ledisi has recorded with culture wars. Fleeing the liberal bubble of San Life and Legacy: Leo Holub Photographs and (bass), along with world-class saxophonist Bob Jointly created portfolio by Mamma Andersson and the decay and regeneration found in na- Omar Sosa and Poncho Sanchez, made a big Francisco and his hipster friends, he spent 100 Contemporary Artists’ Prints in the contempo- Mintzer and the return of drummer Will Ken- & Jockum Nordstrom. Six new color etchings. ture. Working at the intersection of drawing, impression during her participation in tributes days traveling through small-town America in rary gallery. Featuring Leo Holub’s photograph nedy. With imaginative compositions, power- Hours: Mon-Sat, 10:00-6:00pm performance and object-making, these artists to Ella Fitzgerald, and released two R&B-orient- search of some tough country wisdom and portraits of artists such as Frank Stella, Roy house chops and deep funk grooves, they are   imaginatively engage in the use of simple every- ed CDs for Verve (Lost & Found and Turn Me a way to bridge America’s urban/rural divide. Lichtenstein, and Robert Rauschenberg, along among the premier working bands in jazz his- [email protected] day materials to create works ranging from the Loose), each of which received two Grammy Instead, he found himself immersed in the with prints by these artists. tory. Keyboardist Jeff Lorber emerged during www.crownpoint.com sparsely elegant to the obsessively quirky. Art- nominations. With her big voice and wide range populist anger of the people whom Sarah Palin -Family Flashlight Tour: Water Spirits Illumi- the same period with six albums that he now Frey Norris Gallery ists: David Fought, Wendy Hough, Sandra Ono, of expressiveness, Ledisi can sing anything from famously described as “The Real Americans” nated calls “second generation fusion.” Always a phe- 456 Geary Street Robert Ortbal, Curated by Lauren Davies. modern funk to older standards. She is far more and awed at the disconnect between Obama (EXI2SZIQFIV nomenal player and composer, Lorber’s trade- San Francisco, CA 94102   than a local singer made good; she is a world- Nation and Palin Country. 8MQITQ mark sound became widely emulated and he -Things We Think When We Believe We Know [email protected] class artist at the top of her craft.   Explore a host of water spirits, including mer- is a widely respected . For this End: November 6, 2010 www.kala.org (866) 920-5299 www.themarsh.org QEMHW½WLWREOIWERHSXLIV[EXIVGVIEXYVIWMR SFJAZZ date, Lorber returns to his soulful, funk- Things We Think When We Believe We Know, Museum of Performance & Design www.sfjazz.org Theatre of Yugen the darkened Cantor Arts Center galleries. Us- laden brand of electric jazz with trumpeter %RHVIE (I^W}´W ½VWX I\LMFMXMSR SR XLI;IWX 401 Van Ness Avenue Paul Mahder Gallery 2840 Mariposa MRK¾EWLPMKLXWXLMWXSYVREZMKEXIWXLVSYKLQER] Randy Brecker and saxophonist Eric Marienthal. Coast, approaches folklore from a perspective :IXIVERW&YMPHMRKXL¾SSV 7EGVEQIRXS7XVIIX San Francisco, CA 94110 galleries in search of the world’s water spirits. A truly slammin’ double-bill! of wonder and profound uncertainty. Evasive San Francisco, CA 94102 San Francisco, CA 94118 -Fall Training Session Also enjoy hands-on art activities and refresh- (866) 920-5299 and compelling threads of stories play out in -More Life! Angels in America -Window To My Dreams by Nikolai Atanass- Date: November 6, 2010 ments. Space is limited. www.sfjazz.org ceramics, embroideries, cut and painted paper Begin: November 6, 2010 ov Time: 1:00-5:00pm   San Francisco International South illuminated tunnel books and mixed media in- End: March 26, 2011 End: November 6, 2010 These Training Intensives are focused on ex- http://museum.stanford.edu Asian Film Festival stallations. Many of these sometimes operatic This new exhibition celebrates the 20th anni- The Paul Mahder Gallery presents a new se- ploring underlying foundations of Nohgaku Contemporary Jewish Museum )RH2SZIQFIV scenes seem to be in dialogue with one an- versary of ’s groundbreaking play ries of paintings “Window To My Dreams” by (accomplished entertainment) for contempo- 1MWWMSR7XVIIX http://www.thirdi.org/festival/ other across media, narrating fantastic journeys Angels in America. The exhibition immerses Bulgarian painter, Nikolai Atanassov. Engaging an rary application. Often described as the art of FIX[IIRVH7XVIIXERHXL7XVIIX Theatre of Yugen still unwritten. visitors in the magical world of the play, trac- innovative balance between traditional Europe- performance, Nohgaku refers to the classical San Francisco, CA 94116 2840 Mariposa   ing it from its earliest development in Kushner’s an painting techniques and elegant modernist Japanese theatre forms of Noh (Drama) and -StoryCorps StoryBooth San Francisco, CA 94110 www.freynorris.com notebooks and its premiere in San Francisco forms, Nikolai Atanassov thematically explores Kyogen (Comedy). The inherent principles are )RH2SZIQFIV -Fall Training Session Gallery Heist XS MXW XVMYQTLW SR &VSEH[E] XLI ,&3 ½PQ a rich visual realm residing at the intersection of time-tested, unique and come together to cre- The StoryCorps Outpost at the Contemporary (EXI2SZIQFIV +IEV]7XVIIX and beyond. The exhibition brings together a numerous visible and invisible worlds. EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI Jewish Museum will be extended for another Time: 1:00-5:00pm San Francisco, CA 94102 thrilling array of original costumes, props, manu-   Saturday workshops will be an introduction to year! StoryCorps is an oral history project that These Training Intensives are focused on ex- -Adam Caldwell: These Fragments scripts, video clips, photos, designs, and other [email protected] necessary underlying principles. The Sunday brings together people from all walks of life by ploring underlying foundations of Nohgaku Closing reception: November 6, 2010 rare memorabilia from key productions of An- SF Playhouse workshops will be an opportunity to deeply providing an intimate space where participants (accomplished entertainment) for contempo- TQTQ gels, as well as new audio and video interviews 7YXXIV7XVIIXEX4S[IPP investigate can tell their stories in the form of a recorded rary application. Often described as the art of   with many of the play’s creators and participat- San Francisco, CA 94109   interview. performance, Nohgaku refers to the classical www.galleryheist.com ing artists. -The Sunset Limited www.theatreofyugen.org   Japanese theatre forms of Noh (Drama) and Guerrero Gallery (415) 255-4800. End: November 6, 2010 White Walls [email protected] Kyogen (Comedy). The inherent principles are XL7XVIIX www.mpdsf.org A startling encounter on a New York subway 0EVOMR7XVIIX www.thecjm.org time-tested, unique and come together to cre- San Francisco, CA 94110 OTHER CINEMA platform leads two San Francisco, CA 94109 Legion of Honor EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI -Something Better 992 Valencia Street strangers to a run-down tenement where they 6IXVS½XXIHERH3XLIV*SVQWSJ:MRXEKI*Y- 100 Legion of Honor Drive Saturday workshops will be an introduction to 48 JSVXLI½VWXXMQI End: November 6, 2010 San Francisco, CA 94110 engage in a brilliant verbal turism San Francisco, CA 94121   Richard Colman Featured Solo. Ryan Travis -Screening duel on a subject no less compelling than the End: November 6, 2010 -José James & Jef Neve www.941geary.com Christian Project Room. Date: November 6, 2010 meaning of life. With a deep interest in process and structure, (EXI2SZIQFIV N Braunstein/Quay Gallery ,SYVW8YIW7EX EQTQ 7YR  With a visual trip through rocket history, Me-   %YKYWXMRI/S½IGVIEXIW[SVOWSJMRXIRWIHIXEMP Time: 2:00 pm 'PIQIRXMRE7XVIIX 5:00pm gan Shaw Prelinger, author of Another Science www.sfplayhouse.org centered on the order of balance. The precision Florence Gould Theatre 7ER*VERGMWGS'% (415) 400-5168 Fiction: Advertising the Space Race, presents Shooting Gallery SJ /S½I´W±HVEJXIH²EVX MW WXVSRKP] MRWTMVIH F] An astonishing newcomer, José James has been -Judy Pfaff: Sculptural Paintings [email protected] a slideshow about the past, and the future, 0EVOMR7XVIIX modern architecture as well as the form and called “a jazz singer for the hip-hop generation.” End: November 6, 2010 Herbst Theatre of the technologies of design and advertising San Francisco, CA 94109 shape of typography. In his quest for balance, His warm baritone and modern approach re- O Judy Pfaff’s visually rich, texturally diverse, and 401 Van Ness Avenue that promised deliverance from theCold War. -Cradle Stories and In Search of a New Land /S½ILEVQSRM^IWSTTSWMRKERHGSRXVEHMGXSV] ¾IGX IPIQIRXW SJ NE^^WSYP ERH WTSOIR [SVH psychologically complex subject matter consis- San Francisco, 94102 Her handsome volume (available at the show) Exhibition Ends: November 6, 2010 dynamics in his work by setting futuristic com- [LMPI LI GSRWMHIVW OI] MR¾YIRGIW XS FI .SLR tently intrigues and delights viewers. Naturally -Roy Haynes and the Fountain of Youth Band represents the harvest from the fertile image- The Shooting Gallery is proud to present a two positions against vintage earth-toned palettes, Coltrane, Marvin Gaye and Billie Holiday. A curious, Pfaff has an innate ability to rejuvenate Date: November 6, 2010 bank that is her SoMA library.ALSO IN PER- man show, Cradle Stories and In Search of a and creating organically complex formations singular talent, James has recorded with leg- V everyday objects into unusually striking visual Time: 8:00pm SON, Jesse Lerner escapes from SoCal with 2I[0ERH2I[;SVOWF]0YGEW7SMERH' through meticulously structured line-work and ends including Junior Mance, Chico Hamilton matter. Her large-scale multi-media works are Does any active jazz musician have a history XLI [SVPH TVIQMIVI SJ LMW JIEXYVI IWWE] ½PQ &SXL EVXMWXW GVIEXI ½KYVEXMZI HVE[MRKW XS I\- PE]IVMRK %YKYWXMRI /S½I MW E WIPJXEYKLX EVX- and Christian McBride. His debut release, The a rare combination of elegance and detritus. that can match that of drummer Roy Haynes? Atomic Sublime. This rich compilation doc, on plore the trappings of everyday and fantastical ist living and working in Los Angeles. He has Dreamer, was named to the JazzTimes Top 50   Since 1945, Haynes has played with major the ideological role of the Abstract Expression- mythology and the rites and rituals that result shown extensively worldwide with highlighted CDs of 2008. José’s new project on the Impulse! www.bquayartgallery.com league artists including Lester Young, Char- ist movement constitutes a critically engaging from these polarities. shows in New York, California, Japan, The Neth- label, For All We Know, is a set of gorgeous du- E CounterPulse lie Parker, Bud Powell, Dizzy Gillespie, Sarah inquiry into the interface of art and politics in   erlands, Germany and Switzerland. ets with Jef Neve, a young piano phenomenon. 1MWWMSR7XVIIX Vaughan, Miles Davis, Thelonious Monk, John the McCarthy era. PLUS jaw-dropping dollops www.shootinggallerysf.com   Neve is among the brightest stars in the Euro- San Francisco, CA Coltrane, Stan Getz, Gary Burton, Chick Corea, of the nuclear mindset from Classifying Nuclear SOAP Gallery www.whitewallssf.com pean jazz scene, having released six bestselling -Tranny Fest Film Festival Pat Metheny, Danilo Perez and scores of others. Weapons, Operation Ivy, Fighting Fires After 1MWWMSR7XVIIX CDs and regularly playing to sold-out crowds. M Begin: November 6, 2010 While he came out of the bebop era, Haynes %XSQMG%XXEGOE'-%½PQWXVMTERH(EXSQMG between Cesar Chavez & Valencia The matchup of James and Neve is a highlight http://www.freshmeatproductions.org/ has always kept his style modern, colorful and test blasts! San Francisco, 94110 of the Festival — two inspired young artists, Cricket Engine Gallery dynamic. He has led his Fountain of Youth Band www.othercinema.com -Sasha Petrenko: Pieces of You-topia steeped in jazz heritage and at the height of )QFEVGEHIVS%ZI&YMPHMRK for the past decade, and while his sidemen are Palace of Fine Arts Theatre Begins: November 6, 2010 7 Sunday their powers, performing in the beautiful Gould Oakland, CA 94606 always quite a bit younger than he is, Haynes 0]SR7XVIIX End: December 4, 2010 Theatre. B -Hardwear still emerges as the most youthful musician on 7ER*VERGMWGS'% Me and You-topia or You and Me-topia, a bi- Cantor Arts Center (866) 920-5299 Begin: November 6, 2010 5:00pm–9:00pm WXEKI;EXGLMRK6S],E]RIWTPE]MXMWHMJ½GYPXXS -Ledisi coastal, multi-disciplinary work that will include 0SQMXE(V www.sfjazz.org End: November 29, 2010 believe that he is 85; clearly he has found the Date: November 6, 2010 sculpture, performance. Demonstrations and 7XERJSVH'% Palace of Fine Arts Theatre Sculpture and wearable art by Shelly Courn- Fountain of Youth on the bandstand. Time: 8:00pm video by Sasha Petrenko and collaborators. -20th-Century Art 0]SR7XVIIX oyer, Solo Exhibition. This exhibition includes: (866) 920-5299 One of the most versatile singers of her gen- (415) 920-9199 )RH2SZIQFIV 7ER*VERGMWGS'% E Ceremonial Body Adornment, Fine Art Jewelry eration, Ledisi grew up around music. Born in [email protected] -Yellowjackets www.sfjazz.org 20th-Century Art: Loans from Private Collec- and Sculpture Kala Art Institute New Orleans, she sang with the New Orleans http://riversoap.com/soap-gallery tions in the early modern gallery. Cubism, ex- (EXI2SZIQFIV www.CricketEngine.org 2990 San Pablo Avenue Symphony Orchestra when she was just eight. THE MARSH pressionism, and surrealism are among the ex- 8MQITQ www.ShellyCournoyer.com &IVOIPI]'% After her family moved to Oakland, she sang 1062 Valencia Street at 22nd Street amples of major 20th-century art movements One of the iconic jazz fusion bands born in the R Crown Point Press -Blurring the Lines with local bands and performed cabaret with San Francisco, CA 94110 in this display, with works by artists such as Paul ³WXLI=IPPS[NEGOIXWLEZIGSRXMRYIHXSIZSPZI 20 Hawthorne Street Date: November 6, 2010 Beach Blanket Babylon. Over the next few -The Real Americans Klee and Henri Matisse. and create great new music across three de- San Francisco, CA 94105 Time: 2:00 pm years, she worked up through Bay Area music End: November 6, 2010 -Life and Legacy: Leo Holub cades. The group features original members -Mamma Andersson & Jockum Nordstrom Blurring the Lines investigates elusive experi- scene, gained national attention and became an Dan Hoyle turns his eye and ear on America’s )RH2SZIQFIV Russell Ferrante (keyboards) and Jimmy Haslip End: November 6, 2010 ences relating to visual perception, the body international superstar. Ledisi has recorded with culture wars. Fleeing the liberal bubble of San Life and Legacy: Leo Holub Photographs and (bass), along with world-class saxophonist Bob Jointly created portfolio by Mamma Andersson and the decay and regeneration found in na- Omar Sosa and Poncho Sanchez, made a big Francisco and his hipster friends, he spent 100 Contemporary Artists’ Prints in the contempo- Mintzer and the return of drummer Will Ken- & Jockum Nordstrom. Six new color etchings. ture. Working at the intersection of drawing, impression during her participation in tributes days traveling through small-town America in rary gallery. Featuring Leo Holub’s photograph nedy. With imaginative compositions, power- Hours: Mon-Sat, 10:00-6:00pm performance and object-making, these artists to Ella Fitzgerald, and released two R&B-orient- search of some tough country wisdom and portraits of artists such as Frank Stella, Roy house chops and deep funk grooves, they are   imaginatively engage in the use of simple every- ed CDs for Verve (Lost & Found and Turn Me a way to bridge America’s urban/rural divide. Lichtenstein, and Robert Rauschenberg, along among the premier working bands in jazz his- [email protected] day materials to create works ranging from the Loose), each of which received two Grammy Instead, he found himself immersed in the with prints by these artists. tory. Keyboardist Jeff Lorber emerged during www.crownpoint.com sparsely elegant to the obsessively quirky. Art- nominations. With her big voice and wide range populist anger of the people whom Sarah Palin -Family Flashlight Tour: Water Spirits Illumi- the same period with six albums that he now Frey Norris Gallery ists: David Fought, Wendy Hough, Sandra Ono, of expressiveness, Ledisi can sing anything from famously described as “The Real Americans” nated calls “second generation fusion.” Always a phe- 456 Geary Street Robert Ortbal, Curated by Lauren Davies. modern funk to older standards. She is far more and awed at the disconnect between Obama (EXI2SZIQFIV nomenal player and composer, Lorber’s trade- San Francisco, CA 94102   than a local singer made good; she is a world- Nation and Palin Country. 8MQITQ mark sound became widely emulated and he -Things We Think When We Believe We Know [email protected] class artist at the top of her craft.   Explore a host of water spirits, including mer- is a widely respected record producer. For this End: November 6, 2010 www.kala.org (866) 920-5299 www.themarsh.org QEMHW½WLWREOIWERHSXLIV[EXIVGVIEXYVIWMR SFJAZZ date, Lorber returns to his soulful, funk- Things We Think When We Believe We Know, Museum of Performance & Design www.sfjazz.org Theatre of Yugen the darkened Cantor Arts Center galleries. Us- laden brand of electric jazz with trumpeter %RHVIE (I^W}´W ½VWX I\LMFMXMSR SR XLI;IWX 401 Van Ness Avenue Paul Mahder Gallery 2840 Mariposa MRK¾EWLPMKLXWXLMWXSYVREZMKEXIWXLVSYKLQER] Randy Brecker and saxophonist Eric Marienthal. Coast, approaches folklore from a perspective :IXIVERW&YMPHMRKXL¾SSV 7EGVEQIRXS7XVIIX San Francisco, CA 94110 galleries in search of the world’s water spirits. A truly slammin’ double-bill! of wonder and profound uncertainty. Evasive San Francisco, CA 94102 San Francisco, CA 94118 -Fall Training Session Also enjoy hands-on art activities and refresh- (866) 920-5299 and compelling threads of stories play out in -More Life! Angels in America -Window To My Dreams by Nikolai Atanass- Date: November 6, 2010 ments. Space is limited. www.sfjazz.org ceramics, embroideries, cut and painted paper Begin: November 6, 2010 ov Time: 1:00-5:00pm   San Francisco International South illuminated tunnel books and mixed media in- End: March 26, 2011 End: November 6, 2010 These Training Intensives are focused on ex- http://museum.stanford.edu Asian Film Festival stallations. Many of these sometimes operatic This new exhibition celebrates the 20th anni- The Paul Mahder Gallery presents a new se- ploring underlying foundations of Nohgaku Contemporary Jewish Museum )RH2SZIQFIV scenes seem to be in dialogue with one an- versary of Tony Kushner’s groundbreaking play ries of paintings “Window To My Dreams” by (accomplished entertainment) for contempo- 1MWWMSR7XVIIX http://www.thirdi.org/festival/ other across media, narrating fantastic journeys Angels in America. The exhibition immerses Bulgarian painter, Nikolai Atanassov. Engaging an rary application. Often described as the art of FIX[IIRVH7XVIIXERHXL7XVIIX Theatre of Yugen still unwritten. visitors in the magical world of the play, trac- innovative balance between traditional Europe- performance, Nohgaku refers to the classical San Francisco, CA 94116 2840 Mariposa   ing it from its earliest development in Kushner’s an painting techniques and elegant modernist Japanese theatre forms of Noh (Drama) and -StoryCorps StoryBooth San Francisco, CA 94110 www.freynorris.com notebooks and its premiere in San Francisco forms, Nikolai Atanassov thematically explores Kyogen (Comedy). The inherent principles are )RH2SZIQFIV -Fall Training Session Gallery Heist XS MXW XVMYQTLW SR &VSEH[E] XLI ,&3 ½PQ a rich visual realm residing at the intersection of time-tested, unique and come together to cre- The StoryCorps Outpost at the Contemporary (EXI2SZIQFIV +IEV]7XVIIX and beyond. The exhibition brings together a numerous visible and invisible worlds. EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI Jewish Museum will be extended for another Time: 1:00-5:00pm San Francisco, CA 94102 thrilling array of original costumes, props, manu-   Saturday workshops will be an introduction to year! StoryCorps is an oral history project that These Training Intensives are focused on ex- -Adam Caldwell: These Fragments scripts, video clips, photos, designs, and other [email protected] necessary underlying principles. The Sunday brings together people from all walks of life by ploring underlying foundations of Nohgaku Closing reception: November 6, 2010 rare memorabilia from key productions of An- SF Playhouse workshops will be an opportunity to deeply providing an intimate space where participants (accomplished entertainment) for contempo- TQTQ gels, as well as new audio and video interviews 7YXXIV7XVIIXEX4S[IPP investigate can tell their stories in the form of a recorded rary application. Often described as the art of   with many of the play’s creators and participat- San Francisco, CA 94109   interview. performance, Nohgaku refers to the classical www.galleryheist.com ing artists. -The Sunset Limited www.theatreofyugen.org   Japanese theatre forms of Noh (Drama) and Guerrero Gallery (415) 255-4800. End: November 6, 2010 White Walls [email protected] Kyogen (Comedy). The inherent principles are XL7XVIIX www.mpdsf.org A startling encounter on a New York subway 0EVOMR7XVIIX www.thecjm.org time-tested, unique and come together to cre- San Francisco, CA 94110 OTHER CINEMA platform leads two San Francisco, CA 94109 Legion of Honor EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI -Something Better 992 Valencia Street strangers to a run-down tenement where they 6IXVS½XXIHERH3XLIV*SVQWSJ:MRXEKI*Y- 100 Legion of Honor Drive Saturday workshops will be an introduction to 49 necessary underlying principles. The Sunday [email protected] TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK combination with the aesthetics of traditional workshops will be an opportunity to deeply Braunstein/Quay Gallery WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Edo-era masters. investigate 10 Wednesday 230 Clementina Street present curated by Halperin. WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV (415) 399-1439 N www.theatreofyugen.org San Francisco, CA 94103 (415) 863-2141 and artist Samara Halperin takes over Southern [email protected] -Mary Snowden [[[WSI\SVK )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI www.cclarkgallery.com Cantor Arts Center Begin: November 11, 2010 Victoria Theater sculptural wonderland in miniature. Combin- Fivepoints Arthouse 328 Lomita Dr Opening Reception: November 13, 2010 2961 16th Street MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH 72 Tehama 8 Monday Stanford, CA 94305 3:00pm-5:00pm San Francisco,CA objects and handmade props, Halperin pays San Francisco, CA 94105 O -Animals Observed End: December 11, 2010 -Radical Light: Bay Area Found Footage homage to Coney Island’s recently demolished -Proximity Begin: November 10, 2010 Using paint and thread, Mary Snowden brings Date: November 10, 2010 Astroland Park as the backdrop for the further End: November 13, 2010 SFAI End: May 29, 2011 diverse breeds of chickens to life. Along with Time: 7:30pm adventures of two cowboys in love. Also on dis- New sculpture and installation by Elizabeth 800 Chestnut Street Animals Observed in the 19th-century gallery. drawings of farmers that the artist has inter- SF Cinematheque. From Junk to Funk to Punk. TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Amento and Jessica Laurent, curated by Erik V San Francisco, CA 94133 Photos and illustrations by artists such as Ead- viewed and drawings of imaginary hybrid www.sfcinematheque.org WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH Parra. -Andrea Zittel weard Muybridge and John Woodhouse Audu- breeds of animals, Snowden offers a beautiful YBCA present curated by Halperin. MRJS$½ZITSMRXWEVXLSYWIGSQ Date: November 8, 2010 bon show animals in their activities and physical glimpse into farm life. 701 Mission Street (415) 863-2141 Gallery Heist Time: 7:30 pm reality. www.bquayartgallery.com San Francisco, CA 94103 [[[WSI\SVK 679 Geary Street Andrea Ziittel is an Ann Chamberlain Distin- (650) 723-3482 Cantor Arts Center -Hibiki: Resonance from Far Away YBCA San Francisco, CA 94102 E guished Fellow in Interdisciplinary Studies. http://museum.stanford.edu Lomita Drive at Museum Way Date: November 11, 2010 701 Mission Street -1 Year Anniversary Show (415) 771-7020 Southern Exposure Stanford, CA 94305-5060 Time: 2:00pm San Francisco, CA 94103 Opening Reception: November 13, 2010 www.sfai.edu 3030 20th Street - The Price of Forgiveness YBCA and San Francisco Performances are -Hibiki: Resonance from Far Away 7:00pm-11:00pm Southern Exposure San Francisco, CA 94110 Date: November 11, 2010 honored to celebrate the return of Sankai Juku Date: November 12, 2010 1 Year Anniversary Show is co-curated with Al- 3030 20th Street -West of the Wonder Wheel Time: 6:00pm to the Bay Area with one of the company’s Time: 2:00pm PMWSR +EVVMWSR&Y\XSR%H,SG+EPPIV]2= M Date: November 10, 2010 The Price of Forgiveness (Ndeysaan) (2002, 90 San Francisco, CA 94110 signature works, Hibiki-- Resonance from Far YBCA and San Francisco Performances are Artist “TBA”. -West of the Wonder Wheel West of the Wonder Wheel: An Interactive minutes) Away. Over the course of three decades, the honored to celebrate the return of Sankai Juku (415) 563-1708 Date: November 8, 2010 Sculptural Wonderland in Miniature Inspired -How to Listen: Lecture and Demonstration work of choreographer Ushio Amagatsu for to the Bay Area with one of the company’s www.galleryheist.com West of the Wonder Wheel: An Interactive F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK Date: November 11, 2010 his company Sankai Juku has become known signature works, Hibiki-- Resonance from Far Guerrero Gallery B Sculptural Wonderland in Miniature Inspired XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Time 12:00pm [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- Away. Over the course of three decades, the 2700 19th Street F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV “Remember Mingus,” featuring Loren Schoen- nical precision and emotional depth. His con- work of choreographer Ushio Amagatsu for San Francisco, CA 94110 XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP and artist Samara Halperin takes over Southern berg, jazz scholar, performer, and director of temporary Butoh creations are both sublime his company Sankai Juku has become known -A.J Fosik and Ben Venom WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI the National Jazz Museum in Harlem, with a visual spectacles and deeply moving theatrical [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- Begin: November 13, 2010 and artist Samara Halperin takes over Southern sculptural wonderland in miniature. Combin- program on the life of composer, bassist, and I\TIVMIRGIW nical precision and emotional depth. His con- End: December 4, 2010 E MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH bandleader Charles Mingus. Presented by (415) 978-2787 temporary Butoh creations are both sublime (415) 400-5168 )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI sculptural wonderland in miniature. Combin- objects and handmade props, Halperin pays Stanford Lively Arts in collaboration with the www.ybca.org visual spectacles and deeply moving theatrical [email protected] MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH homage to Coney Island’s recently demolished Center. I\TIVMIRGIW OTHER CINEMA objects and handmade props, Halperin pays Astroland Park as the backdrop for the further (650) 723-3482 (415) 978-2787 992 Valencia Street R homage to Coney Island’s recently demolished adventures of two cowboys in love. Also on dis- http://museum.stanford.edu www.ybca.org San Francisco, CA 94110 Astroland Park as the backdrop for the further TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Frey Norris Gallery 12 Friday -Screening adventures of two cowboys in love. Also on dis- WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH 456 Geary Street Date: November 13, 2010 TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP present curated by Halperin. Between Mason and Taylor As many already know, East Bay residents (and WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH (415) 863-2141 -Neti, Neti ANDREA SCHWARTZ GALLERY 13 Saturday UCB grads) Shane Bauer, Sarah Shourd, and present curated by Halperin. [[[WSI\SVK Begin: November 11, 2010 525 2nd Street Josh Fattal were arrested by Iranianforces while (415) 863-2141 Opening Reception: November 11, 2010 San Francisco, CA 94107 hiking in Iraqi border areas last year. Their de- [[[WSI\SVK 6:00pm-8:00pm -John Belingheri American Indian Film Festival XEMRQIRXMWFIMRKI\TPSMXIHJSVTSPMXMGEPVIEWSRW End: December 23, 2010 End: November 12, 2010 End: November 13, 2010 in the current US/Iranstandoff. We screen some 11 Thursday 2IXM2IXM7YVIRHVER2EMV´W½VWXWSPSI\LMFMXMSR %RHVIE7GL[EVX^+EPPIV]TVIWIRXWEWSPSI\- LXXT[[[EM½WJGSQ clips about their predicament, and hear from in the United States, includes 11 paintings on hibition by John Belingheri. Belingheri’s oil and Braunstein/Quay Gallery close associates, including journalists David canvas, with the centerpiece doubling as the QM\IHQIHMETEMRXMRKWGVIEXIEWTEGISJGSR- 230 Clementina Street Martinez, Mark Brecke, and the “fourth hiker,” 9 Tuesday a.Muse Gallery title of the show. Nair describes his sources XVEWXMRK FEPERGI ERH MQFEPERGI ,MW [SVO I\- San Francisco, CA 94103 Shon Meckfessel. ALSO a report on Evin Prison, 614 Alabama Street and inventions as “corollary mythologies,” and presses an inter-relationship of form and pro- -Mary Snowden from Carla Garapedian’s Forbidden Iran. Come Southern Exposure San Francisco, 94110 they take the forms of a visual idiom uniquely cess, of contradiction and turmoil. Opening Reception: November 13, 2010 early for a 16mm overview of Iranian history, 3030 20th Street -Metaphysics: Meryl Pataky his own. The paintings provide windows into Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00- 3:00-5:00pm 0ERHSJXLI4IEGSGO8LVSRI¯FIRI½XW San Francisco, CA 94110 Opening Reception: November 11, 2010 an endless web of narratives, as if a grand and 5:00pm End: December 11, 2010 the Free the Hikers org. -West of the Wonder Wheel 6:00-9:00 pm GSQTPI\ ITMG MW YRJSPHMRK MR XLI QMRH SJ XLI (415) 495-2090 Using paint and thread, Mary Snowden brings (415)648-0654 Date: November 9, 2010 End: January 1, 2011 artist and such painting-portholes with their www.asgallery.com diverse breeds of chickens to life. Along with www.othercinema.com West of the Wonder Wheel: An Interactive Neon artist, Meryl Pataky, creates work that playful riddling titles are our only access, snip- Jancar Jones Gallery drawings of farmers that the artist has inter- SF Camerawork Sculptural Wonderland in Miniature Inspired I\TPSVIW XLI LYQER GSRHMXMSR  -R LIV ½VWX pets of plot and characters. 965 Mission, Suite 120 viewed and drawings of imaginary hybrid 6457 Mission Street, 2nd Floor F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK WSPSWLS[WLIHMWGYWWIWXLIMR¾YIRGIXLEXSYV (415) 346-7812 San Francisco, CA 94103 breeds of animals, Snowden offers a beautiful San Francisco, CA 94105 XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP WYVVSYRHMRKW ERH I\TIVMIRGIW LEZI SR SYV www.freynorris.com -Bill Jenkins glimpse into farm life. %RRYEP&IRI½X%YGXMSR WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV being. By using neon, she sheds light on the Southern Exposure End: November 12, 2010 www.bquayartgallery.com Date: November 13, 2010 and artist Samara Halperin takes over Southern commonalities of the medium and life - a battle 3030 20th Street (415) 281-3770 Catharine Clark Gallery Time: 11:00 am )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI between resistance and growth. San Francisco, CA 94110 www.jancarjones.com 150 Minna Street, Ground Floor Featuring works by more than 200 artists, SF sculptural wonderland in miniature. Combin- (415) 279-6281 -West of the Wonder Wheel Jewish Community Center San Francisco, CA 94105 'EQIVE[SVO´W&IRI½X%YGXMSRSJZMRXEKIERH MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH www.yourmusegallery.com Date: November 11, 2010 3200 California Street -Masami Teraoka contemporary prints is truly a collector’s para- objects and handmade props, Halperin pays Arion Press West of the Wonder Wheel: An Interactive San Francisco, CA 94118 End: November 13, 2010 HMWI(SSVWSTIREXEQERHXLI½VWXPSXMW homage to Coney Island’s recently demolished 1802 Hays Street, The Presidio Sculptural Wonderland in Miniature Inspired -SFJAZZ High School All-Stars Concert Masami Teraoka is widely known for early up for bidding at 1 pm. Astroland Park as the backdrop for the further San Francisco, CA 94129 F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK Date: November 12, 2010 works that combine the aesthetics of tradition- (415) 512-2020 adventures of two cowboys in love. Also on dis- -Tours Of Arion Press and M&H Type XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Time: 8:00pm al Japanese Edo period woodblock prints, or sfcamerawork.org TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Date: November 11, 2010 WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV (866) 920-5299 ukiyo-e, with products and cultural references Shooting Gallery WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH Time: 3:00pm-4:30pm and artist Samara Halperin takes over Southern www.sfjazz.org informed by Western society. His newest paint- 839 Larkin Street present curated by Halperin. Live demonstration tours of the historic type- )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI Southern Exposure MRKW I\TERH YTSR8IVESOE´W TVIWGMIRX TVISG- San Francisco, CA 94109 foundry, printing facility, and bookbindery of Ar- sculptural wonderland in miniature. Combin- 3030 20th Street cupation with globalism and hypocrisy and the -Vision Is A Dream (415) 863-2141 MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH [[[WSI\SVK ion Press and M&H Type are conducted every San Francisco, CA 94110 'EXLSPMG'LYVGLWI\EFYWIWGERHEPXLVSYKLWX]- Begin: November 12, 2010 Thursday at 3:00 p.m. The tours are sponsored objects and handmade props, Halperin pays -West of the Wonder Wheel listic appropriation of early European Renais- End: December 4, 2010 F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV homage to Coney Island’s recently demolished Date: November 12, 2010 sance painting. In these works Teraoka adopts The Shooting Gallery presents Vision is a person. Astroland Park as the backdrop for the further West of the Wonder Wheel: An Interactive the compositions and palette of Renaissance (VIEQ E WSPS I\LMFMXMSR F] 7ER *VERGMWGS (415) 668-2548 adventures of two cowboys in love. Also on dis- Sculptural Wonderland in Miniature Inspired painting—complete with gold-leaf frames—in based artist, Dave Schubert. The collection in- 50 necessary underlying principles. The Sunday [email protected] TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK combination with the aesthetics of traditional workshops will be an opportunity to deeply Braunstein/Quay Gallery WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Edo-era masters. investigate 10 Wednesday 230 Clementina Street present curated by Halperin. WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV (415) 399-1439 N www.theatreofyugen.org San Francisco, CA 94103 (415) 863-2141 and artist Samara Halperin takes over Southern [email protected] -Mary Snowden [[[WSI\SVK )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI www.cclarkgallery.com Cantor Arts Center Begin: November 11, 2010 Victoria Theater sculptural wonderland in miniature. Combin- Fivepoints Arthouse 328 Lomita Dr Opening Reception: November 13, 2010 2961 16th Street MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH 72 Tehama 8 Monday Stanford, CA 94305 3:00pm-5:00pm San Francisco,CA objects and handmade props, Halperin pays San Francisco, CA 94105 O -Animals Observed End: December 11, 2010 -Radical Light: Bay Area Found Footage homage to Coney Island’s recently demolished -Proximity Begin: November 10, 2010 Using paint and thread, Mary Snowden brings Date: November 10, 2010 Astroland Park as the backdrop for the further End: November 13, 2010 SFAI End: May 29, 2011 diverse breeds of chickens to life. Along with Time: 7:30pm adventures of two cowboys in love. Also on dis- New sculpture and installation by Elizabeth 800 Chestnut Street Animals Observed in the 19th-century gallery. drawings of farmers that the artist has inter- SF Cinematheque. From Junk to Funk to Punk. TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Amento and Jessica Laurent, curated by Erik V San Francisco, CA 94133 Photos and illustrations by artists such as Ead- viewed and drawings of imaginary hybrid www.sfcinematheque.org WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH Parra. -Andrea Zittel weard Muybridge and John Woodhouse Audu- breeds of animals, Snowden offers a beautiful YBCA present curated by Halperin. MRJS$½ZITSMRXWEVXLSYWIGSQ Date: November 8, 2010 bon show animals in their activities and physical glimpse into farm life. 701 Mission Street (415) 863-2141 Gallery Heist Time: 7:30 pm reality. www.bquayartgallery.com San Francisco, CA 94103 [[[WSI\SVK 679 Geary Street Andrea Ziittel is an Ann Chamberlain Distin- (650) 723-3482 Cantor Arts Center -Hibiki: Resonance from Far Away YBCA San Francisco, CA 94102 E guished Fellow in Interdisciplinary Studies. http://museum.stanford.edu Lomita Drive at Museum Way Date: November 11, 2010 701 Mission Street -1 Year Anniversary Show (415) 771-7020 Southern Exposure Stanford, CA 94305-5060 Time: 2:00pm San Francisco, CA 94103 Opening Reception: November 13, 2010 www.sfai.edu 3030 20th Street - The Price of Forgiveness YBCA and San Francisco Performances are -Hibiki: Resonance from Far Away 7:00pm-11:00pm Southern Exposure San Francisco, CA 94110 Date: November 11, 2010 honored to celebrate the return of Sankai Juku Date: November 12, 2010 1 Year Anniversary Show is co-curated with Al- 3030 20th Street -West of the Wonder Wheel Time: 6:00pm to the Bay Area with one of the company’s Time: 2:00pm PMWSR +EVVMWSR&Y\XSR%H,SG+EPPIV]2= M Date: November 10, 2010 The Price of Forgiveness (Ndeysaan) (2002, 90 San Francisco, CA 94110 signature works, Hibiki-- Resonance from Far YBCA and San Francisco Performances are Artist “TBA”. -West of the Wonder Wheel West of the Wonder Wheel: An Interactive minutes) Away. Over the course of three decades, the honored to celebrate the return of Sankai Juku (415) 563-1708 Date: November 8, 2010 Sculptural Wonderland in Miniature Inspired -How to Listen: Lecture and Demonstration work of choreographer Ushio Amagatsu for to the Bay Area with one of the company’s www.galleryheist.com West of the Wonder Wheel: An Interactive F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK Date: November 11, 2010 his company Sankai Juku has become known signature works, Hibiki-- Resonance from Far Guerrero Gallery B Sculptural Wonderland in Miniature Inspired XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Time 12:00pm [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- Away. Over the course of three decades, the 2700 19th Street F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV “Remember Mingus,” featuring Loren Schoen- nical precision and emotional depth. His con- work of choreographer Ushio Amagatsu for San Francisco, CA 94110 XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP and artist Samara Halperin takes over Southern berg, jazz scholar, performer, and director of temporary Butoh creations are both sublime his company Sankai Juku has become known -A.J Fosik and Ben Venom WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI the National Jazz Museum in Harlem, with a visual spectacles and deeply moving theatrical [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- Begin: November 13, 2010 and artist Samara Halperin takes over Southern sculptural wonderland in miniature. Combin- program on the life of composer, bassist, and I\TIVMIRGIW nical precision and emotional depth. His con- End: December 4, 2010 E MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH bandleader Charles Mingus. Presented by (415) 978-2787 temporary Butoh creations are both sublime (415) 400-5168 )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI sculptural wonderland in miniature. Combin- objects and handmade props, Halperin pays Stanford Lively Arts in collaboration with the www.ybca.org visual spectacles and deeply moving theatrical [email protected] MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH homage to Coney Island’s recently demolished Center. I\TIVMIRGIW OTHER CINEMA objects and handmade props, Halperin pays Astroland Park as the backdrop for the further (650) 723-3482 (415) 978-2787 992 Valencia Street R homage to Coney Island’s recently demolished adventures of two cowboys in love. Also on dis- http://museum.stanford.edu www.ybca.org San Francisco, CA 94110 Astroland Park as the backdrop for the further TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Frey Norris Gallery 12 Friday -Screening adventures of two cowboys in love. Also on dis- WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH 456 Geary Street Date: November 13, 2010 TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP present curated by Halperin. Between Mason and Taylor As many already know, East Bay residents (and WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH (415) 863-2141 -Neti, Neti ANDREA SCHWARTZ GALLERY 13 Saturday UCB grads) Shane Bauer, Sarah Shourd, and present curated by Halperin. [[[WSI\SVK Begin: November 11, 2010 525 2nd Street Josh Fattal were arrested by Iranianforces while (415) 863-2141 Opening Reception: November 11, 2010 San Francisco, CA 94107 hiking in Iraqi border areas last year. Their de- [[[WSI\SVK 6:00pm-8:00pm -John Belingheri American Indian Film Festival XEMRQIRXMWFIMRKI\TPSMXIHJSVTSPMXMGEPVIEWSRW End: December 23, 2010 End: November 12, 2010 End: November 13, 2010 in the current US/Iranstandoff. We screen some 11 Thursday 2IXM2IXM7YVIRHVER2EMV´W½VWXWSPSI\LMFMXMSR %RHVIE7GL[EVX^+EPPIV]TVIWIRXWEWSPSI\- LXXT[[[EM½WJGSQ clips about their predicament, and hear from in the United States, includes 11 paintings on hibition by John Belingheri. Belingheri’s oil and Braunstein/Quay Gallery close associates, including journalists David canvas, with the centerpiece doubling as the QM\IHQIHMETEMRXMRKWGVIEXIEWTEGISJGSR- 230 Clementina Street Martinez, Mark Brecke, and the “fourth hiker,” 9 Tuesday a.Muse Gallery title of the show. Nair describes his sources XVEWXMRK FEPERGI ERH MQFEPERGI ,MW [SVO I\- San Francisco, CA 94103 Shon Meckfessel. ALSO a report on Evin Prison, 614 Alabama Street and inventions as “corollary mythologies,” and presses an inter-relationship of form and pro- -Mary Snowden from Carla Garapedian’s Forbidden Iran. Come Southern Exposure San Francisco, 94110 they take the forms of a visual idiom uniquely cess, of contradiction and turmoil. Opening Reception: November 13, 2010 early for a 16mm overview of Iranian history, 3030 20th Street -Metaphysics: Meryl Pataky his own. The paintings provide windows into Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00- 3:00-5:00pm 0ERHSJXLI4IEGSGO8LVSRI¯FIRI½XW San Francisco, CA 94110 Opening Reception: November 11, 2010 an endless web of narratives, as if a grand and 5:00pm End: December 11, 2010 the Free the Hikers org. -West of the Wonder Wheel 6:00-9:00 pm GSQTPI\ ITMG MW YRJSPHMRK MR XLI QMRH SJ XLI (415) 495-2090 Using paint and thread, Mary Snowden brings (415)648-0654 Date: November 9, 2010 End: January 1, 2011 artist and such painting-portholes with their www.asgallery.com diverse breeds of chickens to life. Along with www.othercinema.com West of the Wonder Wheel: An Interactive Neon artist, Meryl Pataky, creates work that playful riddling titles are our only access, snip- Jancar Jones Gallery drawings of farmers that the artist has inter- SF Camerawork Sculptural Wonderland in Miniature Inspired I\TPSVIW XLI LYQER GSRHMXMSR  -R LIV ½VWX pets of plot and characters. 965 Mission, Suite 120 viewed and drawings of imaginary hybrid 6457 Mission Street, 2nd Floor F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK WSPSWLS[WLIHMWGYWWIWXLIMR¾YIRGIXLEXSYV (415) 346-7812 San Francisco, CA 94103 breeds of animals, Snowden offers a beautiful San Francisco, CA 94105 XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP WYVVSYRHMRKW ERH I\TIVMIRGIW LEZI SR SYV www.freynorris.com -Bill Jenkins glimpse into farm life. %RRYEP&IRI½X%YGXMSR WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV being. By using neon, she sheds light on the Southern Exposure End: November 12, 2010 www.bquayartgallery.com Date: November 13, 2010 and artist Samara Halperin takes over Southern commonalities of the medium and life - a battle 3030 20th Street (415) 281-3770 Catharine Clark Gallery Time: 11:00 am )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI between resistance and growth. San Francisco, CA 94110 www.jancarjones.com 150 Minna Street, Ground Floor Featuring works by more than 200 artists, SF sculptural wonderland in miniature. Combin- (415) 279-6281 -West of the Wonder Wheel Jewish Community Center San Francisco, CA 94105 'EQIVE[SVO´W&IRI½X%YGXMSRSJZMRXEKIERH MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH www.yourmusegallery.com Date: November 11, 2010 3200 California Street -Masami Teraoka contemporary prints is truly a collector’s para- objects and handmade props, Halperin pays Arion Press West of the Wonder Wheel: An Interactive San Francisco, CA 94118 End: November 13, 2010 HMWI(SSVWSTIREXEQERHXLI½VWXPSXMW homage to Coney Island’s recently demolished 1802 Hays Street, The Presidio Sculptural Wonderland in Miniature Inspired -SFJAZZ High School All-Stars Concert Masami Teraoka is widely known for early up for bidding at 1 pm. Astroland Park as the backdrop for the further San Francisco, CA 94129 F] 'SRI] -WPERH  -R TVITEVEXMSR JSV ½PQMRK Date: November 12, 2010 works that combine the aesthetics of tradition- (415) 512-2020 adventures of two cowboys in love. Also on dis- -Tours Of Arion Press and M&H Type XLIWIUYIPXSLIVE[EVH[MRRMRKI\TIVMQIRXEP Time: 8:00pm al Japanese Edo period woodblock prints, or sfcamerawork.org TPE]MRXLIKEPPIV]%WIPIGXMSRSJI\TIVMQIRXEP Date: November 11, 2010 WXSTQSXMSR LMX8YQFPI[IIH8S[R½PQQEOIV (866) 920-5299 ukiyo-e, with products and cultural references Shooting Gallery WLSVX ½PQW EFSYX EQYWIQIRX TEVOW TEWX ERH Time: 3:00pm-4:30pm and artist Samara Halperin takes over Southern www.sfjazz.org informed by Western society. His newest paint- 839 Larkin Street present curated by Halperin. Live demonstration tours of the historic type- )\TSWYVI´W KEPPIV] XS GSRWXVYGX ER MRXIVEGXMZI Southern Exposure MRKW I\TERH YTSR8IVESOE´W TVIWGMIRX TVISG- San Francisco, CA 94109 foundry, printing facility, and bookbindery of Ar- sculptural wonderland in miniature. Combin- 3030 20th Street cupation with globalism and hypocrisy and the -Vision Is A Dream (415) 863-2141 MRK ½PQIH JSSXEKI JVSQ 'SRI] -WPERH JSYRH [[[WSI\SVK ion Press and M&H Type are conducted every San Francisco, CA 94110 'EXLSPMG'LYVGLWI\EFYWIWGERHEPXLVSYKLWX]- Begin: November 12, 2010 Thursday at 3:00 p.m. The tours are sponsored objects and handmade props, Halperin pays -West of the Wonder Wheel listic appropriation of early European Renais- End: December 4, 2010 F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV homage to Coney Island’s recently demolished Date: November 12, 2010 sance painting. In these works Teraoka adopts The Shooting Gallery presents Vision is a person. Astroland Park as the backdrop for the further West of the Wonder Wheel: An Interactive the compositions and palette of Renaissance (VIEQ E WSPS I\LMFMXMSR F] 7ER *VERGMWGS (415) 668-2548 adventures of two cowboys in love. Also on dis- Sculptural Wonderland in Miniature Inspired painting—complete with gold-leaf frames—in based artist, Dave Schubert. The collection in- 51 corporates new works as well as never-before- (415) 931-1500 the Grammy-winning “I Don’t Know Why You Werner) and the exciting young drummer Mar- 533 Sutter Street at Powell San Francisco, CA 94133 seen photographs representative of the artist’s www.whitewallssf.com Don’t Want Me.” She has released a string of cus Gilmore (grandson of Roy Haynes). If you San Francisco, CA 94102 -Why Architecture Needs Cinema work since the mid 90’s. The exhibit is the YBCA acclaimed albums, including Seven Year Ache, wonder what the future of jazz may be, wonder -Coraline Date: November 17, 2010 N artist’s debut show with The Shooting Gallery 701 Mission Street Rhythm & Romance, King’s Record Shop and no more. Hear it now. Begin: November 16, 2010 Time: 7:30pm and will be comprised of a selection of docu- San Francisco, CA 94103 Black Cadillac, racking up 10 Grammy nomina- (415) 978-2787 End: January 8, 2011 Edward Dimendberg lecture. mentary, portaiture, reportague, abstract, and -Hibiki: Resonance from Far Away tions and a stunning 11 #1 hit singles in the www.ybca.org One night, Coraline’s dreams of a better reality (415) 771-7020 experimental photographs. His work is often Date: November 13, 2010 process. For her SFJAZZ appearance, Cash per- come true as she opens a door in the draw- www.sfai.edu associated with the photographic record of the Time: 2:00 pm forms songs from her 2009 CD, The List. This ing room and passes into a perfect replica of Victoria Theater O New Mission School and other San Francisco YBCA and San Francisco Performances are project is based on a list of 100 great American her own world. But as the way home becomes 2961 16th Street underground art movements. In the words of honored to celebrate the return of Sankai Juku songs given to Cash by her father, and the re- increasingly unclear, Coraline begins to suspect San Francisco,CA the late Dash Snow, “Dave Schubert exists, and to the Bay Area with one of the company’s cord features collaborators Bruce Springsteen, 15 Monday that all is not as perfect as it seems... -New Landscapes for the New World is taking pictures, and has been for quite some signature works, Hibiki-- Resonance from Far Elvis Costello, Wilco’s Jeff Tweedy and Rufus (415) 677-9596 Date: November 17, 2010 V time . . . He uses his eyes, his heart, and his hands Away. Over the course of three decades, the Wainwright. It is widely considered a landmark ArtPeople Gallery sfplayhouse.org Time: 7:30pm to make epic pictures.” work of choreographer Ushio Amagatsu for recording in the annals of American music. 50 Post Street, Level 2 #41 Southern Exposure SF Cinematheque. Contemporary Spanish Ex- (415) 931-8035 his company Sankai Juku has become known (866)-920-5299 San Francisco, CA 94104 3030 20th Street perimental Cinema. www.shootinggallerysf.com [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- www.sfjazz.org -PLACES TO BE, THINGS TO DO San Francisco, CA 94110 www.sfcinematheque.org Studio Quercus nical precision and emotional depth. His con- Rare Device End: November 15, 2010 -Thinkings E 385 26th Street temporary Butoh creations are both sublime 1845 Market Street at Guerrero Alan Mazzetti’s exhibition of new paintings will Date: November 16, 2010 Oakland, CA 94612 visual spectacles and deeply moving theatrical San Francisco, CA 94103 ½PPXLIKEPPIV][MXLMQEKIWSJXVEZIP,MWEFWXVEGX Time: 7:00-9:00pm -Sherilyn Tharp; Wood Carvings experiences. -Crafting a Meaningful Home landscapes journey through hills, sea and sky, In Thinkings: How computers change the way 18 Thursday Opening Reception: November 13, 2010 (415) 978-2787 End: November 14, 2010 combining the memories and moods of places we see by altering the way we think, a three- M 6:00-9:00pm www.ybca.org Projects from the new book ‘Crafting a Mean- passed through. Also shown will be work from part discussion series. Brad Borevitz facilitates End: December 18, 2010 ingful Home’ edited by Meg Mateo Ilasco will the Timescape Series, evoking journeys through an exploration of the impact of computers on Anthony Meier Fine Arts (510) 452-4670 be on exhibit. time. Each piece makes a transition of form, col- art practice and the practice of every day life 1969 California Street [email protected] (415) 863-3969 or and texture, with Change the ultimate des- through a participatory, experimental pedagogy. San Francisco, CA 94109 www.studioquercus.com 14 Sunday www.raredevice.net tination. This show will take you to places both Over the course of three evenings participants -Gary Simmons: New Work B Swedish American Hall SOMArts Cultural Center familiar and new, reminding you of the subtle will work through three concepts that are cru- Opening Reception: November 18, 2010 2174 Market Street 934 Brannan Street ]IXHI½RMXIXVERWMXMSRWXLEXHI½RISYVPMZIW cial to understanding computer images: the 6:00-8:00pm San Francisco, CA 94114 Contemporary Jewish Museum San Francisco, CA 94123 (415) 956-3650 automation of variation, the automation of the Hours: Tue-Fridays 10:00am-5:00pm -Slavic Soul Party! 736 Mission Street -I Live Here SF [email protected] sublime, and the automation of the image. The (415) 351-1400 E Date: November 13, 2010 between Third Street and Fourth Street Opening Reception: November 14, 2010 www.artpeople.net purchase of a book produced for the series is [[[ERXLSR]QIMIV½RIEVXWGSQ Time: 8:00pm San Francisco, CA 94116 2:00-4:00 pm Gallery Hijinks VIUYMVIH  4EVXMGMTERXWEVIWXVSRKP]IR- Arion Press The ultimate rollicking party band, Slavic Soul -Curious George Saves the Day End: November 30, 2010 2309 Bryant Street couraged to attend all three events. 1802 Hays Street, The Presidio Party! combines traditional Balkan Begin: November 14, 2010 Exhibition curated by Julie Michele, community San Francisco CA, 94110 (415) 863-2141 San Francisco, CA 94129 with massive doses of down-and-dirty funk in End: March 13, 2011 based photography and story telling project. -I’m Here Now by Mark Warren Jacques www.soex.org -Tours Of Arion Press and M&H Type R its witty interpretations. The musicians, each of Curious George, the impish monkey protago- (415) 552-1770 Exhibition Ends: November 15, 2010 Date: November 18, 2010 whom are part of New York’s downtown scene, nist of many adventures, may never have seen www.somarts.org Mark Warren Jacques admittedly has an amo- Time: 3:00-4:30pm work with major jazz artists like Dave Doug- the light of day if it were not for the determina- YBCA rous disposition and this time he’s fallen in love Live demonstration tours of the historic type- las, Steve Coleman, Jason Mraz and the Either/ tion and courage of his creators, the illustrator 701 Mission Street with San Francisco. While embracing different 17 Wednesday foundry, printing facility, and bookbindery of Ar- Orchestra, but Slavic Soul Party! is something H. A. Rey and his wife, author and artist Margret San Francisco, CA 94103 cultures, ideals and perspectives his style has ion Press and M&H Type are conducted every altogether different. Their newest CD, Taket- Rey. The exhibition features nearly 80 original -Hibiki: Resonance from Far Away under-gone a metamorphosis both conceptu- Thursday at 3:00 p.m. The tours are sponsored ron, goes far beyond Eastern European music, drawings of the beloved monkey and other Date: November 14, 2010 ally and symbolically. Introspection of the mind, ANDREA SCHWARTZ GALLERY F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV QIWLMRKXLIMR¾YIRGIWSJ+]TW]2I[3VPIERW characters, a look at the Reys’ escape from Nazi Time: 2:00 pm FSH]ERHWSYPEVIHMZYPKIH½KYVEXMZIP][LMPIVI- 525 2nd Street person. Mariachi, Latin, Klezmer and Asian music with Europe, and more. YBCA and San Francisco Performances are maining abstract. Bright colors cluster together San Francisco, CA 94107 (415) 668-2548 American jazz, soul and even techno — cre - (415) 655-7800 honored to celebrate the return of Sankai Juku with patterns and stark edges as elements of -Cara Barer and Emilio Lobato [email protected] ating their own ferocious brand of good-time [email protected] to the Bay Area with one of the company’s the natural world take form with bare boned Opening Reception: November 17, 2010 ArtPeople Gallery grooves. Leaving a legion of amazed fans in their www.thecjm.org signature works, Hibiki-- Resonance from Far foliage and starry constellations. This exhibition 5:30pm-7:30pm 50 Post Street Level 2 #41 wake, it’s no wonder this unique band performs Exploratorium Away. Over the course of three decades, the plays as both a cycle of self-assessment for the End: December 22, 2010 San Francisco, CA 94104 nearly 100 times a year across the U.S. and Eu- 3601 Lyon Street work of choreographer Ushio Amagatsu for artist as well as a bold statement of place and Andrea Schwartz Gallery presents a group ex- -Magel Landet rope, from the Warped Tour to Carnegie Hall San Francisco, CA 94123 his company Sankai Juku has become known time, Here - Now. hibition by Cara Barer and Emilio Lobato. Using Opening Reception: November 18, 2010 to Istanbul. Listen to their spirited and riotous -Illuminating Time [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- [email protected] book imagery, both Barer and Lobato explore 4:00-7:00pm songs and we guarantee, you too will be caught Date: November 14, 2010 nical precision and emotional depth. His con- http://galleryhijinks.com line and shape. Lobato’s oil and collage paint- The interrelationship between art and nature up in their joyous energy! Time: 9:30-12:30pm temporary Butoh creations are both sublime ings explore the mathematical and mystical rep- has been a constant in my past few years. My (866) 920-5299 Explore how an open camera lens records light visual spectacles and deeply moving theatrical etition of horizontal lines. Barer photographs trip to KAUAI, the Garden Island, steeped me www.sfjazz.org with exhibits in the museum’s Seeing experiences. sculpted books blurring the line between ob- in colour and admiration for nature. This exhibi- White Walls Collection, then create images using lights in -Vijay Iyer Trio ject, sculpture and photography. tion, which I am now presenting, is a statement 835 Larkin Street conjunction with movement and objects. Con- Date: November 14 16 Tuesday Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00pm- of this encounter. San Francisco, CA 94109 sider what gets burned into memory, how time Time: 7:00pm 5:00pm (415) 956-3650 -GANAS 2020 affects perception, and how one moment im- An adventurous pianist and composer, Vijay ArtPeople Gallery (415) 495-2090 [email protected] Begin: November 13, 2010 pacts the next. Leave with light painting photo Iyer not only stretches boundaries but has long 50 Post Street, Level 2 #41 www.asgallery.com www.artpeople.net End: December 4, 2010 prints and a heightened sense of space and reached well beyond the vocabulary of jazz. He San Francisco, CA 94104 Cantor Arts Center Cantor Arts Center White Walls is pleased to present GANAS time. leads a genre-crossing quartet with saxophone -Magel Landet 328 Lomita Dr 328 Lomita Dr 2020, the debut solo exhibition by Los Angeles www.exploratorium.edu phenom Rudresh Mahanthappa; he’s recorded Begin: November 16, 2010 Stanford, CA 94305 Stanford, CA 94305 based artist, Ernesto Yerena. The exhibition is Palace of Fine Arts Theatre with poet Mike Ladd; and he is also part of the Opening Reception: November 18, 2010 -Making the Cut -Mammy Water based on a story written by the artist that de- 3301 Lyon Street visionary collective Fieldwork. An artist pos- 4:00-7:00pm Begin: November 17, 2010 Date: November 18, 2010 tails a revolutionary movement, GANAS, that San Francisco, CA 94123 sessed of a relentlessly searching intellect and The interrelationship between art and nature End: June 5, 2010 Time: 6:00pm is an ideology of reform, empowerment and -Rosanne Cash awe-inspiring technique, Iyer was voted #1 has been a constant in my past few years. My An exhibition of 20th-century woodblock Mammy Water: In Search of the Water Spirits QSXMZEXMSR +%2%7 =IVIRE´W ½VWX WSPS Date: November 14, 2010 Rising Star Jazz Artist in the DownBeat 2009 trip to KAUAI, the Garden Island, steeped me prints from the Center’s collection, featuring (1989, 59 minutes) exhibition, introduces viewers to the artist’s Time: 7:00pm Critic’s Poll and his trio recording Historicity in colour and admiration for nature. This exhibi- black-and-white and color prints by French, (650)723-3482 ½GXMSREPREVVEXMZIEFSYXEVIZSPYXMSREV]QSZI- While she is the daughter of country music icon was named #1 Top Jazz Album of 2009 by The tion, which I am now presenting, is a statement German, and American artists, including Mau- http://museum.stanford.edu ment and how he envisions it ten years into its Johnny Cash, Rosanne Cash has followed a dif- New York Times. Iyer has worked with some of of this encounter. rice de Vlaminck, Conrad Felixmüller, Erich Exploratorium future. The story centers on a self-empowering ferent path throughout her own substantial ca- XLIQSWXGVIEXMZI½KYVIWMRQSHIVRNE^^MRGPYH- (415)-956-3650 Heckel, and Max Beckmann. 3601 Lyon Street belief; GANAS (translating as desire, motiva- reer. With her velvet voice and intimate charm, ing Steve Coleman, Wadada Leo Smith, Oliver [email protected] (650) 723-3482 San Francisco, CA 94123 tion, gain), that ultimately ingrains a mindset of Cash stepped out from her father’s shadow and Lake and John Zorn. For this SFJAZZ date, www.artpeople.net http://museum.stanford.edu -Illuminating Time anti-conformity and living without self-imposed blossomed into a major singer-songwriter with Iyer performs with his Historicity trio, featur- SF Playhouse SFAI Date: November 18, 2010 limitations. hits like “No Memories Hangin’ Round” and ing bassist Stephan Crump (Greg Osby, Kenny 800 Chestnut Street Time: 9:30am–12:30pm 52 corporates new works as well as never-before- (415) 931-1500 the Grammy-winning “I Don’t Know Why You Werner) and the exciting young drummer Mar- 533 Sutter Street at Powell San Francisco, CA 94133 seen photographs representative of the artist’s www.whitewallssf.com Don’t Want Me.” She has released a string of cus Gilmore (grandson of Roy Haynes). If you San Francisco, CA 94102 -Why Architecture Needs Cinema work since the mid 90’s. The exhibit is the YBCA acclaimed albums, including Seven Year Ache, wonder what the future of jazz may be, wonder -Coraline Date: November 17, 2010 N artist’s debut show with The Shooting Gallery 701 Mission Street Rhythm & Romance, King’s Record Shop and no more. Hear it now. Begin: November 16, 2010 Time: 7:30pm and will be comprised of a selection of docu- San Francisco, CA 94103 Black Cadillac, racking up 10 Grammy nomina- (415) 978-2787 End: January 8, 2011 Edward Dimendberg lecture. mentary, portaiture, reportague, abstract, and -Hibiki: Resonance from Far Away tions and a stunning 11 #1 hit singles in the www.ybca.org One night, Coraline’s dreams of a better reality (415) 771-7020 experimental photographs. His work is often Date: November 13, 2010 process. For her SFJAZZ appearance, Cash per- come true as she opens a door in the draw- www.sfai.edu associated with the photographic record of the Time: 2:00 pm forms songs from her 2009 CD, The List. This ing room and passes into a perfect replica of Victoria Theater O New Mission School and other San Francisco YBCA and San Francisco Performances are project is based on a list of 100 great American her own world. But as the way home becomes 2961 16th Street underground art movements. In the words of honored to celebrate the return of Sankai Juku songs given to Cash by her father, and the re- increasingly unclear, Coraline begins to suspect San Francisco,CA the late Dash Snow, “Dave Schubert exists, and to the Bay Area with one of the company’s cord features collaborators Bruce Springsteen, 15 Monday that all is not as perfect as it seems... -New Landscapes for the New World is taking pictures, and has been for quite some signature works, Hibiki-- Resonance from Far Elvis Costello, Wilco’s Jeff Tweedy and Rufus (415) 677-9596 Date: November 17, 2010 V time . . . He uses his eyes, his heart, and his hands Away. Over the course of three decades, the Wainwright. It is widely considered a landmark ArtPeople Gallery sfplayhouse.org Time: 7:30pm to make epic pictures.” work of choreographer Ushio Amagatsu for recording in the annals of American music. 