Roaring Into the Future Timeline PDF Click Here
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Drowning in a Dry Town
Drowning in a At the teeming The speakeasy The Marlborough Fred and Adele By January 16, 1920, Club Durant was outdoor market Dickerman’s County House, a swanky Astaire could be found 80 percent of the booze one of the rowdiest Paddy’s, home Fair Club had a rustic speakeasy with silver dancing some nights at stored in the cellars of clubs around, with Dry Town winemakers would theme—haystacks, leather banquettes, was a The Trocadero. 35 E. the Union Club had entertainment purchase lugs from picket fences, and favorite of Noël Coward, 53rd St., nr. Park Ave. been transferred to including “a tap dancer California. You could square dances. 54 E. who was known to members’ homes. and monologist,” a make 200 gallons a 9th St., nr. Broadway. enjoy the Muscovite Fifth Ave. at 51st St. “cakewalking singer,” year for your own use, duckling. 15 E. 61st St., and a “musical clown.” Where Prohibition-era although “your own” nr. Madison Ave. 58th St., nr. Broadway. New Yorkers got drunk. was rarely accurate. Ninth Ave., from 35th St. to 42nd St. The Central Park Casino was Mayor There were Jimmy Walker’s 38 speakeasies on favorite playpen. 52nd Street alone. In Central Park, nr. 72nd St. entrance. Making wine at Behind the plaster- Racketeer (and Opened in 1925 home was permitted, board in the upstairs Cotton Club owner) and financed with so every fall, California party room of the Owney Madden’s federal funds, the vineyards loaded now-closed Beatrice $1.5 million “cereal Bridge Whist Club Jack Bleeck’s Artists thousands of tons Inn, a low door leads beverage” brewery was a setup to gather and Writers Club was of lugs, or crates of to an alley off Eighth was repeatedly raided incriminating evidence a popular place for the The Cotton grapes, into boxcars Avenue—likely a by Feds who smelled about bootleggers. -
Nyrcr Oneida County Recovery
Page i NY Rising Community Reconstruction Oneida County Committee Name Committee Role Representation/Affiliation Roger Cleveland Co-Chair Retired, Town of New Hartford Cary Flack Co-Chair Retired, Oneida County Planning Department Dave Babowicz (Dennis Committee Oneida County Department of Public Works Davis) Member Nelson Blau Committee Marshall/Oriskany Basin Member Kristin Campbell (John Committee Oneida County Department of Planning Kent) Member Dave Corr Committee Oneida County Sportsmen Club Member Debbie Day Committee City of Utica Member Jim Dowd Committee Town of Augusta Member Chuck Gibbs Committee Town of Whitestown Member Kevin Lewis Committee Oneida County Soil and Water Conservation Member District Gerald Pederson (Kevin Committee Oneida County Emergency Services Revere) Member Jon Scott Committee Town of Kirkland Member Page i Rick Sherman Committee Town of New Hartford Member Matt Wolf Committee Trout Unlimited Member Travis Wright Committee Town of Augusta Member This document was developed by the NYRCR Oneida County Planning Committee as part of the NY Rising Community Reconstruction (NYRCR) Program and is supported by NYS Department of State. The document was prepared by the following consulting firms: Page ii Foreword The NY Rising Community Reconstruction (NYRCR) program was established by Governor Andrew Cuomo to provide additional rebuilding and revitalization assistance to communities severely impacted by Superstorm Sandy, Hurricane Irene, Tropical Storm Lee, and the severe summer storms of 2013. With assistance from the State, communities have been empowered to create and implement local strategies for rebuilding and strengthening their communities against future extreme weather events. By July 2014, plans will be completed in the five upstate counties impacted by severe flooding in 2013: Niagara, Madison, Herkimer, Oneida, and Montgomery counties. -
In 1925, Eight Actors Were Dedicated to a Dream. Expatriated from Their Broadway Haunts by Constant Film Commitments, They Wante
In 1925, eight actors were dedicated to a dream. Expatriated from their Broadway haunts by constant film commitments, they wanted to form a club here in Hollywood; a private place of rendezvous, where they could fraternize at any time. Their first organizational powwow was held at the home of Robert Edeson on April 19th. ”This shall be a theatrical club of love, loy- alty, and laughter!” finalized Edeson. Then, proposing a toast, he declared, “To the Masquers! We Laugh to Win!” Table of Contents Masquers Creed and Oath Our Mission Statement Fast Facts About Our History and Culture Our Presidents Throughout History The Masquers “Who’s Who” 1925: The Year Of Our Birth Contact Details T he Masquers Creed T he Masquers Oath I swear by Thespis; by WELCOME! THRICE WELCOME, ALL- Dionysus and the triumph of life over death; Behind these curtains, tightly drawn, By Aeschylus and the Trilogy of the Drama; Are Brother Masquers, tried and true, By the poetic power of Sophocles; by the romance of Who have labored diligently, to bring to you Euripedes; A Night of Mirth-and Mirth ‘twill be, By all the Gods and Goddesses of the Theatre, that I will But, mark you well, although no text we preach, keep this oath and stipulation: A little lesson, well defined, respectfully, we’d teach. The lesson is this: Throughout this Life, To reckon those who taught me my art equally dear to me as No matter what befall- my parents; to share with them my substance and to comfort The best thing in this troubled world them in adversity. -
