DOCSLIB.ORG

Shaina Levin • Lyric Soprano •

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Shaina Levin • Lyric Soprano • California Polytechnic State University San Luis Obispo Shaina Levin • lyric soprano • A Senior Recital in Partial Ful llment of the Requirements for a Bachelor of Arts in Music Paul Woodring, accompanist May 2, 2015 Saturday at 3 p.m. First Presbyterian Church San Luis Obispo Sponsored by Cal Poly’s Music Department and College of Liberal Arts Program Senior Recital Shaina Levin, lyric soprano Paul Woodring, piano Cantata No. 68 . Johann Sebastian Bach (1685-1750) Mein gläubiges Herze Deux Chansons . Claude Debussy (1862-1918) Nuit d’étoiles Romance Die Entführung aus dem Serail . Wolfgang. Amadeus Mozart (1756-1791) Welche Wonne, welche Lust Villanelle . .Eva Dell’acqua (1856-1930) Paganini . Franz Lehár (1870-1948) Liebe, du Himmel auf Erden La rondine . Giacomo Puccini (1858-1924) Chi il bel sogno di Doretta — Intermission — Zwei Lieder . Franz Schubert (1797-1828) Rastlose Liebe Seligkeit Tre Liriche . Ottorino Respighi (1879-1936) Notte Nebbie Pioggia Acht Lieder, Op . 6 . Arnold Schoenberg (1874-1951) 7 . Lockung 3 . Madchenlied Susannah . Carlisle Floyd (b . 1926) Trees on the Mountain Texts and Translations Mein gläubiges Herze My Heart Ever Faithful Mein gläubiges Herze, My faithful heart, Frohlocke, sing, scherze, delight, sing, play, Dein Jesus ist da! your Jesus is here! Weg Jammer, weg Klagen, Away with sorrow, away with lamenting, Ich will euch nur sagen: I will only say to you: Dein Jesus ist nah . my Jesus is near . Nuit d’étoiles Night of Stars Nuit d’étoiles, sous tes voiles, Night of stars, beneath your veils, sous ta brise et tes parfums, Beneath your breezes and your scents, Triste lyre qui soupire, A sad lyre that sighs, je rêve aux amours défunts. I dream of dead loves . La sereine mélancolie vient éclore The serene melancholy comes bursting au fond de mon coeur, In the depth of my heart, Et j’entends l’âme de ma mie And I hear the soul of my love Tressaillir dans le bois rêveur. Tremble in the dreaming woods . Dans les ombres de la feuillée, In the leafy shadows, Quand tout bas je soupire seul, When I sigh very quietly, Tu reviens, pauvre âme éveillée, You return, poor awakened soul, Toute blanche dans ton linceuil. All white in your shroud . Je revois à notre fontaine I see again at our fountain tes regards bleus comme les cieux; Your gaze, blue as the sky; Cettes rose, c’est ton haleine, This rose, it is your breath, Et ces étoiles sont tes yeux. And these stars are your eyes . Romance Romance L’âme évaporée et souffrante, The vanishing and suffering soul, L’âme douce, l’âme odorante The sweet soul, the fragrant soul Des lys divins que j’ai cueillis Of divine lilies that I have picked Dans le jardin de ta pensée, In the garden of your thoughts, Où donc les vents l’ont-ils chassée, Where, then, have the winds chased it, Cette âme adorable des lys? This charming soul of the lilies? N’est-il plus un parfum qui reste Is there no longer a perfume that remains De la suavité céleste Of the celestial sweetness Des jours où tu m’enveloppais Of the days when you enveloped me D’une vapeur surnaturelle, In a supernatural haze, Faite d’espoir, d’amour fidèle, Made of hope, of faithful love, De béatitude et de paix? Of bliss and of peace? Welche Wonne, welche Lust Oh the Happy, Happy, Day Welche Wonne, welche Lust What bliss, what rapture Regt sich nun in meiner Brust! now reigns in my breast! Voller Freuden will ich springen, I could jump for joy Ihr die frohe Nachricht bringen; as I bring the good news, Und mit lachet und mit Scherzen and with