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HUNG LIU: OFFERINGS January 23-March 17, 2013
PRESS RELEASE FOR IMMEDIATE RELEASE Contacts: December 12, 2012 Maysoun Wazwaz Mills College Art Museum, Program Manager 510.430.3340 or [email protected] Mills College Art Museum Announces HUNG LIU: OFFERINGS January 23-March 17, 2013 Oakland, CA—December 12, 2012. The Mills College Art Museum is pleased to present Hung Liu: Offerings a rare opportunity to experience two of the Oakland-based artist’s most significant large- scale installations: Jiu Jin Shan (Old Gold Mountain) (1994) and Tai Cang—Great Granary (2008). Hung Liu: Offerings will be on view from January 23 through March 17, 2013. The opening reception takes place on Wednesday, January 23, 2013 from 6:00–8:00 pm and free shuttle service will be provided from the MacArthur Bart station during the opening. Recognized as America's most important Chinese artist, Hung Liu’s installations have played a central role in her work throughout her career. In Jiu Jin Shan (Old Gold Mountain), over two hundred thousand fortune cookies create a symbolic gold mountain that engulfs a crossroads of railroad tracks running beneath. The junction where the tracks meet serves as both a crossroads and 1 terminus, a visual metaphor of the cultural intersection of East and West. Liu references not only the history of the Chinese laborers who built the railroads to support the West Coast Gold Rush, but also the hope shared among these migrant workers that they could find material prosperity in the new world. The Mills College Art Museum is excited to be the first venue outside of China to present Tai Cang— Great Granary. -
ACE LEHNER 49 Greenkill Ave, #6 Kingston, NY [email protected] 415.335.1697 EDUCATION 2019 Ph.D
ACE LEHNER 49 Greenkill Ave, #6 Kingston, NY www.Ace-Lehner.com [email protected] 415.335.1697 EDUCATION 2019 Ph.D. (anticipated), History of Art and Visual Culture, U.C. Santa Cruz, Santa Cruz, CA 2010 MFA Fine Art / MA Visual and Critical Studies, California College of the Arts, San Francisco, CA 2003 BFA Studio Art, Minor Social Anthropology (with Distinction), Concordia University, Montreal, Canada 2000 International Artist Exchange program, Middlesex University, London, UK PROFESSIONAL EXPERIENCE 2018-Current Joan Tisch Teaching Fellow Whitney Museum of American Art 2016-Current Gallery Guide Dia Foundation, NY 2015-2016 Adjunct Professor Photography Department, City College of San Francisco, San Francisco, CA 2014-2016 Associate In History of Art and Visual Culture, UC Santa Cruz, Santa Cruz, CA 2014-2016 Teaching Assistant, Politics of Aesthetics, Photography Now, History of Photography of Asia History of Art and Visual Culture, UC Santa Cruz, Santa Cruz, CA 2013-2016 Photography Instructor, Young Artist Studio Program California College of the Arts, Oakland, CA 2011-2012 Alumni Mentor California College of the Arts, Oakland, CA 2010-2016 Photography Instructor Berkeley Art Studio, University of California Berkeley, Berkeley, CA 2010-2012 Lecturer Photography Program, California College of the Arts, Oakland, CA 2010-2012 Advanced Placement Art Instructor, Digital Media Instructor and Drawing Instructor Oakland School for the Arts, Oakland, CA 2010 Lead Teaching Artist, Mission Voices Summer Program Southern Exposure, San Francisco, -
Lynn Hershman Leeson B
