The Ritual of Enderi: the Elven Middle-Days
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SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
HARD-TO-REMEMBER NAMES THAN a RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J
UNIVERSITY OF JYVÄSKYLÄ “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion A Pro Gradu Thesis in English by Tommi Ojanperä Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Tommi Ojanperä “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion Pro gradu –tutkielma Englannin kieli Toukokuu 2007 108 sivua + 1 liite Tutkielman lähtökohtana on perusteltu väite, että J. R. R. Tolkienin romaanissa Quenta Silmarillion (1977) erikoisella ja poikkeuksellisen laajalla nimistöllä on erityisen merkittävä asema ja että tätä nimistöä tutkimalla ja analysoimalla monipuolisesti, sekä kvalitatiivisesti että kvantitatiivisesti, voidaan saavuttaa merkittäviä tuloksia koskien romaania kokonaisuutena. Tutkimuksen ensisijainen tarkoitus on tutkia nimistöä etenkin kvantitatiivisesti ja nimien frekvenssejä tutkien rakentaa luokittelu eri nimien merkittävyydestä. Nimistöä käsitellään tästä näkökulmasta ennen kaikkea kokonaisuutena, mutta tarkempaa huomiota kiinnitetään etenkin poikkeuksellisen usein esiintyviin nimiin. Nimistön kvantitatiivisen tutkimuksen perusteella pyritään selvittämään, mitkä romaanin henkilöt, tapahtumapaikat ja ryhmät vaikuttavat olevan merkitykseltään erityisen suuria. Tässä suhteessa romaania tutkitaan toisaalta kokonaisuutena, toisaalta 24 luvusta koostuvana rakenteena. Lisäksi pohditaan mm. laajan nimistön tuottamia -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
Encoding of Tengwar Telcontar Version 0.08
Tengwar Telcontar This document discusses the encoding of Tengwar Telcontar version 0.08. The latest version of the font and this document can be downloaded from the Free Tengwar Font Project: http://freetengwar.sourceforge.net/. Changes from earlier proposals By creating a fully functional Unicode font for Tengwar, my intention is to promote the proposal to encode Tengwar in Unicode, and to spur the discussion on the best way to design such an encoding. What then constitutes the best way to encode Tengwar? This I can hardly decide on my own; indeed, it is of the highest importance that an encoding proposal is approved by a majority of the Tengwar user community. You are therefore cordially invited to discuss and to propose changes to Tengwar Telcontar. If you want to familiarize yourself with the Unicode standard in general, you can find much information at http://www.unicode.org/. In particular, I recommend that you read chapter 2 of The Unicode Standard, which defines many important concepts (e. g. terms like character, glyph, etc.): http://www.unicode.org/versions/Unicode5.2.0/ch02.pdf. The current encoding of the characters in Tengwar Telcontar (shown in a table at the end of this document) is based on the encoding in Michael Everson’s latest discussion paper at the Conscript Unicode Registry: http://www.evertype.com/standards/iso10646/pdf/tengwar.pdf. However, I have on more than one occasion diverged from Everson’s table, adding some characters that I felt were missing and removed others that, to my opinion, either do not merit inclusion at all, or which possibly might be better represented in other ways. -
Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK
THE LORD OF THE RINGS Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK Introduction I have compiled this textbook as a reference while listening to the score of Howard Shore of Peter Jackson’s movie-version of The Lord of the Rings. It is based on information from the Gwaith-i- Phethdain-website, http:\\www.elvish.org\gwaith (All my thanks to those who helped to provide these information!), and comprises most non-english lyrics of all three film installments. In the first three parts, the lines that are sung are listed (as many as could be discovered...) with the corresponding times, sorted by film and track. Then follow the original poems, their translations etc. The times given refer to the special limited editions of the soundtrack. Still, they are incomplete and thus I have to ask your help to complete them. Any new hints can be mailed to [email protected]. All texts here reproduced are ©ed by New Line Cinema. They are from the official booklets, music sheets and websites. I wish you lots of fun in discovering the lyrics! Julian ‘Flammifer’ Jarosch, 29.03.04 Explanations: The marked parts of the poems are those that are sung in the score. Parts in grey are uncertain resp. left out. Parts in {braces} are comments / additions by me. You will find annotations with roman numeralsXXI where help is needed. — 0:05 ----Means that only the endig time of a lyric is known. The structure of the linguistic notes is roughly as follows: attested word part of speech, flection 'english translation'; (SOURCE). -