laugh and jest Ihrem schwachen, kranken Herzen prophesy and rejoicing Freud und Jubel prophezeihn. for her poor despairing heart . Villanelle The Swallow J’ai vu passer l’hirondelle I saw the swift swallow flying Dans le ciel pur du matin: Down to the southland she goes Elle allait, à tire-d’aile, Seeking a summer undying Vers le pays où l’appelle Where the soft breezes are sighing Le soleil et le jasmin. Mid blooming jasmin and rose J’ai vu passer l’hirondelle! I saw the swift swallow flying J’ai longtemps suivi des yeux Soon she will vanish from my sight Le vol de la voyageuse... But in fancy I will follow Depuis, mon âme rêveuse And my soul goes with the swallow L’accompagne par les cieux. Through the heavens in its flight Ah! ah! au pays mystérieux! Ah! ah! to the land of sun and light Et j’aurais voulu comme elle But in vain my soul was crying Suivre le même chemin... For the land the swallow knows J’ai vu passer l’hirondelle, etc. I saw the swift flying, etc . Liebe du Himmel auf Erden Love, O Heaven on Earth, May You Last Forever Ich kann es nicht fassen, nicht glauben, I can’t understand it, I can’t believe daß grausam mein Traum ist zerstört, that my dream has been cruelly destroyed . man will dem Geliebten mir rauben, They want to rob me of the sweetheart dem ganz mein Herz gehört! to whom my heart belongs completely . Das Glück will ich halten, das lauenhaft, I mean to hold on to fickle happiness das Schicksal gestalten mit eig´ner Kraft, and shape my destiny as best I can, und stünd´ ich auch gegen die Welt allein, and even if I were to face the whole world alone, er sei mein, er sei mein! he shall be mine! Liebe, du Himmel auf Erden, ewig besteh! Love, O heaven on earth, may you last forever! Liebe, du Traum aller Träume, niemals vergeh! Love, O dream of all dreams, may your never perish! Du sollst mich umschweben holdselig im Leben, You shall surround me in life with your loveliness . nur du gibst unserm Sein Inhalt allein! You alone give me meaning to our existence . Liebe, du Himmel auf Erden, ewig besteh! Love, O heaven on earth, may you last forever! Liebe, du Traum aller Träume, niemals vergeh! Love, O dream of all dreams, may your never perish! Du schenkst alle Freuden, You grant us every joy, du heilst alle Leiden, dein, You heal our every pain, dein ist die Macht über jedes Herz! Yours is the power over every heart! Chi il bel sogno di Doretta Dorretta’s Beautiful Dream Chi il bel sogno di Doretta Who could bring to light Potè indovinar? Doretta’s glorious dream? Il suo mister come mai Why has its secret Come mai fini been disclosed? Ahimè! un giorno uno studente Alas! One day a student In bocca la baciò kissed her mouth E fu quel bacio and that kiss Rivelazione: was a revelation: Fu la passione! It was passion! Folle amore! Insane love! Folle ebbrezza! Sensual orgy! Chi la sottil carezza The soft caress D’un bacio così ardente of a kiss so ardent, Mai ridir potrà? who will ever be able to express that? Ah! mio sogno! Ah! My dream! Ah! mia vita! Ah! My life! Che importa la ricchezza What does wealth matter Se alfine è rifiorita when at last flourishes La felicità! blissful happiness? O sogno d’or Oh golden dream Poter amar così! to be able to love like that! Rastlose Liebe Restless Love Notte Night Dem Schnee, dem Regen, To the snow, to the rain Sul giardino fantastico In the fantastic garden Dem Wind entgegen, To the wind opposed, Profumato di rosa Perfumed with roses Im Dampf der Klüfte In the mist of the ravines La carezza de l’ombra The caress of shadows Durch Nebeldüfte, Through the scent of fog, Posa. descends . Immer zu! Immer zu! Always on! Always on! Ohne Rast