50 Post Street, Level 2 #41 Southern Exposure SF Cinematheque. Contemporary Spanish Ex- (415) 931-8035 his company Sankai Juku has become known (866)-920-5299 San Francisco, CA 94104 3030 20th Street perimental Cinema. www.shootinggallerysf.com [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- www.sfjazz.org -PLACES TO BE, THINGS TO DO San Francisco, CA 94110 www.sfcinematheque.org Studio Quercus nical precision and emotional depth. His con- Rare Device End: November 15, 2010 -Thinkings E 385 26th Street temporary Butoh creations are both sublime 1845 Market Street at Guerrero Alan Mazzetti’s exhibition of new paintings will Date: November 16, 2010 Oakland, CA 94612 visual spectacles and deeply moving theatrical San Francisco, CA 94103 ½PPXLIKEPPIV][MXLMQEKIWSJXVEZIP,MWEFWXVEGX Time: 7:00-9:00pm -Sherilyn Tharp; Wood Carvings experiences. -Crafting a Meaningful Home landscapes journey through hills, sea and sky, In Thinkings: How computers change the way 18 Thursday Opening Reception: November 13, 2010 (415) 978-2787 End: November 14, 2010 combining the memories and moods of places we see by altering the way we think, a three- M 6:00-9:00pm www.ybca.org Projects from the new book ‘Crafting a Mean- passed through. Also shown will be work from part discussion series. Brad Borevitz facilitates End: December 18, 2010 ingful Home’ edited by Meg Mateo Ilasco will the Timescape Series, evoking journeys through an exploration of the impact of computers on Anthony Meier Fine Arts (510) 452-4670 be on exhibit. time. Each piece makes a transition of form, col- art practice and the practice of every day life 1969 California Street [email protected] (415) 863-3969 or and texture, with Change the ultimate des- through a participatory, experimental pedagogy. San Francisco, CA 94109 www.studioquercus.com 14 Sunday www.raredevice.net tination. This show will take you to places both Over the course of three evenings participants -Gary Simmons: New Work B Swedish American Hall SOMArts Cultural Center familiar and new, reminding you of the subtle will work through three concepts that are cru- Opening Reception: November 18, 2010 2174 Market Street 934 Brannan Street ]IXHI½RMXIXVERWMXMSRWXLEXHI½RISYVPMZIW cial to understanding computer images: the 6:00-8:00pm San Francisco, CA 94114 Contemporary Jewish Museum San Francisco, CA 94123 (415) 956-3650 automation of variation, the automation of the Hours: Tue-Fridays 10:00am-5:00pm -Slavic Soul Party! 736 Mission Street -I Live Here SF [email protected] sublime, and the automation of the image. The (415) 351-1400 E Date: November 13, 2010 between Third Street and Fourth Street Opening Reception: November 14, 2010 www.artpeople.net purchase of a book produced for the series is [[[ERXLSR]QIMIV½RIEVXWGSQ Time: 8:00pm San Francisco, CA 94116 2:00-4:00 pm Gallery Hijinks VIUYMVIH  4EVXMGMTERXWEVIWXVSRKP]IR- Arion Press The ultimate rollicking party band, Slavic Soul -Curious George Saves the Day End: November 30, 2010 2309 Bryant Street couraged to attend all three events. 1802 Hays Street, The Presidio Party! combines traditional Balkan folk music Begin: November 14, 2010 Exhibition curated by Julie Michele, community San Francisco CA, 94110 (415) 863-2141 San Francisco, CA 94129 with massive doses of down-and-dirty funk in End: March 13, 2011 based photography and story telling project. -I’m Here Now by Mark Warren Jacques www.soex.org -Tours Of Arion Press and M&H Type R its witty interpretations. The musicians, each of Curious George, the impish monkey protago- (415) 552-1770 Exhibition Ends: November 15, 2010 Date: November 18, 2010 whom are part of New York’s downtown scene, nist of many adventures, may never have seen www.somarts.org Mark Warren Jacques admittedly has an amo- Time: 3:00-4:30pm work with major jazz artists like Dave Doug- the light of day if it were not for the determina- YBCA rous disposition and this time he’s fallen in love Live demonstration tours of the historic type- las, Steve Coleman, Jason Mraz and the Either/ tion and courage of his creators, the illustrator 701 Mission Street with San Francisco. While embracing different 17 Wednesday foundry, printing facility, and bookbindery of Ar- Orchestra, but Slavic Soul Party! is something H. A. Rey and his wife, author and artist Margret San Francisco, CA 94103 cultures, ideals and perspectives his style has ion Press and M&H Type are conducted every altogether different. Their newest CD, Taket- Rey. The exhibition features nearly 80 original -Hibiki: Resonance from Far Away under-gone a metamorphosis both conceptu- Thursday at 3:00 p.m. The tours are sponsored ron, goes far beyond Eastern European music, drawings of the beloved monkey and other Date: November 14, 2010 ally and symbolically. Introspection of the mind, ANDREA SCHWARTZ GALLERY F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV QIWLMRKXLIMR¾YIRGIWSJ+]TW]2I[3VPIERW characters, a look at the Reys’ escape from Nazi Time: 2:00 pm FSH]ERHWSYPEVIHMZYPKIH½KYVEXMZIP][LMPIVI- 525 2nd Street person. Mariachi, Latin, Klezmer and Asian music with Europe, and more. YBCA and San Francisco Performances are maining abstract. Bright colors cluster together San Francisco, CA 94107 (415) 668-2548 American jazz, soul and even techno — cre - (415) 655-7800 honored to celebrate the return of Sankai Juku with patterns and stark edges as elements of -Cara Barer and Emilio Lobato [email protected] ating their own ferocious brand of good-time [email protected] to the Bay Area with one of the company’s the natural world take form with bare boned Opening Reception: November 17, 2010 ArtPeople Gallery grooves. Leaving a legion of amazed fans in their www.thecjm.org signature works, Hibiki-- Resonance from Far foliage and starry constellations. This exhibition 5:30pm-7:30pm 50 Post Street Level 2 #41 wake, it’s no wonder this unique band performs Exploratorium Away. Over the course of three decades, the plays as both a cycle of self-assessment for the End: December 22, 2010 San Francisco, CA 94104 nearly 100 times a year across the U.S. and Eu- 3601 Lyon Street work of choreographer Ushio Amagatsu for artist as well as a bold statement of place and Andrea Schwartz Gallery presents a group ex- -Magel Landet rope, from the Warped Tour to Carnegie Hall San Francisco, CA 94123 his company Sankai Juku has become known time, Here - Now. hibition by Cara Barer and Emilio Lobato. Using Opening Reception: November 18, 2010 to Istanbul. Listen to their spirited and riotous -Illuminating Time [SVPH[MHI JSV MXW IPIKERGI VI½RIQIRX XIGL- [email protected] book imagery, both Barer and Lobato explore 4:00-7:00pm songs and we guarantee, you too will be caught Date: November 14, 2010 nical precision and emotional depth. His con- http://galleryhijinks.com line and shape. Lobato’s oil and collage paint- The interrelationship between art and nature up in their joyous energy! Time: 9:30-12:30pm temporary Butoh creations are both sublime ings explore the mathematical and mystical rep- has been a constant in my past few years. My (866) 920-5299 Explore how an open camera lens records light visual spectacles and deeply moving theatrical etition of horizontal lines. Barer photographs trip to KAUAI, the Garden Island, steeped me www.sfjazz.org with exhibits in the museum’s Seeing experiences. sculpted books blurring the line between ob- in colour and admiration for nature. This exhibi- White Walls Collection, then create images using lights in -Vijay Iyer Trio ject, sculpture and photography. tion, which I am now presenting, is a statement 835 Larkin Street conjunction with movement and objects. Con- Date: November 14 16 Tuesday Hours: Mon-Fri 9:00am-5:00pm, Sat 1:00pm- of this encounter. San Francisco, CA 94109 sider what gets burned into memory, how time Time: 7:00pm 5:00pm (415) 956-3650 -GANAS 2020 affects perception, and how one moment im- An adventurous pianist and composer, Vijay ArtPeople Gallery (415) 495-2090 [email protected] Begin: November 13, 2010 pacts the next. Leave with light painting photo Iyer not only stretches boundaries but has long 50 Post Street, Level 2 #41 www.asgallery.com www.artpeople.net End: December 4, 2010 prints and a heightened sense of space and reached well beyond the vocabulary of jazz. He San Francisco, CA 94104 Cantor Arts Center Cantor Arts Center White Walls is pleased to present GANAS time. leads a genre-crossing quartet with saxophone -Magel Landet 328 Lomita Dr 328 Lomita Dr 2020, the debut solo exhibition by Los Angeles www.exploratorium.edu phenom Rudresh Mahanthappa; he’s recorded Begin: November 16, 2010 Stanford, CA 94305 Stanford, CA 94305 based artist, Ernesto Yerena. The exhibition is Palace of Fine Arts Theatre with poet Mike Ladd; and he is also part of the Opening Reception: November 18, 2010 -Making the Cut -Mammy Water based on a story written by the artist that de- 3301 Lyon Street visionary collective Fieldwork. An artist pos- 4:00-7:00pm Begin: November 17, 2010 Date: November 18, 2010 tails a revolutionary movement, GANAS, that San Francisco, CA 94123 sessed of a relentlessly searching intellect and The interrelationship between art and nature End: June 5, 2010 Time: 6:00pm is an ideology of reform, empowerment and -Rosanne Cash awe-inspiring technique, Iyer was voted #1 has been a constant in my past few years. My An exhibition of 20th-century woodblock Mammy Water: In Search of the Water Spirits QSXMZEXMSR +%2%7 =IVIRE´W ½VWX WSPS Date: November 14, 2010 Rising Star Jazz Artist in the DownBeat 2009 trip to KAUAI, the Garden Island, steeped me prints from the Center’s collection, featuring in Nigeria (1989, 59 minutes) exhibition, introduces viewers to the artist’s Time: 7:00pm Critic’s Poll and his trio recording Historicity in colour and admiration for nature. This exhibi- black-and-white and color prints by French, (650)723-3482 ½GXMSREPREVVEXMZIEFSYXEVIZSPYXMSREV]QSZI- While she is the daughter of country music icon was named #1 Top Jazz Album of 2009 by The tion, which I am now presenting, is a statement German, and American artists, including Mau- http://museum.stanford.edu ment and how he envisions it ten years into its Johnny Cash, Rosanne Cash has followed a dif- New York Times. Iyer has worked with some of of this encounter. rice de Vlaminck, Conrad Felixmüller, Erich Exploratorium future. The story centers on a self-empowering ferent path throughout her own substantial ca- XLIQSWXGVIEXMZI½KYVIWMRQSHIVRNE^^MRGPYH- (415)-956-3650 Heckel, and Max Beckmann. 3601 Lyon Street belief; GANAS (translating as desire, motiva- reer. With her velvet voice and intimate charm, ing Steve Coleman, Wadada Leo Smith, Oliver [email protected] (650) 723-3482 San Francisco, CA 94123 tion, gain), that ultimately ingrains a mindset of Cash stepped out from her father’s shadow and Lake and John Zorn. For this SFJAZZ date, www.artpeople.net http://museum.stanford.edu -Illuminating Time anti-conformity and living without self-imposed blossomed into a major singer-songwriter with Iyer performs with his Historicity trio, featur- SF Playhouse SFAI Date: November 18, 2010 limitations. hits like “No Memories Hangin’ Round” and ing bassist Stephan Crump (Greg Osby, Kenny 800 Chestnut Street Time: 9:30am–12:30pm 53 )\TPSVILS[ERSTIRGEQIVEPIRWVIGSVHWPMKLX   Writer and composer Cynthia Hopkins is one YVEXMZIXVEHMXMSR1SVIXLERSMPTEMRXMRKWERH )RH3GXSFIV -Immortal Foods Reception [MXLI\LMFMXWMRXLIQYWIYQ´W7IIMRK'SPPIGXMSR [[[]FGESVK of the founding members of Accinosco, a col- watercolors depicting views %W TEVX SJ 7*131%´W XL ERRMZIVWEV] XLI (EXI2SZIQFIV XLIRGVIEXIMQEKIWYWMRKPMKLXWMRGSRNYRGXMSR lective of performing artists, designers, and mu- of Europe, the Midwest, and Northern Califor- QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G 8MQITQ N [MXL QSZIQIRX ERH SFNIGXW 'SRWMHIV [LEX sicians dedicated to creating groundbreaking, RMEEVIJIEXYVIHEXXLIKEPPIV] sound sculpture by San Francisco–based sound   gets burned into memory, how time affects original, multi-media, theatrical works that meld   EVXMWX &MPP *SRXERE 8LI [SVO IRXMXPIH 7SRMG [[[WSI\SVK perception, and how one moment impacts the 19 Friday YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI [[[KISVKIOVIZWO]KEPPIV]GSQ 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL The North Point Gallery RI\X0IEZI[MXLPMKLXTEMRXMRKTLSXSTVMRXWERH 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW Left Space ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP .EGOWSR7XVIIX ELIMKLXIRIHWIRWISJWTEGIERHXMQI XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI &V]ERX7XVIIX instruments, creating an acoustic translation of 7ER*VERGMWGS'% O [[[I\TPSVEXSVMYQIHY Anthony Meier Fine Arts %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV 7ER*VERGMWGS'% XLIZMWYEPWTEGI*SRXERE´WGSRGITXLEWIZSPZIH -Gottardo Piazzoni and His Legacy Left Space 'EPMJSVRME7XVIIX distant future, which depicts the saga of a secret -World Photography Festival from his recent investigations into how archi- )RH2SZIQFIV &V]ERX7XVIIX 7ER*VERGMWGS'% QMWWMSRXSWEZIXLI[SVPH (EXI2SZIQFIV tectural structures generate sound in response 6YWWIPP'LEXLEQ1EYVMGI(IP1YIERH8LSQ- 7ER*VERGMWGS'% -Gary Simmons: New Works   )RH2SZIQFIV XSXLIMVWYVVSYRHMRKW7*131%´WGSQQMWWMSR EW;SSH V -World Photography Festival &IKMR2SZIQFIV [[[]FGESVK Featuring talks and presentations for both [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG-   &IKMR2SZIQFIV )RH(IGIQFIV emerging photographers and those with ad- XMZIWSYRHWGYPTXYVI [[[RSVXLTSMRXKEPPIV]GSQ )RH2SZIQFIV ,SYVW8YI*VMEQTQ ZERGMRKTLSXSKVETLMGWOMPPW;MXLERIQTLEWMW -The More Things Change Theatre of Yugen Opening event and a showcase of the winning   SR³PIEVRQEWXIVERHQEVOIX´XLITVSKVEQ[MPP &IKMR2SZIQFIV 1EVMTSWE7XVIIX MQEKIWJVSQXLI7SR];SVPH4LSXSKVE- [[[ERXLSR]QIMIV½RIEVXWGSQ 20 Saturday include special portfolio and book workshops, )RH3GXSFIV 7ER*VERGMWGS'% E phy Awards, work from the World Photography Fivepoints Arthouse educational seminars, student programs, book 8LI1SVI8LMRKW'LERKIWOIXGLIWXLIGSPPIG- -Fall Training Session 7XYHIRX*SGYWTVSKVEQMQEKIWJVSQ³%4LSXS 8ILEQE signings, screenings, networking opportunities, tive mood of the last 10 years, creating a the- (EXI2SZIQFIV 4PIHKIJSV'LMPHVIR´W6MKLXW´%[EVH FIRI½XXMRK 7ER*VERGMWGS'% Catharine Clark Gallery PMZITLSXSWLSSXMRKWXEXMSRWERHQYGLQSVI QEXMGERHTW]GLSPSKMGEPTSVXVEMXSJXLIHIGEHI 8MQITQ 92-')* XLI0MJIXMQI%GLMIZIQIRXI\LMFMXMSR -KANGEN: Return to Origin 150 Minna Street, Ground Floor ,SYVWEQTQ(EMP] (VE[RIRXMVIP]JVSQ7*131%´WGSPPIGXMSRXLMW 8LIWI8VEMRMRK -RXIRWMZIW EVI JSGYWIH SR I\- M awarded to acclaimed Magnum photographer 3TIRMRK 6IGITXMSR2SZIQFIV  7ER*VERGMWGS'% [[[[SVPHTLSXSSVK I\LMFMXMSRI\EQMRIWWYGLXLIQIWEWJVEKQIR- ploring underlying foundations of Nohgaku Eve Arnold this year, and a special selection of TQ -Andy Diaz Hope [[[PIJXWTEGIGSQ tation, fragility, systemic collapse, sudden shifts, EGGSQTPMWLIH IRXIVXEMRQIRX  JSV GSRXIQTS- TEWX97[MRRMRKERHGSQQIRHIH7SR];SVPH )RH(IGIQFIV &IKMR2SZIQFIV OTHER CINEMA entropy, metamorphosis, mutation, materiality, VEV]ETTPMGEXMSR3JXIRHIWGVMFIHEWXLIEVXSJ 4LSXSKVETL]%[EVHWMQEKIW Live calligraphy performance by Aoi Yamaguchi )RH.ERYEV] :EPIRGME7XVIIX ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ performance, Nohgaku refers to the classical LXXT[[[[SVPHTLSXSSVK ERH1M\IHQIHMEMRWXEPPEXMSRF],MVSOS8WYGLM- %RH] (ME^ ,STI´W WSPS I\LMFMXMSR -R½RMXI 7ER*VERGMWGS'% EPP QIHME QEHI WMRGI 8LI 1SVI8LMRKW .ETERIWI XLIEXVI JSVQW SJ 2SL (VEQE  ERH B [[[PIJXWTEGIGSQ QSXS:MHISTVSNIGXMSR Mortal, takes the form of a cave populated by -Screening 'LERKIMWNSMRXP]SVKERM^IHF]7*131%´WJSYV /]SKIR 'SQIH] 8LIMRLIVIRXTVMRGMTPIWEVI SFAI MRJS$½ZITSMRXWEVXLSYWIGSQ GV]WXEPPMRI WXVYGXYVIW XLEX GETXYVI SRI´W MRXIV- (EXI2SZIQFIV curatorial departments—painting and sculp- time-tested, unique and come together to cre- 'LIWXRYX7XVIIX Jancar Jones Gallery nal struggle between the incomprehensibility of 1EXX1G'SVQMGO´W*YXYVI7S&VMKLXQIHMXEXIW ture, media arts, photography, and architecture EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI 7ER*VERGMWGS'% 1MWWMSR7XVIIX XLIMR½RMXIERHSRI´WS[R½RMXIRIWW SR EFERHSRIH WTEGIW MR XLI%QIVMGER;IWX ERHHIWMKR%REVXMWX[MPPFIGSQQMWWMSRIHXS Saturday workshops will be an introduction to -Guillermo Santamarina 7ER*VERGMWGS'%   8LMWLEPJLVWRIEOTIIOEXLMWI\TIVMQIRXEPIW- design a production studio in the overlook gal- RIGIWWEV] YRHIVP]MRK TVMRGMTPIW 8LI 7YRHE] E (EXI2SZIQFIV say considers the failed efforts of the Ameri- -Bruno Fazzolari MRJS$GGPEVOKEPPIV]GSQ PIV]XLEX[MPPI\EQMRIXLIXVERWJSVQEXMSRSJXLI workshops will be an opportunity to deeply 8MQITQ 3TIRMRK 6IGITXMSR2SZIQFIV  [[[GGPEVOKEPPIV]GSQ GER;IWXIVR)\TERWMSRI\TPSVMRKKLSWXXS[RW publishing industry over the last decade—an in - investigate +YMPPIVQS7ERXEQEVMREZMWMXMRKGYVEXSVPIGXYVI TQ Creativity Explored abandoned military bases, and boarded-up dustry that is rapidly coming to terms with the     )RH(IGIQFIV XL7XVIIX XSYVMWXXVETW-RQQ2ESQM9QER´W9OVERMER IQMRIRGISJXLIMRXIVRIX%TYFPMGEXMSR[MPPEPWS [[[XLIEXVISJ]YKIRSVK R [[[WJEMIHY % GSPPEFSVEXMSR [MXL8LI ;SVOMRK 4VSSJ XS 7ER*VERGMWGS'% 8MQI'ETWYPIMWEQMRTIVWSREPNSYVRI]XS be produced in this gallery, which visitors will WE Artspace Southern Exposure FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ -Ritual/Habitual: The Secret Life of Objects her familial roots in , organized be able to witness taking shape over the course XL7XVIIX XL7XVIIX GIRXIVIHEVSYRH%IWST´W*EFPIW[MXLIEGLEVX- )RH2SZIQFIV MRTSMKRERXITMWSHIWSJIEVXL]ZMPPEKIPMJI4097 WIZIVEPQSRXLW8LMWPEWXWTEGI[MPPIQTLEWM^I 3EOPERH'% 7ER*VERGMWGS'% MWXMPPYWXVEXMRKEHMJJIVIRXJEFPI 8LMWI\LMFMXMSRI\TPSVIWLS[±VMXYEP²ERH±LE- the Bay Area premiere of the much-lauded Last the importance of individual gestures, activism, -ri-FLEKT -Chris Duncan: The Sun   FMXYEP²SFNIGXWERHXLIMVYWIGERFIGSQIMRHMW- %HHVIWW F] -VE *SVX] 7LEHIW SJ &PYI  7EGLW ERHTIVLETWELYQERMWXZMWMSR8LII\LMFMXMSR )RH2SZIQFIV 3TIRMRK 6IGITXMSR2SZIQFIV  [[[NERGEVNSRIWGSQ XMRKYMWLEFPIERHMRXIVGLERKIEFPI GEXEPSKMRK I\XIVMSVW SJ XLI ½REP VIWMHIRGIW SJ [MPPMRGPYHIWSQI[SVOW 'LVMW 7SPPEVW´ [SVO VIZSPZIW EVSYRH XLI VIG- TQ Left Space MRJS$GVIEXMZMX]I\TPSVIHSVK 2= EVXMWXW [LS HMIH SJ %-(7 ,EVMRK 1ET-   lamation and subversion of private and pub- 8LI7YRMWETVSNIGXSJWSYRHERHZMWMSRXLEX &V]ERX7XVIIX [[[GVIEXMZMX]I\TPSVIHSVK TPIXLSVTI)MGLIPFIVKIVERH XSS QER] QSVI  [[[WJQSQESVK lic space through interventions, the results of HI½IW XLI RSXMSR SJ EYHMIRGI ERH TIVJSVQIV 7ER*VERGMWGS'% Gallery Hijinks %2( 1EVG] 7EYHI´W8LMW /MRH SJ8S[R1EVO SOMArts Cultural Center [LMGLEVIMRXIKVEXIHMRXSQM\IHQIHMEMRWXEP- -R MXW MRJERG] XLMW TVSNIGX MRGPYHIH E VSXEXMRK -World Photography Festival &V]ERX7XVIIX 7XVIIX´W7XVIIXSJ(VIEQW&V]ER&S]GI´W:EPIR- &VERRER7XVIIX lations utilizing drawing, photography, sculpture cast of musicians, artists and friends (some with (EXI2SZIQFIV 7ER*VERGMWGS'% GME+EVHIRW6MGL&SXX´W,EVH*IIPMRKWERHJVII 7ER*VERGMWGS'% ERH ZMHIS%X;) 7SPPEVW [MPP GVIEXI E WIVMIW I\TIVMIRGIMRQEOMRKQYWMGERHSXLIVW[MXL- )RH2SZIQFIV -Yellena James and Peter Belkin maps! -Uncommon Cultures SJ[SVOWFEWIHSRXLIMRXIVMSVERHI\XIVMSVSJ SYX GEQIXSKIXLIVJSVMQTVSZMWEXMSREPWSYRH Featuring talks and presentations for both 3TIRMRK 6IGITXMSR 2SZIQFIV     (EXI2SZIQFIV ;)-RWMHI7SPPEVW[MPPYWIMQEKIWERHSFNIGXW QEOMRK WIWWMSRW %X 7SYXLIVR )\TSWYVI 8LI emerging photographers and those with ad- TQ [[[SXLIVGMRIQEGSQ 8MQITQTQ from around the private/public WE space, as 7YRGSRXMRYIWMXWNSYVRI]MRXSEHSPIWGIRGIERH ZERGMRKTLSXSKVETLMGWOMPPW;MXLERIQTLEWMW )\LMFMXMSR)RHW.ERYEV] SFMOMA )RH2SZIQFIV inspiration for a collection of works both on MRZMXIWXLIEYHMIRGIXSTEVXMGMTEXI8LIIRIVK] SR³PIEVRQEWXIVERHQEVOIX´XLITVSKVEQ[MPP 4IXIV&IPOMRGVIEXIWZMWGIVEPI\TPSWMSRWSJGSPSV 8LMVH7XVIIX ±9RGSQQSR'YPXYVIW²%VXMWX4ERIP(MWGYWWMSR HMWTPE]ERHMRXIVZIRIHEVSYRHXLIVSSQ*VSQ XLEXHVMZIWXLITIVJSVQERGISJ8LI7YRGSQIW include special portfolio and book workshops, and mass by installing natural forms into hard- 7ER*VERGMWGS'% [MXL.YPMI1MGLIPII\LMFMXMSRGYVEXSVERHWIPIGX the Window gallery to the street, Sollars will from a room of people letting go of their inhibi- educational seminars, student programs, book IHKIHIQTX]WTEGIW'SRHYGXMRKI\TIVMQIRXW -How Wine Became Modern JIEXYVIHEVXMWXW take inspiration from the Bus stop and neigh- tions and accessing a youthful purity that is so signings, screenings, networking opportunities, ERH JYWMRK XLI WGMIRXM½G [MXL XLI EFWYVH LI &IKMR2SZIQFIV ,SYVW8YI*VMTQ7EXTQ borhood for a series of interventions, sculp- SJXIRPSWXERHFYVMIH&VMRKMRWXVYQIRXWXSTPE] PMZITLSXSWLSSXMRKWXEXMSRWERHQYGLQSVI searches nature for clues, builds psychoactive )RH%TVMP   XYVIWERHZMHISW ERHTMGXYVIWSJXLIWYRXSEHHXS8LI7YR´WIZIV ,SYVWEQTQ(EMP] IRZMVSRQIRXW ERH I\TPSVIW REXYVEP TLIRSQ- 3VKERM^IHF],IRV]9VFEGL7*131%´W,IP- [[[WSQEVXWSVK [[[[IEVXWTEGIGSQ KVS[MRKGSPPIGXMSR [[[[SVPHTLSXSSVK IRE 4VIJIVVMRK TIRW MROW QEVOIVW ERH EGV]P- en Hilton Raiser Curator of Architecture and Southern Exposure YBCA   [[[PIJXWTEGIGSQ MGW=IPPIRE.EQIW GSQFMRIW GSQTPI\ EFWXVEGX (IWMKRXLMWI\LMFMXMSRI\TPSVIWXLIVIPEXMSRWLMT XL7XVIIX 1MWWMSR7XVIIX [[[WSI\SVK Rare Device forms into dazzling images which take on lives between design, architecture, and wine in con- 7ER*VERGMWGS'% 7ER*VERGMWGS'% YBCA 1EVOIX7XVIIXEX+YIVVIVS SJXLIMVS[R,IVGSPSVJYPEVVERKIQIRXWSJSV- XIQTSVEV] GYPXYVI,S[;MRI &IGEQI 1SH- -Jason Stephens: Recursion Projection Thera- -The Success of Failure 1MWWMSR7XVIIX 7ER*VERGMWGS'% KERMGWLETIWERHXERKPIHPMRIWEVIEXSRGI¾SVEP ern looks at the material and visual culture of py (EXI2SZIQFIV 7ER*VERGMWGS'% -Aesopica ERHEPMIRSVKERMGERHWGM½ wine over the past three decades and offers a (EXI2SZIQFIV 8MQITQ -The Success of Failure 3TIRMRK 6IGITXMSR2SZIQFIV  MRJS$KEPPIV]LMNMROWGSQ fresh way of understanding the contemporary 6IGYVWMSR4VSNIGXMSR8LIVET] 648 JYWIWMRXI- Writer and composer Cynthia Hopkins is one (EXI2SZIQFIV TQ LXXTKEPPIV]LMNMROWGSQ culture of wine and the role that architecture grative therapeutic massage, immersive video of the founding members of Accinosco, a col- 8MQITQ % GSPPEFSVEXMSR [MXL8LI ;SVOMRK 4VSSJ XS George Krevsky Gallery ERHHIWMKRLEZITPE]IHMRMXWXVERWJSVQEXMSR-X art and shared perspective virtual reality to cre- lective of performing artists, designers, and mu- Writer and composer Cynthia Hopkins is one FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ +IEV]7XVIIX QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI ate a technologically mediated healing modal- sicians dedicated to creating groundbreaking, of the founding members of Accinosco, a col- GIRXIVIHEVSYRH%IWST´W*EFPIW[MXLIEGLEVX- 7ER*VERGMWGS'% culture has been considered as an integrated, ity capable of inducing collective out-of-body original, multi-media, theatrical works that meld lective of performing artists, designers, and mu- MWXMPPYWXVEXMRKEHMJJIVIRXJEFPI -Helen Berggruen: Itinerant Regionalist I\TERWMZIERHVMGLWIXSJGYPXYVEPTLIRSQIRE I\TIVMIRGI8VERWJSVQEXMZILIEPMRKMWTSWWMFPI YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI sicians dedicated to creating groundbreaking,   )RH2SZIQFIV 8LITVIWIRXEXMSR[MPPGSQFMRISVMKMREPEVXMJEGXW -Human Potential Laboratory Exhibition 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW original, multi-media, theatrical works that meld [[[VEVIHIZMGIRIX 8LI+ISVKI/VIZWO]+EPPIV]XEOIWKVIEXTPIE- and commissioned artworks with multimedia (EXI2SZIQFIV XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI YBCA WYVIMRERRSYRGMRKXLIMVJEPPOMGOSJJI\LMFMXMSR presentations to engage multiple senses, includ- 8MQITQ %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW 1MWWMSR7XVIIX ,IPIR &IVKKVYIR -XMRIVERX 6IKMSREPMWX STIR- ing smell, as well as aerial photographs of wine- -The Magical Body distant future, which depicts the saga of a secret XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI 7ER*VERGMWGS'% MRK8LYVWHE]3GXSFIVERHVYRRMRKXLVSYKL growing regions, winery architecture, wine la- (EXI2SZIQFIV QMWWMSRXSWEZIXLI[SVPH %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV -The Success of Failure 7EXYVHE]2SZIQFIV8LIWSPSWLS[ FIPWERHKPEWW[EVI 8MQITQ   distant future, which depicts the saga of a secret (EXI2SZIQFIV &IVKKVYIR´W ½VWX MR 7ER *VERGMWGS WMRGI  -Bill Fontana: Sonic Shadows Unlocking Your Naturally Regenerative Super- [[[]FGESVK QMWWMSRXSWEZIXLI[SVPH 8MQITQ highlights landscapes in the Regionalist and Fig- &IKMR2SZIQFIV powers 54 )\TPSVILS[ERSTIRGEQIVEPIRWVIGSVHWPMKLX   Writer and composer Cynthia Hopkins is one YVEXMZIXVEHMXMSR1SVIXLERSMPTEMRXMRKWERH )RH3GXSFIV -Immortal Foods Reception [MXLI\LMFMXWMRXLIQYWIYQ´W7IIMRK'SPPIGXMSR [[[]FGESVK of the founding members of Accinosco, a col- watercolors depicting views %W TEVX SJ 7*131%´W XL ERRMZIVWEV] XLI (EXI2SZIQFIV XLIRGVIEXIMQEKIWYWMRKPMKLXWMRGSRNYRGXMSR lective of performing artists, designers, and mu- of Europe, the Midwest, and Northern Califor- QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G 8MQITQ N [MXL QSZIQIRX ERH SFNIGXW 'SRWMHIV [LEX sicians dedicated to creating groundbreaking, RMEEVIJIEXYVIHEXXLIKEPPIV] sound sculpture by San Francisco–based sound   gets burned into memory, how time affects original, multi-media, theatrical works that meld   EVXMWX &MPP *SRXERE 8LI [SVO IRXMXPIH 7SRMG [[[WSI\SVK perception, and how one moment impacts the 19 Friday YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI [[[KISVKIOVIZWO]KEPPIV]GSQ 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL The North Point Gallery RI\X0IEZI[MXLPMKLXTEMRXMRKTLSXSTVMRXWERH 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW Left Space ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP .EGOWSR7XVIIX ELIMKLXIRIHWIRWISJWTEGIERHXMQI XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI &V]ERX7XVIIX instruments, creating an acoustic translation of 7ER*VERGMWGS'% O [[[I\TPSVEXSVMYQIHY Anthony Meier Fine Arts %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV 7ER*VERGMWGS'% XLIZMWYEPWTEGI*SRXERE´WGSRGITXLEWIZSPZIH -Gottardo Piazzoni and His Legacy Left Space 'EPMJSVRME7XVIIX distant future, which depicts the saga of a secret -World Photography Festival from his recent investigations into how archi- )RH2SZIQFIV &V]ERX7XVIIX 7ER*VERGMWGS'% QMWWMSRXSWEZIXLI[SVPH (EXI2SZIQFIV tectural structures generate sound in response 6YWWIPP'LEXLEQ1EYVMGI(IP1YIERH8LSQ- 7ER*VERGMWGS'% -Gary Simmons: New Works   )RH2SZIQFIV XSXLIMVWYVVSYRHMRKW7*131%´WGSQQMWWMSR EW;SSH V -World Photography Festival &IKMR2SZIQFIV [[[]FGESVK Featuring talks and presentations for both [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG-   &IKMR2SZIQFIV )RH(IGIQFIV emerging photographers and those with ad- XMZIWSYRHWGYPTXYVI [[[RSVXLTSMRXKEPPIV]GSQ )RH2SZIQFIV ,SYVW8YI*VMEQTQ ZERGMRKTLSXSKVETLMGWOMPPW;MXLERIQTLEWMW -The More Things Change Theatre of Yugen Opening event and a showcase of the winning   SR³PIEVRQEWXIVERHQEVOIX´XLITVSKVEQ[MPP &IKMR2SZIQFIV 1EVMTSWE7XVIIX MQEKIWJVSQXLI7SR];SVPH4LSXSKVE- [[[ERXLSR]QIMIV½RIEVXWGSQ 20 Saturday include special portfolio and book workshops, )RH3GXSFIV 7ER*VERGMWGS'% E phy Awards, work from the World Photography Fivepoints Arthouse educational seminars, student programs, book 8LI1SVI8LMRKW'LERKIWOIXGLIWXLIGSPPIG- -Fall Training Session 7XYHIRX*SGYWTVSKVEQMQEKIWJVSQ³%4LSXS 8ILEQE signings, screenings, networking opportunities, tive mood of the last 10 years, creating a the- (EXI2SZIQFIV 4PIHKIJSV'LMPHVIR´W6MKLXW´%[EVH FIRI½XXMRK 7ER*VERGMWGS'% Catharine Clark Gallery PMZITLSXSWLSSXMRKWXEXMSRWERHQYGLQSVI QEXMGERHTW]GLSPSKMGEPTSVXVEMXSJXLIHIGEHI 8MQITQ 92-')* XLI0MJIXMQI%GLMIZIQIRXI\LMFMXMSR -KANGEN: Return to Origin 150 Minna Street, Ground Floor ,SYVWEQTQ(EMP] (VE[RIRXMVIP]JVSQ7*131%´WGSPPIGXMSRXLMW 8LIWI8VEMRMRK -RXIRWMZIW EVI JSGYWIH SR I\- M awarded to acclaimed Magnum photographer 3TIRMRK 6IGITXMSR2SZIQFIV  7ER*VERGMWGS'% [[[[SVPHTLSXSSVK I\LMFMXMSRI\EQMRIWWYGLXLIQIWEWJVEKQIR- ploring underlying foundations of Nohgaku Eve Arnold this year, and a special selection of TQ -Andy Diaz Hope [[[PIJXWTEGIGSQ tation, fragility, systemic collapse, sudden shifts, EGGSQTPMWLIH IRXIVXEMRQIRX  JSV GSRXIQTS- TEWX97[MRRMRKERHGSQQIRHIH7SR];SVPH )RH(IGIQFIV &IKMR2SZIQFIV OTHER CINEMA entropy, metamorphosis, mutation, materiality, VEV]ETTPMGEXMSR3JXIRHIWGVMFIHEWXLIEVXSJ 4LSXSKVETL]%[EVHWMQEKIW Live calligraphy performance by Aoi Yamaguchi )RH.ERYEV] :EPIRGME7XVIIX ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ performance, Nohgaku refers to the classical LXXT[[[[SVPHTLSXSSVK ERH1M\IHQIHMEMRWXEPPEXMSRF],MVSOS8WYGLM- %RH] (ME^ ,STI´W WSPS I\LMFMXMSR -R½RMXI 7ER*VERGMWGS'% EPP QIHME QEHI WMRGI 8LI 1SVI8LMRKW .ETERIWI XLIEXVI JSVQW SJ 2SL (VEQE  ERH B [[[PIJXWTEGIGSQ QSXS:MHISTVSNIGXMSR Mortal, takes the form of a cave populated by -Screening 'LERKIMWNSMRXP]SVKERM^IHF]7*131%´WJSYV /]SKIR 'SQIH] 8LIMRLIVIRXTVMRGMTPIWEVI SFAI MRJS$½ZITSMRXWEVXLSYWIGSQ GV]WXEPPMRI WXVYGXYVIW XLEX GETXYVI SRI´W MRXIV- (EXI2SZIQFIV curatorial departments—painting and sculp- time-tested, unique and come together to cre- 'LIWXRYX7XVIIX Jancar Jones Gallery nal struggle between the incomprehensibility of 1EXX1G'SVQMGO´W*YXYVI7S&VMKLXQIHMXEXIW ture, media arts, photography, and architecture EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI 7ER*VERGMWGS'% 1MWWMSR7XVIIX XLIMR½RMXIERHSRI´WS[R½RMXIRIWW SR EFERHSRIH WTEGIW MR XLI%QIVMGER;IWX ERHHIWMKR%REVXMWX[MPPFIGSQQMWWMSRIHXS Saturday workshops will be an introduction to -Guillermo Santamarina 7ER*VERGMWGS'%   8LMWLEPJLVWRIEOTIIOEXLMWI\TIVMQIRXEPIW- design a production studio in the overlook gal- RIGIWWEV] YRHIVP]MRK TVMRGMTPIW 8LI 7YRHE] E (EXI2SZIQFIV say considers the failed efforts of the Ameri- -Bruno Fazzolari MRJS$GGPEVOKEPPIV]GSQ PIV]XLEX[MPPI\EQMRIXLIXVERWJSVQEXMSRSJXLI workshops will be an opportunity to deeply 8MQITQ 3TIRMRK 6IGITXMSR2SZIQFIV  [[[GGPEVOKEPPIV]GSQ GER;IWXIVR)\TERWMSRI\TPSVMRKKLSWXXS[RW publishing industry over the last decade—an in - investigate +YMPPIVQS7ERXEQEVMREZMWMXMRKGYVEXSVPIGXYVI TQ Creativity Explored abandoned military bases, and boarded-up dustry that is rapidly coming to terms with the     )RH(IGIQFIV XL7XVIIX XSYVMWXXVETW-RQQ2ESQM9QER´W9OVERMER IQMRIRGISJXLIMRXIVRIX%TYFPMGEXMSR[MPPEPWS [[[XLIEXVISJ]YKIRSVK R [[[WJEMIHY % GSPPEFSVEXMSR [MXL8LI ;SVOMRK 4VSSJ XS 7ER*VERGMWGS'% 8MQI'ETWYPIMWEQMRTIVWSREPNSYVRI]XS be produced in this gallery, which visitors will WE Artspace Southern Exposure FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ -Ritual/Habitual: The Secret Life of Objects her familial roots in Eastern Europe, organized be able to witness taking shape over the course XL7XVIIX XL7XVIIX GIRXIVIHEVSYRH%IWST´W*EFPIW[MXLIEGLEVX- )RH2SZIQFIV MRTSMKRERXITMWSHIWSJIEVXL]ZMPPEKIPMJI4097 WIZIVEPQSRXLW8LMWPEWXWTEGI[MPPIQTLEWM^I 3EOPERH'% 7ER*VERGMWGS'% MWXMPPYWXVEXMRKEHMJJIVIRXJEFPI 8LMWI\LMFMXMSRI\TPSVIWLS[±VMXYEP²ERH±LE- the Bay Area premiere of the much-lauded Last the importance of individual gestures, activism, -ri-FLEKT -Chris Duncan: The Sun   FMXYEP²SFNIGXWERHXLIMVYWIGERFIGSQIMRHMW- %HHVIWW F] -VE *SVX] 7LEHIW SJ &PYI  7EGLW ERHTIVLETWELYQERMWXZMWMSR8LII\LMFMXMSR )RH2SZIQFIV 3TIRMRK 6IGITXMSR2SZIQFIV  [[[NERGEVNSRIWGSQ XMRKYMWLEFPIERHMRXIVGLERKIEFPI GEXEPSKMRK I\XIVMSVW SJ XLI ½REP VIWMHIRGIW SJ [MPPMRGPYHIWSQI[SVOW 'LVMW 7SPPEVW´ [SVO VIZSPZIW EVSYRH XLI VIG- TQ Left Space MRJS$GVIEXMZMX]I\TPSVIHSVK 2= EVXMWXW [LS HMIH SJ %-(7 ,EVMRK 1ET-   lamation and subversion of private and pub- 8LI7YRMWETVSNIGXSJWSYRHERHZMWMSRXLEX &V]ERX7XVIIX [[[GVIEXMZMX]I\TPSVIHSVK TPIXLSVTI)MGLIPFIVKIVERH XSS QER] QSVI  [[[WJQSQESVK lic space through interventions, the results of HI½IW XLI RSXMSR SJ EYHMIRGI ERH TIVJSVQIV 7ER*VERGMWGS'% Gallery Hijinks %2( 1EVG] 7EYHI´W8LMW /MRH SJ8S[R1EVO SOMArts Cultural Center [LMGLEVIMRXIKVEXIHMRXSQM\IHQIHMEMRWXEP- -R MXW MRJERG] XLMW TVSNIGX MRGPYHIH E VSXEXMRK -World Photography Festival &V]ERX7XVIIX 7XVIIX´W7XVIIXSJ(VIEQW&V]ER&S]GI´W:EPIR- &VERRER7XVIIX lations utilizing drawing, photography, sculpture cast of musicians, artists and friends (some with (EXI2SZIQFIV 7ER*VERGMWGS'% GME+EVHIRW6MGL&SXX´W,EVH*IIPMRKWERHJVII 7ER*VERGMWGS'% ERH ZMHIS%X;) 7SPPEVW [MPP GVIEXI E WIVMIW I\TIVMIRGIMRQEOMRKQYWMGERHSXLIVW[MXL- )RH2SZIQFIV -Yellena James and Peter Belkin maps! -Uncommon Cultures SJ[SVOWFEWIHSRXLIMRXIVMSVERHI\XIVMSVSJ SYX GEQIXSKIXLIVJSVMQTVSZMWEXMSREPWSYRH Featuring talks and presentations for both 3TIRMRK 6IGITXMSR 2SZIQFIV     (EXI2SZIQFIV ;)-RWMHI7SPPEVW[MPPYWIMQEKIWERHSFNIGXW QEOMRK WIWWMSRW %X 7SYXLIVR )\TSWYVI 8LI emerging photographers and those with ad- TQ [[[SXLIVGMRIQEGSQ 8MQITQTQ from around the private/public WE space, as 7YRGSRXMRYIWMXWNSYVRI]MRXSEHSPIWGIRGIERH ZERGMRKTLSXSKVETLMGWOMPPW;MXLERIQTLEWMW )\LMFMXMSR)RHW.ERYEV] SFMOMA )RH2SZIQFIV inspiration for a collection of works both on MRZMXIWXLIEYHMIRGIXSTEVXMGMTEXI8LIIRIVK] SR³PIEVRQEWXIVERHQEVOIX´XLITVSKVEQ[MPP 4IXIV&IPOMRGVIEXIWZMWGIVEPI\TPSWMSRWSJGSPSV 8LMVH7XVIIX ±9RGSQQSR'YPXYVIW²%VXMWX4ERIP(MWGYWWMSR HMWTPE]ERHMRXIVZIRIHEVSYRHXLIVSSQ*VSQ XLEXHVMZIWXLITIVJSVQERGISJ8LI7YRGSQIW include special portfolio and book workshops, and mass by installing natural forms into hard- 7ER*VERGMWGS'% [MXL.YPMI1MGLIPII\LMFMXMSRGYVEXSVERHWIPIGX the Window gallery to the street, Sollars will from a room of people letting go of their inhibi- educational seminars, student programs, book IHKIHIQTX]WTEGIW'SRHYGXMRKI\TIVMQIRXW -How Wine Became Modern JIEXYVIHEVXMWXW take inspiration from the Bus stop and neigh- tions and accessing a youthful purity that is so signings, screenings, networking opportunities, ERH JYWMRK XLI WGMIRXM½G [MXL XLI EFWYVH LI &IKMR2SZIQFIV ,SYVW8YI*VMTQ7EXTQ borhood for a series of interventions, sculp- SJXIRPSWXERHFYVMIH&VMRKMRWXVYQIRXWXSTPE] PMZITLSXSWLSSXMRKWXEXMSRWERHQYGLQSVI searches nature for clues, builds psychoactive )RH%TVMP   XYVIWERHZMHISW ERHTMGXYVIWSJXLIWYRXSEHHXS8LI7YR´WIZIV ,SYVWEQTQ(EMP] IRZMVSRQIRXW ERH I\TPSVIW REXYVEP TLIRSQ- 3VKERM^IHF],IRV]9VFEGL7*131%´W,IP- [[[WSQEVXWSVK [[[[IEVXWTEGIGSQ KVS[MRKGSPPIGXMSR [[[[SVPHTLSXSSVK IRE 4VIJIVVMRK TIRW MROW QEVOIVW ERH EGV]P- en Hilton Raiser Curator of Architecture and Southern Exposure YBCA   [[[PIJXWTEGIGSQ MGW=IPPIRE.EQIW GSQFMRIW GSQTPI\ EFWXVEGX (IWMKRXLMWI\LMFMXMSRI\TPSVIWXLIVIPEXMSRWLMT XL7XVIIX 1MWWMSR7XVIIX [[[WSI\SVK Rare Device forms into dazzling images which take on lives between design, architecture, and wine in con- 7ER*VERGMWGS'% 7ER*VERGMWGS'% YBCA 1EVOIX7XVIIXEX+YIVVIVS SJXLIMVS[R,IVGSPSVJYPEVVERKIQIRXWSJSV- XIQTSVEV] GYPXYVI,S[;MRI &IGEQI 1SH- -Jason Stephens: Recursion Projection Thera- -The Success of Failure 1MWWMSR7XVIIX 7ER*VERGMWGS'% KERMGWLETIWERHXERKPIHPMRIWEVIEXSRGI¾SVEP ern looks at the material and visual culture of py (EXI2SZIQFIV 7ER*VERGMWGS'% -Aesopica ERHEPMIRSVKERMGERHWGM½ wine over the past three decades and offers a (EXI2SZIQFIV 8MQITQ -The Success of Failure 3TIRMRK 6IGITXMSR2SZIQFIV  MRJS$KEPPIV]LMNMROWGSQ fresh way of understanding the contemporary 6IGYVWMSR4VSNIGXMSR8LIVET] 648 JYWIWMRXI- Writer and composer Cynthia Hopkins is one (EXI2SZIQFIV TQ LXXTKEPPIV]LMNMROWGSQ culture of wine and the role that architecture grative therapeutic massage, immersive video of the founding members of Accinosco, a col- 8MQITQ % GSPPEFSVEXMSR [MXL8LI ;SVOMRK 4VSSJ XS George Krevsky Gallery ERHHIWMKRLEZITPE]IHMRMXWXVERWJSVQEXMSR-X art and shared perspective virtual reality to cre- lective of performing artists, designers, and mu- Writer and composer Cynthia Hopkins is one FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ +IEV]7XVIIX QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI ate a technologically mediated healing modal- sicians dedicated to creating groundbreaking, of the founding members of Accinosco, a col- GIRXIVIHEVSYRH%IWST´W*EFPIW[MXLIEGLEVX- 7ER*VERGMWGS'% culture has been considered as an integrated, ity capable of inducing collective out-of-body original, multi-media, theatrical works that meld lective of performing artists, designers, and mu- MWXMPPYWXVEXMRKEHMJJIVIRXJEFPI -Helen Berggruen: Itinerant Regionalist I\TERWMZIERHVMGLWIXSJGYPXYVEPTLIRSQIRE I\TIVMIRGI8VERWJSVQEXMZILIEPMRKMWTSWWMFPI YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI sicians dedicated to creating groundbreaking,   )RH2SZIQFIV 8LITVIWIRXEXMSR[MPPGSQFMRISVMKMREPEVXMJEGXW -Human Potential Laboratory Exhibition 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW original, multi-media, theatrical works that meld [[[VEVIHIZMGIRIX 8LI+ISVKI/VIZWO]+EPPIV]XEOIWKVIEXTPIE- and commissioned artworks with multimedia (EXI2SZIQFIV XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI YRFIPMIZEFPI JEGX [MXL SYXVEKISYW ½GXMSR8LI YBCA WYVIMRERRSYRGMRKXLIMVJEPPOMGOSJJI\LMFMXMSR presentations to engage multiple senses, includ- 8MQITQ %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV 7YGGIWWSJ*EMPYVI SV8LI*EMPYVISJ7YGGIWW MW 1MWWMSR7XVIIX ,IPIR &IVKKVYIR -XMRIVERX 6IKMSREPMWX STIR- ing smell, as well as aerial photographs of wine- -The Magical Body distant future, which depicts the saga of a secret XLIXLMVHERH½REPMRWXEPPQIRXSJ,STOMR´W8LI 7ER*VERGMWGS'% MRK8LYVWHE]3GXSFIVERHVYRRMRKXLVSYKL growing regions, winery architecture, wine la- (EXI2SZIQFIV QMWWMSRXSWEZIXLI[SVPH %GGMHIRXEP8VMPSK]ERITMGJSPOXEPIWIXMRXLIJEV -The Success of Failure 7EXYVHE]2SZIQFIV8LIWSPSWLS[ FIPWERHKPEWW[EVI 8MQITQ   distant future, which depicts the saga of a secret (EXI2SZIQFIV &IVKKVYIR´W ½VWX MR 7ER *VERGMWGS WMRGI  -Bill Fontana: Sonic Shadows Unlocking Your Naturally Regenerative Super- [[[]FGESVK QMWWMSRXSWEZIXLI[SVPH 8MQITQ highlights landscapes in the Regionalist and Fig- &IKMR2SZIQFIV powers 55 (415)-357-4000 mond Carver’s short story, this show examines one ‘gem in the rough’ that meets my standards Cricket Engine Gallery www.sfmoma.org the telephone and how its role has shifted from to qualify as a Found Image.” 499 Embarcadero Ave. Building #3 21 Sunday Southern Exposure 26 Friday EWMKRM½GEXMSRSJTPEGIXSETPEGIPIWWRIWW (415) 781-1122 Oakland, CA 94606 N 3030 20th Street (510) 229-7035 [email protected] -Hardwear San Francisco, CA 94110 Electric Works [email protected] www.roberttat.com End: November 29, 2010 Brava Theatre Center -Jason Stephens: Recursion Projection Thera- 130 8th Street www.krowswork.com Stephen Wirtz Gallery Sculpture and wearable art by Shelly Courn- 2781 24th Street py San Francisco, CA 94103 Modernbook Gallery +IEV]7XVIIXVH¾SSV oyer, Solo Exhibition. This exhibition includes: San Francisco, CA 94110 Date: November 21, 2010 -Repossessed +IEV]7XVIIXXL¾SSV San Francisco, CA 94108 Ceremonial Body Adornment, Fine Art Jewelry O -40th Anniversary Gala Celebration Recursion Projection Therapy (RPT) fuses inte- End: November 26, 2010 San Francisco, CA 94108 -Catherine Wagner: Reparations and Sculpture. Date: November 21, 2010 grative therapeutic massage, immersive video In Repossessed, Lucy Puls continues her ex- 'EVSP&IGO[MXL %RKIPE*MWLIV(MROE End: November 27, 2010 www.CricketEngine.org Time: 4:00-10:00pm art and shared perspective virtual reality to cre- ploration of the discarded items of our culture. End: November 27, 2010 (415) 433-6879 www.ShellyCournoyer.com The evening begins with a silent auction and ate a technologically mediated healing modal- With the attention of an anthropologist, Puls World-renowned photographers Angela Fisher www.wirtzgallery.com V an awards ceremony. Following, pioneer perfor- ity capable of inducing collective out-of-body offers these items with a contemporary aes- and Carol Beckwith have devoted their lives Triangle Gallery mance artist/activist, Guillermo Gómez-Peña, experience. Transformative healing is possible. thetic. In this exhibition what is discarded is the to documenting the rapidly vanishing way of 47 Kearny Street presents the San Francisco premier of Strange -Human Potential Laboratory Exhibition very idea of a home—Puls has gleaned photo - life and cultures of the indigenous people of San Francisco, CA 94108 Democracy. The performance includes an ap- Date: November 21, 2010 graphs and items from foreclosed houses. The Africa. Turning their lenses to the great pasto- -Common Ground 30 Tuesday pearance by writer . The eve- Time: 12:00pm-6:00pm surprise is that some of the items: disposals, ralists of the Sudan, they present a story that End: November 27, 2010 E ning ends with a VIP after-party with catering by &YXXIV¾]MRXLI0SXYW4PE]'EQTJSV/MHW chandeliers, door locks are lovingly remade in WXEVXIH[MXLXLIMV½VWXZMWMXXSXLMWVIKMSRXLMVX] Two Person Show featuring intriguing wood Artist-Xchange Radio Africa & Kitchen. Date: November 21, 2010 her sculpture studio from paper. years ago in their latest publication, DINKA: sculptures by Patricia Lyons Stroud and exqui- 3169 16th Street (415) 826-8009 Time: 12:00-3:00pm Hours: Mon-Fri 11:00am-6:00pm, Sat 11:00- The Great Cattle Herders of the African Sudan. WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- San Francisco, CA 94103 [email protected] (415) 863-2141 5:00pm Granted acceptance among the Dinka people, riere. The organic materials used by the two -Realism www.galeriadelaraza.org www.soex.org (415) 626 5496 who call themselves “jieng” and “mony-jang” artists echo a poetic interplay between wood Ends: November 30, 2010 M www.sfelectricworks.com Left Space meaning “men of men”, Beckwith and Fisher and paper. Reproducing the truth and accuracy of their 2055 Bryant Street WE Artspace beautifully capture this rare symbiosis between Hours: Tues-Sat, 11:00am-5:00pm subjects, there will be 15-20 local San Francisco San Francisco, CA 94110 768 40th Street man and animal with their photographs show- [email protected] artists displaying life like works of art. Realism is -World Photography Festival 25 Thursday Oakland, CA 94609 casing these legendary cattlemen. www.triangle-sf.com an artistic movement that renders life like char- B End: November 21, 2010 -Small Works, Important Presence (415) 732-0300 acters, situations, and objects. http://www.worldphoto.org Begin: November 26, 2010 www.modernbook.com (415) 864-1490 www.leftspace.com Ever Gold Gallery End: December 19, 2010 OTHER CINEMA www.artist-xchange.com Theatre of Yugen 441 O’Farrell Street Group show with works by local, emerging 992 Valencia Street 28 Sunday ArtPeople Gallery 2840 Mariposa San Francisco, CA 94102 artists such as: Karen Thomas, T. Joseph Enos, San Francisco, CA 94110 50 Post Street Level 2 #41 E San Francisco, CA 94110 Kija Lucas, Erik Parra, Elizabeth Bernstein, Ruth -Screening 2I[*SVQWSJ0SEJXMRK7SYV(SYKL San Francisco, CA 94104 -Fall Training Session Closing Reception: November 25, 2010 Hodges and Kit Rosenberg. Date: November 27, 2010 Rare Device -Magel Landet Date: November 21, 2010 6:00-9:00pm www.weartspace.com 8LI ½VWX°GSGYVEXIH [MXL ']VYW 8EFEV°SJ 1845 Market Street at Guerrero End: November 30, 2010 Time: 1:00-5:00pm “Mark McCloud was the head of an LSD con- three parts in our Testing…Testing exploratory San Francisco, CA 94103 The interrelationship between art and nature R These Training Intensives are focused on ex- spiracy that gained a new generation to the sound series has the notorious Lori Vargabus- -Sarah McNeil has been a constant in my past few years. My ploring underlying foundations of Nohgaku cause of LSD,” assistant U.S. attorney Mike Oli- tling in from Austin with her 20-min. live A/V End: November 28, 2010 trip to KAUAI, the Garden Island, steeped me (accomplished entertainment) for contempo- ver said. “It is a cause that creates in people the 27 Saturday set, using—count ’em—four projectors in Be - New drawings by New Zealand artist Sarah in colour and admiration for nature. This exhibi- rary application. Often described as the art of capacity to make life-threatening and life-steal- yond the Frame of Light and Strange Sound. McNeil. tion, which I am now presenting, is a statement performance, Nohgaku refers to the classical ing decisions.” The artist continues to document Zach Iannazzi’s Chanting at the Crystal Sea (415) 863-3969 of this encounter. Japanese theatre forms of Noh (Drama) and the LSD hit or dose of blotter in minute detail Dolby Chadwick Gallery also employs multiple-projection and live music. www.raredevice.net (415) 956-3650 Kyogen (Comedy). The inherent principles are as he comments on the state of the arts and 210 Post Street, Suite 205 PLUS Shemoel Recalde,Luis Garcia, and Omori The Compound Gallery [email protected] time-tested, unique and come together to cre- politics in relation to psychedelics. San Francisco, CA 94108 (A.D.D.) debut Blackhole Bizarro, and Shalo P 1167 65th Street www.artpeople.net EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI [email protected] -Flesh was the Reason performs Liquid 1. Pad McGlaughlin engenders Oakland, CA 94608 Caldwell Snyder Gallery Saturday workshops will be an introduction to www.evergoldgallery.blogspot.com Exhibition Ends: November 27, 2010 a three-wall immersive environment of ste- -Beastmaster: Jaime Lakatos 341 Sutter Street necessary underlying principles. The Sunday Gallery Bergelli New paintings by Sherie’ Franssen. reoscopic imagery, while Walter Funk shares Closing Reception: November 28, 2010 San Francisco, CA 94108 workshops will be an opportunity to deeply 483 Magnolia Avenue Hours: Tues-Fri 10:00am-6:00pm, Sat 11:00am- his homemade Hologlyphics. The premiere of 3:00-6:00pm -Enrique Santana investigate Larkspur, CA 94939 5:00pm Scott Stark’s A Better World documents the Presenting the Bride of Darwinstein and the End: November 30, 2010 (415) 621-0507 1EVMS+SQI^1IQSVMIWSJXLI-R½RMXI (415) 956-3560 public deployment of the miraculous TV-B- amazing hunting lodge of evolution gone Recent paintings www.theatreofyugen.org End: November 25, 2010 Kala Art Institute Gone. AND contemporary works from Paper wrong. Prints, drawings, and sculpture by Jaime www.caldwellsnyder.com SFMOMA Gomez’s paintings beckon the viewers to their 2990 San Pablo Avenue Rad,People Like Us, , Animal Charm, Lakatos. Lakatos uses a mixture of fabrics and Jack Fischer Gallery 151 Third Street own childhood. His vibrant work breathes life Berkeley, CA 94702 Davy Force/TV Sheriff, and a Robot Dog cam- resin to create her taxidermy sculptures (often 49 Geary Street San Francisco, CA 94103 and joy. The source of his images is often au- -Blurring the Lines eo. Free vinyl at our “high-art-bar”! *$7. referred to as ‘vegan taxidermy’). San Francisco, CA 94108 -The Beth Custer Ensemble tobiographical and reminiscent of the fantasies End: November 27, 2010 (415) 648-0654 Hours: Thur-Sun 12:00-6:00pm -JOHN YOYOGI FORTES Date: October 21, 2010 of his childhood. Images of paper ships, circus Blurring the Lines investigates elusive experi- www.othercinema.com (510) 817-4042 End: November 30, 2010 Time: 6:00-9:45pm whirls, and the priest who rode the bicycle ences relating to visual perception, the body Robert Tat Gallery [email protected] (415) 956-1178 While the galleries await the installation of our evoke memories of his growing years. Playful and the decay and regeneration found in na- 49 Geary Street, Suite 211 www.thecompoundgallery.com [[[NEGO½WGLIVKEPPIV]GSQ fall exhibitions, guests can roam the museum’s objects such as the juggler, the ballerina, the ture. Working at the intersection of drawing, San Francisco, CA 94108 YBCA MONTGOMERY GALLERY open spaces recharged by artists. In the Phyl- horse, intermingle with simple architectural performance and object-making, these artists -Accidental Art 701 Mission Street 406 Jackson Street lis Wattis Theater, San Francisco Cinematheque GSRWXVYGXMSRW MR¾YIRGIH F] XLI PMXIVEXYVI SJ imaginatively engage in the use of simple every- End: November 27, 2010 San Francisco, CA 94103 San Francisco, CA 94111 TVIWIRXW½PQWF]%PI\ERHIV,EQQMHEWMKRM½- Latin-American magic realism. He creates a day materials to create works ranging from the Robert Tat Gallery presents a selection of -PAUSE: Practice and Exchange -American Expatriates and the European GERXMJYRHIVETTVIGMEXIH½KYVIMRXLGIRXYV] world of fantasy, reassembling familiar images sparsely elegant to the obsessively quirky. Art- photographs by unknown photographers. The End: November 28, 2010 Impressionists cinema who collaborated with Maya Deren on and spaces, creating a new synthesis. The artist ists: David Fought, Wendy Hough, Sandra Ono, prints on view cover the range of vernacular Koki Tanaka is a mixed-media artist who uses End: November 30, 2010 TIVLETWXLIEZERXKEVHI´WQSWXMR¾YIRXMEP[SVO describes his work as communicating without Robert Ortbal, Curated by Lauren Davies. photography, which has become quite popular ZMHISERHJSYRHSFNIGXWXSGVIEXIMGSRMGVI¾IG- Hours: Tue-Fri 10:00-5:30pm, Sat 11:00-5:00pm, Meshes of the Afternoon. The Beth Custer saying the obvious, as that would eliminate the (510) 841-7000 in recent years and is now a widely accepted tions of everyday life. Combining humor with Mon, by appointment. Ensemble premieres new scores for some of attraction of the painting. [email protected] genre of art photography. The exhibition con- social criticism, he manipulates everyday ob- (415) 788-8300 ,EQQMH´WIEVPMIWX½PQWXLIRTIVJSVQWERSVMKM- (414) 945-9454 www.kala.org centrates on the vernacular photograph as “ac- jects in their surroundings, releasing them from [email protected] nal score to Mikaberidze’s long-banned Soviet www.bergelli.com Krowswork cidental art.” Connoisseurship plays an impor- any utilitarian function they may have, to create www.montgomerygallery.com WMPIRX½PQ1]+VERHQSXLIVMRXLI,EEW%XVMYQ Park Life 480 23rd Street, side entrance tant role. Gallery director Robert Tat explains “I an entirely new meaning. SOMArts Cultural Center San Francisco’s Muistardeaux Collective pres- 220 Clement Street Oakland, CA screen these images with the same criteria I use (415) 978-2787 934 Brannan Street IRXWEWMXIWTIGM½G[SVOMRXLIKEPPIVMIWERH San Francisco, CA 94118-2408 -Where I’m Calling From [LIRIZEPYEXMRKE½RIEVXTLSXSKVETLEVXMWXMG www.ybca.org San Francisco, CA 94123 Meatpaper magazine is back with food on the -Steven Lopez and Masako Miki End: November 27, 2010 appeal, engaging or emotional subject matter, -I Live Here SF roof. 7 p.m. Films by Alexander Hammid with Show Ends: November 25, 2010 Where I’m Calling From, or Half-way Home, and print quality. I’m looking for photographs Closing Reception: November 30, 2010 music by Beth Custer Ensemble 9 p.m. Screen- 415-386-7275 a group show featuring video about the tele- that were made without the intention of being 29 Monday 5:00-7:00pm ing of My Grandmother with music by Beth www.parklifestore.com phone by Dale Hoyt, Regina Clarkinia, Jan Pea- art, yet posses an artistic quality. I often search Exhibition curated by Julie Michele, community Custer Ensemble cock, and others. Taking its name from a Ray- XLVSYKL SZIV  TLSXSKVETLW XS ½RH XLEX based photography and story telling project. 56 (415)-357-4000 mond Carver’s short story, this show examines one ‘gem in the rough’ that meets my standards Cricket Engine Gallery www.sfmoma.org the telephone and how its role has shifted from to qualify as a Found Image.” 499 Embarcadero Ave. Building #3 21 Sunday Southern Exposure 26 Friday EWMKRM½GEXMSRSJTPEGIXSETPEGIPIWWRIWW (415) 781-1122 Oakland, CA 94606 N 3030 20th Street (510) 229-7035 [email protected] -Hardwear San Francisco, CA 94110 Electric Works [email protected] www.roberttat.com End: November 29, 2010 Brava Theatre Center -Jason Stephens: Recursion Projection Thera- 130 8th Street www.krowswork.com Stephen Wirtz Gallery Sculpture and wearable art by Shelly Courn- 2781 24th Street py San Francisco, CA 94103 Modernbook Gallery +IEV]7XVIIXVH¾SSV oyer, Solo Exhibition. This exhibition includes: San Francisco, CA 94110 Date: November 21, 2010 -Repossessed +IEV]7XVIIXXL¾SSV San Francisco, CA 94108 Ceremonial Body Adornment, Fine Art Jewelry O -40th Anniversary Gala Celebration Recursion Projection Therapy (RPT) fuses inte- End: November 26, 2010 San Francisco, CA 94108 -Catherine Wagner: Reparations and Sculpture. Date: November 21, 2010 grative therapeutic massage, immersive video In Repossessed, Lucy Puls continues her ex- 'EVSP&IGO[MXL %RKIPE*MWLIV(MROE End: November 27, 2010 www.CricketEngine.org Time: 4:00-10:00pm art and shared perspective virtual reality to cre- ploration of the discarded items of our culture. End: November 27, 2010 (415) 433-6879 www.ShellyCournoyer.com The evening begins with a silent auction and ate a technologically mediated healing modal- With the attention of an anthropologist, Puls World-renowned photographers Angela Fisher www.wirtzgallery.com V an awards ceremony. Following, pioneer perfor- ity capable of inducing collective out-of-body offers these items with a contemporary aes- and Carol Beckwith have devoted their lives Triangle Gallery mance artist/activist, Guillermo Gómez-Peña, experience. Transformative healing is possible. thetic. In this exhibition what is discarded is the to documenting the rapidly vanishing way of 47 Kearny Street presents the San Francisco premier of Strange -Human Potential Laboratory Exhibition very idea of a home—Puls has gleaned photo - life and cultures of the indigenous people of San Francisco, CA 94108 Democracy. The performance includes an ap- Date: November 21, 2010 graphs and items from foreclosed houses. The Africa. Turning their lenses to the great pasto- -Common Ground 30 Tuesday pearance by writer Sandra Cisneros. The eve- Time: 12:00pm-6:00pm surprise is that some of the items: disposals, ralists of the Sudan, they present a story that End: November 27, 2010 E ning ends with a VIP after-party with catering by &YXXIV¾]MRXLI0SXYW4PE]'EQTJSV/MHW chandeliers, door locks are lovingly remade in WXEVXIH[MXLXLIMV½VWXZMWMXXSXLMWVIKMSRXLMVX] Two Person Show featuring intriguing wood Artist-Xchange Radio Africa & Kitchen. Date: November 21, 2010 her sculpture studio from paper. years ago in their latest publication, DINKA: sculptures by Patricia Lyons Stroud and exqui- 3169 16th Street (415) 826-8009 Time: 12:00-3:00pm Hours: Mon-Fri 11:00am-6:00pm, Sat 11:00- The Great Cattle Herders of the African Sudan. WMXI½KYVEXMZITETIVWGYPTXYVIWF]6IRqI'EV- San Francisco, CA 94103 [email protected] (415) 863-2141 5:00pm Granted acceptance among the Dinka people, riere. The organic materials used by the two -Realism www.galeriadelaraza.org www.soex.org (415) 626 5496 who call themselves “jieng” and “mony-jang” artists echo a poetic interplay between wood Ends: November 30, 2010 M www.sfelectricworks.com Left Space meaning “men of men”, Beckwith and Fisher and paper. Reproducing the truth and accuracy of their 2055 Bryant Street WE Artspace beautifully capture this rare symbiosis between Hours: Tues-Sat, 11:00am-5:00pm subjects, there will be 15-20 local San Francisco San Francisco, CA 94110 768 40th Street man and animal with their photographs show- [email protected] artists displaying life like works of art. Realism is -World Photography Festival 25 Thursday Oakland, CA 94609 casing these legendary cattlemen. www.triangle-sf.com an artistic movement that renders life like char- B End: November 21, 2010 -Small Works, Important Presence (415) 732-0300 acters, situations, and objects. http://www.worldphoto.org Begin: November 26, 2010 www.modernbook.com (415) 864-1490 www.leftspace.com Ever Gold Gallery End: December 19, 2010 OTHER CINEMA www.artist-xchange.com Theatre of Yugen 441 O’Farrell Street Group show with works by local, emerging 992 Valencia Street 28 Sunday ArtPeople Gallery 2840 Mariposa San Francisco, CA 94102 artists such as: Karen Thomas, T. Joseph Enos, San Francisco, CA 94110 50 Post Street Level 2 #41 E San Francisco, CA 94110 Kija Lucas, Erik Parra, Elizabeth Bernstein, Ruth -Screening 2I[*SVQWSJ0SEJXMRK7SYV(SYKL San Francisco, CA 94104 -Fall Training Session Closing Reception: November 25, 2010 Hodges and Kit Rosenberg. Date: November 27, 2010 Rare Device -Magel Landet Date: November 21, 2010 6:00-9:00pm www.weartspace.com 8LI ½VWX°GSGYVEXIH [MXL ']VYW 8EFEV°SJ 1845 Market Street at Guerrero End: November 30, 2010 Time: 1:00-5:00pm “Mark McCloud was the head of an LSD con- three parts in our Testing…Testing exploratory San Francisco, CA 94103 The interrelationship between art and nature R These Training Intensives are focused on ex- spiracy that gained a new generation to the sound series has the notorious Lori Vargabus- -Sarah McNeil has been a constant in my past few years. My ploring underlying foundations of Nohgaku cause of LSD,” assistant U.S. attorney Mike Oli- tling in from Austin with her 20-min. live A/V End: November 28, 2010 trip to KAUAI, the Garden Island, steeped me (accomplished entertainment) for contempo- ver said. “It is a cause that creates in people the 27 Saturday set, using—count ’em—four projectors in Be - New drawings by New Zealand artist Sarah in colour and admiration for nature. This exhibi- rary application. Often described as the art of capacity to make life-threatening and life-steal- yond the Frame of Light and Strange Sound. McNeil. tion, which I am now presenting, is a statement performance, Nohgaku refers to the classical ing decisions.” The artist continues to document Zach Iannazzi’s Chanting at the Crystal Sea (415) 863-3969 of this encounter. Japanese theatre forms of Noh (Drama) and the LSD hit or dose of blotter in minute detail Dolby Chadwick Gallery also employs multiple-projection and live music. www.raredevice.net (415) 956-3650 Kyogen (Comedy). The inherent principles are as he comments on the state of the arts and 210 Post Street, Suite 205 PLUS Shemoel Recalde,Luis Garcia, and Omori The Compound Gallery [email protected] time-tested, unique and come together to cre- politics in relation to psychedelics. San Francisco, CA 94108 (A.D.D.) debut Blackhole Bizarro, and Shalo P 1167 65th Street www.artpeople.net EXIEVI½RIHERHTS[IVJYPWXEKIEIWXLIXMG8LI [email protected] -Flesh was the Reason performs Liquid 1. Pad McGlaughlin engenders Oakland, CA 94608 Caldwell Snyder Gallery Saturday workshops will be an introduction to www.evergoldgallery.blogspot.com Exhibition Ends: November 27, 2010 a three-wall immersive environment of ste- -Beastmaster: Jaime Lakatos 341 Sutter Street necessary underlying principles. The Sunday Gallery Bergelli New paintings by Sherie’ Franssen. reoscopic imagery, while Walter Funk shares Closing Reception: November 28, 2010 San Francisco, CA 94108 workshops will be an opportunity to deeply 483 Magnolia Avenue Hours: Tues-Fri 10:00am-6:00pm, Sat 11:00am- his homemade Hologlyphics. The premiere of 3:00-6:00pm -Enrique Santana investigate Larkspur, CA 94939 5:00pm Scott Stark’s A Better World documents the Presenting the Bride of Darwinstein and the End: November 30, 2010 (415) 621-0507 1EVMS+SQI^1IQSVMIWSJXLI-R½RMXI (415) 956-3560 public deployment of the miraculous TV-B- amazing hunting lodge of evolution gone Recent paintings www.theatreofyugen.org End: November 25, 2010 Kala Art Institute Gone. AND contemporary works from Paper wrong. Prints, drawings, and sculpture by Jaime www.caldwellsnyder.com SFMOMA Gomez’s paintings beckon the viewers to their 2990 San Pablo Avenue Rad,People Like Us, Negativland, Animal Charm, Lakatos. Lakatos uses a mixture of fabrics and Jack Fischer Gallery 151 Third Street own childhood. His vibrant work breathes life Berkeley, CA 94702 Davy Force/TV Sheriff, and a Robot Dog cam- resin to create her taxidermy sculptures (often 49 Geary Street San Francisco, CA 94103 and joy. The source of his images is often au- -Blurring the Lines eo. Free vinyl at our “high-art-bar”! *$7. referred to as ‘vegan taxidermy’). San Francisco, CA 94108 -The Beth Custer Ensemble tobiographical and reminiscent of the fantasies End: November 27, 2010 (415) 648-0654 Hours: Thur-Sun 12:00-6:00pm -JOHN YOYOGI FORTES Date: October 21, 2010 of his childhood. Images of paper ships, circus Blurring the Lines investigates elusive experi- www.othercinema.com (510) 817-4042 End: November 30, 2010 Time: 6:00-9:45pm whirls, and the priest who rode the bicycle ences relating to visual perception, the body Robert Tat Gallery [email protected] (415) 956-1178 While the galleries await the installation of our evoke memories of his growing years. Playful and the decay and regeneration found in na- 49 Geary Street, Suite 211 www.thecompoundgallery.com [[[NEGO½WGLIVKEPPIV]GSQ fall exhibitions, guests can roam the museum’s objects such as the juggler, the ballerina, the ture. Working at the intersection of drawing, San Francisco, CA 94108 YBCA MONTGOMERY GALLERY open spaces recharged by artists. In the Phyl- horse, intermingle with simple architectural performance and object-making, these artists -Accidental Art 701 Mission Street 406 Jackson Street lis Wattis Theater, San Francisco Cinematheque GSRWXVYGXMSRW MR¾YIRGIH F] XLI PMXIVEXYVI SJ imaginatively engage in the use of simple every- End: November 27, 2010 San Francisco, CA 94103 San Francisco, CA 94111 TVIWIRXW½PQWF]%PI\ERHIV,EQQMHEWMKRM½- Latin-American magic realism. He creates a day materials to create works ranging from the Robert Tat Gallery presents a selection of -PAUSE: Practice and Exchange -American Expatriates and the European GERXMJYRHIVETTVIGMEXIH½KYVIMRXLGIRXYV] world of fantasy, reassembling familiar images sparsely elegant to the obsessively quirky. Art- photographs by unknown photographers. The End: November 28, 2010 Impressionists cinema who collaborated with Maya Deren on and spaces, creating a new synthesis. The artist ists: David Fought, Wendy Hough, Sandra Ono, prints on view cover the range of vernacular Koki Tanaka is a mixed-media artist who uses End: November 30, 2010 TIVLETWXLIEZERXKEVHI´WQSWXMR¾YIRXMEP[SVO describes his work as communicating without Robert Ortbal, Curated by Lauren Davies. photography, which has become quite popular ZMHISERHJSYRHSFNIGXWXSGVIEXIMGSRMGVI¾IG- Hours: Tue-Fri 10:00-5:30pm, Sat 11:00-5:00pm, Meshes of the Afternoon. The Beth Custer saying the obvious, as that would eliminate the (510) 841-7000 in recent years and is now a widely accepted tions of everyday life. Combining humor with Mon, by appointment. Ensemble premieres new scores for some of attraction of the painting. [email protected] genre of art photography. The exhibition con- social criticism, he manipulates everyday ob- (415) 788-8300 ,EQQMH´WIEVPMIWX½PQWXLIRTIVJSVQWERSVMKM- (414) 945-9454 www.kala.org centrates on the vernacular photograph as “ac- jects in their surroundings, releasing them from [email protected] nal score to Mikaberidze’s long-banned Soviet www.bergelli.com Krowswork cidental art.” Connoisseurship plays an impor- any utilitarian function they may have, to create www.montgomerygallery.com WMPIRX½PQ1]+VERHQSXLIVMRXLI,EEW%XVMYQ Park Life 480 23rd Street, side entrance tant role. Gallery director Robert Tat explains “I an entirely new meaning. SOMArts Cultural Center San Francisco’s Muistardeaux Collective pres- 220 Clement Street Oakland, CA screen these images with the same criteria I use (415) 978-2787 934 Brannan Street IRXWEWMXIWTIGM½G[SVOMRXLIKEPPIVMIWERH San Francisco, CA 94118-2408 -Where I’m Calling From [LIRIZEPYEXMRKE½RIEVXTLSXSKVETLEVXMWXMG www.ybca.org San Francisco, CA 94123 Meatpaper magazine is back with food on the -Steven Lopez and Masako Miki End: November 27, 2010 appeal, engaging or emotional subject matter, -I Live Here SF roof. 7 p.m. Films by Alexander Hammid with Show Ends: November 25, 2010 Where I’m Calling From, or Half-way Home, and print quality. I’m looking for photographs Closing Reception: November 30, 2010 music by Beth Custer Ensemble 9 p.m. Screen- 415-386-7275 a group show featuring video about the tele- that were made without the intention of being 29 Monday 5:00-7:00pm ing of My Grandmother with music by Beth www.parklifestore.com phone by Dale Hoyt, Regina Clarkinia, Jan Pea- art, yet posses an artistic quality. I often search Exhibition curated by Julie Michele, community Custer Ensemble cock, and others. Taking its name from a Ray- XLVSYKL SZIV  TLSXSKVETLW XS ½RH XLEX based photography and story telling project. 57 continued on page 79 Event Calendar: December SFSFSFAAAQQQ

LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com 58 Event Calendar: December SFSFSFAAAQQQ

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XLIPEXIWXLVSYKLXLIXLGIRXYV]XLEX -The Marvelous Museum: A Project by Mark -African Art in Context QSRYQIRXEP*EPPSJXLI+MERXW MRK[MXL=MHHMWLSV%VIXLE*VEROPMRHSMRKEW MRGPYHMRK:MRGIRXZER+SKL,IRVMHI8SYPSYWI WLS[*YNMZMI[IHJVSQZEVMSYWZERXEKITSMRXW Dion (MZIVWIEVXMRGPYHMRKMXIQWSJHVIWWERHFSH] -Memory XEOISR±7[ERII² 0EYXVIG4EYP+EYKYMRERHXLIPIEHIVWSJ0IW EX HMJJIVIRX XMQIW SJ ]IEV ERH HYVMRK EPP JSYV )RH1EVGL SVREQIRXJVSQXLI,MQFETISTPISJ2EQMFME )RH*IFVYEV] -Curious George Saves the Day 2EFMW 4MIVVI &SRREVH ERH )HSYEVH :YMPPEVH WIEWSRW/I]EQSRKXLIWIPIGXMSRWEVIWIZIVEP 1SYRXMRK ER YRTVIGIHIRXIH I\TIHMXMSR ERHFIEH[SVOF]XLI>YPYERH2HIFIPITIS- %WXLIXLIQISJQIQSV]MWGSRWMHIVIHF]E End: March 13, 2011 -XMWLIVI[LIVIXLI3VWE]´WGSPPIGXMSRWLMRIW ZSPYQIW JIEXYVMRK MPPYWXVEXMSRW JVSQ ,SOYWEM´W XLVSYKL XLI 1YWIYQ´W EVX LMWXSV] ERH REXY- TPI RYQFIVSJEVXWKVSYTWEX7XERJSVHXLMWHMWTPE] 'YVMSYW+ISVKIXLIMQTMWLQSROI]TVSXEKS- FVMKLXIWX[MXLQEWXIVTMIGIWWYGLEW:ER+SKL´W 3RI,YRHVIH:MI[WSJ1SYRX*YNMTYFPMWLIH VEP WGMIRGI GSPPIGXMSRW 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XLIPEXIWXLVSYKLXLIXLGIRXYV]XLEX -The Marvelous Museum: A Project by Mark -African Art in Context QSRYQIRXEP*EPPSJXLI+MERXW MRK[MXL=MHHMWLSV%VIXLE*VEROPMRHSMRKEW MRGPYHMRK:MRGIRXZER+SKL,IRVMHI8SYPSYWI WLS[*YNMZMI[IHJVSQZEVMSYWZERXEKITSMRXW Dion (MZIVWIEVXMRGPYHMRKMXIQWSJHVIWWERHFSH] -Memory XEOISR±7[ERII² 0EYXVIG4EYP+EYKYMRERHXLIPIEHIVWSJ0IW EX HMJJIVIRX XMQIW SJ ]IEV ERH HYVMRK EPP JSYV )RH1EVGL SVREQIRXJVSQXLI,MQFETISTPISJ2EQMFME )RH*IFVYEV] -Curious George Saves the Day 2EFMW 4MIVVI &SRREVH ERH )HSYEVH :YMPPEVH WIEWSRW/I]EQSRKXLIWIPIGXMSRWEVIWIZIVEP 1SYRXMRK ER YRTVIGIHIRXIH I\TIHMXMSR ERHFIEH[SVOF]XLI>YPYERH2HIFIPITIS- %WXLIXLIQISJQIQSV]MWGSRWMHIVIHF]E End: March 13, 2011 -XMWLIVI[LIVIXLI3VWE]´WGSPPIGXMSRWLMRIW ZSPYQIW JIEXYVMRK MPPYWXVEXMSRW JVSQ ,SOYWEM´W XLVSYKL XLI 1YWIYQ´W EVX LMWXSV] ERH REXY- TPI RYQFIVSJEVXWKVSYTWEX7XERJSVHXLMWHMWTPE] 'YVMSYW+ISVKIXLIMQTMWLQSROI]TVSXEKS- FVMKLXIWX[MXLQEWXIVTMIGIWWYGLEW:ER+SKL´W 3RI,YRHVIH:MI[WSJ1SYRX*YNMTYFPMWLIH VEP WGMIRGI GSPPIGXMSRW GSRGITXYEP EVXMWX 1EVO -The Life and Legacy of the Stanford Family I\TERHWXLEXGSQQYRMX]GSRZIVWEXMSRERHEWOW RMWXSJQER]EHZIRXYVIWQE]RIZIVLEZIWIIR 7XEVV]2MKLXSZIVXLI6LSRIELEYRXMRK7IPJ FIX[IIR  ERH  EJXIV LMW WYGGIWWJYP (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- )\EQMRIWXLIMRXIVIWXWERHEGGSQTPMWLQIRXWSJ ZMI[IVWXSGSRWMHIVXLIVSPIXLEXQIQSV]TPE]W XLIPMKLXSJHE]MJMX[IVIRSXJSVXLIHIXIVQMRE- 4SVXVEMXERH&IHVSSQEX%VPIW8LII\LMFMXMSR GSPSVTVMRXWIVMIW8LMVX]7M\:MI[WSJ1SYRX*YNM XMSRWERHMRXIVZIRXMSRWXLVSYKLSYXXLIEVXKEP- XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G in the present. XMSRERHGSYVEKISJLMWGVIEXSVWXLIMPPYWXVEXSV MRGPYHIWEWYTIVMSVGSPPIGXMSRSJTEMRXMRKWJVSQ GE¯  PIVMIWHVE[MRK YTSR XLI SZIVPSSOIH SVTLERW 6EMPVSEHXLI4EPS%PXS7XSGO*EVQXLIJSYRH- -Mami Wata: Arts for Water Spirits in Africa ,%6I]ERHLMW[MJIEYXLSVERHEVXMWX1EVKVIX XLI4SRX%ZIRWGLSSPMRGPYHMRK+EYKYMR´WQEW- -Japanesque GYVMSWMXMIWERH XVIEWYVIW JVSQ XLI GSPPIGXMSRW MRKSJ7XERJSVH9RMZIVWMX]ERHXLIIEVP]HE]WSJ and Its Diasporas 6I]8LII\LMFMXMSRJIEXYVIWRIEVP]SVMKMREP XIVTMIGI 7IPJ4SVXVEMX [MXL=IPPS[ 'LVMWX8LI )RH.ERYEV] 1ER]SJXLIWISFNIGXWHEXIFEGOXS31'%´W 61 predecessor institutions and, while they often publishing industry over the last decade—an in - United States in three decades, surveys Henri Terrace Gallery Gibbons is the telling of a story that contacts www.evergoldgallery.com lie outside of OMCA’s California focus, still tell dustry that is rapidly coming to terms with the Cartier-Bresson’s entire career with a presen- 0E(IWXMXYXMSRHIPENIYRI½PPIMWGSQTSWIHSJ us at the level of the soul. Visionary art that is Exploratorium a rich and interesting story of how museum eminence of the internet. A publication will also tation of about three hundred photographs, wallpaper, wooden sculptures, and projected inspirational and transformative. 3601 Lyon Street D collections are assembled over time. OMCA be produced in this gallery, which visitors will mostly arranged thematically and supplement- animations depicting warring cartoon-like char- (415) 956-3650 San Francisco, CA 94123 Senior Curator of Art René de Guzman will be able to witness taking shape over the course ed with periodicals and books. One of the most acters in masks who represent various cultures. [email protected] -After Dark: Sugar GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR several months. This last space will emphasize SVMKMREP EGGSQTPMWLIH MR¾YIRXMEP ERH FIPSZIH These monsters play out concepts inspired by www.artpeople.net Date: December 2, 2010 of Dion’s work, which will be accompanied by a the importance of individual gestures, activism, ½KYVIWMRXLILMWXSV]SJTLSXSKVETL]'EVXMIV the philosophical theories of the French writers Big Umbrella Studios Time: 6:00-10:00pm publication by Chronicle Books in partnership and perhaps a humanist vision. The exhibition Bresson’s inventive work of the early 1930s collective Tiqqun, active from 1999-2001. Por- 906.5 Divisadero Street December is all about sugar. It’s a fuel and E with The Believer magazine. The book itself, like will include some 75 works. LIPTIHHI½RIXLIGVIEXMZITSXIRXMEPSJQSHIVR traying a young girl as the embodiment of the San Francisco, CA a sculpture medium over the holidays. The many of Dion’s artworks, is a compendium of -Bill Fontana: Sonic Shadows photography, and his uncanny ability to capture capitalist machine and the meaninglessness of -Warmest Winter in 40 Years Exploratorium gets an early start on the sci- oddities and discoveries featuring an in-depth End: October 16, 2011 life on the run made his work synonymous with modern life, the collective calls for a new social Opening Reception: December 2, 2010 ence and art of this seasonal substance. After interview with the artist by Lawrence Weschler, As part of SFMOMA’s 75th anniversary, the ±XLI HIGMWMZI QSQIRX²°XLI XMXPI SJ LMW ½VWX order, in which the young girl is overthrown. 5:00pm Dark is included in the price of admission to C photographs by David Maisel, and writings by a QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G major book. He joined Robert Capa and others -Cao Fei: 2009 RMB City Series End: January 2, 2010 the Exploratorium. Or become an After Dark range of cultural and art historians. sound sculpture by San Francisco–based sound in founding the Magnum photo agency, which End: January 9, 2011 Here’s to the Bay’s Real Summer Season. Who’s member (admission is for ages 18 and up) and -PIXAR: 25 Years of Animation artist Bill Fontana. The work, entitled Sonic enabled photojournalists to reach a broad au- Video Lounge laughing now? attend the next twelve After Dark events for End: January 9, 2011 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL dience through magazines such as LIFE while www.ybca.org (415) 359-9211 $25. To sign up for the Exploratorium’s After Walt Disney’s arrival in Los Angeles in the ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP retaining control over their work. Cartier-Bres- bigumbrellastudios.com Dark email list and receive once-a-month event E W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX instruments, creating an acoustic translation of son produced major bodies of photographic Cantor Arts Center details, for animation artists in the decades to come. the visual space. Fontana’s concept has evolved reportage on: India and Indonesia at the time 328 Lomita Dr (415) 561-0360 Home to a number of leading studios, the San from his recent investigations into how archi- of independence; China during the revolution; Stanford, CA 94305 [email protected] Francisco Bay Area has emerged as a global tectural structures generate sound in response the Soviet Union after Stalin’s death; the United 1 Wednesday -Dance Performance GEORGE LAWSON GALLERY center for animation today. PIXAR will provide to their surroundings. SFMOMA’s commission States during the postwar boom; and Europe Date: December 2, 2010 49 Geary 2nd Floor M San Francisco CA 94108 an unprecedented look at the renowned Em- [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG- as its old cultures confronted modern realities. ArtPeople Gallery Time: 6:00 pm eryville-based studio (located just a few miles tive sound sculpture. -New Work: R. H. Quaytman 50 Post Street, Level 2 #41 “Woumble pou Simbi: A Gathering for Simbi,” -Sketch: Hand Drawings by Architects from OMCA) and showcase the creative work -Exposed: Voyeurism, Surveillance and the End: January 16, 2011 San Francisco, CA 94104 featuring the Afoutayi Dance Company in a Opening Reception: December 2, 2010 behind its wildly successful computer-animated Camera The core of R. H. Quaytman’s work consists -GLITTER WASP’S WORLD performance designed to pay tribute to the 5:30-7:30pm B ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ End: April 17, 2011 of small, thought-provoking paintings made on Begin: December 1, 2010 Haitian water deity Simbi Dlo. Sponsored by (415) 772-0977 =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV Co-organized by SFMOMA and Tate Modern, wood panels. She uses a variety of techniques Opening Reception: December 2, 2010 the Joan and John Jay Corley Fund for Perfor- [email protected] the OMCA presentation greatly enhances the Exposed gathers more than two hundred pic- and painterly vocabularies to knowingly explore 4:00-7:00pm mance. www.georgelawsongallery.com 2005 MoMA show. In addition to all of the tures that together form a timely inquiry into the complex history of painting. Collectively, her End: December 15, 2010 museum.stanford.edu Modernbook Gallery artwork from the original presentation, it will the ways in which artists and everyday people works portray a tantalizing range of patterns Weaving together myth, magic and archetypes Creativity Explored +IEV]7XVIIXXL¾SSV E MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH alike have probed the camera’s powerful voy- ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] 3245 16th Street San Francisco, CA 94108 with paint, glitter and beads, the art of Elizabeth 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] euristic capacity. Moving beyond typical notions in relation to the architecture in which they are Gibbons is the telling of a story that contacts San Francisco CA 94103 -Brigitte Carnochan: The Floating World with Pixar Animation Studios, OMCA will host of voyeurism and surveillance as strictly preda- exhibited in order to purposively propel the di- us at the level of the soul. Visionary art that is -2010 Holiday Art Sale Opening Reception: December 2, 2010 a series of dynamic public programs for audi- tory or erotic, the exhibition addresses these rection of the viewer’s movement. For SFMO- inspirational and transformative. Begin: December 2, 2010 5:30-7:30pm R ences of all ages in conjunction with the exhibi- concepts in their broadest sense—in both MA she will debut a new chapter of her work (415) 956-3650 Reception: December 2, 2010 6:00-9:00 A new series by local photographer Brigitte tion, to be announced soon. historical and contemporary contexts—inves - that will focus on San Francisco poet Robert [email protected] pm Carnochan, inspired by poems by Japanese (510) 238-2200 tigating how new technologies, urban plan- Duncan. Quaytman’s subjects often operate www.artpeople.net 2nd Reception: December 3, 2010 1:00- women of the 7th—20th Centuries. www.museumca.org ning, global intelligence, celebrity culture, and on both personal and broader cultural levels: Caldwell Snyder Gallery 6:00pm (415) 732-0300 San Francisco Arts Commission an evolving media environment have fueled a (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W 341 Sutter Street 3rd Reception: December 4, 2010 1:00- www.modernbook.com Civic Center Plaza growing interest in the subject. Works by major TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH San Francisco, CA 94108 6:00pm SFMOMA San Francisco, CA artists, including Brassaï, Henri Cartier-Bresson, with the San Francisco Renaissance and Black -Pep Guerrero End: December 22, 2010 151 Third Street -Zhang Huan’s Three Heads Six Arms Walker Evans, Nan Goldin, Lee Miller, Thomas Mountain Poetry. This new body of paintings Begin: December 1, 2010 The Annual Holiday Art Sale at Creativity Ex- San Francisco, CA World renowned contemporary artist Zhang Ruff, Paul Strand, and Weegee, will be present- will represent the 17th chapter in her oeuvre. End: December 31, 2010 plored is an art lover’s shopping event, with a -Sylvano Bussotti Huan’s colossal Three Heads Six Arms (2008) ed alongside photographs made by amateurs, www.sfmoma.org (415) 392-2299 multitude of remarkable art at surprisingly af- Date: December 2, 2010 makes its world premiere as part of the San professional journalists, and government agen- YBCA www.caldwellsnyder.com JSVHEFPITVMGIW8LIWXYHMSMW½PPIH[MXLYRMUYI Time: 6:00–9:45pm Francisco-Shanghai Sister City 30th Anniver- cies. The exhibition will also showcase examples 701 Mission Street and original prints, one-of-a-kind paintings, pen In collaboration with the Italian Cultural In- sary Celebration. Standing over 26 feet tall and SJ ½PQ ZMHIS ERH MRWXEPPEXMSR [SVO F] EVXMWXW San Francisco, CA 94103 and ink drawings, ceramics, and textiles by over stitute, San Francisco Cinematheque, and the [IMKLMRKEPQSWX½JXIIRXSRW8LVII,IEHW7M\ such as Thomas Demand, Bruce Nauman, and -Audience as Subject, Part 1: Medium 100 artists. Also for sale t-shirts, note cards Progetto Sonora-CEMAT, SFMOMA presents Arms is Zhang’s largest sculpture to date. The Andy Warhol, as well as a selection of cameras End: February 6, 2011 books, wrapping paper and more. an evening of contemporary music by artist Syl- sculpture, which is being presented by the San designed to be concealed in artful ways. Gallery 1 2 Thursday (415) 863-2108 vano Bussotti, curated by Luciano Chessa. The Francisco Arts Commission, will be on loan Catalogue. Audience as Subject is a two-part exhibition [email protected] evening begins with a screening of Bussotti’s through 2011 courtesy of the artist and The -How Wine Became Modern that considers the audience broadly as a liv- Arion Press www.creativityexplored.org WMPIRX½PQIRXMXPIH6EVE ½PQ [LMGLXLIEVXMWX Pace Gallery in New York. End: April 17, 2011 ing organism of participating viewers of live 1802 Hays Street, The Presidio Dolby Chadwick Gallery will accompany with a live performance from (415) 252-4638 Organized by Henry Urbach, SFMOMA’s Hel- events. The object of the investigation is the San Francisco, CA 94129 210 Post Street, Suite 205 XLI TMERS 6EVE ½PQ  I\TPSVIW -XEPMER EZERX www.sfartscommission.org en Hilton Raiser Curator of Architecture and dramatic and narrative potential of audience -Tours Of Arion Press and M&H Type San Francisco, CA 94108 KEVHIGYPXYVIMRXLIWZME±½PQIHTSVXVEMXW² SFMOMA Design, this exhibition explores the relationship members—their physical bodies, expressions, Date: December 2, 2010 -Joshua Meyer: New paintings SJ PIEHMRK ½KYVIW SJ XLI IVE MRGPYHMRK WMPZIV 151 Third Street between design, architecture, and wine in con- attitudes, gestures and actions—this unique so - Time: 3:00-4:30pm Opening Reception: December 2, 2010 screen diva Franca Valeri, poet Dario Bellez- San Francisco, CA temporary culture. How Wine Became Mod- cial body made up of individuals. Live demonstration tours of the historic type- 5:30-7:30pm za, ex-pats of Julian Beck’s Living Theater, and -The More Things Change ern looks at the material and visual culture of -Yoshua Okón: 2007-2010 foundry, printing facility, and bookbindery of Ar- (415) 956-3560 actress Daria Nicolodi, the cult leading lady of End: October 16, 2011 wine over the past three decades and offers a End: February 6, 2011 ion Press and M&H Type are conducted every www.dolbychadwickgallery.com (EVMS%VKIRXS´W½PQW*SPPS[MRKXLIWGVIIRMRK The More Things Change sketches the collec- fresh way of understanding the contemporary Gallery 2 Thursday at 3:00 p.m. The tours are sponsored Ever Gold Gallery sfSoundGroup joins the composer to present a tive mood of the last 10 years, creating a the- culture of wine and the role that architecture Yoshua Okón’s video installations are built on F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV 441 O’Farrell StREET sampling of Bussotti’s oeuvre from 1958 to the matic and psychological portrait of the decade. and design have played in its transformation. It improvisational narratives created by the artist person. San Francisco, CA 94102 present. As always at Now Playing, Meatpaper Drawn entirely from SFMOMA’s collection, this QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI and his collaborators, mostly non-actors will- -Mark Mulroney magazine leads a “Food & Thought” event in the (415) 668-2548 Rooftop Garden. exhibition examines such themes as fragmen- culture has been considered as an integrated, ing to participate in a game of social chance [email protected] Opening Reception: December 2, 2010 tation, fragility, systemic collapse, sudden shifts, expansive, and rich set of cultural phenomena. that may easily spiral out of control. Centered ArtPeople Gallery 6:00-9:00pm www.sfmoma.org entropy, metamorphosis, mutation, materiality, The presentation will combine original artifacts around emotionally charged expressions of 50 Post Street, Level 2 #41 Closing Reception: Thursday January 6, YBCA ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ and commissioned artworks with multimedia power and contemplations of fear, death, sex San Francisco, Ca 94104 2010 6:00-9:00pm 701 Mission Street all media made since 2000, The More Things presentations to engage multiple senses, includ- and nationhood, these works provoke viewers -GLITTER WASP’S WORLD “I’m Trying Really Hard” will be a show of one San Francisco, CA 94103 Change is jointly organized by SFMOMA’s four ing smell, as well as aerial photographs of wine- to consider questions of social conduct and the Opening Reception: December 2, 2010 SVQSVI½GXMSREPVIGSVHGSZIVWJSVFERHWXLEX -Left Coast Leaning curatorial departments—painting and sculp- growing regions, winery architecture, wine la- behavior of individuals within systems of social 4:00-7:00pm sing about everything from vagina anxiety to Begin: December 2 , 2010 ture, media arts, photography, and architecture bels, and glassware. restraint. End: December 15, 2010 the proper care of houseplants. This is Mr. Mul- End: December 4, 2010 and design. An artist will be commissioned to -Henri Cartier-Bresson: The Modern Century -Katya Bonnenfant: La Destitution de la Weaving together myth, magic and archetypes roney’s second show at Ever Gold Gallery. He is YBCA and Youth Speaks Living Word Project design a production studio in the overlook gal- End: January 30, 2011 Jeune Fille with paint, glitter and beads, the art of Elizabeth represented in NYC by Mixed Greens Gallery. are proud to present the second edition of lery that will examine the transformation of the 8LMW VIXVSWTIGXMZI I\LMFMXMSR XLI ½VWX MR XLI End: January 9, 2011 Hours: Thur-Fri 4:00-7:00pm, Sat 2:00-7:00pm Left Coast Leaning. This lively three day festival 62 predecessor institutions and, while they often publishing industry over the last decade—an in - United States in three decades, surveys Henri Terrace Gallery Gibbons is the telling of a story that contacts www.evergoldgallery.com lie outside of OMCA’s California focus, still tell dustry that is rapidly coming to terms with the Cartier-Bresson’s entire career with a presen- 0E(IWXMXYXMSRHIPENIYRI½PPIMWGSQTSWIHSJ us at the level of the soul. Visionary art that is Exploratorium a rich and interesting story of how museum eminence of the internet. A publication will also tation of about three hundred photographs, wallpaper, wooden sculptures, and projected inspirational and transformative. 3601 Lyon Street D collections are assembled over time. OMCA be produced in this gallery, which visitors will mostly arranged thematically and supplement- animations depicting warring cartoon-like char- (415) 956-3650 San Francisco, CA 94123 Senior Curator of Art René de Guzman will be able to witness taking shape over the course ed with periodicals and books. One of the most acters in masks who represent various cultures. [email protected] -After Dark: Sugar GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR several months. This last space will emphasize SVMKMREP EGGSQTPMWLIH MR¾YIRXMEP ERH FIPSZIH These monsters play out concepts inspired by www.artpeople.net Date: December 2, 2010 of Dion’s work, which will be accompanied by a the importance of individual gestures, activism, ½KYVIWMRXLILMWXSV]SJTLSXSKVETL]'EVXMIV the philosophical theories of the French writers Big Umbrella Studios Time: 6:00-10:00pm publication by Chronicle Books in partnership and perhaps a humanist vision. The exhibition Bresson’s inventive work of the early 1930s collective Tiqqun, active from 1999-2001. Por- 906.5 Divisadero Street December is all about sugar. It’s a fuel and E with The Believer magazine. The book itself, like will include some 75 works. LIPTIHHI½RIXLIGVIEXMZITSXIRXMEPSJQSHIVR traying a young girl as the embodiment of the San Francisco, CA a sculpture medium over the holidays. The many of Dion’s artworks, is a compendium of -Bill Fontana: Sonic Shadows photography, and his uncanny ability to capture capitalist machine and the meaninglessness of -Warmest Winter in 40 Years Exploratorium gets an early start on the sci- oddities and discoveries featuring an in-depth End: October 16, 2011 life on the run made his work synonymous with modern life, the collective calls for a new social Opening Reception: December 2, 2010 ence and art of this seasonal substance. After interview with the artist by Lawrence Weschler, As part of SFMOMA’s 75th anniversary, the ±XLI HIGMWMZI QSQIRX²°XLI XMXPI SJ LMW ½VWX order, in which the young girl is overthrown. 5:00pm Dark is included in the price of admission to C photographs by David Maisel, and writings by a QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G major book. He joined Robert Capa and others -Cao Fei: 2009 RMB City Series End: January 2, 2010 the Exploratorium. Or become an After Dark range of cultural and art historians. sound sculpture by San Francisco–based sound in founding the Magnum photo agency, which End: January 9, 2011 Here’s to the Bay’s Real Summer Season. Who’s member (admission is for ages 18 and up) and -PIXAR: 25 Years of Animation artist Bill Fontana. The work, entitled Sonic enabled photojournalists to reach a broad au- Video Lounge laughing now? attend the next twelve After Dark events for End: January 9, 2011 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL dience through magazines such as LIFE while www.ybca.org (415) 359-9211 $25. To sign up for the Exploratorium’s After Walt Disney’s arrival in Los Angeles in the ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP retaining control over their work. Cartier-Bres- bigumbrellastudios.com Dark email list and receive once-a-month event E W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX instruments, creating an acoustic translation of son produced major bodies of photographic Cantor Arts Center details, for animation artists in the decades to come. the visual space. Fontana’s concept has evolved reportage on: India and Indonesia at the time 328 Lomita Dr (415) 561-0360 Home to a number of leading studios, the San from his recent investigations into how archi- of independence; China during the revolution; Stanford, CA 94305 [email protected] Francisco Bay Area has emerged as a global tectural structures generate sound in response the Soviet Union after Stalin’s death; the United 1 Wednesday -Dance Performance GEORGE LAWSON GALLERY center for animation today. PIXAR will provide to their surroundings. SFMOMA’s commission States during the postwar boom; and Europe Date: December 2, 2010 49 Geary 2nd Floor M San Francisco CA 94108 an unprecedented look at the renowned Em- [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG- as its old cultures confronted modern realities. ArtPeople Gallery Time: 6:00 pm eryville-based studio (located just a few miles tive sound sculpture. -New Work: R. H. Quaytman 50 Post Street, Level 2 #41 “Woumble pou Simbi: A Gathering for Simbi,” -Sketch: Hand Drawings by Architects from OMCA) and showcase the creative work -Exposed: Voyeurism, Surveillance and the End: January 16, 2011 San Francisco, CA 94104 featuring the Afoutayi Dance Company in a Opening Reception: December 2, 2010 behind its wildly successful computer-animated Camera The core of R. H. Quaytman’s work consists -GLITTER WASP’S WORLD performance designed to pay tribute to the 5:30-7:30pm B ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ End: April 17, 2011 of small, thought-provoking paintings made on Begin: December 1, 2010 Haitian water deity Simbi Dlo. Sponsored by (415) 772-0977 =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV Co-organized by SFMOMA and Tate Modern, wood panels. She uses a variety of techniques Opening Reception: December 2, 2010 the Joan and John Jay Corley Fund for Perfor- [email protected] the OMCA presentation greatly enhances the Exposed gathers more than two hundred pic- and painterly vocabularies to knowingly explore 4:00-7:00pm mance. www.georgelawsongallery.com 2005 MoMA show. In addition to all of the tures that together form a timely inquiry into the complex history of painting. Collectively, her End: December 15, 2010 museum.stanford.edu Modernbook Gallery artwork from the original presentation, it will the ways in which artists and everyday people works portray a tantalizing range of patterns Weaving together myth, magic and archetypes Creativity Explored +IEV]7XVIIXXL¾SSV E MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH alike have probed the camera’s powerful voy- ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] 3245 16th Street San Francisco, CA 94108 with paint, glitter and beads, the art of Elizabeth 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] euristic capacity. Moving beyond typical notions in relation to the architecture in which they are Gibbons is the telling of a story that contacts San Francisco CA 94103 -Brigitte Carnochan: The Floating World with Pixar Animation Studios, OMCA will host of voyeurism and surveillance as strictly preda- exhibited in order to purposively propel the di- us at the level of the soul. Visionary art that is -2010 Holiday Art Sale Opening Reception: December 2, 2010 a series of dynamic public programs for audi- tory or erotic, the exhibition addresses these rection of the viewer’s movement. For SFMO- inspirational and transformative. Begin: December 2, 2010 5:30-7:30pm R ences of all ages in conjunction with the exhibi- concepts in their broadest sense—in both MA she will debut a new chapter of her work (415) 956-3650 Reception: December 2, 2010 6:00-9:00 A new series by local photographer Brigitte tion, to be announced soon. historical and contemporary contexts—inves - that will focus on San Francisco poet Robert [email protected] pm Carnochan, inspired by poems by Japanese (510) 238-2200 tigating how new technologies, urban plan- Duncan. Quaytman’s subjects often operate www.artpeople.net 2nd Reception: December 3, 2010 1:00- women of the 7th—20th Centuries. www.museumca.org ning, global intelligence, celebrity culture, and on both personal and broader cultural levels: Caldwell Snyder Gallery 6:00pm (415) 732-0300 San Francisco Arts Commission an evolving media environment have fueled a (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W 341 Sutter Street 3rd Reception: December 4, 2010 1:00- www.modernbook.com Civic Center Plaza growing interest in the subject. Works by major TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH San Francisco, CA 94108 6:00pm SFMOMA San Francisco, CA artists, including Brassaï, Henri Cartier-Bresson, with the San Francisco Renaissance and Black -Pep Guerrero End: December 22, 2010 151 Third Street -Zhang Huan’s Three Heads Six Arms Walker Evans, Nan Goldin, Lee Miller, Thomas Mountain Poetry. This new body of paintings Begin: December 1, 2010 The Annual Holiday Art Sale at Creativity Ex- San Francisco, CA World renowned contemporary artist Zhang Ruff, Paul Strand, and Weegee, will be present- will represent the 17th chapter in her oeuvre. End: December 31, 2010 plored is an art lover’s shopping event, with a -Sylvano Bussotti Huan’s colossal Three Heads Six Arms (2008) ed alongside photographs made by amateurs, www.sfmoma.org (415) 392-2299 multitude of remarkable art at surprisingly af- Date: December 2, 2010 makes its world premiere as part of the San professional journalists, and government agen- YBCA www.caldwellsnyder.com JSVHEFPITVMGIW8LIWXYHMSMW½PPIH[MXLYRMUYI Time: 6:00–9:45pm Francisco-Shanghai Sister City 30th Anniver- cies. The exhibition will also showcase examples 701 Mission Street and original prints, one-of-a-kind paintings, pen In collaboration with the Italian Cultural In- sary Celebration. Standing over 26 feet tall and SJ ½PQ ZMHIS ERH MRWXEPPEXMSR [SVO F] EVXMWXW San Francisco, CA 94103 and ink drawings, ceramics, and textiles by over stitute, San Francisco Cinematheque, and the [IMKLMRKEPQSWX½JXIIRXSRW8LVII,IEHW7M\ such as Thomas Demand, Bruce Nauman, and -Audience as Subject, Part 1: Medium 100 artists. Also for sale t-shirts, note cards Progetto Sonora-CEMAT, SFMOMA presents Arms is Zhang’s largest sculpture to date. The Andy Warhol, as well as a selection of cameras End: February 6, 2011 books, wrapping paper and more. an evening of contemporary music by artist Syl- sculpture, which is being presented by the San designed to be concealed in artful ways. Gallery 1 2 Thursday (415) 863-2108 vano Bussotti, curated by Luciano Chessa. The Francisco Arts Commission, will be on loan Catalogue. Audience as Subject is a two-part exhibition [email protected] evening begins with a screening of Bussotti’s through 2011 courtesy of the artist and The -How Wine Became Modern that considers the audience broadly as a liv- Arion Press www.creativityexplored.org WMPIRX½PQIRXMXPIH6EVE ½PQ [LMGLXLIEVXMWX Pace Gallery in New York. End: April 17, 2011 ing organism of participating viewers of live 1802 Hays Street, The Presidio Dolby Chadwick Gallery will accompany with a live performance from (415) 252-4638 Organized by Henry Urbach, SFMOMA’s Hel- events. The object of the investigation is the San Francisco, CA 94129 210 Post Street, Suite 205 XLI TMERS 6EVE ½PQ  I\TPSVIW -XEPMER EZERX www.sfartscommission.org en Hilton Raiser Curator of Architecture and dramatic and narrative potential of audience -Tours Of Arion Press and M&H Type San Francisco, CA 94108 KEVHIGYPXYVIMRXLIWZME±½PQIHTSVXVEMXW² SFMOMA Design, this exhibition explores the relationship members—their physical bodies, expressions, Date: December 2, 2010 -Joshua Meyer: New paintings SJ PIEHMRK ½KYVIW SJ XLI IVE MRGPYHMRK WMPZIV 151 Third Street between design, architecture, and wine in con- attitudes, gestures and actions—this unique so - Time: 3:00-4:30pm Opening Reception: December 2, 2010 screen diva Franca Valeri, poet Dario Bellez- San Francisco, CA temporary culture. How Wine Became Mod- cial body made up of individuals. Live demonstration tours of the historic type- 5:30-7:30pm za, ex-pats of Julian Beck’s Living Theater, and -The More Things Change ern looks at the material and visual culture of -Yoshua Okón: 2007-2010 foundry, printing facility, and bookbindery of Ar- (415) 956-3560 actress Daria Nicolodi, the cult leading lady of End: October 16, 2011 wine over the past three decades and offers a End: February 6, 2011 ion Press and M&H Type are conducted every www.dolbychadwickgallery.com (EVMS%VKIRXS´W½PQW*SPPS[MRKXLIWGVIIRMRK The More Things Change sketches the collec- fresh way of understanding the contemporary Gallery 2 Thursday at 3:00 p.m. The tours are sponsored Ever Gold Gallery sfSoundGroup joins the composer to present a tive mood of the last 10 years, creating a the- culture of wine and the role that architecture Yoshua Okón’s video installations are built on F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV 441 O’Farrell StREET sampling of Bussotti’s oeuvre from 1958 to the matic and psychological portrait of the decade. and design have played in its transformation. It improvisational narratives created by the artist person. San Francisco, CA 94102 present. As always at Now Playing, Meatpaper Drawn entirely from SFMOMA’s collection, this QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI and his collaborators, mostly non-actors will- -Mark Mulroney magazine leads a “Food & Thought” event in the (415) 668-2548 Rooftop Garden. exhibition examines such themes as fragmen- culture has been considered as an integrated, ing to participate in a game of social chance [email protected] Opening Reception: December 2, 2010 tation, fragility, systemic collapse, sudden shifts, expansive, and rich set of cultural phenomena. that may easily spiral out of control. Centered ArtPeople Gallery 6:00-9:00pm www.sfmoma.org entropy, metamorphosis, mutation, materiality, The presentation will combine original artifacts around emotionally charged expressions of 50 Post Street, Level 2 #41 Closing Reception: Thursday January 6, YBCA ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ and commissioned artworks with multimedia power and contemplations of fear, death, sex San Francisco, Ca 94104 2010 6:00-9:00pm 701 Mission Street all media made since 2000, The More Things presentations to engage multiple senses, includ- and nationhood, these works provoke viewers -GLITTER WASP’S WORLD “I’m Trying Really Hard” will be a show of one San Francisco, CA 94103 Change is jointly organized by SFMOMA’s four ing smell, as well as aerial photographs of wine- to consider questions of social conduct and the Opening Reception: December 2, 2010 SVQSVI½GXMSREPVIGSVHGSZIVWJSVFERHWXLEX -Left Coast Leaning curatorial departments—painting and sculp- growing regions, winery architecture, wine la- behavior of individuals within systems of social 4:00-7:00pm sing about everything from vagina anxiety to Begin: December 2 , 2010 ture, media arts, photography, and architecture bels, and glassware. restraint. End: December 15, 2010 the proper care of houseplants. This is Mr. Mul- End: December 4, 2010 and design. An artist will be commissioned to -Henri Cartier-Bresson: The Modern Century -Katya Bonnenfant: La Destitution de la Weaving together myth, magic and archetypes roney’s second show at Ever Gold Gallery. He is YBCA and Youth Speaks Living Word Project design a production studio in the overlook gal- End: January 30, 2011 Jeune Fille with paint, glitter and beads, the art of Elizabeth represented in NYC by Mixed Greens Gallery. are proud to present the second edition of lery that will examine the transformation of the 8LMW VIXVSWTIGXMZI I\LMFMXMSR XLI ½VWX MR XLI End: January 9, 2011 Hours: Thur-Fri 4:00-7:00pm, Sat 2:00-7:00pm Left Coast Leaning. 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GIPIFVEXIWXLIIQIVKMRKTSWXLMTLSTEIWXLIXMG [[[GVIEXMZMX]I\TPSVIHSVK WERHW7^]O´W4SPMWLERH.I[MWLLIVMXEKI TQ XMSRKEMR XLEXYPXMQEXIP]MRKVEMRWEQMRHWIXSJ XLIQ]XLSPSKMGEPWTMVMXYEPERHSGGYPX7ER*VER XLEXMWHVMZIRF]QYPXMTPIYVFERMR¾YIRGIWERH Eleanor Harwood Gallery VIQEMRIHGIRXVEPERHLMWEXXIRXMSRXSHIXEMPFI   ERXMGSRJSVQMX]ERHPMZMRK[MXLSYXWIPJMQTSWIH GMWGSFEWIH ZMHIS EVXMWX 7LEPS 4 QM\IW JSYRH MW TEVXMGYPEVP] VIWTSRWMZI XS XLI HIQSKVETLMG %PEFEQE7XVIIX XVE]IHGSRWMHIVEFPILMWXSVMGEPVIWIEVGLMRXSLMW [[[VIREFVERWXIRKEPPIV]GSQ PMQMXEXMSRW JSSXEKIXSI\TPSVIXLITW]GLSPSKMGEPHITXLWSJ HMZIVWMX]SJXLI;IWX'SEWX%VXMWXWGLSWIRXS 7ER*VERGMWGS'% GVEJX,MW[SVOVIGEPPWXLIMRXVMGEXIMPPYQMREXMSR Shooting Gallery [[[[LMXI[EPPWWJGSQ TEVXMGMTEXIMR0IJX'SEWX0IERMRKVITVIWIRXXLI -John Chiara TVIWIRXMRQIHMIZEPQERYWGVMTXW2IEV)EWXIVR 0EVOMR7XVIIX   65 YBCA 2990 San Pablo Avenue Church Begin: December 11, 2010 701 Mission Street Berkeley, CA 94702 (I,EVS7XVIIX (415) 400-5168 7ER*VERGMWGS'% SFAI -Kala Artists Annual 10 Friday San Francisco, CA [[[KYIVVIVSKEPPIV]GSQ D -Left Coast Leaning 800 Chestnut Street Opening Reception: December 9, 2010 -The Moon of Wintertime Kala Art Institute Date: December 4, 2010 7ER*VERGMWGS'% 6:00-8:00pm Date: December 10, 2010 8:00pm 2990 San Pablo Avenue =&'% ERH=SYXL7TIEOW 0MZMRK;SVH4VSNIGX -Lecture: Wangechi Mutu 1SVIXLERRMRIX]EVXMWXWEJ½PMEXIH[MXLXLI/EPE PING PONG GALLERY San Francisco Girls Chorus Berkeley, CA 94702 EVI TVSYH XS TVIWIRX XLI WIGSRH IHMXMSR SJ Date: December 6, 2010 %VX-RWXMXYXISJ&IVOIPI][MPPTVIWIRXEHMZIVWI RH7XVIIX  I\X -Open Studio / Holiday Sale 0IJX'SEWX0IERMRK8LMWPMZIP]XLVIIHE]JIWXMZEP 8MQITQ EVVE] SJ TVMRXW TLSXSKVETL] HVE[MRKW ZMHIS FIX[IIR4IRRW]PZERMEERH1MWWMWWMTTM [[[WJKMVPWGLSVYWSVK Date: December 11, 2010 E celebrates the emerging post hip hop aesthetic ;MRMJVIH .SLRWSR 'PMZI *SYRHEXMSR (MWXMR- HMKMXEPQIHME[SVOWERHQM\IHQIHMEGSQFMRE- San Francisco CA 94107 Time: 11:00am-5:00pm XLEXMWHVMZIRF]QYPXMTPIYVFERMR¾YIRGIWERH KYMWLIH:MWMXMRK*IPPS[WLMTJSV-RXIVHMWGMTPMREV] XMSRW8LITYFPMGMWGSVHMEPP]MRZMXIHXSNSMR/EPE´W -CHAD STAYROOK 1IIX ERH GLEX [MXL /EPE%VXMWXWMR6IWMHIRGI MW TEVXMGYPEVP] VIWTSRWMZI XS XLI HIQSKVETLMG Painting Practices QER]EVXMWXWJSVXLMWLSPMHE]WX]PIKEPEVIGITXMSR Opening Reception: December 10, 2010 )RNS]EVX[SVOVIJVIWLQIRXWQYWMGERHJEGMPMX] HMZIVWMX]SJXLI;IWX'SEWX%VXMWXWGLSWIRXS [[[WJEMIHY (510) 841-7000 6:00-9:00pm 11 Saturday XSYVW%VX[SVOF]/EPEEVXMWXW[MPPFIEZEMPEFPI C participate in Left Coast Leaning represent the [[[OEPESVK 2I[=SVOFEWIHEVXMWX'LEH7XE]VSSOVIGIMZIH JSVWEPI4IVJIGXIZIRXXS½RH]SYVLSPMHE]KMJXW WTIGM½GXVENIGXSV]SJXLI;IWX'SEWXEVXWERH Kokoro Studio LMW&*%MR7GYPTXYVIJVSQ3LMS9RMZIVWMX]ERH for Christmas. XLIJIWXMZEPJSVQEXIREFPIWEYHMIRGIWERHEVXMWXW 682 Geary Street LMW1*%MR2I[+IRVIWJVSQXLI7ER*VER- BAER RIDGWAY [[[OEPESVK XSHIZIPSTEWLEVIHHMWGSYVWIEGVSWWEREVVE] 7 Tuesday San Francisco, CA GMWGS%VX-RWXMXYXI7XE]VSSOLEWI\LMFMXIHI\- 172 Minna Street Krowswork SJTIVJSVQERGIHMWGMTPMRIW -Yule: Holiday Group Show by Kokorostars XIRWMZIP]XLVSYKLSYXXLI97MR2I[=SVO7ER San Francisco, CA 94105 VH7XVIIXWMHIIRXVERGI E (415) 978-2787 Opening Reception: December 9, 2010 *VERGMWGS 4LMPEHIPTLME ERH ;EWLMRKXSR (' -Mauricio Ancalmo: New Work 3EOPERH'% [[[]FGESVK Theatre of Yugen 7:00-10:00pm ERHMRXIVREXMSREPP]MRXLI9/2IXLIVPERHWERH Opening Reception: December 11, 2010 -Krowswork Ball 2840 Mariposa Street )RH(IGIQFIV 7SYXL/SVIE 4:00-7:00pm /SOSVS7XYHMSMRZMXIW]SYXS,3,3,3MX   Date: December 11, 2010 San Francisco, CA 94110 -Brion Nuda Rosch Curates Creativity Ex- % SRI]IEVERRMZIVWEV] GIPIFVEXMSR EX /VS[W- -The Sound is the Movement YTERHVSGOXLIRMKLXE[E]EX±=YPI²3YVTEWX [email protected] plored M [[[TMRKTSRKKEPPIV]GSQ [SVO'EPPJSVHIXEMPWERHXMGOIXW 5 Sunday Date: December 7, 2010 /SOSVSWXEVWLEZIEWOIHXLIIPZIWXSLIPT[MXL Opening Reception: December 11, 2010 'VSWWMRKQYWMGEPGSRGIVX[MXLHERGIXLMWRI[ XLMW]IEV´W[MWLPMWXW&SSOWTSWXGEVHWERHLSPM- SOMArts Cultural Center 4:00-7:00pm   ICB 8YIWHE] RMKLX WSYRH ERH QSZIQIRX WIVMIW HE] FEOI WEPI [MPP WXYJJ ]SYV WXSGOMRKW 'SQI &VERRER7XVIIX &SSO7XSVI4VSNIGX7TEGI NEWQMRI$OVS[W[SVOGSQ +EXI*MZI6SEH MW GYVEXIH F] =YKIR 3VGLIWXVE MREYKYVEXIH KIX ]SYV 4SPSVSMH XEOIR YRHIV XLI QMWXPIXSI 7ER*VERGMWGS'%   [[[OVS[W[SVOGSQ B Sausalito CA 94965  QIQFIVW%ZE1IRHS^E.EOI6SHVMUYI^ [MXL7ERXE/VEYWIERHHSR´XJSVKIXXSXIPPLMQ -Its All A Blur [[[FEIVVMHK[E]GSQ OTHER CINEMA -42nd Annual Winter Open Studios ERH 8LIEXVI SJ =YKIR %WWSGMEXI )RWIQFPI [LEX]SY[ERXJSV'LVMWXQEW2SVXLTSPI(.W Date: December 10, 2010 Braunstein/Quay Gallery 992 Valencia Street Date: December 5, 2010 1IQFIV)H[EVH7LSGOIV)EGLIZIRXJIEXYVIW ;LMXIQMGI ERH 6E]VIEH]VE] ERH 7YTIVHIY\ 'YVEXIHF].YWXMR,SSZIVJIEXYVIW(EPI,S]X 'PIQIRXMRE7XVIIX San Francisco, CA 94110 Time: 11:00am-6:00pm TIVJSVQIVWXLEXFPYVXLIPMRIWFIX[IIRTL]WM- [MPP QEOI XLMW E XVYP] QEKMGEP [MRXIV [SRHIV- 8SR]0EFEXERH+YMPPIVQS+{QI^4IyEERHMW 7ER*VERGMWGS'% -Screening (MWGSZIVI\GITXMSREPERHYRMUYI[SVOWSJEVX GEPMX]ERHQYWMGEPMX] PERH4VM^IW[MPPEPWSFIE[EVHIHJSVFIWXLSPM- TPERRIHXSXSYVWIPIGXZIRYIWXLVSYKLSYXXLI -Mary Snowden Date: December 11, 2010 8:00pm E HE]W[IEXIVW Western States through 2011. EW]SY[ERHIVMRERHSYXSJXLIEVXMWXWWXYHMSW [[[XLIEXVISJ]YKIRSVK )RH(IGIQFIV 0IXXLIHIEHWTIEO4VSKVEQQIHF]'LVMWXMRI EXXLI-'&MR7EYWEPMXS[LIVIQSVIXLER OSOSVSWXYHMSYW ,SYVW 8YI¯*VMHE] ¯TQ 7EX  9WMRKTEMRXERHXLVIEH1EV]7RS[HIRFVMRKW 1IXVSTSYPSWXLI½JXLZMKRIXXIMRSYV(IEH1I- TEMRXIVWWGYPTXSVWJEFVMGEVXMWXWNI[IPIVWTLS- RENA BRANSTEN GALLERY 5:00pm HMZIVWI FVIIHW SJ GLMGOIRW XS PMJI%PSRK [MXL HME WYMXI SJJIVW E RMKLX SJ MRRSZEXMSR XLVSYKL XSKVETLIVW QYPXMQIHME TVSHYGIVW ERH QSVI 77 Geary Street [[[WSQEVXWSVK HVE[MRKW SJ JEVQIVW XLEX XLI EVXMWX LEW MRXIV- I\GEZEXMSR VITYVTSWMRK ERH VIERMQEXMSR;I R GVIEXIXLIMV[SVO*VIIEHQMWWMSRERHTEVOMRK 8 Wednesday San Francisco, CA 94108 Southern Exposure ZMI[IH ERH HVE[MRKW SJ MQEKMREV] L]FVMH FIKMR [MXL E RSH XS TVIGMRIQE EW8LSQEW   -TRACEY SNELLING XL7XVIIX FVIIHWSJERMQEPW7RS[HIRSJJIVWEFIEYXMJYP 'EVREGOM +VIK 7GLEVTIR ERH GSLSVXW  MR- [[[MGFEVXMWXWGSQ Begin: December 9, 2010 San Francisco, CA 94110 glimpse into farm life. XSRIW MXW QMWGIPPERIE ERH QEGLMRIW EQMHWX E Michael Rosenthal Victoria Theater 6IXVSWTIGXMZISJSPHIVERHRI[[SVOWF]&E] -BOOM (415) 278-9850 WLEHS[TYTTIXXLIEXIVXSMRZSOIEHIGMHIHP] :EPIRGME7XVIIX 2961 16th Street Area artist Tracey Snelling Opening Reception: December 10, 2010 [[[FUYE]EVXKEPPIV]GSQ visual symphony. We enter the realm of cinema, 7ER*VERGMWGS'% San Francisco,CA ,SYVW8YI*VMEQTQ7EXEQ 7:00-9:00pm Eleanor Harwood Gallery EWLERHTVSGIWWMRKQEZIR:ERIWWE3´2IMPPVI -Zombies, Latin Dance Party and Ventrilo- &IRI½X 5:00pm 7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSRLEWFI- 1295 Alabama Street VIKMWXIVW XLI TVSNIGXMSR I\TIVMIRGI [MXL LIV quist Date: December 8, 2010   GSQIXLITVIQMIVIWLS[GEWISJGYXXMRKIHKI San Francisco, CA 94110 QYPXMTPIQQTEIERSJPE]IVIHERHVI[SVOIH Begin: December 5, 2010 8MQITQ [[[VIREFVERWXIRKEPPIV]GSQ GSRXIQTSVEV]EVX[SVOF]TVSQMWMRKPSGEPXEP- -Kevin Taylor ½PQXSPMZIWSYRHF]/IRX0SRK%RH[II\XIRH )RH.ERYEV] 7*'MRIQEXLIUYI SFMOMA IRX%HMJJIVIRXXLIQIMWWIPIGXIHIZIV]]IEVXS Begin: December 11, 2010 FI]SRHGMRIQEEW)PMWI&EPH[MRGSRNYVIWE'LM- MRWTMVIERHIRGSYVEKIEFVSEHPIZIPSJEVXMWXMG .MPPMER 1G(SREPH 7S½E 'SVHSZE ERH &SF XLI [[[WJGMRIQEXLIUYISVK 8LMVH7XVIIX (415) 282-4248 mera, from her series of turntable performanc- Dummy San Francisco, CA I\TVIWWMSR &] PIEZMRK XLI XLIQI ERH QIHME [[[IPIERSVLEV[SSHGSQ IW MRGSVTSVEXMRK QMRMEXYVI HMSVEQEW SR ZMR]P [[[VSWIRXLEPKEPPIV]GSQ -When SFMOMA was a pawn shop STIRXSXLIEVXMWXW´MRXIVTVIXEXMSRXLI[SVOMW Elins Eagles Smith Gallery PMZIZMHISWSYRHPMKLXMRKERHEVGLMZEPMQEKIV] Oakland Museum of California Date: December 9, 2010 GSRGITXYEPP]ERHEIWXLIXMGEPP]HMZIVWIHVE[MRK 49 Geary Street, Suite 520 %VVMZIEXTQJSVHMZMREXSV]HVMROWTIGMEPWERH 1000 Oak Street Time: 7:00pm JVSQEWQER]MRWMKLXWERHJSVQWSJI\TVIWWMSR San Francisco, CA 94108 SXLIVHIPMGMSYWEXVSGMXMIW 3EOPERH'% 9 Thursday [[[WJQSQESVK EWTSWWMFPI8LMW]IEV´WXLIQIMW&SSQ9RPMOI -Ricardo Mazal: New Work (415)648-0654 -Days of the Dead SOMArts Cultural Center QER]STIRGEPPWJSV[SVOXLEXGLEVKIEWYFQMW- )RH(IGIQFIV [[[SXLIVGMRIQEGSQ &VERRER7XVIIX WMSRJII7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSR )RH(IGIQFIV Arion Press (415) 981-1080 Ratio 3 (E]WSJXLI(IEHVIXYVRWXS31'%MRMXWXL 7ER*VERGMWGS'% HSIWRSXVIUYMVIEVXMWXWXSTE]XSIRXIVXLIMV [[[IIWKEPPIV]GSQ 1447 Stevenson Street ,E]W7XVIIX8LI4VIWMHMS -It’s All A Blur [SVO8LII\LMFMXMSRMWSTIRXSER]EVXMWXPMZMRK 7ER*VERGMWGS'% ]IEV8LI I\LMFMXMSR [MPP FI GYVEXIH F] EVXMWX San Francisco, CA 94129 Fivepoints Arthouse ERHGYPXYVEP[SVOIV.EMQI'SVXI^MRSRISJXLI Opening Reception: December 9, 2010 MR2SVXLIVR'EPMJSVRMERSVXLSJ/MRK'MX]ERH 72 Tehama -Ryan McGinley -Tours Of Arion Press and M&H Type 6:00pm–9:00pm WSYXLSJXLI3VIKSRFSVHIV-RTEWX]IEVWSZIV RI[P]VIRSZEXIHI\LMFMXMSRWTEGIWMR31'%´W Date: December 9, 2010 San Francisco, CA 94105 )RH(IGIQFIV +EPPIV]SJ'EPMJSVRME%VX8LMW]IEV´WXLIQI[MPP    EVX[SVOW LEZI FIIR LERHHIPMZIVIH XS -KANGEN: Return to Origin   8MQITQTQ [[[WSQEVXWSVK XLIKEPPIV]JSVNYV]MRKEXXIWXMRKXSXLII\XVIQI GSRXMRYIXSTVSZMHIEYHMIRGIW[MXLEFEWMGJYR- 0MZIHIQSRWXVEXMSRXSYVWSJXLILMWXSVMGX]TI- )RH(IGIQFIV KEPPIV]$VEXMSSVK HEQIRXEP YRHIVWXERHMRK ERH ETTVIGMEXMSR SJ THE MARSH TSTYPEVMX]SJXLIWLS[*SVQER]SJXLIEVXMWXW 0MZIGEPPMKVETL]TIVJSVQERGIF]%SM=EQEKYGLM SFMOMA JSYRHV]TVMRXMRKJEGMPMX]ERHFSSOFMRHIV]SJ%V- :EPIRGME7XVIIXEXRH7XVIIX WIPIGXIHXLMWMWXLIMV½VWXQENSVI\LMFMXMSRERH 8LMVH7XVIIX XLMW1IWS%QIVMGERXVEHMXMSREW[IPPEWTVSZMHI MSR4VIWWERH1 ,8]TIEVIGSRHYGXIHIZIV] ERH1M\IHQIHMEMRWXEPPEXMSRF],MVSOS8WYGLM- EJSVYQJSVXLIXVEHMXMSRXSKVS[ERHI\TERH San Francisco , CA 94110 ERMQTSVXERXWXITMREHZERGMRKXLIMVGEVIIV QSXS:MHISTVSNIGXMSR San Francisco, CA 8LYVWHE]EXTQ8LIXSYVWEVIWTSRWSVIH -MYT’s SIDDHARTHA: THE BRIGHT PATH -Southern Exposure’s Youth Advisory Board -SoMa before SFMOMA MXWZSGEFYPEV]XLVSYKLRI[EVXMWXMGI\TVIWWMSRW F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV MRJS$½ZITSMRXWEVXLSYWIGSQ [[[QYWIYQGESVK 8LIWXSV]SJ4VMRGI7MHHLEVXLE´WNSYVRI]XSFI- Exhibition Gregory Lind Date: December 11, 2010 TIVWSR8SYVWM^IMWPMQMXIH TPIEWIGEPPSVIQEMP GSQIXLI&YHHLEMWXSPHMRTEVEPPIP[MXLXLEXSJ Opening Reception: December 10, 2010 Swarm Gallery to reserve your place. 