Signature and Name of Invigilator OMR Sheet No. : ...... 1. (Signature) (To be filled by the Candidate) (Name) Roll No. 2. (Signature) (In figures as per admission card) (Name) PAPER - III Roll No. (In words) D 7015 TRIBAL & REGIONAL Time : 2½ hours] LANGUAGE LITERATURE [Maximum Marks : 150 Number of Pages in this Booklet : 24 Number of Questions in this Booklet : 75 Instructions for the Candidates ÂÚUèÿææçÍüØô¢ ·ð¤ çÜ° çÙÎðüàæ 1. Write your roll number in the space provided on the top of 1. §â ÂëDU ·ð¤ ª¤ÂÚU çÙØÌ SÍæÙ ÂÚU ¥ÂÙæ ÚUôÜU ِÕÚU çÜç¹°Ð this page. 2. This paper consists of seventy five multiple-choice type of 2. §â ÂýàÙ-˜æ ×𢠿ãžæÚU Õãéçß·¤ËÂèØ ÂýàÙ ãñ´Ð questions. 3. ÂÚUèÿææ ÂýæڐUÖ ãôÙð ÂÚU, ÂýàÙ-ÂéçSÌ·¤æ ¥æ·¤ô Îð Îè ÁæØð»èÐ ÂãÜðU ÂUæ¡¿ ç×ÙÅU 3. At the commencement of examination, the question booklet ¥æ·¤ô ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ÌÍæ ©â·¤è çِÙçÜç¹Ì Áæ¡¿ ·ð¤ çÜ° çÎØð will be given to you. In the first 5 minutes, you are requested ÁæØð¢»ð, çÁâ·¤è Áæ¡¿ ¥æ·¤ô ¥ßàØ ·¤ÚUÙè ãñ Ñ to open the booklet and compulsorily examine it as below : (i) ÂýàÙ-ÂéçSÌ·¤æ ¹ôÜÙð ·ð¤ çÜ° ÂéçSÌ·¤æ ÂÚU Ü»è ·¤æ»Á ·¤è âèÜ ·¤æð (i) To have access to the Question Booklet, tear off the paper seal on the edge of this cover page. Do not accept ȤæǸ Üð¢UÐ ¹éÜè ãé§ü Øæ çÕÙæ SÅUè·¤ÚU-âèÜU ·¤è ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢UÐ a booklet without sticker-seal and do not accept an open (ii) ·¤ßÚU ÂëDU ÂÚU ÀUÂð çÙÎðüàææÙéâæÚU ÂýàÙ-ÂéçSÌ·¤æ ·ð¤ ÂëDU ÌÍæ ÂýàÙô¢ ·¤è booklet. ⢁Øæ ·¤ô ¥‘ÀUè ÌÚUã ¿ñ·¤ ·¤ÚU Üð¢U ç·¤ Øð ÂêÚðU ãñ¢UÐ ÎôáÂê‡æü ÂéçSÌ·¤æ (ii) Tally the number of pages and number of questions in çÁÙ×ð¢ ÂëDU/ÂýàÙ ·¤× ãô¢ Øæ ÎéÕæÚUæ ¥æ »Øð ãô¢ Øæ âèçÚUØÜU ×ð¢ Ù ãô¢ the booklet with the information printed on the cover ¥ÍæüÌ ç·¤âè Öè Âý·¤æÚU ·¤è ˜æéçÅUÂê‡æü ÂéçSÌ·¤æ Sßè·¤æÚU Ù ·¤Úð¢U ÌÍæ page. 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You have to return the original OMR Sheet to the invigilators Ù Üð·¤ÚU ÁæØð¢Ð ãæÜæ´ç·¤ ¥æ ÂÚUèÿææ â×æç# ÂÚU ×êÜ ÂýàÙ-ÂéçSÌ·¤æ ÌÍæ OMR at the end of the examination compulsorily and must not carry it with you outside the Examination Hall. You are ˜淤 ·¤è ÇéUŒÜè·ð¤ÅU ÂýçÌ ¥ÂÙð âæÍ Üð Áæ â·¤Ìð ãñ´Ð however, allowed to carry original question booklet and 10. ·ð¤ßÜ ÙèÜð/·¤æÜð ÕæÜU Œßæ§ZÅU ÂðÙ ·¤æ ãè §SÌð×æÜ ·¤Úð¢UÐ duplicate copy of OMR Sheet on conclusion of examination. 11. ç·¤âè Öè Âý·¤æÚU ·¤æ ⢻‡æ·¤ (·ñ¤Ü·é¤ÜðÅUÚU) UØæ Üæ» ÅðUÕÜ ¥æçÎ ·¤æ 10. Use only Blue/Black Ball point pen. ÂýØô» ßçÁüÌ ãñÐ 11. Use of any calculator or log table etc., is prohibited. 12. »ÜÌ ©žæÚUæð´ ·ð¤ çÜ° ·¤æð§ü Ù·¤æÚUæˆ×·¤ ¥´·¤ Ùãè´ ãñ´Ð 12. There are no negative marks for incorrect answers. 13. In case of any discrepancy in the English and versions, 13. ØçÎ ¥´»ýðÁè Øæ çã´Îè çßßÚU‡æ ×ð´ ·¤æð§ü çßâ´»çÌ ãæð, Ìæð ¥´»ýðÁè çßßÚU‡æ ¥´çÌ× English version will be taken as final. ×æÙæ Áæ°»æÐ

D-7015 !D-7015-PAPER-III! 1 P.T.O. TRIBAL & REGIONAL LANGUAGE LITERATURE PAPER - III

Note : This paper contains seventy five (75) objective type questions of two (2) marks each. All questions are compulsory.

Read the following passage with attention and answer question number 1 to 5 : ‘Once a poor man was put in prison although he had not committed any crime. After a long time the king (Raja) of the state visited the prison and the man told him that he was innocent and a false case had been registered against him by his enemies. The king found out that this was true and he gave the man a sum of money and set him free. The man went straight to the market in which there was a shop where bulbul and other wild birds were kept in cages for sale. He said to the shopkeeper, ‘I wish to buy all the caged wild birds’ you have’. To this, the shopkeeper replied, Why ? Are you going to start a zoo ? The man answered, ‘No, the bird have been unjustly prisoned. I am going to set them free.’ And he did so.