und Ruh! Without rest and peace! Pure ha un pensiero e un With both thought and palpito pulse Lieber durch Leiden I would rather through suffering La quiete suprema, The supreme stillness Möcht ich mich schlagen, Fight myself, L’aria come per brivido Shakes the air like a Als so viel Freuden Than so many joys Trema. shiver . Des Lebens ertragen. Of life endure . La luttuosa tenebra Does the mournful darkness Alle das Neigen All the inclining Una storia di morte Tell a story of death Von Herzen zu Herzen, Of heart to heart, Racconta alle cardenie Smorte? To the pale gardenias? Ach, wie so eigen Ah, how curiously Schaffet das Schmerzen! that creates pain! Forse perché una pioggia Perhaps, because a shower Di soavi rugiade Of gentle dew falls Wie soll ich fliehen Where shall I flee? Entro socchiusi petali Cade. Into the half-closed petals . Wälderwärts ziehen To the forest move? Alles vergebens! All in vain! Su l’ascose miserie For rising miseries Krone des Lebens, Crown of life, E su l’ebbrezze perdute, And for lost passions, Glück ohne Ruh, Happiness without peace, Sui muti sogni e For mute dreams and Liebe, bist du! Love, are you! l’ansie Mute. mute anxieties, Selgikeit Bliss Su le fugaci gioie For fleeting joys Freuden sonder Zahl Joys without number Che il disinganno infrange Shattered by disillusion, Blühn im Himmelssaal bloom in heaven’s hall La notte le sue lacrime The night weeps her Engeln und of angels and transfigured Piange. tears . Verklärten, beings, Wie die Väter lehrten. just as our fathers taught us . Nebbie Fog O da möcht ich sein, O, there I would like to be Soffro, lontan lontano I suffer . Far, far away Und mich freun, mich freun! and rejoice forever! Le nebbie sonnolente The sleeping fog Salgono dal tacente Rises from the quiet plain . Jedem lächelt traut Upon everyone dearly smiles Piano.
Load more

Recommended publications
  • Rachmaninoff's Rhapsody on a Theme By
    RACHMANINOFF’S RHAPSODY ON A THEME BY PAGANINI, OP. 43: ANALYSIS AND DISCOURSE Heejung Kang, B.A., M.M. Dissertation Prepared for the Degree of DOCTOR OF MUSICAL ARTS UNIVERSITY OF NORTH TEXAS May 2004 APPROVED: Pamela Mia Paul, Major Professor and Program Coordinator Stephen Slottow, Minor Professor Josef Banowetz, Committee Member Steven Harlos, Interim Chair of Piano Jessie Eschbach, Chair of Keyboard Studies James Scott, Dean of the College of Music Sandra L. Terrill, Interim Dean of the Robert B. Toulouse School of Graduate Studies Kang, Heejung, Rachmaninoff’s Rhapsody on a Theme by Paganini, Op.43: Analysis and Discourse. Doctor of Musical Arts (Performance), May 2004, 169 pp., 40 examples, 5 figures, bibliography, 39 titles. This dissertation on Rachmaninoff’s Rhapsody on a Theme by Paganini, Op.43 is divided into four parts: 1) historical background and the state of the sources, 2) analysis, 3) semantic issues related to analysis (discourse), and 4) performance and analysis. The analytical study, which constitutes the main body of this research, demonstrates how Rachmaninoff organically produces the variations in relation to the theme, designs the large-scale tonal and formal organization, and unifies the theme and variations as a whole. The selected analytical approach is linear in orientation - that is, Schenkerian. In the course of the analysis, close attention is paid to motivic detail; the analytical chapter carefully examines how the tonal structure and motivic elements in the theme are transformed, repeated, concealed, and expanded throughout the variations. As documented by a study of the manuscripts, the analysis also facilitates insight into the genesis and structure of the Rhapsody.