49 Geary Street, Fifth Floor 8MQITQ 7IGSRH7XVIIX 'LERHVEEQSHIVRHE]7ER*VERGMWGSKMVP[LS 7:00-9:00pm San Francisco, CA 94108 [[[WJQSQESVK (415) 668-2548 ½RHWLIVWIPJTSWMRKWMQMPEVUYIWXMSRWEFSYXXLI 7SYXLIVR )\TSWYVI´W =SYXL %HZMWSV] &SEVH Shooting Gallery 3EOPERH'% [email protected] -Seth Koen: Narwhellian -JEFF EISENBERG: Solo exhibition MQTSVXERGI SJ XLEX RI\X TEMV SJ  WRIEO- =%&  GYVEXIW E KVSYT I\LMFMXMSR SJ ]SYXL )RHW(IGIQFIV 0EVOMR7XVIIX Jack Fischer Gallery IVWEWSTTSWIHXSXLILYQERWYJJIVMRKWLIWIIW EVX[SVOWXLEX[MPPFISRZMI[XSXLITYFPMGEX San Francisco, CA 94109 )RH(IGIQFIV 49 Geary Street (415) 296-9661   EPPEVSYRHLIV*PEZSVIH[MXL-RHMERQYWMGEVX 7SYXLIVR)\TSWYVI8LII\LMFMXMSRMWFEWIHSR LXXT[[[KVIKSV]PMRHKEPPIV]GSQ -Morning Breath San Francisco,CA 94108 OEXLEO HERGI ERH IZIR E WLS[WXSTTMRK LMT EWSGMEPP]VIPIZERXXLIQIMHIRXM½IHF]=%&WXY- [[[W[EVQKEPPIV]GSQ -DAN LYDERSEN Guerrero Gallery Opening Reception: December 11, 2010 LST&SPP][SSHWGIRIXLMWLSPMHE]GIPIFVEXMSRMW HIRXWFEWIHSRVIWIEVGL½IPHXVMTWERHHMWGYW- 2700 19th Street 7:00-10:00pm Begin: December 9, 2010 HIWMKRIHXSFVMRKXLI[EVQXLSJXLIWIEWSRXS sion. (SYK'YRRMRKLEQERH.EWSR2SXS (415)956-1178 San Francisco, CA 94110 &E]%VIEGLMPHVIRERHJEQMPMIWSJEPPXVEHMXMSRW   -Mike Giant Featured Solo   [[[NEGO½WGLIVKEPPIV]GSQ [[[WSI\SVK Kala Art Institute [[[XLIQEVWLSVK Begin: December 11, 2010 [[[WLSSXMRKKEPPIV]WJGSQ 6 Monday St. Gregory of Nyssa Episcopal -Adam 5100 Project Room Silverman Gallery 66 YBCA 2990 San Pablo Avenue Church Begin: December 11, 2010 701 Mission Street Berkeley, CA 94702 (I,EVS7XVIIX (415) 400-5168 7ER*VERGMWGS'% SFAI -Kala Artists Annual 10 Friday San Francisco, CA [[[KYIVVIVSKEPPIV]GSQ D -Left Coast Leaning 800 Chestnut Street Opening Reception: December 9, 2010 -The Moon of Wintertime Kala Art Institute Date: December 4, 2010 7ER*VERGMWGS'% 6:00-8:00pm Date: December 10, 2010 8:00pm 2990 San Pablo Avenue =&'% ERH=SYXL7TIEOW 0MZMRK;SVH4VSNIGX -Lecture: Wangechi Mutu 1SVIXLERRMRIX]EVXMWXWEJ½PMEXIH[MXLXLI/EPE PING PONG GALLERY San Francisco Girls Chorus Berkeley, CA 94702 EVI TVSYH XS TVIWIRX XLI WIGSRH IHMXMSR SJ Date: December 6, 2010 %VX-RWXMXYXISJ&IVOIPI][MPPTVIWIRXEHMZIVWI RH7XVIIX  I\X -Open Studio / Holiday Sale 0IJX'SEWX0IERMRK8LMWPMZIP]XLVIIHE]JIWXMZEP 8MQITQ EVVE] SJ TVMRXW TLSXSKVETL] HVE[MRKW ZMHIS FIX[IIR4IRRW]PZERMEERH1MWWMWWMTTM [[[WJKMVPWGLSVYWSVK Date: December 11, 2010 E celebrates the emerging post hip hop aesthetic ;MRMJVIH .SLRWSR 'PMZI *SYRHEXMSR (MWXMR- HMKMXEPQIHME[SVOWERHQM\IHQIHMEGSQFMRE- San Francisco CA 94107 Time: 11:00am-5:00pm XLEXMWHVMZIRF]QYPXMTPIYVFERMR¾YIRGIWERH KYMWLIH:MWMXMRK*IPPS[WLMTJSV-RXIVHMWGMTPMREV] XMSRW8LITYFPMGMWGSVHMEPP]MRZMXIHXSNSMR/EPE´W -CHAD STAYROOK 1IIX ERH GLEX [MXL /EPE%VXMWXWMR6IWMHIRGI MW TEVXMGYPEVP] VIWTSRWMZI XS XLI HIQSKVETLMG Painting Practices QER]EVXMWXWJSVXLMWLSPMHE]WX]PIKEPEVIGITXMSR Opening Reception: December 10, 2010 )RNS]EVX[SVOVIJVIWLQIRXWQYWMGERHJEGMPMX] HMZIVWMX]SJXLI;IWX'SEWX%VXMWXWGLSWIRXS [[[WJEMIHY (510) 841-7000 6:00-9:00pm 11 Saturday XSYVW%VX[SVOF]/EPEEVXMWXW[MPPFIEZEMPEFPI C participate in Left Coast Leaning represent the [[[OEPESVK 2I[=SVOFEWIHEVXMWX'LEH7XE]VSSOVIGIMZIH JSVWEPI4IVJIGXIZIRXXS½RH]SYVLSPMHE]KMJXW WTIGM½GXVENIGXSV]SJXLI;IWX'SEWXEVXWERH Kokoro Studio LMW&*%MR7GYPTXYVIJVSQ3LMS9RMZIVWMX]ERH for Christmas. XLIJIWXMZEPJSVQEXIREFPIWEYHMIRGIWERHEVXMWXW 682 Geary Street LMW1*%MR2I[+IRVIWJVSQXLI7ER*VER- BAER RIDGWAY [[[OEPESVK XSHIZIPSTEWLEVIHHMWGSYVWIEGVSWWEREVVE] 7 Tuesday San Francisco, CA GMWGS%VX-RWXMXYXI7XE]VSSOLEWI\LMFMXIHI\- 172 Minna Street Krowswork SJTIVJSVQERGIHMWGMTPMRIW -Yule: Holiday Group Show by Kokorostars XIRWMZIP]XLVSYKLSYXXLI97MR2I[=SVO7ER San Francisco, CA 94105 VH7XVIIXWMHIIRXVERGI E (415) 978-2787 Opening Reception: December 9, 2010 *VERGMWGS 4LMPEHIPTLME ERH ;EWLMRKXSR (' -Mauricio Ancalmo: New Work 3EOPERH'% [[[]FGESVK Theatre of Yugen 7:00-10:00pm ERHMRXIVREXMSREPP]MRXLI9/2IXLIVPERHWERH Opening Reception: December 11, 2010 -Krowswork Ball 2840 Mariposa Street )RH(IGIQFIV 7SYXL/SVIE 4:00-7:00pm /SOSVS7XYHMSMRZMXIW]SYXS,3,3,3MX   Date: December 11, 2010 San Francisco, CA 94110 -Brion Nuda Rosch Curates Creativity Ex- % SRI]IEVERRMZIVWEV] GIPIFVEXMSR EX /VS[W- -The Sound is the Movement YTERHVSGOXLIRMKLXE[E]EX±=YPI²3YVTEWX [email protected] plored M [[[TMRKTSRKKEPPIV]GSQ [SVO'EPPJSVHIXEMPWERHXMGOIXW 5 Sunday Date: December 7, 2010 /SOSVSWXEVWLEZIEWOIHXLIIPZIWXSLIPT[MXL Opening Reception: December 11, 2010 'VSWWMRKQYWMGEPGSRGIVX[MXLHERGIXLMWRI[ XLMW]IEV´W[MWLPMWXW&SSOWTSWXGEVHWERHLSPM- SOMArts Cultural Center 4:00-7:00pm   ICB 8YIWHE] RMKLX WSYRH ERH QSZIQIRX WIVMIW HE] FEOI WEPI [MPP WXYJJ ]SYV WXSGOMRKW 'SQI &VERRER7XVIIX &SSO7XSVI4VSNIGX7TEGI NEWQMRI$OVS[W[SVOGSQ +EXI*MZI6SEH MW GYVEXIH F] =YKIR 3VGLIWXVE MREYKYVEXIH KIX ]SYV 4SPSVSMH XEOIR YRHIV XLI QMWXPIXSI 7ER*VERGMWGS'%   [[[OVS[W[SVOGSQ B Sausalito CA 94965  QIQFIVW%ZE1IRHS^E.EOI6SHVMUYI^ [MXL7ERXE/VEYWIERHHSR´XJSVKIXXSXIPPLMQ -Its All A Blur [[[FEIVVMHK[E]GSQ OTHER CINEMA -42nd Annual Winter Open Studios ERH 8LIEXVI SJ =YKIR %WWSGMEXI )RWIQFPI [LEX]SY[ERXJSV'LVMWXQEW2SVXLTSPI(.W Date: December 10, 2010 Braunstein/Quay Gallery 992 Valencia Street Date: December 5, 2010 1IQFIV)H[EVH7LSGOIV)EGLIZIRXJIEXYVIW ;LMXIQMGI ERH 6E]VIEH]VE] ERH 7YTIVHIY\ 'YVEXIHF].YWXMR,SSZIVJIEXYVIW(EPI,S]X 'PIQIRXMRE7XVIIX San Francisco, CA 94110 Time: 11:00am-6:00pm TIVJSVQIVWXLEXFPYVXLIPMRIWFIX[IIRTL]WM- [MPP QEOI XLMW E XVYP] QEKMGEP [MRXIV [SRHIV- 8SR]0EFEXERH+YMPPIVQS+{QI^4IyEERHMW 7ER*VERGMWGS'% -Screening (MWGSZIVI\GITXMSREPERHYRMUYI[SVOWSJEVX GEPMX]ERHQYWMGEPMX] PERH4VM^IW[MPPEPWSFIE[EVHIHJSVFIWXLSPM- TPERRIHXSXSYVWIPIGXZIRYIWXLVSYKLSYXXLI -Mary Snowden Date: December 11, 2010 8:00pm E HE]W[IEXIVW Western States through 2011. EW]SY[ERHIVMRERHSYXSJXLIEVXMWXWWXYHMSW [[[XLIEXVISJ]YKIRSVK )RH(IGIQFIV 0IXXLIHIEHWTIEO4VSKVEQQIHF]'LVMWXMRI EXXLI-'&MR7EYWEPMXS[LIVIQSVIXLER OSOSVSWXYHMSYW ,SYVW 8YI¯*VMHE] ¯TQ 7EX  9WMRKTEMRXERHXLVIEH1EV]7RS[HIRFVMRKW 1IXVSTSYPSWXLI½JXLZMKRIXXIMRSYV(IEH1I- TEMRXIVWWGYPTXSVWJEFVMGEVXMWXWNI[IPIVWTLS- RENA BRANSTEN GALLERY 5:00pm HMZIVWI FVIIHW SJ GLMGOIRW XS PMJI%PSRK [MXL HME WYMXI SJJIVW E RMKLX SJ MRRSZEXMSR XLVSYKL XSKVETLIVW QYPXMQIHME TVSHYGIVW ERH QSVI 77 Geary Street [[[WSQEVXWSVK HVE[MRKW SJ JEVQIVW XLEX XLI EVXMWX LEW MRXIV- I\GEZEXMSR VITYVTSWMRK ERH VIERMQEXMSR;I R GVIEXIXLIMV[SVO*VIIEHQMWWMSRERHTEVOMRK 8 Wednesday San Francisco, CA 94108 Southern Exposure ZMI[IH ERH HVE[MRKW SJ MQEKMREV] L]FVMH FIKMR [MXL E RSH XS TVIGMRIQE EW8LSQEW   -TRACEY SNELLING XL7XVIIX FVIIHWSJERMQEPW7RS[HIRSJJIVWEFIEYXMJYP 'EVREGOM +VIK 7GLEVTIR ERH GSLSVXW  MR- [[[MGFEVXMWXWGSQ Begin: December 9, 2010 San Francisco, CA 94110 glimpse into farm life. XSRIW MXW QMWGIPPERIE ERH QEGLMRIW EQMHWX E Michael Rosenthal Victoria Theater 6IXVSWTIGXMZISJSPHIVERHRI[[SVOWF]&E] -BOOM (415) 278-9850 WLEHS[TYTTIXXLIEXIVXSMRZSOIEHIGMHIHP] :EPIRGME7XVIIX 2961 16th Street Area artist Tracey Snelling Opening Reception: December 10, 2010 [[[FUYE]EVXKEPPIV]GSQ visual symphony. We enter the realm of cinema, 7ER*VERGMWGS'% San Francisco,CA ,SYVW8YI*VMEQTQ7EXEQ 7:00-9:00pm Eleanor Harwood Gallery EWLERHTVSGIWWMRKQEZIR:ERIWWE3´2IMPPVI -Zombies, Latin Dance Party and Ventrilo- &IRI½X 5:00pm 7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSRLEWFI- 1295 Alabama Street VIKMWXIVW XLI TVSNIGXMSR I\TIVMIRGI [MXL LIV quist Date: December 8, 2010   GSQIXLITVIQMIVIWLS[GEWISJGYXXMRKIHKI San Francisco, CA 94110 QYPXMTPIQQTEIERSJPE]IVIHERHVI[SVOIH Begin: December 5, 2010 8MQITQ [[[VIREFVERWXIRKEPPIV]GSQ GSRXIQTSVEV]EVX[SVOF]TVSQMWMRKPSGEPXEP- -Kevin Taylor ½PQXSPMZIWSYRHF]/IRX0SRK%RH[II\XIRH )RH.ERYEV] 7*'MRIQEXLIUYI SFMOMA IRX%HMJJIVIRXXLIQIMWWIPIGXIHIZIV]]IEVXS Begin: December 11, 2010 FI]SRHGMRIQEEW)PMWI&EPH[MRGSRNYVIWE'LM- MRWTMVIERHIRGSYVEKIEFVSEHPIZIPSJEVXMWXMG .MPPMER 1G(SREPH 7S½E 'SVHSZE ERH &SF XLI [[[WJGMRIQEXLIUYISVK 8LMVH7XVIIX (415) 282-4248 mera, from her series of turntable performanc- Dummy San Francisco, CA I\TVIWWMSR &] PIEZMRK XLI XLIQI ERH QIHME [[[IPIERSVLEV[SSHGSQ IW MRGSVTSVEXMRK QMRMEXYVI HMSVEQEW SR ZMR]P [[[VSWIRXLEPKEPPIV]GSQ -When SFMOMA was a pawn shop STIRXSXLIEVXMWXW´MRXIVTVIXEXMSRXLI[SVOMW Elins Eagles Smith Gallery PMZIZMHISWSYRHPMKLXMRKERHEVGLMZEPMQEKIV] Oakland Museum of California Date: December 9, 2010 GSRGITXYEPP]ERHEIWXLIXMGEPP]HMZIVWIHVE[MRK 49 Geary Street, Suite 520 %VVMZIEXTQJSVHMZMREXSV]HVMROWTIGMEPWERH 1000 Oak Street Time: 7:00pm JVSQEWQER]MRWMKLXWERHJSVQWSJI\TVIWWMSR San Francisco, CA 94108 SXLIVHIPMGMSYWEXVSGMXMIW 3EOPERH'% 9 Thursday [[[WJQSQESVK EWTSWWMFPI8LMW]IEV´WXLIQIMW&SSQ9RPMOI -Ricardo Mazal: New Work (415)648-0654 -Days of the Dead SOMArts Cultural Center QER]STIRGEPPWJSV[SVOXLEXGLEVKIEWYFQMW- )RH(IGIQFIV [[[SXLIVGMRIQEGSQ &VERRER7XVIIX WMSRJII7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSR )RH(IGIQFIV Arion Press (415) 981-1080 Ratio 3 (E]WSJXLI(IEHVIXYVRWXS31'%MRMXWXL 7ER*VERGMWGS'% HSIWRSXVIUYMVIEVXMWXWXSTE]XSIRXIVXLIMV [[[IIWKEPPIV]GSQ 1447 Stevenson Street ,E]W7XVIIX8LI4VIWMHMS -It’s All A Blur [SVO8LII\LMFMXMSRMWSTIRXSER]EVXMWXPMZMRK 7ER*VERGMWGS'% ]IEV8LI I\LMFMXMSR [MPP FI GYVEXIH F] EVXMWX San Francisco, CA 94129 Fivepoints Arthouse ERHGYPXYVEP[SVOIV.EMQI'SVXI^MRSRISJXLI Opening Reception: December 9, 2010 MR2SVXLIVR'EPMJSVRMERSVXLSJ/MRK'MX]ERH 72 Tehama -Ryan McGinley -Tours Of Arion Press and M&H Type 6:00pm–9:00pm WSYXLSJXLI3VIKSRFSVHIV-RTEWX]IEVWSZIV RI[P]VIRSZEXIHI\LMFMXMSRWTEGIWMR31'%´W Date: December 9, 2010 San Francisco, CA 94105 )RH(IGIQFIV +EPPIV]SJ'EPMJSVRME%VX8LMW]IEV´WXLIQI[MPP    EVX[SVOW LEZI FIIR LERHHIPMZIVIH XS -KANGEN: Return to Origin   8MQITQTQ [[[WSQEVXWSVK XLIKEPPIV]JSVNYV]MRKEXXIWXMRKXSXLII\XVIQI GSRXMRYIXSTVSZMHIEYHMIRGIW[MXLEFEWMGJYR- 0MZIHIQSRWXVEXMSRXSYVWSJXLILMWXSVMGX]TI- )RH(IGIQFIV KEPPIV]$VEXMSSVK HEQIRXEP YRHIVWXERHMRK ERH ETTVIGMEXMSR SJ THE MARSH TSTYPEVMX]SJXLIWLS[*SVQER]SJXLIEVXMWXW 0MZIGEPPMKVETL]TIVJSVQERGIF]%SM=EQEKYGLM SFMOMA JSYRHV]TVMRXMRKJEGMPMX]ERHFSSOFMRHIV]SJ%V- :EPIRGME7XVIIXEXRH7XVIIX WIPIGXIHXLMWMWXLIMV½VWXQENSVI\LMFMXMSRERH 8LMVH7XVIIX XLMW1IWS%QIVMGERXVEHMXMSREW[IPPEWTVSZMHI MSR4VIWWERH1 ,8]TIEVIGSRHYGXIHIZIV] ERH1M\IHQIHMEMRWXEPPEXMSRF],MVSOS8WYGLM- EJSVYQJSVXLIXVEHMXMSRXSKVS[ERHI\TERH San Francisco , CA 94110 ERMQTSVXERXWXITMREHZERGMRKXLIMVGEVIIV QSXS:MHISTVSNIGXMSR San Francisco, CA 8LYVWHE]EXTQ8LIXSYVWEVIWTSRWSVIH -MYT’s SIDDHARTHA: THE BRIGHT PATH -Southern Exposure’s Youth Advisory Board -SoMa before SFMOMA MXWZSGEFYPEV]XLVSYKLRI[EVXMWXMGI\TVIWWMSRW F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV MRJS$½ZITSMRXWEVXLSYWIGSQ [[[QYWIYQGESVK 8LIWXSV]SJ4VMRGI7MHHLEVXLE´WNSYVRI]XSFI- Exhibition Gregory Lind Date: December 11, 2010 TIVWSR8SYVWM^IMWPMQMXIH TPIEWIGEPPSVIQEMP GSQIXLI&YHHLEMWXSPHMRTEVEPPIP[MXLXLEXSJ Opening Reception: December 10, 2010 Swarm Gallery to reserve your place. 49 Geary Street, Fifth Floor 8MQITQ 7IGSRH7XVIIX 'LERHVEEQSHIVRHE]7ER*VERGMWGSKMVP[LS 7:00-9:00pm San Francisco, CA 94108 [[[WJQSQESVK (415) 668-2548 ½RHWLIVWIPJTSWMRKWMQMPEVUYIWXMSRWEFSYXXLI 7SYXLIVR )\TSWYVI´W =SYXL %HZMWSV] &SEVH Shooting Gallery 3EOPERH'% [email protected] -Seth Koen: Narwhellian -JEFF EISENBERG: Solo exhibition MQTSVXERGI SJ XLEX RI\X TEMV SJ  WRIEO- =%&  GYVEXIW E KVSYT I\LMFMXMSR SJ ]SYXL )RHW(IGIQFIV 0EVOMR7XVIIX Jack Fischer Gallery IVWEWSTTSWIHXSXLILYQERWYJJIVMRKWLIWIIW EVX[SVOWXLEX[MPPFISRZMI[XSXLITYFPMGEX San Francisco, CA 94109 )RH(IGIQFIV 49 Geary Street (415) 296-9661   EPPEVSYRHLIV*PEZSVIH[MXL-RHMERQYWMGEVX 7SYXLIVR)\TSWYVI8LII\LMFMXMSRMWFEWIHSR LXXT[[[KVIKSV]PMRHKEPPIV]GSQ -Morning Breath San Francisco,CA 94108 OEXLEO HERGI ERH IZIR E WLS[WXSTTMRK LMT EWSGMEPP]VIPIZERXXLIQIMHIRXM½IHF]=%&WXY- [[[W[EVQKEPPIV]GSQ -DAN LYDERSEN Guerrero Gallery Opening Reception: December 11, 2010 LST&SPP][SSHWGIRIXLMWLSPMHE]GIPIFVEXMSRMW HIRXWFEWIHSRVIWIEVGL½IPHXVMTWERHHMWGYW- 2700 19th Street 7:00-10:00pm Begin: December 9, 2010 HIWMKRIHXSFVMRKXLI[EVQXLSJXLIWIEWSRXS sion. (SYK'YRRMRKLEQERH.EWSR2SXS (415)956-1178 San Francisco, CA 94110 &E]%VIEGLMPHVIRERHJEQMPMIWSJEPPXVEHMXMSRW   -Mike Giant Featured Solo   [[[NEGO½WGLIVKEPPIV]GSQ [[[WSI\SVK Kala Art Institute [[[XLIQEVWLSVK Begin: December 11, 2010 [[[WLSSXMRKKEPPIV]WJGSQ 6 Monday St. Gregory of Nyssa Episcopal -Adam 5100 Project Room Silverman Gallery 67 804 Sutter Street or as stand-alone works of art. 1802 Hays Street, The Presidio SJ3EOPERHEVXMWXW'LVMW6YWWIPP.EQIW7IIZIVW +IEV]7XVIIXRH*PSSV 7SYXLIVR)\TSWYVI8LII\LMFMXMSRMWFEWIHSR San Francisco, CA 94102 [[[I\TPSVEXSVMYQIHY San Francisco, CA 94129 ERH1MGLEIP0SYMW=SYRK8LIMV[SVOI\TPSVIW San Francisco, CA 94108 EWSGMEPP]VIPIZERXXLIQIMHIRXM½IHF]=%&WXY- -Shannon Finley: Solo Exhibition Kala Art Institute -Tours Of Arion Press and M&H Type mans’ changing relationship with the natural -Forrest Williams: Crossways HIRXWFEWIHSRVIWIEVGL½IPHXVMTWERHHMWGYW- D )RHW(IGIQFIV 2990 San Pablo Avenue Date: December 16, 2010 world with new paintings, drawings and instal- )RH(IGIQFIV sion. -RLMWFVMKLXGSPSVIHTEMRXMRKW*MRPI]GSRWXVYGXW &IVOIPI]'% Time: 3:00-4:30pm lations. The approaches they take range from -RLMWQYGLERXMGMTEXIHJSYVXLWSPSI\LMFMXMSR (415) 863-2141 multiple layers of paint on top of each other -Open Studio / Holiday Sale Live demonstration tours of the historic type- representational mountain vistas to visionary EX1EV\ >EZEXXIVS2I[=SVOTEMRXIV*SVVIWX [[[WSI\SVK ERHGVIEXIWTVMWQEXMGWTEGIWERH½KYVIW8VERW- Date: December 12, 2010 foundry, printing facility, and bookbindery of Ar- KISQIXVMGEFWXVEGXMSRXSMVSRMG[LMQWMGEPXI\X Williams presents his latest paintings of con- Studio Quercus lucent collage-like shapes evoke geometrically Time: 11:00am-5:00pm ion Press and M&H Type are conducted every MRJS$½ZITSMRXWEVXLSYWIGSQ XIQTPEXMZIQEPI½KYVIWSRTERIPERHTETIV3R 385 26th Street E abstracted formations seemingly holographic Meet and chat with Kala Artists-in-Residence! Thursday at 3:00 p.m. The tours are sponsored GALLERY 16 view October 28 - December 18, 2010, Cross- Oakland, CA ERHXLVIIHMQIRWMSREP8LMWMWLMW½VWXWSPSI\- )RNS]EVX[SVOVIJVIWLQIRXWQYWMGERHJEGMPMX] F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV 501 Third Street ways debuts a new series in which intense dra- -Sherilyn Tharp: Wood Carvings LMFMXMSRMRXLI97ERH[MXL7MPZIVQER+EPPIV] tours. Artwork by Kala artists will be available person. Call in advance to reserve your place 7ER*VERGMWGS'% matic lighting, dense pattern, and oblique angles )RH(IGIQFIV www.silverman-gallery.com JSVWEPI4IVJIGXIZIRXXS½RH]SYVLSPMHE]KMJXW or email us. -MICHELLE GRABNER + BRAD KILLAM emphasize an unstable, somewhat disorienting   C SOAP Gallery for Christmas. (415) 668-2548 )RH(IGIQFIV space that his subjects inhabit both physically www.studioquercus.com 3180 Mission Street www.kala.org [email protected]   and spatially. Williams’ paintings have always Theatre of Yugen between Cesar Chavez and Valencia Braunstein/Quay Gallery www.gallery16.com WIEQPIWWP] JYWIH LMW MRXIVIWX MR ½KYVEXMSR ERH 2840 Mariposa Street San Francisco, 94110 230 Clementina Street gallery16.blogspot.com abstraction, but in this new body of work Wil- San Francisco, CA 94110 -Daniel Hipolito: Qui Mal Y Pense San Francisco, CA 94103 Lafayette-Orinda Presbyterian liams utilizes abstract patterns as a tool in which -Mr. Yoowho’s Holiday E Begin: December 11, 2010 -Robert Brady /RS\(VMZI his subjects hang in a somewhat helter-skelter Begin: December 18, 2010 (415) 920-9199 13 Monday Begin: December 16, 2010 Lafayette, CA balance. 1V=SS;LSHMWGSZIVW LMW HVIEQ SJ XVEZIPMRK [email protected] Opening Reception: December 18, 2010 -Tidings of Great Joy Hours: Tues-Fri 10:30am-5:30pm, Sat. 11:00am- XLI[SVPHMRXLIQSWXYRPMOIP]SJTPEGIWE½IPH www.riversoap.com/soap-gallery McKinley Art Solutions 3:00-5:00pm (EXI(IGIQFIV 5:00pm SJWYR¾S[IVW,IXVEZIPWXLVSYKLETSXTSYVVM M Swarm Gallery 181 Third Street at Howard Robert Brady’s fascination with materials Time: 8:00-10:00pm   of wonder generating laughter that reaches far 560 Second Street San Francisco, CA 94103 throughout the years has encouraged him to Two celebratory seasonal works by David [[[QEV\^EZGSQ EGVSWWKIRIVEXMSREPPMRIW)RXIVE[SVPH[LIVI 3EOPERH'% -Systems: Brian Barneclo challenge the limits of wood and to deeply Brunner and Daniel Pinkham ground a program OTHER CINEMA humor and poetry intermingle with precision -THINGS ARE EXPANDING )RH(IGIQFIV GSRWMHIVXLILYQER½KYVI8LIEVXMWX´WI\TPSVE- of soaring holiday joy with the full complement 992 Valencia Street QMRMFSEVHLMKLHMZMRKE[SVPH[LIVI)YVSTIER Begin: December 11, 2010 McKinley Art Solutions is pleased to present tion of his medium and his subject provides the SJZSMGIWSJXLI7ER*VERGMWGS+MVPW'LSVYW San Francisco, CA 94110 GPS[RERHQMQIQM\[MXL.ETERIWI/]SKIRERH B +EPPIV]EVXMWXWGSPPEFSVEXI[MXLSXLIVWMRPEVKI ‘Systems’, new works by ubiquitous SF mural- foundation for his elegantly modeled objects and Chorus School at Davies Hall. The Decem- -Screening =MHHMWL %FWYVHMWQ *SPPS[MRK VEZI VIZMI[W MR group show ist Brian Barneclo at W San Francisco. Brian’s ERHFIEYXMJYPP]GVEJXIH½KYVIW FIVGSRGIVXJIEXYVIWE[EVQERHMRXMQEXI Date: December 18, 2010 )YVSTI ±'LEVPMI'LETPMRSJEQSHIVRXMQI²  -Tamara Albaitis: Building Steam distinctive style, known throughout San Fran- www.bquayartgallery.com program with the 40-voice Chorus. Here’s an energized evening of new cinematic Moshe Cohen brings his show back home to Begin: December 11, 2010 cisco and showcased in some of the city’s most Exploratorium www.sfgirlschorus.org IJJSVXWXLEXGLEQTMSRTIVWSREPI\TVIWWMSRERH 7ER*VERGMWGS-RXLIJEPPSJ1SWLIXVEZ- Second installation in the project space of the popular restaurants and hotspots, deftly de- 3601 Lyon Street Silverman Gallery radical form. Constituting the season’s most eled to Krakow to work intensely with direc- E gallery’s year-long sound program San Francisco, CA 94123 804 Sutter Street I\TPSVEXSV]TVSKVEQQMRKMRMXMEXMZI°ERH[MXL tor Marek Pasieczny, bringing together work picts the interconnectivity between elements   of the urban environment. This new body of -Marbling with Physics San Francisco, CA 94102 QER]SJXLIQEOIVWMRTIVWSR°EVI(IFSVEL that Moshe has developed over the last twenty www.swarmgallery.com [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS Date: December 16, 2010 -Job Piston: Solo Exhibition 7XVEXQER´W-X;MPP(MI3YXMRXLI1MRH6SKIV years. After serious dramaturgy work, Moshe Toomey Tourell GSRXMRYIWXSI\TPSVIXLIQER]JEGIXWSJYVFER Time: 9:30am-12:30pm 3TIRMRK 6IGITXMSR (IGIQFIV   &IIFI´W &IKMRRMRKW (EZMH 'S\´8MQI +LSWXW unveiled his new work at the basement caba- R +IEV]7XVIIXXL¾SSV IRZMVSRQIRXEPERHI\TIVMIRXMEPVIPEXMSRWLMTWSJ 0IZIVEKI WYVJEGI XIRWMSR ERH ¾YMH H]REQMGW 6:00-8:00pm +VIK >MJGEO´W 0MJI *SVQWERH /IPP] 7IEVW´8LI ret theater Loch Camelot. Now Moshe returns San Francisco CA interest to Brian and is also thematically tied to to create beautiful marbled paper. Suminagashi, 8LIEVXMWX´WWIGSRHWSPSI\LMFMXMSREXXLIKEPPIV] Body Besieged.PLUS recent pieces by Kerry home to San Francisco, and builds upon this -Robert Donald his latest mural project, ‘Systems Mural Project’. which gives you the opportunity to freeze ink features a series of new photographs. Laitala, Richard Mitchell, Bryan Boyce, Martha foundation in collaboration with the Theatre of )RH(IGIQFIV [email protected] ¾S[F]EFWSVFMRKMX[MXLTETIV)\TPSVII\LMF- www.silverman-gallery.com Colburn, Molly Hankwitz, Salise Hughes, and =YKIRMRNIGXMRKE2SLERH/]SKIRMR¾YIRGIXS Hours: Tue-Fri 11:00-5:30pm, Sat 11:00-5:00pm, its from the museum’s Matter World area be- others TBA. Come early for artists’ recep- his insightful ritual of travel, and holiday celebra- by appointment fore moving ink through water employing ink, tion, Laitala’s peep-show installations, and the tion. (415)989-6444 brushes, sticks, agitation, dispersant – and even Dream Machine! www.theatreofyugen.org www.toomey-tourell.com your breath. Develop an intuitive understand- (415)648-0654 White Walls 15 Wednesday MRKSJ¾YMHH]REQMGWERHPIEZI[MXLSRISJE 18 Saturday www.othercinema.com 835 Larkin Street kind paper, perfect for cards, wrapping, drawing, Southern Exposure San Francisco, CA 94109 Cantor Arts Center or as stand-alone works of art. Braunstein/Quay Gallery 3030 20th Street 19 Sunday -Winter Group Show 328 Lomita Dr [[[I\TPSVEXSVMYQIHY 230 Clementina Street San Francisco, CA 94110 Opening Reception: December 11 2010 Stanford, CA 94305 SFMOMA San Francisco, CA 94103 -BOOM TQ -Extreme Makeover 151 Third Street -Robert Brady )RH(IGIQFIV 4VIWMHMSSJ7ER*VERGMWGS3J½GIVW´ 'LEVPIW /VEJJX.SWLYE 4IXOIV%&3:)'PE]XSR Begin: December 15, 2010 San Francisco, CA Opening Reception: December 18, 2010 7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSRLEWFI- Club &VSXLIVW%OMVE7LITEVH*EMVI],IRV]+YRHIV- A Fresh Look at the Cantor Arts Center’s -Nathaniel Dorsky 3:00-5:00pm come the premiere showcase of cutting-edge 50 Moraga Avenue son, and more! 'SRXIQTSVEV] 'SPPIGXMSR8LMW ¾SSVXSGIMPMRK Date: December 16, 2010 Robert Brady’s fascination with materials contemporary artwork by promising local tal- San Francisco, CA 94129 (415) 931-1500 VIMRWXEPPEXMSRSJXLIGSRXIQTSVEV]KEPPIV]NY\- 8MQITQ throughout the years has encouraged him to ent. A different theme is selected every year to -Intersections 5: Colors Concepts Contours www.whitewallssf.com taposes new acquisitions with familiar pieces SF Cinematheque challenge the limits of wood and to deeply inspire and encourage a broad level of artistic )RH(IGIQFIV and works that have been off view. Anchoring www.sfcinematheque.org GSRWMHIVXLILYQER½KYVI8LIEVXMWX´WI\TPSVE- I\TVIWWMSR &] PIEZMRK XLI XLIQI ERH QIHME *MFIV(-1)27-327 EVXMWXW FVMRK E HMZIVWMX] XLIHMWTPE]EVI[SVOWF]&E]%VIE½KYVEXMZIERH tion of his medium and his subject provides the open to the artists’ interpretation, the work is of disciplines to their work from weaving, felt- EFWXVEGX I\TVIWWMSRMWX WGYPTXSVW ERH TEMRXIVW foundation for his elegantly modeled objects conceptually and aesthetically diverse, drawing ing, quilting, and paper making to painting, 12 Sunday FEWIHMR'EPMJSVRMEWYGLEW1ERYIP2IVM.IVIQ] ERHFIEYXMJYPP]GVEJXIH½KYVIW JVSQEWQER]MRWMKLXWERHJSVQWSJI\TVIWWMSR woodworking, printing, and welding. Their bien- %RHIVWSR .SLR 'IHIVUYMWX%PZMR 0MKLX .EQIW 17 Friday www.bquayartgallery.com as possible. This year’s theme is Boom. Unlike RMEPKVSYTWLS[-RXIVWIGXMSRW[MPPVITVIWIRX Weeks, and Frank Lobdell. Modern and con- Gallery Heist many open calls for work that charge a submis- over 35 of their amazing artists. Exploratorium temporary pieces acquired in the last decade +IEV]7XVIIX WMSRJII7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSR (415)499-1655 3601 Lyon Street are carefully selected for the varied groupings in Anthony Meier Fine Arts San Francisco, CA 94102 does not require artists to pay to enter their [[[½FIVHMQIRWMSRWGSQ San Francisco, CA 94123 this display and include works by Robert Arne- 1969 California Street -New Show Opening [SVO8LII\LMFMXMSRMWSTIRXSER]EVXMWXPMZMRK WE Artspace -Marbling with Physics WSR-WEQY2SKYGLM)PQIV&MWGLSJJ.SER&VS[R San Francisco, CA 94109 Opening Reception: December 18, 2010 in Northern California north of King City and XL7XVIIX Date: December 12, 2010 and Al Held. The prominent south wall features -Gary Simmons: New Work TQTQ WSYXLSJXLI3VIKSRFSVHIV-RTEWX]IEVWSZIV Oakland CA Time: 9:30am-12:30pm ZMFVERXGSPSV½IPHTEMRXMRKWF]EVXMWXWWYGLEW )RH(IGIQFIV )RHW.ERYEV]  EVX[SVOW LEZI FIIR LERHHIPMZIVIH XS -Small Works: Important Presence 0IZIVEKI WYVJEGI XIRWMSR ERH ¾YMH H]REQMGW .YPIW3PMXWOM*VERO7XIPPEERH1MVMEQ7GLETMVS (415) 351-1400   XLIKEPPIV]JSVNYV]MRKEXXIWXMRKXSXLII\XVIQI )RH(IGIQFIV to create beautiful marbled paper. Suminagashi, www.museum.stanford.edu [[[ERXLSR]QIMIV½RIEVXWGSQ www.galleryheist.com popularity of the show. For many of the artists +VSYT WLS[ [MXL [SVOW F] PSGEP IQIVKMRK which gives you the opportunity to freeze ink Fivepoints Arthouse Jancar Jones Gallery WIPIGXIHXLMWMWXLIMV½VWXQENSVI\LMFMXMSRERH EVXMWXW WYGL EW /EVIR8LSQEW8 .SWITL )RSW ¾S[F]EFWSVFMRKMX[MXLTETIV)\TPSVII\LMF- 8ILEQE 965 Mission, Suite 120 an important step in advancing their career. /MNE0YGEW)VMO4EVVE)PM^EFIXL&IVRWXIMR6YXL its from the museum’s Matter World area be- San Francisco, CA 94105 San Francisco, CA 94103 -Southern Exposure’s Youth Advisory Board Hodges and Kit Rosenberg. fore moving ink through water employing ink, -The Wandering Flood Moves Though Us -Bruno Fazzolari Exhibition www.weartspace.com brushes, sticks, agitation, dispersant – and even 16 Thursday 3TIRMRK 6IGITXMSR (IGIQFIV   )RH(IGIQFIV )RH(IGIQFIV your breath. Develop an intuitive understand- TQ   7SYXLIVR )\TSWYVI´W =SYXL %HZMWSV] &SEVH =%&  GYVEXIW E KVSYT I\LMFMXMSR SJ ]SYXL MRKSJ¾YMHH]REQMGWERHPIEZI[MXLSRISJE Arion Press )RH.ERYEV] www.jancarjones.com kind paper, perfect for cards, wrapping, drawing, Curator Theo Konrad Auer presents the work Marx & Zavattero artworks that will be on view to the public at 68 804 Sutter Street or as stand-alone works of art. 1802 Hays Street, The Presidio SJ3EOPERHEVXMWXW'LVMW6YWWIPP.EQIW7IIZIVW +IEV]7XVIIXRH*PSSV 7SYXLIVR)\TSWYVI8LII\LMFMXMSRMWFEWIHSR San Francisco, CA 94102 [[[I\TPSVEXSVMYQIHY San Francisco, CA 94129 ERH1MGLEIP0SYMW=SYRK8LIMV[SVOI\TPSVIW San Francisco, CA 94108 EWSGMEPP]VIPIZERXXLIQIMHIRXM½IHF]=%&WXY- -Shannon Finley: Solo Exhibition Kala Art Institute -Tours Of Arion Press and M&H Type mans’ changing relationship with the natural -Forrest Williams: Crossways HIRXWFEWIHSRVIWIEVGL½IPHXVMTWERHHMWGYW- D )RHW(IGIQFIV 2990 San Pablo Avenue Date: December 16, 2010 world with new paintings, drawings and instal- )RH(IGIQFIV sion. -RLMWFVMKLXGSPSVIHTEMRXMRKW*MRPI]GSRWXVYGXW &IVOIPI]'% Time: 3:00-4:30pm lations. The approaches they take range from -RLMWQYGLERXMGMTEXIHJSYVXLWSPSI\LMFMXMSR (415) 863-2141 multiple layers of paint on top of each other -Open Studio / Holiday Sale Live demonstration tours of the historic type- representational mountain vistas to visionary EX1EV\ >EZEXXIVS2I[=SVOTEMRXIV*SVVIWX [[[WSI\SVK ERHGVIEXIWTVMWQEXMGWTEGIWERH½KYVIW8VERW- Date: December 12, 2010 foundry, printing facility, and bookbindery of Ar- KISQIXVMGEFWXVEGXMSRXSMVSRMG[LMQWMGEPXI\X Williams presents his latest paintings of con- Studio Quercus lucent collage-like shapes evoke geometrically Time: 11:00am-5:00pm ion Press and M&H Type are conducted every MRJS$½ZITSMRXWEVXLSYWIGSQ XIQTPEXMZIQEPI½KYVIWSRTERIPERHTETIV3R 385 26th Street E abstracted formations seemingly holographic Meet and chat with Kala Artists-in-Residence! Thursday at 3:00 p.m. The tours are sponsored GALLERY 16 view October 28 - December 18, 2010, Cross- Oakland, CA ERHXLVIIHMQIRWMSREP8LMWMWLMW½VWXWSPSI\- )RNS]EVX[SVOVIJVIWLQIRXWQYWMGERHJEGMPMX] F] XLI RSRTVS½X +VEFLSVR -RWXMXYXI  TIV 501 Third Street ways debuts a new series in which intense dra- -Sherilyn Tharp: Wood Carvings LMFMXMSRMRXLI97ERH[MXL7MPZIVQER+EPPIV] tours. Artwork by Kala artists will be available person. Call in advance to reserve your place 7ER*VERGMWGS'% matic lighting, dense pattern, and oblique angles )RH(IGIQFIV www.silverman-gallery.com JSVWEPI4IVJIGXIZIRXXS½RH]SYVLSPMHE]KMJXW or email us. -MICHELLE GRABNER + BRAD KILLAM emphasize an unstable, somewhat disorienting   C SOAP Gallery for Christmas. (415) 668-2548 )RH(IGIQFIV space that his subjects inhabit both physically www.studioquercus.com 3180 Mission Street www.kala.org [email protected]   and spatially. Williams’ paintings have always Theatre of Yugen between Cesar Chavez and Valencia Braunstein/Quay Gallery www.gallery16.com WIEQPIWWP] JYWIH LMW MRXIVIWX MR ½KYVEXMSR ERH 2840 Mariposa Street San Francisco, 94110 230 Clementina Street gallery16.blogspot.com abstraction, but in this new body of work Wil- San Francisco, CA 94110 -Daniel Hipolito: Qui Mal Y Pense San Francisco, CA 94103 Lafayette-Orinda Presbyterian liams utilizes abstract patterns as a tool in which -Mr. Yoowho’s Holiday E Begin: December 11, 2010 -Robert Brady /RS\(VMZI his subjects hang in a somewhat helter-skelter Begin: December 18, 2010 (415) 920-9199 13 Monday Begin: December 16, 2010 Lafayette, CA balance. 1V=SS;LSHMWGSZIVW LMW HVIEQ SJ XVEZIPMRK [email protected] Opening Reception: December 18, 2010 -Tidings of Great Joy Hours: Tues-Fri 10:30am-5:30pm, Sat. 11:00am- XLI[SVPHMRXLIQSWXYRPMOIP]SJTPEGIWE½IPH www.riversoap.com/soap-gallery McKinley Art Solutions 3:00-5:00pm (EXI(IGIQFIV 5:00pm SJWYR¾S[IVW,IXVEZIPWXLVSYKLETSXTSYVVM M Swarm Gallery 181 Third Street at Howard Robert Brady’s fascination with materials Time: 8:00-10:00pm   of wonder generating laughter that reaches far 560 Second Street San Francisco, CA 94103 throughout the years has encouraged him to Two celebratory seasonal works by David [[[QEV\^EZGSQ EGVSWWKIRIVEXMSREPPMRIW)RXIVE[SVPH[LIVI 3EOPERH'% -Systems: Brian Barneclo challenge the limits of wood and to deeply Brunner and Daniel Pinkham ground a program OTHER CINEMA humor and poetry intermingle with precision -THINGS ARE EXPANDING )RH(IGIQFIV GSRWMHIVXLILYQER½KYVI8LIEVXMWX´WI\TPSVE- of soaring holiday joy with the full complement 992 Valencia Street QMRMFSEVHLMKLHMZMRKE[SVPH[LIVI)YVSTIER Begin: December 11, 2010 McKinley Art Solutions is pleased to present tion of his medium and his subject provides the SJZSMGIWSJXLI7ER*VERGMWGS+MVPW'LSVYW San Francisco, CA 94110 GPS[RERHQMQIQM\[MXL.ETERIWI/]SKIRERH B +EPPIV]EVXMWXWGSPPEFSVEXI[MXLSXLIVWMRPEVKI ‘Systems’, new works by ubiquitous SF mural- foundation for his elegantly modeled objects and Chorus School at Davies Hall. The Decem- -Screening =MHHMWL %FWYVHMWQ *SPPS[MRK VEZI VIZMI[W MR group show ist Brian Barneclo at W San Francisco. Brian’s ERHFIEYXMJYPP]GVEJXIH½KYVIW FIVGSRGIVXJIEXYVIWE[EVQERHMRXMQEXI Date: December 18, 2010 )YVSTI ±'LEVPMI'LETPMRSJEQSHIVRXMQI²  -Tamara Albaitis: Building Steam distinctive style, known throughout San Fran- www.bquayartgallery.com program with the 40-voice Chorus. Here’s an energized evening of new cinematic Moshe Cohen brings his show back home to Begin: December 11, 2010 cisco and showcased in some of the city’s most Exploratorium www.sfgirlschorus.org IJJSVXWXLEXGLEQTMSRTIVWSREPI\TVIWWMSRERH 7ER*VERGMWGS-RXLIJEPPSJ1SWLIXVEZ- Second installation in the project space of the popular restaurants and hotspots, deftly de- 3601 Lyon Street Silverman Gallery radical form. Constituting the season’s most eled to Krakow to work intensely with direc- E gallery’s year-long sound program San Francisco, CA 94123 804 Sutter Street I\TPSVEXSV]TVSKVEQQMRKMRMXMEXMZI°ERH[MXL tor Marek Pasieczny, bringing together work picts the interconnectivity between elements   of the urban environment. This new body of -Marbling with Physics San Francisco, CA 94102 QER]SJXLIQEOIVWMRTIVWSR°EVI(IFSVEL that Moshe has developed over the last twenty www.swarmgallery.com [SVOGVIEXIHWTIGM½GEPP]JSV;7ER*VERGMWGS Date: December 16, 2010 -Job Piston: Solo Exhibition 7XVEXQER´W-X;MPP(MI3YXMRXLI1MRH6SKIV years. After serious dramaturgy work, Moshe Toomey Tourell GSRXMRYIWXSI\TPSVIXLIQER]JEGIXWSJYVFER Time: 9:30am-12:30pm 3TIRMRK 6IGITXMSR (IGIQFIV   &IIFI´W &IKMRRMRKW (EZMH 'S\´8MQI +LSWXW unveiled his new work at the basement caba- R +IEV]7XVIIXXL¾SSV IRZMVSRQIRXEPERHI\TIVMIRXMEPVIPEXMSRWLMTWSJ 0IZIVEKI WYVJEGI XIRWMSR ERH ¾YMH H]REQMGW 6:00-8:00pm +VIK >MJGEO´W 0MJI *SVQWERH /IPP] 7IEVW´8LI ret theater Loch Camelot. Now Moshe returns San Francisco CA interest to Brian and is also thematically tied to to create beautiful marbled paper. Suminagashi, 8LIEVXMWX´WWIGSRHWSPSI\LMFMXMSREXXLIKEPPIV] Body Besieged.PLUS recent pieces by Kerry home to San Francisco, and builds upon this -Robert Donald his latest mural project, ‘Systems Mural Project’. which gives you the opportunity to freeze ink features a series of new photographs. Laitala, Richard Mitchell, Bryan Boyce, Martha foundation in collaboration with the Theatre of )RH(IGIQFIV [email protected] ¾S[F]EFWSVFMRKMX[MXLTETIV)\TPSVII\LMF- www.silverman-gallery.com Colburn, Molly Hankwitz, Salise Hughes, and =YKIRMRNIGXMRKE2SLERH/]SKIRMR¾YIRGIXS Hours: Tue-Fri 11:00-5:30pm, Sat 11:00-5:00pm, its from the museum’s Matter World area be- others TBA. Come early for artists’ recep- his insightful ritual of travel, and holiday celebra- by appointment fore moving ink through water employing ink, tion, Laitala’s peep-show installations, and the tion. (415)989-6444 brushes, sticks, agitation, dispersant – and even Dream Machine! www.theatreofyugen.org www.toomey-tourell.com your breath. Develop an intuitive understand- (415)648-0654 White Walls 15 Wednesday MRKSJ¾YMHH]REQMGWERHPIEZI[MXLSRISJE 18 Saturday www.othercinema.com 835 Larkin Street kind paper, perfect for cards, wrapping, drawing, Southern Exposure San Francisco, CA 94109 Cantor Arts Center or as stand-alone works of art. Braunstein/Quay Gallery 3030 20th Street 19 Sunday -Winter Group Show 328 Lomita Dr [[[I\TPSVEXSVMYQIHY 230 Clementina Street San Francisco, CA 94110 Opening Reception: December 11 2010 Stanford, CA 94305 SFMOMA San Francisco, CA 94103 -BOOM TQ -Extreme Makeover 151 Third Street -Robert Brady )RH(IGIQFIV 4VIWMHMSSJ7ER*VERGMWGS3J½GIVW´ 'LEVPIW /VEJJX.SWLYE 4IXOIV%&3:)'PE]XSR Begin: December 15, 2010 San Francisco, CA Opening Reception: December 18, 2010 7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSRLEWFI- Club &VSXLIVW%OMVE7LITEVH*EMVI],IRV]+YRHIV- A Fresh Look at the Cantor Arts Center’s -Nathaniel Dorsky 3:00-5:00pm come the premiere showcase of cutting-edge 50 Moraga Avenue son, and more! 'SRXIQTSVEV] 'SPPIGXMSR8LMW ¾SSVXSGIMPMRK Date: December 16, 2010 Robert Brady’s fascination with materials contemporary artwork by promising local tal- San Francisco, CA 94129 (415) 931-1500 VIMRWXEPPEXMSRSJXLIGSRXIQTSVEV]KEPPIV]NY\- 8MQITQ throughout the years has encouraged him to ent. A different theme is selected every year to -Intersections 5: Colors Concepts Contours www.whitewallssf.com taposes new acquisitions with familiar pieces SF Cinematheque challenge the limits of wood and to deeply inspire and encourage a broad level of artistic )RH(IGIQFIV and works that have been off view. Anchoring www.sfcinematheque.org GSRWMHIVXLILYQER½KYVI8LIEVXMWX´WI\TPSVE- I\TVIWWMSR &] PIEZMRK XLI XLIQI ERH QIHME *MFIV(-1)27-327 EVXMWXW FVMRK E HMZIVWMX] XLIHMWTPE]EVI[SVOWF]&E]%VIE½KYVEXMZIERH tion of his medium and his subject provides the open to the artists’ interpretation, the work is of disciplines to their work from weaving, felt- EFWXVEGX I\TVIWWMSRMWX WGYPTXSVW ERH TEMRXIVW foundation for his elegantly modeled objects conceptually and aesthetically diverse, drawing ing, quilting, and paper making to painting, 12 Sunday FEWIHMR'EPMJSVRMEWYGLEW1ERYIP2IVM.IVIQ] ERHFIEYXMJYPP]GVEJXIH½KYVIW JVSQEWQER]MRWMKLXWERHJSVQWSJI\TVIWWMSR woodworking, printing, and welding. Their bien- %RHIVWSR .SLR 'IHIVUYMWX%PZMR 0MKLX .EQIW 17 Friday www.bquayartgallery.com as possible. This year’s theme is Boom. Unlike RMEPKVSYTWLS[-RXIVWIGXMSRW[MPPVITVIWIRX Weeks, and Frank Lobdell. Modern and con- Gallery Heist many open calls for work that charge a submis- over 35 of their amazing artists. Exploratorium temporary pieces acquired in the last decade +IEV]7XVIIX WMSRJII7SYXLIVR)\TSWYVI´WNYVMIHI\LMFMXMSR (415)499-1655 3601 Lyon Street are carefully selected for the varied groupings in Anthony Meier Fine Arts San Francisco, CA 94102 does not require artists to pay to enter their [[[½FIVHMQIRWMSRWGSQ San Francisco, CA 94123 this display and include works by Robert Arne- 1969 California Street -New Show Opening [SVO8LII\LMFMXMSRMWSTIRXSER]EVXMWXPMZMRK WE Artspace -Marbling with Physics WSR-WEQY2SKYGLM)PQIV&MWGLSJJ.SER&VS[R San Francisco, CA 94109 Opening Reception: December 18, 2010 in Northern California north of King City and XL7XVIIX Date: December 12, 2010 and Al Held. The prominent south wall features -Gary Simmons: New Work TQTQ WSYXLSJXLI3VIKSRFSVHIV-RTEWX]IEVWSZIV Oakland CA Time: 9:30am-12:30pm ZMFVERXGSPSV½IPHTEMRXMRKWF]EVXMWXWWYGLEW )RH(IGIQFIV )RHW.ERYEV]  EVX[SVOW LEZI FIIR LERHHIPMZIVIH XS -Small Works: Important Presence 0IZIVEKI WYVJEGI XIRWMSR ERH ¾YMH H]REQMGW .YPIW3PMXWOM*VERO7XIPPEERH1MVMEQ7GLETMVS (415) 351-1400   XLIKEPPIV]JSVNYV]MRKEXXIWXMRKXSXLII\XVIQI )RH(IGIQFIV to create beautiful marbled paper. Suminagashi, www.museum.stanford.edu [[[ERXLSR]QIMIV½RIEVXWGSQ www.galleryheist.com popularity of the show. For many of the artists +VSYT WLS[ [MXL [SVOW F] PSGEP IQIVKMRK which gives you the opportunity to freeze ink Fivepoints Arthouse Jancar Jones Gallery WIPIGXIHXLMWMWXLIMV½VWXQENSVI\LMFMXMSRERH EVXMWXW WYGL EW /EVIR8LSQEW8 .SWITL )RSW ¾S[F]EFWSVFMRKMX[MXLTETIV)\TPSVII\LMF- 8ILEQE 965 Mission, Suite 120 an important step in advancing their career. /MNE0YGEW)VMO4EVVE)PM^EFIXL&IVRWXIMR6YXL its from the museum’s Matter World area be- San Francisco, CA 94105 San Francisco, CA 94103 -Southern Exposure’s Youth Advisory Board Hodges and Kit Rosenberg. fore moving ink through water employing ink, -The Wandering Flood Moves Though Us -Bruno Fazzolari Exhibition www.weartspace.com brushes, sticks, agitation, dispersant – and even 16 Thursday 3TIRMRK 6IGITXMSR (IGIQFIV   )RH(IGIQFIV )RH(IGIQFIV your breath. Develop an intuitive understand- TQ   7SYXLIVR )\TSWYVI´W =SYXL %HZMWSV] &SEVH =%&  GYVEXIW E KVSYT I\LMFMXMSR SJ ]SYXL MRKSJ¾YMHH]REQMGWERHPIEZI[MXLSRISJE Arion Press )RH.ERYEV] www.jancarjones.com kind paper, perfect for cards, wrapping, drawing, Curator Theo Konrad Auer presents the work Marx & Zavattero artworks that will be on view to the public at 69 -Tours Of Arion Press and M&H Type Robert Koch Gallery is pleased to present its FYX LIPTIH WLETI MX JSV KIRIVEXMSRW XS GSQI (EXI(IGIQFIV ½VWXI\LMFMXMSRSJTLSXSKVETLWF]1EWES=EQE- *VMIHQER´W +IEV] I\LMFMXMSR SJ *YGO=SY 21 Tuesday 8MQITQ QSXS[LMGL[MPPHVE[JVSQLMW%&S\SJ/Y %PP[MPPJIEXYVIWIZIVEPRIZIVFIJSVIWIIRGSP- D 0MZIHIQSRWXVEXMSRXSYVWSJXLILMWXSVMGX]TI- 2EOE^SVE ERH /E[E!*PS[=EQEQSXS´W MW MR- PEFSVEXMSRW[MXL7LITEVH*EMVI][LMGL[MPPFI JSYRHV]TVMRXMRKJEGMPMX]ERHFSSOFMRHIV]SJ%V- WTMVIHF]>IRTLMPSWSTL]ERHLMWTLMPSWSTLMGEP HMWTPE]IH EPSRK [MXL XLI SVMKMREP TLSXSKVETLW Davies Symphony Hall MSR4VIWWERH1 ,8]TIEVIGSRHYGXIHIZIV] 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LEGEND www.sfaqonline.com : Event-Open : Event-Close : Ongoing [email protected] http://secretfeature.com 72 SFSUBMITSFSFAAAQQQ YOUR ART EVENTS for the upcoming issue