1. What will be the correct heading of the passage ? (1) Justice (2) Love of freedom (3) Foolishness (4) Any of the above

2. What was the Punishment ? (1) Fine (2) Death sentence (3) Prison (4) Threatening

3. What was the reward ? (1) Money (2) Release from jail (3) Release from jail with some money (4) Pardon

4. How did the poor man utilised that money ? (1) Purchased bulbul and other birds (2) Donated that money (3) Deposited in Bank (4) Gave to his wife

5. Why did he purchase the birds ? (1) To keep in museum (2) To decorate his house (3) To liberate them (4) It was his hobby

D-7015 !D-7015-PAPER-III! 2 Paper-III ÁÙÁæÌèØ °ß´ ÿæð˜æèØ Öæáæ - âæçãˆØ ÂýàÙ˜æ - III

ÙæðÅUÑ §â ÂýàÙ˜æ ×ð´ ¿ãžæÚU (75) Õãéçß·¤ËÂUèØ ÂýàÙ ãñ´Ð ÂýˆØð·¤ ÂýàÙ ·ð¤ Îô (2) ¥¢·¤ ãñ´Ð âÖè ÂýàÙ ¥çÙßæØü ãñ´Ð

çِÙçÜç¹Ì ÂçÚU‘ÀðUÎ ·¤æð ŠØæÙ âð Âɸð ¥æñÚU Âýà٠ⴁØæ 1 âð 5 ·¤æ ©žæÚU Îð´ Ñ °·¤ çÙÏüÙ ÃØç€Ì ·¤æð ·¤æÚUæ»æÚU ×ð´ ÇUæÜ çÎØæ »Øæ, Ølç ©â·¤æ ·¤æð§ü ¥ÂÚUæÏ Ùãè´ ÍæÐ ·¤æȤè â×Ø ·ð¤ ÕæÎ ©â ÚUæ’Ø ·¤æ ÚUæÁæ ·¤æÚUæ»æÚU ×ð´ ¥æØæÐ ©â ¥æÎ×è Ùð ÚUæÁæ ·¤æð ÕÌæØæ ç·¤ ßã çÙÚUÂÚUæÏ ãñ ¥æñÚU ©â·ð¤ çßL¤h ©â·ð¤ àæ˜æé¥æð´ Ùð ÛæêÆUæ ×æ×Üæ ÎÁü ç·¤Øæ ãñÐ ÚUæÁæ Ùð Øã ÕæÌ â¿ Âæ§ü ¥æñÚU ©â·¤æð Âñâð Îð·¤ÚU ×é€Ì ·¤ÚU çÎØæÐ ßã ¥æÎ×è âèÏæ ÕæÁæÚU »Øæ, Áãæ¡ °·¤ Îé·¤æÙ ×ð´ ÕéÜÕéÜ ¥æñÚU ¥‹Ø Âÿæè ç´ÁÚUæð´ ×ð´ çÕ·ý¤è ·ð¤ çÜ° ÚU¹ð ãé° ÍðÐ ©âÙð Îé·¤æÙÎæÚU âð ·¤ãæ - ÌéãæÚðU ç´ÁÚUæð´ ×ð´ Õ´Î §Ù âÕ ÂçÿæØæð´ ·¤æð ¹ÚUèÎÙð ·¤è ×ðÚUè §‘ÀUæ ãñÐ §â ÂÚU Îé·¤æÙÎæÚU ÕæðÜæ - €Øæð´? €Øæ Ìé× ç¿çǸØæƒæÚU ¹æðÜÙð Áæ ÚUãð ãæð? ©â ¥æÎ×è Ù𠩞æÚU çÎØæ - Ùãè´Ð Øð Âÿæè çÕÙæ ç·¤âè »ÜÌè ·ð¤ Õ´Î ãñ´ ¥æñÚU ×ñ´ §Ù·¤æð ×é€Ì ·¤ÚUÙæ ¿æãÌæ ãê¡Ð ¥æñÚU ©âÙð °ðâæ ãè ç·¤ØæÐ

1. §â ÂçÚU‘ÀðUÎ ·¤æ ©ÂØéQ¤ àæèáü·¤ €Øæ ãæð»æ? (1) ‹ØæØ (2) SßÌ´˜æÌæ Âýð× (3) Õðß·ê¤È¤è (4) ©ÂÚUæð€Ì ×ð´ âð ·¤æð§ü Öè

2. €Øæ δÇU Íæ? (1) Áé×æüÙæ (2) Ȥæ¡âè (3) ·¤æÚUæ»æÚU (4) Ï×·¤è

3. ÂéÚUS·¤æÚU €Øæ Íæ? (1) Âñâæ (2) ÁðÜ âð ×éç€Ì (3) ÁðÜ âð ×éç€Ì ¥æñÚU ·é¤ÀU Âñâæ (4) ÿæ×æ

4. çÙÏüÙ ÃØç€Ì Ùð ©â Âñâð ·¤æ €Øæ ©ÂØæð» ç·¤Øæ? (1) ÕéÜÕéÜ ¥æñÚU ¥‹Ø Âÿæè ¹ÚUèÎð (2) ©â Âñâð ·¤æð ÎæÙ çÎØæ (3) Õñ´·¤ ×ð´ Á×æ ç·¤Øæ (4) ¥ÂÙè ˆÙè ·¤æð çÎØæ

5. ©âÙð ÂçÿæØæð´ ·¤æð €Øæð´ ¹ÚUèÎæ? (1) â´»ýãæÜØ ×ð´ ÚU¹Ùð ·ð¤ çÜ° (2) ƒæÚU âÁæÙð ·ð¤ çÜ° (3) ©Ù·¤æð ×é€Ì ·¤ÚUÙð ·ð¤ çÜ° (4) Øã ©â·¤è ãæòÕè Íè

D-7015 !D-7015-PAPER-III! 3 Paper-III 6. Presently how many second state languages are in state ? (1) 10 (2) 12 (3) 11 (4) 13

7. What is the state flower of Jharkhand ? (1) Lotus (2) Putus (3) Saal (4) Palash

8. Who is to sacrificed to ‘Singabonga’ in ‘Asur’ religion ? (1) White He-goat (2) Black cock (3) Red cock (4) Black He-goat

9. Which of the following classification of the world’s languages from the linguistic point of view is correct ? (1) Salist and Prasalist (2) Salist and Aasalist (3) Yogatmak and Aayogatmak (4) Akritimoolak and Parivarik

10. Who is the writer of Linguistic Survey of ? (1) H.H. Risley (2) E.T. Dalton (3) O. Malley (4) Dr. G.A. Grierson

11. ‘Jadopatiya’ style is famous drawing style of which tribe ? (1) Munda (2) Santal (3) Birhor (4) Sabar

12. ‘Dharti Aabba’ is the title of which person ? (1) Jaipal Singh (2) Shibu Soren (3) Birsa Munda (4) Ramdayal Munda

13. When the ‘Tenency Act’ was enforced in Chota Nagpur ? (1) 1908 (2) 1915 (3) 1900 (4) 1914

14. Which of the following foreign scholar said the Tribals of Jharkhand as the ‘Primitive Tribe’ ? (1) Risley (2) Wens (3) Grierson (4) Hutton

D-7015 !D-7015-PAPER-III! 4 Paper-III 6. ÛææÚU¹´ÇU ÚUæ’Ø ×ð´ âÂýçÌ ç·¤ÌÙè çmÌèØ ÚUæÁÖæáæ°¡ ãñ´? (1) 10 (2) 12 (3) 11 (4) 13

7. ÛææÚ¹´ÇU ·¤æ ÚUæÁ·¤èØ Âéc €Øæ ãñ?

(1) ·¤×Ü (2) Èé¤Åêâ (3) âæÜ (4) ÂÜæàæ

8. Ò¥âéÚUÓ Ï×ü ×ð´ Òçâ´»Õæð´»æÓ ·¤æð 緤ⷤè ÕçÜ Îè ÁæÌè ãñ?