    [Show full text]
  • OTTORINO RESPIGHI — Trittico Botticelliano (Three Botticelli Pictures)
    OTTORINO RESPIGHI — Trittico Botticelliano (Three Botticelli Pictures) Though he was born in Bologna, the composer Ottorino Respighi is inevitably and forever associated with Rome thanks to his so-called “Roman Trilogy” of orchestral tone poems: Fountains of Rome, Pines of Rome, and Roman Festivals. For his Trittico Botticelliano, however, we must travel north to Tuscany and the Renaissance capital of Florence. It was there at the Uffizi Gallery that Respighi encountered three paintings by Sandro Botticelli: La Primavera (“Spring”), L’Adorazione dei Magi (“The Adoration of the Magi”), and La Nascita di Venere (“The Birth of Venus”). These three pictures don’t seem to have much in common other than the artist and gallery, but Respighi’s style, especially in his tone poems, often thrives on juxtaposition and contrast and he uses their divergent subject matters to maximum effect here to create a dynamic collection of snapshots. The opening movement provides an exuberant depiction of spring with the bassoon first introducing a dance tune that is subsequently echoed and ornamented by the full ensemble. In addition to his work as a composer, Respighi was also a scholar of Italian music history, so it is no accident that his dance tune closely resembles one that might have accompanied the Renaissance festivities of Botticelli’s day. The second movement is really the centerpiece and is built around the ninth century Latin antiphon “Veni Emmanuel,” better known to us as the advent hymn “O Come, O Come, Emmanuel.” The mournful and mysterious opening gives way to more colorful musical textures as each of the three Magi arrive at the manger and present their gifts.
    [Show full text]
  • The Glorious Violin David Finckel and Wu Han, Artistic Directors July 14–August 5, 2017
    Music@Menlo CHAMBER MUSIC FESTIVAL AND INSTITUTE The Fifteenth Season: The Glorious Violin David Finckel and Wu Han, Artistic Directors July 14–August 5, 2017 REPERTOIRE LIST (* = Carte Blanche Concert) Joseph Achron (1886–1943) Hebrew Dance, op. 35, no. 1 (1913) Johann Sebastian Bach (1685–1750) Chaconne from Partita no. 2 in d minor for Solo Violin, BWV 1004 (1720)* Prelude from Partita no. 3 in E Major, BWV 1006 (arr. Kreisler) (1720)* Double Violin Concerto in d minor, BWV 1043 (1730–1731) Ludwig van Beethoven (1770–1827) String Quintet in C Major, op. 29 (1801) Violin Sonata no. 10 in G Major, op. 96 (1812) Heinrich Franz von Biber (1644–1704) Passacaglia in g minor for Solo Violin, The Guardian Angel, from The Mystery Sonatas (ca. 1674–1676)* Ernest Bloch (1880–1959) Violin Sonata no. 2, Poème mystique (1924)* Avodah (1929)* Bluegrass Fiddling (To be announced from the stage)* Alexander Borodin (1833–1887) String Quartet no. 2 in D Major (1881) Johannes Brahms (1833–1897) Horn Trio in E-flat Major, op. 40 (1865) String Quartet no. 3 in B-flat Major, op. 67 (1875)* Arcangelo Corelli (1653–1713) Concerto Grosso in g minor, op. 6, no. 8, Christmas Concerto (1714) Violin Sonata in d minor, op. 5, no. 12, La folia (arr. Kreisler) (1700)* John Corigliano (Born 1938) Red Violin Caprices (1999) Ferdinand David (1810–1873) Caprice in c minor from Six Caprices for Solo Violin, op. 9, no. 3 (1839) Claude Debussy (1862–1918) Petite suite for Piano, Four Hands (1886–1889) Ernő Dohnányi (1877–1960) Andante rubato, alla zingaresca (Gypsy Andante) from Ruralia hungarica, op.