SFAQ Issue #4 : Feburary. March. April 2011

DEADLINE: Dec 20th 2011 [email protected]

Release Date: Jan 27th 2011

www.sfaqonline.com expands that community conversation and asks End: March 13, 2011 End: March 6, 2011 Mounting an unprecedented expedition bels, and glassware. viewers to consider the role that memory plays Curious George, the impish monkey protago- At once powerful and vulnerable, the natural through the Museum’s art, history, and natu- -Bill Fontana: Sonic Shadows ONGOING in the present. nist of many adventures, may never have seen environment has been portrayed alternately as ral science collections, conceptual artist Mark End: October 16, 2011 J -Chiaroscuro Woodcuts from 16th-Century the light of day if it were not for the determina- an object of adoration and a victim of civiliza- (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- As part of SFMOMA’s 75th anniversary, the Italy tion and courage of his creators, the illustrator tion. In the 19th century photographers played tions and interventions throughout the art gal- QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G EXHIBITIONS End: February 27, 2011 H. A. Rey and his wife, author and artist Margret a decisive role in preservationist movements, leries, drawing upon the overlooked orphans, sound sculpture by San Francisco–based sound Promised gifts from the Kirk Edward Long Col- Rey. The exhibition features nearly 80 original and their descendants continue to shed light curiosities, and treasures from the collections. artist Bill Fontana. The work, entitled Sonic Cantor Arts Center lection. One of the glories of 16th-century drawings of the beloved monkey and other on the precarious condition of the planet. Many of these objects date back to OMCA’s 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL A Lomita Drive at Museum Way Italian printmaking was the invention and pro- characters, a look at the Reys’ escape from Nazi Developed and Undeveloped: Photographic predecessor institutions and, while they often ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP Stanford, CA 94305-5060 PMJIVEXMSR SJ GLMEVSWGYVS [SSHGYXW XLI ½VWX Europe, and more. Landscapes,installed in the de Young’s gallery lie outside of OMCA’s California focus, still tell instruments, creating an acoustic translation of -Go Figure! technology for reproducing images in color. -Black Sabbath for rotating photography exhibitions, features a a rich and interesting story of how museum the visual space. Fontana’s concept has evolved This installation features a variety of contem- Drawn entirely from the collection of Kirk Ed- End: March 22, 2011 diverse selection of photographs of the 19th, collections are assembled over time. OMCA from his recent investigations into how archi- N TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR ward Long, this display traces the evolution of The Secret Musical History of Black-Jewish 20th, and 21st centuries. From the pristine Senior Curator of Art René de Guzman will tectural structures generate sound in response diverse media including bronze, clay, glass, and thematic and compositional styles in Italy from Relations. Yiddish jive?! Sit down and relax or western views of Ansel Adams to the scarred GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR to their surroundings. SFMOMA’s commission wood. Among the selections are examples by the High Renaissance through mannerism. The sing along and dance. Black Sabbath, based on quarries of Edward Burtynsky, the exhibition of Dion’s work, which will be accompanied by a [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG- Magdalena Abakanowicz, Robert Arneson, Joan 21 examples also illustrate the capacity of this the 2010 compilation by the Idelsohn Society presents a variety of approaches to framing publication by Chronicle Books in partnership tive sound sculpture. Brown, Roger Brown, Mel Edwards, Viola Frey, hybrid medium to achieve both linear and of Musical Preservation, is a musical experience the landscape, with scenes of unspoiled wilder- with The Believer magazine. The book itself, like -The More Things Change U Robert Graham, Duane Hanson, Manuel Neri, painterly effects in a medium that allowed for where the visitor is immersed in the sounds ness contrasted with sites bearing evidence of many of Dion’s artworks, is a compendium of End: October 16, 2011 Isamu Noguchi, and Peter Vanden Berge.---- replication. The exhibition includes Bartolomeo of a unique slice of recording history. This ex- human intervention. Drawing from the collec- oddities and discoveries featuring an in-depth The More Things Change sketches the collec- -Extreme Makeover: A Fresh Look at the Coriolano’s monumental Fall of the Giants. hibition explores the Black-Jewish musical tions of the Achenbach Foundation for Graphic interview with the artist by Lawrence Weschler, tive mood of the last 10 years, creating a the- Cantor Arts Center’s Contemporary Collec- -Faculty Choice encounter, a secret history of the many Black Arts, the Paul Sack Trust, and Charles and Diane photographs by David Maisel, and writings by a matic and psychological portrait of the decade. tion End: March 13, 2011 responses to Jewish music, life, and culture. We Frankel, the exhibition also includes works by range of cultural and art historians. Drawn entirely from SFMOMA’s collection, this A Out of the Wild in the Rowland K. Rebele Gal- (510) 236-2200 exhibition examines such themes as fragmen- 8LMW ¾SSVXSGIMPMRK VIMRWXEPPEXMSR SJ XLI GSR- learn how Black artists treated Jewish music as Mathew Brady, Carleton Watkins, Robert Ad- temporary gallery juxtaposes new acquisitions lery. Stanford’s Mark Feldman investigates de- a resource for African-American identity, his- ams, Shi Guorui and Michael Light. http://museumca.org/ tation, fragility, systemic collapse, sudden shifts, with familiar pieces and works that have been pictions of nature from the Center’s collections. tory, and politics, whether it was Johnny Mathis (415) 750-3600 SFMOMA entropy, metamorphosis, mutation, materiality, off view. Anchoring the display are works by -Vodoun/Vodounon: Portraits of Initiates singing “Kol Nidre,” Cab Calloway experiment- http://deyoung.famsf.org/ 151 Third Street ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ R &E]%VIE ½KYVEXMZI ERH EFWXVEGXI\TVIWWMSRMWX End: March 20, 2011 ing with Yiddish, or Aretha Franklin doing a 60s Kala Art Institute between Mission and Howard all media made since 2000, The More Things sculptors and painters based in California, such This exhibition features 25 compelling diptychs take on “Swanee.” 2990 San Pablo Avenue San Francisco, CA 94103 Change is jointly organized by SFMOMA’s four as Manuel Neri, Jeremy Anderson, John Ced- by the Belgian photographer Jean-Dominique -As It Is Written: Project 304,805 Berkeley, CA 94702 -Exposed: Voyeurism, Surveillance and the curatorial departments—painting and sculp- erquist, Alvin Light, James Weeks, and Frank Burton, who pairs black-and-white portraits End: March 29, 2011 -Kala Artists Annual Camera ture, media arts, photography, and architecture Lobdell. Modern and contemporary pieces with color photographs for a sensitive por- As It Is Written: Project 304,805 is centered End: February 19, 2011 End: April 17, 2011 and design. An artist will be commissioned to Y acquired in the last decade are carefully se- trayal of Vodoun practitioners and their sacred around a soferet (a professionally trained fe- 1SVIXLERRMRIX]EVXMWXWEJ½PMEXIH[MXLXLI/EPE Co-organized by SFMOMA and Tate Modern, design a production studio in the overlook gal- lected for the varied groupings in this display shrines. Burton’s images provide an exceptional male scribe) who, while on public view, will Art Institute of Berkeley will present a diverse Exposed gathers more than two hundred pic- lery that will examine the transformation of the and include works by Robert Arneson, Isamu glimpse into the esoteric domain of this tradi- write out the entire text of the Torah over the array of prints, photography, drawings, video, tures that together form a timely inquiry into publishing industry over the last decade—an in - Noguchi, Elmer Bischoff, Joan Brown, and Al tional Fon religion, now called variously Vodou, course of a full year. digital media works and mixed media combi- the ways in which artists and everyday people dustry that is rapidly coming to terms with the Held. The prominent south wall features vi- Vodun, Vaudou, or Vaudoux, as practiced in the -Reclaimed nations. alike have probed the camera’s powerful voy- eminence of the internet. A publication will also FVERX GSPSV ½IPH TEMRXMRKW F] EVXMWXW WYGL EW heart of its birthplace, the current-day Republic End: March 29, 2011 (510) 841-7000 euristic capacity. Moving beyond typical notions be produced in this gallery, which visitors will Jules Olitski, Frank Stella, and Miriam Schapiro. of Benin. Burton’s work is accompanied by a Paintings from the Collection of Jacques Goud- www.kala.org of voyeurism and surveillance as strictly preda- be able to witness taking shape over the course -Living Traditions: Arts of the Americas documentary video, which plays alongside the stikker. Rarely-seen Old Master paintings reveal Legion of Honor tory or erotic, the exhibition addresses these several months. This last space will emphasize In the Native American gallery artworks in this exhibition. the legacy of a preeminent Jewish art dealer 100 34th Avenue concepts in their broadest sense—in both the importance of individual gestures, activism, -Rodin! The Complete Stanford Collection -Animals Observed whose vast collection was looted by the Nazis. San Francisco, CA 94121 historical and contemporary contexts—inves - and perhaps a humanist vision. The exhibition This expanded display presents 200 works End: May 29, 2011 Discover a dramatic story of great art, injustice -Arthur Szyk tigating how new technologies, urban plan- will include some 75 works. from the collection, including bronzes, plasters In the 19th-century gallery. Photos and illustra- and reclamation. Included are works by Salo- End: March 27, 2011 ning, global intelligence, celebrity culture, and (415) 357-4000 and waxes, plus a rotating selection of works tions by artists such as Eadweard Muybridge mon Jacobsz van Ruysdael , Ferdinand Bol, and Arthur Szyk (American, b. Poland, 1894–1951) an evolving media environment have fueled a sfmoma.org on paper. Twenty large sculptures, including The and John Woodhouse Audubon show animals Lorenzo Baldissera Tiepolo. is best remembered for his diverse work as an growing interest in the subject. Works by major Gates of Hell, remain perpetually on view in in their activities and physical reality. (415) 655-7800 artist and illustrator, from pochoir illustrations artists, including Brassaï, Henri Cartier-Bresson, the Rodin Sculpture Garden. Rodin Sculpture -Making the Cut [email protected] for traditional Jewish and Polish folktales and Walker Evans, Nan Goldin, Lee Miller, Thomas Garden is always open, free, with lighting for End: June 5, 2011 www.thecjm.org religious texts to watercolor designs for po- Ruff, Paul Strand, and Weegee, will be present- 1 Saturday nighttime viewing Woodblock Prints from the Permanent Collec- de Young litical cartoons that were regularly featured on ed alongside photographs made by amateurs, -Living Traditions: Arts of the Americas tion in the early modern gallery. An exhibition of 50 Hagiwara Tea Garden Drive the cover of Collier’s magazine throughout the professional journalists, and government agen- Two galleries integrate work from different Na- 20th-century woodblock prints from the Cen- San Francisco, CA 94118 1930s and 40s. Szyk’s Polish and Jewish heritage cies. The exhibition will also showcase examples a.Muse Gallery tive American peoples and times, including ma- ter’s collection, featuring black-and-white and -Thirty-Six Aspects of Mount Fuji remained central, and his attention to detail be- SJ ½PQ ZMHIS ERH MRWXEPPEXMSR [SVO F] EVXMWXW 614 Alabama Street jor commissions of Northwest Coast art and a color prints by French, German, and American End: February 20, 2011 trayed considerable historical research into his such as Thomas Demand, Bruce Nauman, and San Francisco, 94110 recent gift of Precolumbian art. artists, including Maurice de Vlaminck, Conrad Noted photographer Arthur Tress (b. 1940) craft. His work recalls the intricate illumination Andy Warhol, as well as a selection of cameras -Metaphysics: Meryl Pataky -A New 19th Century Felixmüller, Erich Heckel, and Max Beckmann. began collecting Japanese books in the fall of present in medieval manuscripts, Near-Eastern designed to be concealed in artful ways. End: January 1, 2011 The Mondavi Family Gallery reinstalled. Euro- -Longing for Sea-Change 1965 when he was a student at the Zen study miniature paintings, and traditional Polish and Catalogue. Neon artist, Meryl Pataky, creates work that pean and American art: portraiture, narrative End: June 26, 2011 center associated with the Shkoku-ji temple in Jewish folk arts. Arthur Szyk: Miniature Paint- -How Wine Became Modern I\TPSVIW XLI LYQER GSRHMXMSR  -R LIV ½VWX art, still life, and landscape. Also, changing selec- In the Africa Gallery. This presents a series of /]SXS-R XLI  ]IEVW WMRGI XLEX ½VWX HMWGSZ- ings and Modern Illuminations is a presentation End: April 17, 2011 WSPSWLS[WLIHMWGYWWIWXLIMR¾YIRGIXLEXSYV tions of works on paper plus paintings as they video installations by contemporary artists ery, Tress continued to collect books and now of approximately 40 drawings and illustrations. Organized by Henry Urbach, SFMOMA’s Hel- surroundings and experiences have on our might have been in the salon of a collector of living and working in Africa and the diaspo- has a comprehensive collection numbering (415) 750-3677 en Hilton Raiser Curator of Architecture and being. By using neon, she sheds light on the the period. ras. The third video in the series, Odile and several hundred volumes. He has selected a http://legionofhonor.famsf.org/ Design, this exhibition explores the relationship commonalities of the medium and life - a battle -African Art in Context Odette (14 minutes, 28 seconds), by Yinka WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE Modernbook Gallery between design, architecture, and wine in con- between resistance and growth. Diverse art, including items of dress and body Shonibare MBE, shows June 16 - January 9. In two-part exhibition of illustrated books on the +IEV]7XVIIXXL¾SSV temporary culture. How Wine Became Mod- (415) 279-6281 ornament from the Himba people of Namibia this work, two ballerinas, identically dressed in subject of Fuji, the iconic mountain that is the San Francisco, CA 94108 ern looks at the material and visual culture of www.yourmusegallery.com and beadwork by the Zulu and Ndebele peo- colorful batik-printed tutus, face each other on enduring symbol of Japan. The Tress collection -Brigitte Carnochan: The Floating World wine over the past three decades and offers a Catharine Clark Gallery ple. More info: a dark stage. Their synchronized movements exhibition brings together books dating from End: February 26, 2011 fresh way of understanding the contemporary 150 Minna Street, Ground Floor -The Life and Legacy of the Stanford Family within a gilded frame create the illusion of a the late 1600s through the 19th century that A new series by local photographer Brigitte culture of wine and the role that architecture San Francisco, CA 94105 Examines the interests and accomplishments of QMVVSVIH½KYVI%JSYVXLZMHISMRWXEPPEXMSRJSP- show Fuji viewed from various vantage points, Carnochan, inspired by poems by Japanese and design have played in its transformation. It -Andy Diaz Hope XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G lows in January 2011. at different times of year and during all four women of the 7th—20th Centuries. QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI End: January 1, 2011 Railroad, the Palo Alto Stock Farm, the found- (650) 723-4177 seasons. Key among the selections are several (415) 732-0300 culture has been considered as an integrated, %RH] (ME^ ,STI´W WSPS I\LMFMXMSR -R½RMXI ing of Stanford University, and the early days of museum.stanford.edu/ volumes featuring illustrations from Hokusai’s www.modernbook.com expansive, and rich set of cultural phenomena. Mortal, takes the form of a cave populated by the museum. Contemporary Jewish Museum One Hundred Views of Mount Fuji, published Oakland Museum of California The presentation will combine original artifacts crystalline structures that capture one’s inter- -Memory in the Patricia S. Rebele Gallery 736 Mission Street between 1834 and 1849 after his successful 1000 Oak Street and commissioned artworks with multimedia nal struggle between the incomprehensibility of End: February 20, 2011 between Third Street and Fourth Street color print series, Thirty-Six Views of Mount Fuji Oakland, CA 94607 presentations to engage multiple senses, includ- XLIMR½RMXIERHSRI´WS[R½RMXIRIWW As the theme of memory is considered by a San Francisco, CA 94116 (ca. 1830–1832). -The Marvelous Museum: Mark Dion ing smell, as well as aerial photographs of wine- (415) 399-1439 number of arts groups at Stanford, this display -Curious George Saves the Day -Developed and Undeveloped End: March 6, 2011 growing regions, winery architecture, wine la- [email protected] 74 expands that community conversation and asks End: March 13, 2011 End: March 6, 2011 Mounting an unprecedented expedition bels, and glassware. viewers to consider the role that memory plays Curious George, the impish monkey protago- At once powerful and vulnerable, the natural through the Museum’s art, history, and natu- -Bill Fontana: Sonic Shadows ONGOING in the present. nist of many adventures, may never have seen environment has been portrayed alternately as ral science collections, conceptual artist Mark End: October 16, 2011 J -Chiaroscuro Woodcuts from 16th-Century the light of day if it were not for the determina- an object of adoration and a victim of civiliza- (MSR [MPP GVIEXI QYPXMTPI WMXIWTIGM½G MRWXEPPE- As part of SFMOMA’s 75th anniversary, the Italy tion and courage of his creators, the illustrator tion. In the 19th century photographers played tions and interventions throughout the art gal- QYWIYQ [MPP GSQQMWWMSR E RI[ WMXIWTIGM½G EXHIBITIONS End: February 27, 2011 H. A. Rey and his wife, author and artist Margret a decisive role in preservationist movements, leries, drawing upon the overlooked orphans, sound sculpture by San Francisco–based sound Promised gifts from the Kirk Edward Long Col- Rey. The exhibition features nearly 80 original and their descendants continue to shed light curiosities, and treasures from the collections. artist Bill Fontana. The work, entitled Sonic Cantor Arts Center lection. One of the glories of 16th-century drawings of the beloved monkey and other on the precarious condition of the planet. Many of these objects date back to OMCA’s 7LEHS[W [MPP XVERWJSVQ XLI QYWIYQ´W ½JXL A Lomita Drive at Museum Way Italian printmaking was the invention and pro- characters, a look at the Reys’ escape from Nazi Developed and Undeveloped: Photographic predecessor institutions and, while they often ¾SSV XYVVIX FVMHKI ERH WO]PMKLX MRXS QYWMGEP Stanford, CA 94305-5060 PMJIVEXMSR SJ GLMEVSWGYVS [SSHGYXW XLI ½VWX Europe, and more. Landscapes,installed in the de Young’s gallery lie outside of OMCA’s California focus, still tell instruments, creating an acoustic translation of -Go Figure! technology for reproducing images in color. -Black Sabbath for rotating photography exhibitions, features a a rich and interesting story of how museum the visual space. Fontana’s concept has evolved This installation features a variety of contem- Drawn entirely from the collection of Kirk Ed- End: March 22, 2011 diverse selection of photographs of the 19th, collections are assembled over time. OMCA from his recent investigations into how archi- N TSVEV] ½KYVEXMZI TEMRXMRKW ERH WGYPTXYVIW MR ward Long, this display traces the evolution of The Secret Musical History of Black-Jewish 20th, and 21st centuries. From the pristine Senior Curator of Art René de Guzman will tectural structures generate sound in response diverse media including bronze, clay, glass, and thematic and compositional styles in Italy from Relations. Yiddish jive?! Sit down and relax or western views of Ansel Adams to the scarred GYVEXIXLMW½VWXQENSV;IWX'SEWXTVIWIRXEXMSR to their surroundings. SFMOMA’s commission wood. Among the selections are examples by the High Renaissance through mannerism. The sing along and dance. Black Sabbath, based on quarries of Edward Burtynsky, the exhibition of Dion’s work, which will be accompanied by a [MPPFIXLIEVXMWX´W½VWXXVYP]OMRIXMGERHMRXIVEG- Magdalena Abakanowicz, Robert Arneson, Joan 21 examples also illustrate the capacity of this the 2010 compilation by the Idelsohn Society presents a variety of approaches to framing publication by Chronicle Books in partnership tive sound sculpture. Brown, Roger Brown, Mel Edwards, Viola Frey, hybrid medium to achieve both linear and of Musical Preservation, is a musical experience the landscape, with scenes of unspoiled wilder- with The Believer magazine. The book itself, like -The More Things Change U Robert Graham, Duane Hanson, Manuel Neri, painterly effects in a medium that allowed for where the visitor is immersed in the sounds ness contrasted with sites bearing evidence of many of Dion’s artworks, is a compendium of End: October 16, 2011 Isamu Noguchi, and Peter Vanden Berge.---- replication. The exhibition includes Bartolomeo of a unique slice of recording history. This ex- human intervention. Drawing from the collec- oddities and discoveries featuring an in-depth The More Things Change sketches the collec- -Extreme Makeover: A Fresh Look at the Coriolano’s monumental Fall of the Giants. hibition explores the Black-Jewish musical tions of the Achenbach Foundation for Graphic interview with the artist by Lawrence Weschler, tive mood of the last 10 years, creating a the- Cantor Arts Center’s Contemporary Collec- -Faculty Choice encounter, a secret history of the many Black Arts, the Paul Sack Trust, and Charles and Diane photographs by David Maisel, and writings by a matic and psychological portrait of the decade. tion End: March 13, 2011 responses to Jewish music, life, and culture. We Frankel, the exhibition also includes works by range of cultural and art historians. Drawn entirely from SFMOMA’s collection, this A Out of the Wild in the Rowland K. Rebele Gal- (510) 236-2200 exhibition examines such themes as fragmen- 8LMW ¾SSVXSGIMPMRK VIMRWXEPPEXMSR SJ XLI GSR- learn how Black artists treated Jewish music as Mathew Brady, Carleton Watkins, Robert Ad- temporary gallery juxtaposes new acquisitions lery. Stanford’s Mark Feldman investigates de- a resource for African-American identity, his- ams, Shi Guorui and Michael Light. http://museumca.org/ tation, fragility, systemic collapse, sudden shifts, with familiar pieces and works that have been pictions of nature from the Center’s collections. tory, and politics, whether it was Johnny Mathis (415) 750-3600 SFMOMA entropy, metamorphosis, mutation, materiality, off view. Anchoring the display are works by -Vodoun/Vodounon: Portraits of Initiates singing “Kol Nidre,” Cab Calloway experiment- http://deyoung.famsf.org/ 151 Third Street ERHVIGSR½KYVEXMSR'SQTVMWIHSJ[SVOJVSQ R &E]%VIE ½KYVEXMZI ERH EFWXVEGXI\TVIWWMSRMWX End: March 20, 2011 ing with Yiddish, or Aretha Franklin doing a 60s Kala Art Institute between Mission and Howard all media made since 2000, The More Things sculptors and painters based in California, such This exhibition features 25 compelling diptychs take on “Swanee.” 2990 San Pablo Avenue San Francisco, CA 94103 Change is jointly organized by SFMOMA’s four as Manuel Neri, Jeremy Anderson, John Ced- by the Belgian photographer Jean-Dominique -As It Is Written: Project 304,805 Berkeley, CA 94702 -Exposed: Voyeurism, Surveillance and the curatorial departments—painting and sculp- erquist, Alvin Light, James Weeks, and Frank Burton, who pairs black-and-white portraits End: March 29, 2011 -Kala Artists Annual Camera ture, media arts, photography, and architecture Lobdell. Modern and contemporary pieces with color photographs for a sensitive por- As It Is Written: Project 304,805 is centered End: February 19, 2011 End: April 17, 2011 and design. An artist will be commissioned to Y acquired in the last decade are carefully se- trayal of Vodoun practitioners and their sacred around a soferet (a professionally trained fe- 1SVIXLERRMRIX]EVXMWXWEJ½PMEXIH[MXLXLI/EPE Co-organized by SFMOMA and Tate Modern, design a production studio in the overlook gal- lected for the varied groupings in this display shrines. Burton’s images provide an exceptional male scribe) who, while on public view, will Art Institute of Berkeley will present a diverse Exposed gathers more than two hundred pic- lery that will examine the transformation of the and include works by Robert Arneson, Isamu glimpse into the esoteric domain of this tradi- write out the entire text of the Torah over the array of prints, photography, drawings, video, tures that together form a timely inquiry into publishing industry over the last decade—an in - Noguchi, Elmer Bischoff, Joan Brown, and Al tional Fon religion, now called variously Vodou, course of a full year. digital media works and mixed media combi- the ways in which artists and everyday people dustry that is rapidly coming to terms with the Held. The prominent south wall features vi- Vodun, Vaudou, or Vaudoux, as practiced in the -Reclaimed nations. alike have probed the camera’s powerful voy- eminence of the internet. A publication will also FVERX GSPSV ½IPH TEMRXMRKW F] EVXMWXW WYGL EW heart of its birthplace, the current-day Republic End: March 29, 2011 (510) 841-7000 euristic capacity. Moving beyond typical notions be produced in this gallery, which visitors will Jules Olitski, Frank Stella, and Miriam Schapiro. of Benin. Burton’s work is accompanied by a Paintings from the Collection of Jacques Goud- www.kala.org of voyeurism and surveillance as strictly preda- be able to witness taking shape over the course -Living Traditions: Arts of the Americas documentary video, which plays alongside the stikker. Rarely-seen Old Master paintings reveal Legion of Honor tory or erotic, the exhibition addresses these several months. This last space will emphasize In the Native American gallery artworks in this exhibition. the legacy of a preeminent Jewish art dealer 100 34th Avenue concepts in their broadest sense—in both the importance of individual gestures, activism, -Rodin! The Complete Stanford Collection -Animals Observed whose vast collection was looted by the Nazis. San Francisco, CA 94121 historical and contemporary contexts—inves - and perhaps a humanist vision. The exhibition This expanded display presents 200 works End: May 29, 2011 Discover a dramatic story of great art, injustice -Arthur Szyk tigating how new technologies, urban plan- will include some 75 works. from the collection, including bronzes, plasters In the 19th-century gallery. Photos and illustra- and reclamation. Included are works by Salo- End: March 27, 2011 ning, global intelligence, celebrity culture, and (415) 357-4000 and waxes, plus a rotating selection of works tions by artists such as Eadweard Muybridge mon Jacobsz van Ruysdael , Ferdinand Bol, and Arthur Szyk (American, b. Poland, 1894–1951) an evolving media environment have fueled a sfmoma.org on paper. Twenty large sculptures, including The and John Woodhouse Audubon show animals Lorenzo Baldissera Tiepolo. is best remembered for his diverse work as an growing interest in the subject. Works by major Gates of Hell, remain perpetually on view in in their activities and physical reality. (415) 655-7800 artist and illustrator, from pochoir illustrations artists, including Brassaï, Henri Cartier-Bresson, the Rodin Sculpture Garden. Rodin Sculpture -Making the Cut [email protected] for traditional Jewish and Polish folktales and Walker Evans, Nan Goldin, Lee Miller, Thomas Garden is always open, free, with lighting for End: June 5, 2011 www.thecjm.org religious texts to watercolor designs for po- Ruff, Paul Strand, and Weegee, will be present- 1 Saturday nighttime viewing Woodblock Prints from the Permanent Collec- de Young litical cartoons that were regularly featured on ed alongside photographs made by amateurs, -Living Traditions: Arts of the Americas tion in the early modern gallery. An exhibition of 50 Hagiwara Tea Garden Drive the cover of Collier’s magazine throughout the professional journalists, and government agen- Two galleries integrate work from different Na- 20th-century woodblock prints from the Cen- San Francisco, CA 94118 1930s and 40s. Szyk’s Polish and Jewish heritage cies. The exhibition will also showcase examples a.Muse Gallery tive American peoples and times, including ma- ter’s collection, featuring black-and-white and -Thirty-Six Aspects of Mount Fuji remained central, and his attention to detail be- SJ ½PQ ZMHIS ERH MRWXEPPEXMSR [SVO F] EVXMWXW 614 Alabama Street jor commissions of Northwest Coast art and a color prints by French, German, and American End: February 20, 2011 trayed considerable historical research into his such as Thomas Demand, Bruce Nauman, and San Francisco, 94110 recent gift of Precolumbian art. artists, including Maurice de Vlaminck, Conrad Noted photographer Arthur Tress (b. 1940) craft. His work recalls the intricate illumination Andy Warhol, as well as a selection of cameras -Metaphysics: Meryl Pataky -A New 19th Century Felixmüller, Erich Heckel, and Max Beckmann. began collecting Japanese books in the fall of present in medieval manuscripts, Near-Eastern designed to be concealed in artful ways. End: January 1, 2011 The Mondavi Family Gallery reinstalled. Euro- -Longing for Sea-Change 1965 when he was a student at the Zen study miniature paintings, and traditional Polish and Catalogue. Neon artist, Meryl Pataky, creates work that pean and American art: portraiture, narrative End: June 26, 2011 center associated with the Shkoku-ji temple in Jewish folk arts. Arthur Szyk: Miniature Paint- -How Wine Became Modern I\TPSVIW XLI LYQER GSRHMXMSR  -R LIV ½VWX art, still life, and landscape. Also, changing selec- In the Africa Gallery. This presents a series of /]SXS-R XLI  ]IEVW WMRGI XLEX ½VWX HMWGSZ- ings and Modern Illuminations is a presentation End: April 17, 2011 WSPSWLS[WLIHMWGYWWIWXLIMR¾YIRGIXLEXSYV tions of works on paper plus paintings as they video installations by contemporary artists ery, Tress continued to collect books and now of approximately 40 drawings and illustrations. Organized by Henry Urbach, SFMOMA’s Hel- surroundings and experiences have on our might have been in the salon of a collector of living and working in Africa and the diaspo- has a comprehensive collection numbering (415) 750-3677 en Hilton Raiser Curator of Architecture and being. By using neon, she sheds light on the the period. ras. The third video in the series, Odile and several hundred volumes. He has selected a http://legionofhonor.famsf.org/ Design, this exhibition explores the relationship commonalities of the medium and life - a battle -African Art in Context Odette (14 minutes, 28 seconds), by Yinka WQEPPKVSYTJVSQLMWGSPPIGXMSRJSVXLMW½VWXSJE Modernbook Gallery between design, architecture, and wine in con- between resistance and growth. Diverse art, including items of dress and body Shonibare MBE, shows June 16 - January 9. In two-part exhibition of illustrated books on the +IEV]7XVIIXXL¾SSV temporary culture. How Wine Became Mod- (415) 279-6281 ornament from the Himba people of Namibia this work, two ballerinas, identically dressed in subject of Fuji, the iconic mountain that is the San Francisco, CA 94108 ern looks at the material and visual culture of www.yourmusegallery.com and beadwork by the Zulu and Ndebele peo- colorful batik-printed tutus, face each other on enduring symbol of Japan. The Tress collection -Brigitte Carnochan: The Floating World wine over the past three decades and offers a Catharine Clark Gallery ple. More info: a dark stage. Their synchronized movements exhibition brings together books dating from End: February 26, 2011 fresh way of understanding the contemporary 150 Minna Street, Ground Floor -The Life and Legacy of the Stanford Family within a gilded frame create the illusion of a the late 1600s through the 19th century that A new series by local photographer Brigitte culture of wine and the role that architecture San Francisco, CA 94105 Examines the interests and accomplishments of QMVVSVIH½KYVI%JSYVXLZMHISMRWXEPPEXMSRJSP- show Fuji viewed from various vantage points, Carnochan, inspired by poems by Japanese and design have played in its transformation. It -Andy Diaz Hope XLI7XERJSVHJEQMP]MRGPYHMRKXLI'IRXVEP4EGM½G lows in January 2011. at different times of year and during all four women of the 7th—20th Centuries. QEVOWXLI½VWXXMQIXLEXQSHIVRKPSFEP[MRI End: January 1, 2011 Railroad, the Palo Alto Stock Farm, the found- (650) 723-4177 seasons. Key among the selections are several (415) 732-0300 culture has been considered as an integrated, %RH] (ME^ ,STI´W WSPS I\LMFMXMSR -R½RMXI ing of Stanford University, and the early days of museum.stanford.edu/ volumes featuring illustrations from Hokusai’s www.modernbook.com expansive, and rich set of cultural phenomena. Mortal, takes the form of a cave populated by the museum. Contemporary Jewish Museum One Hundred Views of Mount Fuji, published Oakland Museum of California The presentation will combine original artifacts crystalline structures that capture one’s inter- -Memory in the Patricia S. Rebele Gallery 736 Mission Street between 1834 and 1849 after his successful 1000 Oak Street and commissioned artworks with multimedia nal struggle between the incomprehensibility of End: February 20, 2011 between Third Street and Fourth Street color print series, Thirty-Six Views of Mount Fuji Oakland, CA 94607 presentations to engage multiple senses, includ- XLIMR½RMXIERHSRI´WS[R½RMXIRIWW As the theme of memory is considered by a San Francisco, CA 94116 (ca. 1830–1832). -The Marvelous Museum: Mark Dion ing smell, as well as aerial photographs of wine- (415) 399-1439 number of arts groups at Stanford, this display -Curious George Saves the Day -Developed and Undeveloped End: March 6, 2011 growing regions, winery architecture, wine la- [email protected] 75 www.cclarkgallery.com hibition, organized and produced by the Fowler Opening Reception: January 8, 2011 resist Mongolian felt rug from the 15th–17th MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH 151 Third Street Dolby Chadwick Gallery Museum at UCLA, highlights both traditional 7:00pm-11:00pm centuries and a group of stitch-resist dyed 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] between Mission and Howard 210 Post Street, Suite 205 and contemporary images of Mami Wata and Exhibition Ends: January 29, 2011 20th-century kerchiefs from the Dida people with Pixar Animation Studios, OMCA will host San Francisco, CA 94103 J San Francisco, CA 94108 her consorts from across the African continent, (415) 563-1708 of the Ivory Coast. These historical pieces are a series of dynamic public programs for audi- -New Work: R. H. Quaytman -Joshua Meyer as well as from the Caribbean, Brazil, and the www.galleryheist.com contrasted with artworks from contemporary ences of all ages in conjunction with the exhibi- End: January 16, 2011 End: January 1, 2011 United States. Guerrero Gallery Bay Area artists and garments by fashion de- tion, to be announced soon. The core of R. H. Quaytman’s work consists (415) 956-3560 (650) 723-4177 2700 19th Street signers Oscar de la Renta and Rodarte. The (510) 238-2200 of small, thought-provoking paintings made on [email protected] museum.stanford.edu San Francisco, CA 94110 exhibition highlights several recent acquisitions, www.museumca.org wood panels. She uses a variety of techniques A Electric Works -Nothing to Say including important gifts such as an ikat-woven Rare Device and painterly vocabularies to knowingly explore 130 8th Street Date: January 8, 2011 skirt from the Iban people of Sarawak, Malaysia 1845 Market Street the complex history of painting. Collectively, her San Francisco, CA 94103 Curated Group Show Based Around Text. CK and two exquisite mordant-dyed Indian trade San Francisco, CA 94103 works portray a tantalizing range of patterns -Stella Luminosa 3 Monday Wilde, Glen Baldridge, Jon Bocksel, Richard cloths used as heirloom textiles by the Toraja -Aesopica ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] End: January 1, 2011 Colman, Matt Leines and more to come peoples of Sulawesi, Indonesia. End: January 9, 2011 in relation to the architecture in which they are N (415) 626-5496 Hours: Tue–Sat 11:00am–7:00pm, Sun 12:00- (415) 750.3600 A collaboration with The Working Proof to exhibited in order to purposively propel the di- www.sfelectricworks.com Theatre of Yugen 5:00pm http://deyoung.famsf.org/ FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ rection of the viewer’s movement. For SFMO- Gallery Heist 2840 Mariposa (415) 400-5168 Legion of Honor centered around Aesop’s Fables, with each art- MA she will debut a new chapter of her work 679 Geary Street San Francisco, CA 94110 [email protected] 100 34th Avenue ist illustrating a different fable. that will focus on San Francisco poet Robert U San Francisco, CA 94102 -Mr. Yoowho’s Holiday SF Playhouse San Francisco, CA 94121 (415) 863-3969 Duncan. Quaytman’s subjects often operate -New Show Opening End: January 3, 2011 533 Sutter Street -Japanesque [email protected] on both personal and broader cultural levels: Exhibition Ends: January 1, 2011 Mr. YooWho discovers his dream of traveling San Francisco, CA 94102 End: January 9, 2011 WE Artspace (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W (415) 563-1708 XLI[SVPHMRXLIQSWXYRPMOIP]SJTPEGIWE½IPH -Coraline Japanesque: The Japanese Print in the Era of 768 40th Street TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH www.galleryheist.com SJWYR¾S[IVW,IXVEZIPWXLVSYKLETSXTSYVVM End: January 8, 2011 Impressionism introduces audiences to the Oakland, CA with the San Francisco Renaissance and Black A Guerrero Gallery development of the Japanese print over two -Ruth Hodges and Kit Rosenberg Mountain Poetry. This new body of paintings of wonder generating laughter that reaches far One night, Coraline’s dreams of a better reality 2700 19th Street across generational lines. Enter a world where come true as she opens a door in the draw- centuries (1700–1900) and reveals its pro- Date: January 9, 2011 will represent the 17th chapter in her oeuvre. San Francisco, CA 94110 humor and poetry intermingle with precision ing room and passes into a perfect replica of JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI WE Artspace Presents: Installation and sculp- (415) 357-4000 -Mike Giant mini-board high diving, a world where Europe- her own world. But as the way home becomes era of Impressionism. It complements the de ture work by artist duo, Ruth Hodges and Kit sfmoma.org R End: January 1, 2011 an clown and mime mix with Japanese Kyogen increasingly unclear, Coraline begins to suspect Young’s presentation of paintings from the Mu- Rosenberg that collaborate on disrupting the Swarm Gallery Hours: Tue–Sat 11:00am–7:00pm, Sun 12:00- and Yiddish Absurdism. that all is not as perfect as it seems... sée d’Orsay, many of which are aesthetically in- norm of everyday objects by alternating or 560 Second Street 5:00pm (415) 621-0507 (415) 677-9596 debted to concepts of the Japanese print, and re-inventing the sentiment of previously estab- Oakland CA 94607 (415) 400-5168 www.theatreofyugen.org sfplayhouse.org also the exhibition Pat Steir: After Hokusai, after lished conclusions. Their playful combinations of -THINGS ARE EXPANDING [email protected] SOAP Gallery Hiroshige. Culled primarily from the holdings of forms invite you to gaze at the provocative and Gallery artists collaborate with others in large Y Shooting Gallery 3180 Mission Street the Achenbach Foundation for Graphic Arts, absurd and through dialogue question the dual- group show Project Space | Tamara Albaitis, 839 Larkin Street between Cesar Chavez and Valencia the exhibition of approximately 250 prints, ism and entropy of what it is that you see. second installation of the gallery’s year-long San Francisco, CA 94109 San Francisco, 94110 drawings, paintings, and artist’s books unfolds [email protected] sound program, “Building Steam”. -Morning Breath 6 Thursday -Dan HIpolito MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- (510) 839-2787 End: January 1, 2011 End: January 8, 2011 ence. www.swarmgallery.com (415) 931-8035 Ever Gold Gallery Qui Mal Y Pense installation. (415) 750-3677 www.shootinggallerysf.com 441 O’Farrell Street (415) 920-9199 http://legionofhonor.famsf.org/ 15 Saturday White Walls San Francisco, CA 94102 [email protected] The Marsh 835 Larkin Street -I’m Trying Really Hard: Mark Mulroney http://riversoap.com/soap-gallery 1062 Valencia Street 18 Tuesday San Francisco, CA 94109 Closing Reception: January 6, 2011 PING PONG GALLERY San Francisco, CA 94110 Eleanor Harwood Gallery -Winter Group Show 6:00pm-9:00pm 1240 22nd Street -MYT’s SIDDHARTHA: THE BRIGHT PATH 1295 Alabama Street End: January 1, 2011 “I’m Trying Really Hard” will be a show of one between and Mississippi End: January 9, 2011 San Francisco, CA 94110 de Young Charles Krafft, Joshua Petker, ABOVE, Clayton SVQSVI½GXMSREPVIGSVHGSZIVWJSVFERHWXLEX San Francisco CA 94107 The story of Prince Siddhartha’s journey to be- -Kevin Taylor 50 Hagiwara Tea Garden Drive Brothers, Akira, Shepard Fairey, Henry Gunder- sing about everything from vagina anxiety to -Chad Stayrook come the Buddha is told in parallel with that of End: January 15, 2011 San Francisco, CA 94118 son, and more! the proper care of houseplants. The record End: January 8, 2011 Chandra, a modern-day San Francisco girl who (415) 282-4248 -Van Gogh, Gauguin, Cézanne and Beyond (415) 931-1500 covers will be lined up in no particular order New York based artist Chad Stayrook received ½RHWLIVWIPJTSWMRKWMQMPEVUYIWXMSRWEFSYXXLI www.eleanorharwood.com End: January 18, 2011 Whitewallssf.com and will likely appear on shelves so as to ap- his B.F.A. in Sculpture from Ohio University and importance of that next pair of $200 sneak- The second of two exhibitions from the Mu- pear more attractive to potential buyers. This is his M.F.A. in New Genres from the San Fran- ers as opposed to the human suffering she sees sée d’Orsay’s permanent collection, Van Gogh, Marks second show at Ever Gold Gallery. He is cisco Art Institute. Stayrook has exhibited ex- all around her. Flavored with Indian music, art, Gauguin, Cézanne and Beyond, opens on Sep- represented in NYC by Mixed Greens Gallery. tensively throughout the US in New York, San kathak dance and even a show-stopping hip 16 Sunday XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX 2 Sunday [email protected] Francisco, Philadelphia, and Washington D.C. hop Bollywood scene, this holiday celebration is with a selection of the most famous late-Im- www.evergoldgallery.blogspot.com and internationally in the UK, Netherlands, and designed to bring the warmth of the season to pressionist paintings by Claude Monet and Au- South Korea. Bay Area children and families of all traditions. Museum of Craft and Folk Art guste Renoir, as well as works representing the Big Umbrella Studios [email protected] (415) 641-0235 51 Yerba Buena Lane individualist styles of the early modern masters, 906.5 Divisadero Street www.pingponggallery.com themarsh.org San Francisco, CA 94103 including Vincent van Gogh, Henri de Toulouse- San Francisco, CA Oakland Museum of California -Volver: Mexican Folk Art into Play Lautrec, Paul Gauguin, and the leaders of Les End: January 2, 2010 8 Saturday 1000 Oak Street End: January 16, 2011 Nabis, Pierre Bonnard and Edouard Vuillard. -Warmest Winter in 40 Years Oakland, CA 94607 The Museum of Craft and Folk Art presents an It is here where the Orsay’s collection shines Here’s to the Bay’s Real Summer Season. Who’s -PIXAR: 25 Years of Animation exhibition of contemporary art that activates brightest with masterpieces such as Van Gogh’s Corden|Potts Gallery 9 Sunday End: January 9, 2011 laughing now? 49 Geary Street Suite 211 Mexican folk art, including works by Adrian Es- Starry Night over the Rhone, a haunting Self- (415) 359-9211 Walt Disney’s arrival in Los Angeles in the parza, Maximo Gonzalez, Armando Miguelez, Portrait, and Bedroom at Arles. The exhibition San Francisco, CA 94108 W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX bigumbrellastudios.com -Silent Respiration of Forests/Evanescence – de Young Favianna Rodriguez and Eduardo Sarabia. To includes a superior collection of paintings from Cantor Arts Center 50 Hagiwara Tea Garden Drive for animation artists in the decades to come. celebrate Mexico’s Bicentennial Anniversary the Pont-Aven school, including Gauguin’s mas- Lotus Home to a number of leading studios, the San 328 Lomita Dr End: January 8, 2011 San Francisco, CA 94118 of Independence and the Centennial of the terpiece Self-Portrait with Yellow Christ. The Stanford, CA 94305 -To Dye For: A World Saturated in Color Francisco Bay Area has emerged as a global Revolution, the Museum of Craft and Folk Art exhibition concludes with the Orsay’s spec- Japanese photographer Takeshi Shikama’s expe- center for animation today. PIXAR will provide -Mami Wata rience as a graphic designer inform the plati- End: January 9, 2011 TVIWIRXW³:SPZIV1I\MGER*SPO%VXMRXS4PE]´ER tacular collection of pointillist paintings, rep- End: January 2, 2011 Gallery for Textile Arts an unprecedented look at the renowned Em- exhibition that looks to traditional crafts from resented by the masters Georges Seurat and num/palladium photos of his series Silent Res- eryville-based studio (located just a few miles Arts for Water Spirits in Africa and Its Diaspo- piration of Forests and Evanescence – Lotus. Features over 50 textiles and costumes from Mexico and focuses on contemporary works Paul Signac. The de Young is the only museum VEW8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSR the Fine Arts Museums’ comprehensive col- from OMCA) and showcase the creative work that imbue the materials and processes of pop- in North America to host the exhibition. to present a comprehensive examination of the (415) 781-0110 behind its wildly successful computer-animated [email protected] lection of textiles from Africa, Asia and the ular folk arts with (415) 750.3600 dynamic visual arts associated with water spir- Americas. A truly cross-cultural presentation, ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ conceptual potency. http://deyoung.famsf.org/ Gallery Heist =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV its. One hundred works present a compelling 679 Geary Street the exhibition showcases objects from di- (415) 227-4888 range of art forms that portray the water deity verse cultures and historical periods, including the OMCA presentation greatly enhances the www.mocfa.org San Francisco, CA 94102 2005 MoMA show. In addition to all of the widely known as Mami Wata (pidgin English for -New Show Opening a tie-dyed tunic from the Wari-Nasca culture SFMOMA “Mother Water” or “Water Mistress”). The ex- of pre-Hispanic Peru (A.D. 500–900), a paste- artwork from the original presentation, it will 76 www.cclarkgallery.com hibition, organized and produced by the Fowler Opening Reception: January 8, 2011 resist Mongolian felt rug from the 15th–17th MRGPYHIEVXJVSQ6EXEXSYMPPI;%00ˆ)9TERH 151 Third Street Dolby Chadwick Gallery Museum at UCLA, highlights both traditional 7:00pm-11:00pm centuries and a group of stitch-resist dyed 4M\EV´WPEXIWX½PQ8S]7XSV];SVOMRKGPSWIP] between Mission and Howard 210 Post Street, Suite 205 and contemporary images of Mami Wata and Exhibition Ends: January 29, 2011 20th-century kerchiefs from the Dida people with Pixar Animation Studios, OMCA will host San Francisco, CA 94103 J San Francisco, CA 94108 her consorts from across the African continent, (415) 563-1708 of the Ivory Coast. These historical pieces are a series of dynamic public programs for audi- -New Work: R. H. Quaytman -Joshua Meyer as well as from the Caribbean, Brazil, and the www.galleryheist.com contrasted with artworks from contemporary ences of all ages in conjunction with the exhibi- End: January 16, 2011 End: January 1, 2011 United States. Guerrero Gallery Bay Area artists and garments by fashion de- tion, to be announced soon. The core of R. H. Quaytman’s work consists (415) 956-3560 (650) 723-4177 2700 19th Street signers Oscar de la Renta and Rodarte. The (510) 238-2200 of small, thought-provoking paintings made on [email protected] museum.stanford.edu San Francisco, CA 94110 exhibition highlights several recent acquisitions, www.museumca.org wood panels. She uses a variety of techniques A Electric Works -Nothing to Say including important gifts such as an ikat-woven Rare Device and painterly vocabularies to knowingly explore 130 8th Street Date: January 8, 2011 skirt from the Iban people of Sarawak, Malaysia 1845 Market Street the complex history of painting. Collectively, her San Francisco, CA 94103 Curated Group Show Based Around Text. CK and two exquisite mordant-dyed Indian trade San Francisco, CA 94103 works portray a tantalizing range of patterns -Stella Luminosa 3 Monday Wilde, Glen Baldridge, Jon Bocksel, Richard cloths used as heirloom textiles by the Toraja -Aesopica ERHWYVJEGIWERHEVISJXIRMRWXEPPIHWTIGM½GEPP] End: January 1, 2011 Colman, Matt Leines and more to come peoples of Sulawesi, Indonesia. End: January 9, 2011 in relation to the architecture in which they are N (415) 626-5496 Hours: Tue–Sat 11:00am–7:00pm, Sun 12:00- (415) 750.3600 A collaboration with The Working Proof to exhibited in order to purposively propel the di- www.sfelectricworks.com Theatre of Yugen 5:00pm http://deyoung.famsf.org/ FIRI½X:EPIRGME³%IWSTMGE´MWEKVSYTWLS[ rection of the viewer’s movement. For SFMO- Gallery Heist 2840 Mariposa (415) 400-5168 Legion of Honor centered around Aesop’s Fables, with each art- MA she will debut a new chapter of her work 679 Geary Street San Francisco, CA 94110 [email protected] 100 34th Avenue ist illustrating a different fable. that will focus on San Francisco poet Robert U San Francisco, CA 94102 -Mr. Yoowho’s Holiday SF Playhouse San Francisco, CA 94121 (415) 863-3969 Duncan. Quaytman’s subjects often operate -New Show Opening End: January 3, 2011 533 Sutter Street -Japanesque [email protected] on both personal and broader cultural levels: Exhibition Ends: January 1, 2011 Mr. YooWho discovers his dream of traveling San Francisco, CA 94102 End: January 9, 2011 WE Artspace (YRGER[EWERMQTSVXERX½KYVIMRXLIEVXMWX´W (415) 563-1708 XLI[SVPHMRXLIQSWXYRPMOIP]SJTPEGIWE½IPH -Coraline Japanesque: The Japanese Print in the Era of 768 40th Street TIVWSREP PMJI EW [IPP EW E OI] ½KYVI MRZSPZIH www.galleryheist.com SJWYR¾S[IVW,IXVEZIPWXLVSYKLETSXTSYVVM End: January 8, 2011 Impressionism introduces audiences to the Oakland, CA with the San Francisco Renaissance and Black A Guerrero Gallery development of the Japanese print over two -Ruth Hodges and Kit Rosenberg Mountain Poetry. This new body of paintings of wonder generating laughter that reaches far One night, Coraline’s dreams of a better reality 2700 19th Street across generational lines. Enter a world where come true as she opens a door in the draw- centuries (1700–1900) and reveals its pro- Date: January 9, 2011 will represent the 17th chapter in her oeuvre. San Francisco, CA 94110 humor and poetry intermingle with precision ing room and passes into a perfect replica of JSYRH MR¾YIRGI SR ;IWXIVR EVX HYVMRK XLI WE Artspace Presents: Installation and sculp- (415) 357-4000 -Mike Giant mini-board high diving, a world where Europe- her own world. But as the way home becomes era of Impressionism. It complements the de ture work by artist duo, Ruth Hodges and Kit sfmoma.org R End: January 1, 2011 an clown and mime mix with Japanese Kyogen increasingly unclear, Coraline begins to suspect Young’s presentation of paintings from the Mu- Rosenberg that collaborate on disrupting the Swarm Gallery Hours: Tue–Sat 11:00am–7:00pm, Sun 12:00- and Yiddish Absurdism. that all is not as perfect as it seems... sée d’Orsay, many of which are aesthetically in- norm of everyday objects by alternating or 560 Second Street 5:00pm (415) 621-0507 (415) 677-9596 debted to concepts of the Japanese print, and re-inventing the sentiment of previously estab- Oakland CA 94607 (415) 400-5168 www.theatreofyugen.org sfplayhouse.org also the exhibition Pat Steir: After Hokusai, after lished conclusions. Their playful combinations of -THINGS ARE EXPANDING [email protected] SOAP Gallery Hiroshige. Culled primarily from the holdings of forms invite you to gaze at the provocative and Gallery artists collaborate with others in large Y Shooting Gallery 3180 Mission Street the Achenbach Foundation for Graphic Arts, absurd and through dialogue question the dual- group show Project Space | Tamara Albaitis, 839 Larkin Street between Cesar Chavez and Valencia the exhibition of approximately 250 prints, ism and entropy of what it is that you see. second installation of the gallery’s year-long San Francisco, CA 94109 San Francisco, 94110 drawings, paintings, and artist’s books unfolds [email protected] sound program, “Building Steam”. -Morning Breath 6 Thursday -Dan HIpolito MRXLVIIWIGXMSRW)ZSPYXMSR)WWIRGIERH-R¾Y- (510) 839-2787 End: January 1, 2011 End: January 8, 2011 ence. www.swarmgallery.com (415) 931-8035 Ever Gold Gallery Qui Mal Y Pense installation. (415) 750-3677 www.shootinggallerysf.com 441 O’Farrell Street (415) 920-9199 http://legionofhonor.famsf.org/ 15 Saturday White Walls San Francisco, CA 94102 [email protected] The Marsh 835 Larkin Street -I’m Trying Really Hard: Mark Mulroney http://riversoap.com/soap-gallery 1062 Valencia Street 18 Tuesday San Francisco, CA 94109 Closing Reception: January 6, 2011 PING PONG GALLERY San Francisco, CA 94110 Eleanor Harwood Gallery -Winter Group Show 6:00pm-9:00pm 1240 22nd Street -MYT’s SIDDHARTHA: THE BRIGHT PATH 1295 Alabama Street End: January 1, 2011 “I’m Trying Really Hard” will be a show of one between Pennsylvania and Mississippi End: January 9, 2011 San Francisco, CA 94110 de Young Charles Krafft, Joshua Petker, ABOVE, Clayton SVQSVI½GXMSREPVIGSVHGSZIVWJSVFERHWXLEX San Francisco CA 94107 The story of Prince Siddhartha’s journey to be- -Kevin Taylor 50 Hagiwara Tea Garden Drive Brothers, Akira, Shepard Fairey, Henry Gunder- sing about everything from vagina anxiety to -Chad Stayrook come the Buddha is told in parallel with that of End: January 15, 2011 San Francisco, CA 94118 son, and more! the proper care of houseplants. The record End: January 8, 2011 Chandra, a modern-day San Francisco girl who (415) 282-4248 -Van Gogh, Gauguin, Cézanne and Beyond (415) 931-1500 covers will be lined up in no particular order New York based artist Chad Stayrook received ½RHWLIVWIPJTSWMRKWMQMPEVUYIWXMSRWEFSYXXLI www.eleanorharwood.com End: January 18, 2011 Whitewallssf.com and will likely appear on shelves so as to ap- his B.F.A. in Sculpture from Ohio University and importance of that next pair of $200 sneak- The second of two exhibitions from the Mu- pear more attractive to potential buyers. This is his M.F.A. in New Genres from the San Fran- ers as opposed to the human suffering she sees sée d’Orsay’s permanent collection, Van Gogh, Marks second show at Ever Gold Gallery. He is cisco Art Institute. Stayrook has exhibited ex- all around her. Flavored with Indian music, art, Gauguin, Cézanne and Beyond, opens on Sep- represented in NYC by Mixed Greens Gallery. tensively throughout the US in New York, San kathak dance and even a show-stopping hip 16 Sunday XIQFIVERHJSPPS[WSRXLILIIPWSJXLI½VWX 2 Sunday [email protected] Francisco, Philadelphia, and Washington D.C. hop Bollywood scene, this holiday celebration is with a selection of the most famous late-Im- www.evergoldgallery.blogspot.com and internationally in the UK, Netherlands, and designed to bring the warmth of the season to pressionist paintings by Claude Monet and Au- South Korea. Bay Area children and families of all traditions. Museum of Craft and Folk Art guste Renoir, as well as works representing the Big Umbrella Studios [email protected] (415) 641-0235 51 Yerba Buena Lane individualist styles of the early modern masters, 906.5 Divisadero Street www.pingponggallery.com themarsh.org San Francisco, CA 94103 including Vincent van Gogh, Henri de Toulouse- San Francisco, CA Oakland Museum of California -Volver: Mexican Folk Art into Play Lautrec, Paul Gauguin, and the leaders of Les End: January 2, 2010 8 Saturday 1000 Oak Street End: January 16, 2011 Nabis, Pierre Bonnard and Edouard Vuillard. -Warmest Winter in 40 Years Oakland, CA 94607 The Museum of Craft and Folk Art presents an It is here where the Orsay’s collection shines Here’s to the Bay’s Real Summer Season. Who’s -PIXAR: 25 Years of Animation exhibition of contemporary art that activates brightest with masterpieces such as Van Gogh’s Corden|Potts Gallery 9 Sunday End: January 9, 2011 laughing now? 49 Geary Street Suite 211 Mexican folk art, including works by Adrian Es- Starry Night over the Rhone, a haunting Self- (415) 359-9211 Walt Disney’s arrival in Los Angeles in the parza, Maximo Gonzalez, Armando Miguelez, Portrait, and Bedroom at Arles. The exhibition San Francisco, CA 94108 W½VQP]IWXEFPMWLIH'EPMJSVRMEEWEQEKRIX bigumbrellastudios.com -Silent Respiration of Forests/Evanescence – de Young Favianna Rodriguez and Eduardo Sarabia. To includes a superior collection of paintings from Cantor Arts Center 50 Hagiwara Tea Garden Drive for animation artists in the decades to come. celebrate Mexico’s Bicentennial Anniversary the Pont-Aven school, including Gauguin’s mas- Lotus Home to a number of leading studios, the San 328 Lomita Dr End: January 8, 2011 San Francisco, CA 94118 of Independence and the Centennial of the terpiece Self-Portrait with Yellow Christ. The Stanford, CA 94305 -To Dye For: A World Saturated in Color Francisco Bay Area has emerged as a global Revolution, the Museum of Craft and Folk Art exhibition concludes with the Orsay’s spec- Japanese photographer Takeshi Shikama’s expe- center for animation today. PIXAR will provide -Mami Wata rience as a graphic designer inform the plati- End: January 9, 2011 TVIWIRXW³:SPZIV1I\MGER*SPO%VXMRXS4PE]´ER tacular collection of pointillist paintings, rep- End: January 2, 2011 Gallery for Textile Arts an unprecedented look at the renowned Em- exhibition that looks to traditional crafts from resented by the masters Georges Seurat and num/palladium photos of his series Silent Res- eryville-based studio (located just a few miles Arts for Water Spirits in Africa and Its Diaspo- piration of Forests and Evanescence – Lotus. Features over 50 textiles and costumes from Mexico and focuses on contemporary works Paul Signac. The de Young is the only museum VEW8LMWMWXLI½VWXQENSV%QIVMGERI\LMFMXMSR the Fine Arts Museums’ comprehensive col- from OMCA) and showcase the creative work that imbue the materials and processes of pop- in North America to host the exhibition. to present a comprehensive examination of the (415) 781-0110 behind its wildly successful computer-animated [email protected] lection of textiles from Africa, Asia and the ular folk arts with (415) 750.3600 dynamic visual arts associated with water spir- Americas. A truly cross-cultural presentation, ½PQW8LISRP]%QIVMGERZIRYISYXWMHISJ2I[ conceptual potency. http://deyoung.famsf.org/ Gallery Heist =SVOERHXLI½REPWXSTSRERMRXIVREXMSREPXSYV its. One hundred works present a compelling 679 Geary Street the exhibition showcases objects from di- (415) 227-4888 range of art forms that portray the water deity verse cultures and historical periods, including the OMCA presentation greatly enhances the www.mocfa.org San Francisco, CA 94102 2005 MoMA show. In addition to all of the widely known as Mami Wata (pidgin English for -New Show Opening a tie-dyed tunic from the Wari-Nasca culture SFMOMA “Mother Water” or “Water Mistress”). The ex- of pre-Hispanic Peru (A.D. 500–900), a paste- artwork from the original presentation, it will 77 de Young 50 Hagiwara Tea Garden Drive 20 Thursday 29 Saturday San Francisco, CA 94118 J -Pat Steir: After Hokusai End: January 30, 2011 BAER RIDGWAY Fivepoints Arthouse Anderson Gallery 172 Minna Street 72 Tehama Complementing Japanesque: The Japanese Print San Francisco, CA 94105 San Francisco, CA 94105 in the Era of Impressionism at the Legion of A -Christopher Taggart: New Work -The Wandering Flood Moves Though Us Honor, Pat Steir: After Hokusai, after Hiroshige Opening Reception: January 20, 2011 Opening Reception: December 17, 2011 WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWI 4:00pm–7:00pm 7:00pm print on Western artists into the late 20th cen- -Jeffrey Simmons: New Watercolors End: January 29, 2011 tury. American painter, printmaker, and concep- Opening Reception: January 20, 2011 Curator Theo Konrad Auer presents the work XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWX N 4:00pm–7:00pm of Oakland artists Chris Russell, James Seevers, selected by Kathan Brown in 1982 to travel to Bookstore Project Space and Michael Louis Young. Their work explores Japan to make a color woodcut for Crown Point (415) 777-1366 mans’ changing relationship with the natural Press’s groundbreaking printmaking program in www.baerridgway.com world with new paintings, drawings and instal- Kyoto. There she had the opportunity to work U Kokoro Studio lations. The approaches they take range from closely with artisans trained in the traditional 682 Geary Street representational mountain vistas to visionary methods of Japanese woodblock printing. In San Francisco, CA geometric abstraction to ironic whimsical text. 1984 and 1985 she turned to subjects derived -TBA: New Year’s Show MRJS$½ZITSMRXWEVXLSYWIGSQ from famous prints by Hokusai and Hiroshige Opening Reception: January 20, 2011 7:00- Galería de la Raza in color etchings she produced at Crown Point A 10:00pm 2857 24th Street Press in Oakland. End: January 27, 2011 San Francisco, CA 94110 (415) 750.3600 kokorostudio.us -Retrospective Anniversary Exhibition http://deyoung.famsf.org/ End: January 29, 2011 SFMOMA R The Retrospective Anniversary Exhibition, will 151 Third Street document the visual landscape that has con- between Mission and Howard 22 Saturday tributed to the shaping of Galería’s mission of San Francisco, CA 94103 fostering public awareness and appreciation of -Henri Cartier-Bresson: The Modern Century Latino/Chicano art. The exhibit will span art- End: January 30, 2011 Y works from 1970 to 2010. 8LMW VIXVSWTIGXMZI I\LMFMXMSR XLI ½VWX MR XLI Jack Fischer Gallery 49 Geary Street (415) 826-8009 United States in three decades, surveys Henri San Francisco, CA 94108 [email protected] Cartier-Bresson’s entire career with a presen- -Dan Lydersen www.galeriadelaraza.org tation of about three hundred photographs, End: January 22, 2011 Gallery Heist mostly arranged thematically and supplement- (415) 956-1178 679 Geary Street ed with periodicals and books. One of the most [[[NEGO½WGLIVKEPPIV]GSQ San Francisco, CA 94102 SVMKMREP EGGSQTPMWLIH MR¾YIRXMEP ERH FIPSZIH Krowswork -New Show Opening ½KYVIWMRXLILMWXSV]SJTLSXSKVETL]'EVXMIV 480 23rd Street, side entrance Exhibition Ends: January 29, 2011 Bresson’s inventive work of the early 1930s Oakland, CA (415) 563-1708 LIPTIHHI½RIXLIGVIEXMZITSXIRXMEPSJQSHIVR -Rainbow Raven www.galleryheist.com photography, and his uncanny ability to capture End: January 22, 2011 Silverman Gallery life on the run made his work synonymous Rainbow Raven: Alexander Binder & Shalo P. 804 Sutter Street with “the decisive moment”. He joined Rob- Dark and light meet through a prism of arche- between Jones and Leavenworth ert Capa and others in founding the Magnum type and apocalypse in the work of these two San Francisco, CA 94109 photo agency, which enabled photojournalists artists. Hailing from the Black Forest of Ger- -Job Piston Solo Exhibition to reach a broad audience through magazines many, Alexander Binder’s photography explores End: January 29, 2011 Cartier-Bresson produced major bodies of the mythological, spiritual, and occult. San Fran- The artist’s second solo exhibition at the gallery photographic reportage on: India and Indonesia cisco-based video artist Shalo P mixes found features a series of new photographs. at the time of independence; China during the footage to explore the psychological depths of (415) 255-9508 revolution; the Soviet Union after Stalin’s death; our electronic landscape. Opening on Decem- www.silverman-gallery.com the United States during the postwar boom; ber 3rd, 5-9. Rena Bransten Gallery and Europe as its old cultures confronted mod- (510) 229-7035 77 Geary Street ern realities. [email protected] San Francisco, CA 94108 (415) 357-4000 www.krowswork.com -TRACEY SNELLING www.sfmoma.org Swarm Gallery End: January 29, 2011 WE Artspace 560 Second Street Retrospective of older and new works by Bay 768 40th Street Oakland CA 94607 Area artist Tracey Snelling Oakland, CA -Ana La Batista (415) 982-3292 -Ruth Hodges and Kit Rosenberg Date: January 22, 2011 www.renabranstengallery.com End: January 30, 2011 (510) 839-2787 SOMArts Cultural Center Installation and sculpture work by artist duo, www.swarmgallery.com 934 Brannan Street Ruth Hodges and Kit Rosenberg that collabo- San Francisco, CA 94123 rate on disrupting the norm of everyday objects -Its All A Blur by alternating or re-inventing the sentiment of End: January 29, 2011 previously established conclusions. Their playful Exhibition, curated by Justin Hoover features combinations of forms invite you to gaze at the 27 Thursday Dale Hoyt, Tony Labat, and Guillermo Gòmez- provocative and absurd and through dialogue Peña, and is planned to tour select venues question the dualism and entropy of what it is Kokoro Studio throughout the Western States through 2011. that you see. 682 Geary Street (415) 552-1770 [email protected] San Francisco, CA www.somarts.org -TBA: New Year’s Show End: January 27, 2011 kokorostudio.us 30 Sunday 78 listings continued... [email protected] Young www.sfhistory.org (415) 621-0507 -THE PLASTIC SHOW OCT 50 www.shipyardtrust.orgHagiwara Tea Garden Drive Theatre of Yugen www.theatreofyugen.org End: October 31, 2010 20 Thursday 29 Saturday SanLegion Francisco, of CA Honor 94118 2840 Mariposa Toomey Tourell Velvet da Vinci in San Francisco presents The J -Pat100 Steir: 34th After Avenue Hokusai San Francisco, CA 94110 49 Geary Street #417 Plastic Show, an exhibition featuring work from End:San January Francisco, 30, CA 2011 94121 -Sorya! San Francisco, CA 94108 the recently published Lark Jewelry Book 500 BAER RIDGWAY Fivepoints Arthouse Anderson-Very Postmortem: Gallery Mummies and Medicine Date: October 31, 2010 -Maria Park 172 Minna Street 72 Tehama Plastic Jewelry Designs. The Plastic Show fea- ComplementingEnd: October Japanesque: 31, 2010 The Japanese Print Selections from our English and Kyogen Reper- End: October 31, 2010 tures 250 pieces by 75 artists employing a vari- San Francisco, CA 94105 San Francisco, CA 94105 in the Era of Impressionism at the Legion of -Christopher Taggart: New Work -The Wandering Flood Moves Though Us Gallery 1 XSMVI8LIEXVISJ=YKIR´W½JXLERRYEP7SV]E[MPP (415) 989-6444 ety of plastic materials such as resin, latex, rub- A Honor,Very Pat Postmortem: Steir: After Hokusai, Mummies after and Hiroshige Medicine present the classic Kyogen comedy, Owl Moun- [email protected] Opening Reception: January 20, 2011 Opening Reception: December 17, 2011 ber, epoxy, and thermoplastics, many of which WLS[WXLIGSRXMRYIHMR¾YIRGISJXLI.ETERIWII\TPSVIW XLI QSHIVR WGMIRXM½G I\EQMREXMSR tain Priest, as well as excerpts from a new ad- http://www.toomey-tourell.com are reused or recycled. 4:00pm–7:00pm 7:00pm printof on mummies, Western providingartists into new the insightslate 20th into cen - the aptation of Ben Jonson’s Volpone by company Velvet da Vinci -Jeffrey Simmons: New Watercolors End: January 29, 2011 (415) 441-0109 tury.conditions American underpainter, whichprintmaker, the Egyptiansand concep lived- and board member Lluis Valls, and distinguished 2015 Polk Street at Broadway [email protected] Opening Reception: January 20, 2011 Curator Theo Konrad Auer presents the work XYEPEVXMWX4EX7XIMV F [EWXLI½VWXEVXMWXand bringing us closer to understanding who playwright Greg Goivanni’s Noh Kids Cycle. San Francisco, CA 94109 N 4:00pm–7:00pm of Oakland artists Chris Russell, James Seevers, www.velvetdavinci.com selectedthey were. by Kathan Very PostmortemBrown in 1982 is a to homecoming travel to Bookstore Project Space and Michael Louis Young. Their work explores Japancelebration to make a marking color woodcut the return for Crown of Irethorrou, Point (415) 777-1366 mans’ changing relationship with the natural Press’sFAMSF’s groundbreaking mummy that printmaking has been programon loan sincein www.baerridgway.com world with new paintings, drawings and instal- Kyoto.1944. There As part she of had the the exhibition, opportunity a CT-scan to work of the Kokoro Studio lations. The approaches they take range from The exhibition at SOMArts Cultural Center ture in music and the visual perception of space. www.velvetdavinci.com U closelyIrethorrou with artisansmummy trained taken by in scientists the traditional at Stan - will highlight a collection of Michelle’s best pho- By rhythmically laying out contrasting colors, Vessel Gallery NOV 682 Geary Street representational mountain vistas to visionary methodsford Medical of Japanese School woodblocksheds light on printing. his possible In to work displayed as wall pieces and augment- Frank’s work attempts to invoke experiential 471 25th Street San Francisco, CA geometric abstraction to ironic whimsical text. 1984cause and of1985 death she andturned physical to subjects attributes. derived These -TBA: New Year’s Show MRJS$½ZITSMRXWEVXLSYWIGSQ ed by large-scale sculptural installations. Also moments of the ‘present time’. It is recorded Oakland, CA 94612 fromWGERWTVSZMHIHITXLERHWGMIRXM½GFEGOKVSYRH famous prints by Hokusai and Hiroshige included are works by another San Francisco by the pulsating colors that punctuate the beat -William Harsh, Cyrus Tilton Opening Reception: January 20, 2011 7:00- Galería de la Raza in colorto the etchings exhibition. she producedAccompanying at Crown the mummyPoint A 10:00pm 2857 24th Street artist, Chris Rusak. Using text, Rusak expands of the rhythm, shifting values that provoke col- End: November 30, 2010 Pressare ina Oakland.variety of ancient artifacts that date from the vision of the I Live Here:SF project by ma- lapsed spaces, and the repetition that induces Modernist Painter William Harsh is an artist liv- End: January 27, 2011 San Francisco, CA 94110 (415)ETTVS\MQEXIP]¯&')K]TX´W½REPIVESJ 750.3600 kokorostudio.us -Retrospective Anniversary Exhibition nipulating participants’ stories to demonstrate XLIJIIPMRKSJIXIVRMX]8LMWMW*VERO´W½VWXWSPS ing and working in the San Francisco Bay Area http://deyoung.famsf.org/greatness during the Late Period from the 26th the inner structure of the city’s collective exhibition at Triangle Gallery. with over 25 years of dedicated studio prac- End: January 29, 2011 SFMOMASaite Dynasty. The Retrospective Anniversary Exhibition, will experience. His printmaking is a metaphor for Hours: Tue-Sat, 11:00am-5:00pm tice. Primarily an oil painter, he also works ex- R 151-October Third Street Artist-in-Residence the story-collecting process of photography. In [email protected] tensively with other painting and drawing me- document the visual landscape that has con- betweenEnd: October Mission and 31, Howard2010 tributed to the shaping of Galería’s mission of the gallery’s video annex space, I Live Here:SF www.triangle-sf.com dia and with monotype printmaking. Eve Singer 22 Saturday SanKimball Francisco, Education CA 94103 Gallery will showcase Rick Prelinger’s Lost Landscapes (415) 392-1686 is a jewelry artist based in San Francisco. She fostering public awareness and appreciation of -HenriFollowing Cartier-Bresson: his work this The summer Modern in Century the Cook Latino/Chicano art. The exhibit will span art- of San Francisco 4: selections from the historic Velvet da Vinci is also a textile designer, working in repeated End:-WPERHW January [MXL 30, XLI 2011 4EGM½G%VX%WWSGMEXMSR ERH E Prelinger Film Archive, which grew to over 2015 Polk Street at Broadway forms and mark-making. “Largely inspired by Y works from 1970 to 2010. 8LMW VIXVSWTIGXMZI I\LMFMXMSR XLI ½VWX MR XLI Jack Fischer Gallery residency in Fiji at the University of the South (415) 826-8009 60,000 pieces before being sold to the Library San Francisco, CA 94109 architecture and landscapes, I am always on the 49 Geary Street United4EGM½G7EQSEREVXMWX(ER8EYPETETE1G1YPPMR States in three decades, surveys Henri of Congress. -PIERCE HEALEY search for new geometric forms and textures.” San Francisco, CA 94108 [email protected] Cartier-Bresson’swill be working entire in the career artist studiowith a onpresen a series- www.galeriadelaraza.org (415)552-1770 End: November 30, 2010 -Eve Singer Cyrus Tilton is an Oakland-based -Dan Lydersen tationof paintings of about based three on hundred the communal photographs, body of www.somarts.org Velvet da Vinci in San Francisco presents New sculptor, with over a decade of practice in inter- End: January 22, 2011 Gallery Heist mostlyOceania. arranged Sa meansthematically family and and supplement sacred in - Sa- 679 Geary Street Triangle Gallery Work by Pierce Healy. A skilled engraver and national large-scale public and private sculpture (415) 956-1178 ed QSERERHXLIWI[SVOWVI¾IGXXLIGSQQYREPwith periodicals and books. One of the most 47 Kearny Street draftsman, Dubliner Pierce Healy carves dra- making. Tilton is highly skilled in a range of me- [[[NEGO½WGLIVKEPPIV]GSQ San Francisco, CA 94102 SVMKMREP EGGSQTPMWLIH MR¾YIRXMEP ERH FIPSZIH -New Show Opening REXYVISJ4EGM½G-WPERHIVGYPXYVI[MXL8EYPETE- San Francisco, CA 94108 matically detailed and imaginative stories into diums including bronze to paper mache. His Krowswork ½KYVIWMRXLILMWXSV]SJTLSXSKVETL]'EVXMIVpa’s groundbreaking utilization of realistic and -Bernadette Jiyong Frank metal. He allows the engraving on each of his works are thought provoking and evocative. 480 23rd Street, side entrance Exhibition Ends: January 29, 2011 Bresson’sabstract inventive elements work from of indigenous the early 1930s Oceania (415) 563-1708 Begin: November 30, 2010 one-of-a-kind pieces to take over the metal’s Hours: Tues-Sat, 11:00-6:00pm Oakland, CA LIPTIHHI½RIXLIGVIEXMZITSXIRXMEPSJQSHIVRartmaking, one of the origins of modern ideas Opening Reception: December 4, 2010 surface as if it were a canvas. www.vessel-gallery.com -Rainbow Raven www.galleryheist.com photography, and his uncanny ability to capture Silverman Gallery of the abstract in art, taken in a new direction 3:00pm-5:00pm (415) 441-0109 End: January 22, 2011 lifetoday on the by contemporary run made his artists work of synonymous Oceania. Sia - Bernadette Jiyong Frank explores time signa- [email protected] Rainbow Raven: Alexander Binder & Shalo P. 804 Sutter Street withpo “the tapa decisivePolynesian moment”. print making He joined materials Rob -are Dark and light meet through a prism of arche- between Jones and Leavenworth ertavailable Capa and for otherspublic participationin founding the as well.Magnum type and apocalypse in the work of these two San Francisco, CA 94109 photo-Organ agency, Concert which enabled photojournalists artists. Hailing from the Black Forest of Ger- -Job Piston Solo Exhibition to Date:reach Octobera broad audience 31, 2010 through magazines End: January 29, 2011 displayed along with the original photographs kinds of light resonances these places inspire. A group exhibition about our complicated re- many, Alexander Binder’s photography explores Cartier-BressonTime: 4:00pm produced major bodies of JSVXLI½VWXXMQI Her work explores light as both phenomenon lationship with sweets. Painting and sculpture the mythological, spiritual, and occult. San Fran- The artist’s second solo exhibition at the gallery photographic(415) 750-3677 reportage on: India and Indonesia DEC features a series of new photographs. (415) 931-2500 and metaphor. She is interested in 19th and by: Audrey Flack, Mel Ramos, Wayne Thiebaud, cisco-based video artist Shalo P mixes found at thelegionofhonor.famsf.org time of independence; China during the www.941geary.com 20th century spirit photography of Europe and Daniel Douke, Luigi Benedicenti, Roberto Ber- footage to explore the psychological depths of (415) 255-9508 revolution;Rare Device the Soviet Union after Stalin’s death; www.silverman-gallery.com Artist-Xchange America, not as supernatural documents, but as nardi, Alex Blau, Peter & Madeline Powell, our electronic landscape. Opening on Decem- the1845 United Market States Street during at Guerrero the postwar boom; 3169 16th Street curious intriguing objects of the cultural desire Doug Webb, Tom McKinley, David Michael ber 3rd, 5-9. Rena Bransten Gallery andSan Europe Francisco, as its CAold cultures confronted mod- 77 Geary Street San Francisco CA 94103 for luminous, enigmatic experiences. Smith, Peter Anton, Tjalf Sparnaay. (510) 229-7035 ern-New realities. Work by Omar Lee -Best in Show www.chandlersf.com (415) 788-5588 [email protected] San Francisco, CA 94108 (415)End: 357-4000 October 31, 2010 -TRACEY SNELLING End: December 31, 2010 Rare Device www.srcart.com www.krowswork.com www.sfmoma.orgNew paintings by San Francisco artist Omar Handpicked from this year’s most successful lo- 1845 Market Street at Guerrero Triangle Gallery Swarm Gallery End: January 29, 2011 WELee. Artspace Retrospective of older and new works by Bay cal San Francisco artists. We present some of San Francisco, CA 47 Kearny Street 560 Second Street 768(415) 40th 863-3969 Street our customers most sought after artists at price -Timothy Karpinski San Francisco, CA 94108 Oakland CA 94607 Area artist Tracey Snelling Oakland,www.raredevice.net CA (415) 982-3292 points that make giving the gift of art easy. End: December 31, 2010 -Bernadette Jiyong Frank -Ana La Batista -RuthSFMHS Hodges and Kit Rosenberg (415) 864-1490 New paintings and drawings by Portland artist End: December 31, 2010 Date: January 22, 2011 www.renabranstengallery.com End: January 30, 2011 SOMArts Cultural Center 88 Fifth Street www.artist-xchange.com Timothy Karpinski Bernadette Jiyong Frank explores time signa- (510) 839-2787 InstallationMint Plaza and adjacent sculpture to the work Old byMint artist duo, Caldwell Snyder Gallery (415) 863-3969 ture in music and the visual perception of space. www.swarmgallery.com 934 Brannan Street RuthSan Hodges Francisco, and CA, Kit 94142Rosenberg that collabo- San Francisco, CA 94123 341 Sutter Street www.raredevice.net By rhythmically laying out contrasting colors, rate-Barbary on disrupting Coast the Trail norm Walk of everyday objects San Francisco, CA 94108 Scott Nichols Gallery Frank’s work attempts to invoke experiential -Its All A Blur by Date:alternating October or re-inventing 31, 2010 the sentiment of End: January 29, 2011 -Pep Guerrero 49 Geary, Suite 415 moments of the ‘present time’. It is recorded previouslyTime: 9:00am established conclusions. Their playful End: December 31, 2010 San Francisco, CA 94108 by the pulsating colors that punctuate the beat Exhibition, curated by Justin Hoover features combinationsBegin at Mint of formsPlaza inviteadjacent you toto thegaze Old at the Mint 27 Thursday Dale Hoyt, Tony Labat, and Guillermo Gòmez- (415) 392-2299 -Yosemite, Photographers and Photographs of the rhythm, shifting values that provoke col- provocative(88 Fifth and St, Sanabsurd Francisco, and through CA, 94142.dialogue San www.caldwellsnyder.com End: December 31, 2010 lapsed spaces, and the repetition that induces Peña, and is planned to tour select venues questionFrancisco the isdualism a city and with entropy incredible of what views it is and throughout the Western States through 2011. Chandler Fine Art Gallery (415) 788-4641 XLIJIIPMRKSJIXIVRMX]8LMWMW*VERO´W½VWXWSPS Kokoro Studio thatfascinating you see. stories. Nowhere is this more evi- 170 Minna Street [email protected] exhibition at Triangle Gallery. 682 Geary Street (415) 552-1770 [email protected] than along the historic Barbary Coast Trail, www.somarts.org San Francisco, CA 94105 www.scottnicholsgallery.com Hours: Tue - Sat, 11am-5pm San Francisco, CA established by historian Daniel Bacon in 1998 -Marsha McDonald Scott Richards Contemporary Art (415) 392-1686 -TBA: New Year’s Show and marked by handsome bronze medallions End: December 31, 2010 251 Post Street, Suite 425 [email protected] End: January 27, 2011 through famous, and infamous, neighborhoods. Ms McDonald’s paintings are intimate explora- San Francisco, CA 94108 www.triangle-sf.com kokorostudio.us Don’t miss this opportunity to experience the tions of the landscape, the “spiritual interfer- -SWEET TOOTH 30 Sunday entire trail with knowledgeable guides! ences” that surround actual places, and the End: December 31, 2010 79 San Francisco Arts Quarterly The Mission Issue