A Companion to J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed by Andrew Higgins Andrew Higgins [email protected]
Journal of Tolkien Research Volume 2 | Issue 1 Article 2 2015 A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins Andrew Higgins [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Higgins, Andrew (2015) "A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins," Journal of Tolkien Research: Vol. 2: Iss. 1, Article 2. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol2/iss1/2 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins A Companion to J.R.R. Tolkien, edited by Stuart D. Lee. Chichester, West Sussex, and Malden, Massachusetts: Wiley-Blackwell, 2014. xxxiv, 568 pp. $199.95 ISBN 9780470659823. As this is a review for the Journal of Tolkien Research, a volume with the title A Companion to J.R.R. Tolkien will undoubtedly be of interest to Tolkien students and scholars. Reviewing such a lengthy scholarly work is indeed both a daunting and equally challenging task. The reason for this is twofold: 1) the academic profile of the volume and 2) the eminent line-up of Tolkien scholars who have contributed their specific knowledge to each of the thirty-six papers in this volume. -
Studies in the Sources of J.R.R. Tolkien's the Lord of the Rings
.-- . .,l,.. .I~ i . ,. s._ .i. -_. _..-..e.. _ . (3 f Preface i In the Spring of 1968 while I was studying the Old English poem Beowulf with Dr. Rudolph Bambas, my colleague and classmate Judith Moore suggested that I might enjoy reading a new work by J:R.R. Tolkien, known to us as the editor of Sir Gawain and the Green Knight and the author of that seminal article -- “Beowulf: The Monsters and the Critics.” The Hobbit and The Lord of the Rings delighted me that summer. In the fall, at the urging of another colleague, I enrolled in the Old Norse seminar. That conjunction of events proved to be the beginning of a lifelong study of Northern literature and its contributions to the cauldron of story which produced The Lord of the Rings, The Hobbit, The Silmarillion, and The Unfinished Tales. The first version of this study became my doctoral dissertation -- “Studies in the Sources of J.R.R. Tolkien’s The Lord of the Rings.“1 Throughout the years that followed while I was either teaching college English or working as a librarian, I have continued my research. The original study was based on about twenty-five sagas; that number has been tripled. Christopher Tolkien’s careful publication of The Silmarillion, The Unfinished Tales, and six volumes of The Historv of Middle-earth has greatlyreatly expanded the canon available for scholarly study. Humphrey Carpenter’s authorized biography has also been helpful. However, the Letters of J.R.R. Tolkien have produced both the . greatest joy and the greatest terror. -
Fan Cartography's Engagement with Tolkien's Legendarium Stentor Danielson Slippery Rock University of Pennsylvania, [email protected]
Journal of Tolkien Research Volume 6 | Issue 1 Article 4 2018 Re-reading the Map of Middle-earth: Fan Cartography's Engagement with Tolkien's Legendarium Stentor Danielson Slippery Rock University of Pennsylvania, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the English Language and Literature Commons, and the Geography Commons Recommended Citation Danielson, Stentor (2018) "Re-reading the Map of Middle-earth: Fan Cartography's Engagement with Tolkien's Legendarium," Journal of Tolkien Research: Vol. 6 : Iss. 1 , Article 4. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol6/iss1/4 This Peer-Reviewed Article is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Danielson: Re-reading the Map of Middle-earth Introduction In Chapter 1 of The Hobbit, we learn of our protagonist Bilbo Baggins that “He loved maps, and in his hall there hung a large one of the Country Round with all his favourite walks marked on it in red ink” (Tolkien 1966, p. 32-33). Some decades later, Bilbo's distant cousin Pippin laments his failure to have fully consulted the maps available in Rivendell before the Fellowship departed on its long journey (Tolkien 1965a, p. 370). From a handful of references such as these, we know that cartography existed in Middle-earth, and indeed that it was considered a perfectly ordinary and sensible thing to look at a map to find one's way. -
A Structural Analysis of J.R.R. Tolkien's Textural Composition