(1) ©ÁÜæ Õ·¤ÚUæ (2) ·¤æÜæ ×é»æü (3) ÜæÜ ×é»æü (4) ·¤æÜæ Õ·¤ÚUæ

9. Öæáæ çߙææÙ ·¤è ÎëçcÅU âð çßàß ·¤è Öæáæ¥æð´ ·¤æ ·¤æñÙ-âæ ß»èü·¤ÚU‡æ âãè ãñ?

(1) çàÜcÅU ¥æñÚU ÂýçàÜcÅU (2) çàÜcÅU ¥æñÚU ¥çàÜcÅ

(3) Øæð»æˆ×·¤ ¥æñÚU ¥Øæð»æˆ×·¤ (4) ¥æ·ë¤çÌ×êÜ·¤ ¥æñÚU ÂæçÚUßæçÚU·¤

10. ÒçÜ´ç‚ßçSÅU·¤ âßðü ¥æòȤ §´çÇUØæÓ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) °¿.°¿. çÚUÁÜð (2) §ü.ÅUè. ÇUæËÅUÙ (3) ¥æð. ×ñÜè (4) ÇUæò.Áè.°. ç»ýØâüÙ

11. ÒÁæÎæðÂçÅUØæÓ àæñÜè ç·¤â ÁÙÁæçÌ ·¤è Âýçâh 翘淤Üæ àæñÜè ãñ?

(1) ×é‡ÇUæ (2) â´ÌæÜ (3) çÕÚUãæðÚUU (4) âÕÚU

12. ÒÏÚUÌè ¥æÕæÓ ç·¤â ÃØç€Ì ·¤æ ©ÂÙæ× ãñ?

(1) ÁØÂæÜ çâ´ã (2) çàæÕê âæðÚðUÙ

(3) çÕÚâæ ×é´ÇUæ (4) ÚUæ×ÎØæÜ ×´éÇUæ

13. ÀUæðÅUæÙæ»ÂéÚU ×ð´ ÒÒÅðUÙð‹âè °€ÅUÓÓ ·¤Õ Üæ»ê ãé¥æ?

(1) 1908 §ü. (2) 1915 §ü. (3) 1900 §ü. (4) 1914 §ü.

14. ÛææÚU¹´ÇU ·¤è ÁÙÁæçÌØæð´ ·¤æð ç·¤â çßÎðàæè çßmæÙ÷ Ùð Ò¥æçÎ× ÁæçÌÓ ·¤ãæ ãñ?

(1) çÚUÁÜð (2) ßð‹â (3) ç»ýØâüÙ (4) ãÅU÷ÅUÙ

D-7015 !D-7015-PAPER-III! 5 Paper-III 15. Which grouping of assertion and reason is most appropriate in the following ? Assertion (A) : Poetry is the double displacement of reality. Reason (R) : Because Poetry is not imitation. (1) (A) is correct, (R) is not correct. (2) (A) is not correct, (R) is correct. (3) Both (A) and (R) are not correct. (4) Both (A) and (R) are correct.

16. In which district of Jharkhand ‘Hizla Mela’ is organised ? (1) Hazaribagh (2) Latehar (3) Khunti (4) Dumka

17. In the interval of how many years “Deshavli festival” is observed ? (1) 12 (Twelve) (2) 5 (Five) (3) 15 (Fifteen) (4) 10 (Ten)

18. Which place of Jharkhand is called the ‘Village of temples’ ? (1) Deoghar (2) Maluti (3) Netarhat (4)

19. Who is the writer of “The Mundas and their Country” ? (1) Dr. Ramdayal Munda (2) Dr. Kumar Suresh Singh (3) Dr. Suniti Kumar Chattarjee (4) Sharat Chandra Roy

20. Which grouping of the assertion and reason is most appropriate in the following ? Assertion (A) : The poetry of Tulsidas propagates the ideals of Ramkatha. Reason (R) : Tulsidas finds the solution of social disparity in RamRaj. (1) Both (A) and (R) are correct. (2) (A) is correct and (R) is incorrect. (3) (A) is incorrect and (R) is correct. (4) Both (A) and (R) are incorrect.

21. Which is the subject matter of Linguistic ? (1) physiology (2) physical sound (3) auditory and vocal cord (4) sound, word, sentence and semantic

22. There are how many adopted consonants in Hindi ? (1) 5 (Five) (2) 3 (Three) (3) 4 (Four) (4) 7 (Seven)

D-7015 !D-7015-PAPER-III! 6 Paper-III 15. çِÙçÜç¹Ì ×ð´ ¥çÖ·¤ÍÙ ¥æñÚU ·¤æÚU‡æ ·¤æ ·¤æñÙ-âæ â×êã âßæüçÏ·¤ ©ÂØé€Ì ãñ? ¥çÖ·¤ÍÙ (A) : ·¤æÃØ ßæSÌçß·¤Ìæ ·¤æ ÎæðãÚUæ çßSÍæÂÙ ãñÐ ·¤æÚU‡æ (R) : €Øæð´ç·¤ ·¤æÃØ ¥Ùé·ë¤çÌ Ùãè´ ãñÐ (1) (A) âãè ãñ, (R) âãè Ùãè´ ãñÐ (2) (A) âãè Ùãè´ ãñ, (R) âãè ãñÐ (3) (A) ¥æñÚU (R) ÎæðÙæð´ âãè Ùãè´ ã´ñÐ (4) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ã´ñÐ

16. ÛææÚU¹´ÇU ·ð¤ ç·¤â çÁÜð ×ð´ ÒçãÁÜæ ×ðÜæÓ ·¤æ ¥æØæðÁÙ ç·¤Øæ ÁæÌæ ãñ? (1) ãÁæÚUèÕæ» (2) ÜæÌðãæÚU (3) ¹¡êÅUè (4) Îé×·¤æ

17. ÒÎðàææ©Üè ÂßüÓ ç·¤ÌÙð ßáü ×ð´ °·¤ ÕæÚU ×ÙæØæ ÁæÌæ ãñ? (1) 12 (ÕæÚUã) (2) 5 (Âæ¡¿) (3) 15 (‹Îýã) (4) 10 (Îâ)

18. ÛææÚU¹´ÇU ·ð¤ ç·¤â SÍæÙ ·¤æð Ò×´çÎÚUæð´ ·¤æ »æ¡ßÓ ·¤ãæ ÁæÌæ ãñ? (1) Îð߃æÚU (2) ×ÜêÅUè (3) ÙðÌÚUãæÅU (4) ÏÙÕæÎ

19. ÒÎè ×é´ÇUæÁ °´ÇU ÎðØÚU ·´¤ÅþUèÓ ÂéSÌ·¤ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´? (1) ÇUæò. ÚUæ×ÎØæÜ ×é‡ÇUæ (2) ÇUæò. ·é¤×æÚU âéÚðUàæ çâ´ã (3) ÇUæò. âéÙèçÌ ·é¤×æÚU ¿ÅUÁèü (4) àæÚUÌ ¿‹Îý ÚUæòØ