October 2010- January 2011

-Southern Exposure -Galeria de la Raza -Root Division -The Lab -Ratio 3 Gallery -Eleanor Harwood Gallery -Guerrero Gallery -Hamburger Eyes -Adobe Books

Clarion Alley Mural Project - Established in 1992 Clarion Alley Mural Project - Established in 1992 Courtney Fink Executive Director of Southern Exposure interview by Andrew McClintock

Can you please talk about how SoEx was founded 36 years moved here, I worked at Capp Street Project, an extremely ven- ago and why the founding members took it upon them selves erable arts organization that was started in the Mission and then to create this non profit artist run organization. moved to South of Market. Capp Street was a residency program Southern Exposure is officially 36 years old as of the summer for artists that commissioned artists to make site-specific installa- of 2010. SoEx was founded by a group of artists who wanted to tion works, either in the gallery or public locations. I worked there create a space to show their work and the work of their peers. up until it merged with CCAC as they opened up their new San We have a really interesting history throughout and a lot of dif- Francisco Campus as a part of the Wattis Institute. After that, ferent eras. Southern Exposure was originally founded by Proj- I became a staff member at CCAC (now CCA). It was a really ect Artaud, the oldest live-work community in the Bay Area. It’s open time there and the position I was hired for was a new one. I actually only four blocks from our location here on 20th Street was primarily responsible for fundraising- writing grants and rais- and is still an active live-work community. A collective of a dozen ing money for the institution. I worked on developing early fund- artists created a space as an alterna- ing and support at the infancy of many tive to what they were seeing going on great programs – the Wattis, the Center out there. They were lucky enough to for Art and Public Life and others. It also have an entire square block warehouse “If you look around, there allowed me time to develop my other at their disposal, and they turned one are nearly 100 different arts creative projects and during the years I of the larger spaces into a gallery. The worked at CCA I was actively writing and early days of the organization was an organizations just in this curating exhibitions and was becoming energetic community of working artists one neighborhood... very involved in Southern Exposure. and it grew from there. For the first ten Southern Exposure was or fifteen years it was completely artist How have you seen the arts scene in run, volunteer, collaborative, even anar- founded in this neighborhood, the mission change over the last de- chist at times, so the story goes. South- and we’re one of probably the cade and a half as director of SoEx. ern Exposure showed a full range of vi- oldest arts organizations I have a fifteen-year perspective, and sual art mediums and reflected the era. I’m extremely interested in the history It wasn’t really until the late 80’s that the in the Mission. of the arts locally. In the time I’ve been organizations became more structured here, I’ve seen the Mission change and there were paid staff members with dramatically. I really consider it at this early funding from the National Endow- point, the center of the arts community ment for the Arts. Another interesting story is that it wasn’t origi- in the city of San Francisco. If you look around, there are nearly nally called Southern Exposure, it was called the American Can 100 different arts organizations just in this one neighborhood. No Collective. The building where Project Artaud is located was the other neighborhood could possible say there are so many groups American Can Company, a can manufacturing factory. American in one locale. Southern Exposure was founded in this neighbor- Can found out the group was using their name, and asked them hood, and we’re one of probably the oldest arts organizations in to change it, so they changed it to Southern Exposure. the Mission.

SoEx was in that location for 32 years and only moved 4 years When we were looking to move and find a new space, we kept ago in 2006 due to seismic issues with the building. Between winding back up on the Mission—it’s our home, our community. summer 2006 and fall 2009 when we opened on 20th Street we I feel like there are waves of gentrification that wash over this moved twice and occupied two different storefronts in the Mis- neighborhood at different economic moments, I’ve seen it hap- sion District, on one Mission and 25th Streets and one on 14th pen numerous times at this point. But I still feel like despite it all, near Valencia Street. During this nomadic era, SoEx took the op- there’s a real diversity in this neighborhood that kind of hangs on. portunity to invent new programs, try new things and focused on The part of Mission where we are now, closer to Portrero, espe- commissioning and founded our Alternative Exposure cially. It’s got a different feel from the main commercial corridor, grant program. During that time we also worked to locate a new it a little quieter and more open. There are a lot of different types home and organized and completed a capital fundraising cam- of people here. The Mission District historically has been associ- paign to realize all of it. October marks our one-year anniversary ated with a creative style, which is less about the neighborhood in this space! I have been the executive director of SoEx for eight but more about where the people who were making that style years, and I’ve lived in the Bay Area for fifteen years. When I first hung out. I’m talking about the history of murals and 82 Mission School artists, and typically what Mission District gal- can be yourself and be creative is a really powerful experience leries were showing. Southern Exposure specifically tries to not for young people. And of course, there are artists who are look- focus on any one particular aesthetic. We want to be a resource ing for jobs and looking for way to make a living. We offer that to for artists, so we’re constantly changing what we’re doing in re- artists who don’t have a lot of experience. SoEx tries to provide sponse to what artists are doing and what they need. It surpass- a ground level experience for so many artists, literally more than es any one particular aesthetic influence, although I would hope 500 artists in the last 20 years have worked in paying jobs in our Southern has had a major influence on art making and what is arts education program. We’re trying to provide a model for peo- happening. We’re really trying to predict what is happening and ple to get experience working with young artists and teaching. It support it before its being done everywhere. We just printed this is a really valid and viable career path for people who express map called the Mission Arts Trail Guide in collaboration with a lot interest. I think it makes Southern Exposure extremely unique- of other galleries. One of the defining features I find now is that -having an extremely well known art venue, but having youth more commercial galleries are wanting to move into this neigh- work in the context of a gallery. It really changes how people see borhood, and have opened in the Mission in the last five years. In the gallery, and how artists see their work. It really puts things particular in our neighborhood, we’ve really been one of the only into perspective--we have a much wider range of people using galleries up until only three or four years ago. 24th Street started this space on a daily basis. It explains a lot of how Southern to become a little bit of a magnet, and now there are two or three Exposure can sustain an accessible perspective, because we galleries opening up in the next few months a few blocks away deal with real issues everyday. It is probably one of my favorite from here. Hopefully Southern Exposure is a magnet. things about Southern Exposure. You might come to see a show and there will be twenty students in a classroom, doing something. There’s always something happening here, which makes you kind of re-evaluate what the space itself is about and what you’re looking it.

What kind of Publications does SoEx publish and how does the me- diu of print function as an extention of SoEx’s mission. SoEx is very dedicated to our publish- ing program and developing critical texts in conjunction with our shows and projects. Whether it’s free stuff we’re handing out or books for sale. We always commission critical writing for every artist in every show that we have. We make most of that writing by either making it available for free on- line or by handing it out for free to visi- tors. In some cases, we publish larger books and sell them for affordable SoEX Team prices. The publication history here is a newer one. It’s something I’ve really championed, because without a writ- How does SoEx function as a community center and its role ten history, there is no history. It’s also such an important part with youth artists in your AIE program as well as other arts about what artists want--to have writing about their work. We’re education programs. about artists here, so when we make choices, we are responding We are so much more than a gallery. I say more of what we do to what artists are telling us they need, as well as what we think is here is in the shape of projects and people working and process. important. And then Southern Exposure has its own history that Just from coming in here today, you can see there are people we can share with the public of all the different writing and all the doing things. Our Artists in Education program is 21 years old different thoughts that went on. It’s a lot of work and extremely and SoEx has a long-standing dedicated commitment to young expensive to publish good books, and we have plans for a num- artists. There are two main goals behind our Artists in Education ber of publications in the next year. We’re always trying to grow program--one is, a lot of young people do not get any exposure the scale of the publishing we do. to arts in their life. We’re trying to provide resources to the next generation of creative thinkers. And we’re not trying to make We’re actually doing a project about art publishing this fall, called them all into artists, not at all, we’re giving them art as a skill for Art Publishing Now on October 9th and 10th. It’s a two-day event, developing critical thinking and other vocational skills that you with critical presentations and discussions. It’s going to be fol- can develop from using the arts. Just having a space where you lowed by a fair, where more than 50 different groups will have 83 tables to show the public what they’re doing. I feel like there’s a that it really drives a certain level of creativity. People are moti- critical turning point in publishing and art writing right now, where vated and excited to start projects and it helps that they’re going so much of the activity has been taken on by independent pro- to get funding, and its competitive. I’m really thrilled to see some ducers. There is a really strong critical mass of people the field, of the things people dreamt up for our grant program, it might so we thought it would be really important to get everyone to- not ultimately get funded but they get so excited that they do it gether to explore the issues. anyway. I’m hoping that it has that kind of impact, where it’s fuel- ing a certain type of independent thinking. The grants are small, Alternative Exposure grant is one of the bigger independent but it’s enough to cover basic costs and make it more affordable accessiable grants to artists and art programs / projects in and accessible. the bay area. Can you talk about why SoEx started this grant program in 2007, what other organizations are involved with Given the current economic climate and news of arts fund- it, and why you feel there aren’t more grants such as this in ing being slashed everywhere how do you feel the model the Bay Area. of a non-profit vs. private arts institutions are going to hold We founded Alternative Exposure in partnership with the Warhol up. Foundation, based out of New York City. They’ve really made SoEX has an extremely diverse funder base. When the econo- a commitment to providing funds to organizations like Southern my crashed, it kind of felt like how it has always felt. That could Exposure around the country, and understand the value of giving maybe sum up my entire experience of this--we are just used funds directly to artists. Addi- to being really smart with our tionally, SoEx receives support funds and really resourceful. from Grants for the Arts for this People don’t think of a non- program enabling us to give profit as a business, but we are out even more funding. We’re running a business here. Art granting more than $60,000 a funding is so volatile, as trends year. I love Alternative Expo- come and go. We’ve been sure and am really proud to through so much in so many have founded it. It’s also now years, that we’ve learned how a national program. Southern to strategize through every dif- Exposure worked with Warhol ferent thing that could come our to pilot the program, and it was way. Right when the economy considered to be success- tanked, we were in the middle ful. Now they’ve made it one of the most ambitious fund rais- of their funding priorities and ing campaign of our history, they are funding arts organiza- raising funding to build this new tions in three other cities to do building and trying to create fi- similar grant giving projects. nancial stability for our future. They’re committed to this im- A lot of people didn’t think we portant work and are investing would be able to get through in it throughout the country. it, but we did. I think, if any- There is a great history of art- thing, we proved that there is a ists re-granting programs, the spirit and an energy here, that best known of which was the if you’re really determined to National Endowment for the make something happen within Arts in the 90’s and I think this a certain scale, it can happen. follows in that tradition. 2010 We already had things really marks the 4th round of grants well planned, which is another SoEx will distribute. Invest- reason we were able to get ing in so many projects has through it. I feel like things are really extended our capacity. really not getting so much bet- There is only so much we can ter, it definitely worries me. The produce ourselves, but with idea is that if we can continue this program we can literally doing a really good job of what support five times the amount we do and effectively let people of projects we would ever be know how important it is, then I able to do on our own. There think we’ll be okay. A lot of peo- is no other funding opportunity ple don’t think that this model like it, and there are not a lot of funding opportunities for artists. is very sustainable, but we’re constantly adapting how we run. There is a lots out here for artists, though. Getting money, in my We are extremely nimble and extremely open to change. I think opinion, is only one way you can actually get support. There is so that’s the other key--you have to be willing to change and adapt. much people have to offer here, that is often overlooked. Being We never give up and we always try to have fun while we’re do- in a great show is a kind of investment. There are a lot of great ing it, it’s not worth it otherwise. Working here is extremely hard, programs for here like artists. They play a different role from a but very fulfilling and creative. grant, but I think often they have equal value and equal worth. What I’ve seen over the years since we started the program is 84 What programing do you have lined up for the rest of 2010? at calling upon them and including them. We have dedicated Fall 2010 Programs and Beyond:Fall 2010 will be a packed pro- funders, who haven’t given up on us. We’re really determined to gram season for us. We’re very ambitious about our pace at SoEx. stick around. I don’t feel like there’s anything else like Southern So many artists were asking for project support, not necessarily Exposure in the Bay Area, I feel like we’re a really unique place. exhibition support, so for the first 11 weeks of the fall Season, I wish there were more places like Southern Exposure, and I we’re dedicating our space entirely to support projects--short art- want there to be. We kind of believe that the more the better, ist projects curated by artists on our curatorial board, staff as well we want as many arts groups and organizations thriving and as as partnerships. Some artists will be here in residence for a few many arts organizations in our neighborhood as possible. Its not weeks, some only one night. After Thanksgiving, we’re bringing competition, its actually healthy to have more going on because back our well beloved juried exhibition, but we’re updating it a it creates a culture. We’re trying to make it so that is possible, bit. Anyone can apply for it as long as they live in Northern Cali- and so artists have a sustainable way to stick around the Bay fornia. And, it’s free! You bring your work here, drop it off, it gets Area. We’re not going to be the reason people ultimately stay or selected, it’s in and the show opens only a few days later and is go, but we’re hoping to make it possible to give them pause--so on view for one week. In the past, upwards of 600 artists enter they know that we are here for them. the juried exhibition. It’s a really historically popular project for a lot of artists to get their first show through this program. It opens on December 10th and will be on view through the 18th.

Any shout outs or thanks? Like any community, I’m just one part of this place. There are fifty “...we proved that there is a spirit or more people on the inside track of making what we do happen everyday. People ask how we do so much since we’re so small. and an energy here, that if you’re Its primarily because even through we are only five employees, really determined to make something it is the hundreds of involved people volunteering their efforts happen within a certain scale, that enable us to make it happen. We have a great volunteer and intern program and board of directors involved in the creative it can happen.” decision making and our future direction. Even just opening this building, 250 plus people either donated money, time, or skills that makes it all possible. I think that is another reason we’re doing well, is because we have an extremely active and invest- ed community of people who are really dedicated. We’re good

85 Carolina Ponce de León exectiuve director of Galería de la Raza interview by Andrew McClintock

Galería de la Raza is the oldest mission based arts non-profit gration, globalization, etc. are explored from the perspective of since it’s founding in 1970. Why was the organization start- Latino artists. So it’s less a matter of identity than it is of historical ed, and how has the original purpose for starting it shifted and political positioning. over the years? Galería was born of the lega- How does an arts non-profit cy of cultural activism. It was function as a catalyst for El founded by a group of Chicano Movimiento Chicano, the Chi- and Central American artists cano civil rights movement? and community activists in San Galería has always worked at Francisco’s Mission District. multiple levels, besides working Initially Galería operated in a with individual artists. In its early storefront on Valencia Street; years, it really attempted to bridge then, in l972, it moved to its the gap between the arts and the current home on 24th street local Latino community. It did and Bryant. Like many cultural so through educational exhibits, institutions of its kind across youth workshops, and develop- the U.S., Galería came into be- ing art projects that were open to ing at a time of mass political the public while the artistic work turmoil due to the war in Viet was in process. The creation of Nam, student uprisings, and ra- political and educational posters cial tension. The Chicano civil and murals, were key practices rights movement, El Movimien- in the early years of the Chicano to, and its struggle to improve arts movement. They helped farmworkers labor conditions build support and raise aware- inspired Chicano artists and its ness around community issues. impact on Chicano art was pal- Posters were to the early years pable throughout California in of the Chicano movement, what the proliferation of all sorts of community expressions from the- Twitter and texting is today: they were used to announce events, ater, dance, music, and poetry to posters, and community murals rallies, and demonstrations, and build momentum around critical that supported the farm worker struggle for social equity. issues. It’s important to point out, that from the very beginning Galería had an open door policy However, there weren’t any in- and has shown not only Latino stitutions supporting Chicano/ artists, but African American, Latino artists. So, in response to ... because of its activist and Native American, Asian Ameri- the lack of accessibility, Galería working class roots, Chicano art can and Anglo American artists. was founded to provide Chica- has been unfortunately branded with a It has also often worked with no/Latino artists with a physical similar groups, like The Kearny space to create and exhibit their “Third World” seal that results in Street Workshop or The Ameri- work, with institutional support, its exclusion both from contemporary can Indian Movement. So, in this and the appropriate cultural con- art discourse as well as from sense, Galería has not been ex- text to frame their work. It was a clusively committed addressing place of cultural affirmation and the Art Market, which is, of course, to Chicano/Latino social justice self-discovery for the founding regrettable because it perpetuates issues. Chicano community. an unspoken hierarchy within How long have you been the To a certain extent, this pur- American art. Executive Director for and pose continues to this very day. how has your past experience Although in the aftermath of identity politics in the late eighties working for El Museo del Barrio in NYC helped shaped your and early nineties, public awareness for artistic expressions self- vision for and how do you see Galería de la Raza transform- defined by race, ethnicity, gender, and sexual orientation did in- ing in the future. crease and allowed for a more inclusive artworld, access is still I became Galería’s Executive Director in January 1999, so, it very restricted. However, a shift in purpose today is perhaps that has been a little over 10 ½ years. After 11 years working in Bo- Galería is less focused on issues of identity, or at least on es- gotá, Colombia (where I am from originally), as the Director of sentialist notions of identity, and more on how Latino art is dis- Visual Arts at the Biblioteca Luis Angel Arango, one of the largest cussed, contextualized and represented and how world issues cultural centers in Latin America, I moved to New York where I like violence, racism, gentrification, globalization, the war, immi- 86 Carolina Ponce de Leon with artist Enrique Chagoya Photo Jenn Hernandez was appointed curator at El Museo del Barrio. One of my main Galería has worked and involved its self with an extensive responsibilities was to further the “internationalization” of El list of very famous artists in the Latino art movement- but Museo’s exhibition programs, which up until then were mainly also those that have made their mark in general art history dedicated to showcasing Puerto Rican and US-Latino/a art. So such as Enrique Chagoya, how has this shaped the organi- prior to the Galería, my curatorial practice was mainly focused on zation. Latin American art. Latino artists are often artworld insiders/outsiders and can move swiftly between artworlds. From the early days with Rene Yañez While I was at El Museo, I became aware that the complex cultural and Ralph Maradiaga at the helm of the organization to today, politics involving Latino/Latin American art in U.S. went beyond Galería has always maintained a strong artistic vision that is very the North/South divide. Many of my Latin American colleagues experimental in nature. It isn’t afraid to mix high and low art, or were apprehensive of El Museo’s Latino-specific agenda. At the schooled and self-taught artists. Its exhibition program has suc- same time, U.S. Latino/a artists in NYC often resented the atten- cessfully combined shows of contemporary Latino art with mu- tion given to Latin American artists and the humungous difference seum quality exhibitions (like the exhibit Rene and Ralph did of of market value between U.S. Latinos and Latin American art- Diego Rivera, Jose Clement Orozco, and David Alfaro Siqueiros ists. It’s a complicated issue in which class and economic power in the 70s with works from SFMOMA’s collection, or the Recu- come into play. It would seem that because of its activist and erdos de Frida exhibit in the 80s) to Latino street culture (Low working class roots, Chicano art has been unfortunately branded Rider art, prison art, and tattoo art) or grassroots struggles with a “Third World” seal that results in its exclusion both from such as the American Indian or the Zapatista movements. So contemporary art discourse as well as from the Art Market, which multiple perspectives have always been present, always reveal- is, of course, regrettable because it perpetuates an unspoken ing many artworlds that mainstream institutions don’t often care hierarchy within American art. Even today it’s impossible to find to acknowledge. work by a major Chicano artist at any of the big auction houses like Sotheby’s and Christie’s. So, becoming aware of all of these The mission district has changed drastically since Galería differences and tensions helped me shape my vision for Galería. de la Raza’s inception, more rapidly in the last 20 years- how However, the vision is nit far from what Galería has historically does the Galería’s foundations and ideals based on Chicano been: a conceptual space that constantly shifts between contem- activist history fit into the ongoing changes in the mission porary art frameworks and experimental forms of activism; that is district. inclusive; intergenerational; and, ultimately, reveals the different Galería has been at the corner of 24th street and Bryant since layers of our experiences as Latinos in the US. The challenge 1972, thus surviving many waves of gentrification. At some point has been to remain true to Galería’s legacy of cultural activism we will deal with becoming part of a hipster theme park. But for while integrating the work of Chicano/Latino artists within larger the moment, our resiliency is important, because Galería remains national, continental, and international frameworks. a front of cultural resistance.

Can you please talk about the importance of youth programs The phrase “mission school” and its implications describe like ReGeneration created by Amalia Mesa-Bains in the mid an art movement that draws a lot of influence from tradition- nineties, and more recently the Youth Media Program cre- al mission area based art, the intricate murals, as well as the ated by Julio C. Morales? naturalistic art form of sign painting- from the point of view Throughout its history Galería has been able to adjust and re-in- of a traditional Latino artist / activist does this fit into the vent itself constantly. Amalia Mesa-Bains had incredible foresight aspirations of Galería’s mission to transform the Chicano/ in building into the Galería’s infrastructure a means to promote Latino community’s social and cultural environment. new leadership by having established Chicano artists —Amalia, I’m not sure to what degree there is a real connection or ex- Carmen Lomas Garza, and many others— mentor new artists, change; especially taking into account that there is a special writers, and cultural workers. The program both helped to create niche for Mission School art in the art market and “high-end” gal- a sense of community for the younger artists, much in the way leries, where as the original “source” has not received any recog- Galería had done with the Movimiento artists, but also estab- nition in the same contexts. lished a sense of belonging to a larger cultural narrative. At the same time, the new generation brought a more fluid concept of How are contemporary Latino artists reacting to the recent identity, enriched by the diversity of nationality, ethnicity, spiritual- surge in racial political agendas like in Arizona and with the ity, and sexuality, and by doing so expanded the iconography and US/ Mexico border and “war on drugs”? issues previously addressed by Chicano artists. Sadly, these are not new issues. Think Pete Wilson and propo- sition 187; the English-only movement, the Minute Men rallies The work Julio C. Morales has been doing with the youth pro- at the end of the Bush era, and the anti-immigrant rhetoric that gram is done in the same vein. While exposing Latino youth to always heats up with every electoral cycle. However, the recent contemporary community art practices, they are also learning legislation in Arizona and the narco-wars at border do raise the about their cultural history, which is not really something they are bar of racism. Galeria has recently received hate mail stamped likely to find in school. in Georgia demanding we go back home… So, yes, artists, per- formers, and poets are actively responding with images, agit- While remaining true to Galería’s founding values of address- prop, and statements to fight back; we have shown some of this ing important concerns of the Latino experience, both programs work already in our Digital mural series and poetry events. Vital providing new generations of Latino artists with the institutional work often comes from conflict. support and critical and cultural context to express their ideas.

Frida Kahlo, 1975/2002 Woodcut 35.5 x 24.5 in. 87 Carolina Ponce de Leon with artist Enrique Chagoya Photo Jenn Hernandez Michelle Mansour exectiuve director of Root Division interview by Gregory Ito

Photos courtesy Root Division

Can you begin by introducing yourself, your position, and a vision acts as a cross between a residency and an incubator brief description of your background? program. We want to provide artists with a place to develop their My name is Michelle Mansour, I’m the Executive Director of Root work and networks for promoting themselves, but also opportuni- Division, a small arts and arts education non-profit in the Mission ties for them to plug into providing services to the community. in San Francisco. My background is both as an artist and as an arts educator. I did my BA in Art Theory & Practice at Northwest- How and when did Root Division begin? ern University, and then did a Post-Bacc in Arts Education at the Root Division was founded in 2002 by three MFA Graduates from School of the Art Institute of Chicago. After teaching art for four SFAI. The idea initially developed out of a seminar class called years in a K-12 school in Chicago, I moved to the Bay Area in “Artists as Endangered Species.” It went over the statistics re- 2001 to do my MFA in Painting at SFAI. The founders of Root Di- lated to how difficult it is, especially in an expensive city like SF, vision are all colleagues of mine from SFAI, and I got involved ini- to survive as an artist. A very low percentage of artists com- tially as the Youth Education Program Coordinator in Fall 2003. I ing out of school still make artwork after five years. During the moved into the Director role in early 2007. same time, the state cut arts funding by over 85%. The idea was to come up with a solution to multiple problems, answering the Can you explain what Root Division provides to artists, view- three basic needs for emerging artists: (1) an inexpensive studio ers, and the artistic community of San Francisco? space to make work, (2) a venue in which to show their work and Root Division operates as an ecosystem for artists. Our main get it into the world, and (3) professional experience that would goal is to make art, arts education, and artists accessible to the allow them to get jobs in arts-related fields. That, coupled with community. We provide below-market cost studio spaces to 20 the marginalization of arts education in schools, was really how emerging artists in exchange for volunteer service to the orga- Root Division developed. We started by throwing small events nization. Each artist volunteers 12 hours per month by teaching and fundraisers. We would get a space donated, or rent out a in our Youth Education or Adult Education Programs, and/or by space, and put a collection of artists together and sell some of helping produce shows in our Events and Exhibitions Program. the work, or charge an entry fee. After we had built up a little bit of The idea is that artists are not only picking up valuable profes- a revenue stream from contributions, we began applying for our sional skills that hopefully will lead to paid jobs in their field, but non-profit status. We initially started out as an organization under they are also giving back to the community. We’re trying to foster the fiscal sponsorship umbrella of Intersection for the Arts. They a culture of volunteerism, which is vital to the social & economic were really integral in helping us develop and getting us on our health of the city – especially in a slumped economy. Root Di- feet. After two years of throwing these events offsite and working in schools, we knew that having gallery, classroom, and most of 88 all, studio spaces, was really important to our mission. In Fall select 12 artists to debut or showcase their work; our annual Art 2004 we were able to move into this space on 17th Street. It really Auction, which includes work by over 125 local artists; and Taste, rounded out what we were offering to artists, and also provided which I mentioned earlier. This past year, the theme for TASTE us with a space where we can host our own events and classes. was The Garden of Earthly Delights, so we really celebrated Root Division could finally really become a hub of production and the bounty of Spring and the lushness of the Garden; and other presentation of emerging artwork. In terms of our Youth Educa- guest-curated shows like Auto-Manic, which was about the Bay tion Program, we work with six after school programs. We do Area’s love/hate relationship with the automobile. The exhibi- some on-site workshops here in the space, but for the most part tions program also supports emerging curators in that we review we go to school sites, both elementary and middle school. Our exhibition proposals throughout the year, and then offer support Youth Education Coordinator recruits, trains, and places artists in developing the curatorial visions into exhibitions in our space. in the schools. She helps each artist formulate lesson plans that stem from their own interests and studio practice, but that are What are some of the benefits to teaching children? What age appropriate for a particular grade level. For example, an art- can teaching provide to the creative practice of emerging ist working in figure painting might decide they want to teach and established artists? figure drawing or gesture drawing with a group of third graders. So obviously, we are huge advocates of arts education at all lev- She works with the artists to adapt and write a lesson plan. From els. We specifically provide arts education to young people for a there, the artist is placed in a school and teaches one hour a variety of reasons. First, we know that arts learning supports ac- week for a six-week session. This is all provided to the school at ademic learning. As young people, we learn to recognize images no charge. and color as well as sound, before we understand verbal words and language. So any kind of visual art experience is really sup- Can you talk about the relationship between Root Division porting reading, writing, history, culture, even math. Second, the and the Mission District of San Francisco? We know now arts enrich our lives and are a huge part of what makes us hu- what Root Division provides to SF, what does the Mission man. If from a very young age you know the joy of art, and have provide to Root Division? an appreciation for it, this experience will grow over time. We Being in the Mission reminds us that San Francisco – and the can’t expect adults or teens or anyone else on the age spectrum Mission in particular – is a diverse place. Being a good neigh- to appreciate art if we’re not introducing it at the ground level. bor is about providing services and opportunities to those closest The third reason is that we live in a city that is so ethnically and to us but also about bringing in a cross-section of audiences. linguistically diverse, and going back to the thought of being in There are a lot of other art/artist spaces as well as artists that live the Mission... we serve a huge Latino population in our schools in the Mission. Side by side with a kind of young, hipster, artsy and visual arts are a way of expressing yourself and commu- crowd is a great mix of families and nicating your ideas and feelings that such: mainly low and middle-income are not necessarily language-based. Latino and African American families. Here is a great example of how we It’s important for us to reach beyond are doing that. One of the schools the already existing arts community; “...It’s important for us to reach we work with is the Mission Educa- this is a really big part of what we try beyond the already existing tion Center. It’s a K-5 SFUSD school, to do – create events, exhibitions, arts community; this is a really but specifically for students who im- and workshops that engage a wide migrated to the US from Latin Ameri- variety of people. Also, when we bring big part of what we try to do...” can countries. They learn everything people into the space, say for a free in Spanish for one year, and then are Family Arts Workshop, the youth and mainstreamed into the regular public parents that visit can see the artists in school system. Some of the students the studios and the artwork on the walls. There’s a kind of cross- have moved just a couple of weeks prior to starting school. We’ve pollination happening just by having multiple things occurring been sending an artist from Root Division to teach art in Spanish. in the same place. In terms of our offsite arts education work, One of the projects that was developed is called “My Two Homes.” most of our partners are neighborhood schools. This really gives The first portion of the curriculum involved discussing and draw- us additional opportunities to interconnect with different groups, ing someone and/or something they left behind in the place they ages, races, ethnicities, and income levels. Another way we con- used to live. Secondly, they did drawings of people & things that nect with the Mission is through the small business relationships are in their homes here in San Francisco, that made their house we’ve developed. For example, every April we do a really amaz- or where they lived feel like home – it might be a pet or toy or ing event called TASTE where we invite local chefs and mixolo- a relative they have newly met since coming to the U.S. They gists to create artfully inspired bites and cocktails onsite. It’s a talked about architecture and drew what their homes looked like, great way to link several of the city’s great assets. and then they talked about transportation – how they got from wherever they started to moving here. Then they collaged these There is an endless list of interesting events that have been drawings together and made a collaborative mural – two hybrid hosted at Root Division, can you name and describe a few cities connected by a collection of individual memories. Based events that are unique to this space? on student and teacher response, the entire project was a ca- We have the Second Saturday Exhibition Series where we host thartic process. It helped students address how to express these an event, generally an exhibition opening, on the second Satur- feelings of being a young person living in and trying to navigate day of every month. They are really eclectic, and we always try a new place & set of experiences. It really gave the students to incorporate something to draw in new folks from outside the an opportunity to communicate some of those experiences and already existing arts community. The themes range from Intro- emotions. We’re really excited to launch a Latino Teaching-Artist ductions, which is an exhibition where we do a big jury pool and Fellowship this fall, where we put out a call for applications for 89 that artists are quiet, isolated, egocentric individuals. We look for people who can engage with each other, and we do our best to support that network building and community participation.

Any shout outs or thanks? We are generously funded by the city via the San Francisco Arts Commission/ Cultural Equity Grant Program, by Grants for the Arts both through the SF Hotel Tax Fund and Voluntary Arts Con- tribution Fund. We have been supported for several years by the Zellerbach Family Foundation and have had previous support from both the Phyllis C. Wattis Foundation and the Fleishhacker Foundation. Our Youth Education Program is currently funded by the Walter & Elise Haas Fund and the Bill Graham Foundation and has also received funding from The San Francisco Founda- tion. And then, of course, our individual donors – both large and small – the people who come to our events or sign up for a class or buy a piece of artwork. All of that helps us do what we do best which is support art, arts education, and artists. Additionally we have the in-kind support of so many great local businesses, like Trumer Brauerei, Beretta/ Starbelly, and Cook Club. And lastly, but definitely not least, are the Root Division Studio Art- bilingual artists to specifically teach in this program. The school ists. We’ve been here since 2004 and we’ve probably had over wanted it to be taught to every student that comes through the 100 artists come through the program at this point. We certainly school each year, so we’re offering an artist a free studio for six wouldn’t be who we are or where we are without the people who months in exchange for teaching that curriculum. have been a part of it. How can someone become part of Root Division Is there anything exciting to look forward in the near future We have people engaged with the organization on a variety of at Root Division? levels. Interested individuals can sign up to volunteer at a spe- On Thursday, October 21, we have our biggest fundraiser of the cific event or opening, or to help install exhibitions. We also have year, which is our 9th Annual Art Auction & Fundraising Event. internships, where we assign a cross-section of tasks over a pe- We are excited as we have over 135 artists already committed riod of 4-6 months. We have an Education Internship, which fo- to participate. It’s a really great opportunity to come out if you’re cuses mostly on writing curriculum and teaching; an Exhibitions an emerging or existing collector, or if you just want to purchase Intern, for exhibition prep, gallery management, press/outreach. original art for your home. There is artwork ranging from $50 to For the Studios Program Artists, the volunteer commitment is $3000 and up. There will be appetizers, cocktails, and live music, much more formalized in terms of a contract. It is considered part as well as a Silent Auction of all kinds of gift certificates from Bay of their payment to the organization for use of the studio space. Area venues. It’s a ticketed fundraiser, and tickets can be bought Artists apply for the Studios Program and go through a selection on our website. process. We ask for images of recent artwork, a resume, and an artist statement. There is also an application form that asks why you want to be a part of Root Division. We’re looking for differ- ent skills at different points in time. Sometimes we need teach- ers, sometimes we need people who know how to build and fix things. We like to have a balance, and we try to stay as diverse as we can. We look for a mix in terms of what kind of work is be- ing made, and where people are in their artistic careers. Some of our artists are recently out of an undergrad program either in arts or a non-art field, and they are looking to build up a body of work. Some of our artists are MFA grads and looking for a place to launch their exhibition career. In addition to artistic promise, we look for a fit in terms of character. The review and interview pro- cess is very peer oriented because we are a relatively small com- munity. At full capacity, there are about 20 artists and a handful of staff. Different from other large studio buildings, everybody here knows each other and is working together as a part of the orga- nization. Everybody is really different and comes from different places, but there is a very strong thread of mutual respect. We work hard at maintaining this sense of community in the Studios Program, because it is so important to the culture of the place. The artist’s service is also what runs most of the programmatic work we do – all the teaching, the staffing of events, etc. We want the energy to be genuinely positive, because that is what people are engaging with when they come into the space for a class or exhibition or other visit. We are also trying to break the myth 90 The LAB Eilish Cullen and (executive director) Erica Gangsei (board of directors) talk with Charlotte Miller

The LAB: A Platform for Cross-Pollination

Started by a group of interdisciplinary emerging experimental artists from SF State in 1984, the LAB functions as a laboratory for experimental art forms. Located in the Mission District of San Francisco, this art space holds true to its original mission statement as it continues to be a venue in which emerging and established artists and curators come together to create work expanding the boundaries of knowledge and experience.

The notion of constantly attempting to push the envelope is mirrored in the structure of the programming committee. The committee is limited to a term of two years, exemplifying the constant rejuvenation of the LAB. The focus of the current committee is on the flexibility of the LAB to facilitate collaboration between disciplines which was evident in their past show entitled Black Lab. Erica Gangsei and Eilish Cullen, video still from thread|bare 2010, Toshihiro Karuishi

After receiving a submission from Vincent Como of the Black Laboratory in Brooklyn, NY, the LAB held an open call to submit work responding to the curatorial thread of the dark arts. Although thematically linked, the artists in this show each identify themselves as part of different subcultures. For example, the placement of Paul Knowles, who is known in particular for his performance work, in the same exhibition as Gerritt Wittmer, who is known for his noise projects and performances as well as his own music label, Misanthropic Agenda, emphasizes the merging of various subcultures and audiences into one conversation. The LAB functioned in this exhibition as the enabler for a dialogue about the dark arts amongst artists of various disciplines. It is this intersection of subcultures and audiences that the current programming committee would like to cultivate.

What is quite refreshing about the LAB, in addition to facilitating interdisciplinary conversations, is their desire to promote intelligent work that at the same time incorporates humor. This is evident in the Black Lab with the incorporation of pieces related to Anton LaVey, the founder of the Church of Satan, creating a very tongue-in-cheek response to the curatorial thread of dark Installation view from Past Forward, the Lab’s 25th anniversary show in Summer 2009 arts.

The function of the LAB as a platform for dialogue across disciplines is exemplified by their Second Annual art.tech festival. Partnering with ZER01, this years art.tech draws on the intersections of art and technology with an undercurrent of biotechnology. The work of each artist expands what can be placed under the umbrella of ‘biotechnology,’ creating a space in which various disciplines and audiences can come together into a conversation.

It is this forum for conversation that sets the LAB apart, allowing emerging and established artists and curators to experiment with new ideas. Functioning as a platform for cross-pollination, the LAB continues to breathe new life into experimental art practice.

