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W E S T C O a S T a R T S a N D C U L T U free SWEST COAST ARTS AND CULTUREFAQ Jay DeFeo Jens Hoffmann Kathan Brown Bay Area Latino Arts Part 1: Enrique Chagoya - MENA Report Part 1: Istanbul Biennial with Jens Hoffmann - Scales Fall From My Eyes: Bay Area Beat Generation Visual Art as told to Paul Karlstrom - Peter Selz - Crown Point Press: Kathan Brown SFAQ Artist Spread - Paulson Bott Press - Collectors Corner: Peter Kirkeby Flop Box Zine Reviews - Bay Area Event Calendar: August, September, October West Coast Residency Listing SAN FRANCISCO ARTS QUARTERLY ISSUE.6 ROBERT BECHTLE A NEW SOFT GROUND ETCHING Brochure available Three Houses on Pennsylvania Avenue, 2011. 30½ x 39", edition 40. CROWN POINT PRESS 20 Hawthorne Street San Francisco, CA 94105 www.crownpoint.com 415.974.6273 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER berman_sf_quarterly_final.pdf The Sixth Los Angeles International Contemporary Art Fair September 30 - October 2, 2011 J.W. Marriott Ritz Carlton www.artla.net \ 323.965.1000 Bruce of L.A. B. Elliott, 1954 Collection of John Sonsini Ceramics Annual of America 2011 October 7-9, 2011 ART FAIR SAN FRANCISCO FORT MASON | FESTIVAL PAVILION DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 For more information contact: Public Hours December 1- 4, 2011 [email protected] 1.877.459.9CAA www.ceramicsannual.org “The best hotel art fair in the world.” DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 Public Hours December 1- 4, 2011 “The best hotel art fair in the world.” Lucas Soi ìWe Bought The Seagram Buildingî October 6th-27th For all your art supply needs, pick Blick. SAN FRANCISCO 979 MARKET ST. BETWEEN 5TH & 6TH 4154416075 20% OFF *Ao05141* ENTIRE PURCHASE OF NONSALE, INSTOCK ITEMS VALID 7/1/11/11 TO 10/1/11 Blick Art Materials, Retail Inc., coupon must be surrendered at time of purchase; no copies will be honored. Limit one coupon per visit. Valid only on non-sale, in-stock items. Not valid with any other discounts or promotion, phone/mail/ 9 internet orders, custom framing and printing and purchases of gift cards. san francisco art and design show & sale featuring 40 premier national and international exhibitors presenting decorative and fine arts from all design movements of the 20th and 21st century including furniture, lighting, sculpture, paintings, glass, jewelry, silver, ceramics, photography, textiles, prints, rugs, and contemporary art and sculpture. and presenting 21POP a collection of ateliers of contemporary crafts people a rare tripod fauteuil by joseph-andre motte preview gala france c. 1949, hedge gallery benefiting the san francisco SFMOMA purchase through a museum of modern art gift from sf20/21 designers forum thursday, september 15, 2011 show & sale friday, september 16 to sunday, september 18, 2011 festival pavilion fort mason center produced by dolphin promotions, inc. chicago: 708.366.2710 florida: 954.563.6747 Tessie Wall lived here. Meridian celebrates the history of its home on Powell Street, its architect and its early inhabitants with the House at 100 dolphinfairs.com Arts Festival September 24th to November 26th, 2011 and Love and Bullets: a San Francisco Love Story, a fundraising gala filled with tango, historic