20. çِÙçÜç¹Ì ×ð´ SÍæÂÙæ ¥æñÚU ·¤æÚU‡æ ·¤æ ·¤æñÙ-âæ »ýé âßæüçÏ·¤ ©ÂØé€Ì ãñ? SÍæÂÙæ (A) : ÌéÜâè ·¤è ·¤çßÌæ ÚUæ×·¤Íæ ·ð¤ ¥æÎàææðZ ·¤æð ÂýâæçÚUÌ ·¤ÚUÌè ãñÐ ·¤æÚU‡æ (R) : ÌéÜâè âæ×æçÁ·¤ çßâ´»çÌØæð´ ·¤æ â×æÏæÙ ÚUæ×ÚUæ’Ø ·ð¤ M¤Â ×ð´ Îð¹Ìð ãñ´Ð (1) (A) ¥æñÚU (R) ÎæðÙæð´ âãè ãñ´Ð (2) (A) âãè ãñ ¥æñÚU (R) »ÜÌ ãñÐ (3) (A) »ÜÌ ãñ ¥æñÚU (R) âãè ãñÐ (4) (A) ¥æñÚU (R) ÎæðÙæ´ð »ÜÌ ãñ´Ð

21. Öæáæ çߙææÙ ·¤æ çßáØ €Øæ ãñ? (1) àæÚUèÚU çߙææÙ (2) ÖæñçÌ·¤ ŠßçÙ (3) Ÿæß‡æ °ß´ SßÚU ÚU’Áé (4) ŠßçÙ, ÂÎ, ßæ€Ø ¥æñÚU ¥Íü çߙææÙ

22. çã‹Îè ×ð´ ç·¤ÌÙð »ëãèÌ (¥æ»Ì) ÃØ´ÁÙ ãñ´? (1) 5 (Âæ¡¿) (2) 3 (ÌèÙ) (3) 4 (¿æÚU) (4) 7 (âæÌ)

D-7015 !D-7015-PAPER-III! 7 Paper-III 23. Who is the founder of ‘Contact Theory’ ? (1) Noire (2) G. Revesz (3) Maxmullar (4) Prof. Heyse

24. Kharosti script is belongs to which category ? (1) Chitra lipi (2) Aksharatmak lipi (3) Dhavnimoolak lipi (4) Bhav lipi

25. Which kind of consonants are àæ, á, â, ã? (1) Usham (2) Antasth (3) Nirnunasik (4) Sparsh

26. What is the appropriate meaning of ‘Char Chand Lagana’ ? (1) Chand Me Badhotri Hona (2) Rupiye Me Vash Karna (3) Soundarya Ya Pratishtha Badhana (4) Gota Lagana

27. Which direction has been adopted in change of meaning the word ‘Mrig’ (deer) ? (1) Expansion of meaning (2) Contraction of meaning (3) Arthadesh (Transference) (4) Arthotkarsh (change of meaning in good sense)

28. Identify the correct Group : Group - I Group - II (a) Indo - Aryan family (i) Kurukh (b) Dravidian family (ii) Mundari (c) Austric family (iii) Tibatian (d) Chinese family (iv) Nagpuri Codes : (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (ii) (iii) (i)

D-7015 !D-7015-PAPER-III! 8 Paper-III 23. âÂ·ü¤ çâhæ‹Ì (Contact Theory) ·ð¤ Á‹×ÎæÌæ ·¤æñÙ ×æÙð ÁæÌð ãñ´? (1) ‹ßæØÚU (Noire) (2) Áè. ÚðUßðÁ (Revesz) (3) ×ñ€â ×êÜÚU (4) Âýæð. ãðâ (Heyse)

24. ¹ÚUæðcÆUè çÜç 緤â ß»ü ·¤è çÜç ãñ? (1) 翘æ çÜç (2) ¥ÿæÚUæˆ×·¤ çÜç (3) ŠßçÙ ×êÜ·¤ çÜç (4) Öæß çÜçÂ

25. àæ, á, â, ã ç·¤â Âý·¤æÚU ·ð¤ ÃØ´ÁÙ ãñ´? (1) ª¤c× (2) ¥‹ÌSÍ (3) çÙÚUÙéÙæçâ·¤ (4) SÂàæü ÃØ´ÁÙ

26. Ò¿æÚU ¿æ¡Î Ü»æÙæÓ ×éãæßÚðU ·¤æ âãè ¥Íü €Øæ ãñ? (1) ¿æ¡Î ×ð´ ÕɸæðžæÚUè ãæðÙæ (2) L¤ÂØð ×ð´ ßàæ ·¤ÚUÙæ (3) âæñ‹ÎØü Øæ ÂýçÌcÆUæ ÕɸæÙæ (4) »æðÅUæ Ü»æÙæ

27. ÒÒ×ë»ÓÓ àæŽÎ ¥Íü ÂçÚUßÌüÙ ×ð´ ·¤æñÙ-âè çÎàææ ×æÙè ÁæÌè ãñ? (1) ¥Íü-çßSÌæÚU (2) ¥Íü-â´·¤æð¿ (3) ¥ÍæüÎðàæ (4) ¥Íæðüˆ·¤áü

28. ç·¤â â×êã ×ð´ âãè ç×ÜæÙ ãñ? âê¿è - I âê¿è - II (a) ¥æØü Öæáæ ÂçÚUßæÚU (i) ·é¤ÇéU¹ (b) ÎýçßǸ Öæáæ ÂçÚUßæÚU (ii) ×é‡ÇUæÚUè (c) ¥æ‚ÙðØ Öæáæ ÂçÚUßæÚU (iii) ç̎ÕÌè (d) ¿èÙè Öæáæ ÂçÚUßæÚU (iv) Ùæ»ÂéÚUè ·ê¤ÅU Ñ (a) (b) (c) (d) (1) (ii) (iii) (iv) (i) (2) (iv) (i) (ii) (iii) (3) (iii) (iv) (i) (ii) (4) (iv) (ii) (iii) (i)

D-7015 !D-7015-PAPER-III! 9 Paper-III 29. What is the subject matter of ‘Atharvveda’ ? (1) Hymes of Gods (2) Yajna (3) Music (4) Tantra - Mantra, Tadan - Maran

30. There are how many parv (chapters) in ‘Mahabharta’ ? (1) 7 (2) 10 (3) 12 (4) 18

31. Which among the following period ‘Biharilal’ belongs to ? (1) Ritikal / Shringaarkal (2) Bhaktikal (3) Adhunikkal (4) Veergathakal/Aadikal

32. Which of the magzine has been published by Mahaveer Prasad Dwivedi in Hindi ? (1) Indu (2) Kalpana (3) Saraswati (4) Chand

33. Who was said “Poetry is at bottom a criticism of life” ? (1) Matthew Arnold(2) Carlyle (3) Eilot (4) Milton

34. Which of the following is correct historical order of litrary works ? (1) Parmal Raso, Sujan Raskhan, Bihari Satsai, Madhushala (2) Sujan Raskhan, Parmal Raso, Madhushala, Bihari Satsai (3) Bihari Satsai, Parmal Raso, Madhushala, Sujan Raskhan (4) Madhushala, Sujan Raskhan, Parmal Raso, Bihari Satsai