! 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC LYNN HERSHMAN LEESON B. 1941 Lives and works in San Francisco, California EDUCATION B.S. Case Western Reserve University M.A. San Francisco State University SELECT SOLO EXHIBITIONS 2017 Lynn Hershman Leeson: Civic Radar, Yerba Buena Center for the Arts, San Francisco, California, February 10 - May 21 (forthcoming) 2016 Lynn Hershman Leeson, Ruth C. Horton Gallery, Moss Arts Center, Virginia Tech, Blacksburg, Virginia, October 20 - December 11 Lynn Hershman Leeson: Body Collage, Armory Gallery, Virginia Tech, Blacksburg, Virginia, October 18 - December 10 Trans Genesis: Evaporations and Mutations, Vilma Gold, London, England, October 4 - 29 Cyborgs and Self-Promotion, Cleveland Museum of Art, Cleveland, Ohio, March 10 - August 8 Liquid Identities - Lynn Hershman Leeson, Identities of the 21st Century, Lehmbruck Museum, Duisburg, Germany, February 27 - June 5 2015 Lynn Hershman Leeson: Civic Radar, Sammlung Falckenberg, Hamburg, Germany, June 14 - November 15 Lynn Hershman Leeson: Origin of the Species (Part 2), Modern Art Oxford, Oxford, United Kingdom, May 29 - August 9 Lynn Hershman Leeson: Origin of the Species, Bridget Donahue, New York, New York, February 19 - April 5 2014 Lynn Hershman Leeson: Civic Radar, Zentrum für Kunst und Medientechnologie, Karlsruhe, Germany, December 13 - April 6 2013 Present Tense, Gallery Paule Anglim, San Francisco, California Agent Ruby Files, San Francisco Museum of Modern Art, San Francisco, California 2012 Me as Roberta, Museum of Contemporary Art, Krakow, Poland, February 17–April 29 Lynn Hershman Leeson: Seducing Time, Kunsthalle Bremen, Bremen, Germany, June 2 - August 19 W.A.R. Documentary screening, Reina Sofia, Madrid, Spain, March 12 W.A.R. -
S a N F R a N C I S C O a R T S Q U a R T E R L Y I S S U E
SFAQ free Tom Marioni Betti-Sue Hertz, YBCA Jamie Alexander, Park Life Wattis Institute - Yerba Buena Center for the Arts - Berkeley Art Museum/Pacific Film Archive - Tom Marioni - Gallery 16 - Park Life - Collectors Corner: Dr. Robert H. Shimshak, Rimma Boshernitsan, Jessica Silverman, Charles Linder - Recology Artist in Residence Program - SF Sunset Report Part 1 - BOOOOOOOM.com - Flop Box Zine Reviews - February, March, April 2011 Event Calendar- Artist Resource Guide - Bay Area, Los Angeles, New York, Portand, Seattle, Vancouver Space Listings - West Coast Residency Listings SAN FRANCISCO ARTS QUARTERLY ISSUE.4 -PULHY[PUZ[HSSH[PVU +LSP]LY`WHJRPUNHUKJYH[PUN :LJ\YLJSPTH[LJVU[YVSSLKZ[VYHNL +VTLZ[PJHUKPU[LYUH[PVUHSZOPWWPUNZLY]PJLZ *VSSLJ[PVUZTHUHNLTLU[ connect art international (T) ^^^JVUULJ[HY[PU[SJVT *VU]LUPLU[:HU-YHUJPZJVSVJH[PVUZLY]PUN5VY[OLYU*HSPMVYUPH JVSSLJ[VYZNHSSLYPLZT\ZL\TZKLZPNULYZJVYWVYH[PVUZHUKHY[PZ[Z 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 1B copy.pdf 1 1/7/11 9:18 PM 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER C M Y CM MY CY CMY K JANUARY 21-FEBRUARY 28 AMY ELLINGSON, SHAUN O’DELL, INEZ STORER, STEFAN KIRKEBY. MARCH 4-APRIL 30 DEBORAH OROPALLO MAY 6-JUNE 30 TUCKER NICHOLS SoFF_SFAQ:Layout 1 12/21/10 7:03 PM Page 1 Anno Domini Gallery Art Ark Art Glass Center of San Jose Higher Fire Clayspace & Gallery KALEID Gallery MACLA/Movimiento de Arte y Cultura Latino Americana Phantom Galleries San Jose Jazz Society at Eulipia San Jose Museum of Quilts & Textiles SLG Art Boutiki & Gallery WORKS San José Caffé Trieste Dowtown Yoga Shala Good Karma Cafe METRO Photo Exhibit Psycho Donuts South First Billiards & Lounge 7pm - 11pm free & open to the public! Visit www.SouthFirstFridays.com for full schedule. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
University of Montana Commencement Program, 1990
