Copyright Act 1962
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Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1St Edition)
Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1st Edition) Ronan Deazley, Kerry Patterson & Paul Torremans COPYRIGHT IN TITLES AND NEWSPAPER HEADLINES 1 COPYRIGHT IN THE TYPOGRAPHICAL ARRANGEMENT OF PUBLISHED 7 EDITIONS COPYRIGHT IN PSEUDONYMOUS AND ANONYMOUS WORKS 10 COPYRIGHT IN NEWSPAPER ARTICLES 13 COPYRIGHT IN PHOTOGRAPHS: DURATION 19 COPYRIGHT IN PHOTOGRAPHS: OWNERSHIP 26 USING INSUBSTANTIAL PARTS OF A COPYRIGHT PROTECTED WORK 33 COPYRIGHT ACROSS BORDERS 38 MORAL RIGHTS: ATTRIBUTION 45 MORAL RIGHTS: FALSE ATTRIBUTION 52 MORAL RIGHTS: INTEGRITY 55 MORAL RIGHTS: THE RIGHT TO PRIVACY IN CERTAIN PHOTOGRAPHS AND 66 FILMS This is a compendium of the first version of the Guidance Notes on aspects of UK Copyright law that were created as part of Digitising the Edwin Morgan Scrapbooks, through support by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. The second edition, edited by K. Patterson, can be downloaded individually or as part of the CREATe Working Paper: Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (2nd Edition) available at www.digitisingmorgan.org/resources. Date Created: January 2017 Cite as: R. Deazley, K. Patterson and P. Torremans, Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1st Edition) (2017), available at: www.digitisingmorgan.org/resources COPYRIGHT IN TITLES AND NEWSPAPER HEADLINES Ronan Deazley and Kerry Patterson 1. Introduction What are the implications of the law for digitisation projects involving newspaper headlines and other titles? This guidance explores the legal background to copyright protection in titles and newspaper headlines, with reference to relevant cases. 2. Legislative Context Literary works first received statutory protection in the UK under the Statute of Anne 1710. -
Copyright 2020 a Practical Cross-Border Insight Into Copyright Law
International Comparative Legal Guides Copyright 2020 A practical cross-border insight into copyright law Sixth Edition Published by Global Legal Group, in association with Bird & Bird LLP Featuring contributions from: Acapo AS Fross Zelnick Lehrman & Zissu, P.C. Simba & Simba Advocates Anderson Mōri & Tomotsune Grupo Gispert SyCip Salazar Hernandez & Gatmaitan Armengaud & Guerlain Hamdan AlShamsi Lawyers & Legal Consultants Synch Advokat AB Bae, Kim & Lee LLC Hylands Law Firm Wenger Plattner Baptista, Monteverde & Associados, Sociedade Klinkert Rechtsanwälte PartGmbB Wintertons Legal Practitioners de Advogados, SP, RL LexOrbis Bereskin & Parr LLP Liad Whatstein & Co. Berton Moreno + Ojam MinterEllison Bird & Bird LLP OFO VENTURA INTELLECTUAL PROPERTY & Daniel Law LITIGATION De Beer Attorneys Inc. PÉREZ CORREA & ASOCIADOS, S.C. De Berti Jacchia Franchini Forlani Studio Legale Semenov&Pevzner Deep & Far Attorneys-at-Law Shin Associates ICLG.com Table of Contents Expert Chapter 1 The DSM Directive: A Significant Change to the Regulation of Copyright Online Phil Sherrell & William Wortley, Bird & Bird LLP Country Q&A Chapters 5 Argentina 100 Norway Berton Moreno + Ojam: Marcelo O. García Sellart Acapo AS: Espen Clausen & Alexander Hallingstad 10 Australia 104 Philippines MinterEllison: John Fairbairn & Katherine Giles SyCip Salazar Hernandez & Gatmaitan: Vida M. Panganiban-Alindogan 17 Brazil Daniel Law: Hannah Vitória M. Fernandes & 111 Portugal Antonio Curvello Baptista, Monteverde & Associados, Sociedade de Advogados, SP, RL: Filipe Teixeira Baptista & Mariana Canada 23 Bernardino Ferreira Bereskin & Parr LLP: Catherine Lovrics & Naomi Zener Russia China 116 30 Semenov&Pevzner: Ksenia Sysoeva & Roman Lukyanov Hylands Law Firm: Erica Liu & Andrew Liu South Africa France 122 37 De Beer Attorneys Inc.: Elaine Bergenthuin & Claire Armengaud & Guerlain: Catherine Mateu Gibson 42 Germany Klinkert Rechtsanwälte PartGmbB: Piet Bubenzer & 128 Spain Dr. -
Intellectual-Property Laws in the Hong Kong S.A.R.: Localization and Internationalization Paul Tackaberry"
