5· s~ ~',tO- (0 (__A- fl~ CAMPANILE ORCHESTRA

..

EFRAIN AMAYA and GABRIEL SAKAKEENY conductors

Friday, October 10, 1986 8:00p.m. in Hamman Hall

the RICE UNIVERSITY ~~rd_ Of Music PROGRAM

Symphony No. 102 in Bb Major Franz]oseph Haydn I. Largo/ Vivace (1732-1809) II. Adagio III. Menuet IV. Presto

Sinfonia India Carlos Chavez (1899-1978)

Mr. Amaya, conducting

INTERMISSION

Symphonic Movement "Blumine" Gustav Mahler ( 1860-1911)

The Pines of Rome Ottorino Respighi a Symphonic Poem ( 1879-1936) I. Pines of the Villa Borghese II. Pines Near a Catacomb III. Pines of the ]aniculum IV. Pines of the Appian Way

Mr. Sakakeeny, conducting

, Photographing and sound recording are prohibited. We further request that audible paging devices not be used during the performance. Paging arrangements may be made with the ushers. CAMPANILE ORCHESTRA

First Violin Cello Bassoon Justine Watts, Sara Ullman, Renee Landers concertmaster principle Ruth Shelley Unger Linda Anderson Gerald Bachorowski Bill Atkerson Susan Bailey Contrabassoon Denise Couche Shirley McCormack Hunter Davis Wong Fung Jeffrey Myers John Greiner Curtis W Robinson Horn Anne Herder George Robinson Lisa Cowan Nora Klein Rex Spencer Robert Nuttall Karen Macheledt Marsha Tsuchida Nicholas Terry Victoria Williamson Ladd Turner Contrabass Second Violin Josee Deschenes Trumpet Deirdre Ward, Shoichi Kubodera Jenny Bales principle Martin Merritt Mike Cox Annette Fanslow Tracy Rowell Diane Hilbert Vin Feng Becky Sellon Alice Gee Trombone Trudy Heimbigner Flute Kenneth Clark Margaret Nelson Linda Birtwistle Donald Patterson Katherine Schlacter Janet Greenberg Regina Trojanowsky Becky Luck Bass Trombone Sandra Wenner Amy Saxton Patrick Corbett

Viola Oboe Tuba Bill Chandler, Michael Breteler Philip Burke principle Aaron Roose Donald Burell Eileen Whalen Harp Edward Doughtie Marisa Wei Jong Im Kim Clarinet Janet Landay Margaret Beard Percussion Patty Machen Marilyn Stanners Phil Dembski Wanda Rowe Tamara Vance Steve Moore Carolyn Sacchi Jean Wilson Dorothy Stuve THE PINES OF ROME

I. THE PINES OF THE VILLA BORGHESE.

Children are at play in the pine groves a_{ Villa Borghese; they dance round in circles, they play at soldiers, marching and fighting, they are wrought up by their own cries like swallows at evening, they come and go in swarms. Suddenly the scene changes; and

II. PINES Nf.'AR A CATACOMB,

we see the shades ofthe pine-treesfringing the entrance to a catacomb. from the depth rises the sound of mournful psalm-singing, floating through the air like a solemn hymn, and gradually and mysteriously dispersing.

III. THE PINES OF THE}AJVICULUM.

A quiver runs through the air: the pine-trees o_f the janiculum stand distinctly outlined in the clear light of a full moon. A nightingale is singing.

IV THE PINES OF THE APPIAN WAY.

Misty dawn on the Appian Way: solitary pine-trees guarding the magic landscape; the muffled, ceaseless rhythm o_f unendingfootsteps. The poet has a fantastic vision o.f bygone glories: trumpets sound and, in the brilliance of the newly-risen sun, a consular army bursts forth towards the Sacred Way, mounting in triumph to the Capitol. r.