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Tom Betthauser
TOM BETTHAUSER b. San Francisco 1987 CONTACT: [email protected] EDUCATION: Yale University, School of Art — MFA, Painting / Drawing 2012 San Francisco Art Institute — BFA, Painting / Drawing 2010 TEACHING / EMPLOYMENT EXPERIENCE: College of Marin, CA – Adjunct Professor, Beginning & Advanced Painting, May 2018 – Present San Francisco Art Institute, CA – Public Education Instructor, Jan 2018 – Present West Valley College, San Jose CA – Adjunct Professor, Studio Art / Art History, 2017 – Present University of California San Diego CA – Visiting Artist (lecture / studio visits) – Nov 2017 Wylie & May Louise Jones Gallery, Bakersfield CA – Chief Gallery Director / Curator, 2014 – 2017 Bakersfield College, CA – Adjunct Professor, Studio Art / Art History, 2014 – 2017 Cerro Coso Community College, CA – Adjunct Prof. Studio Art / Art History, 2013 – 2017 Natural History Museum of Los Angeles – Exhibit Technician (Seasonal) 2015 – 2016 Artvoices Magazine, Los Angeles CA – Contributing Writer, 2014 – 2016 Yale School of Art, New Haven CT – Teaching Assistant to Samuel Messer, 2011 – 2012 Yale School of Art, New Haven CT – Chief Graduate Admissions Coordinator, 2011 – 2012 Yale School of Art, New Haven CT – Art Handler / Installation Assistant, 2011 – 2012 San Francisco Art Institute, CA –Teaching Assistant / Academic Tutor, 2007 – 2010 Exploratorium Museum, CA – Explainer / Tactile Dome / Public Programs, 2006 – 2012 SELECTED GROUP / SOLO EXHIBITIONS: 2015 – PRESENT Crocker Museum of Art, CA – Big Names Small Art Benefit Auction – May -
Loma Rica Ranch Report (PDF)
.... HISTORICALLY SIGNIFICANT FEATURES OF THE LOMA RICA RANCH, GRASS VALLEY, CALIFORNIA Compiled and Written by Deb Haas TABLE OF CONTENTS Introduction iii. Topographical Map of Lorna Rica Ranch v. The Southern .Maidu 1 • McCarty/Lorna Rica Ranch 3. Nevada County Narrow Gauge Railroad. 5. Idaho Maryland Mine • 6. Errol MacBoyle B. MacBoyle Lake & The World's Fair Fountain 11 • Miscellaneous Information • 1 2. Recommendations 1 3. Appendixes • 15. Endnotes 33. Bibliography 35. ii. Introduction In May 1992, Teachers Management Investment Corporation requested that the Nevada County Historical Landmarks Commission attempt to identify and research the historically significant points of interest located on the Lorna Rica Ranch. NCHLC conducted searches of county records, newspapers, Nevada County Historical Society Bulletins from 1948 to the present, reviewed pertinent literature and histories, searched the Empire Mine files and conducted interviews of citizens in attempts to determine the historical points of interest on Lorna Rica Ranch. Additionally, field surveys were conducted by members of the NCHLC to better understand the various facets of the potential sites located on Lorna Rica Ranch. This enables the NCHLC to develop a clearer understanding of what could be considered historically significant to the citizens of Nevada County. The research uncovered five historically significant tangible sites. The sections under investigation are: (1) two prehistoric Southern Maidu sites; (2) remnants of the Nevada County Narrow Gauge Railroad beds; (3) remains of the Idaho Maryland mine operations; (4) the Lorna Rica Ranch Thoroughbred operations; and (5) the MacBoyle reservoir which includes the purported World's Fair Fountain. The individual, Errol MacBoyle is an historically significant individual that by all rights should be included in the historically significant list of the Lorna Rica Ranch. -
Curriculum Vitae
H A I N E S G A L L E R Y PATSY KREBS b. 1940 Lives and works in Inverness, CA EDUCATION 1977 MFA, Claremont Graduate School, Claremont, CA SOLO EXHIBITIONS 2018 Aletheia: reveal/conceal, Haines Gallery, San Francisco, CA Focus: Patsy Krebs, Bolinas Museum, CA 2017 Patsy Krebs: Paintings, 15th Street Gallery, Boulder, CO Recent Paintings, Haines Gallery, San Francisco, CA 2015 Patsy Krebs: Time Passages, Michael Warren Contemporary, Denver, CO 2013 Parable of the Oxherder: Aquatint Etchings, Lora Schlesinger Gallery, Santa Monica, CA Fugue, Steamboat Springs Arts Council, Steamboat Springs, CO 2012 New Paintings, Haines Gallery, San Francisco, CA 2011 The Oxherder Parable, Page Bond Gallery, Richmond, VA 2009 Selected Paintings, San Marco Gallery, Dominican University of California, San Rafael, CA 2008 Selected Paintings 1980 - 2000, Sandy