libations, and costumed revelry on the evening of November 12, 2011. Including: sf20.net Exhibition by David Linger, Sandra Beard, Kimetha Vanderveen, curated by Theres Rohan. Talk by historian Gray Brechin. Readings by Herb Gold, Lawrence Ferlinghetti and Jack Hirschman. Classic film screenings on the Barbary Coast. Profound Fatigue an intermedia sponsors performance installation by M. Mara-Ann. Concerts with music and instruments of the period. Performances by Alexis Iammarino, Fred Frith, and Amy Lewis. Textile workshops by artist and costume historian Erin Algeo. san francisco art and design show & sale featuring 40 premier national and international exhibitors presenting decorative and fine arts from all design movements of the 20th and 21st century including furniture, lighting, sculpture, paintings, glass, jewelry, silver, ceramics, photography, textiles, prints, rugs, and contemporary art and sculpture. and presenting 21POP a collection of ateliers of contemporary crafts people a rare tripod fauteuil by joseph-andre motte preview gala france c. 1949, hedge gallery benefiting the san francisco SFMOMA purchase through a museum of modern art gift from sf20/21 designers forum thursday, september 15, 2011 show & sale friday, september 16 to sunday, september 18, 2011 festival pavilion fort mason center produced by dolphin promotions, inc. chicago: 708.366.2710 florida: 954.563.6747 dolphinfairs.com sf20.net sponsors 441 O’Farrell St. San Francisco, CA 94102 EVER [email protected] www.evergoldgallery.com GOLD 415.796.3676 GALLERY Exile and the Kingdom Also Owen Takabayashi Ever Gold Residency August/September 2011 Opening Reception: Thursday, September 1st 2011 Exhibition Ends: Saturday, September 24th 2011 Fountain art fair LA 2011 9.30 – 10.2, 2011 Lot 613 613 Imperial St, Los Angeles, CA www.fountainartfair.com WWW.FOUNTAINARTFAIR.COM SYSTEM BEING ACCEPTED AT FAIR TO CHANGE THE ART APPLICATIONS General Public Hours: 12pm – 7pm. Special Events: Friday, Sept. 30th & Saturday, Oct. 1st, 7pm – 1am Admission is $10, or $15 for weekend pass ADVERTISEMENTS ARE COMING SOON : ALWAYS UGLY!!! A Special 4 Episode crossover Covering Art in the Bay Area...and Beyond?!? http://whatisartlive.blogspot.com/ http://www.youtube.com/whatisartlive We’re Serious, Fo’ Real yo! Marketing and Public Relations for the Arts aopublic.com twitter.com/aopublic LOS ANGELES SAN FRANCISCO SEPT 7-11 SEPT 22-25 The Bicycle Film Festival is a celebration of bicycles through art, film, and music. bicyclefilmfestival .com SFAQ :HU-YHUJPZJV(Y[Z8\HY[LYS` 0ZZ\L(<.:,76*; 4(:;/,(+ *65;90)<;69: ;()3,6-*65;,5;: n 7H\S12HYSZ[YVT )H`(YLH3H[PUV(Y[ZWHY[ -V\UKLYZ7\ISPZOLYZ,KP[VYZ+LZPNU 7H\S12HYSZ[YVTMVYTLY>LZ[*VHZ[9LNPVUHS+PYLJ[VYVM[OL:TP[OZVUPHU»Z ,UYPX\L*OHNV`H .YLNVY`0[VHUK(UKYL^4J*SPU[VJR (YJOP]LZVM(TLYPJHU(Y[PZ[OLLKP[VYVM6U[OL,KNLVM(TLYPJH!*HSPMVYUPH ^YP[[LUI`!1\SPV*4VYHSLZ 4VKLYUPZ[(Y[ ¶ <*7YLZZHUKHJVLKP[VYVM(ZPHU(TLYPJHU(Y[! 4HUHNPUN,KP[VY ART ETIQUETTE (/PZ[VY`¶ /LPZJVH\[OVYVM;\YUPUN[OL;PKL!,HYS`3VZ(UNLSLZ (UKYL^4J*SPU[VJR 4,5(9LWVY[WHY[ 4VKLYUPZ[Z ¶ HUKH\[OVYVM9HPTVUKZ:[HWYHUZ!(Y[VM;YHUX\PSP[` 1LUZ/VMMTHU!0Z[HUI\S)PLUUPHS Questions on Conceptual Art HUK;\YI\SLUJL ^YP[[LUI`!