*Information based on an interview conducted 8/27 at Samovar Tea Lounge between Eilish Cullen, Erica Gangsei, and Charlotte Miller. Installation view from Black Lab, August 2010 Chris Perez interview by owner of Ratio 3 Gallery Gabe Scott

Chris, for those of us unfamiliar with you and the Ratio 3 all sorts of things related to the contemporary art department. I Gallery, can you give us a little background in your education was there for 2 and a half years. I also worked at the Museum and professional history in the art world? of Photographic Arts and Museum of Contemporary arts in San I moved to San Francisco in 1996 or 1997, and found myself Diego before I went to school. going to California College of the Arts and Crafts. While I was there as a student, I met a man named Larry Rinder, who was Given all that experience, what were some of your primary their exhibitions curator. At that time, he had just been brought goals for opening this space, and what were you hoping to over from the Berkeley Museum to start a series of exhibition get out of it? programs at CCAC. They basically gave him free reign to do I came back to San Francisco because I just missed California. I whatever he wanted, so what he created was called the Institution didn’t know what I was going to do here, I basically hung out for for Exhibitions and Public Programs. This later became the a year, and couldn’t figure out why no one else could hang out, Wattis Insitute . I was a student at the school, and I had worked because they were all working. I wasn’t working for a year. I ended in museums for 16 years, and it just made sense to ask if I could up doing an exhibition for Deitch projects and a show for White work with him. So I started Columns in New York. With to work with him as a encouragement from friends, work-study student. I did I decided to start something all sorts of things, I opened in San Francisco. I started the mail, made labels for the gallery in my apartment, exhibitions, I helped with my old apartment at 21st and whatever they needed Guerrero. I just thought, if I done. I eventually found want to do something, I’ll just that it was so much more use what I have. I had a room exciting to be working in about the size of this space, a that office than going to any little smaller, and that is where of my classes, because the gallery started, in a 10 by I was learning a lot more 11 foot room. I never intended about art, and learning how it to become what it became, to look at art more than I thought we would just do I was in those classes. some shows and it would be Then, I graduated and fun, and it just grew and grew. Larry and I co-curated an We started to do Art Fairs and exhibition at CCA together. got a lot of attention and sold Following that exhibition, I a lot of work--there was more produced the Jim Hodges money to play with so we could Exhibition--Jim Hodges do more exhibitions and more was their second Capp ambitious programming. Then Street residency. This was the gallery took over another right after Capp Street room in the apartment, and at merged with CCA. I helped that point it was very obvious Jim realize his video exhibition. I curated another exhibition by that we had to expand, and we took over this space in the myself, and then Larry was chosen to be one the the six curators Summer of 2007. We went from an 11 by 10 foot room to 2500 of the 2000 Whitney Biennial. When that Biennial ended, he was square feet. asked to be the head curator for the Contemporary Whitney Museum. He went to New York, and he took me with him. I went What do you feel like are some of the more important aspects to work with him at the Whitney, where I was curatorial assistant of the programming that you have been able to put together for Contemporary Art. We organized exhibitions, most importantly through your continued growth and presence in various art the 2002 Whitney Biennial, worked on permanent collections, fairs? 92 I feel like we can do bigger exhibitions, we can show larger decided he was going to do a gallery, and many important things works. We can realize more installation based work as opposed happened there. It was the first gallery to show people like Chris to things just hung on the wall. Also, the space is open to the Johanson, Catherine Opie, Scott Hewicker. Two summers ago, public, more people can access us. At the apartment, it was by Kevin Kilian and Colter Jacobson approached me with the idea appointment only and it was only open Sundays. of putting together a show about Kiki and bringing back all the original work. That was their show, but I helped out. For the way Now that you have a public space that more people in San that this Lee Lozano show happened...Ruth Laskey, showing Francisco actually have access to, how do you feel how your simultaneously, makes very little work, and it is incredibly labor personal taste connects with a more general San Francisco intensive. For this exhibition, she has made seven weavings, audience? which occupy the main gallery. We didn’t know what to do with I feel that the role of the gallery is to always be two steps ahead the second gallery. She doesn’t like to show her studies next to of the public, and to introduce new ideas and new people, and the weavings, so we thought we would open it up to someone I feel that we attempt to do that. We do show some local artists else. We talked to Steven Lieber, and when we talked to him, and that people are familiar with, or sometimes we will choose a local he gave us a couple of ideas and this is the most exciting one. So artist that no one has ever heard of. We’ll work with people on the this is how this happened. West Coast and we are now starting to expand the program to be more International now. Towards the end of October, you’ve got Ryan McGinley. Ryan Mcginley opening October 29th. It’s his second solo Who are some of the people that you represent? exhibition on the West Coast. For primary representation--Mitzi Pederson, Takeshi Murata, Barry McGee, Ruth Laskey, Lutz Bacher, Ara Peterson, Jordan I think that is one of the most exciting things that you guys Kantor, Miriam Bohm, Ben Peterson, Jonathan Runcio and Geof do, I don’t think there is anyone else that is close to on his Oppenheimer. level, technically, or as far as his eye and sensitivity. At age 24, he was the youngest person So, you said you came back here to have a solo exhibition at the because you missed California. Whitney. Was that something that Do you feel like there is a series you helped put together? of advantages to being located “I feel that the role of the That was 2003. I had left, but I had helped make that happen. So we in San Francisco as opposed to gallery is to always be two larger cities and larger markets have a relationship dating back to like New York and LA? steps ahead of the public, 2002. I think that we can have much more and to introduce new ideas What can we expect coming out of a presence here than if were were and new people...” in LA and New York. In New York, of this next body of work from there are hundreds of galleries, and Ryan? I think it is very hard to get people’s We’re showing two bodies of work. attention. We can do that in San We’re showing the black and white Francisco. Also in LA and New York, portraits, some of which have already they have access to more curators been shown. They are studio shots. and collectors who live there or are passing through there--they They look very different form his other work, in that they are black have that foot traffic which is important, and we have to work and white. Very stark, simple, often just young people naked. twice as hard to get that. We’re showing all the ones that have a person and an animal in them together. They look staged, but they are so fantastical How significant is your web presence for building your and far out, they are unbelievable. They’re really beautiful, collectors base? they’re sexy. The color work explores the same themes of being I think the website is essential, and it is constantly being updated outdoors. This work to me looks more cinematic than past work, and things are added. We track how people look at it, and what it is pretty grand and amazing and I think people are going to go they are looking at, and it is always surprising to see how they’re crazy for it. finding us. Is there anything you’d like to mention that you have coming One of the shows you have coming up, the sketchbooks of up next year that you’d like to talk about? Lee Lozano is guest curated by Steven Leiber, who teaches The first gallery show on the West Coast of Jean- Francois at CCA and is also an independent dealer. Do you do a lot Moriceau and Petra Mrzyk, who are from Paris. They do really of work with guest curators or is this more of an occasional intricate, crazy, hyper, sexual, violent fantastical drawings. They thing? are a married couple and they do the drawings together. They’re Not usually. The reason I have a gallery is because I show the doing a full on installation. I think people in San Francisco will like art. But we have opened up the doors to a few guest curators. it, because they’ve never seen any wall drawings and paintings We did a show a couple summers ago about a gallery called like this before. It’s really crazy. After that, we have works from Kiki Gallery which was a block away from here. It was opened the estate of Margaret Kilgallen, that is in March. Then, Takeshi in the mid-nineties and it was only open for 18 months by a man Murata will be debuting new video. Then we have a Summer named Brook Jacobson. He started the gallery when he was show, and in the Fall we will have new work by Barry McGee and diagnosed with AIDS and realized he had a short time to live. He after that, new work from Ari Marcopolus. portrait Stephen Funk Eleanor Harwood owner of Eleanor Harwood Gallery interview by Gregory Ito

Can you give a brief description of dear friend that had the space before your background before opening me and she was moving to LA and the Eleanor Harwood Gallery? was about to give it up. The space was My background is that I did a dou- perfectly suited to be a gallery space ble major studying Film and Video and the rent was right. We did have to Production and American Studies do a lot of retrofitting and wall building with an emphasis on Visual Culture but it ended up being a fun process. at University of California at Santa Cruz. I graduated and then interned How do you currently curate the El- at BAVC (Bay Area Video Coalition). eanor Harwood Gallery? Are there I was hired at BAVC in 1999 and had any particular themes, mediums, an amazing experience there work- visual content, or artist’s back- ing on documentaries and projects ground that you emphasize while with KQED. I also ran the Preserva- scheduling the annual program at tion program that helped restore and your space? repair video art from the early days of At this point there aren’t themes per video. I was then headhunted out of se, but I definitely tend toward very BAVC to a production company that complicated, intensive work. Jill Syl- was supposed to be making origi- via and James Chronister are good nal films but quickly became a post- examples. Their pieces take them production house for special effects. months to complete in some cases It was a great environment in some ways because most of the and I think that’s amazing. But then I also love the looseness of people I worked with were really smart, but the downfall there Paul Wacker’s work. While his work is painterly and can be quite was a misguided owner that committed us to project after proj- freeform looking, he also employs various masking techniques ect, with deadlines we couldn’t meet with failing technology. We that are quite complex and time consuming. And then ultimately I were there lots of late hours and had some good camaraderie, really want to show people that have a unique voice and are re- but in the end they let me go because I was too vocal about how ally experimenting and creating their own trajectories vs. creating I thought things were being mismanaged. work that looks like Chris Johansson That was kind of the moment that made rather than is a Chris Johannson. I’d me look deep into what I was doing and rather show quirkier, more individual realize that despite my crazy work sched- work. ule, I was still maintaining a pretty stable “...So for as many galleries art practice and was part of a community that have closed, probably After curating the Adobe Book’s of artists and musicians, and that was backroom gallery, how has your what actually made me happy. That led almost as many have curatorial practice evolved with the me to being a part of the community of opened, though the ones that shift in spaces? people that surrounded Adobe Books and have closed are usually the There is a huge difference between the backroom gallery. representing artists and supporting ones with high overhead their long term growth vs. curating a and big budgets.” project space. With a project space How and when did you open the doors you can take lots of risks and exhibit of the Eleanor Harwood Gallery? artists who show with other galleries We opened in September 2006 with a and also not work with them after the solo show by Emily Prince called Famil- 6 weeks are up. With a commercial iar. gallery that represents artists, your commitment is to a relationship that is How did you come to the decision to open the Eleanor Har- ongoing and requires a lot of checking in and nurturing. I’ve had wood Gallery in the Mission district? to learn how to do that over time and learn how to be better at Partly it’s because it’s the neighborhood I loved, but I also had a it when things don’t work as well as they should. However, that 94 Jill Sylvia, detail of Vertical Ledger, hand-cut ledger paper said it’s process that I really enjoy. Recently we’ve added a back room space so that we can start doing some project shows - ba- sically show artists we can’t necessarily support long term for a variety of reasons but would love to show. I’m looking forward to developing that program over the next year. I do miss the en- ergy that comes with fun group shows curated around themes and concepts vs. solo shows. But we need to have the solos to support the artists and also to show their breadth. And the solo shows are really wonderful too. I guess it’s about balance.

In contrast to other galleries in San Francisco, how do you separate the Eleanor Harwood Gallery from the various spaces open to artists and viewers alike? I think galleries come down to curatorial aesthetic. People gravi- tate towards taste and start trusting that the general thread at a gallery will have commonality and that it suits their notion of what the y are interested in and think of as “good”.. There are lots of versions of good art out there and really it’s just up to the viewer to find the places that speak to them.

Many gallery doors are closing forever due to the suffering economy. What are your thoughts on San Francisco’s cur- rent art market? Yes, that is true, but at the same time whenever there’s an eco- nomic downturn rents go down in areas and people get the chance to sneak in and start a new space. So for as many gal- James Chronister, MJ_2, 40 x 40, oil on canvas leries that have closed, probably almost as many have opened, though the ones that have closed are usually the ones with high overhead and big budgets. It’s hard to keep up when the econo- my is down if you’ve set the overhead really high. So it’s no sur- prise to me that young entrepreneurial sorts find a way to make it while entrenched galleries fail.

What are your thoughts on art fairs and their importance in today’s art market? Art fairs are critical to expanding collector bases and reputations of the artists you’re working with.

What are some of the most rewarding moments you have experienced since Eleanor Harwood Gallery’s beginning? My favorite moments are probably at the art fairs and at the open- ings. I really feed off of the energy of people enjoying artwork and celebrating it. I love seeing artists light up when they get great feedback at their openings. Art is meant to be seen and experi- enced. It’s not much fun in a room by itself, but once people step in it all comes alive.

Paul Wackers, Desktop Circus 16 x 20 acrylic on panel Andres Guerrero owner of Guerrero Gallery interview by Andrew Schoultz

portrait amanda lopez You used to be part owner of White Walls and were the major with artists’ perspectives and needs. While being an artist has force in its beginnings. You recently opened a new gigantic really steered the dealer/gallerist in me, at the same time, being gallery in the Mission on your own, under the name Guer- a dealer has taken a lot away from my creative practice as an rero gallery. What is your background beyond this? artist. Running the gallery is very demanding, yet I’m comfortable Yeah, co-founding White Walls is a significant part of my back- with the amount of focus it requires because, at the end of the ground that has led to the development of the new gallery, Guer- day, I want to remain in tune with the commitment I’ve made to rero Gallery. My background beyond that, well, is pretty simple the artists. My only wish is for more hours in a day. and fairly uneventful. I grew up in a small agricultural town called Watsonville where I worked in the local fields with my family pick- What do you think is unique about the San Francisco art ing strawberries. In high school I picked up graffiti, which was scene? pretty awesome because it was how I met some of my lifelong There has always been a great history within the art scene here friends, as well as other artists/friends who inspired me and who in San Francisco and that is something I think is very special. I looked up to. After I graduated from college with a BA in Psy- There’s also diversity, which provides a little bit of something for chology, I moved to San Francisco, and that was a major turning everyone. The unique thing about the San Francisco art scene point in my life. I worked at some Fortune 500 companies and is that there is huge potential for growth - it’s a small big city that didn’t really like it. I found myself gravitating toward graffiti again. allows a lot of people to get involved in art and to create great Painting mainly outside, I met some guys that were involved with networks within the art community. studio painting and doing art shows. To me that was really excit- ing and, inspired by them, I picked up a brush and started to put The economy has been shit for the last couple years. Be- together little shows. I guess from there it was a snowball effect, sides this obvious monetary obstacle in being a gallery but at a very slow pace. Along the way I have been fortunate to owner, what has been the biggest challenge you have faced meet some great people that have helped me out a lot. with your new project? Besides the obvious monetary obstacle, the next biggest chal- What is your vision with your new gallery, and how is it dif- lenge has been the development of the gallery program. Bringing ferent than what you were doing with White Walls? together new artists is not an easy task; trying to place work by The vision and approach of the new gallery is simple - to create artists with unfamiliar names is challenging, but no one said it a space that heightens regard for was going to be easy. My job is the artists being shown, and con- to educate through the develop- sequently makes a serious impact ment of an interesting and unique on those who experience it. I really “The unique thing about the program. I have to stick with my feel that the artists I work with de- gut instincts and continue to show serve the best, so I’m just trying to San Francisco art scene is and work with those artists that I play my part. that there is huge potential for believe in. I’ve continued to work with many of growth - it’s a small big city that the artists from the old program I How would you describe the was a part of. Geared toward mat- allows a lot of people to get aesthetic of your gallery in 10 urating and strengthening those in- involved in art and to create words? volved, the programming at Guer- great networks within the Right now... Powerful, dynamic, rero Gallery focuses not only on diverse, individualistic, family, de- the placement of works, but also art community.” veloping, welcoming, challenging, on an involvement in fairs in the huge, and open. states as well as abroad. I really want to concentrate on the devel- opment of the artists’ careers and be more aware of not burning Who are some artists that are inspiring you these days? out an artist or showing them prematurely which is a very tricky For the simple fact that you guys never really rest, you (Andrew and delicate thing. Schoultz) and Richard Coleman. You guys are some of the hard- est working individuals I know, and that means a lot to me. What are you most excited about right now? I’m most excited about the challenges that have come with the What do you think is the most important characteristic for gallery. Opening and operating a gallery is not an easy venture an emerging artist to possess? How do you go about finding these days. One has to be resourceful and confident, and more new artists to exhibit in your gallery? importantly, really believe in what they’re doing. I believe in the One important characteristic for any emerging artist is to really artists I work with, and that alone gets me excited. Without them, have your own voice. It takes years beyond schooling or training I’m not sure that I would want to get out of bed every day. to develop this, and there shouldn’t be any rush to show your work if it doesn’t really represent you. It’s also very important to How has it been navigating the practice of being both an art be open to criticism. In fact, emerging artists should seek out crit- dealer and an artist? icism, knowing that some of it might be constructive, and some of Being an artist has definitely opened doors for me in becom- it might be harsh, truthful, or wrong. I say, take it all in, learn from ing an art dealer, but with my feet on both sides, it’s sometimes it, and challenge it through your work. Be hungry, be involved, hard to separate the two practices. As an artist, I always want to have a job, and most of all, be patient. Things take time, and be treated a certain way, so I keep that in mind when working being in this field requires traveling down a long road that most with other artists. As an art dealer, I try to be a bit more in tune of the time may lead to nowhere. A lot of times, I find new artists 97 through recommendations; other times, I stumble upon new art- Last words? ists online while doing my homework. For the most part, I look Guerrero Gallery is based on and structured around a family for something interesting, challenging, and unique, whether it be unit. Without the help and dedication that others have put in, illustrative, painterly, or sculptural. It has to hold my attention and it wouldn’t be here today. Special thanks to: Andrew Schoultz, I need to be able to connect with the work at some level, either Richard Coleman, Tim Diet, Chad and Micaela, Megan and Phil- through its concept or its natural aesthetic. ip, Angelique, Sammy, Jeremy, K. King, and all those that have helped out along the way. Downtime...What do you like to do when you’re not doing something art related? Well, my downtime usually consists of having drinks with friends. If I’m not doing that, I really like doing nothing, but that usually only lasts for a couple of hours. If I’m out doing something unre- lated to art, I’m usually thinking about it.

What is your favorite place in San Francisco? I’m not sure I have a favorite place in San Francisco. I guess I like a lot of places, but it’s really based on my level of comfort with spots. I’ll tell you one thing for sure, my favorite spot for ice cream is Mitchell’s.

98 Ray Potes of Hamburger Eyes interview and portrait by Kid Yellow

introduction by Jesse Pollock With the decline of darkrooms and places to practice the physical art of photogra- phy (which is being diluted as we speak), the contributions of an entity such as Hamburger Eyes cannot be overlooked. In contemporary photography, plotting a course that will provide a decent living can be a difficult thing. More often than not, a photographer will invariably have to choose between a career pushing a product, or coming to terms with what it means to maintain their artistic integrity. While one side carries with it the accompanying residual compensation, the whim of a client or campaign can readily cause a vision to lose focus. The opposite end of that spectrum, while allow- ing for more natural freedom, is not one that gets chosen very often – and for good reason. Making a commitment to put nothing before your art can place you in a very tight spot, and answering to no one can cause circumstances that would quickly make anyone question their own motivation. Luckily for us, some photographers make it their life’s goal to embody what it means to maintain one’s artistic integrity. Luckily for us, some people would gladly spend a decade contributing to a community that has had the very chair pulled out from under it.

For over a decade, I have witnessed Hamburger Eyes’ practice of making photography accessible to anyone who has shown a passing interest. I have seen them educate children, and I have seen old stalwarts humbled by their mission. I have seen photographers grow and become successful on their shoulders, and I have seen the outlet they have given to this city in the face of the darkroom’s very extinction. Ray Potes is just one of many faces in this entity, but there can be no arguments that he bears the very brunt of artistic integrity that Hamburger Eyes so epitomizes. There can be no argument that he has made a decision to be there behind us for the sake of his craft, and there can be no argument that we are better off because of his sacrifice. For every photographer that chooses something else over his art, Ray Potes will be suffering for all us artistic sinners out there. 99

For the readers unfamiliar with Hamburger Eyes, can you Any unforgettable things that have happened at openings or give a summary of how you started and what it’s about? that you’ve seen on the road? Hamburger Eyes is a photography magazine. We receive photo Nothing sticks out in particular, but I feel like there’s always submissions from all over the place, mostly friends, and friends something cracking, it’s non-stop. On a recent trip, we ran out of of friends, and friends of friends of friends. We also have open gas at the Salton Sea and had to kick it with real cutty locals. I got submissions. some good photos out of it though.

What initially got you interested in photography? Can you speak on your decision to close the gallery aspect My family members always had cameras, then I got one and it of Hamburger Eyes? took over. It was a handful of factors. One thing was roof damage, rain would come through. We fixed that though. Another was the cops You seem to use people as subjects in your work quite of- coming to every opening. Another is the hectic schedule. Also, ten. What is it about people that interests you? we didn’t totally know what we were doing which is a disservice I like that everyone has a story. to the exhibiting artist.

What do you think the role of independent media and self- Are there any projects that you’re currently working on? publishing has in the new millennium? Just trying to do more of the same. Right now, it’s kind of a crazy time for self-publishing. Lots of zines and books coming out. People are getting back to wanting What are you shooting with now? to hold something and want to look at something in their hands I shoot with Nikon and a handful of point and shoots. I usually rather than on their computer screens. shoot black and white film, but sometimes color.

How would you describe the art scene in San Francisco in How do you see the work you were including in the begin- comparison to cities such as Los Angeles or New York? ning in comparison to the work you choose for publication What I like about San Francisco is that it’s a smaller city so it’s now? easier to be resourceful here and easier to find like minded peo- I think the general ideas or themes have stayed the same, but ple. the work continues to get a lot better. One of the best parts about the whole thing is that we’re constantly meeting new awesome If anything is missing from the San Francisco art scene, photographers. It kind of forces everyone’s stuff to get better. what would you say it is? More photographers. I’d like to see more photography. Currently we are at a point in technology where the camera is accessory to almost any product you can buy. Looking What do you think local photographers can do to garner ten years forward, where do you see photography going more attention? within the arts community? Stay shooting. Nothing else matters. As far as technological advances, I’m kind of excited about it. I can’t wait to replace one of my eyeballs with a camera, or what- How do you think art spaces in the Mission differ from art ever (laughs). spaces in other neighborhoods in San Francisco? I don’t know. Less distance for me to travel. Last words? Don’t stop believing. You started Hamburger Eyes almost a decade ago. Can you tell me something you’ve learned along the way? The biggest thing I’ve learned is just to stay busy. It’s so easy to chill on stuff.

Left to right: Brian David Stevens, Ted Pushinsky; Top right: Mark Murrmann, Bottom right; Ryan Furtado

Adobe Books Andrew McKinley Devon Bella and talk with Michelle Broder Van Dyke

Adobe Books is a long, narrow, used bookstore that has been many bright, innovative people liked the Mission and liked ex- tucked into Sixteenth Street, between Guerrero and Valencia ploring it. They were curious people, and they liked the types Streets, for more than twenty years. It has a charm all its own— of books we had, which are a bit more scholarly and more artsy attractive with its towering stacks of knowledge, yet overwhelm- then your run-of-the-mill fare. I was really pleased to find really ing. Beyond the books themselves, it is always conveying a story nice people in the neighborhood who were young and pursuing in action, and if you can make it past the piles and the regulars, art careers. For me, this was the kind of person I wanted to have you will find a great gallery known as the “Backroom.” around. The neighborhood was a lot rougher twenty years ago, with more down-and- Before I moved to San out people, but it had Francisco, I found my- the energy of young self always making people starting out sure to stop at Adobe their lives. on my visits. It was evi- dence of some of the DB: Did you feel, at reasons I wanted to the time, that there live in this city, even if I were many exhibition couldn’t have explained opportunities? exactly why at the time. Since moving to San Andrew McKinley: Ac- Francisco, I’ve fortu- tually, there weren’t nately gotten to work at too many at all. It’s Adobe as music coor- hard to keep an art dinator and bookseller, gallery going, but the and have become part bookstore did well in of its community. My this location, and it friends/editors at the was clear we could San Francisco Arts make a living selling Quarterly requested, books. Tim arranged because of my affilia- a show of an artist- tion with the store, that friend’s works which I contribute an article about Adobe Books to the Mission issue. consisted of large drawings, in the main room—very disturbing Rather than attempt to write anything objective on a subject I drawings. I remember my partner at the time, Bryan Bilby, be- am so close to, I chose to sit down with my boss, the owner of ing very upset about having that type of art in the store, but it the store (and much more), Andrew McKinley, and the honorable was easy to do because the artists had a lot of energy and were and wonderful curator, Devon Bella, to have a little talk about the happy to promote the work themselves. origins of the gallery and how it interacts with the store and the community at large. MBVD: In the beginning there wasn’t a room or a gallery to show the art, so where did you show the artworks? Michelle Broder Van Dyke: How did we start to have art AM: In the beginning we put the art in the front, above the book- shows in the bookstore? cases, and it had to be pretty large art to be successful. We Andrew McKinley: The art scene in the bookstore started almost couldn’t afford to fix-up the total store, so we left the back area when the store opened. For the first few months we were just undeveloped and we put in a wall to hide the bathroom, sink, worried about surviving and getting the bookstore going. But as and furnace. We must have had 40 shows before Amanda Eich- soon as we were comfortable, and this was in 1989, I hired a er came onto the scene about 15 years ago with a suggestion. friend from college to be a clerk, Tim Moran. He was a good Amanda was a very nice woman who lived in the neighborhood, employee, but was also ambitious as an artist. He was eager to and she had a sense of community. She liked Adobe, and she explore the arts, so he proposed showing art in the store. liked the people. She had a minor traffic accident, and through litigation she was awarded some money. She asked me if she Devon Bella: Andrew, did you have any interest in showing art could clear out the back of the store and put in a gallery which prior to that? What was your interest in the art community before would be more focused on art and more intimate. I admired this idea was presented to you? Amanda, and having her do this was a totally graceful act, so she spent some money to build walls and create a gallery. She AM: I was impressed by the number of artists that lived in the got a couple of friends to help her and spent a couple thousand neighborhood and came to check out our store. It was clear that dollars to turn the back room into a space with walls and lights. 102 We had a lot of artists hanging out in the store. I think everyone AM: It’s been a pleasure to meet more artists with the openness and the changeability of the windows, and the customers come in more often than they did when we had static windows.

DB: One of my objectives with the artists I work with is that they be involved with the store and with the community of Adobe. If any artist approaches me, I encourage them to get to know the store and become part of the community. As long as a thriving art community is involved with the store, then I think we’ll be okay and that the store will hang on. Andrew, do you think there’s anyone who fulfills a similar role that the poet, Jack Micheline, played for Adobe?

AM: I think anyone who hangs out in the store long enough, and contributes something intangible, is good. Chris Johanson is a big fan of the store, and when he lived here he would hang out here, and check out what was going on here, and talk to everyone from the homeless to the top collectors of art. He loved the life outside of the store and those who would walk into the store. And some- one like Matt Gonzales, who is a tremendously talented lawyer, needs a place to hang out, and it was a very comfortable space. politician, and artist, and is very serious about helping artists. You can show art in a café or a restaurant, or you can be in a You asked who fits the bill of someone like Jack Micheline, and I full-fledged gallery downtown, but Adobe is a space in between. could almost say someone like Kyle Ranson whom we recently It has the support and the income of the bookstore to keep it go- showed at the store. He fits the bill of someone risking their life in ing, and yet it doesn’t have to provide everything a full-fledged a career in the arts when very few people receive huge awards gallery does provide, which is complete, effective representation. from it. He lives very simply, he is in touch with the street, and he I think people were comfortable showing at Adobe, especially in- likes to hang out. We’ve been very lucky to have him. Ultimately, troductory shows. you’d like renaissance people to be around here who are multi- talented or multi-faceted and curious and alive, and if you have DB: Adobe Books created a space where people of all of the creative fields - artists, writers and musicians, gravitated and felt comfortable. It’s an independent used store that creates an envi- ronment where you can be anonymous, or you can also interact or find other people with similar interests. Before getting involved with Adobe more seriously, I found myself just wandering in the store, and I found it to be a very pleasing, satisfying experience. So I think this idea of having art here seemed only natural.

MBVD: Devon, it seems that many of the shows you’ve curated comment in some way on either the books or the bookstore. Why do you think focusing on the bookstore in art or in the art gallery is important? DB: Some exhibitions have been related to books or have fo- cused on artists who use the book as an object. The exhibition is a medium and calls attention to books and the artists, and to the gallery and the bookstore, so I think definitely some of the projects I have done have been expressive in that way. enough of those people, it’s a base. There’s always someone hanging out in the store; it could be a crusty old character or it MBVD: How do you think the Adobe Books Parlor (storefront could be a group of young people, and the personal interactions windows) has changed either how outsiders see Adobe and guide us in what to do, what to show, and who to show. It’s still a the gallery, or how insiders, who have been part of some of very personal thing. those exhibitions, feel? DB: I think that the decision to open up the storefront windows DB: Like you said, you’ve allowed the artists to guide the direc- as the Parlor was strategic. I knew that if I could give that space tion of what to do next. The people you become involved with over to artists, they could create an invitation for someone walk- through the store, like former curators and artists, contribute to ing by to stop and wonder, and carry that on into the store for the space and bring in their energy. Adobe is this place, which a possibly enriching experience. The Parlor has this dual pur- you’ve provided, to really do whatever the hell it is you want to pose where I don’t have to filter as much, and instead entrust the do. It happens on all levels. You gave me full control to do what I space to an artist and let them go forward with their idea. There want to do. I check in with you and keep you informed, but that’s are many ways that the front windows are more challenging than about it. Maybe that’s the perfect formula; you have someone a gallery space, because a gallery space is more neutral and who owns the space, who isn’t demanding all that much from more contained, whereas the front windows have so many other its participants, and you just say, take this forward and guide us. things to compete with and to negotiate with. Maybe that’s the perfect relationship. Sean McFarland de-installs in the back room Photos Andrew McClintock Oakland Focus Lori Fogarty Executive Director of the Oakland Museum interview by Leigh Cooper

portrait Abigail Huller

Lori Fogarty is the Executive Director of the Oakland Museum of California. Coming from an exten- sive and successful background in the Arts, her work for OMCA has catapulted this long respected institution into a new age. Grounding itself as a “Museum for the People” in 1969, OMCA is continu- ing to encourage just that and crossing boundaries with multidisciplinary galleries that encourage viewers to question the parallels. After their May 2010 re-opening and renovations, OMCA is gearing up for a lot of changes, some great exhibitions, and a burgeoning future.

104 Can you tell us a little bit about your background in the San and exhibitions connect the cultural world and the natural world. Francisco Arts Community and how it led to your current When I came here, one of the things I was most committed to, position at OMCA? and something I think the Museum hadn’t capitalized on, was I’ve worked in three counties in the Bay Area. I started at SF- that it is a multi-disciplinary institution. It had been operating as MOMA in 1988 and I worked there for 12 years. I started out in three very separate departments. That was one of the bigger development and fund raising. It was a really interesting time changes we made, was that we would be about the California there. We knew we had the land for the new SFMOMA, but Mario experience, and we are going to make very strong connections Botta had not been selected as the architect. This was still when between the galleries and through our programming. I think that it was on Van Ness in the War Memorial Veterans Building. I is one of the things I was able to bring from my Discovery Mu- was involved with fund raising for the seum experience. Museum and projects for the Capital Campaign. The new Museum opened What is the biggest change you in early 1995, and shortly after I was “It was absolutely revolutionary have seen since you began work- promoted to Director of Curatorial Af- when it opened ing at OMCA in 2005 and what is fairs and then Deputy Director. It was in 1969. It was written up in the biggest change the museum like growing up with that institution, has undergone since its initial because it went through such an as opening in 1969? enormous change when I was there. being the first truly I think that there had certainly been I left in early 2001 to become direc- American museum...” efforts for change over the years, but tor of the Bay Area Discovery Mu- I think I made it really a mandate to seum, which is a Children’s Museum think of this institution as one, rather in Sausalito, the most beautiful site, than three separate departments. literally in the shadow of the Golden One of the things I did about 6 months Gate Bridge. It’s a wonderful Children’s Museum, and we did after was kind of a guerilla effort towards this idea -- I assigned about a twenty million dollar capitol project there; redoing facili- three curators form the three different departments to work on an ties and exhibits. So that has kind of become my M.O. -- to work exhibition together. It was a really small exhibition, but it was the on Museum projects, major capitol projects, and transformations. first time we really said we were going to do this. These might I was contacted about the job at OMCA in 2005, and I live in Oak- be things that you would think are not that big of a deal, but I land. This job very much felt like it brought together my SFMOMA think they were very important not only in impact, but in symbol- experience of being involved with a collection-based and exhibi- ism. For example, in the galleries, there were physical overlooks; tion-based Museum, but here at the Oakland Museum of Cali- between art and history and history and science. They had all fornia we have such a strong commitment to education and com- been closed with fire shutters since the museum opened. So, munity engagement, that my right in the architectural plans, experience at the Children’s we were opening all of those Museum really helped me too. up and then making thematic It’s been a little over four years connections between the gal- now, I can’t believe it. leries. Then I think another big change, which was certainly How has your work with SF- not me alone but a team effort MOMA and the Bay Area Dis- is making the visitor and audi- covery Museum influenced ence the center of what we’re your work and future plans doing. for OMCA? I really did learn the Museum The idea of involving the business at SFMOMA, and it visitor as much as possible was a great institution to learn. was a mission that OMCA It was, as I said, going through started back in 1969, stat- a lot of changes while I was ing that OMCA is a Museum there. It has such an active for the People, and some- exhibition program; that I really thing that was being revis- learned about the exhibition ited with the re-opening and and acquisition process as well as collection issues. I also really renovations in May of 2010. Can you speak to this and how learned fund raising there. The Bay Area Discovery Museum was OMCA maintains this mission? a complete 180 degree departure from that. The thing that I really One of the interesting things when I came was really learning learned there was that children’s Museums are completely audi- about the history of this Museum. It was absolutely revolutionary ence centered, we didn’t have a collection and the exhibitions when it opened in 1969. It was written up in the New York Times were very different. The whole Museum mission was about the as being the first truly American museum, because of the pub- audience itself, and I think I really learned to think about the com- lic focus and the indoor outdoor areas and the grand stairway. munity and community connections, involving visitors by becom- Reading about this Museum at the time, it was a very intense ing more visitor focused. Another thing that is interesting is that time, this Museum did try. It was always intended to be this kind children’s Museums are typically multidisciplinary -- they have of Museum of the People. But Museums have changed a lot over science and art, because five year olds don’t distinguish between the last 40 years, and it had not changed that much, at least different disciplines. I really enjoyed that, having the programs physically. So going back to what were those roots, what can we 105 do that’s really different from any other Museum. So what we’re of real habitats, animals and plants. It was designed as a kind doing is very new for this institution and for the museum field, but of walk across California, from habitat to habitat. These cases it definitely goes right back to our roots. and exhibits house taxidermy animals and freeze dried plants, exquisitely made to exactly look like that real place 300 years “The Marvelous Museum: A Project by Mark Dion” just ago, with no evidence of human impact. It’s like this moment, opened September 11th, 2010. How does this exhibit high- frozen in time. Like we did in the History gallery, we did not want light OMCA’s continual push toward the integration of Art, to just trash these, because they are works of art in it of them- History, and Natural Science? selves. They are very rich in the stories they can tell, but they are This is a fabulous project for us totally anachronistic for now, to do in our inaugural year. For because they don’t tell us any- one, Mark is not a California art- thing about current Science ist, so we’re breaking the bound- or environmental issues. So aries of what we’ve traditionally we’re calling the project Hot considered a California artist. He Spot California. What we’re is coming into California and has doing is reusing the dioramas been here several times over the and the cases but focusing past couple of years doing a kind on current environmental is- of mini residency. What Mark sues in California, particularly does in projects all over the world climate change and habitat is he looks into a Museum’s col- loss, the real critical issues lection, and the stories they tell facing California’s biodiversity. about an institution, the whole Looking at California as both notion of categorization and a place of amazing biodiver- cataloguing and things like that. sity, and a place that has huge When he came here, he was just threats. We’re bringing in hu- blown away. He does projects man stories and doing the kind in Natural History Museums, so of co-creation work that we did he has always been interested in the history gallery with Forc- in science as well as being an es of Change, actually work- artist and interested in cultural ing with community members. practice. Because our predeces- We’ve picked seven specific sor institutions date back to the classes across California, one early 1900’s--the Museum came of which is Oakland, to reveal together in 1969 from three in- both the incredible natural bio- stitutions: The Snow Museum of diversity but also these stories Natural History, The Oakland Art of conservation and environ- Gallery, and the Oakland Public mental impact. The way we Museum. So we have these crazy will do that is involving art- wacky collections that date back ists and community members a hundred years that we never themselves, so it won’t just be show now because they do not the natural story, but the story relate to our mission. We have of human habitation includ- a giraffe, a rhino, all this crazy ing native people all the way stuff that has never been shown. to today with issues like eco- The project that he is doing is justice, health issues, pollution called Orphans and Treasures of and species loss. So there will the Collection. He has gone in and collaborated with our behind be a strong presence of history and art in the Science Gallery, in the scene staff putting together installations that will be kind of a more dramatic way than we even did in the other galleries. interventions throughout the art gallery of these treasures and orphans from the Museum collection. So it’s kind of a wonderful How has OMCA improved the use of technology, within the way in our opening year to also celebrate our past, and celebrate galleries, to encourage continued visitor participation? what this institution has been throughout its history. It opens Sep- We were very outdated before in technology, and part of that tember 11th to the public and programming on the 10th. was physical, the building hadn’t been touched in 40 years. We updated and upgraded all the data and electrical throughout the What is in store for the Natural History galleries and how will museum so it now all wireless. We tried to introduce technology they play into the rest of the Museum? in the gallery in a way that makes sense and where it is useful. I The great thing about Science being the final opening of the think a lot of people were concerned that technology would over- three galleries is that we are taking everything we learned from power the experience of the artifacts or artwork, but now I think Art and History and making it more of a radical kind of transi- people see it really adds to it and doesn’t detract from seeing the tion into Science. It was very revolutionary at its time, but it was collection. So we have some really wonderful new elements, the basically habitat cases and dioramas. These habitat cases were Visionary Road trip in the Art Gallery, the Land Grab Interactive like little pieces of glass real estate, with complete recreations and all of the media pieces in the history gallery. We updated our website, so our next big virtual project is getting much more of 106 Barry McGee installation view, 2010 our collection online in the next couple of years, as well as media them to be the boring, resource areas or just seating areas. The projects themselves, artists’ projects and documenting the work idea was to load them with content. In the “What is Art” Lounge, we’re doing by having it on-line. we realized that that’s one of the biggest issues people have with going to Art Museums; feeling very intimidated by it and not feel- When visiting the museum, some of the things that stand out ing like they understand it. So that was what we directly tackled are the Lounges that are integrated throughout the galleries with that, mostly giving permission to people to say if they like that encourage visitors to interact with the work on display. it or don’t like it, which is why you get to vote. There are three More specifically, how does the “What is Art” Lounge draw elements -- a contemporary artwork, a bunch of grass from the visitors to question and participate in the exhibitions? Science Gallery, and one is a native basket. People can vote on One of the things we introduced as a new concept in both gal- which ones they think [are art], and it’s very interesting to see leries is what we called “Loaded Lounges”. They are kind of how people vote. One of the big themes of the whole art gallery is comfortable seating areas in the galleries. What we heard from to de-mystify the art experience, beginning with the artists’ tools visitors in testing is that everyone says they get exhausted in gal- and pictures of artists in our collection. Artists are real people and leries and there’s never any place to sit for a minute and regroup. work with real tools, and [the Lounges] give people permission We created these two in the Art Gallery--the “What is Art” Lounge to see that there are a lot of different ways to experience art. It’s and the “Living the Good Life” Lounge. In History we have the also just a cool fun place to hang out. “Jukebox Lounge” and the “Railroad Lounge”. We didn’t want

photos Andrew McClitnock Oakland Focus Art Murmur by Ken Harmon

Since it’s inception in 2006 the Oakland Art Murmur (the First Friday art walk that happens across the Bay every month) has grown in leaps and bounds.. Begun as a banding together between eight galleries, Art Murmur now spans twenty-four art spaces and stretches a formidable thirty blocks through Oakland. Art Murmur coordinator Tina Dillman sits down with the San Francisco Art Quarterly to discuss how it all began, how it’s different and where it’s going...

First off Tina, thanks so much for taking the time out of your a tremendous growth over the last six months. schedule to sit down with us. As the SFAQ and many of our readers are obviously based in San Francisco, would The Murmur has seen its share of new galleries and a you mind introducing yourself and telling us what the Art stronger scene with every passing year, where do you see Murmur is all about? Oakland four years from now? Well, I’m an Oakland transplant from SF. I moved here two years Well, I hope with a new Mayor, Oakland can lose it’s reputation ago, and now run an art space, WE Artspace, with my now of being an unsafe city and more Bay Area Residents will Bart, husband, Naaman Rosen. Besides WE, I manage the office for Bike or Walk to the First Friday Art Walk of Oakland and see what Rock Paper Scissors Collective and Coordinate the Oakland everyone’s talking about. I would like to see other neighborhoods Art Murmur. What is Art Murmur? I think you should all tell me. working with the city and closing down a block during this night, Art Murmur is what you bring to it and then walk away with. It’s like what we do over on 23rd Street. It would be amazing to have about community, forming, co-existing, meeting new people, neighborhood block parties every first Friday of the month, where seeing new things, buying affordable wears and trying out the you can be exposed to the contemporary art and culture of the local eats. bay.

Let’s start at the beginning, can you tell us how the Murmur Though only twelve miles apart, Oakland and San Francisco began? reside in their own respective cultural bubbles, what makes I believe that the idea of art murmur was conceived at a bar. Oakland’s scene different from San Francisco’s? How does A few friends talking about how to increase exposure of what Art Murmur, for example, differ from SF’s First Thursday art was happening in the visual arts scene of Oakland. The original walk? eight members of Art Murmur were: 21 Grand, 33 Grand, Auto politics, geography, weather, environment and people...It’s like 3321, Boontling Gallery, Buzz Gallery, Ego Park, Front Gallery, night and day. Art Murmur consists of 25 galleries/spaces and a and Rock Paper Scissors Collective. Since then, half have street closed down till 9pm that has delicious local eats, music, art disappeared but new owners have moved into some of the them, installations, artistans selling their wares, community information keeping them open as galleries, which is a plus and now we have tables, people and life and there is a free shuttle that transports new spaces popping up and around these established venues. people from Jack London to West Grand, on Broadway. It’s nice to see a positive trend here in Oakland and knowing that we are all a part of this growth. With Bay Bridge and BART tolls on the rise, can you give us five reasons to get off our asses and make it down? Since 2006, how has the Oakland art scene changed? 1. It’s free to attend I remember the first time I came to Oakand, was back in 05/06 to go to an art and craft sale at Mama Buzz that I had a friend 2. For the Art that is created and installed. participating in. Walking there from Bart during the day was really 3. Cheap eats on 23rd Street interesting. I just remember a lot empty concrete, wide sidewalks 4. Affordable gifts on 23rd Street but no one walking around. I do not find the same as being true now. With more businesses moving in and artists taking over 5. For the people empty spaces, there is a true vibrancy here and it’s because Oakland has the energy to DIY. I am a product of this. In Oakland, all you need is an idea and the willingness to see it through.

Did you ever imagine that the Murmur would become as successful as it has? Was there a catalytic moment for the scene, or for you personally? I’m not sure if anyone saw the direction that it is headed but knew that the event as a whole would grow over time. Everyone knew of it’s potential. Since taking the event on a year ago, I have seen 108 Stark Guide’s Collectors Column Joe Rodota by Marianna Stark

It’s no surprise that when Joe Rodota becomes inter- leries often to stay connected with the principal and his/her pro- ested in an artist, he likes to do a little leg work be- gram. And I prefer to know the artist personally and make studio fore acquiring a new piece for his collection. Joe is visits to understand the artist’s process and goals with the work. the CEO of Forward Observer, a Sacramento-based I have to like it, of course. I also buy and read a lot of art history research and strategy firm. He splits his time between and artists’ biographies. residences in the State Capitol and in South Park in How did you first learn how to collect? San Francisco and is the former president of Center My early mentors were the late Paul Thiebaud and Michael Hi- for Contemporary Art Sacramento (CCAS), an active movitz, and a friend in Los Angeles who first encouraged me to member of SFMOMAs SECA (Society for the Encour- meet the artists whose work I admired and took me on studio agement of Contemporary Art), and a trustee of the visits in Venice. Crocker Museum. Any recent studio visits? Describe your collection. I just visited Andrew Witrak in his studio after seeing his work in There are a few different themes. The work in my office reflects the Headlands Graduate Fellow exhibition and in a group show my interest in research - collecting information and analyzing at the Preserve. His work is carefully and well made, it. Collage and text-based work reinforces Forward Observer’s and he combines elements of humor, adventure and dread. Very mission and appeals to our staff and clients. Things that are interesting. more painterly and conceptual are in San Francisco, and in Sac- ramento the art has a bit more humor. I’m particularly interested in what I consider relatively undiscovered California artists from the 50s - 80s.

What are the newest things in your collection? A Kirk Stoller assemblage piece (Ping Pong Gallery), a Lindsey White photo (Baer Ridgway Exhibitions), and a Walter Robinson disc (Catharine Clark).

How do you stay on top of the Bay Area art scene from Sac- ramento? I regularly review exhibition photos on Alan Bamberger’s Art- Business.com, read my favorite gallery e-newsletters and Face- book posts, and keep up with my friends in SECA.

What are you excited about? The reopening of the Crocker this fall, certainly. The building is by Gwathmey Siegel out of New York and it’s a knockout. We’re adding 125,000 square feet of new space and the expansion has already led to a new wave of donations from some great collections.

Any good war stories? I have wanted to add a Viola Frey painting to my collection for a long time. I subscribe to an online service that alerts me to upcoming auctions; after four years of looking I was lucky to find a painting by Viola at auction in Cincinnati that was very reason- able. Her ceramic works are well known, but her paintings aren’t as much, and they are great.

How do you decide what to buy? I collect the work of artists who are actively involved in the Bay Area visual arts community and participate/interact with its ma- jor institutions (museums, nonprofits, schools). I like to have a relationship with the artist’s dealer. I make a point of visiting gal- portrait Parker Tilghman Headlands Center For The Arts

Jerome Waag and Joseph del Pesco are foraging from “wild site-specific installations—the Rodeo Room, the Eastwing, and and surplus sources” in preparation for The Feral Share, an first and second floor landings—whose cracked and burnished upcoming dinner project at Headlands Center for the Arts. As yellow walls have welcomed countless visitors since Headlands’ the kick-off event of the Fall 2010 public programs, The Feral first Open House in 1987. Since then, Headlands has commis- Share invites guests to contribute the cost of their meals to- sioned site-based works by artists and designers including Ann ward a grant that will be given to an artist chosen by the diners Hamilton, Leonard Hunter, Bruce Tomb, John Randolf, and other collectively. Waag, an artist and Chez collaborators. In 2008, artists Amy Francescini (AIR ’03) and Mi- Panisse chef, and del Pesco, a cura- chael Swain (AIR ’03) built the most tor, are thinking about sharing, surplus, recent installation: the Reversible and community. “If we have more than Arc, a victory garden that provides enough (food, money, energy),” del “Conceived as an alternative to Headlands’ kitchen with organic Pesco asks, “doesn’t it make sense the gallery system, Headlands herbs. Apropos to Headlands’ his- to share it in productive and creative allows artists to investigate new tory of creative cross-pollination, ways?” the artists drew inspiration for the directions their work without the project from a short story by local At Headlands, this convergence of pressure of producing work for a writer and alumni Cooley Windsor artists, the public, and materiality has specific exhibition or commission.” (AIR ’00). informed programming since the or- ganization’s inception in 1982. In the This fall, Headlands continues to spirit of transparency, Headlands’ mis- investigate and re-imagine the col- sion has always been two-fold: to support artists working in all laborative possibilities offered by the residency model via pro- disciplines via residencies, studio grants, and awards; and to grams such as L’esprit de Corps. Spearheaded by artist and invite members of the public to encounter artists in a dynamic, curator Stephanie Sherman, co-founder of the elsewhere col- process-oriented context. The final ingredient for Headlands’ laborative in North Carolina, L’espirit de Corps invites members collaborative alchemy is the location itself. Positioned as a Park from five different Bay Area collectives to participate in a ten day Partner in the Golden Gate National Recreation Area just min- residency experiment. Living on site, the participants will meet utes north of San Francisco, Headlands’ campus comprises daily to determine the content of a process-oriented piece cre- nine historic buildings in the Marin Headlands—a foggy coastal ated by the group via workshops, games, discussions, and the micro-region characterized by open rolling hills, wandering wild- like. Artists will share their processes with the public via a col- life, and deep layers of history. laborative, multimedia blog, culminating in a public presentation on Tuesday, October 12. In 1986, when Headlands Center for the Arts opened its doors to the inaugural batch of Artists in Residence (AIRs), rain fell To foster exchanges between artists and the public on an ongo- through holes in the roof and boards covered broken window ing basis, Headlands maintains Project Space: two studios which panes in 944 Fort Barry, Headlands’ main building. A crew of are open to the public five days a week. Project Space features twenty three local artists, led by David and collaborator artists working interactively, including Lisa Anne Auerbach (AIR Mark Thompson, set to work renovating the 1907-era former ’05), Harrell Fletcher (AIR ’01), and Jennilie Brewster (AIR ’10), military barracks, contributing their visions and labor for a year who facilitated 3D portrait making in Project Space during the in exchange for studio space. The process resulted in a series of summer residency season. This fall, Project Space AIR Paolo 110 David Ireland, Rodeo Room, 1987 Anne Hamilton’s Mess Hall

Salvagione, in residence mid-September through mid-October, Headlands residents. Resources for local culture makers include invites members of the public to “bring two small pebbles that the Affiliate Artist program, offering subsidized studio space for you’ve carried in your pocket for at least a day” and “be ready to juried participants; the Graduate Fellows program, granting one- describe one of your fondest memories.” Salvagione’s resulting year studio awards to promising MFA graduates from seven lo- open-edition pieces will be loaned to visitors as part of a new cal art schools and universities; and The Tournesol Award, now series of work entitled “On Loan from the Artist” (OLFTA). in its eighth year, providing essential support to one emerging Bay Area painter each year, including a one-year live-out studio Headlands balances public access to the creative process with residency, a $10,000 cash stipend, and a final project of the art- space for artist exploration and retreat. Conceived as an alter- ist’s choice. This September, Shaun O’Dell (Tournesol Awardee native to the gallery system, Headlands allows artists to investi- ’09-’10) launches his culminating project, an artist book created gate new directions their work without the pressure of producing in conjunction with Park Life Gallery in San Francisco. work for a specific exhibition or commission. “It’s a great place for artists who are at a crossroads,” says Holly Blake, Residency As of 2010, Headlands counts over 850 alumni artists, from Manager at Headlands since 1988. The core Artist in Residence those at the beginning stages of their careers to more estab- program annually supports thirty five to fifty local, national, and lished practitioners, including such luminaries as Tony Cragg international artists through live-in and live-out residencies that (AIR ’88), Julie Mehretu (AIR ’03), and Will Oldham (AIR ’08). range from one to twelve months. Live-in residencies provide As Blake says, “What’s kept me interested in working here for artists, performers and writers with studio space and housing in twenty three years has been the way that artists, staff, and visi- former officer’s quarters for up to three months. tors are constantly trying to shake things up in order to stay relevant.” With programs such as the Feral Share coming up, While visiting AIRs come from all over the world, Headlands op- Headlands hopes to engender new iterations of this foundation- erates a number of programs specifically aimed at supporting al give-and-take between artists and community. California and Bay Area arts communities. Over the years, key local figures including Margaret Kilgallen (AIR ’97), Barry Mc- Gee (AIR ’04), and Tucker Nichols (AIR ’10) have made work as

Barry Underwood (AIR ‘09) Amy Franceschini and Michael Swaine, Victory Garden, 2008 Georgia Fee co-founder Art Slant(dot)com interview by Andrew McClintock

What inspired you to start ArtSlant and whom did you found initial concepts around the table with lots of people, all of whom it with? brought insight and inspiration, and then launched the Los Ange- The first inspiration came just after I returned to LA from the Ven- les site in February 2007…the rest is ArtSlant’s story. ice Biennale. It was August 2003. The biennale was named Dreams and Conflicts, a monster Now we’ve got editors, writers, cura- show. Something about being there, tors, galleries, data entry people and moving through the Giardini pavil- developers working with us from all ions to the Utopia Station curated by over the world, as well as thousands Molly Nesbit, and of artists and arts professionals who , all the work and the are actively using us to enhance their people, maybe even the show title, careers. That’s eco. inspired a hyper awareness of the art ecosystem. I realized I was very Art Slant has worldwide listings interested in the art world as a whole for art openings. How many cities – the systems of dependency and did you begin with and was this dominance, the insider paranoia and vast coverage always part or the outsider longing, the hype, the hyper- original plan or did it evolve or- bole, the hysteria of creative produc- ganically? tion. In essence I had become mes- A conversation about structure began merized by the culture of culture. when Catherine and I saw a piece called Muscle designed by the Dutch Shortly thereafter Catherine Ruggles, designers Kas Oosterhuis and Ilona with whom I co-founded ArtSlant (our Lenard. It filled the mezzanine at the CTO) and I began discussing a col- Pompidou during the exhibit Non- laborative project that virtualized that Standard Architectures. Muscle is a experience (and, well, a project that large blue blob with a system of com- allowed a lot of travelling). The initial idea was small and per- puterized sensors that cause it to react and morph as people sonal: I wanted a good online arts calendar for Los Angeles. In come near. Catherine wanted to mirror that behavior, conceptu- talking about it, I decided I really wanted to capture the seductive ally and architecturally. Like Muscle, ArtSlant morphs and reacts mix between real world activity and virtual community that seems when people come near; it promotes a decentralized interface to be part of our contemporary myth. where multiple players (cities) thrive simultaneously. Personally, I would In 2005 Catherine and I moved to “A hybrid architecture like even more difference between Paris, and while in a French immer- organically evolved that the entities, but that’s something to sion school we discovered Tokyo Art allowed for real world work towards. Beat (tokyoartbeat(dot)com) new arts hub built on web 2.0 principles. activity through our So back to the cities - one of our driv- We became super interested in the exhibition calendars, and ing interests was this notion of local issues of radical trust, agile develop- concurrently produces depth and global reach; sort of the ment and community-driven content post modern dilemma of sampling that were being explored in the web a virtual community versus specialization. What’s differ- 2.0 community. We read all kinds of artists, dealers, curators, ent between Los Angeles or New York of stuff from Tim O’Reilly and How- collectors and art goers.” or London? Where does “locals only” ard Rheingold, Barry Wellman, Rem and territorial prejudice exist in the art Koolhaus about open sourcing, spa- world? Does globalization eradicate tial conditions and architectural theo- difference or simply multiply differ- ry. This was when ArtSlant stopped being a vague yearning and ence, and how does this affect creative production? We wanted became a possibility. this conversation to inform and direct ArtSlant.

We returned to LA in 2006. Catherine and I developed the proto- After opening LA we didn’t really have plans for immediate ex- type; she wrote it in Ruby on Rails, a new technology at the time pansion. Then the blob reacted. It happened the day our most that allowed for a lot of fluidity in site development. We kicked our popular exhibition in the LA site was at a gallery in London. The 112 community had made its demands known, and our attempt at How do you feel Art Slant acts as a forum to promote a dia- containment was put to its first test. We quickly opened up NY (a logue and source of inspiration between different cities and given) and then San Francisco, Chicago and Worldwide to catch countries. all the little fish. Then Europe, India, China, more US cities. It’s One word broken into two: Access Ability. Platforms like ArtSlant really been follow the leader, a game of hyper activity and then provide untethered access to artists, dealers, curators, writers, coalescence. Did we think to expand as quickly as we did? No, art lovers, art buyers, galleries and museums from around the but I love it. Opening a new city is like living there for a month or world…on a personal and near-immediate basis. This produces so. It feeds my wanderlust. an explosion of opportunity and communication, cross-pollina- tion of ideas and styles. I love getting up and having emails from Art Slant has many different features, acting as a platform around the world in my inbox; Skyping with a writer in India about for artists, galleries, and collectors. Please explain how an artist they just interviewed or chatting with a gallery in London each group functions individually as well as a whole. about their next exhibit. The back story is that we were lucky – really lucky. We had The editorial piece – reviews, interviews, news – came naturally. no clear vision in the beginning, and talking about the ecosys- We wanted dynamism in content, and a wide spectrum of voices tem now is a discussion in hindsight. Catherine and I worked out contributing to the dialog. Our editorial is built around city teams the various aspects of the art world on big white boards, from led by an editor and comprised of local writers. This lateral ge- kinds of artists to types of work to variations in exhibition and ometry helps to accentuate the exploration into localism, experi- venues. A hybrid architecture organically evolved that allowed for mentation and difference through our writing. Certainly transna- real world activity through our exhibition calendars, and concur- tional concerns and global style dominate the conversation as rently produces a virtual community of artists, dealers, curators, artists and the work move from city to city, but we’re tracking this collectors and art goers. This community is an open hive that from a multiplicity of viewpoints. Do we see a given work differ- supports many levels of participation and interaction. Because of ently in Berlin versus China? Can we talk about it differently? I the structure that Catherine developed, ArtSlant’s linked network am so tired of generic art critique – it all blends together. It’s my reveals the nuances and connections all of these players on both pet project – assembling writing teams around the world, work- the global and local fields. It reflects the ecosystematic vision ing with brilliant editors who are trying to forge new paths in arts that I had, and like the real world it’s messy and voracious and journalism. Ultimately, ArtSlant wants to help the creative muscle pulses around a molten core: the Image (or should I say thou- of anyone who comes near us to strengthen, to flex and expand. sands and thousands of art works). The image is the fire in the We hope to do this by provoking desire, providing opportunity belly of the ArtSlant beast. And that beast just happens to have and searching for new paradigms around presentation, critique, a very long tail. mentoring and valuation. While we do not think all art is alike, we believe that all artists deserve to enter the gates of Oz . Put on your ruby shoes.

