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Boston Symphony Orchestra Concert Programs, Season 45,1925-1926, Subscription Series

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Boston Symphony Orchestra Concert Programs, Season 45,1925-1926, Subscription Series SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Back Bay 1492 INC. SERGE KOUSSEVITZKY, Conductor FORTY-FIFTH SEASON, 1925-1926 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1926, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA, Inc. FREDERICK P. CABOT President GALEN L. STONE Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT ARTHUR LYMAN- ERNEST B. DANE HENRY B. SAWYER M. A. DE WOLFE HOWE GALEN L. STONE JOHN ELLERTON LODGE BENTLEY W. WARREN FREDERICK E. LOWELL E. SOHIER WELCH • ....... i ', \) i\) J W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1689 After more than half a century on Fourteenth Street, Steinway Hall is now located at 109 West 57th Street. The new Steinway Hall is one of the handsomest buildings in New York on a street noted for finely designed business structures. As a center of music, it will extend the Steinway tradition to the new generations of music lovers. THE INSTRUMENT OF THE IMMORTALS Forty-fifth Season, 1925-1926 SERGE KOUSSEVITZKY, Conductor Violins. Burgin, R. Hoffmann, J. Gerardi, A. Hamilton, V. Gundersen, R. Concert-master Kreinin, B. Eisler, D Sauvlet, H. Kassman, N. Theodorowicz, J. Cherkassky, P. Hansen, E. Mayer, P. Siegl, F. Pinfield, C. Fedorovsky, P. Leveen, P. Mariotti, V. Thillois,F. Gorodetzky, L. Kurth, R. Knudsen, C. Murray, J. Fiedler, B. Bryant, M. Del Sordo, R. Stonestreet, L. Tapley, R. Messina, S. Zung, M. Diamond, S. Erkelens, H. Seiniger, S. Violas. Lefranc, J. Fourel, G. Van Wynbergen, C. Grover, H. Fiedler, A. Arti&res, L. Cauhape, J. Werner, H. Shirley, P. Avierino, N. Gerhardt, S. Bernard, A. Deane, C. Violoncellos. Bedetti, J. Zighera, A. Langendoen, J. Stockbridge, C. Fabrizio, E. Keller, J. Barth, C. Belinski, M. Warnke, J. Marjollet, L. Basses. Kunze, M. Seydel, T. Ludwig, O. Kelley, A. Girard, H. Vondrak, A. Gerhardt, G. Frankel, I. Demetrides, L. Oliver, F. Flutes. Oboes. Clarinets. Bassoons. Laurent, G. Gillet, F. Allegra, E. Laus, A. Bladet, G. Devergie, J. Arcieri, E. Allard, R. Amerena, P. Stanislaus, H. Bettoney, F. E-Flat Clarinet. Vannini, A. Piccolo. English Horn. Bass Clarinet. Contra-Bassoon. Battles, A. Speyer, L. Mimart, P. Piller, B. Horns. Horns. Trumpets. Trombones. Wendler, G. Valkenier, W. Mager, G. Rochut, J. Schindler, G. Lannoye, M. Perret, G. Adam, E. Van Den Berg, C. Pogrebniak, S. Schmeisser, K. Hansotte, L. Lorbeer, H. Gebhardt, W. Mann, J. Kenfield, L. Kloepfel, L. Tuba. Harps. Timpani. Percussion. Sidow, P. Holy, A. Ritter, A. Ludwig, C. Caughey, E. Polster, M. Sternburg, S. Zahn, F. Organ. Piano. Celesta. Librarian. Snow, A. Sanroma, J. Fiedler, A. Rogers, L. J 1691 It's so easy to own a Chickering OT everyone knows that the Chickering may be purchased on the month to month plan < ' ' a little at a time as though it were rent. Chickering prices range up- ward from $875. Ten per cent may be paid down as a cash deposit and the balance spread over a period of years. "" and it's just as easy to own an AMPICO t£1^InriS)0 l69TumontSt 1692 FORTY-FIFTH SEASON. NINETEEN HUNDRED TWENTY-FIVE & TWENTY-SIX FRIDAY AFTERNOON, APRIL 2, at 2.30 o'clock SATURDAY EVENING, APRIL 3, at 8.15 o'clock Mendelssohn Overture, "The Hebrides" ("Fingal's Cave,") Op. 26 Debussy Gigues: "Images" for Orchestra, No. 1 Stravinsky Symphonic Poem "Chant du Rossignol" ("The Song of the Nightingale") Brahms Symphony No. 2, D major, Op. 73 I. Allegro non troppo II. Adagio non troppo III. Allegretto grazioso, quasi andantino IV. Allegro con spirito MASON & HAMLIN PIANOFORTE There will be an intermission before the symphony City of Boston, Revised Regulation of August 5, 1898,—Chapter 3, relating to the covering of the head in places of public amusement Every licensee shall not, in his place of amusement, allow any person to wear upon the head a covering which obstructs the view of the exhibition or performance in such place of any person seated in any seat therein provided for spectators, it being understood that a low head covering without projection, which does not obstruct such view, may be worn. Attest: J. M. GALVIN. City Clerk. The works to be played at these concerts may be seen in the Allen A. Brown Music Collection of the Boston Public Library one week before the concert 1693 RAYMOND-WHITCOMB Sixth Annual MIDNIGHT SUN CRUISE Sailing June 29th for Iceland :: North Cape :: Fjords :: Bergen Trondhjem :: Oslo :: Copenhagen with side-trips to Stockholm &. Gothenburg This is the supreme summer voyage.