Simple Lessons on Writing Sindarin with Tengwar an Introduction
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Guide to Tolkienian Nationality Words by Malinornë After an Idea by ~Nóleme~
Guide to Tolkienian nationality words By Malinornë after an idea by ~nóleme~ The purpose of this chart is to help writers of fan fiction to avoid common mistakes involving non-English names for groups and individuals of various peoples, languages etc. The letters in parenthesis in the first column show which language the main term is in: Q for Quenya, S for Sindarin, E for English, D for Dwarvish and R for Rohirric. For many of the Sindarin terms, two plural forms are listed. The term marked "coll." is a collective noun or class plural that is used for a people or group as a whole. If you need a term for a number of individuals, then use the second one listed. Example: "the two Enyd", not "the two Onodrim". Or, make it simple and use English: "the two Ents" :) If the general adjective is not known, it usually works to circumscribe, e.g. write "of the Dúnedain". It can also work to simply use a noun, e.g. "She had hobbit blood." Avoid the plural form – don't write "He had Eorlingas ancestors." People or group Individual General adjective Language(s) spoken (plural or collective noun) (singular noun) by people or group Ainur (Q) Ainu (fem. Aini) Ainurin Valarin, Quenya Atani (Q) Atan - - Apanónar (Q) - - Ebennin (S) Abonnen (S) Avari (Q) Avar (Q + S) Avarin (Q) Avarin Evair (S) Balroeg (S) Balrog (S) - - Valaraukar (Q) Valarauko (Q) Calaquendi (Q) Calaquendë (Q) Calaquenderin (Q) Quenya, Sindarin, other Celbin (S) Calben (S) Drúedain (Q), Drûgs (E) Drúadan, Drûg - - Dúnedain (S) Dúnadan - Westron, Sindarin Dúnedhil (S) Dúnedhel Dúnedhellen Quenya, Sindarin, other Edain (S) Adan - - Eglath, Egladhrim (S, coll.) Eglan - - Eglain (S) Eldar (Q) Elda (Q) Eldarin (Q) Eldarin, Quenya, Sindarin Edhil (S) Edhel (S) Edhellen (S) Eorlingas (R), Eorlings (E) Eorling - Rohirric Eruhíni (Q) Eruhína (Q) - - Eruchín (S) Eruchen (S) Falathrim (S, coll.) Falathel ?Falathren Sindarin Felethil (S) (lit. -
Inventors and Devotees of Artificial Languages
From SIAM News, Volume 43, Number 5, June 2010 Inventors and Devotees of Artificial Languages In the Land of Invented Languages: Esperanto Rock Stars, Klingon Poets, Loglan Lovers, and The Mad Dreamers Who Tried to Build a Perfect Language. By Arika Okrent, Spiegel and Grau, New York, 2009, 352 pages, $26.00. In the Land of Invented Languages is a remarkably entertaining historical survey of artificial languages and their inventors, from the Lingua Ignota of Hildegard von Bingen in the 12th century through Esperanto and, more recently, Klingon. The depth of the research is impressive. The author, Arika Okrent, attended conferences in Esperanto, Loglan, and Klingon, among others; hunted up obscure self-published tomes available only in a few rare book rooms; worked through scores of these languages in enough depth to translate BOOK REVIEW passages into them; and interviewed hundreds of people, both language inventors and enthusiasts, getting to know many By Ernest Davis of them well. One of the book’s two appendices lists 500 artificial languages; the other offers translations of the Lord’s Prayer into 17 languages and of the Story of Babel into another 11. The text contains samples from many more languages, carefully explained and analyzed. Nonetheless, the book wears its learning very lightly; it is delightfully personal, and as readable as a novel. It is in fact as much about the histories of the inventors and devotees of the languages as about the languages themselves; these histories are mostly strange and often sad. Invented languages can be categorized by the purposes of their inventors. -
SINDARIN 2003 (MMDCCLVI AVC) R [email protected] Gandalf
