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A Study of Musical and Extra-Musical Imagery in Rachmaninoff's "Etudes-Tableaux", Opus 39." (1990)

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A Study of Musical and Extra-Musical Imagery in Rachmaninoff's Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1990 A Study of Musical and Extra-Musical Imagery in Rachmaninoff 's "Etudes-Tableaux", Opus 39. Raymond J. Gitz Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Gitz, Raymond J., "A Study of Musical and Extra-Musical Imagery in Rachmaninoff's "Etudes-Tableaux", Opus 39." (1990). LSU Historical Dissertations and Theses. 5049. https://digitalcommons.lsu.edu/gradschool_disstheses/5049 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. • University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 313/761-4700 800/521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Order Number 9123192 A study of musical and extra-musical imagery in Rachmaninoff’s “Etudes-Tableaux”, opus 39 Gitz, Raymond J., D.M.A. The Louisiana State University and Agricultural and Mechanical Col., 1990 UMI 300 N. Zeeb Rd. Ann Arbor, MI 48106 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. A STUDY OF MUSICAL AND EXTRA-MUSICAL IMAGERY IN RACHMANINOFFS ETUDES-TABLEAUX, OPUS 39 A Monograph Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Doctor of Musical Arts i n The School of Music by Raymond J. Gitz B.M., The University of Southwestern Louisiana, 1970 M.M., The University of Southwestern Louisiana, 1972 December 1990 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ACKNOWLEDGMENTS I would like to expressmy deepest gratitude to Alumni Professor Jack Guerry for his invaluable guidance and support during the preparation of this monograph. The integrity of his scholarship continues to serve as an inspirational model. I am also very grateful to Professors Daniel Sher, Wallace McKenzie, Griffin Campbell, Milton Hallman, and Sidney Garrett for their time spent in examining this monograph and for their helpful suggestions for improving it. Many people have contributed to the completion of this project. Special appreciation is expressed to Alexandra Shikhris for translating Russian sources usedh thisi study and for sharing her knowledge of Russian culture and custom, to Dr. Daniel Weilbaecher for his valued advice and patient assistance in the preparation of this manuscript, and to Madelyn Trible for her keen insights and unswerving support. For their encouragement and help, I extend sincere thanks to Jerry Zachary, Sidney J. Mazerat III, Brian Eschette, Bruce Trible, Dr. Alphonse Landry, Joan Landry, George Van ? Hoose, Philip Weber, Martha Trinko, Dr. Gerald F. De Luca, Steve Chambers, and Terrence E. Young, Jr. i i Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. TABLE OF CONTENTS ACKNOWLEDGMENTS...........................................................................................i i TABLE OF CONTENTS ......i i i LIST OF MUSICAL EXAMPLES............................................................................v ABSTRACT............................................................................................................ v i i INTRODUCTION....................................................................................................1 CHAPTER 1 ............................................................................................................5 HISTORICAL BACKGROUND AND GENERAL DESCRIPTION OF THE ETUDES-TABLEAUX AND THEIR PLACE IN RACHMANINOFFS OEUVRE CHAPTER 2 ............................................................................................................1 6 MUSICAL IMAGERY: DIES IRAE CHAPTER 3 ............................................................................................................37 MUSICAL IMAGERY: RUSSIAN CHANT AND CHURCH BELLS CHAPTER 4 ............................................................................................................55 EXTRA-MUSICAL IMAGERY Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CONCLUSION........................................................................................................ 66 BIBLIOGRAPHY.....................................................................................................70 VITA.......................................................................................................................... 79 i v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. LIST OF MUSICAL EXAMPLES Example 1., Sequence, Dies irae. First two phrases................................17 Example 2. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 2, mm.1 -4 ................................................................................21 Example 3. Rachmaninoff, Etude-Tableau in C- Minor, op. 39, no. 1, mm. 41-42 ..................................................................................... 23 Example 4. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 2, mm. 64-67 ..................................................................................... 24 Example 5. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 2, mm. 76-79..................................................................................... 24 Example 6. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 2, mm. 61-63..................................................................................... 25 Example 7. Rachmaninoff, Etude-Tableau in F-sharp Minor, op. 39, no. 3, mm. 5-6....................................................................... 25 Example 8. Rachmaninoff, Etude-Tableau in F-sharp Minor, op. 39, no. 3, mm. 122-26................................................................26 Example 9. Rachmaninoff, Etude-Tableau in F-sharp Minor, op. 39, no. 3, mm. 132-33................................................................26 Example 10. Rachmaninoff, Etude-Tableau in B Minor, op. 39, no. 4, mm. 11-12 ............................................................................ 27 Example 11. Rachmaninoff, Etude-Tableau in B Minor, op. 39, no. 4, mm. 54-55 ............................................................................ 27 Example 12. Rachmaninoff, Etude-Tableau in E-flat Minor, op. 39, no. 5, mm. 70-72..................................................................... 28 Example 13. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 6, mm. 9-10.......................................................................... 29 v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Example 14. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 6, mm. 39-42........................................................................29 Example 15. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 6, mm. 61-63.......................................................................... 30 Example 16. Rachmaninoff, Etude-Tableau in A Minor, op. 39, no. 6. mm. 115-117 ......................................................................30 Example 17. Rachmaninoff, Etude-Tableau in C Minor, op. 39, no. 7, m. 1.........................................................:............................ 31 Example 13. Rachmaninoff, Etude-Tableau in C Minor, op. 39, no. 7, m. 43 ..................................................................................31 Example 19. Rachmaninoff, Etude-Tableau in C Minor,
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