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Boston Symphony Orchestra Concert Programs, Season 66,1946-1947

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SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-SIXTH SEASON, 1946-1947 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, 1946, BY BOSTON SYMPHONY ORCHESTRA, ltlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot .* President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. De Wolfe Howe Nicholas John Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Bentley W. Warren N. Penrose Hallowell Raymond S. Wilkins Francis W. Hatch Oliver Wolcott George E. Judd, Manager [577] © © © HOW YOU CAN HAVE A © © Financial "Watch-Dog" © © B © © © B B Webster defines a watch- dog as one kept to watch © and guard." With a Securities Custody Account at © the Shawmut Bank, you in effect put a financial watch- © dog on guard over your investments. And you are re- © lieved of all the bothersome details connected with © © owning stocks or bonds. An Investment Management © Account provides all the services of a Securities Cus- © tody Account and, in addition, you obtain the benefit B the judgment of B of composite investment our Trust B Committee. © Why not get all the facts now, without obligation? © © Call, write or telephone for our booklet: How to be © More Efficient in Handling Your Investments." © © •JeKdimiM \Jwu6t Q/sefi€VKtment © © © The D^ational © © Bank © Shawmut © 40 Water Street^ Boston © Member Federal Deposit Insurance Corporation © Capital $ 10,000,000 Surplus $20,000,000 © © "Outstanding Strength" for no Tears © © © I 578 ] 5? SYMPHONIANA LAURELS IN THE WEST At the beginning of this month the Boston Symphony Orchestra gave ten concerts in cities west of New England. The Orchestra was heard by 35,600 in auditoriums varying in capacity from 2,000 to 6,000, the audiences limited only by their size. Regular Tuesday evening ABC broad- casts were made from two of these ) concerts. The unanimous pleasure and satisfac- tion derived from the concerts on this tour are indicated by the following representative quotations: PITTSBURGH — December 2 This year's visit of the Boston Sym- phony Orchestra brings us two concerts, the first of which Serge Koussevitzky directed in Syria Mosque last night. It was a "standing room only" audi- ence. To speak of the orchestra is only to repeat platitudinous praise, and yet with each program one is assured again that it stands without equal in the world. Each man may well be a vir- tuoso but the blending of instrumental voices and their tone colors has been so perfect an accomplishment, that, in the classics especially, one hears new voices with every repetition. — J. Fred Lissfelt Pittsburgh Sun-Telegraph Lace Frame for a PITTSBURGH December 3 Sundown Silhouette To observe Dr. Serge Koussevitzky conduct the Boston Symphony Orchestra You will always be a is to know the meaning of intense, perfect picture in this vivid and vibrant leadership and to realize its communicative power. late day gown, expres- To listen to this orchestra is to know sive of the eternal femi- what ensemble artistry is and should be. rayon crepe The marvelous blending of this amaz- nine. Black ing conductor's personality with that of silhouetted in Chantilly- (< his musicians produces a result that is lace. 44.00 rousing to the soul and a contribution type to those experiences that make real liv- ing worth while. Last night at Syria Mosque this emi- nent leader and magnificent orchestra played another program to a full house. The audience not only enjoyed the per- formance — it was thrilled, and it evi- denced its appreciation with sustained applause. — Ralph Lewando Pittsburgh Press & [579] CLEVELAND — December 4 Always an event of the first magni- tude in Cleveland music circles, the annual concert of the Boston Symphony Orchestra last night at Public Music Hall produced its customary effect on an audience of major proportions. It was an effect of tremendous enthusiasm expressed in persistent recalls to the stage of that veteran dynamo of leader- ship whose name has become synony- mous with this admirable orchestra, Dr. Serge Koussevitzky. Now in his 72d year, this extraordi- nary musical personality continues to impress his own indomitable spirit upon this group and permeate it to an un- canny degree. From this body of ex- pert musicians, who seem to anticipate every movement of his lips, to say nothing of what he communicates with his hands, Koussevitzky draws beauty of sound with all the energy and tenacity of a bee extracting pollen from a flower. And if ever there was a magic powder capable of fertilizing the imagi- nation of the listener, it is certainly to be found in the particular brand of star dust employed by this eminent virtuoso of the baton. One was carried away, not only by the zestful conviction and subtle nuance that went into every phrase of the music, but by the sheer beauty of tone which comes from every section of the orchestra. — Herbert Elwell Cleveland Plain Dealer. CHICAGO — December 6 At Orchestra Hall last evening the Boston Symphony Orchestra, con- ducted by Serge Koussevitzky, gave the first of the two concerts which it is offering here this season. It proved again that as an organization there can Pure Silk be but few orchestras in the world to approach, and none to excel it. For a sheer and lace trimmed The glow and richness of the string gown, white, blue, tearose playing, the individual excellence of Sizes 32-38 members of the wind choir — particu- larly the first flute, oboe and clarinet $39.50 —the dynamic purity of the brass, even in the most fortissimo passages, are qualities that almost stand alone. There was more interest in the con- cert than that of the playing, however. Dr. Koussevitzky did not bring his The Trousseau House Boston of matchless orchestra only to demonstrate 416 BDYLSTDN STREET how great and good are things in Boston. WELLESLEY ~ HYANNIS r PALM RivACH — Felix Borowski Chicago Sun [58o] CHICAGO, December 8 It may be that this amazing orchestra plays consistently at the peak of its form, as it must have played yesterday, and it may be that Serge Koussevitzky constantly conducts like a man inspired. But it is not often, to my sorrow, that I am around when such things happen, so that I sit on the edge of my chair and suddenly realize I haven't been breath- ing. When this happens, magicians have been at work, and this time Debussy's magnificently realized "La Mer" cast the spell. Not even mediocrity can ut- terly dim the splendor of this giant seascape, but it can blur and confuse the music, and frustrate the perceptive senses. A good performance is a de- light, but a great performance — ah, there you have another story. — Claudia Cassidy Chicago Daily Tribune Co ll^cHovi oT DETROIT — December 10, 1946 Detroiters who were fortunate enough to get tickets in a standing-room-only house, turned out at Masonic Temple Auditorium to give a thundering wel- come to the greatest symphony orches- tra in the world. For there is no arguing that among the great musical organizations the Boston Symphony Orchestra stands head and shoulders above all others. From such magnificence of reputa- Hoi,, all 2l^qm/ tion, one should expect magnificent things. Anything less than perfection would be bitterly disappointing. Even with these advance expecta- tions it is to be doubted if the audience was entirely prepared for the sheer, breath-taking beauty and excitement of performance that pervaded the evening. The great masses of strings were tre- mendously impressive in the body of tone they produced, as well as in the unfailing discipline they displayed. Koussevitzky, with economy of ges- ture and utter surety as to the effects he desired, molded the mighty orches- tra to his will, so that the music emerged as the production of one genius, express- ing the thoughts of the composer. — J. DORSEY CALLAGHAN Detroit Free Press g£P \u\ v*H//vW/ v V [581] , >* How to get rid of "A Peck of Trouble Looking after the routine details As Custodian, we are giving of investments in this hurried mod- trustworthy care to more than half ern day is a waste of your time and a billion dollars of property for in- energy. Businessmen, professional dividuals, business corporations, men and women, and housewives and charitable institutions. If you can scarcely find time to assemble would like to know more about this tax data, clip coupons, verify personal service, just write, tele- receipts of dividends, turn in called phone or call in person for a copy of bonds. Few individuals have the our booklet, "Custodianship of experience and facilities for the Your Property." efficient handling of securities. Would you like to escape this "peck of trouble"? Old Colony Trust Company invites you to WORTHY OF YOUR TRUST make use of its Custodianship service. Your securities will be kept Old Colony safely. Trained specialists will handle purchases and sales accord- Trust Company ONE FEDERAL STREET, ing to your instructions. Divi- BOSTON dends, interest and rents will be T. Jefferson Coolidge Chairman, Trust Committee collected for you. You will be re- lieved of the irksome task of as- Robert Cutler, President sembling income tax data. Other • services may easily be arranged Allied with for any special needs. The First National Bank of Boston [582] SIXTY-SIXTH SEASON • NINETEEN HUNDRED FORTY-SIX AND FORTY-SEVEN Tenth Program FRIDAY AFTERNOON, December 20, at 2:30 o'clock SATURDAY EVENING, December 21, at 8:30 o'clock RICHARD BURGIN Conducting Milhaud Symphony No.
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  • Ebousurrealism and Violence