2002 (MMDCCLV AVC) SINDARIN 2003 (MMDCCLVI AVC) r [email protected] GandAlf Sindarin Teleri Sindar Aman Thingol Noldor˜ Noldor˜ Quenya Noldorinwa˜ Doriath Mithrim Falathrim Falathrim Conlang Constructed Language Legendarivm Gnomish Noldorin The Book of Lost Tales The History of Middle-earth ******* At Mereth Aderthad many counsels were taken in good will, and oaths were sworn of league and friendship; and it is told that at this feast the tongue of the Grey-elves was most spoken even by the Noldor, for they learned swiftly the speech of Beleriand, whereas the Sindar were slow to master the tongue of Valinor. (The Silmarillion, ch. 13) Quenya Noldorinwa˜ Noldor˜ Beleriand Noldor˜ ******* Helge Kar˚ e Fauskanger Quenya http://www.ardalambion.com/qcourse.html Suomi Finnish Aman Quendi Kvener Noldor˜ http://www.sci.fi/˜alboin/finn_que.htm http://demo.ort.org.il/ortforums/scripts/ forum.asp?pc=471389549 ******* Ardalambion http://www.ardalambion.com/sindarin.html Gwaith-i-Phethdain http://www.elvish.org/gwaith/sindarin_intro.htm Ardalambion ******* Didier Willis Ryszard Derdzinski Willis mirror http://forums.ort.org.il/scripts/showsm.asp?which_ forum=18&mess=1042485 ELF Vinyar Tengwar http://www.elvish.org/VT Derdzinski http://www.uib.no/People/hnohf/gobeth.htm Willis http://www.geocities.com/almacq.geo/sindar http://my.ort.org.il/tolkien/gandalf2/sindarin.zip ******* Grimm’s Law :-) ******* Gnomish Arda Noldorin http://www.elvish.org E.L.F. :-( ******* Mircosoft Word LYX TEX/LATEX Word www.lyx.org www.latex-project.org www.tug.org LATEX -
THE CIRTH the Certhas Daeron Was Originallypb Devisedmt Tod Representnk Theg Soundsnr of Sindarinls Only
THE CIRTH The Certhas Daeron was originallypb devisedmt tod representnk theg soundsNr of SindarinlS only. The oldest cirth were , , , ; , , ; , , ; , ; , ziueo 1 2 5 6 8 9 12¤ 18 ¥19 22 29 31 35 ; , , , ; and a certh varying between and . The assignment 36 39 42 46 50 iue o 13 15 of values was unsystematic. , , and were vowels and remained so ¤ 39 42 ¥ 46 50 S in all later developments. 13 and 15 were used for h or s, according as 35 was used for s or h. This tendency to hesitate in the assignment of values for s and h continued in laterpl arangements. In those characters that consisted of a ‘stem’ and a ‘branch’, 1 – 31 , the attachment of the branch was, if on one side only, usually made on the right side. The reverse was not infrequent, but had no phonetic significance. The extension and elaboration of this certhas was called in its older form the Angerthas Daeron, since the additions to the old cirth and their re-organization was attributed to¤ Daeron.§ The principal additions, however, the introductions of two new series, 13 – 17 , and 23 – 28 , were actually most probably inventions of the Noldor of Eregion, since they were used for the representation of sounds not found in Sindarin. In the rearrangement of the Angerthas the following principles are observable (evidently inspired by the F¨eanorian system): (1) adding a stroke to a brance added a ‘voice’; (2) reversing the certh indicated opening to a ‘spirant’; (3) placing the branch on both sides of the stem added voice and nasality. -
HARD-TO-REMEMBER NAMES THAN a RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J
UNIVERSITY OF JYVÄSKYLÄ “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” — Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion A Pro Gradu Thesis in English by Tommi Ojanperä Department of Languages 2007 HUMANISTINEN TIEDEKUNTA KIELTEN LAITOS Tommi Ojanperä “MORE HARD-TO-REMEMBER NAMES THAN A RUSSIAN NOVEL” Special Names, Their Significance, Types, and Relative Hierarchy in J. R. R. Tolkien’s Quenta Silmarillion Pro gradu –tutkielma Englannin kieli Toukokuu 2007 108 sivua + 1 liite Tutkielman lähtökohtana on perusteltu väite, että J. R. R. Tolkienin romaanissa Quenta Silmarillion (1977) erikoisella ja poikkeuksellisen laajalla nimistöllä on erityisen merkittävä asema ja että tätä nimistöä tutkimalla ja analysoimalla monipuolisesti, sekä kvalitatiivisesti että kvantitatiivisesti, voidaan saavuttaa merkittäviä tuloksia koskien romaania kokonaisuutena. Tutkimuksen ensisijainen tarkoitus on tutkia nimistöä etenkin kvantitatiivisesti ja nimien frekvenssejä tutkien rakentaa luokittelu eri nimien merkittävyydestä. Nimistöä käsitellään tästä näkökulmasta ennen kaikkea kokonaisuutena, mutta tarkempaa huomiota kiinnitetään etenkin poikkeuksellisen usein esiintyviin nimiin. Nimistön kvantitatiivisen tutkimuksen perusteella pyritään selvittämään, mitkä romaanin henkilöt, tapahtumapaikat ja ryhmät vaikuttavat olevan merkitykseltään erityisen suuria. Tässä suhteessa romaania tutkitaan toisaalta kokonaisuutena, toisaalta 24 luvusta koostuvana rakenteena. Lisäksi pohditaan mm. laajan nimistön tuottamia -