35. What is the basic difference between Story and Novel ? (1) Plot (2) Characters (3) Environment (4) Expansion

36. Which kind of character ‘Krishna’ is ? (1) Dhiroddhat (2) Dhir prashant (3) Dhir lalit (4) Dhirodatt

37. Which kind of ‘Ras’ is in the following ? “Yashoda Hari Palane Jhulavay Halravey, Dulravey, Malhavey, Joye, Soye Kuch Gavey. (1) Adbhut Ras (2) Hasya Ras (3) Vatsalya Ras (4) Karun Ras

D-7015 !D-7015-PAPER-III! 10 Paper-III 29. Ò¥ÍßüßðÎÓ ·¤æ çßáØ €Øæ ãñ? (1) ÎðßÌæ¥æð´ ·ð¤ ×´˜æ (2) ؙæ (3) â´»èÌ (4) Ì´˜æ-×´˜æ, ÌæǸÙ-×æÚU‡æ

30. Ò×ãæÖæÚUÌÓ ×ð´ ç·¤ÌÙð Âßü (¥ŠØæØ) ãñ´? (1) 7 (2) 10 (3) 12 (4) 18

31. ÒçÕãæÚUè ÜæÜÓ ç·¤â ·¤æÜ ·ð¤ ·¤çß ãñ´? (1) ÚUèçÌ·¤æÜ/oë´»æÚU·¤æÜ (2) Öç€Ì·¤æÜ (3) ¥æÏéçÙ·¤·¤æÜ (4) ßèÚU»æÍæ·¤æÜ/¥æçη¤æÜ

32. ×ãæßèÚU ÂýâæÎ çmßðÎè ·¤æñÙ-âè Âç˜æ·¤æ çã‹Îè ×ð´ Âý·¤æçàæÌ ·¤ÚUßæÌð Íð? (1) §´Îé (2) ·¤ËÂÙæ (3) âÚUSßÌè (4) ¿æ¡Î

33. Ò·¤çßÌæ ÁèßÙ ·¤è Õæñçh·¤ ÃØæØæ ãñÐÓ Øð ·¤ÍÙ ç·¤Ù·¤æ ãñ? (1) ×ñ‰Øê ¥æÙæüËÇU (2) ·¤æÜæü§Ü (3) §çÜØÅU (4) ç×ËÅUÙ

34. çِÙçÜç¹Ì âæçãçˆØ·¤ »´ýÍæð´ ×ð´ âð ·¤æñÙ-âæ °ðçÌãæçâ·¤ ¥Ùé·ý¤× âãè ãñ? (1) ÂÚU×æÜ ÚUæâæð, âéÁæÙ ÚUâ¹æÙ, çÕãæÚUè âÌâ§ü, ×ÏéàææÜæ (2) âéÁæÙ ÚUâ¹æÙ, ÂÚU×æÜ ÚUæâæð, ×ÏéàææÜæ, çÕãæÚUè âÌâ§ü (3) çÕãæÚUè âÌâ§ü, ÂÚU×æÜ ÚUæâæð, ×ÏéàææÜæ, âéÁæÙ ÚUâ¹æÙ (4) ×ÏéàææÜæ, âéÁæÙ ÚUâ¹æÙ, ÂÚU×æÜ ÚUæâæð, çÕãæÚUè âÌâ§ü

35. ·¤ãæÙè ¥æñÚU ©Â‹Øæâ ×ð´ Âý×é¹ ¥´ÌÚU €Øæ ãñ? (1) ·¤ÍæßSÌé (2) ¿çÚU˜æ-翘æ‡æ (3) ÂçÚUßðàæ (4) çßSÌæÚU

36. Ò·ë¤c‡æÓ ç·¤â Âý·¤æÚU ·ð¤ ¿çÚU˜æ ãñ´? (1) ÏèÚUæðhÌ (2) ÏèÚU Âýàææ‹Ì (3) ÏèÚU ÜçÜÌ (4) ÏèÚUæðÎæžæ

37. §â×ð´ ·¤æñÙ-âæ ÚUâ ãñ? ÒÒÁàææðÎæ ãçÚU ÂæÜÙð ÛæéÜæßñ ãÜÚUæßñ, ÎéÜÚUæßñ, ×Ëãæßñ, Áæð§, âæ𧠷é¤ÀU »æßñÐÓÓ (1) ¥Î÷ÖéÌ ÚUâ (2) ãæSØ ÚUâ (3) ßæˆâËØ ÚUâ (4) ·¤L¤‡æ ÚUâ

D-7015 !D-7015-PAPER-III! 11 Paper-III 38. Which kind of the ‘Gun’ is important in Veer Ras literature ? (1) Oaj (2) Prasad(3) Madhurya(4) All of the above

39. Who has defined poetry as ‘Vakyam Rasatmakam Kavyam’ ? (1) Mammat (2) Vishwanath (3) Dandi (4) Bhamah

40. Who has created ‘Natyashastra’ ? (1) Bhavbhuti (2) Acharya Mammat (3) Acharya Vishwanath (4) Bharatmuni

41. Which metaphor is in the following “paihya mahavar den ko Naine Baithi aay phir - phir Jani Mahavari adi midti jay ? (1) Sandeh (2) Ullekh (3) Bhrantiman (4) Atishyokti

42. There are how many Matras in ‘Kundliya Metre’ ? (1) 12 - 12 (2) 16 - 16 (3) 22 - 22 (4) 24 - 24

43. What kind of ‘Gun’ is in the following ? “Sakhi ve mujhse keh kar jate To, keh! kya ve mujhko Apni path ki badha hi pate” ? (1) Madhurya (2) Oaj (3) Prasad(4) None of the above

44. What kind of literature ‘Kamayani’ is ? (1) Muktak (2) Mahakavya (3) Khandkavya (4) Drishykavya

45. Which class of folk tale ‘karamkatha’ is ? (1) Niti katha (2) Dant katha (3) Itihas katha (4) Dharm katha

D-7015 !D-7015-PAPER-III! 12 Paper-III 38. ßèÚU ÚUâ ÂýÏæÙ ÚU¿Ùæ ×ð´ âð ·¤æñÙ-âæ Ò»é‡æÓ Âý×é¹ ãæðÌæ ãñ?

(1) ¥æðÁ (2) ÂýâæÎ (3) ×æÏéØü (4) Øð âÖè

39. ÒÒßæ€Ø×÷ ÚUâæˆ×·¤×÷ ·¤æÃØ×÷ÓÓ ·¤æÃØ ·¤è Øã ÂçÚUÖæáæ ç·¤âÙð Îè ãñ?

(1) א×ÅU (2) çßàßÙæÍ (3) ·ÇUè (4) Öæ×ã

40. ÒÙæÅ÷Ø àææS˜æÓ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) ÖßÖêçÌ (2) ¥æ¿æØü א×ÅU

(3) ¥æ¿æØü çßàßÙæÍ (4) ÖÚUÌ ×éçÙ

41. ÒÒÂæ¡Ø ×ãæßÚU ÎðÙ ·¤æð, Ùæ§Ù ÕñÆè ¥æØÐ çȤÚU-çȤÚU ÁæçÙ ×ãæßÚUè, °ðǸè ×èǸçÌ ÁæØÐÐÓÓ §â×ð´ ·¤æñÙ-âæ ¥Ü´·¤æÚU ãñ?