Freshwater Fishing: a Driver for Ecotourism
New York FRESHWATER April 2019 FISHINGDigest Fishing: A Sport For Everyone NY Fishing 101 page 10 A Female's Guide to Fishing page 30 A summary of 2019–2020 regulations and useful information for New York anglers www.dec.ny.gov Message from the Governor Freshwater Fishing: A Driver for Ecotourism New York State is committed to increasing and supporting a wide array of ecotourism initiatives, including freshwater fishing. Our approach is simple—we are strengthening our commitment to protect New York State’s vast natural resources while seeking compelling ways for people to enjoy the great outdoors in a socially and environmentally responsible manner. The result is sustainable economic activity based on a sincere appreciation of our state’s natural resources and the values they provide. We invite New Yorkers and visitors alike to enjoy our high-quality water resources. New York is blessed with fisheries resources across the state. Every day, we manage and protect these fisheries with an eye to the future. To date, New York has made substantial investments in our fishing access sites to ensure that boaters and anglers have safe and well-maintained parking areas, access points, and boat launch sites. In addition, we are currently investing an additional $3.2 million in waterway access in 2019, including: • New or renovated boat launch sites on Cayuga, Oneida, and Otisco lakes • Upgrades to existing launch sites on Cranberry Lake, Delaware River, Lake Placid, Lake Champlain, Lake Ontario, Chautauqua Lake and Fourth Lake. New York continues to improve and modernize our fish hatcheries. As Governor, I have committed $17 million to hatchery improvements. -
Mud Creek Basin Assessment
EMERGENCY TRANSPORTATION INFRASTRUCTURE RECOVERY WATER BASIN ASSESSMENT AND FLOOD HAZARD MITIGATION ALTERNATIVES MUD CREEK ONEIDA COUNTY, NEW YORK April 2014 MMI #5231-01 Photo Source: Milone & MacBroom, Inc. (2013) This document was prepared for the New York State Department of Transportation, in cooperation with the New York State Department of Environmental Conservation. Prepared by: MILONE & MACBROOM, INC. 134 Main Street, Suite A1 New Paltz, NY 12561 (845) 633-8153 www.miloneandmacbroom.com Copyright 2014 Milone & MacBroom, Inc. TABLE OF CONTENTS Page 1.0 INTRODUCTION............................................................................................................................... 1 1.1 Project Background .................................................................................................................. 1 1.2 Nomenclature ............................................................................................................................ 3 2.0 DATA COLLECTION ....................................................................................................................... 3 2.1 Initial Data Collection ............................................................................................................... 3 2.2 Public Outreach ........................................................................................................................ 3 2.3 Field Assessment ..................................................................................................................... -
Upper Mohawk River Coliform Bacteria Monitoring Project Report
New York State DEPARTMENT OF ENVIRONMENTAL CONSERVATION Division of Water Upper Mohawk River Coliform Bacteria Monitoring Project Portions 12 and 13 in the Utica-Rome Area June 2012 - September 2012 November 2013 (Revised January 2014) EXECUTIVE SUMMARY This report presents the results of coliform bacteria monitoring conducted by the New York State Department of Environmental Conservation (NYSDEC) from June through September 2012 in portions 12 and 13 of the Mohawk River (see Figure 2). Water sampling was conducted at two stations: Mohawk River in West Schuyler (Portion 12) and Mohawk River near Oriskany (Portion 13). Twenty-two samples per station were collected and analyzed for total and fecal coliform bacteria. Field parameters of dissolved