Carson Gallery, Denver, CO Hibernal Dreams, Haines Gallery, San Francisco, CA 2007 Rising, Hunsaker/Schlesinger Fine Art, Santa Monica, CA 2006 Works on Paper, Hunsaker/Schlesinger Fine Art, Santa Monica, CA 2005 New Works, Sandy Carson Gallery, Denver, CO A Decade, Flora Lamson Hewlett Library, Graduate Theological Union, Berkeley, CA 2004 Portfolio: Watercolor Suites, Interchurch Center Galleries, New York, NY New Work, Haines Gallery, San Francisco, CA 2002 New Minimalism, Aalto Space, Ashland, OR 2001 Elysion, Haines Gallery, San Francisco, CA Greg Kucera Gallery, Seattle, WA 1999 Ovum, Haines Gallery, San Francisco, CA 1997 Gensler and Associates, San Francisco, CA 1996 Painting, Haines Gallery, -
San Francisco Examiner September 22, 1889
The Archive of American Journalism Ambrose Bierce Collection San Francisco Examiner September 22, 1889 Prattle A Record of Individual Opinion It is stated that the furniture for the new cruiser Charleston “would grace a palace.” Mention is made of “magnificent sideboards with elaborate carvings and panels and fine mirrors,” “great heavy mahogany tables and desks of elaborate design and finish, and upholstered chairs by the score.” The cabins and staterooms, it is added, have sides “composed of panels of polished sycamore and teak, each of which is a gem of the cabinet-maker’s art.” It is to be hoped that the officers and sailors of the Charleston will harmonize with the beautiful environment. An Admiral out of keeping with the elaborate carvings, a midshipman who should not match the panels of polished sycamore, or an able seaman unable to subdue his complexion to the exact shade of the mahogany tables, would precipitate a grave artistic disaster-at-sea. If the vessel’s gunpowder is suitably perfumed with attar-of-roses, her guns gold-lated and operated by crews in silk attire, captained by Professors of Deportment, the national honor may be considered safe until there shall be a war. If our “new Navy” had no graver virtues, no more perilous perfections than gorgeous furniture, it would be well for us; but )in my humble judgment) we have not, and are not likely soon to have, a single war vessel that is worth the cost of its rudder. Our safety is to be found in the fact that the war vessels of other nations are no better. -
ACE LEHNER 49 Greenkill Ave, #6 Kingston, NY [email protected] 415.335.1697 EDUCATION 2019 Ph.D
ACE LEHNER 49 Greenkill Ave, #6 Kingston, NY www.Ace-Lehner.com [email protected] 415.335.1697 EDUCATION 2019 Ph.D. (anticipated), History of Art and Visual Culture, U.C. Santa Cruz, Santa Cruz, CA 2010 MFA Fine Art / MA Visual and Critical Studies, California College of the Arts, San Francisco, CA 2003 BFA Studio Art, Minor Social Anthropology (with Distinction), Concordia University, Montreal, Canada 2000 International Artist Exchange program, Middlesex University, London, UK PROFESSIONAL EXPERIENCE 2018-Current Joan Tisch Teaching Fellow Whitney Museum of American Art 2016-Current Gallery Guide Dia Foundation, NY 2015-2016 Adjunct Professor Photography Department, City College of San Francisco, San Francisco, CA 2014-2016 Associate In History of Art and Visual Culture, UC Santa Cruz, Santa Cruz, CA 2014-2016 Teaching Assistant, Politics of Aesthetics, Photography Now, History of Photography of Asia History of Art and Visual Culture, UC Santa Cruz, Santa Cruz, CA 2013-2016 Photography Instructor, Young Artist Studio Program California College of the Arts, Oakland, CA 2011-2012 Alumni Mentor California College of the Arts, Oakland, CA 2010-2016 Photography Instructor Berkeley Art Studio, University of California Berkeley, Berkeley, CA 2010-2012 Lecturer Photography Program, California College of the Arts, Oakland, CA 2010-2012 Advanced Placement Art Instructor, Digital Media Instructor and Drawing Instructor Oakland School for the Arts, Oakland, CA 2010 Lead Teaching Artist, Mission Voices Summer Program Southern Exposure, San Francisco, -
Amanda Marchand