(1) â‹Îðã (2) ©ËÜð¹ (3) Öýæç‹Ì×æÙ÷ (4) ¥çÌàæØæðç€Ì

42. Ò·é´¤ÇUçÜØæ À´UÎÓ ×ð´ ç·¤ÌÙè ×æ˜ææ°¡ ãæðÌè ãñ´? (1) 12 - 12 (2) 16 - 16 (3) 22 - 22 (4) 24 - 24

43. ÒÒâç¹ ßð ×éÛæâ𠷤㠷¤ÚU ÁæÌð Ìæð ·¤ã! €Øæ ßð ×éÛæ·¤æð ¥ÂÙè ÂÍ ·¤è ÕæÏæ ãè ÂæÌð?ÓÓ §â×ð´ ·¤æñÙ-âæ Ò»é‡æÓ ãñ´?

(1) ×æÏéØü (2) ¥æðÁ

(3) ÂýâæÎ (4) §Ù×ð´ âð ·¤æð§ü Ùãè´

44. Ò·¤æ×æØÙèÓ ç·¤â Âý·¤æÚU ·¤æ ·¤æÃØ ãñ?

(1) ×é€Ì·¤ (2) ×ãæ·¤æÃØ (3) ¹´ÇU·¤æÃØ (4) ÎëàØ·¤æÃØ

45. Ò·¤ÚU×·¤ÍæÓ ç·¤â ß»ü ·¤è Üæð·¤·¤Íæ ãñ?

(1) ÙèçÌ ·¤Íæ (2) Î´Ì ·¤Íæ (3) §çÌãæâ ·¤Íæ (4) Ï×ü ·¤Íæ

D-7015 !D-7015-PAPER-III! 13 Paper-III 46. What is not inserted in ‘Prakirna literature’ ?

(1) Kahawat (phrase) (2) Mantra

(3) Story of Animal and Bird (4) Riddle (Paheli)

47. In which category the marriage songs is kept in folk songs ?

(1) Samskar geet (Ritual songs) (2) Songs of festival

(3) Action song (4) Lullaby

48. What kind of Natua dance is ?

(1) Damkach dance (2) Yudh dance

(3) Chhou dance (4) Panta dance

49. Which digit is repeatedly used in motif of folk tales ?

(1) Seven (2) Five (3) Ten (4) Three

50. In which form animal - birds have been depicted in folk tales ?

(1) as a terrorist (2) as a cannibal (3) as an assistant (4) as a mischievous

51. What was the best medium of acquiring the knowledge in folk life ?

(1) Ved-puran (2) Folk literature (3) Discourse (4) Journey

52. Who is the creator of ‘Shunya Puran’ in Bangla ?

(1) Chandidas (2) Kashiram (3) Kritivas (4) Ramai Pandit

53. Who has composed ‘Vande Maataram’ Song ?

(1) Bankim Chandra (2) Rabindranath Thakur

(3) Sharat Chandra (4) Ishwar Chandra Vidyasagar

D-7015 !D-7015-PAPER-III! 14 Paper-III 46. ÒÂý·¤è‡æü âæçãˆØÓ ×𴠀Øæ Ùãè´ ¥æÌæ ãñ?

(1) ·¤ãæßÌ (2) ×´˜æ

(3) Âàæé-Âÿæè ·¤è ·¤Íæ (4) ÂãðÜè

47. Üæ𷤻èÌæð´ ×ð´ Òçßßæ㠷𤠻èÌÓ ç·¤â Ÿæð‡æè ×ð´ ãæð´»ð?

(1) â´S·¤æÚU »èÌ (2) Âßü ·ð¤ »èÌ

(3) Ÿæ× »èÌ (4) ÜæðÚUè

48. ÒÙÅéU¥æÓ ÙëˆØ ç·¤â Âý·¤æÚU ·¤æ ÙëˆØ ãñ?

(1) ÇU×·¤¿ ÙëˆØ (2) Øéh ÙëˆØ

(3) ÀUª¤ ÙëˆØ (4) Âæ´Ìæ ÙëˆØ

49. Üæð·¤·¤Íæ ×ð´ ·¤æñÙ-âè ⴁØæ Ò·¤ÍæÙ·¤ M¤çÉ¸Ó ×ð´ ÕæÚU-ÕæÚU ¥æÌè ãñ?

(1) âæÌ (2) Âæ¡¿ (3) Îâ (4) ÌèÙ

50. Üæð·¤·¤Íæ ×ð´ Âàæé-Âÿæè ÂýæØÑ ç·¤â M¤Â ×ð´ ÎàææüØð »° ãñ´?

(1) ¥æÌ´·¤è ·ð¤ M¤Â ×ð´ (2) ÙÚUÖÿæè ·ð¤ M¤Â ×ð´ (3) âãØæð»è ·ð¤ M¤Â ×ð´ (4) ÎécÅU ·ð¤ M¤Â ×ð´

51. Üæð·¤ÁèßÙ ×𴠙ææÙæÁüÙ ·¤æ âéÜÖ ×æŠØ× €Øæ Íæ?

(1) ßðÎ-ÂéÚUæ‡æ (2) Üæð·¤ âæçãˆØ (3) Âýß¿Ù (4) Øæ˜ææ

52. Õ´»Üæ ·ð¤ Òàæê‹Ø ÂéÚUæ‡æÓ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) ¿‡ÇUèÎæâ (2) ·¤æàæèÚUæ× (3) ·ë¤çžæßæâ (4) ÚUקü ´çÇUÌ

53. ÒߋÎð ×æÌÚU×÷Ó »èÌ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) Õ´ç·¤× ¿‹Îý (2) ÚUßè‹ÎýÙæÍ ÆUæ·é¤ÚU

(3) àæÚUÌ÷ ¿‹Îý (4) §üàßÚU ¿‹Îý çßlæâæ»ÚU

D-7015 !D-7015-PAPER-III! 15 Paper-III 54. Who has written ‘Mahabharat’ in Oriya ?

(1) Balram das (2) Saral das (3) Jagannath das (4) Anant das

55. Who has written Marathi teeka of Srimadbhagwatgeeta Gyaneshwari ?

(1) Saint Tukaram (2) Ramdas

(3) Namdev (4) Saint Gyaneshwar

56. What kind of creation ‘Agastiyam’ written by Agasty Muni in Tamil literature is ?

(1) Novel (2) Drama

(3) Grammar (4) Devotional Poetry

57. In which style the entire literature of Bodh - Siddha is written in ?

(1) Champu Style (2) Gadhy (prose) Style

(3) Natya (dramatic) Style (4) Muktak (free) Style

58. The term ‘Language’ of Samskrit is originated from :

(1) Bhash (2) Bhao

(3) Bhashat (4) None of the above

59. Why so much importance is given to ‘Ramcharitmanas’ in the history of Hindi literature written by Tulsidas ?

(1) To establish devotion to Ram

(2) To promote good sense of humility

(3) To coordinate among different religious communities

(4) As it is created in local dialect

D-7015 !D-7015-PAPER-III! 16 Paper-III 54. ©çǸØæ ×ð´ ÒÒ×ãæÖæÚUÌÓÓ ·¤è ÚU¿Ùæ ç·¤âÙð ·¤è ãñ?

