Copyright for Archivists: An Introduction A CREATe / Scottish Council on Archives Education and Training Resource Version: 1.1 Date: November 2016 Venue: New Register House 3 West Register Street Edinburgh EH1 3YT Ronan Deazley Updated by Victoria Stobo
[email protected] A Note from the Authors The following commentary incorporates changes to the law implemented by the Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014. For a discussion of the law as it stood before the 2014 Regulations, see: Ronan Deazley and Victoria Stobo, Archives and Copyright: Risk and Reform, CREATe Working Paper No.3 (March 2013), 6-18 (available here). CREATe and the Scottish Council on Archives intend to release subsequent updates of this resource as and when appropriate. As such we would welcome comments upon the material and arguments set out within this resource, and well as suggestions for further development. Please direct all relevant correspondence to Victoria Stobo, School of Law, University of Glasgow (
[email protected]). Introducing Copyright October 2016 1. INTRODUCTION The term copyright may be used in different senses. It may, for example, be used to describe all of that area of the law dealing with authors’ works, or to describe the particular right granted under the relevant statute protecting such works. Also, different jurisdictions describe the scope of copyright differently. For some, the concept of copyright only refers to productions like literary, dramatic, musical and artistic works; for others, the concept of copyright also includes rights in productions such as sound recordings and films. Within the UK, the main legislative provision regulating copyright law is the Copyright, Designs and Patents Act 1988 (the CDPA) (as amended).