Treasures of Middle Earth
T M TREASURES OF MIDDLE-EARTH CONTENTS FOREWORD 5.0 CREATORS..............................................................................105 5.1 Eru and the Ainur.............................................................. 105 PART ONE 5.11 The Valar.....................................................................105 1.0 INTRODUCTION........................................................................ 2 5.12 The Maiar....................................................................106 2.0 USING TREASURES OF MIDDLE EARTH............................ 2 5.13 The Istari .....................................................................106 5.2 The Free Peoples ...............................................................107 3.0 GUIDELINES................................................................................ 3 5.21 Dwarves ...................................................................... 107 3.1 Abbreviations........................................................................ 3 5.22 Elves ............................................................................ 109 3.2 Definitions.............................................................................. 3 5.23 Ents .............................................................................. 111 3.3 Converting Statistics ............................................................ 4 5.24 Hobbits........................................................................ 111 3.31 Converting Hits and Bonuses...................................... 4 5.25 -
LING Thesis Draft 5
TOLKIEN’S TONGUES: * THE PHONETICS AND PHONOLOGY OF TOLKIEN’S QUENYA LANGUAGE Kelsey Ryan ABSTRACT J.R.R. Tolkien, author of The Lord of the Rings and other Middle Earth tales as well as Oxford professor of linguistics, constructed over 14 languages in the development of the background of his stories. This thesis will seek to understand Tolkien’s linguistic experiment of Quenya, first in its historical context, and then assess its linguistic merit and behaviors. In the first few sections, Tolkien’s linguistic and academic background will be investigated, setting the scene for further linguistic analysis. This thesis then explores how the authentic nature of the language is developed and evoked through the phonetics and phonology of Tolkien’s Quenya, using the poem “Namárië” from The Fellowship of the Ring for analysis. Smith (2010:7) argues that Tolkien created a “flowing,” “light and melodious” language, designed much like a Romance language, with no “potentially harsh” phonemes or “brusque English consonant clusters.” But with such claims must come evidence. This thesis provides the background research Smith (2010) lacks behind these claims, defining Quenya as a functional language, with clear patterns and tendencies towards particular phonetic and linguistic behaviors. * Special thanks to: my advisors Professors Nathan Sanders (Linguistics) and Maud McInerney (English), Sofia Berlin and Lisa Bao, the library staff, particularly Jeremiah Mercurio, and Lizzie Carp and Bobby Brooks, for their ‘Excel-lent’ help in creating graphs. Thanks also to my close friends, who have pushed me to explore nerd culture all my life. 2 TABLE OF CONTENTS 1 Introduction………………………………………………………………………3 2 Tolkien Biography……………………………………………………………….4 3 Constructed Languages and Tolkien……..……………………..……………...7 4 Description and Use of Languages.……………………………………………..8 5 Data and Phonetic Analysis: Quenya………………………………….………13 5i. -
Encoding of Tengwar Telcontar Version 0.08