(1) ÕÜÚUæ× Îæâ (2) âÚUÜ Îæâ (3) Á»‹ÙæÍ Îæâ (4) ¥Ù‹Ì Îæâ

55. Ÿæè×Î÷Ö»ßÎ÷»èÌæ ·¤è ×ÚUæÆUè ÅUè·¤æ ҙææÙðàßÚUèÓ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) â´Ì Ìé·¤æÚUæ× (2) ÚUæ×Îæâ

(3) Ùæ×Îðß (4) â´Ì ™ææÙðàßÚU

56. Ìç×Ü âæçãˆØ ·ð¤ Á‹×ÎæÌæ ¥»SˆØ ×éçÙ ·¤è Ò¥»çSˆØ×÷Ó ç·¤â Âý·¤æÚU ·¤è ÚU¿Ùæ ãñ´?

(1) ©Â‹Øæâ (2) ÙæÅU·¤

(3) ÃØæ·¤ÚU‡æ (4) Öç€Ì-·¤æÃØ

57. Õæñh-çâhæð´ ·¤æ âæÚUæ âæçãˆØ ç·¤â àæñññÜè ×ð´ ãñ?

(1) ¿ÂêU àæñÜè (2) »l àæñÜè

(3) ÙæÅU÷Ø àæñÜè (4) ×é€Ì·¤ àæñÜè

58. ÒÖæáæÓ àæŽÎ ·¤è ©ˆÂçžæ â´S·ë¤Ì ·¤è ç·¤â ÏæÌé âð ãé§ü ãñ?

(1) Öæá÷ (2) Öß÷

(3) ÖæáæÌ÷ (4) §Ù×ð´ âð ·¤æð§ü Ùãè´

59. ÌéÜâè·ë¤Ì ÒÚUæ׿çÚUÌ×æÙâÓ ·¤æð çã‹Îè âæçãˆØ ·ð¤ §çÌãæâ ×ð´ §ÌÙæ ×ãˆß €Øæð´ çÎØæ ÁæÌæ ãñ?

(1) ÚUæ× Öç€Ì ·¤æð ÂýçÌçcÆUÌ ·¤ÚUÙð ·ð¤ çÜ°

(2) ©Îæžæ Öæßæð´ ·ð¤ Âæðá‡æ ·ð¤ çÜ°

(3) Ïæç×ü·¤ âÂýÎæØæð´ ·ð¤ Õè¿ â׋ßØ SÍæÂÙæ ·ð¤ çÜ°

(4) ÚUæ׿çÚUÌ×æÙâ Üæð·¤Öæáæ ×ð´ ãæðÙð ·ð¤ ·¤æÚU‡æ

D-7015 !D-7015-PAPER-III! 17 Paper-III 60. Amir Khusro used which of the following dialect in his creation ?

(1) (2) Awadhi dialect (3) Khadi dialect (4) Maithili

61. Arrange following poets in chronological order :

(1) Chandbardai, Vidyapati, Amir Khusro, Kabir

(2) Kabir, Vidyapati, Amir Khusro, Chandbardai

(3) Chandbardai, Amir Khusro, Vidyapati, Kabir

(4) Amir Khusro, Chandbardai, Vidyapati, Kabir

62. Which of the following is ‘monotheistic’ poet ?

(1) Kabir (2) Tulsidas (3) Jayasi (4) Surdas

63. Who has composed following lines “Drig urjhat tootat kutum, jurat chatur chitpreeti “ ?

(1) Bhushan (2) Bihari Lal (3) Ghananand(4) Ma tiram

64. Who has written Hindi Story ‘Kafan’ ?

(1) Jayashankar Prasad(2) Ajnay

(3) Jainnendra (4) Premchand

65. Which of the following power of word percieved first of all ?

(1) Vyanjana (2) Lakshana

(3) Abhidha (4) None of the above

66. Who is the writer of “Tiriyo Tetang” ?

(1) Aditya Mitra Santali (2) Daman Hansdah

(3) Dr. Krishan Chandra Tudu (4) Harihar Hansdah

D-7015 !D-7015-PAPER-III! 18 Paper-III 60. ¥×èÚU ¹éâÚæð Ùð ·¤æÃØ Öæáæ ·ð¤ M¤Â ×ð´ ç·¤â ÕæðÜè ·¤æ ÂýØæð» ç·¤Øæ?

(1) ÕýÁÖæáæ (2) ¥ßÏè ÕæðÜè (3) ¹Ç¸è ÕæðÜè (4) ×ñçÍÜè

61. çِÙçÜç¹Ì ·¤çßØæð´ ·¤æð ·¤æÜ·ý¤×æÙéâæÚU ÃØßçSÍÌ ·¤Úð´U Ñ

(1) ¿‹ÎÕÚUÎæ§ü, çßlæÂçÌ, ¥×èÚU ¹éâÚUæð, ·¤ÕèÚU

(2) ·¤ÕèÚU, çßlæÂçÌ, ¥×èÚU ¹éâÚUæð, ¿‹ÎÕÚUÎæ§ü

(3) ¿‹ÎÕÚUÎæ§ü, ¥×èÚU ¹éâÚUæð, çßlæÂçÌ, ·¤ÕèÚU

(4) ¥×èÚU ¹éâÚUæð, ¿‹ÎÕÚUÎæ§ü, çßlæÂçÌ, ·¤ÕèÚU

62. §Ù×ð´ âð ·¤æñÙ Ò°·ð¤àßÚUßæÎèÓ ·¤çß ×æÙð ÁæÌð ãñ´?

(1) ·¤ÕèÚU (2) ÌéÜâèÎæâ (3) ÁæØâè (4) âêÚUÎæâ

63. ÒÎë» ©ÚUÛæÌ ÅêUÅUÌ ·é¤ÅéU×, ÁéÚUÌ ¿ÌéÚU ç¿ÌÂýèçÌÓ Â´ç€Ì ç·¤â ÚUèçÌçâh ·¤çß ·¤è ãñ?

(1) Öêá‡æ (2) çÕãæÚUè ÜæÜ (3) ƒæÙæًΠ(4) ×çÌÚUæ×

64. çã‹Îè ·¤ãæÙè Ò·¤È¤ÙÓ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ÁØàæ´·¤ÚU ÂýâæÎ (2) ¥™æðØ

(3) ÁñÙð‹Îý (4) Âýð׿‹Î

65. ç·¤â àæŽÎ àæç€Ì ·¤è ÂýÌèçÌ âÕâð ÂãÜð ãæðÌè ãñ?

(1) ÃØ´ÁÙæ (2) Üÿæ‡ææ

(3) ¥çÖÏæ (4) §Ù×ð´ âð ·¤æð§ü Ùãè´

66. ÒçÌçÚUØæð ÌðÌæ¾¤Ó ÂéSÌ·¤ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ¥æçÎˆØ çטæ â´ÌæÜè (2) ÇU×Ù ãæ¡âÎæ

(3) ÇUæò. ·ë¤c‡æ ¿‹Îý ÅéUÇê (4) ãçÚUãÚU ãæ¡âÎæ

D-7015 !D-7015-PAPER-III! 19 Paper-III 67. There is a Collection of Mundari songs titled as ‘Hisir’ (defeat). Who has edited this book ?