AMANDA MARCHAND EDUCATION: 2000 M.F.A., photography, San Francisco Art Institute, San Francisco, C.A 1992 Multi-media studies, Emily Carr College of Art & Design, Vancouver, B.C. 1990 B.A., Queen’s University, Kingston, O.N. SELECTED SOLO EXHIBITIONS: 2015 Night Garden, Traywick Contemporary, Berkeley, CA 2012 Night Garden: The Summer Project, http://amandamarchand.com/blog/ 2005 The Density of Air, Bolinas Art Museum, Bolinas, CA 2004 415/514. San Francisco City Hall, Arts Commission Gallery, San Francisco, CA 2003 Amanda Marchand & Dennis McLeod. Traywick Gallery, San Francisco, CA 2002 You Came So Close. The Project Space, Headlands Center for the Arts, Marin, CA 2001 Under his Knowledge, Gallery Petite L.G., Houston, TX SELECTED GROUP EXHIBITIONS: 2015 Front Yard/Backstreet, Palo Alto Art Center, Palo Alto, CA Center Forward, The Center for Fine Art Photography, Fort Collins, CO Curve, CENTER, Santa Fe, NM Mind-scape, (exhibition and book launch), Datz Museum, Seoul, Korea 2012 Materials + Process, Traywick Contemporary, Berkeley, CA 2011 Tomorrow’s Stars: Verge Art Brooklyn, Dumbo, NY Manipulated, Castell Photography, Asheville, NC George Eastman House Panel (see below), Preview Show/Auction, The Metropolitain Pavillion, NY 2010 George Eastman House Preview Show and Auction, Sotheby’s, NY Love Pictures, curated by Will Mebane and Scott Tolmie. 2009 Group Show, Cavallo Point Lodge, Marin, CA. 2008 Arm’s Length in: Ceramics and the Treachery of Objects in the Digital Age. (Catalogue), Scripps College, 64th Annual, Claremont, CA. (collaboration with Jeanne Quinn) 2005 Photo New York. SFAI, Metropolitan Pavilion, New York, NY. Photo-Based. Traywick Contemporary, Berkeley, CA. -
Mayor Angelo Rossi's Embrace of New Deal Style
San Jose State University SJSU ScholarWorks Master's Theses Master's Theses and Graduate Research 2009 Trickle-down paternalism : Mayor Angelo Rossi's embrace of New Deal style Ronald R. Rossi San Jose State University Follow this and additional works at: https://scholarworks.sjsu.edu/etd_theses Recommended Citation Rossi, Ronald R., "Trickle-down paternalism : Mayor Angelo Rossi's embrace of New Deal style" (2009). Master's Theses. 3672. DOI: https://doi.org/10.31979/etd.5e5x-9jbk https://scholarworks.sjsu.edu/etd_theses/3672 This Thesis is brought to you for free and open access by the Master's Theses and Graduate Research at SJSU ScholarWorks. It has been accepted for inclusion in Master's Theses by an authorized administrator of SJSU ScholarWorks. For more information, please contact [email protected]. TRICKLE-DOWN PATERNALISM: MAYOR ANGELO ROSSI'S EMBRACE OF NEW DEAL STYLE A Thesis Presented to The Faculty of the Department of History San Jose State University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Ronald R. Rossi May 2009 UMI Number: 1470957 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 1470957 Copyright 2009 by ProQuest LLC All rights reserved. -
The San Francisco Bay Area, California
The San Francisco Bay Area, Can disaster be a good thing for the arts? In the California San Francisco Bay Area, the answer is a qualified “yes.” A terrible earthquake has shaken loose mil- lions of dollars for the arts, while urban sprawl has boosted the development of arts centers right in the communities where people live. After the Loma Prieta earthquake struck in 1989, many key institutions were declared unsafe and had to be closed, fixed and primped. Here’s what reopened in the past five years alone: American Conservatory Theatre (ACT), the city’s major repertory theater, for $27 million; the War Memorial Opera House, home of the San Francisco Opera and Ballet, for $88 million; and on the fine arts front, the California Palace of the Legion of Honor, for $40 million; and the Cantor Center for the Visual Arts at Stanford University, for $37 million. Another $130 million is being raised to rebuild the seismically crippled M.H. de Young Memorial Museum, and at least $30 million is being sought to repair the Berkeley Art Museum. Within San Francisco itself, a vital visual arts center has been forged just within the last five years with the opening of the new $62 million San Francisco Museum of Modern Art and the Yerba Buena Center for the Arts. Meanwhile the Jewish Museum, the Asian Art Museum, the Mexican Museum and a new African-American cultural center all plan to move to seismically safe buildings in the area in the next two years. Art galleries, on the other hand, limp along compared with those in Los Angeles or New York. -
Lynn Hershman Leeson B
! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC LYNN HERSHMAN LEESON B. 1941 Lives and works in San Francisco, California EDUCATION B.S. Case Western Reserve University M.A. San Francisco State University SELECT SOLO EXHIBITIONS 2017 Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California, February 10 - May 21 (forthcoming) 2016 Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia, October 20 - December 11 Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia, October 18 - December 10 Trans Genesis: Evaporations and Mutations, Vilma Gold, London, England, October 4 - 29 Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio, March 10 - August 8 Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany, February 27 - June 5 2015 Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany, June 14 - November 15 Lynn Hershman Leeson: Origin of the Species (Part 2), Modern Art Oxford, Oxford, United Kingdom, May 29 - August 9 Lynn Hershman Leeson: Origin of the Species, Bridget Donahue, New York, New York, February 19 - April 5 2014 Lynn Hershman Leeson: Civic Radar, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, December 13 - April 6 2013 Present Tense, Gallery Paule Anglim, San Francisco, California Agent Ruby Files, San Francisco Museum of Modern Art, San Francisco, California 2012 Me as Roberta, Museum of Contemporary Art, Krakow, Poland, February 17–April 29 Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Bremen, Germany, June 2 - August 19 W.A.R. Documentary screening, Reina Sofia, Madrid, Spain, March 12 W.A.R. -
Glee: Uma Transmedia Storytelling E a Construção De Identidades Plurais
UNIVERSIDADE FEDERAL DA BAHIA INSTITUTO DE HUMANIDADES, ARTES E CIÊNCIAS PROGRAMA MULTIDISCIPLINAR DE PÓS-GRADUAÇÃO EM CULTURA E SOCIEDADE ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Salvador 2012 ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação apresentada ao Programa Multidisciplinar de Pós-graduação, Universidade Federal da Bahia, como requisito parcial para obtenção do título de mestre em Cultura e Sociedade, área de concentração: Cultura e Identidade. Orientador: Prof. Dr. Djalma Thürler Salvador 2012 Sistema de Bibliotecas - UFBA Lima, Roberto Carlos Santana. Glee : uma Transmedia storytelling e a construção de identidades plurais / Roberto Carlos Santana Lima. - 2013. 107 f. Inclui anexos. Orientador: Prof. Dr. Djalma Thürler. Dissertação (mestrado) - Universidade Federal da Bahia, Faculdade de Comunicação, Salvador, 2012. 1. Glee (Programa de televisão). 2. Televisão - Seriados - Estados Unidos. 3. Pluralismo cultural. 4. Identidade social. 5. Identidade de gênero. I. Thürler, Djalma. II. Universidade Federal da Bahia. Faculdade de Comunicação. III. Título. CDD - 791.4572 CDU - 791.233 TERMO DE APROVAÇÃO ROBERTO CARLOS SANTANA LIMA GLEE: UMA TRANSMEDIA STORYTELLING E A CONSTRUÇÃO DE IDENTIDADES PLURAIS Dissertação aprovada como requisito parcial para obtenção do grau de Mestre em Cultura e Sociedade, Universidade Federal da Bahia, pela seguinte banca examinadora: Djalma Thürler – Orientador ------------------------------------------------------------- -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
2020-10-01 Bollinger Cv
REBECA BOLLINGER EDUCATION 1993 BFA, San Francisco Art Institute, San Francisco, CA AWARDS 2018 Art + Process + Ideas, Artist-in-Residence, Mills College Art Museum, Oakland, CA 2014 Creative Capacity Fund, Center for Cultural Innovation, Los Angeles, CA 2010 Dennis Gallagher and Sam Perry Ceramic Residency Program, Oakland, CA 2008 Aperture West Book Prize, New York, NY (nominee) 2008 Bay Area Video Coalition Access Award, San Francisco, CA (commission) 2004 James D. Phelan Art Award in Video, San Francisco, CA 2004 The Rockefeller Foundation Media Arts Fellowship, New York, NY (nominee) 2004 John Simon Guggenheim Memorial Foundation Fellowship, New York, NY (nominee) 2001 The Artadia Award, New York, NY 2001 The Rockefeller Foundation Media Arts Fellowship, New York, NY (nominee) 1999 Artist in Residence, The LAB, San Francisco, CA 1999 Creation & Presentation Grant, National Endowment for the Arts, Washington, DC 1998 Artist in Residence, Loyola University, New Orleans, LA (commission) 1997 Eureka Fellowship, The Fleishhacker Foundation, San Francisco, CA 1996 SECA Award in Electronic Media, San Francisco Museum of Modern Art, CA 1996 Artist in Residence, Headlands Center for the Arts, Sausalito, CA 1996 The Veronica di Rosa Award for New Media, Headlands Center for the Arts, Sausalito, CA 1996 Artists Equipment Access Award, Bay Area Video Coalition, San Francisco, CA SELECTED ONE | TWO PERSON EXHIBITIONS 2020 Threshold, Interface Gallery, Oakland, CA (2-person exhibition with Léonie Guyer) 2019 The Burrow, Gallery 16, San Francisco,