University of Montana ScholarWorks at University of Montana University of Montana Commencement Programs, 1898-2020 Office of the Registrar 6-9-1990 University of Montana Commencement Program, 1990 University of Montana (Missoula, Mont. : 1965-1994). Office of the Registrar Follow this and additional works at: https://scholarworks.umt.edu/um_commencement_programs Let us know how access to this document benefits ou.y Recommended Citation University of Montana (Missoula, Mont. : 1965-1994). Office of the Registrar, "University of Montana Commencement Program, 1990" (1990). University of Montana Commencement Programs, 1898-2020. 93. https://scholarworks.umt.edu/um_commencement_programs/93 This Program is brought to you for free and open access by the Office of the Registrar at ScholarWorks at University of Montana. It has been accepted for inclusion in University of Montana Commencement Programs, 1898-2020 by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. NINETY-THIRD ANNUAL COMMENCEMENT UNIVERSITY OF MONTANA MISSOULA SATURDAY, JUNE THE NINTH NINETEEN HUNDRED AND NINETY HARRY ADAMS FIELDHOUSE DAHLBERG ARENA HEAD MARSHAL Frank W. Clark Professor of Social Work MARSHALS Paul E. Miller R. Keith Osterheld Professor of Sociology Professor of Chemistry The carillon concert has been made possible by the generous contributions from the Coffee Memorial Fund, Mrs. Hugh Galusha, Jr., William Gallagher, the First Bank Western Montana—Missoula and other donations through the UM Foundation to restore the carillon. The concerts before and after the exercises will be per formed by Dr. John Ellis, University Carillonneur and Hooi-Theng Loo. ORDER OF EXERCISES PROCESSIONAL Brass Ensemble Dustin Molyneaux, trumpet Jason Barkley, horn James Hanson, trumpet James Ramsey, trombone Andrew Goodrich, trumpet Shawn D. -
Curriculum Vitae
H A I N E S G A L L E R Y DAVID SIMPSON b. 1928 Lives and works in Berkeley, CA EDUCATION 1956, BFA, California School of Fine Arts 1958, MA, San Francisco State College SELECTED SOLO EXHIBITIONS 2020 Interference, Haines Gallery, San Francisco, CA 2019 David Simpson: Impromptu, Charlotte Jackson Fine Art, Santa Fe 2018 David Simpson: Illumination, Charlotte Jackson Fine Art, Santa Fe, NM The War Room, Haines Gallery, San Francisco, CA Spotlight: David Simpson, solo presentation by Haines Gallery at Frieze New York, NY 2017 David Simpson: Heaven and Hell, Charlotte Jackson Fine Art, Santa Fe, NM David Simpson: Fifty Years of Painting, Modernism, San Francisco, CA 2016 Then and Now, Charlotte Jackson Fine Art, Santa Fe, CA Now & Then: The Work of David Simpson, Haines Gallery, San Francisco, CA David Simpson: True to Light, Geukens & De Vil, Knokke, Belgium David Simpson: Works from the 1980s, Studio La Citta, Verona, Italy 2015 David Simpson, Geukins & De Vil, Antwerp, Belgium 2013 David Simpson, Art Museum of University of Wyoming, Laramie, WY 2012 David Simpson, Gallery Sonja Roesch, Houston, TX David Simpson: Paintings, Modernism, San Francisco, CA 2011 Nonsense Poems, Haines Gallery, San Francisco, CA 2010 Interference Blues, Charlotte Jackson Fine Art, Santa Fe, NM 2009 Paintings & Works on Paper, Modernism, San Francisco, CA 2008 David Simpson, Studio La Citta, Verona, Italy 2007 David Simpson, Studio La Citta, Verona, Italy Light Wells, Charlotte Jackson Fine Art, Santa Fe, NM Light Wells, Haines Gallery, San Francisco, CA Interference -
HUNG LIU BORN: 1948 Changchun
HUNG LIU BORN: 1948 Changchun, China EDUCATION: 1986 MFA in Visual Arts, University of California, San Diego, La Jolla, California 1981 Graduate Student (MFA equivalent) Mural Painting, Central Academy of Fine Art, Beijing, China 1975 BFA in Education, Beijing Teachers College, Beijing, China ACADEMIC POSITIONS: 2020-present San Francisco Museum of Modern Art Artist Trustee, Board of Trustees 2014-present Professor Emeritus, Mills College, Oakland, California 2001-2014 Professor of Art, Mills College, Oakland, California 1995-2001 Associate Professor of Art, Mills College, Oakland, California 1990-1995 Assistant Professor of Art, Mills College, Oakland, California 1989-1990 Assistant Professor of Art, University of North Texas, Denton, Texas 1987 Adjunct Professor, Chinese Art History, University of Texas, Arlington, Texas 1981-1984 Professor of Art, Central Academy of Fine Art, Beijing, China SELECTED GRANTS, AWARDS AND PUBLIC