(UKYL^4J*SPU[VJR & *VW`,KP[VY Art World Complaints ,YPU(IUL` 1VOU/LSK1Y :JHSLZ-HSS-YVT4`,`LZ >YP[LY*\YH[VY(Y[/PZ[VYPHUSVJHSHY[PZ[1VOU/LSK1Y^PSSILWYLZLU[PUNH )H`(YLH)LH[.LULYH[PVU=PZ\HS(Y[ by Tom Marioni ,KP[VYPHS(ZZPZ[HU[4HUHNLY WHWLYVU1VOU*HNLH[H)SHJR4V\U[HPU*VSSLNLJVUMLYLUJL[OPZMHSS/PZ (Z[VSKI`7H\S2HYSZ[YVT 4HYPUH.VUJOHYV]H PU[LY]PL^Z^P[O*HNL9H`1VOUZVU(SSHU2HWYV^HUK==HSLJHUILMV\UK ^YP[[LUI`!1VOU/LSK1Y VUSPUL ,KP[VYPHS(ZZPZ[HU[Z 3H\YH1VULZ*OHYSV[[L4PSSLY1LZZPJH-SLTTPUN4HYPZH>LKLTL`LY 7L[LY:LSa 1HTPL(SL_HUKLY ^YP[[LUI`!(UKYL^4J*SPU[VJR 2H[OLYPUL)\YNL1LUU7YPLZ 1HTPL(SL_HUKLYPZJVV^ULYVM7HYR3PML:[VYLHUK.HSSLY`PU:HU-YHUJPZJV HUK7HWLY4\ZL\T7YLZZ/LPZHUH]PKHY[JVSSLJ[VYHUKOHZILLUHWH[YVU *YV^U7VPU[7YLZZ Premiering in Issue 7 *VU[YPI\[PUN>YP[LYZ VM[OLHY[ZPU[OL)H`(YLHMVYV]LY`LHYZ/LPZHJ\YYLU[)VHYK4LTILY 2H[OHU)YV^U 7H\S12HYSZ[YVT1VOU/LSK1Y1HTPL(SL_HUKLY3LPNO*VVWLY1\SPV*LZHY VM[OL/LHKSHUKZ*LU[LYMVY[OL(Y[Z^OLYLOLJOHPYZ[OL7\ISPJ7YVNYHTTPUN ^YP[[LUI`!3LPNO*VVWLY 4VYHSLZ+LYLR:VUN(\Z[PU4J4HU\Z *VTTP[[LL (Y[PZ[7VZ[LY!;VT4HYPVUP Submit your Questions & Complaints *VU[YPI\[PUN7OV[VNYHWOLYZ 1\SPV*tZHY4VYHSLZ by September 20th, 2011 =HSLYPV1LYY`)\YJOHYK+LUUPZ3L[IL[[LY 1\SPV*tZHY4VYHSLZPZHUHY[PZ[LK\JH[VYHUKJ\YH[VY/L[LHJOLZH[;OL:HU 7H\SZVU)V[[7YLZZ -YHUJPZJV(Y[0UZ[P[\[LHUKPZHSZV[OLMV\UKLYVM8\LLUZ5HPSZ(UUL_7YVQLJ[Z ^YP[[LUI`!1HTPL(SL_HUKLY 0THNLZ*V\Y[LZ`VM PU:HU-YHUJPZJVHUKPZJ\YYLU[S`HUHKQ\UJ[J\YH[VYH[[OL@LYIH)\LUH*LU submit to [email protected] 7H\SL(UNSPT,UYPX\L*OHNV`H=PU[HNL.HSSLY`.HSLYPH=LYTLSOVAHYPUH [LYMVY[OL(Y[Z/LPZYLWYLZLU[LKI`-YL`5VYYPZ.HSSLY`PU:HU-YHUJPZJV /HZOPTP3\OYPUN(\N\Z[PUL;LYLZH)\YNL4HY[OH9VZSVY.HSLYPL*OYPZ[PHU *VSSLJ[VYZ*VYULY 7L[LY2PYRLI` 5HNLS*HYSVZ=PSSH+H]PK1VULZ*YV^U7VPU[7YLZZ7L[LY:LSa9VILY[ +LYLR:VUN ^YP[[LUI`!+LYLR:VUN ,TVY`1VOUZVU*OLZ[LY2LZZSLY,Z[H[L7H\SZVT)V[[7YLZZ;OL-SVW)V_ +LYLR:VUNPZ[OLJVV^ULYVM7HYR3PMLZ[VYLNHSSLY`HUKPZ[OLW\ISPZOLYVM 7HWLY4\ZL\T7YLZZ :VJPHS4LKPH4HUHNLY -SVW)V_APUL9L]PL^Z ^YP[[LUI`!(\Z[PU4J4HU\Z 4HYPUH.VUJOHYV]H 3LPNO*VVWLY ;OYV\NOV\[[OLJLU[\YPLZ[OLYL^LYLTLU^OV[VVRÄYZ[Z[LWZKV^UUL^ (K]PZVYZ )H`(YLH,]LU[3PZ[PUNZ YVHKZHYTLK^P[OUV[OPUNI\[[OLPYV^U]PZPVU;OLPYNVHSZKPMMLYLKI\[[OL`HSS (\N\Z[ 1VOU:HUNLY,YPJ9VKLUILJR4HYPHUUH:[HYR7H\S12HYSZ[VT1VOU/LSK OHK[OPZPUJVTTVU![OH[[OLZ[LW^HZÄYZ[[OLYVHKUL^[OL]PZPVU\UIVY :LW[LTILY 1Y1+)LS[YHU1LZZPJH:PS]LYTHU;VT4HYPVUP7H\SL(UNSPT1\SPV*LZHY YV^LKHUK[OLYLZWVUZL[OL`YLJLP]LKOH[YLK;OLNYLH[JYLH[VYZ[OL 6J[VILY 4VYHSLZ4H\YPJL2HUIHY [OPURLYZ[OLHY[PZ[Z[OLZJPLU[PZ[Z[OLPU]LU[VYZZ[VVKHSVULHNHPUZ[[OLTLU VM[OLPY[PTL,]LY`NYLH[UL^[OV\NO[^HZVWWVZLK,]LY`NYLH[UL^PU]LU :WLJPHS;OHURZ <WJVTPUN:-(8+LHKSPULZ,]LU[*HSLUKHY(K]LY[PZPUN [PVU^HZKLUV\UJLK¯)\[[OLTLUVM\UIVYYV^LK]PZPVU^LU[HOLHK;OL` ;PUH*VU^H`)L[[L6RL`H9V`JL0[V3LPNO*VVWLY1VOUHUK1LZZPJH MV\NO[[OL`Z\MMLYLKHUK[OL`WHPK)\[[OL`^VU¶(`U9HUK;OL-V\U[HPU ;YPWWL;`ZVU=VNLS.YPMM>PSSPHTZ+LUUPZ2LYUVOHU2PK@LSSV^/LUY` >LZ[*VHZ[9LZPKLUJ`3PZ[PUNZ OLHK .\UKLYZVU(SHU)HTILYNLYL]LY`VUL^OVZ\WWVY[Z\Z[OYV\NOHK]LY[PZPUN
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  • Lava Thomas [email protected] B