oxygen, specific conductance, pH and temperature were also measured at each station during sampling. Portions 12 and 13 of the Mohawk River are listed in the Final 2012 Section 303(d) List, Part 1 - Individual Waterbody Segments with Impairment Requiring Total Maximum Daily Load (TMDL) Development. Pollutants and water quality indicators listed in the Section 303(d) list include floatables (aesthetics), pathogens and dissolved oxygen/oxygen demand. Pollution sources contributing to impairment include Combined Sewer Overflows (CSOs), Sanitary Sewer Overflows (SSOs), and urban stormwater runoff. The goal of the project was to collect and test samples for coliform frequently enough to satisfy the requirements of New York State Water Quality Standards (at least five samples per month). NYSDEC uses coliform bacteria as an indicator of pathogens. The water quality standard for coliform is based on a minimum of five examinations within a calendar month for Class B and C waterbodies. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Storytelling and Social Media
NIEMAN REPORTS Storytelling and Social Media HANNA, one of the subjects in “Maidan: Portraits from the Black Square,” Kiev, February 2014 Nieman Online From the Archives For some photojournalists, it’s the shots they didn’t take they remember best. In the Summer 1998 issue of Nieman Reports, Nieman Fellows Stan Grossfeld, David Turnley, Steve Northup, Stanley Forman, and Frank Van Riper reflect on the shots they missed, whether by mistake or by choice, in “The Best Picture I Never Took” series. Digital Strategy at The New York Times In a lengthy memo, The New York Times revealed that it hopes to double its “Made in Boston: Stories of Invention and Innovation” brought together, from left, author digital revenue to $800 million by 2020. Ben Mezrich, Boston Globe reporter Hiawatha Bray, author Steve Almond, WGBH’s “Innovation The paper plans to simplify subscriptions, Hub” host Kara Miller, NPR’s “On Point” host Tom Ashbrook, “Our Bodies, Ourselves” improve advertising and sponsorships, co-founder Judy Norsigian, journalist Laurie Penny, and MIT Media Lab director Joi Ito optimize for different mediums, and nieman.harvard.edu, events extend its international reach. No Comments An in-depth look at why seven major news organizations—Reuters, Mic, The Week, Popular Science, Recode, The Verge, and USA Today’s FTW—suspended user comments, the results of that decision, and Innovators “always said how these media outlets are using social no when other people media to encourage reader engagement. said yes and they always 5 Questions: Geraldine Brooks Former Wall Street Journal foreign said yes when other correspondent and Pulitzer Prize-winning novelist Geraldine Brooks talks with her old Columbia Journalism School classmate people said no. -
Annual Report Fiscal Year 2017/2018
ANNUAL REPORT FISCAL YEAR 2017/2018 1 MISSION San Francisco Art Institute is dedicated to the intrinsic value of art and its vital role in shaping and enriching society and Left: the individual. As a diverse community Installation view of the BFA Exhibition, of working artists and scholars, SFAI Diego Rivera Gallery, 2018. provides its students with a rigorous Photo by Alex education in the fine arts and preparation Peterson (BFA Photography, 2015). for a life in the arts through an immersive studio environment, an integrated liberal Below: Rigo 23, One Tree arts curriculum, and critical engagement mural. Photo by with the world. Trevor Hacker. Spread:2 Performance by Tim Sullivan’s New Genres class on the rooftop amphitheatre at SFAI—Chestnut Street Campus. CONTENTS 4 FROM THE PRESIDENT 5 FROM THE BOARD CHAIR 6 HISTORY A Brief History of SFAI Firsts + Foremosts 10 NOTABLE ALUMNI 11 FACILITIES Chestnut Street Campus Fort Mason Campus Residence Halls 15 DEGREE PROGRAMS 16 NAMED SCHOLARSHIPS 18 FINANCIALS 19 EXHIBITIONS + PUBLIC PROGRAMS Galleries/Exhibition Spaces Visiting Artists + Scholars Lecture Series Public + Youth Education 22 ANNUAL GIFTS Vernissage 2018 Top to bottom: Students in the fountain at SFAI's Chestnut Street Campus, circa 1972. Photo by Richard Laughlin (MFA 1973). Work by Ahna Fender (BFA Painting) in the SFAI Courtyard. 3 SFAI President Gordon Knox at SFAI's Fort Mason Campus. Photo by Duy Ho. And this is a hard job, since the work of arts education is interwoven with the realities of economic systems, social inequality and political volatility. As SFAI builds on our recent progress, we must ensure that students as well as the institution itself emerge nimble, adaptable and resilient in the face of rapid change. -
Subwatershed Characterization