    [Show full text]
  • The Pedagogical Legacy of Johann Nepomuk Hummel
    ABSTRACT Title of Document: THE PEDAGOGICAL LEGACY OF JOHANN NEPOMUK HUMMEL. Jarl Olaf Hulbert, Doctor of Philosophy, 2006 Directed By: Professor Shelley G. Davis School of Music, Division of Musicology & Ethnomusicology Johann Nepomuk Hummel (1778-1837), a student of Mozart and Haydn, and colleague of Beethoven, made a spectacular ascent from child-prodigy to pianist- superstar. A composer with considerable output, he garnered enormous recognition as piano virtuoso and teacher. Acclaimed for his dazzling, beautifully clean, and elegant legato playing, his superb pedagogical skills made him a much sought after and highly paid teacher. This dissertation examines Hummel’s eminent role as piano pedagogue reassessing his legacy. Furthering previous research (e.g. Karl Benyovszky, Marion Barnum, Joel Sachs) with newly consulted archival material, this study focuses on the impact of Hummel on his students. Part One deals with Hummel’s biography and his seminal piano treatise, Ausführliche theoretisch-practische Anweisung zum Piano- Forte-Spiel, vom ersten Elementar-Unterrichte an, bis zur vollkommensten Ausbildung, 1828 (published in German, English, French, and Italian). Part Two discusses Hummel, the pedagogue; the impact on his star-students, notably Adolph Henselt, Ferdinand Hiller, and Sigismond Thalberg; his influence on musicians such as Chopin and Mendelssohn; and the spreading of his method throughout Europe and the US. Part Three deals with the precipitous decline of Hummel’s reputation, particularly after severe attacks by Robert Schumann. His recent resurgence as a musician of note is exemplified in a case study of the changes in the appreciation of the Septet in D Minor, one of Hummel’s most celebrated compositions.
    [Show full text]
  • Operetta After the Habsburg Empire by Ulrike Petersen a Dissertation
    Operetta after the Habsburg Empire by Ulrike Petersen A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Music in the Graduate Division of the University of California, Berkeley Committee in Charge: Professor Richard Taruskin, Chair Professor Mary Ann Smart Professor Elaine Tennant Spring 2013 © 2013 Ulrike Petersen All Rights Reserved Abstract Operetta after the Habsburg Empire by Ulrike Petersen Doctor of Philosophy in Music University of California, Berkeley Professor Richard Taruskin, Chair This thesis discusses the political, social, and cultural impact of operetta in Vienna after the collapse of the Habsburg Empire. As an alternative to the prevailing literature, which has approached this form of musical theater mostly through broad surveys and detailed studies of a handful of well‐known masterpieces, my dissertation presents a montage of loosely connected, previously unconsidered case studies. Each chapter examines one or two highly significant, but radically unfamiliar, moments in the history of operetta during Austria’s five successive political eras in the first half of the twentieth century. Exploring operetta’s importance for the image of Vienna, these vignettes aim to supply new glimpses not only of a seemingly obsolete art form but also of the urban and cultural life of which it was a part. My stories evolve around the following works: Der Millionenonkel (1913), Austria’s first feature‐length motion picture, a collage of the most successful stage roles of a celebrated
    [Show full text]
  • An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover
    Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2003 An Annotated Catalogue of the Major Piano Works of Sergei Rachmaninoff Angela Glover Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY SCHOOL OF MUSIC AN ANNOTATED CATALOGUE OF THE MAJOR PIANO WORKS OF SERGEI RACHMANINOFF By ANGELA GLOVER A Treatise submitted to the School of Music in partial fulfillment of the requirements for the degree of Doctor of Music Degree Awarded: Spring Semester, 2003 The members of the Committee approve the treatise of Angela Glover defended on April 8, 2003. ___________________________________ Professor James Streem Professor Directing Treatise ___________________________________ Professor Janice Harsanyi Outside Committee Member ___________________________________ Professor Carolyn Bridger Committee Member ___________________________________ Professor Thomas Wright Committee Member The Office of Graduate Studies has verified and approved the above named committee members. TABLE OF CONTENTS Abstract………………………………………………….............................................. iv INTRODUCTION……………………………………………………………………. 1 1. MORCEAUX DE FANTAISIE, OP.3…………………………………………….. 3 2. MOMENTS MUSICAUX, OP.16……………………………………………….... 10 3. PRELUDES……………………………………………………………………….. 17 4. ETUDES-TABLEAUX…………………………………………………………… 36 5. SONATAS………………………………………………………………………… 51 6. VARIATIONS…………………………………………………………………….. 58 BIBLIOGRAPHY………………………………………………………………….