    Lava Thomas www.lavathomas.com [email protected] b. Los Angeles, CA Selected Solo Exhibitions 2018 Mugshot Portraits: Women of the Montgomery Bus Boycott, Rena Bransten Gallery, San Francisco, CA 2015 Looking Back and Seeing Now, Berkeley Art Center, Berkeley, CA 2014 Lava Thomas: Beyond, Museum of the African Diaspora, San Francisco, CA Selected Group Exhibitions 2020 New Time: Art and Feminisms in the 21st Century, Berkeley Art Museum & Pacific Film Archive, Berkeley, CA The Black Index, Leubsdorf Gallery, Hunter College, New York City, NY UNTITLED, ART, Rena Bransten Gallery, San Francisco, CA 2019 UNTITLED, ART, Rena Bransten Gallery, Miami, FL To Reflect Us, Rena Bransten Gallery, San Francisco, CA Adjust Yo’ Eyes For This Darkness, Ashara Ekundayo Gallery, Oakland, CA The Outwin 2019: American Portraiture Today, National Portrait Gallery, Washington, DC Women to Watch 2020 Nominee, Surfacing Histories, Sculpting Memories, Hubble Galleries, California College of the Arts, San Francisco, CA Plumb Line: Charles White and the Contemporary, California African American Museum, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Las Cruces Museum of Art, NM Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Gallery 360, Northeastern University, Boston, MA Spring Auction Exhibition, Kala Art Institute, Berkeley, CA 2018 PULSE Miami Beach, Rena Bransten Gallery, Miami, FL My Silences Had Not Protected Me, For Freedoms and Fort Gansevoort, New York, NY EXPO Chicago, Rena Bransten Gallery, Chicago, IL Pretty Big Things, Walter Maciel Gallery, Los Angeles, CA Personal to Political: Celebrating the African American Artists of Paulson Fontaine Press, Krasl Art Center, St.
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  • JAY DEFEO May 1 – June 7, 2014
    JAY DEFEO May 1 – June 7, 2014 NEW YORK, April 09, 2014 – Mitchell-Innes & Nash is pleased to present the first solo exhibition of Jay DeFeo’s work in New York since the acclaimed Jay DeFeo: A Retrospective at the Whitney Museum of American Art in 2013. Assembling fifty key works spanning the years 1965–1989, the exhibit examines DeFeo’s distinctive exploration of visual vocabulary, rich materiality and experimental process across the media of painting, drawing, photography and rarely seen photocopy works. DeFeo’s diverse and constantly evolving practice extended far beyond her seminal work The Rose (1958–66). Throughout her career, DeFeo consistently blurred the boundaries between abstraction and representation, transcending the identity of the common objects that fascinated her. Moving seamlessly between painting, drawing and collage, DeFeo introduced photography into her oeuvre in 1970. In the mid-1970s, the artist began using the photocopy machine as a new type of photographic lens through which she created series of works that defy an accepted understanding of the limitations of the photocopier. As seen in large-scale works such as Tuxedo Junction (1965/1974), surface and texture are of paramount importance in her oeuvre, partly inspired by the crumbling facades found in Paris and Florence, where she traveled early in her career. The densely layered surface of built-up oil paint in Tuxedo Junction is echoed decades later in the wrinkles of tissues pressed against the glass plate of the photocopier as DeFeo investigates texture in two and three dimensions. This exhibition focuses on a handful of forms and objects that appear and reappear in her work: a torn fragment of a 1958 work titled White Spica, her camera tripod, a hybrid item created from an antique candlestick telephone, flowers, a generic tissue box, or a tiny ceramic cup.