    Ebousurrealism and Violence

    “Surrealism and Violence. Luis Buñuel’s Los olvidados (The Forgotten Ones)”, Hispanic Horizons. Journal of the Centre of Spanish, Portuguese, Italian & Latin Amerian Studies. Jawaharlal Nehru University New Delhi, 2010: 33-44. ISSN: 0970-7522 SURREALISM AND VIOLENCE, LUIS BUÑUEL'S THE LOS OLVIDADOS (THE FORGOTTEN ONES) Enric Bou Brown University Buñuel, surrealist director In January of 1950 Luis Buñuel writes to his friend José Rubia Barcia about his latest film project. It is a project which he considers to be fundamental for the future of his film career (and his personal destiny) in Mexico, where he arrived in 1947 from Hollywood. The new film will be a "mixture of Tierra sin pan (Land Without Bread) and L’âge d’or (The Golden Age), with the addition of elements from the last fifteen years"1. A few months earlier he had divulged his general idea for the project: "I hope that [Los Olvidados] will be something extraordinary in the current panorama of international cinema. It is harsh and rough and does not spare the audience. Realist, but with a subtle vigorous poetic vein, and at times erotic"2. Los Olvidadosis the third film which Buñuel, after various failures, makes in Mexico. He had gone there to make a cinematic version of Garcia Lorca's play, The House of Bernarda Alba, but the project was never realized. In Mexico he meets the producer Oscar Dancigers and he is commissioned to do a series of jobs. The first is Gran Casino (1947), which is followed by El gran calavera (The Great Madcap, 1949) and, finally, Los Olvidados.