    [Show full text]
  • Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season March 15 and 17, 2019 JURAJ VALČUHA, CONDUCTOR LUKÁŠ
    Pittsburgh Symphony Orchestra 2018-2019 Mellon Grand Classics Season March 15 and 17, 2019 JURAJ VALČUHA, CONDUCTOR LUKÁŠ VONDRÁČEK, PIANO SERGEI RACHMANINOFF Concerto No. 3 in D minor for Piano and Orchestra, Opus 30 I. Allegro ma non tanto II. Intermezzo: Adagio — III. Finale: Alla breve Mr. Vondráček Intermission OTTORINO RESPIGHI The Fountains of Rome I. The Valle Giulia Fountain at Dawn II. The Triton Fountain at Morning III. The Trevi Fountain at Noon IV. The Villa Medici Fountain at Sunset (Played without pause) OTTORINO RESPIGHI The Pines of Rome I. The Pines of the Villa Borghese II. Pines near a Catacomb III. The Pines of the Janiculum IV. The Pines of the Appian Way (Played without pause) March 15-17, 2019, page 1 PROGRAM NOTES BY DR. RICHARD E. RODDA SERGEI RACHMANINOFF Concerto No. 3 in D minor for Piano and Orchestra, Op. 30 Sergei Rachmaninoff was born in Oneg (near Novgorod), Russia, on April 1, 1873, and died in Beverly Hills, California, on March 28, 1943. He composed his Third Piano Concerto in 1909, and it was premiered at Carnegie Hall in New York by the New York Philharmonic with conductor Walter Damrosch and Rachmaninoff as the soloist on November 28, 1909. The Pittsburgh Symphony first performed the concerto at Syria Mosque with conductor Fritz Reiner and Rachmaninoff again as the soloist in January 1941, and most recently performed it with conductor Gianandrea Noseda and pianist Denis Kozhukhin in January 2016. The score calls for pairs of woodwinds, four horns, two trumpets, three trombones, timpani, percussion and strings.
    [Show full text]
  • EXPLORING MUSIC with Bill Mcglaughlin Broadcast Schedule – Summer 2019
    EXPLORING MUSIC with Bill McGlaughlin Broadcast Schedule – Summer 2019 PROGRAM #: EXP 19-40 RELEASE: Week of June 24, 2019 Ports of Call, Part II This week Exploring Music continues traveling with composers around the world. Listen to them express the sounds of their native land and paint musical pictures of their travels. We will hear music of homesick George Gershwin in Paris, Charles Ives floating down the Housatonic River in the Berkshire Mountains of Massachusetts, and Ella Fitzgerald and her friends on the “A” train in New York City. PROGRAM #: EXP 19-41 RELEASE: Week of July 1, 2019 Arias and Barcarolles Taking a cue from President Eisenhower's famous remark to Leonard Bernstein, “… I like music with a theme, not all them arias and barcarolles." This week is a sampling of arias, overtures, barcarolles, and other melodic delights that deserve more time on the airwaves. Bill will spin tunes like Lawrence Welk’s “Bubbles in the Wine” and Fred Waring and his Pennsylvanians performing Jerome Kern’s “Smoke Gets in Your Eyes.” This is a week to just sit back and enjoy. PROGRAM #: EXP 19-42 RELEASE: Week of July 8, 2019 Hector Berlioz Louis-Hector Berlioz (1803-69) wrote that “Beethoven opened before me a new world of music, as Shakespeare had revealed a new universe of poetry.” Bill covers the arc of Berlioz’s life and music, from leaving medical school in Paris to attend the opera and studying at the Paris Conservatory, then being a model of the Romantic movement. This week’s fifth episode features the last two movements of Symphonie Fantastique, displaying Berlioz's gift for spectacular drama and concludes with an excerpt from his setting of “La Marseillaise,” the French national anthem.