(1) Dulai Chandra Munda (2) Dr. B.B. Nag

(3) Dr. Ramdayal Munda (4) Baldev Munda

68. Who is the editor of “Ho Durang Hisir” ?

(1) Prof. Balram Pat Pingua (2) Dr. Damayanti Sinku

(3) Satish Kumar Kora (4) Vishwanath Bodra

69. Who is the writer of ‘Khadiya, Jeevan Aur Paramparayen’ ?

(1) Dr. Rose Kerketta (2) Juel Soreng

(3) Jovakim Dungdung (4) Paulus Toppo

70. Who has written the book titled as “Kurukh Purkha Khiri” ?

(1) Aahlad Tirkey (2) Indrajeet Oraon

(3) Dr. Hari Oraon (4) Father Alvinus Minz

71. Who has edited ‘Nagpuri Lokgeet Vrihad Sangrah’ ?

(1) Dr. Giridhari Ram Gaunjhu (2) Dr. Kumari Basanti

(3) Dr. B.P. Keshri (4) Dr. Ram Prasad

D-7015 !D-7015-PAPER-III! 20 Paper-III 67. ÒçãçâÚU (ãæÚU)Ó Ùæ×·¤ ÂéSÌ·¤ ×ð´ ×é‡ÇUæÚUè »èÌæð´ ·¤æ â´·¤ÜÙ ãñÐ §â·¤æ âÂæÎÙ ç·¤âÙð ç·¤Øæ ãñ?

(1) ÎéÜæØ ¿‹Îý ×é‡ÇUæ (2) ÇUæò. Õè.Õè. Ùæ»

(3) ÇUæò. ÚUæ×ÎØæÜ ×é‡ÇUæ (4) ÕÜÎðß ×é‡ÇUæ

68. Òãæð ÎéÚ´U» çãçâÚUÓ ÂéSÌ·¤ ·ð¤ âÂæη¤ ·¤æñÙ ã´ñ?

(1) Âýæð. ÕÜÚUæ× ÂæÅU ç´»é¥æ (2) ÇUæò. Î×Ø´Ìè çâ´·é¤

(3) âÌèàæ ·é¤×æÚU ·¤æðǸæ (4) çßàßÙæÍ ÕæðÎÚUæ

69. Ò¹çǸØæ, ÁèßÙ ¥æñÚU ÂÚUÂÚUæ°¡Ó ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ÇUæò. ÚUæðÁ ·ð¤Ú·ð¤UÅ÷ÅUæ (2) ÁéØðÜ âæðÚð´U»

(3) Áæðßæç·¤× Çé´U»Ç´éU» (4) ÂæñÜéâ ÅUæðŒÂæð

70. Ò·é¤ÇéU$¹ ÂéÚU¹æ ¹èÚUèÓ Ùæ×·¤ ÂéSÌ·¤ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) ¥æã÷ÜæÎ çÌ·¤èü (2) §‹ÎýÁèÌ ©ÚUæ¡ß

(3) ÇUæò. ãçÚU ©ÚUæ¡ß (4) ȤæÎÚU ¥ÜçÕÙéâ ç×´Á

71. ÒÙæ»ÂéÚUè Üæ𷤻èÌ ßëãÎ÷ â´»ýãÓ ç·¤â·ð¤ mæÚUæ âÂæçÎÌ ãñ?

(1) ÇUæò. ç»çÚUÏæÚUè ÚUæ× »æñ´Ûæê (2) ÇUæò. ·é¤×æÚUè Õæâ‹Ìè

(3) ÇUæò. Õè.Âè. ·ð¤àæÚUè (4) ÇUæò. ÚUæ× ÂýâæÎ

D-7015 !D-7015-PAPER-III! 21 Paper-III 72. Who has written ‘Kapila Mangal’ ?

(1) Dr. Geeta Kumari Singh (2) Dr. Bijay Mukharjee

(3) Prof. Bhutnath Pramanik (4) Rajendra Prasad Mahto

73. Who has written the novel ‘Jingik Toh’ in Khortha Language ?

(1) Dr. B.N. Ohdar (2) Vishwanath Nagar

(3) Shivnath Pramanik (4) Chittaranjan Mahto ‘Chitra’

74. Who has written ‘Julum’ a drama of Panchpargania language ?

(1) Dr. Karam Chand Ahir (2) Dr. Chandra Mohan Mahto

(3) Shristidhar Mahto (4) Jyoti Lal Mahadani

75. Who is the writer of ‘Birsa Aur Unka Aandolan’ ?

(1) Dr. Ramdayal Munda (2) Dr. Mansiddh Badayudh

(3) Dr. Man Masih Mundu (4) Dr. Kumar Suresh Singh

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D-7015 !D-7015-PAPER-III! 22 Paper-III 72. Ò·¤çÂÜæ ×´»ÜÓ ·ð¤ ÚU¿çØÌæ ·¤æñÙ ãñ´?

(1) ÇUæò. »èÌæ ·é¤×æÚUè çâ´ã (2) ÇUæò. çßÁØ ×é¹Áèü

(3) Âýæð. ÖêÌÙæÍ Âý×æç‡æ·¤ (4) ÚUæÁð‹Îýý ÂýâæÎ ×ãÌæð

73. ¹æðÚUÆUæ Öæáæ ·¤æ ©Â‹Øæâ ÒçÁٻ跤 ÅUæðãÓ ·ð¤ ©Â‹Øæâ·¤æÚU ·¤æñÙ ãñ´?

(1) ÇUæò. Õè.°Ù. ¥æðãÎæÚU (2) çßàßÙæÍ Ùæ»ÚU

(3) çàæßÙæÍ Âý×æç‡æ·¤ (4) 翞æÚ´UÁÙ ×ãÌæð Ò翘ææÓ

74. ´¿ÂÚU»çÙØæ Öæáæ ·¤æ ÙæÅU·¤ ÒÁéÜé×Ó ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ÇUæò. ·¤ÚU× ¿‹Î ¥ãèÚU (2) ÇUæò. ¿‹Îý ×æðãÙ ×ãÌæð

(3) âëçcÅUÏÚU ×ãÌæð (4) ’ØæðçÌ ÜæÜ ×ãæÎæÙè

75. ÒçÕÚUâæ ¥æñÚU ©Ù·¤æ ¥æ‹ÎæðÜÙÓ ·ð¤ Üð¹·¤ ·¤æñÙ ãñ´?

(1) ÇUæò. ÚUæ×ÎØæÜ ×é‡ÇUæ (2) ÇUæò. ×Ùçâh ÕǸæت¤Î

(3) ÇUæò. ×Ù ×âèã ×é´Çê (4) ÇUæò. ·é¤×æÚU âéÚðUàæ çâ´ã

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D-7015 !D-7015-PAPER-III! 23 Paper-III Space For Rough Work

D-7015 !D-7015-PAPER-III! 24 Paper-III