Chapter 3: Subwatershed Assessment 3.1 Objective of the Assessment The structure of watersheds is dendritic or tree-like with smaller streams joining progressively larger ones (see Map 2-5). Thus, the watershed as a whole can be divided into a series of nested “subwatersheds” as illustrated by the HUC-8 through HUC-12 notation. Effective management of water quality in the basin as a whole depends on recognizing this fundamental structure of the watershed, starting with smaller units and addressing restoration and protection efforts to progressively larger, more inclusive ones. The objective, therefore, is to assess water- quality issues at their source, and to set priorities for remediating degraded parts of the watershed and protecting those that are not degraded but may be in danger of becoming so without effective management. Recommendations for addressing the restoration and protections issues uncovered in this assessment are discussed in Chapter 4. 3.2 Assessment Criteria and Procedure To complete this assessment, each of the 12-digit HUC subwatersheds in the Mohawk River Watershed was evaluated using a set of quantitative indicators for three aspects of watershed health: water quality, land use, and habitat. The evaluation assigned a score of 1 to 5 for each of various quantitative indicators (metrics) of watershed health. The scores associated with these metrics of watershed health were combined to a final score; some were weighted for overall significance. The amalgamated scores can be used to help define priority areas (subwatersheds with the lowest overall scores), while preserving important information regarding the underlying causes for concern. Quantitative indicators and resulting scores for the three aspects of watershed health are described in this section. -
Eastern NY Excluding Long Island 2014
DISCONTINUED SURFACE-WATER DISCHARGE OR STAGE-ONLY STATIONS The following continuous-record surface-water discharge or stage-only stations (gaging stations) in eastern New York excluding Long Island have been discontinued. Daily streamflow or stage records were collected and published for the period of record, expressed in water years, shown for each station. Those stations with an asterisk (*) before the station number are currently operated as crest-stage partial-record station and those with a double asterisk (**) after the station name had revisions published after the site was discontinued. [Letters after station name designate type of data collected: (d) discharge, (e) elevation, (g) gage height] Period of Station Drainage record Station name number area (mi2) (water years) HOUSATONIC RIVER BASIN Tenmile River near Wassaic, NY (d) 01199420 120 1959-61 Swamp River near Dover Plains, NY (d) 01199490 46.6 1961-68 Tenmile River at Dover Plains, NY (d) 01199500 189 1901-04 BLIND BROOK BASIN Blind Brook at Rye, NY (d) 01300000 8.86 1944-89 BEAVER SWAMP BROOK BASIN Beaver Swamp Brook at Mamaroneck, NY (d) 01300500 4.42 1944-89 MAMARONECK RIVER BASIN Mamaroneck River at Mamaroneck, NY (d) 01301000 23.1 1944-89 HUTCHINSON RIVER BASIN Hutchinson River at Pelham, NY (d) 01301500 6.04 1944-89 BRONX RIVER BASIN Bronx River at Bronxville, NY (d) 01302000 26.5 1944-89 HUDSON RIVER BASIN Opalescent River near Tahawus, NY (d) 01311900 9.02 1921-23 Arbutus Pond Outlet near Newcomb, NY (d) *01311992 1.22 1991-92 Cedar River near Indian Lake, NY (d) -
East Canada Creek Basin Assessment
EMERGENCY TRANSPORTATION INFRASTRUCTURE RECOVERY WATER BASIN ASSESSMENT AND FLOOD HAZARD MITIGATION ALTERNATIVES EAST CANADA CREEK HERKIMER COUNTY, NEW YORK April 2014 MMI #5231-01 Photo Source: Milone & MacBroom, Inc. (2013) This document was prepared for the New York State Department of Transportation, in cooperation with the New York State Department of Environmental Conservation. Prepared by: MILONE & MACBROOM, INC. 99 Realty Drive Cheshire, Connecticut 06410 (203) 271-1773 www.miloneandmacbroom.com Copyright 2014 Milone & MacBroom, Inc. TABLE OF CONTENTS Page 1.0 INTRODUCTION............................................................................................................................... 1 1.1 Project Background .................................................................................................................. 1 1.2 Nomenclature ............................................................................................................................ 3 2.0 DATA COLLECTION ....................................................................................................................... 3 2.1 Initial Data Collection ............................................................................................................... 3 2.2 Public Outreach ........................................................................................................................ 3 2.3 Field Assessment .....................................................................................................................