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  • Bruce Conner (1933 – 2008)
    BRUCE CONNER (1933 – 2008) BORN: McPherson, Kansas EDUCATION: 1956 B.F.A., Nebraska University 1956 Brooklyn Museum Art School 1957 University of Colorado SOLO EXHIBITIONS: 2012 Gallery Paule Anglim, San Francisco, CA Bruce Conner and the Primal Scene of Punk Rock, MCA Denver, Denver, CO 2011 Bruce Conner: An Anonymous Memorial, American University, Katzen Arts Center, Washington D.C. Bruce Conner: Falling Leaves: An Anonymous Memorial, Paula Cooper Gallery, New York, NY 2010 Bruce Conner: 1970’s, Kunstalle Wien, Vienna, Austria (travelled to Kunsthalle Zurich, Switzerland) I am Not Bruce Conner, Ursula Blickle Foundation, Krachtal, Germany Bruce Conner, Inova/Kenilworth Institute, University of Wisonsin, Milwaukee, Peck School of the Arts 4 ½, Creative Time, New York, NY Long Play: Bruce Conner and the Singles Collection, SFMOMA, San Francisco The Late Bruce Conner, Susan Inglett Gallery, New York, NY 2009 Bruce Conner: Discovered, Gallery Paule Anglim, San Francisco, CA Bruce Conner in the 1970s, Michael Kohn Gallery, Los Angeles, CA Intelligent Design: Untitled Lithographs 1970-1971, Milwaukee Art Museum, Milwaukee, WI 2008 Gallery Paule Anglim, San Francisco, CA Applause, Miyake Fine Art, Tokyo, Japan Mabuhay Gardens, UC Berkeley Art Musuem, Berkeley, CA 2007 Bruce Conner, Susan Inglett Gallery, New York, NY Gallery Paule Anglim, San Francisco, CA Michael Kohn Gallery, Los Angeles, CA 2006 Bruce Conner Sheldon Memorial art Gallery, Lincoln, NE 2005 After Conner: Anonymous, Anonymouse and Emily Feather, Katzen Art Center Museum, American
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  • Christine Giles Bill Bob and Bill.Pdf
    William Allan, Robert Hudson and William T. Wiley A Window on History, by George. 1993 pastel, Conte crayon, charcoal, graphite and acrylic on canvas 1 61 /2 x 87 '12 inches Courtesy of John Berggruen Gallery, San Francisco, California Photograph by Cesar Rubio / r.- .. 12 -.'. Christine Giles and Hatherine Plake Hough ccentricity, individualism and nonconformity have been central to San Fran­ cisco Bay Area and Northern California's spirit since the Gold Rush era. Town Enames like Rough and Ready, Whiskey Flats and "Pair of Dice" (later changed to Paradise) testify to the raw humor and outsider self-image rooted in Northern California culture. This exhibition focuses on three artists' exploration of a different western frontier-that of individual creativity and collaboration. It brings together paintings, sculptures, assemblages and works on paper created individually and collabora­ tively by three close friends: William Allan, Robert Hudson and William T. Wiley. ·n, Bob and Bill William Allan, the eldest, was born in Everett, Washington, in 1936, followed by Wiley, born in Bedford, Indiana, in 1937 and Hudson, born in Salt Lake City, Utah, in 1938. Their families eventually settled in Richland, in southeast Washington, where the three met and began a life-long social and professional relationship. Richland was the site of one of the nation's first plutonium production plants-Hanford Atomic Works. 1 Hudson remembers Richland as a plutonium boom town: the city's population seemed to swell overnight from a few thousand to over 30,000. Most of the transient population lived in fourteen square blocks filled with trailer courts.
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