Tengwar Telcontar This document discusses the encoding of Tengwar Telcontar version 0.08. The latest version of the font and this document can be downloaded from the Free Tengwar Font Project: http://freetengwar.sourceforge.net/. Changes from earlier proposals By creating a fully functional Unicode font for Tengwar, my intention is to promote the proposal to encode Tengwar in Unicode, and to spur the discussion on the best way to design such an encoding. What then constitutes the best way to encode Tengwar? This I can hardly decide on my own; indeed, it is of the highest importance that an encoding proposal is approved by a majority of the Tengwar user community. You are therefore cordially invited to discuss and to propose changes to Tengwar Telcontar. If you want to familiarize yourself with the Unicode standard in general, you can find much information at http://www.unicode.org/. In particular, I recommend that you read chapter 2 of The Unicode Standard, which defines many important concepts (e. g. terms like character, glyph, etc.): http://www.unicode.org/versions/Unicode5.2.0/ch02.pdf. The current encoding of the characters in Tengwar Telcontar (shown in a table at the end of this document) is based on the encoding in Michael Everson’s latest discussion paper at the Conscript Unicode Registry: http://www.evertype.com/standards/iso10646/pdf/tengwar.pdf. However, I have on more than one occasion diverged from Everson’s table, adding some characters that I felt were missing and removed others that, to my opinion, either do not merit inclusion at all, or which possibly might be better represented in other ways. -
Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK
THE LORD OF THE RINGS Linguistic Soundtrack Textbook 2 — LINGUISTIC SOUNDTRACK TEXTBOOK Introduction I have compiled this textbook as a reference while listening to the score of Howard Shore of Peter Jackson’s movie-version of The Lord of the Rings. It is based on information from the Gwaith-i- Phethdain-website, http:\\www.elvish.org\gwaith (All my thanks to those who helped to provide these information!), and comprises most non-english lyrics of all three film installments. In the first three parts, the lines that are sung are listed (as many as could be discovered...) with the corresponding times, sorted by film and track. Then follow the original poems, their translations etc. The times given refer to the special limited editions of the soundtrack. Still, they are incomplete and thus I have to ask your help to complete them. Any new hints can be mailed to [email protected]. All texts here reproduced are ©ed by New Line Cinema. They are from the official booklets, music sheets and websites. I wish you lots of fun in discovering the lyrics! Julian ‘Flammifer’ Jarosch, 29.03.04 Explanations: The marked parts of the poems are those that are sung in the score. Parts in grey are uncertain resp. left out. Parts in {braces} are comments / additions by me. You will find annotations with roman numeralsXXI where help is needed. — 0:05 ----Means that only the endig time of a lyric is known. The structure of the linguistic notes is roughly as follows: attested word part of speech, flection 'english translation'; (SOURCE). -
Glossopoeia a Contrastive Phonological Study Of
DEPARTAMENT DE FILOLOGIA ANGLESA I DE GERMANÍSTICA Glossopoeia A Contrastive Phonological Study of Sindarin and Klingon Treball de Fi de Grau Author: Mónica Malvárez Ocaña Supervisor: Hortènsia Curell Gotor Grau d’Estudis Anglesos June 2020 jyE qhE5 `B 7r$`B6E tiT16E lE5 Law pain i reviar mistar aen. Not all those who wander are lost. ACKNOWLEDGEMENTS I would like to express my appreciation to Dr. Hortènsia Curell, not only for her help and support during these difficult months that I have been abroad, but also for giving me the opportunity and the freedom to explore other fascinating linguistic areas, such as glossopoeia. I would also like to thank my friends and family for always pushing me to go one step further and to think outside the box. I discovered the universe of Middle-Earth during my childhood, and for that reason, it will always have a special place in my heart. Before going to bed, my father used to read The Hobbit to me. I remember being mesmerized by the story and the characters, and even now, as an adult, I am still mesmerized by what J.R.R. Tolkien created. TABLE OF CONTENTS 1. Introduction ................................................................................................................. 