113 Art Practical(dot)com

Victoria Gannon Patricia Maloney

There are two of you here today; can you each introduce Area. We have, at this point, twenty-five contributors who write yourselves and give a brief description of your duties? reviews and features. Reviews cover exhibitions, performances, Patricia Maloney: My name is Patricia Maloney, and I am and films that are currently on view. Features are primarily serial the Editor-in-Chief of Art Practical, which means I oversee the projects by writers who are also artists and curators engaged in editorial content, but I’m also involved in the web development particular research projects, which they examine from different and business development. perspectives over the course of the year. We publish two features, Victoria Gannon: My name is Victoria Gannon, and I am the and up to six reviews per issue, and we publish a new issue Copy Chief. I copy edit all the reviews. Our editors— Morgan every two weeks. We collaborate with several other websites, Peirce, Catherine McChrystal, and Matthew Tedford—send the including Happenstand, which provides us with listings of events reviews on to me, and I proofread and check the grammar for that are opening or closing over the next seven days. All of the them. listings that appear on Happenstand automatically appear on Art Practical. Bad at Sports is a podcast based out of Chicago, For people who don’t know what Art Practical is, can you but its coverage is national. Once a month, Brian Andrews and describe what you are providing to the public? I produce a podcast episode. It is usually an interview with an PM: Art Practical is an online art magazine that focuses on the Bay artist, curator, or arts professional here in the Bay Area; a printed

114 version of the interview appears online while the audio appears gives you a way to make connections that you otherwise wouldn’t on the Bad at Sports website. Daily Serving is an international art have made. forum that we share coverage with as well. We include reviews PM: I also describe the site in terms of creating lateral that they produce and they include reviews on their site that we conversations between the texts. The idea that a reader can produce. Art Practical evolved from Shotgun Review, which was create a hybrid product from what they are reading; it’s not a founded in 2005. It was an open forum, and anyone who was passive reading experience. We’ve had a few cases where interested could contribute to the site. We’ve retained a shotgun reviews have run and people have written in response to those review section on Art Practical. Along with our twenty-five writers, texts, and it really generates discussion. In that vein, we don’t people from the public at large will send us reviews. want to be the end word to any particular exhibition. Instead, we VG: Along with all of those things, I think of Art Practical as an want to be the opening gambit in a dialogue. aggregator of many different VG: I also think we’re both things—the sites it partners products of graduate programs with, the different writers, and that are really multidisciplinary, the artists who have a written “I think of the site in terms where that sort of thinking is component of their practices. encouraged. You could take It’s bringing it all to one place of pathways. It offers two really disparate subjects where we can all be part of one content, but then, by seeing and find a way to connect them. thing, together. everything together, it also I think that’s a very convenient PM: Many of our features are thing for art schools to do, but actually projects that wouldn’t gives you a way to make it has stuck with us for better exist in an exhibition space, but connections that you or worse. I did the Visual and because they have a textual Critical studies program at CCA component, they are well suited otherwise wouldn’t and Patricia did Theory and to Art Practical. Social practice have made.” History of Contemporary Art is a huge part of what happens program at SFAI. here in the Bay Area, but it’s also often dematerialized; the activities don’t produce objects, so How do you curate the material that is present in Art it is explored in different ways. On Art Practical, we can present a Practical? text as a project, so that it exists as a work of art in and of itself. PM: The writers definitely have the freedom and leeway to write VG: When I say aggregator, that’s one end of the spectrum of what they want, but before each issue, we send out a list of shows what we do. It’s about finding the balance between determining that would be interesting to review. In terms of the features, for the our own editorial content and choosing things—commissioning first year, very loosely, all the writers explored how they construct writers to write certain things and guiding them, and taking their practice in relation to place. You can look at each of the advantage or providing a forum for what is already happening writers and understand how they were approaching that concept. and what already exists in the Bay Area arts community. We have a new group for the second year, several of whom have been contributing to us as review writers from this previous year. You explain on your website that “Art Practical does not This year, it is a broader range of projects. Everything from a condense information. Instead, it generates pathways of more engaged history of the Bay Area art scene to abstraction, investigation.” Can you elaborate on this statement? but even that will create opportunity for crosscurrents and PM: That statement really points to the fact that Art Practical is additional dialogues. Each issue has a title and an introduction an online forum. What we try to do is imitate the way people use to each issue. But those always come afterwards, at the end. the Internet. You go to a particular site and ten minutes later you We look at the articles that have been submitted and see what is find that you’ve gone through four other sites to arrive at another happening in common across those articles and decide what we point. Because we share content, it’s not really about creating want to highlight. tight boundaries around that content, but to offer people as many ways to access that content as possible. What are some of your thoughts on the importance of print VG: I think of it as rather than compiling things in a literal sense, in the digital age we live in currently? the juxtaposition of different pieces, the reviews and features In our first year, we shared content withTalking Cure, a thematic themselves, they really allow you to dig into the material and work print publication produced by Jarrett Earnest that has contextual- your own way through it. I think of the site in terms of pathways. ized the more immediate and reactive material within substantial It offers content, but then, by seeing everything together, it also scholarly texts and interviews. He described the partnership very 115 elegantly in saying that Talking Cure, as a printed forum, can Where do you see Art Practical in relation to other art function as the “record of a precise moment” and “serves as an websites? anchoring system for Art Practical.” While online platforms have PM: That could probably be a topic for an entire interview. I feel a tendency to collapse time, a printed text takes on a historicizing that as this project has evolved, we’ve looked more toward how function. However, we also see how Art Practical plays an archi- the Bay Area is structured. One of the things I’m thinking about val role as well, and it has been very interesting to explore how is that we could perhaps parse through and identify different the two different platforms construct meaning. Now that Jarrett models of what an arts community looks like. I think it would has moved to New York for graduate school, we are considering be impossible to make San Francisco fit into the model of New what our relationship to a print publication might be. York or LA. I think what’s really important and what we are really VG: I think there is a real threat of romanticizing print, and seeing capable of doing is marking the activities here, making note of it as a more permanent or more authentic form of consuming what happens here as it’s happening. Certainly that investment information. But I also see the ways in which a printed publication is there. And especially as we branch out, we acknowledge that isn’t practical; it includes a lot more steps and a lot more money we operate in relation to other communities. We’re creating a than doing something online. But it’s an interesting question. record of how those other places are responding to what we’re doing. Where do you see Art Practical in the VG: I think rather than hoping for San near future? Any sneak peaks of what Francisco to show up within a larger “our focus is on highlighting people might see or read about in the map of different art cities, instead our next upcoming months? what is already going on focus is on highlighting what is already PM: We are in the midst of determining here, because there is going on here, because there is so our next steps. We are going to expand much. Regardless of whether it’s being so much. Regardless of our geographical reach. We have several acknowledged or talked about in wider contributors who have moved elsewhere whether it’s being circles, there is so much going on here. and want to remain involved in Art acknowledged or talked Practical. I see it as a kind of natural What are some of most rewarding about in wider circles...” extension of perspective. What happens experiences you have had while when people start their career here, and working on Art Practical? then they go to another city? How does PM: Without question, the team I work their Bay Area perspective inform their with. It’s been really amazing for me to experience of this other city? In that sense, we’re going to expand work with this group of people; they come to the table with such and include occasional reviews from other cities. energy and commitment, real investment and real knowledge. VG: And by doing that, we’re acknowledging that the Bay Area I’m thinking in particular of the editorial team, but also Brett and the things that happen in art here are connected and related McFadden and Scott Thorpe who designed the site, and Stoyan to the things that are happening elsewhere. At the same time, Dabov, who built the site, and who is very much involved with we want to make sure that it returns back to the Bay Area. I think thinking strategically about moving forward. With all the partners it will be interesting to find that place. To be part of something we’ve worked with, and the way they have readily embraced larger, but still retain your unique identity. One thing we’re looking what we want to do. And our writers—nobody is getting paid, but forward to in the next year is our themed issues. Last year we had people are doing it because they really want to be doing it. And I one themed issue, which was the painting issue. In November, think they are delivering to us their best writing. When I’m sitting we’re doing a Food Issue—looking at how food is treated in art, down with a text and working through what a writer is trying to as art, and how artists are working with food. We’re also doing a say and their thought process, I’m always amazed at what I’m Performance Issue. being offered. PM: November is the Food Issue and April is the Performance VG: I think the most rewarding thing for me is reading the Issue. What is exciting about both of them is that each of them will reviews as they are in the editing stages. As someone who is have a public component that is considered part of the issue. For interested in art, I haven’t always had a place to write about art, example, we’ll have some kind of meal in November, constructed an outlet to channel my thoughts about art. Knowing that we are to be part of the issue. We want to use the forms we’re talking providing that for our writers is rewarding. I know when you have about. a deadline, and you are committed to something, it makes you go VG: That kind of introduces the idea that an issue doesn’t out and see a show and write something that’s really important necessarily have to be online or on paper, but can actually be a to you, and you might not be motivated to do it otherwise. I really performance. like knowing that we’re giving that to people. 116

BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

1:AM Gallery Adobe Books 94102 Benicia, CA 94510 94941 94108 Catherine E. Burns com (510) 595-1669 (415) 673-3847 www.act-sf.org www.artsbenicia.org www.baerridgway.com www.briangrossfineart.com Fine Prints & (510) 655-9019 de Young Exploratorium 1000 Howard Street 3166 16th St [email protected] [email protected] gallery@briangrossfineart. [email protected] Drawings Conservatory of 50 Hagiwara Tea Gar- 3601 Lyon Street San Francisco, CA San Francisco, CA (707) 747-0131 (415) 777-1366 com (415) 749-2228 P. O. Box 11201 Flowers den Drive San Francisco, CA 94103 94103 ArtSeed Belinda Sweet (415) 788-1050 100 John F Kennedy www.1amsf.com adobebooksbackroomgal- Ampersand Inter- Oakland, CA 94611 San Francisco, CA 94123 1007 General Kennedy Japanese Zen Buzz Gallery [email protected] lery.blogspot.com national Arts www.catherineburns.com Drive 94118 www.exploratorium.edu Ave Suite 206 2318 Telegraph Ave (415) 861-5089 adobebooksbackroom@ 1001 Tennessee Street Paintings (510) 654-7910 San Francisco, CA www.famsf.org [email protected] Oakland, CA 94609 111 Minna gmail.com San Francisco, CA San Francisco, CA 1442 Walnut Street Cecile Moochnek 94118 [email protected] (415) 561-0360 (415) 864-3936 94129 Berkeley, CA 94709 www.buzzgallery.com www.conservatoryofflow- (415) 750-3600 111 Minna Street 94107 (510) 465-4073 Gallery Fecal Face Gallery www.artseed.org (510) 204-9212 ers.org Diego Rivera The- San Francisco, CA African Ameri- www.ampersandintlarts.com 1809 4th Street 66 Gough Street [email protected] Caldwell Snyder (415) 831-2090 atre can Museum and bruno@ampersandintlarts. Berkeley Commu- Berkeley, CA 94710 San Francisco, CA 94105 com (415) 409-1761 Gallery 50 Phelan Avenue Library nity Media www.cecilemoochnek.com Contemporary 94102 www.111minnagallery.com (415) 285-0170 Art Yowza 341 Sutter Street minnagalleryevents@gmail. 659 14th Street 2239 Martin Luther (510) 549-1018 Jewish Museum City College of San www.fecalface.com/gallery a.Muse San Francisco, CA com Oakland, CA 94612 1617 Encinal Ave King Jr. Way Chandler Fine Art 736 Mission Street Francisco [email protected] 614 Alabama Street 94108 (415) 974-1719 www.oaklandlibrary.org/ Alameda, CA 94501 Berkeley, CA 94704 170 Minna Street San Francisco, CA San Francisco, CA (415) 255-6479 www.caldwellsnyder.com 4th Street Studio AAMLO/ San Francisco, CA www.artyowza.com www.betv.org 94103 94112 FIFTY24SF [email protected] (415) 296-7896 San Francisco, CA 1717D 4th Street (510) 637-0200 94110 (510) 848-2288 www.thecjm.org www.ccsf.edu 252 Fillmore Street www.yourmusegallery.com (510) 521-2671 California Acad- 94105 Berkeley, CA 94710 Aji Tos Center For The Beveled Edge www.chandlersf.com [email protected] (415) 239-3100 [email protected] Art Zone San Francisco, CA www.fourthstreetstudio. emy of Sciences (415) 655-7800 Djerassi Residency Art and Culture (415) 282-2270 2311 Santa Clara Ave (415) 546-1113 94117 com 461 Valencia Street 55 Music Concourse CounterPULSE 2723 79th Ave Alameda, CA 94501 2325 Bear Gulch Road www.fifty24sf.com info@fourthstreetstudio. Andrea Schwartz San Francisco, CA Chandra Cerrito www.thebevelededgeonline. Drive 1310 Mission Street Woodside, CA 94062 gallery@fifty24sf.com com Oakland, CA 94605 Contemporary Gallery 94103 com San Francisco, CA San Francisco, CA www.djerassi.org (415) 252-9144 (510) 568-5901 480 23rd Street (510) 527-0600 525 2nd Street www.artzone461.com (510) 522-4885 94118 94103 [email protected] FiftyCrows [email protected] 21 Grand Alameda Art Cen- San Francisco, CA www.calacademy.org Oakland, CA 94612 www.counterpulse.org (650) 747-1250 (415) 441-8680 Big Umbrella Stu- 49 Geary Street Suite 416 25th Street ter 94107 [email protected] www.catherineburns.com [email protected] DoyleCrane Fine dios Chandra@chandracerrito. 225 1029 Buena Vista Ave www.asgallery.com Asian Art Museum (415) 379-8000 (415) 626-2060 at Broadway 906 Divisadero Street com Arts Collection [email protected] 200 Larkin Street California Society San Francisco CA Oakland, CA 94612 Apt B (510) 260-7494 Creative Growth Management (415) 495-2090 San Francisco, CA 94108 www.21grand.org Alameda, CA 94501 San Francisco, CA of Printmakers 355 24th Street 94115 Checkmate Enter- 1136 Mound Street www.fiftycrows.org (510) 748-7888 ARC Gallery 94102 P. O. Box 475422 (510) 444-7263 bigumbrellastudios.com prises Art Gallery Oakland, CA 94612 Alameda, CA 94501 info@fiftycrows.org Albany Arts Gallery 1246 Folsom Street www.asianart.org ww.creativegrowth.org 66 Balmy Annex info@bigumbrellastudios. San Francisco, CA 3051 Adeline Street (415) 846-2132 Femina Potens Arts 1251 Solano Ave San Francisco, CA (415) 581-3500 (510) 836-2340 591 Guerrero Street com 94147 Berkeley, CA 94703 Eleanor Harwood Gallery Albany, CA 94706 94103 ATA (415) 359-9211 www.caprintmakers.org Creativity Explored San Francisco, CA (510) 548-9020 Gallery 2199 Market Street (510) 526-9558 www.arcsf.net 992 Valencia Street Blank Space [email protected] 94110 3245 16th Street 1295 Alabama Street San Francisco, CA Alexanders Main [email protected] San Francisco, CA 6608 San Pablo Ave Capp Street Proj- Childrens Art Stu- (415) 522-0502 (415) 298-7969 San Francisco, CA San Francisco, CA 94114 Street Gallery 94110 ects dio 871 Fine Arts Oakland, CA 94608 94103 94110 www.feminapotens.org Art 94124 Gallery www.atasite.org 3117 Santa Clara Ave 610 Main Street www.blankspacegallery.com 1111 Eighth Street www.creativityexplored.org www.eleanorharwood.com [email protected] 20 Hawthorne Street 3900 B 3rd Street [email protected] Pleasanton, CA 94566 (510) 547-6608 San Francisco, CA Alameda, CA 94501 [email protected] (415) 282-4248 (415) 864-1558 San Francisco, CA San Francisco, CA (415) 824-3890 www.thechildrensartstudio. www.alexandersfineart.com Borsini-Burr Art 94107 (415) 863-2108 com Epic Arts Studios Fine Arts Museums 94105 (925) 846-6015 94124 Aurobora Press 1401 Main Street www.wattis.org Crown Point Press (510) 523-4740 1923 Ashby Avenue of San Francisco http://www.artbook. art94124.com 370 Brannan Street [email protected] Alice Art Center Montara, CA 94037 20 Hawthorne Street Berkeley, CA 94703 Artist and Residen- com/871store.html (415) 920-9790 San Francisco, CA Christensen Heller [email protected] 1428 Alice Street www.Borsini-Burr.com (415) 551-9210 San Francisco, CA http://epicarts.org/index. ArtAngels [email protected] Gallery cy Program @ de (415) 5430-5812 Oakland, CA 94612 94107 Cartoon Art Mu- 94105 html www.aurobora.com [email protected] 5829 College Ave Young Museum ABCo Artspace www.oaklandnet.com 27 Mirabel Avenue seum www.crownpoint.com (510) 644-2204 [email protected] (877) 712-2111 Oakland, CA 94610 50 Hagiwara Tea Gar- 3135 Filbert Street (510) 238-7219 San Francisco, CA 655 Mission Street [email protected] Ever Gold Gallery Ambar Art Incor- 94110 (415) 546-7880 Brava Theatre www.christensenheller.com (415) 974-6273 den Drive Oakland, CA 94608 san Francisco, CA (510) 655-5952 441 O’Farrell Street porated artangels.org Autobody Fine Art Center The Dark Room San Francisco, CA http://abcoartspace.com/ 94105 Color Me Mine San Francisco, CA 2251 Orion Street [email protected] Gallery 2781 24th Street 2263 Mission Street 94118 Acci Gallery Arts www.cartoonart.org 2205 South Shore 94102 Alameda, CA 94501 Article Pract 1517 Park Street San Francisco, CA (415) 227-8666 between 18th and www.famsf.org and Crafts Coop- Center www.evergoldgallery.com [email protected] www.ambarart.com 5010 Telegraph Ave Alameda, CA 94501 94110 Catharine Clark 19th San Francisco, [email protected] erative http://autobodyfineart.com/ FLOAT: Floatation [email protected] Oakland, CA 94609 www.brava.org 150 Minna Street Alameda, CA 94501 CA 94110 index.php www.colormemine.com Exit Theatre 1652 Shattuck Ave (510) 814-0886 www.articlepract.com [email protected] www.darkroomsf.com Center & Art Gal- (415) 641-7657 San Francisco, CA 156 Eddy Street Berkeley, CA 94709 (510) 595-7875 (510) 865-2608 (510) 521-8893 (415) 401-7987 lery American Conser- 94105 www.accigallery.com Baer Ridgeway Brian Gross Fine Compound Gallery San Francisco, CA vatory Theater Arts Benicia www.cclarkgallery.com Desa Arts 1091 Calcot Pl (510) 843-2527 172 Minna Street Art 6604 San Pablo Ave 4810 94102 Oakland, CA 94606 405 Geary Street 991 Tyler Street [email protected] www.theexit.org San Francisco, CA 49 Geary Street www.thefloatcenter.com San Francisco, CA Suite 114 (415) 399-1439 Oakland, CA 94608 Oakland, CA 94609 [email protected] San Francisco, CA info@thecompoundgallery. www.desaarts.com (510) 535-1702 BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

1:AM Gallery Adobe Books 94102 Benicia, CA 94510 94941 94108 Catherine E. Burns com (510) 595-1669 (415) 673-3847 www.act-sf.org www.artsbenicia.org www.baerridgway.com www.briangrossfineart.com Fine Prints & (510) 655-9019 de Young Exploratorium 1000 Howard Street 3166 16th St [email protected] [email protected] gallery@briangrossfineart. [email protected] Drawings Conservatory of 50 Hagiwara Tea Gar- 3601 Lyon Street San Francisco, CA San Francisco, CA (707) 747-0131 (415) 777-1366 com (415) 749-2228 P. O. Box 11201 Flowers den Drive San Francisco, CA 94103 94103 ArtSeed Belinda Sweet (415) 788-1050 100 John F Kennedy www.1amsf.com adobebooksbackroomgal- Ampersand Inter- Oakland, CA 94611 San Francisco, CA 94123 1007 General Kennedy Japanese Zen Buzz Gallery [email protected] lery.blogspot.com national Arts www.catherineburns.com Drive 94118 www.exploratorium.edu Ave Suite 206 2318 Telegraph Ave (415) 861-5089 adobebooksbackroom@ 1001 Tennessee Street Paintings (510) 654-7910 San Francisco, CA www.famsf.org [email protected] Oakland, CA 94609 111 Minna gmail.com San Francisco, CA San Francisco, CA 1442 Walnut Street Cecile Moochnek 94118 [email protected] (415) 561-0360 (415) 864-3936 94129 Berkeley, CA 94709 www.buzzgallery.com www.conservatoryofflow- (415) 750-3600 111 Minna Street 94107 (510) 465-4073 Gallery Fecal Face Gallery www.artseed.org (510) 204-9212 ers.org Diego Rivera The- San Francisco, CA African Ameri- www.ampersandintlarts.com 1809 4th Street 66 Gough Street [email protected] Caldwell Snyder (415) 831-2090 atre can Museum and bruno@ampersandintlarts. Berkeley Commu- Berkeley, CA 94710 San Francisco, CA 94105 com (415) 409-1761 Gallery 50 Phelan Avenue Library nity Media www.cecilemoochnek.com Contemporary 94102 www.111minnagallery.com (415) 285-0170 Art Yowza 341 Sutter Street minnagalleryevents@gmail. 659 14th Street 2239 Martin Luther (510) 549-1018 Jewish Museum City College of San www.fecalface.com/gallery a.Muse San Francisco, CA com Oakland, CA 94612 1617 Encinal Ave King Jr. Way Chandler Fine Art 736 Mission Street Francisco [email protected] 614 Alabama Street 94108 (415) 974-1719 www.oaklandlibrary.org/ Alameda, CA 94501 Berkeley, CA 94704 170 Minna Street San Francisco, CA San Francisco, CA (415) 255-6479 www.caldwellsnyder.com 4th Street Studio AAMLO/ San Francisco, CA www.artyowza.com www.betv.org 94103 94112 FIFTY24SF [email protected] (415) 296-7896 San Francisco, CA 1717D 4th Street (510) 637-0200 94110 (510) 848-2288 www.thecjm.org www.ccsf.edu 252 Fillmore Street www.yourmusegallery.com (510) 521-2671 California Acad- 94105 Berkeley, CA 94710 Aji Tos Center For The Beveled Edge www.chandlersf.com [email protected] (415) 239-3100 [email protected] Art Zone San Francisco, CA www.fourthstreetstudio. emy of Sciences (415) 655-7800 Djerassi Residency Art and Culture (415) 282-2270 2311 Santa Clara Ave (415) 546-1113 94117 com 461 Valencia Street 55 Music Concourse CounterPULSE 2723 79th Ave Alameda, CA 94501 2325 Bear Gulch Road www.fifty24sf.com info@fourthstreetstudio. Andrea Schwartz San Francisco, CA Chandra Cerrito www.thebevelededgeonline. Drive 1310 Mission Street Woodside, CA 94062 gallery@fifty24sf.com com Oakland, CA 94605 Contemporary Gallery 94103 com San Francisco, CA San Francisco, CA www.djerassi.org (415) 252-9144 (510) 568-5901 480 23rd Street (510) 527-0600 525 2nd Street www.artzone461.com (510) 522-4885 94118 94103 [email protected] FiftyCrows [email protected] 21 Grand Alameda Art Cen- San Francisco, CA www.calacademy.org Oakland, CA 94612 www.counterpulse.org (650) 747-1250 (415) 441-8680 Big Umbrella Stu- 49 Geary Street Suite 416 25th Street ter 94107 [email protected] www.catherineburns.com [email protected] DoyleCrane Fine dios Chandra@chandracerrito. 225 1029 Buena Vista Ave www.asgallery.com Asian Art Museum (415) 379-8000 (415) 626-2060 at Broadway 906 Divisadero Street com Arts Collection [email protected] 200 Larkin Street California Society San Francisco CA Oakland, CA 94612 Apt B (510) 260-7494 Creative Growth Management (415) 495-2090 San Francisco, CA 94108 www.21grand.org Alameda, CA 94501 San Francisco, CA of Printmakers 355 24th Street 94115 Checkmate Enter- 1136 Mound Street www.fiftycrows.org (510) 748-7888 ARC Gallery 94102 P. O. Box 475422 (510) 444-7263 bigumbrellastudios.com prises Art Gallery Oakland, CA 94612 Alameda, CA 94501 info@fiftycrows.org Albany Arts Gallery 1246 Folsom Street www.asianart.org ww.creativegrowth.org 66 Balmy Annex info@bigumbrellastudios. San Francisco, CA 3051 Adeline Street (415) 846-2132 Femina Potens Arts 1251 Solano Ave San Francisco, CA (415) 581-3500 (510) 836-2340 591 Guerrero Street com 94147 Berkeley, CA 94703 Eleanor Harwood Gallery Albany, CA 94706 94103 ATA (415) 359-9211 www.caprintmakers.org Creativity Explored San Francisco, CA (510) 548-9020 Gallery 2199 Market Street (510) 526-9558 www.arcsf.net 992 Valencia Street Blank Space [email protected] 94110 3245 16th Street 1295 Alabama Street San Francisco, CA Alexanders Main [email protected] San Francisco, CA 6608 San Pablo Ave Capp Street Proj- Childrens Art Stu- (415) 522-0502 (415) 298-7969 San Francisco, CA San Francisco, CA 94114 Street Gallery 94110 ects dio 871 Fine Arts Oakland, CA 94608 94103 94110 www.feminapotens.org Art 94124 Gallery www.atasite.org 3117 Santa Clara Ave 610 Main Street www.blankspacegallery.com 1111 Eighth Street www.creativityexplored.org www.eleanorharwood.com [email protected] 20 Hawthorne Street 3900 B 3rd Street [email protected] Pleasanton, CA 94566 (510) 547-6608 San Francisco, CA Alameda, CA 94501 [email protected] (415) 282-4248 (415) 864-1558 San Francisco, CA San Francisco, CA (415) 824-3890 www.thechildrensartstudio. www.alexandersfineart.com Borsini-Burr Art 94107 (415) 863-2108 com Epic Arts Studios Fine Arts Museums 94105 (925) 846-6015 94124 Aurobora Press 1401 Main Street www.wattis.org Crown Point Press (510) 523-4740 1923 Ashby Avenue of San Francisco http://www.artbook. art94124.com 370 Brannan Street [email protected] Alice Art Center Montara, CA 94037 20 Hawthorne Street Berkeley, CA 94703 Artist and Residen- com/871store.html (415) 920-9790 San Francisco, CA Christensen Heller [email protected] 1428 Alice Street www.Borsini-Burr.com (415) 551-9210 San Francisco, CA http://epicarts.org/index. ArtAngels [email protected] Gallery cy Program @ de (415) 5430-5812 Oakland, CA 94612 94107 Cartoon Art Mu- 94105 html www.aurobora.com [email protected] 5829 College Ave Young Museum ABCo Artspace www.oaklandnet.com 27 Mirabel Avenue seum www.crownpoint.com (510) 644-2204 [email protected] (877) 712-2111 Oakland, CA 94610 50 Hagiwara Tea Gar- 3135 Filbert Street (510) 238-7219 San Francisco, CA 655 Mission Street [email protected] Ever Gold Gallery Ambar Art Incor- 94110 (415) 546-7880 Brava Theatre www.christensenheller.com (415) 974-6273 den Drive Oakland, CA 94608 san Francisco, CA (510) 655-5952 441 O’Farrell Street porated artangels.org Autobody Fine Art Center The Dark Room San Francisco, CA http://abcoartspace.com/ 94105 Color Me Mine San Francisco, CA 2251 Orion Street [email protected] Gallery 2781 24th Street 2263 Mission Street 94118 Acci Gallery Arts www.cartoonart.org 2205 South Shore 94102 Alameda, CA 94501 Article Pract 1517 Park Street San Francisco, CA (415) 227-8666 between 18th and www.famsf.org and Crafts Coop- Center www.evergoldgallery.com [email protected] www.ambarart.com 5010 Telegraph Ave Alameda, CA 94501 94110 Catharine Clark 19th San Francisco, [email protected] erative http://autobodyfineart.com/ FLOAT: Floatation [email protected] Oakland, CA 94609 www.brava.org 150 Minna Street Alameda, CA 94501 CA 94110 index.php www.colormemine.com Exit Theatre 1652 Shattuck Ave (510) 814-0886 www.articlepract.com [email protected] www.darkroomsf.com Center & Art Gal- (415) 641-7657 San Francisco, CA 156 Eddy Street Berkeley, CA 94709 (510) 595-7875 (510) 865-2608 (510) 521-8893 (415) 401-7987 lery American Conser- 94105 www.accigallery.com Baer Ridgeway Brian Gross Fine Compound Gallery San Francisco, CA vatory Theater Arts Benicia www.cclarkgallery.com Desa Arts 1091 Calcot Pl (510) 843-2527 172 Minna Street Art 6604 San Pablo Ave 4810 Telegraph Avenue 94102 Oakland, CA 94606 405 Geary Street 991 Tyler Street [email protected] www.theexit.org San Francisco, CA 49 Geary Street www.thefloatcenter.com San Francisco, CA Suite 114 (415) 399-1439 Oakland, CA 94608 Oakland, CA 94609 [email protected] San Francisco, CA info@thecompoundgallery. www.desaarts.com (510) 535-1702 BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

2990 San Pablo Av- www.rosenthalgallery.com www.mocfa.org tenderloincommunityart- Flying Machine Art 1228 Grant Ave Gallery [email protected] jbblunkresidency.org Lireille (415) 495-5454 [email protected] enue 3980 Piedmont Ave (415) 552-1010 (415) 227-4888 [email protected] Academy San Francisco, CA 250 Sutter Street Hotel Des Arts (415) 669-7585 Berkeley, CA 94702 Mina Dresden Gal- Museum of Per- Novellus Theatre 140 Balboa Street 94133 Suite 400 Oakland, CA 94611 447 Bush Street The Jewish Com- Studios: www.lireille.com lery formance & Design 701 Mission Street San Francisco, CA www.gallery-28.com San Francisco, CA munity Center etheljimenez@gallery-28. San Francisco, CA 1060 Heinz Avenue (510) 547-3455 312 Valencia Street 401 Van Ness Avenue San Francisco, CA 94118 94108 com 3200 California Street Luggage Store Suite 402 94103 www.flyingmachineartacad- www.hackettfreedman.com 94108 Berkeley, CA 94710 San Francisco, CA (415) 433-1228 [email protected] www.sfhoteldesarts.com San Francisco, CA (510) 549-2977 1007 Market Street San Francisco, CA www.ybca.org emy.com 94103 Gallery 291 (415) 362-7152 reservations@sfhotelde- 94118 www.kala.org San Francisco, CA www.minadresden.com 94102 (415) 978-2700 Fort Mason Center [email protected] 291 Geary Street, Hallway Projects sarts.com www.jccsf.org 94103 [email protected] (415) 255-4800 Oakland Art Gal- Building A [email protected] (510) 841-7000 Floor 5 hallwaybathroomgallery.com (800) 956-4322 www.luggagestoregallery.org (415) 863-8312 www.mpdsf.org lery San Francisco, CA (415) 292-1200 Kitsch Gallery San Francisco, CA Hamburger Eyes Hotel Rex (415) 255-5971 Mission 17 National Product 150 Frank H. Ogawa 94123 Johansson Projects 3265 17th Street Suite 2111 Mission Street 94102 26 Lilac Street 562 Sutter Street Magnolia Editions, 1494 California Street Plaza www.fortmason.org 2300 Telegraph Ave 204 (415) 291-9001 San Francisco, CA San Francisco, CA Inc. Suite 401 San Francisco, CA Oakland, CA 94612 [email protected] Oakland, CA San Francisco, CA (415) 345-7500 Gallo Center 94110 94102 2527 Magnolia Street San Francisco 94110 94109 www.oaklandartgallery.org www.jdvhotels.com www.johanssonprojects.com 94110 mission17.org 1000 I Street www.hamburgereyes.com www.nationalproduct.us [email protected] Forthrite kimberly@johanssonproj- kitschgallery.blogspot.com Oakland, CA 94607 [email protected] [email protected] (415) 433-4434 (415) 255-1920 (510) 763-4361 5857 San Pablo Ave Modesto, CA 95354 ects.com [email protected] www.magnoliaeditions.com (415) 861-3144 www.galloarts.org HANG ART Intersection for Needles & Pens Oakland Museum Oakland, CA (510) 444-9140 (415) 864-2127 (510) 834-2527 MoAD (209) 338-2100 556 & 567 Sutter the Arts 3253 16th St of Art www.forthriteprinting.com John Berggruen Kokoro Studio Mark Wolfe Con- 685 Mission Street [email protected] Gendel Gallery Street 446 Valencia Street San Francisco, CA 1000 Oak Street Gallery 682 Geary Street temporary Art San Francisco, CA (510) 923-1544 1847 Larkin Street San Francisco, CA San Francisco, CA 94103 Oakland, CA 94607 228 Grant Avenue San Francisco, CA 49 Geary Street #202 94105 San Francisco, CA 94103 www.needles-pens.com www.museumca.org Frame O Rama 94102 San Francisco, CA www.moadsf.org www.theintersection.org San Francisco, CA 94102 needlesandpens@hotmail. (510) 238-2200 2999 College Ave 94109 www.hangart.com 94108 (415) 358-7200 [email protected] www.gallery291.net 94108 www.kokorostudio.us com Oakopolis Berkeley, CA 94705 www.gendellgallery.com www.wolfecontemporary. (415) 434-4264 [email protected] www.berggruen.com [email protected] ModernArts & (415) 255-1534 http://www.frame-o-rama. (415) 567-3523 com 447 25th Street (415) 626-2787 [email protected] (415) 400-4110 ModernSculpture. New Conservatory com/pages/home.html Giant Robot Hatch Gallery (415) 781-4629 contact@wolfecontempo- Oakland, CA 94612 Ismalia Cultural Krowswork com Theatre Center (510) 644-2356 618 Shrader Street 492 23rd Street Joyce Gordon Gal- rary.com www.oakopolis.org Center 480 23rd Street Rose Street 25 Van Ness Ave. [email protected] Frank Bette Center San Francisco, CA Oakland, CA 94612 lery www.krowswork.com (415) 369-9404 815 Atlantic Ave Berkeley, CA 94709 San Francisco, CA (510) 663-6920 for the Arts 94117 www.hatchgallery.org 406 14th Street [email protected] Marx & Zavattero (510) 879-7382 Alameda, CA 94501 ModernSculpture.com 94102 OnSix Gallery 1601 Paru Street www.giantrobot.com Oakland, CA 94612 (510) 229-7035 77 Geary Street 2nd (877) 576- 2787 Headlands Center (510) 865-6128 www.nctcsf.org 60 Sixth Street Alameda, CA 94501 [email protected] www.joycegordongallery. Kuhl Frames + Art Floor Modernism, Inc. http://www.frankbettecen- (415) 876-4773 For the Arts Jack Fischer Gal- [email protected] San Francisco, CA com/ 412 22nd Street San Francisco, CA 685 Market Street (415) 861-4914 ter.org/index.htm Giorgi Gallery 944 Fort Barry lery [email protected] 94108 94103 (510) 523-6957 At Franklin Street San Francisco, CA www.onsixgallery.com 2911 Claremont Ave Sausalito, CA 94965 49 Geary Street (510)465-8928 www.marxzav.com Oakland, CA 94612 94105 1246 Folsom Street [email protected] Front Gallery Berkeley, CA 94705 www.headlands.org San Francisco, CA Julie Baker Fine [email protected] www.kuhlframes.com www.modernisminc.com San Francisco, CA (415) 863-1221 35 Grand Ave www.giorgigallery.com [email protected] (510) 625-0123 (415) 627-9111 94108 Art [email protected] www.newlangtonarts.org Oakland, CA 94612 [email protected] (415) 331-2787 www.jackfischergallery.com Palace of Fine Arts 15092 Manzanita Dig- The Lab Masterworks Fine (415) 541-0461 [email protected] www.frontgalleryoakland. (510) 848-1228 Herbst Theatre info@jackfischergallery.com Theatre gins Dr 2948 16th Street Art (415) 626-5416 com Glass Mountain 401 Van Ness Avenue (415) 956-1178 Mollusk Surf Shop 3301 Lyon Street studiophotography@sbc- Nevada City, CA San Francisco, CA 13470 Campus Drive NOMA Gallery 1314 4th Street San Francisco, CA Jack Hanley 4500 Irving Street San Francisco, CA global.net 95959 94103 Oakland Hills, CA San Francisco, CA 80 Maiden Lane (510) 444-1900 Berkeley, CA 94710 94102 395 Valencia Street 94123 www.juliebakerfineart.com www.thelab.org 94619 94122 San Francisco, CA www.glassmountain.biz sfwmpac.org San Francisco, CA (415) 864-8855 www.palaceoffinearts.org Galeria de la Raza julie@juliebakerfineart.com www.masterworksfineart. mollusksurfshop.com 94108 (510) 524-2102 [email protected] 94103 (415) 563-6504 2857 24th Street (530) 265-9278 Legion of Honor com (415) 564-6300 www.nomagallery.com (415) 621-6600 www.jackhanley.com Park Life Green City Gallery 100 34th Avenue info@masterworksfineart. [email protected] San Francisco, CA Hespe Gallery [email protected] K Gallery Museum of Craft 1950 Shattuck Avenue com (415) 391-0200 220 Clement Street 94110 251 Post Street #420 (415) 522-1623 2513 Blanding Avenue San Francisco, CA & Design Berkeley, CA 94705 (510) 777-9970 North Berkeley San Francisco, CA www.galeriadelaraza.org San Francisco, CA Jancar Jones Gal- Alameda, CA 94501 94121 550 Sutter Street [email protected] http://greencitygallery. rhythmix.org www.famsf.org Mercury 20 Frame 94118 lery San Francisco, CA www.parklifestore.com (415) 826-8009 blogspot.com/ 94108 [email protected] [email protected] 475 25th Street 1744 Shattuck Ave [email protected] Gallery 16 (510) 555-1212 www.hespe.com 965 Mission Street (510) 865-5060 Oakland, CA 94124 94102 [email protected] (415) 750-360 Berkeley, CA 94709 (415) 386-7275 Guerrero Gallery #120 www.mercurytwenty.com www.sfmcd.org 501 3rd Street (415) 776-5918 The Kabuki The- Lincart Gallery (510) 549-0428 [email protected] (415) 773-0303 Paule Anglim San Francisco, CA 2700 19th Street San Francisco, CA ater North of Market/ Hosfelt Gallery 1 Otis Street Museum of Craft 14 Geary Street San Francisco, CA 94103 1881 Post Street (510) 701-4620 94107 430 Clementina Street San Francisco, CA Tenderloin Com- San Francisco, CA www.gallery16.com 94110 www.jancarjones.com Michael Rosenthal & Folk Art San Francisco, CA [email protected] San Francisco, CA 94103 munity Benefit [email protected] guerrogallery.com sundancecinemas.com 365 Valencia Street 51 Yerba Buena Lane 94108 (415) 281-3770 www.lincart.com Sistrict Gallery (415) 626-7495 (415) 400-5168 94103 www.gallerypauleanglim.com (415) 929-4650 [email protected] San Francisco, CA San Francisco, CA 134 A Golden Gate Avenue Gallery 28 www.hosfeltgallery.com JB Blunk Residency anglim@gallerypauleanglim. Hackett-Freedman Kala Gallery (415) 503-1981 94103 94103 San Francisco, CA (415) 433-2710 BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

2990 San Pablo Av- www.rosenthalgallery.com www.mocfa.org tenderloincommunityart- Flying Machine Art 1228 Grant Ave Gallery [email protected] jbblunkresidency.org Lireille (415) 495-5454 [email protected] enue 3980 Piedmont Ave (415) 552-1010 (415) 227-4888 [email protected] Academy San Francisco, CA 250 Sutter Street Hotel Des Arts (415) 669-7585 Berkeley, CA 94702 Mina Dresden Gal- Museum of Per- Novellus Theatre 140 Balboa Street 94133 Suite 400 Oakland, CA 94611 447 Bush Street The Jewish Com- Studios: www.lireille.com lery formance & Design 701 Mission Street San Francisco, CA www.gallery-28.com San Francisco, CA munity Center etheljimenez@gallery-28. San Francisco, CA 1060 Heinz Avenue (510) 547-3455 312 Valencia Street 401 Van Ness Avenue San Francisco, CA 94118 94108 com 3200 California Street Luggage Store Suite 402 94103 www.flyingmachineartacad- www.hackettfreedman.com 94108 Berkeley, CA 94710 San Francisco, CA (415) 433-1228 [email protected] www.sfhoteldesarts.com San Francisco, CA (510) 549-2977 1007 Market Street San Francisco, CA www.ybca.org emy.com 94103 Gallery 291 (415) 362-7152 reservations@sfhotelde- 94118 www.kala.org San Francisco, CA www.minadresden.com 94102 (415) 978-2700 Fort Mason Center [email protected] 291 Geary Street, Hallway Projects sarts.com www.jccsf.org 94103 [email protected] (415) 255-4800 Oakland Art Gal- Building A [email protected] (510) 841-7000 Floor 5 hallwaybathroomgallery.com (800) 956-4322 www.luggagestoregallery.org (415) 863-8312 www.mpdsf.org lery San Francisco, CA (415) 292-1200 Kitsch Gallery San Francisco, CA Hamburger Eyes Hotel Rex (415) 255-5971 Mission 17 National Product 150 Frank H. Ogawa 94123 Johansson Projects 3265 17th Street Suite 2111 Mission Street 94102 26 Lilac Street 562 Sutter Street Magnolia Editions, 1494 California Street Plaza www.fortmason.org 2300 Telegraph Ave 204 (415) 291-9001 San Francisco, CA San Francisco, CA Inc. Suite 401 San Francisco, CA Oakland, CA 94612 [email protected] Oakland, CA San Francisco, CA (415) 345-7500 Gallo Center 94110 94102 2527 Magnolia Street San Francisco 94110 94109 www.oaklandartgallery.org www.jdvhotels.com www.johanssonprojects.com 94110 mission17.org 1000 I Street www.hamburgereyes.com www.nationalproduct.us [email protected] Forthrite kimberly@johanssonproj- kitschgallery.blogspot.com Oakland, CA 94607 [email protected] [email protected] (415) 433-4434 (415) 255-1920 (510) 763-4361 5857 San Pablo Ave Modesto, CA 95354 ects.com [email protected] www.magnoliaeditions.com (415) 861-3144 www.galloarts.org HANG ART Intersection for Needles & Pens Oakland Museum Oakland, CA (510) 444-9140 (415) 864-2127 (510) 834-2527 MoAD (209) 338-2100 556 & 567 Sutter the Arts 3253 16th St of Art www.forthriteprinting.com John Berggruen Kokoro Studio Mark Wolfe Con- 685 Mission Street [email protected] Gendel Gallery Street 446 Valencia Street San Francisco, CA 1000 Oak Street Gallery 682 Geary Street temporary Art San Francisco, CA (510) 923-1544 1847 Larkin Street San Francisco, CA San Francisco, CA 94103 Oakland, CA 94607 228 Grant Avenue San Francisco, CA 49 Geary Street #202 94105 San Francisco, CA 94103 www.needles-pens.com www.museumca.org Frame O Rama 94102 San Francisco, CA www.moadsf.org www.theintersection.org San Francisco, CA 94102 needlesandpens@hotmail. (510) 238-2200 2999 College Ave 94109 www.hangart.com 94108 (415) 358-7200 [email protected] www.gallery291.net 94108 www.kokorostudio.us com Oakopolis Berkeley, CA 94705 www.gendellgallery.com www.wolfecontemporary. (415) 434-4264 [email protected] www.berggruen.com [email protected] ModernArts & (415) 255-1534 http://www.frame-o-rama. (415) 567-3523 com 447 25th Street (415) 626-2787 [email protected] (415) 400-4110 ModernSculpture. New Conservatory com/pages/home.html Giant Robot Hatch Gallery (415) 781-4629 contact@wolfecontempo- Oakland, CA 94612 Ismalia Cultural Krowswork com Theatre Center (510) 644-2356 618 Shrader Street 492 23rd Street Joyce Gordon Gal- rary.com www.oakopolis.org Center 480 23rd Street Rose Street 25 Van Ness Ave. [email protected] Frank Bette Center San Francisco, CA Oakland, CA 94612 lery www.krowswork.com (415) 369-9404 815 Atlantic Ave Berkeley, CA 94709 San Francisco, CA (510) 663-6920 for the Arts 94117 www.hatchgallery.org 406 14th Street [email protected] Marx & Zavattero (510) 879-7382 Alameda, CA 94501 ModernSculpture.com 94102 OnSix Gallery 1601 Paru Street www.giantrobot.com Oakland, CA 94612 (510) 229-7035 77 Geary Street 2nd (877) 576- 2787 Headlands Center (510) 865-6128 www.nctcsf.org 60 Sixth Street Alameda, CA 94501 [email protected] www.joycegordongallery. Kuhl Frames + Art Floor Modernism, Inc. http://www.frankbettecen- (415) 876-4773 For the Arts Jack Fischer Gal- [email protected] San Francisco, CA com/ 412 22nd Street San Francisco, CA 685 Market Street (415) 861-4914 ter.org/index.htm Giorgi Gallery 944 Fort Barry lery [email protected] 94108 94103 (510) 523-6957 At Franklin Street San Francisco, CA New Langton Arts www.onsixgallery.com 2911 Claremont Ave Sausalito, CA 94965 49 Geary Street (510)465-8928 www.marxzav.com Oakland, CA 94612 94105 1246 Folsom Street [email protected] Front Gallery Berkeley, CA 94705 www.headlands.org San Francisco, CA Julie Baker Fine [email protected] www.kuhlframes.com www.modernisminc.com San Francisco, CA (415) 863-1221 35 Grand Ave www.giorgigallery.com [email protected] (510) 625-0123 (415) 627-9111 94108 Art [email protected] www.newlangtonarts.org Oakland, CA 94612 [email protected] (415) 331-2787 www.jackfischergallery.com Palace of Fine Arts 15092 Manzanita Dig- The Lab Masterworks Fine (415) 541-0461 [email protected] www.frontgalleryoakland. (510) 848-1228 Herbst Theatre info@jackfischergallery.com Theatre gins Dr 2948 16th Street Art (415) 626-5416 com Glass Mountain 401 Van Ness Avenue (415) 956-1178 Mollusk Surf Shop 3301 Lyon Street studiophotography@sbc- Nevada City, CA San Francisco, CA 13470 Campus Drive NOMA Gallery 1314 4th Street San Francisco, CA Jack Hanley 4500 Irving Street San Francisco, CA global.net 95959 94103 Oakland Hills, CA San Francisco, CA 80 Maiden Lane (510) 444-1900 Berkeley, CA 94710 94102 395 Valencia Street 94123 www.juliebakerfineart.com www.thelab.org 94619 94122 San Francisco, CA www.glassmountain.biz sfwmpac.org San Francisco, CA (415) 864-8855 www.palaceoffinearts.org Galeria de la Raza julie@juliebakerfineart.com www.masterworksfineart. mollusksurfshop.com 94108 (510) 524-2102 [email protected] 94103 (415) 563-6504 2857 24th Street (530) 265-9278 Legion of Honor com (415) 564-6300 www.nomagallery.com (415) 621-6600 www.jackhanley.com Park Life Green City Gallery 100 34th Avenue info@masterworksfineart. [email protected] San Francisco, CA Hespe Gallery [email protected] K Gallery Museum of Craft 1950 Shattuck Avenue com (415) 391-0200 220 Clement Street 94110 251 Post Street #420 (415) 522-1623 2513 Blanding Avenue San Francisco, CA & Design Berkeley, CA 94705 (510) 777-9970 North Berkeley San Francisco, CA www.galeriadelaraza.org San Francisco, CA Jancar Jones Gal- Alameda, CA 94501 94121 550 Sutter Street [email protected] http://greencitygallery. rhythmix.org www.famsf.org Mercury 20 Frame 94118 lery San Francisco, CA www.parklifestore.com (415) 826-8009 blogspot.com/ 94108 [email protected] [email protected] 475 25th Street 1744 Shattuck Ave [email protected] Gallery 16 (510) 555-1212 www.hespe.com 965 Mission Street (510) 865-5060 Oakland, CA 94124 94102 [email protected] (415) 750-360 Berkeley, CA 94709 (415) 386-7275 Guerrero Gallery #120 www.mercurytwenty.com www.sfmcd.org 501 3rd Street (415) 776-5918 The Kabuki The- Lincart Gallery (510) 549-0428 [email protected] (415) 773-0303 Paule Anglim San Francisco, CA 2700 19th Street San Francisco, CA ater North of Market/ Hosfelt Gallery 1 Otis Street Museum of Craft 14 Geary Street San Francisco, CA 94103 1881 Post Street (510) 701-4620 94107 430 Clementina Street San Francisco, CA Tenderloin Com- San Francisco, CA www.gallery16.com 94110 www.jancarjones.com Michael Rosenthal & Folk Art San Francisco, CA [email protected] San Francisco, CA 94103 munity Benefit [email protected] guerrogallery.com sundancecinemas.com 365 Valencia Street 51 Yerba Buena Lane 94108 (415) 281-3770 www.lincart.com Sistrict Gallery (415) 626-7495 (415) 400-5168 94103 www.gallerypauleanglim.com (415) 929-4650 [email protected] San Francisco, CA San Francisco, CA 134 A Golden Gate Avenue Gallery 28 www.hosfeltgallery.com JB Blunk Residency anglim@gallerypauleanglim. Hackett-Freedman Kala Gallery (415) 503-1981 94103 94103 San Francisco, CA (415) 433-2710 BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

Paul Mahder Gal- (917) 902-5396 94103 San Francisco Girls (415) 4950-6400 [email protected] den.com Oakland, CA 94607 (510) 527-1214 www.velvetdavinci.com [email protected] lery Project One www.redinkstudios.com Chorus Shipyard Trust For (510) 928-7479 (415) 661-1316 www.swarmgallery.com Triple Base Gallery (415) 441-0109 3378 Sacramento 251 Rhode Island (415) 861-3402 44 Page Street The Arts SOAP Gallery Studio One (510) 839-2787 3041 24th Street Telluride Film Fes- Warehouse 416 Street Street Re-enchanting the San Francisco, CA P.O, Box 880083 3180 Mission Street 365 45th Street San Francisco, CA tival 416 26th Street San Francisco, CA San Francisco, CA world through art 94102 San Francisco, CA San Francisco, CA Oakland, CA 94609 94110 2600 10th Street basebasebase.com Oakland CA 94612 94118 94103 Alameda, CA 94501 www.sfgirlschorus.org 94188 94110 www.oaklandnet.com studiooneartcenter@gmail. www.warehouse416.com (415) 474-7707 p1sf.com www.reenchantingth- [email protected] (415) 822-0922 [email protected] Berkeley, CA 94710 (415) 643-3943 eworldthroughart.org com www.telluridefilmfestival.org [email protected] www.paulmahdergallery.com [email protected] (415) 863-1752 [email protected] http://206.130.104.2/soap- UC Berkeley Art [email protected] Studio Gallery telluridefilmfestival.org Paul Thiebaud (415) 938-71743 San Francisco www.shipyardtrust.org gallery/ Museum (415) 640-4967 (510) 395-3920 SF Camerawork (415) 920-9199 1815 Polk Street (510) 665-9494 Gallery Public Salon International Film 2626 Bancroft Way White Walls Rena Bransten 657 Mission Street SOMA Open Stu- San Francisco, CA Tony Molatore 645 Chestnut Street 571 Geary Street Festival Berkeley, CA 94720 835 Larkin Street Gallery 2nd Floor dios 94109 Photo Lab Incor- www.bampfa.berkeley.edu San Francisco, CA San Francisco, CA San Francisco, CA San Francisco, CA 77 Geary Street www.studiogallerysf.com porated (510) 642-0808 94133 9410 www.sffs.org San Francisco, CA 689 Bryant Street 94109 (415) 931-3130 www.paulthiebaudgallery. publicbarbersalon.com San Francisco, CA [email protected] 94105 San Francisco, CA 2444 Sacramento UC Berkeley [email protected] com (415) 441-8599 94108 (415) 561-5000 www.sfcamerawork.org 94107 Studio Quercus Street Extension Art & www.whitewallssf.com info@paulthiebaudgallery. Pueblo Nuevo Gal- www.renabranstengallery. San Francisco [email protected] www.somartiststudios.com 385 26th Street Berkeley, CA 94702 Design Center (415) 931-1500 com com (415) 512-2020 [email protected] Oakland, CA 94612 (510) 204-9359 Worth Ryder Gal- (415) 434-3055 lery LGBT Community 95 Third Street info@renabranstengallery. SF Conservatory of SOMArts www.studioquercus.com lery Peanut Gallery 1828 San Pablo Ave com Center Transmissions Gal- San Francisco, CA Music Concert Hall 934 Brannan Street [email protected] UC Berkeley Campus 855 Folsom Street Berkeley, CA 94702 (415) 982-3292 1800 Market Street (510) 452-4670 lery 94103 50 Oak Street San Francisco, CA www.extension.berkeley. Berkeley, CA 94720 #108 www.pueblonuevogallery. Robert Tat Gallery San Francisco, CA Sub-Mission 1177 San Pablo Ave com 49 Geary Street 94102 San Francisco, CA 94103 Berkeley, CA 94706 edu/art http://art.berkeley.edu/rev2/ San Francisco CA 2183 Mission Street [email protected]. wrGallery info@pueblonuevogallery. www.sfcenter.org 94102 www.somarts.org (510) 558-4084 San Francisco, CA San Francisco, CA edu (510) 642-2582 94107 com [email protected] www.sfcm.edu [email protected] Trax Ceramics Gal- (415) 284-1081 thepeanutgallerysf.blogspot. (510) 452-7363 94108 (415) 863-1414 94110 Yerba Buena Cen- www.roberttat.com (415) 865-5555 (415) 864-7326 lery com thepeanutgallerysf@ Queens Nail’s An- Southern Exposure www.sf-submission.com Visual Aid ter for the Arts gmail.com [email protected] San Francisco Mu- SF Jazz [email protected] 1812 5th Street nex 3030 20th St 57 Post Street, Suite 701 Mission Street (415) 341-0074 (415) 781-1122 seum and Histori- 3 Embarcadero Center (415) 255-7227 Berkeley, CA 94710 3189 Mission Street San Francisco, CA 905 San Francisco, CA Photo Alliance Rock Paper Scis- cal Society San Francisco, CA www.traxgallery.com 94110 Subterranean Art San Francisco, CA San Francisco, CA sors Collective 785 Market Street 94111 [email protected] 94103 P.O. Box 29010 www.soex.org House 94104 queensnailsprojects.com www.sfjazz.org (510) 540-8729 www.ybca.org San Francisco, CA 2278 Telegraph Ave San Francisco CA (415) 863-2141 2179 Bancroft Way www.visualaid.org (415) 978-2700 queensnailsprojects@gmail. [email protected] Traywick Contem- 94129 com Oakland, CA 94612 94103 Strybing Arbore- Berkeley, CA 94704 [email protected] ZEUM (415) 398-5655 porary www.photoalliance.org (415) 824-1310 www.rpscollective.com www.sfhistory.org tum www.subterraneanarthouse. (415) 777-8242 221 Fourth Street [email protected] [email protected] SFMOMA 895 Colusa Ave (415) 425-5608 Rare Device 1249 9th Avenue org Velvet da Vinci San Francisco, CA (510) 238-9171 (415) 537-1105 151 3rd Street Berkeley, CA 94707 Pigman Gallery 1845 Market Street San Francisco, CA (510) 981-1281 2015 Polk Street 94103 72 Tehama Street San Francisco, CA Root Division San Francisco San Francisco, CA Swarm Gallery www.traywick.com San Francisco, CA 94122 [email protected] www.zeum.org San Francisco CA 94103 3175 17th Street Women Artists 94103 560 2nd Street 94109 [email protected] www.sfmoma.org www.sfbotanicalgar- 94103 www.raredevice.net San Francisco, CA 3489 Sacramento (415) 820-3320 (415) 357-4000 www.pigmangallery.org [email protected] 94110 Street [email protected] (415) 863-3969 www.rootdivision.org San Francisco, CA The Shooting Gal- (415) 546-3921 Ratio 3 [email protected] 94118 lery (415) 863-7668 Ping Pong Gallery 1447 Stevenson Street www.sfwomenartists.org 839 Larkin Street 1240 22nd Street San Francisco, CA Sandra Lee sfwomenartists@sbcglobal. San Francisco, CA San Francisco, CA 94103 251 Post Street Suite net 94109 94107 www.ratio3.org 310 (415) 440-7392 www.shootinggallerysf.com www.pingponggallery.com [email protected] San Francisco, CA Scriptum justin@shootinggallerysf. [email protected] (415) 821-3371 94108 798 Creston Rd com (415) 550-7483 Rayko Photo Cen- www.sandraleegallery.com Berkeley, CA 94708 (415) 931-8035 Pro Arts ter [email protected] www.japaneseprintart.com Slate Art & Design 150 Frank H. Ogawa 428 3rd Street (415) 291-8000 (510) 526-1236 4770 Telegraph Ave www.sfaqonline.com Plaza San Francisco, CA San Francisco Arts Sculpturesite Gal- Oakland, CA 94609 Oakland, CA 94612 94107 Commission lery www.slateartandesign.com www.proartsgallery.org raykophoto.com 25 Van Ness Avenue 201 3rd Street #102 [email protected] [email protected] [email protected] San Francisco, CA San Francisco, CA (510) 652-4085 (510) 763-4361 (415) 495-3773 Smokey’s Tangle 94102 94103 Pond Red Ink Studios www.sfartscommission.org www.sculpturesitegallery. 4709 Telegraph Ave www.mucketymuck.org 1035 Market Street meg.shiffl[email protected] com Oakland, CA 94609 pondpeople@mucketymuck. San Francisco, CA [email protected] www.smokeystangle.com org (415) 252-2590 BAY AREA Gallery. Alt-Space. Museum. Non-Profit. Venue. Educational: Listings

Paul Mahder Gal- (917) 902-5396 94103 San Francisco Girls (415) 4950-6400 [email protected] den.com Oakland, CA 94607 (510) 527-1214 www.velvetdavinci.com [email protected] lery Project One www.redinkstudios.com Chorus Shipyard Trust For (510) 928-7479 (415) 661-1316 www.swarmgallery.com Triple Base Gallery (415) 441-0109 3378 Sacramento 251 Rhode Island (415) 861-3402 44 Page Street The Arts SOAP Gallery Studio One (510) 839-2787 3041 24th Street Telluride Film Fes- Warehouse 416 Street Street Re-enchanting the San Francisco, CA P.O, Box 880083 3180 Mission Street 365 45th Street San Francisco, CA tival 416 26th Street San Francisco, CA San Francisco, CA world through art 94102 San Francisco, CA San Francisco, CA Oakland, CA 94609 94110 2600 10th Street basebasebase.com Oakland CA 94612 94118 94103 Alameda, CA 94501 www.sfgirlschorus.org 94188 94110 www.oaklandnet.com studiooneartcenter@gmail. www.warehouse416.com (415) 474-7707 p1sf.com www.reenchantingth- [email protected] (415) 822-0922 [email protected] Berkeley, CA 94710 (415) 643-3943 eworldthroughart.org com www.telluridefilmfestival.org [email protected] www.paulmahdergallery.com [email protected] (415) 863-1752 [email protected] http://206.130.104.2/soap- UC Berkeley Art [email protected] Studio Gallery telluridefilmfestival.org Paul Thiebaud (415) 938-71743 San Francisco www.shipyardtrust.org gallery/ Museum (415) 640-4967 (510) 395-3920 SF Camerawork (415) 920-9199 1815 Polk Street (510) 665-9494 Gallery Public Salon International Film 2626 Bancroft Way White Walls Rena Bransten 657 Mission Street SOMA Open Stu- San Francisco, CA Tony Molatore 645 Chestnut Street 571 Geary Street Festival Berkeley, CA 94720 835 Larkin Street Gallery 2nd Floor dios 94109 Photo Lab Incor- www.bampfa.berkeley.edu San Francisco, CA San Francisco, CA San Francisco, CA San Francisco, CA 77 Geary Street www.studiogallerysf.com porated (510) 642-0808 94133 9410 www.sffs.org San Francisco, CA 689 Bryant Street 94109 (415) 931-3130 www.paulthiebaudgallery. publicbarbersalon.com San Francisco, CA [email protected] 94105 San Francisco, CA 2444 Sacramento UC Berkeley [email protected] com (415) 441-8599 94108 (415) 561-5000 www.sfcamerawork.org 94107 Studio Quercus Street Extension Art & www.whitewallssf.com info@paulthiebaudgallery. Pueblo Nuevo Gal- www.renabranstengallery. San Francisco [email protected] www.somartiststudios.com 385 26th Street Berkeley, CA 94702 Design Center (415) 931-1500 com com (415) 512-2020 [email protected] Oakland, CA 94612 (510) 204-9359 Worth Ryder Gal- (415) 434-3055 lery LGBT Community 95 Third Street info@renabranstengallery. SF Conservatory of SOMArts www.studioquercus.com lery Peanut Gallery 1828 San Pablo Ave com Center Transmissions Gal- San Francisco, CA Music Concert Hall 934 Brannan Street [email protected] UC Berkeley Campus 855 Folsom Street Berkeley, CA 94702 (415) 982-3292 1800 Market Street (510) 452-4670 lery 94103 50 Oak Street San Francisco, CA www.extension.berkeley. Berkeley, CA 94720 #108 www.pueblonuevogallery. Robert Tat Gallery San Francisco, CA Sub-Mission 1177 San Pablo Ave com 49 Geary Street 94102 San Francisco, CA 94103 Berkeley, CA 94706 edu/art http://art.berkeley.edu/rev2/ San Francisco CA 2183 Mission Street [email protected]. wrGallery info@pueblonuevogallery. www.sfcenter.org 94102 www.somarts.org (510) 558-4084 San Francisco, CA San Francisco, CA edu (510) 642-2582 94107 com [email protected] www.sfcm.edu [email protected] Trax Ceramics Gal- (415) 284-1081 thepeanutgallerysf.blogspot. (510) 452-7363 94108 (415) 863-1414 94110 Yerba Buena Cen- www.roberttat.com (415) 865-5555 (415) 864-7326 lery com thepeanutgallerysf@ Queens Nail’s An- Southern Exposure www.sf-submission.com Visual Aid ter for the Arts gmail.com [email protected] San Francisco Mu- SF Jazz [email protected] 1812 5th Street nex 3030 20th St 57 Post Street, Suite 701 Mission Street (415) 341-0074 (415) 781-1122 seum and Histori- 3 Embarcadero Center (415) 255-7227 Berkeley, CA 94710 3189 Mission Street San Francisco, CA 905 San Francisco, CA Photo Alliance Rock Paper Scis- cal Society San Francisco, CA www.traxgallery.com 94110 Subterranean Art San Francisco, CA San Francisco, CA sors Collective 785 Market Street 94111 [email protected] 94103 P.O. Box 29010 www.soex.org House 94104 queensnailsprojects.com www.sfjazz.org (510) 540-8729 www.ybca.org San Francisco, CA 2278 Telegraph Ave San Francisco CA (415) 863-2141 2179 Bancroft Way www.visualaid.org (415) 978-2700 queensnailsprojects@gmail. [email protected] Traywick Contem- 94129 com Oakland, CA 94612 94103 Strybing Arbore- Berkeley, CA 94704 [email protected] ZEUM (415) 398-5655 porary www.photoalliance.org (415) 824-1310 www.rpscollective.com www.sfhistory.org tum www.subterraneanarthouse. (415) 777-8242 221 Fourth Street [email protected] [email protected] SFMOMA 895 Colusa Ave (415) 425-5608 Rare Device 1249 9th Avenue org Velvet da Vinci San Francisco, CA (510) 238-9171 (415) 537-1105 151 3rd Street Berkeley, CA 94707 Pigman Gallery 1845 Market Street San Francisco, CA (510) 981-1281 2015 Polk Street 94103 72 Tehama Street San Francisco, CA Root Division San Francisco San Francisco, CA Swarm Gallery www.traywick.com San Francisco, CA 94122 [email protected] www.zeum.org San Francisco CA 94103 3175 17th Street Women Artists 94103 560 2nd Street 94109 [email protected] www.sfmoma.org www.sfbotanicalgar- 94103 www.raredevice.net San Francisco, CA 3489 Sacramento (415) 820-3320 (415) 357-4000 www.pigmangallery.org [email protected] 94110 Street [email protected] (415) 863-3969 www.rootdivision.org San Francisco, CA The Shooting Gal- (415) 546-3921 Ratio 3 [email protected] 94118 lery (415) 863-7668 Ping Pong Gallery 1447 Stevenson Street www.sfwomenartists.org 839 Larkin Street 1240 22nd Street San Francisco, CA Sandra Lee sfwomenartists@sbcglobal. San Francisco, CA San Francisco, CA 94103 251 Post Street Suite net 94109 94107 www.ratio3.org 310 (415) 440-7392 www.shootinggallerysf.com www.pingponggallery.com [email protected] San Francisco, CA Scriptum justin@shootinggallerysf. [email protected] (415) 821-3371 94108 798 Creston Rd com (415) 550-7483 Rayko Photo Cen- www.sandraleegallery.com Berkeley, CA 94708 (415) 931-8035 Pro Arts ter [email protected] www.japaneseprintart.com Slate Art & Design 150 Frank H. Ogawa 428 3rd Street (415) 291-8000 (510) 526-1236 4770 Telegraph Ave www.sfaqonline.com Plaza San Francisco, CA San Francisco Arts Sculpturesite Gal- Oakland, CA 94609 www.sfaqonline.com Oakland, CA 94612 94107 Commission lery www.slateartandesign.com www.proartsgallery.org raykophoto.com 25 Van Ness Avenue 201 3rd Street #102 [email protected] [email protected] [email protected] [email protected] San Francisco, CA San Francisco, CA (510) 652-4085 (510) 763-4361 (415) 495-3773 Smokey’s Tangle 94102 94103 Pond Red Ink Studios www.sfartscommission.org www.sculpturesitegallery. 4709 Telegraph Ave www.mucketymuck.org 1035 Market Street meg.shiffl[email protected] com Oakland, CA 94609 pondpeople@mucketymuck. San Francisco, CA [email protected] www.smokeystangle.com org (415) 252-2590 Residency ListingWest Coast Residency Listing 1SSSFFFAAAQQ2Q 3 4 5 6 7 8 9 10 11 12 13 Headlands Center for Marin County, PS, PA, FV 3 weeks - 6 months yes no yes yes yes 3/1 $35 no yes the Arts CA

Recology San - San Francisco, PS, AA 3 months (part/full yes no no no yes 8/31 no no yes Francisco CA time)

Djerassi Resident Woodside, CA PS, PA, M 4 - 5 weeks no no yes yes yes 2/15 $35 no no Artists Program

Kala Art Institute Berkeley, CA PR, PH, DM 1 - 3 months yes no no no SUB 4/30 no $100 yes 7/31 10/31 1/31

Hallway Projects San Francisco, PA, M 1 day no no no no no invite no no yes CA

Exploratorium San Francisco, PA, FV, PS 1 week - 6 months yes yes yes yes yes ongoing no no yes CA

Intersection for the San Francisco, PA non - specific yes no no no no ongoing no no yes Arts CA

Capp Street Projects San Francisco, PS, PA, FV 3 weeks - 3 months yes yes no no no invite no no yes CA

JB Blunk Residency Marin County, PS, FV 2 months yes no yes no yes 8/13 $40 $100 yes Program CA

Fine Arts Museum of San Francisco, PS 1 month no no no no no ongoing no no yes SF Artist in Residency CA Program

New Langton Theater San Francisco, FV, PA non - specific no no no no SUB ongoing no no yes Residency Program CA

Pilchuck Emerging AiR Stanwood, WA S, G 9/20 - 10/12 yes - yes no yes 3/15 $45 - yes Program

Philchuck Professional Stanwood, WA S, G negotiable no - yes yes yes 10/1 $45 - no AiR Program

Espy Foundation Oysterville, WA VA, W, C/R 1 month yes - yes yes yes 3/1 $20 - no 7/1 12/1

Caldera Arts Sisters, OR VA, PA, WR, 1 month no - yes no yes 7/15 $30 - open DE, M studio

Sitka Center for the Arts Otis, OR VA, PA, WR, 4 months no - yes no yes 4/23 no - open & Ecology WR, SP, M studio

The Morris Graves Loleta, CA VA, C/R, WR negotiable no - yes no yes 7/1 - - no Foundation 10/22

Montalvo Artist Residecy Saratoga, CA VA, PA, WR, 3 months no - yes - - invite - - - M

Orchard Projects Ventura, CA VA, C/R, WR negotiable no - yes no no ongoing no - -

contact: [email protected] Discipline Legend Column Legend PS : Painting/Sculpture G: Glass Art SUB: Subsidized rent 1. Residency Title 8. Meals PA : Performing Arts ES: Environmental Science 2. Location 9. Studio PR : Printmaking VA: Visual Art 3. Discipline(s) 10. Deadline FV : Film/Video SP: Social Practice 4. Duration 11. Application Fee DM : Digital Media C/R: Curatoring/Research 5. Stipend 12. Deposit PH : Photography WR: Writing 6. Travel 13. Exhibition Opportunity Residency ListingAA : Applied Art M:More 7. Housing

1 2 3 4 5 6 7 8 9 10 11 12 13 18th Street Art Center Santa Monica, VA, PA, SP 3 - 5 years no - yes no SUB ongoing no - no CA

Project 2048 San Francisco VA, C/R, PA, 3 - 4 months no - yes no yes ongoing $25 - yes M

Hunters Point Shipyard San Francisco VA, AA, M 18 months 500 no no no yes fall no no yes Art Colony

Residency Editor: Cameron Kelly

We Support Local Artists Local Artists Support Us www.pbrart.com charleslinder.com September Brett Reichman Katherine Sherwood

October Louise Fishman Nathaniel Dorsky

November Robert Bechtle Ken Graves

December Bull.Miletic

January Enrique Chagoya

Gallery Paule Anglim

14 Geary Street, San Francisco, CA 94108 Tel: 415.433.2710 Fax: 415.433.1501 www.gallerypauleanglim.com