A Structural Analysis of J.R.R. Tolkien’s Textural Composition Centering on The Silmarillion 文学研究科英文学専攻博士後期課程在学 松 本 裕 子 Yuko Matsumoto 1: Introduction/2: Methods/3: Textural Analysis/ 4: Compound Text/5: Conclusion Chapter 1: Introduction The purpose of this present thesis is to analyze the textural composition of John Ronald Reuel Tolkien’s The Silmarillion: The Silmarillion as a single published work separate from The Lord of the Rings (LOTR). Certainly, the former is very closely connected with the latter, especially, its last part, OF THE RINGS OF POWER AND THE THIRD AGE; the latter can be said to be a natural extension of the former in this sense. On the other hand, however, Quenta Silmarillion is formally supposed to be a single piece of work,1 though it is the essential part of The Silmarillion as a book. In brief there are two kinds of The Silmarillion, or more correctly, two levels of The Silmarillion: The Silmarillion in a broad sense and The (Quenta) Silmarillion in a narrow sense. This thesis treats The Silmarillion in the broad sense. Here we must not miss the following points. The work involved is based upon a vast corpus of materials put together under the title of The History of Middle-Earth: from which another book, Unfinished Tales, was published by Christopher Tolkien, his son, after Tolkien’s death. So it cannot be regarded as Tolkien’s edited work. Christopher Tolkien made a comment on that issue in the introduction of Unfinished Tales;2 1 The Silmarillion is made up of five parts of the tales: AINULINDALЁ, VALAQUENTA, Quenta Silmarillion, AKALLABÊTH, and OF THE RINGS OF POWER AND THE THIRD AGE. -
The Pennsylvania State University Schreyer Honors College
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DIVISION OF HUMANITIES, ARTS, AND SOCIAL SCIENCES THE WANDERERS AND THE ANALYTICS: A LEXICOSTATISTICAL STUDY OF SINDARIN AND QUENYA CHRISTIAN BRENDEL SPRING 2014 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Communication Arts and Sciences with honors in Communication Arts and Sciences Reviewed and approved* by the following: Sandy Feinstein Associate Professor of English Thesis Supervisor Honors Advisor Holly Ryan Assistant Professor of English Faculty Reader Jeanne Marie Rose Associate Professor of English Faculty Reader * Signatures are on file in the Schreyer Honors College i Abstract Literary analysis of Tolkien’s The Lord of the Rings and The Silmarillion has long incorporated an interest in the usage of language in the texts, including the examination of Tolkien’s constructed, fictional Elvish languages. For example, the break-up of language has been seen as a metaphor for the fragmentation of original truth or purity, and the divergence of the various races of Elves is connected to the separation of their languages (Flieger, 2002). In the narrative, the two Elvish languages most used in The Lord of the Rings and The Silmarillion, Quenya and Sindarin, diverge from a shared ancestor, but evolve in isolation from each other: Quenya develops in the heavenly Undying Lands whereas Sindarin remains in Middle-Earth, a land of relative strife and hardship. Although Quenya is a language heavily influenced by the divine beings who shaped the world, it is Sindarin, curiously, which wields power in Middle-Earth, and is often used to invoke magic. -
Sindarin and Quenya Phonology
Volume 1 Issue 2 Article 16 January 1971 Sindarin and Quenya Phonology Robert Foster Follow this and additional works at: https://dc.swosu.edu/mythpro Part of the English Language and Literature Commons Recommended Citation Foster, Robert (1971) "Sindarin and Quenya Phonology," Mythcon Proceedings: Vol. 1 : Iss. 2 , Article 16. Available at: https://dc.swosu.edu/mythpro/vol1/iss2/16 This Article is brought to you for free and open access by the Mythopoeic Society at SWOSU Digital Commons. It has been accepted for inclusion in Mythcon Proceedings by an authorized editor of SWOSU Digital Commons. An ADA compliant document is available upon request. For more information, please contact [email protected]. Mythcon 51: The Mythic, the Fantastic, and the Alien Albuquerque, New Mexico • Postponed to: July 30 – August 2, 2021 Abstract Attempts to classify the distinguishing phonemes of Quenya and Sindarin and use them to develop a framework for determining where on the scale of historical change a vocabulary word might fall. Keywords Tolkien, J.R.R.—Languages This article is available in Mythcon Proceedings: https://dc.swosu.edu/mythpro/vol1/iss2/16 Foster: Sindarin and Quenya Phonology Smdartn and Ouenya Phonology by Robert Foster This paper Is the first version or a portion or what I available, It might be possible to distinguish the stages hope will eventually become an Elvish Grammar and Diction• or Slndarin more reasonably, since there are no clear his• ary. Obviously, my efforts are somewhat tentatl•e and this torical or cultural dividing points. (It occurs to me that paper somewhat premature, but In this way I hope to be able the return or Peanor to Middle-earth, which caused ar.