    [Show full text]
  • 01 April 2020
    01 April 2020 12:01 AM Johann Christoph Pez (1664-1716) Overture in D minor Hildebrand'sche Hoboisten Compagnie DEWDR 12:10 AM Edvard Grieg (1843-1907) 3 Pieces from Slatter (Norwegian Peasant Dances), Op 72 Havard Gimse (piano) NONRK 12:19 AM Veljo Tormis (1930-2017) Sugismaastikud (Autumn landscapes) Norwegian Soloists' Choir, Grete Helgerod (conductor) DKDR 12:29 AM Jean-Baptiste Quinault (1687-1745) Overture and Dances - from the Comedy 'Le Nouveau Monde' (1723) L'ensemble Arion CACBC 12:38 AM Mario Nardelli (b.1952) Three pieces for guitar (1979) Mario Nardelli (guitar) HRHRT 12:47 AM Gabriel Faure (1845-1924), Jon Washburn (orchestrator) Messe Basse Henriette Schellenberg (soprano), Vancouver Chamber Choir, CBC Vancouver Orchestra, Jon Washburn (conductor) CACBC 12:57 AM Joseph Haydn (1732-1809) Symphony No. 97 in C major Hob.I:97 (1792) Royal Concertgebouw Orchestra, Nikolaus Harnoncourt (conductor) NLNPO 01:23 AM Johann Sebastian Bach (1685-1750), Felix Mendelssohn (arranger) Chaconne in D minor, from 'Partita No. 2, BWV 1004' arr. Mendelssohn Hiro Kurosaki (violin), Linda Nicholson (fortepiano) DEWDR 01:35 AM Wolfgang Amadeus Mozart (1756-1791) Quintet for piano, oboe, clarinet, bassoon and horn in E flat major, K452 Douglas Boyd (oboe), Hans Christian Braein (clarinet), Kjell Erik Arnesen (french horn), Per Hannisdal (bassoon), Andreas Staier (piano) NONRK 02:01 AM Bela Bartok (1881-1945) Divertimento, Sz. 113 Romanian Chamber Orchestra, Cristian Macelaru (conductor) ROROR 02:27 AM Dan Variu (b.1983) MikroDivertisment Romanian
    [Show full text]
  • The Merry Widow
    the Merry widow SPARKLE AND SEDUCTION Renée Fleming stars in Susan Stroman’s sumptuous new production of Lehár’s The Merry Widow, a romance for grown-ups set against a glittering Belle Époque backdrop. By eric myers hen Franz Lehár’s The Merry Widow had its world premiere at Vienna’s Theater an der Wien on December 30, 1905, no one knew that it was ushering in the remarkable so-called “Silver Era” of Viennese oper- Wetta. Since the “Golden Era” of such 19th-century hits as Strauss’s The Gypsy Baron and Millöcker’s The Beggar Student, Sigmund Freud and Carl Jung had come to the fore, shaking up Europe’s attitudes toward sanity and sex. Vienna, newly clothed in the vines, tendrils, and flowing-haired maidens of Art Nouveau, had become a center of ideas and new artistic movements. There was no way that the popular young operetta composers of the day were going to remain unaffected. 46Renée | New Fleming Productio sings Nthes title role opposite Nathan Gunn. Photograph by Brigitte Lacombe New ProductioNs | 47 by enlisting him in the army, where, not surpris- power plays drive the story—but of course true ingly, Franz wound up playing in his father’s band. love conquers all.” At 20, he moved on to lead the Infantry Regiment Stroman too cites the operetta’s “sly romance Band in Hungary, becoming the youngest bandmas- and mistaken identity—the fun of it” as essential to ter in the Austro-Hungarian Empire. its ongoing allure, and she’s put together a remark- Before The Merry Widow, Lehár composed able creative team to bring out all the charm.