PROJECTS: 2018 Inaugural Artist Awards, Berkeley Art Center, Berkeley, CA, 2018 2017 City of Berkeley Proclamation for Hung Liu, Berkeley City Hall, Berkeley, CA, 2017 2016 The Distinguished Women Artists, Fresno Art Museum, Fresno, California 2011 SGC International Award for Lifetime Achievement in Printmaking 2009 UCSD Alumni Association, 50th Anniversary 100 Influential Alumni 2008 Honor Award for Design, US General Services Administration for the San Francisco Federal Building 2008 Take Off, Public Commission for the International Terminal at San Francisco International Airport 2006 Going Away, Coming Home, Public Commission for Terminal 2 Window Project, Oakland International Airport, Oakland, California. Commission consists of a 160 foot glass panel with etched imagery along a terminal walkway. 2000 Outstanding Alumna Award, University of California, San Diego, La Jolla, California 1999 Joan and Robert Danforth Distinguished Professorship in the Arts Endowed Chair, Mills College, Oakland, Cailfornia 1998 The Joan Mitchell Foundation, Inc. -
Kathryn Spence
PRESS RELEASE FOR IMMEDIATE RELEASE Contacts: July 20, 2010 Lori Chinn Mills College Art Museum Program Manager 510.430.3340 or [email protected] Camila Perez Mills College Art Museum Publicity Assistant 510.430.2164 or [email protected] Mills College Art Museum Announces Exhibition of New Work By Bay Area Artist Kathryn Spence Oakland, CA— The Mills College Art Museum is pleased to present Kathryn Spence: Short sharp notes, rolling or churring whistles, clear phrases from August 21 through December 12, 2010. Featuring new work by the Bay Area artist, the exhibition will showcase large- scale sculptural installations and drawings inspired by the confluence of natural and urban environments. Kathryn Spence: Short sharp notes, rolling or churring whistles, clear phrases is curated by Stephanie Hanor. An opening reception with the artist will take place on August 25 from 5:30–7:30 pm. Spence’s sculptural objects are inspired by animals and nature but are composed from the discarded materials of the human world. Her work demonstrates an uncanny ability to capture the essence of animals without masking her found materials, applying a naturalist’s methods to urban detritus. Accumulated bits of fabric, thread, paper, and cardboard take on species-specific characteristics of songbirds, owls, and coyotes. Spence’s exhibition at the Mills College Art Museum will include new sculptural work that brings together many of the significant elements of her artistic practice. Spence collects humble, common materials--such as thread, old stuffed animals, fabric, images from birding field guides, and wire—that are carefully selected for their color, texture, and associations. -
D-L Alvarez B
! D-L Alvarez b. 1966 Lives and works in Berlin, Germany Solo Exhibitions 2015 The Children’s Hour, [2nd Floor Projects], San Francisco, CA 2014 D-L Alvarez and Eileen Maxson, Artadia Gallery, New York, NY 2013 The Unforgiving Minute, Derek Eller Gallery, New York, NY 2012 D-L Alvarez: MATRIX 243, Berkley Art Museum, Berkley, CA 2011 Galeria Casado Santapau, Madrid, Spain 2009 Dusty Hayes, 2nd Floor Projects, San Francisco, CA 2008 Dead Leafs, Galeria Casado Santapau, Madrid, Spain 2007 Parents' Day, Derek Eller Gallery, New York, NY DIG, with Wayne Smith, Derek Eller Gallery (project room), New York, NY 2006 Casper, (with Matthew Lutz-Kinoy), A +B Arratiabeer, Berlin, Germany, 2005 rise, Derek Eller Gallery, New York, NY Ice, Glue, Berlin, Germany 2004 Beausoleil, Derek Eller Gallery, New York, NY 2002 The Road to Hell Less Traveled, Derek Eller Gallery, New York, NY 2000 Sculpture Garden, Derek Eller Gallery, New York, NY ! ! 1999 Chorus, John Berggruen Gallery, San Francisco, CA 1998 Knights Gathering Flowers, Derek Eller Gallery, New York, NY Dust, Th.e (Theoretical Events), Naples, Italy 1995 Dandylion, Jack Hanley Gallery, San Francisco, CA A Shepherd and His Flock, London Projects, London, UK 1994 Night of the Hunter, Kiki, San Francisco, CA 1990 Political Stance, (installation documenting performance), ATA, San Francisco, CA 1989 Elvis Clocked, Les Indes Galantes, Paris, France Group Exhibitions 2017 Drawings from the Collection: 1980 to Today, San Francisco Museum of Modern Art, San Francisco, CA 2016 Subject To Capital, Henry -