2 2. Constructed Languages ............................................................................................... 3 2.1. Classification of Conlangs ................................................................................ 3 2.1.1. Historical Classification .................................................................... -
Elvish Practitioners of the 'Secret Vice' Andrew Higgins Dr
Journal of Tolkien Research Volume 5 | Issue 1 Article 1 Elvish Practitioners of the 'Secret Vice' Andrew Higgins Dr. Independent Scholar, [email protected] Follow this and additional works at: https://scholar.valpo.edu/journaloftolkienresearch Part of the English Language and Literature Commons, and the Language Interpretation and Translation Commons Recommended Citation Higgins, Andrew Dr. () "Elvish Practitioners of the 'Secret Vice'," Journal of Tolkien Research: Vol. 5 : Iss. 1 , Article 1. Available at: https://scholar.valpo.edu/journaloftolkienresearch/vol5/iss1/1 This Conference Paper is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: Elvish Practitioners of the 'Secret Vice' Elvish Practitioners of the 'Secret Vice' Dr. Andrew Higgins ([email protected]) Expanded version of paper first given at 2017 Medieval Conference Kalamazoo and then September 2017 Tolkien Society Oxonmoot. Amongst the many pages of what has been collectively called Tolkien’s legendarium, there are several texts which offer historical and philological descriptions of the languages of Arda set in the transmission framework Tolkien invented to link his unique mythology and world-building to a lost English tradition. Some of these works like ‘The Lhammas’, ‘The Etymologies’ and ‘Quendi and Eldar’ are fairly descriptive texts about the languages. If we expand this to the vast philological treasure trove of Tolkien’s papers on the languages (which are still in the process of being edited and published) we also find descriptive name lists, grammars and phonologies that are also set in Tolkien’s transmission framework. -
A Companion to J.R.R. Tolkien, Ed. Stuart D. Lee, Reviewed by Andrew Higgins Andrew Higgins [email protected]
Journal of Tolkien Research Volume 2 | Issue 1 Article 2 2015 A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins Andrew Higgins [email protected] Follow this and additional works at: http://scholar.valpo.edu/journaloftolkienresearch Part of the Literature in English, British Isles Commons Recommended Citation Higgins, Andrew (2015) "A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins," Journal of Tolkien Research: Vol. 2: Iss. 1, Article 2. Available at: http://scholar.valpo.edu/journaloftolkienresearch/vol2/iss1/2 This Book Review is brought to you for free and open access by the Library Services at ValpoScholar. It has been accepted for inclusion in Journal of Tolkien Research by an authorized administrator of ValpoScholar. For more information, please contact a ValpoScholar staff member at [email protected]. Higgins: A Companion to J.R.R. Tolkien, ed. Stuart D. Lee, reviewed by Andrew Higgins A Companion to J.R.R. Tolkien, edited by Stuart D. Lee. Chichester, West Sussex, and Malden, Massachusetts: Wiley-Blackwell, 2014. xxxiv, 568 pp. $199.95 ISBN 9780470659823. As this is a review for the Journal of Tolkien Research, a volume with the title A Companion to J.R.R. Tolkien will undoubtedly be of interest to Tolkien students and scholars. Reviewing such a lengthy scholarly work is indeed both a daunting and equally challenging task. The reason for this is twofold: 1) the academic profile of the volume and 2) the eminent line-up of Tolkien scholars who have contributed their specific knowledge to each of the thirty-six papers in this volume.