Short Resume September 2009
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CONTEMPORARY AMERICAN PAINTING and SCULPTURE 1969 University of Illinois at Urbana-Champaign Js'i----».--:R'f--=
Arch, :'>f^- *."r7| M'i'^ •'^^ .'it'/^''^.:^*" ^' ;'.'>•'- c^. CONTEMPORARY AMERICAN PAINTING AND SCULPTURE 1969 University of Illinois at Urbana-Champaign jS'i----».--:r'f--= 'ik':J^^^^ Contemporary American Painting and Sculpture 1969 Contemporary American Painting and Sculpture DAVID DODD5 HENRY President of the University JACK W. PELTASON Chancellor of the University of Illinois, Urbano-Champaign ALLEN S. WELLER Dean of the College of Fine and Applied Arts Director of Krannert Art Museum JURY OF SELECTION Allen S. Weller, Chairman Frank E. Gunter James R. Shipley MUSEUM STAFF Allen S. Weller, Director Muriel B. Christlson, Associate Director Lois S. Frazee, Registrar Marie M. Cenkner, Graduate Assistant Kenneth C. Garber, Graduate Assistant Deborah A. Jones, Graduate Assistant Suzanne S. Stromberg, Graduate Assistant James O. Sowers, Preparator James L. Ducey, Assistant Preparator Mary B. DeLong, Secretary Tamasine L. Wiley, Secretary Catalogue and cover design: Raymond Perlman © 1969 by tha Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A48-340 Cloth: 252 00000 5 Paper: 252 00001 3 Acknowledgments h.r\ ^. f -r^Xo The College of Fine and Applied Arts and Esther-Robles Gallery, Los Angeles, Royal Marks Gallery, New York, New York California the Krannert Art Museum are grateful to Marlborough-Gerson Gallery, Inc., New those who have lent paintings and sculp- Fairweother Hardin Gallery, Chicago, York, New York ture to this exhibition and acknowledge Illinois Dr. Thomas A. Mathews, Washington, the of the artists, Richard Gallery, Illinois cooperation following Feigen Chicago, D.C. collectors, museums, and galleries: Richard Feigen Gallery, New York, Midtown Galleries, New York, New York New York ACA Golleries, New York, New York Mr. -
W E S T C O a S T a R T S a N D C U L T U
free SWEST COAST ARTS AND CULTUREFAQ Jay DeFeo Jens Hoffmann Kathan Brown Bay Area Latino Arts Part 1: Enrique Chagoya - MENA Report Part 1: Istanbul Biennial with Jens Hoffmann - Scales Fall From My Eyes: Bay Area Beat Generation Visual Art as told to Paul Karlstrom - Peter Selz - Crown Point Press: Kathan Brown SFAQ Artist Spread - Paulson Bott Press - Collectors Corner: Peter Kirkeby Flop Box Zine Reviews - Bay Area Event Calendar: August, September, October West Coast Residency Listing SAN FRANCISCO ARTS QUARTERLY ISSUE.6 ROBERT BECHTLE A NEW SOFT GROUND ETCHING Brochure available Three Houses on Pennsylvania Avenue, 2011. 30½ x 39", edition 40. CROWN POINT PRESS 20 Hawthorne Street San Francisco, CA 94105 www.crownpoint.com 415.974.6273 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER 3IGNUPFOROURE NEWSLETTERATWWWFLAXARTCOM ,IKEUSON&ACEBOOK &OLLOWUSON4WITTER berman_sf_quarterly_final.pdf The Sixth Los Angeles International Contemporary Art Fair September 30 - October 2, 2011 J.W. Marriott Ritz Carlton www.artla.net \ 323.965.1000 Bruce of L.A. B. Elliott, 1954 Collection of John Sonsini Ceramics Annual of America 2011 October 7-9, 2011 ART FAIR SAN FRANCISCO FORT MASON | FESTIVAL PAVILION DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 For more information contact: Public Hours December 1- 4, 2011 [email protected] 1.877.459.9CAA www.ceramicsannual.org “The best hotel art fair in the world.” DECEMBER 1 - 4, 2011 1530 Collins Avenue (south of Lincoln Road), Miami Beach $48$$570,$0,D&20 VIP Preview Opening November 30, 2011 Public Hours December 1- 4, 2011 “The best hotel art fair in the world.” Lucas Soi ìWe Bought The Seagram Buildingî October 6th-27th For all your art supply needs, pick Blick. -
Way Bay 2 Gallery Guide
Way Bay 2 Gallery Guide Please do not remove from the gallery Way Bay 2 Way Bay 2 June 13–September 2, 2018 BERKELEY ART MUSEUM PACIFIC FILM ARCHIVE bampfa.org Gallery Guide Way Bay 2 is the second iteration of an exhibition exploring the creative energies that have emerged in the San Francisco Bay Area over the past two centuries. The exhibition features nearly two hundred works by Bay Area artists, filmmakers, and others who have engaged with the region’s geographic, social, and cultural landscape. In contrast to a conventional historical survey, Way Bay 2 has been organized to suggest poetic currents and connections among works from disparate times, cultures, and communities. The exhibition draws exclusively from the rich collections of BAMPFA, the Phoebe A. Hearst Museum of Anthropology, and the Bancroft Library. The gallery portion of the exhibition is divided into sections with titles borrowed from poems by Bay Area writers. Each section includes work from a broad range of periods, styles, and media. Films and videos share the space with paintings, photographs, sculptures, and works in other media, at times fitting into the poetically themed sections, Way Bay 2 is organized by Director and Chief and at others standing alone as resonant images of the Curator Lawrence Rinder, Film Curator Kathy Geritz, and Engagement Associate David Wilson, people and places of the Bay Area. with Curatorial Assistant Matthew Coleman and Assistant Film Archivist Jon Shibata. The In the museum’s entry corridor is an interactive postcard exhibition is made possible with lead support project consisting of poems by and about the Bay Area from Nion McEvoy and Leslie Berriman. -