Maria Porges COMPLETE LIST of PUBLICATIONS
Maria Porges COMPLETE LIST OF PUBLICATIONS Catalogue essays “Radiance: Lino Tagliapietra,” exhibition at Montague Gallery San Francisco CA (2019) “Spaces Between: Irene Nelson/ Nancy Selvin,” exhibition at Gearbox Gallery, Oakland CA (2019) “Collaboration: Valerie Otani/ Elizabeth Stanek/ Andree Singer Thompson” (2019) “Unapologetic,” Libby Black/ Taravat Talepasand/ Josephine Taylor at Gallery 16, SF CA (2019) Sheldon Greenberg, for catalogue on current work (2019) “Howard Hersh,” for catalogue accompanying solo show at Peninsula Art Museum, Burlingame CA (2019) “Deborah Miller: Guns and Butter,” multiple venues (2018) “Millionyearseeds: Yoshitomo Saito,” Colorado Contemporary Art Center, Colorado Springs CO (2018) “Nancy Mintz: Tropism,” Traywick Contemporary, Albany CA (2018) “Vanessa Woods: collage,” Jack Fischer Gallery, SF CA (2017) “A place for wild spirits: Bill Stanisich’s Land’s End,” Andra Norris Gallery, Burlingame, CA (2017) “A Year of Knots: Windy Chien,” Themes + Projects Gallery, SF CA (2017) “Hung Liu: Painting history,” Rena Bransten Gallery, SF CA (2017) “DS Friedman: Something from everything,” Berkeley CA (2016) “Susanna Bluhm,” G. Gibson Gallery, Seattle WA (2016) “Janet Bogardus, Towers and Piers, Fairfax CA (2016) “Graylands,” for Deborah Miller solo exhibition, San Pablo CA (2016) “Making It Up: Rebekah Goldstein,” for ‘Another Way In’ at Jack Geary Gallery, NY (2015) “Sara Bright: Frescoes,” George Lawson Gallery, SF CA (2015) “Modi: art and life, interrupted,” Permodur Carlsson retrospective at Listasafn Art -
STEPHANIE SYJUCO B. 1974 Manila, Phillipines Lives and Works in San Francisco, CA Education 2005 Stanford University, M.F.A. 19
STEPHANIE SYJUCO b. 1974 Manila, Phillipines Lives and works in San Francisco, CA Education 2005 Stanford University, M.F.A. 1995 San Francisco Art Institute, B.F.A. Selected Solo Exhibitions 2020 (Forthcoming) Stephanie Syjuco: Citizens, Hartell Gallery, Cornell University, Ithaca, NY (Forthcoming) Stephanie Syjuco: The Visible Invisible, Blaffer Art Museum, TX 2019 Stephanie Syjuco: Rogue States, The Contemporary Art Museum St. Louis, St. Louis, MO Stephanie Syjuco: Recent Work, University of Kentucky Art Museum, Lexington, KY Spectral City, RLWindow, RYAN LEE, New York, NY 2018 "I AM AN...,", Cantor Art Center, Stanford University, Stanford, CA 2017 CITIZENS, RYAN LEE, New York, NY Red Banner, RLWindow, RYAN LEE, New York, NY 2016 Neutral Calibration Studies (Ornament + Crime), Catharine Clark Gallery, San Francisco, CA Ornament + Crime (Redux), RLProject, RYAN LEE, New York, NY 2014 Market Forces, Temple Contemporary, Philadelphia, PA American Rubble (Lancaster Avenue), Haverford College, Ardmore, PA FREE TEXTS, Ulrich Museum of Art at Wichita State University, KS Modern Ruins (Popular Cannibals), Recology Artist in Residence Program, San Francisco, CA FREE TEXTS, Galerie Joseph Tang, Paris, FR 2013 RAIDERS, Ryan Lee Gallery, project space, New York, NY 2012 Montalvo Historical Fabrications and Souvenirs, project commission in collaboration with Michael Arcega as Las Marianas, Montalvo Art Center, Saratoga, CA RAIDERS Redux, Catharine Clark Gallery Project Space, New York, NY 2011 Currents Series: Stephanie Syjuco: Pattern Migration,