^ Long restful days at sea, with the luxurious comfort that can be found only on a great liner, frequent shore excursions that visit the most beautiful & important places in Tfyrway & a management skilled in Norwegian travel have made it pre-eminently the vacation cruise. The Cruise Ship this year is the 20,000 ton" Carinthia" —the newest Cunard liner. °% The rates — which in- clude return any time this year—are $800 & upward. Send for our booklet The Midnight Sun & ship-plans. LAND CRUISES IN AMERICA The greatest advance in American- pleasure travel since Raymond-Whitcomb ran "solid" vestibule trains with through dining cars across the Continent in 1887. Drawing-rooms with private baths. Special trains of all-steel cars built for Raymond-Whitcomb by the Pullman Company—with lounges, library, gymnasium, dance & lecture room, & movie theatre. ROUND THE WORLD CRUISE Sailing October 14 on the S.S. "Carinthia" for Australia, New Zealand, New Guinea, Tasmania & Java, as well as Japan, China, India, Philippines, Hawaiian Islands, Egypt, etc. RAYMOND & WHITCOMB CO. 165 Tremont Street BOSTON Tel. Beach 6964 1694 Second Concert Overture, "The Hebrides," or "Fingal's Cave,"* Op. 26 Felix Mendelssohn-Bartholdy (Born at Hamburg, February 3, 1809; died at Jieipsic, November 4, 1847.) Mendelssohn saw Staffa and Fingal's Cave on August 7, 1829. He at once determined to picture the scenes in music, and he wrote to his sister on that day : "That you may understand how extraordinarily the Hebrides affected me, the following came into my mind" ; and he then noted down twenty-one measures in alia breve, which coincide for the first ten and a half measures with the later measures in 4-4. (It was at the time that he wrote the beginning of the so-called "Scottish" symphony. ) He composed further early in September of that year at Coed Du, a country seat near Chester; later at Lon- don; but the bulk of composition was at Rome from the autumn to December 16, 1830, when he dedicated the work to Franz Hauser, —so certain biographers tell us; but Lampadius quotes a letter written by Mendelssohn on November 16, 1830, in which he says he has completed the overture. Lampadius quotes from a letter " dated December 20 : 'The Hebrides' is done at last and is a curi- ous thing."f Ferdinand Hiller/ who lived with Mendelssohn in *This is the complete title as originally given to the overture by Mendelssohn. f He had written to his father from Rome on December 10, 1830, that as a present to him for his birthday he thought he would finish his old overture "The Solitary Island." Songs from Recent Boston Programmes SUNG BY GENA BRANSCOMBE, A Lovely Maiden Roaming . Gertrude Ehrhart MARION BAUER, Orientale . Marjorie Leadbetter _ The Linnet is Tuning Her Flute . Gertrude Ehrhart Marjorie Leadbetter LELAND CLARKE, Across the Fields j f Joseph Lcker Moonlight Deep and Tender . Joseph Ecker Over the World to You Yvoune des Rosiers Into the Sunshine Yvoune des Rosiers RALPH COX, To a Hill-top Marjorie Leadbetter MABEL W. DANIELS, Song of the Persian Captive . Bertha Putney Dudley I Cannot Bide Joseph Lautner Cherry Flowers Lambert Murphy E. ALDRICH DOBSON, Legend of the Waterfall < Marjorie Leadbetter (From Sons of Manitou. American Indian Song Cycle) 1 Marjorie Meyer ARTHUR FOOTE, Tranquillity Gladys de Almeida Shadows Marjorie Meyer G. A. GRANT-SCHAEFER, Musieu Bainjo Frederic Joslyn HENRY GIDEON, On the Way Cantor David Brodsky W. J. MARSH, Canterbury Bells Marjorie Leadbetter HAROLD VINCENT MILLIGAN, Less than the Cloud . Gertrude Ehrhart THE ARTHUR P. SCHMIDT CO., 120 Boylston Street 1695 Paris during the winter of 1831-32, tells how Mendelssohn brought to him the sketched score. "He told me how the thing came to him in its full form and color when he saw Fingal's Cave; he also informed me how the first measures, which contain the chief theme, had come into his mind. In the evening he was making a visit with his friend Klingemann on a Scottish family. There was a pianoforte in the room ; but it was Sunday, and there was no pos- sibility of music. He employed all his diplomacy to get at the pianoforte for a moment; when he had succeeded, he dashed off the theme out of which the great work grew. It was finished at Diisseldorf, but only after an interval of years." Hiller was mis- taken about the place and time of completion. Mendelssohn took the score to Paris. He wrote (January 12, 1832) that he did not produce it then, because it was not "quite right" : "The middle portion in E (forte) is too stupid, and the whole workingout smells more of counterpoint than of train-oil, sea-gulls, and salt fish, and must be altered." The overture was first performed on May 14, 1832, from manu- script, in London, at the sixth concert of the Philharmonic Society at Covent Garden. Thomas Attwood conducted. The composer wrote: "It went splendidly, and sounded so droll amongst all the BOSTON CONSERVATORY OF MUSIC AGIDE JACCHIA, Director THE GREAT RUSSIAN VIOLIN TEACHER SERGE KORGUEFF (Successor of Leopold Auer in the Petrograd Conservatory) has a few appointments available on Saturdays.
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