A Finding Aid to the Hans Hofmann Papers, Circa 1904-2011, Bulk 1945-2000, in the Archives of American Art
A Finding Aid to the Hans Hofmann Papers, circa 1904-2011, bulk 1945-2000, in the Archives of American Art Catherine S. Gaines and Megan McShea Funding for the digitization of this collection was provided by the Terra Foundation for American Art. Glass plate negatives in this collection were digitized in 2019 with funding provided by the Smithsonian Women's Committee. 2001 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical Note............................................................................................................. 3 Scope and Content Note................................................................................................. 8 Arrangement................................................................................................................... 10 Names and Subjects .................................................................................................... 10 Container Listing ........................................................................................................... 12 Series 1: Correspondence, 1914-1966.................................................................. 12 Series 2: School -
Susan Landauer, “Having Your Cake and Painting It Too”
Having Your Cake and Painting It , Too Susan Landauer F or years the laughable axiom that humorous art should not be taken seriously could be heard in art circles. "Light" does not illuminate. It was comic art's uneasy relationship to entertainment that kept it a minor tributary of the mainstream. As critic Michael Kimmelman put it, the "no pain, no gain philosophy"- that "pleasure is O.K. only if it's clearly subordinated to instruction"- has been a fundamental credo until relatively recently. 1 Although humor can be found as far back as the frolicking nymphs and satyrs of Athenian black-figure pottery, the best-known practitioners (Cruikshank, Daumier, and Hogarth, to name a few) remained within the precincts of illustration and cartooning. The anarchic spirit of humor appealed to early modernists such as Picasso, Miro, and Klee, but only Duchamp made it central to his oeuvre, and even then his approach was so subtle and confounding that he easily passed the high-art sobriety test. In the past couple of decades, of course, all of this has changed. The postmodernist breakdown of high and low has made clowning respectable, as the careers of Keith Haring, Jeff Koons, Kenny Scharf, William Wegman, and countless others attest. But comedy has long been a staple- even a defining characteristic- of the San Francisco Bay Area. Ever since Clay Spohn painted his wacky Rube-Goldberg War Machines in the 1940s, Bay Area artists have had a special penchant for humorous art, from the childlike playfulness of Joan Brown to the biting social satire of Robert Colescott. -
SFMOMA Exhibition List Exhibition Name Exhibition Number Start Date
SFMOMA Exhibition List Exhibition Name Exhibition Number Start Date End Date Drawings by Old and Modern Masters from the Collection of the late Mrs ... 100,699 1/18/35 7/9/35 55th Annual Exhibition of the San Francisco Art Association 100,968 1/18/35 3/3/35 1934 Carnegie International, European Section 100,864 3/15/35 4/25/35 San Francisco Bay Bridge Photographs by Peter Stackpole 100,916 4/28/35 5/16/35 Kandinsky Abstractions 101,035 5/5/35 6/9/35 National Annual Association of Junior League Exhibition 100,683 5/12/35 5/26/35 Sculpture by Beniamino Bufano 100,575 5/18/35 8/12/35 Woodblocks by Joseph Raphael 100,816 6/9/35 6/21/35 Paintings, Drawings, and Prints by Rockwell Kent 100,961 6/9/35 7/16/35 Paintings by Bay Region Artists: 20 Local Artists 100,740 6/23/35 7/26/35 Drawings by Diego Rivera 101,169 6/30/35 8/12/35 Plates of Frescoes by Diego Rivera 101,170 6/30/35 8/12/35 Prints by Arthur B. Davies from the Collection of Wilfred Davis 100,543 7/14/35 8/11/35 Exhibition of Work by Students of the California School of Fine Arts 100,897 7/17/35 8/19/35 American Printmakers 100,911 7/28/35 9/2/35 Selected Water Colors by Lurcat, Miro, and Dufy 101,190 8/4/35 9/2/35 Drawings by Maurice Sterne 100,877 8/23/35 9/29/35 Paintings by Maurice Sterne 100,878 8/23/35 9/29/35 Fine Printing by British Official Presses 100,622 9/6/35 10/6/35 First Graphic Arts Exhibition of the San Francisco Art Association 100,967 9/14/35 10/13/35 The Field Collection of Contemporary American Paintings 100,709 11/3/35 12/1/35 Original Costume and Stage Designs