    [Show full text]
  • 2005-2006 the Sound of Vienna
    LYNN UNIVERSITY CONSERVATORY OF MUSIC - PROGRAM THE SOUND OF VIENNA Dr. Jon Robertson, Milena Rudiferia, guest soprano Dean Welcome to the 2005-2006 season. This being my Lynn University Chamber Orchestra first year as dean of the conservatory, I greet the Sergiu Schwartz, conductor/violin season with unabated enthusiasm and excitement. The talented musicians and extraordinary performing Tao Lin, piano faculty at Lynn represent the future of the performing Kay Kemper, guest harpist arts, and you, the patrons, pave the road to their artistic success through your presence and generosity. This community engagement is in keeping with the Sponsored by Mr. And Mrs. S. K. Chan Conservatory of Music's mission: to provide high­ quality professional performance education for gifted young musicians and set a superior standard for Sunday, February 26, 2006 at 4 PM music performance worldwide. Amarnick-Goldstein Concert Hall Lynn University, Boca Raton THE ANNUAL FUND A gift to the Annual Fund can be designated for scholarships, various studios, special concerts or to the General Conservatory Fund. Antonin Dvorak ................................. Rusalka ADOPT-A-STUDENT (1841-1904) Song to the moon You may select from the conservatory's promising young musicians and provide for his or her future Jacques Offenbach ......... .... ............... .Les contes d'Hoffmann (1819-1880) Barcarolle: Belle nuit, o nuit d'amour through the Conservatory Scholarship Fund. You will enjoy the concert even more when your student Franz Lehar........................................ Paganini performs. A gift of $25,000 adopts a student for (1870-1948) Aria of Anna Elisa: Liebe, du Himmel auf one year. A gift of $100,000 pays for an education.
    [Show full text]
  • 2018 Winter Festival America, Inspiring: Respighi & Prokofiev
    NOTES ON THE PROGRAM BY LAURIE SHULMAN, ©2017 2018 Winter Festival America, Inspiring: Respighi & Prokofiev ONE-MINUTE NOTES Chen Yi: Ge Xu (Antiphony). Chen Yi’s music fuses Chinese traditions with Western forms and instruments. Ge Xu is based on the antiphonal singing with which the Southern Chinese celebrate the Lunar New Year. The piece is about high spirits and hope. PROKOFIEV: Piano Concerto No. 3. Romanticism, classicism and modernism are finely balanced in Prokofiev’s dazzling Third Concerto. The second-movement variations, based on the Baroque gavotte, reveal his quirky melodic gift, while hisbiting humor surfaces in the finale. RESPIGHI: Pines of Rome and Fountains of Rome. Respighi’s famous tone poems are brilliant orchestral evocations of the Eternal City. Fountains evokes the interplay of water and light at various times of day. The more landscape-oriented Pines delves into imagined recollections of Rome’s glory days. The brass in the finale will raise the hairs on the back of your neck! CHEN YI: Ge Xu (Antiphony) CHEN YI Born: April 4, 1953 in Guangzhou, China. Currently resides in Kansas City, Missouri. Composed: 1993–94 World Premiere: January 28, 1995, in San Francisco NJSO Premiere: These are the NJSO premiere performances. Duration: 8 minutes As with other Chinese-American composers, Chen Yi’s life and philosophy were formed by China’s Cultural Revolution. Her parents were both well-to-do physicians with a keen interest in music. Chen studied both violin and piano from age 3. In the late 1960s, she was sent to the Chinese countryside to do forced labor.
    [Show full text]