Intellectual-Property Laws in the Hong Kong S.A.R.: Localization and Internationalization Paul Tackaberry" In preparation for the handover, Hong Kong en- En vue de la r6trocession, l'ancien conseil 16gis- acted local ordinances in the areas of patents, designs latif de Hong-Kong a adopt6 diverses ordonnances and copyright. A new Trade Marks Ordinance is ex- dans les domaines des brevets, du design et des droits pected after the handover. Interestingly, much of this d'auteurs. On s'attend 6galement . ce qu'une ordon- legislation is based on United Kingdom statutes. The nance sur les marques de commerce soit adoptde peu success of this legislation in safe-guarding intellectual- de temps apr~s la r6trocession. Plusieurs de ces textes property rights ("IPRs") will depend less upon its con- 16gislatifs sont bas6s sur le module anglais. Le succ~s tents, and more upon a clear separation of the state and de la protection des droits de propridt6 intellectuelle judiciary in the Special Administrative Region ddpendra toutefois moins du contenu de ces lois que de ("S.A.R.") of Hong Kong. Despite the absence of a la s6paration claire entre le systime judiciaire et l'tat 1997 CanLIIDocs 49 tradition of the formal protection of IPRs, China has dans la nouvelle Zone administrative sp6ciale de Hong- identified a need to enact comprehensive intellectual- Kong. Bien qu'elle n'ait pas de tradition de protection property legislation. However, the absence of Western- de Ia propri6t6 intellectuelle, la R6publique populaire style rule of law in China has contributed to foreign de Chine a reconnu la n6cessit6 d'adopter une 16gisla- dissatisfaction with the enforcement of IPRs. -
D4.1 Analysis of Available Resources in the AV Sector
Project Number: 325135 Project Acronym: FORW AR D Project Title: Framework for a EU-wide Audiovisual Orphan Works Registry Instrument: Pilot B Thematic Priority: CIP-ICT-PSP-2012-6 D4.1 Analysis of available resources in the AV sector Due Date: 30/06/2014 Submission Date: 12/07/2014 Start Date of Project: 01/07/2013 Duration of Project: 36 months Partner in Charge of Deliverable EYE Film Institute Version Status Final Dissemination Level PU File Name: FORWARD D4.1.docx FORWARD Framework for a EU-wide Audiovisual Orphan Works Registry CIP ICT-PSP 325135 Revision History Revision Date Author Organisation Description 1 27/06/2014 EYE Team EYE Draft 2 02/07/2014 GScipione CINECA Revision 3 10/07/2014 NMazznti CRB Final revision D4.1 – Analysis of available resources in the AV sector 2 / 156 EYE Film Institute FORWARD Framework for a EU-wide Audiovisual Orphan Works Registry CIP ICT-PSP 325135 Table of Contents 1. EXECUTIVE SUMMARY ........................................................................................................................ 3 1.1 Legal environment................................................................................................................................ 3 1.1.1 Protection term.......................................................................................................................................................3 1.1.2 Rightsholders .........................................................................................................................................................3 -
Copyright Ordinance
Review of Certain Provisions of Copyright Ordinance CONTENTS Page Foreword i Chapter 1 Copyright Exemption 1 Chapter 2 Scope of Criminal Provisions Related to 8 End-user Piracy Chapter 3 End-user Liability Associated with Parallel 12 Imported Copies Chapter 4 Defence for Employees against End-user 16 Criminal Liability Chapter 5 Proof of Infringing Copies of Computer 19 Programs in End-user Piracy Cases Chapter 6 Circumvention of Technological Measures for 22 Copyright Protection Chapter 7 Rental Rights for Films 26 Chapter 8 Issues Relating to the World Intellectual 30 Property Organization Internet Treaties Appendix I Sections 38 and 39 of the Copyright 35 Ordinance (Cap 528) Appendix II List of Proposed Improvements on Certain 37 “Permitted Acts” Provisions in the Copyright Ordinance following the Public Consultation Exercise in 2001 Summary 39 Foreword FOREWORD During the discussion of the Copyright (Amendment) Bill 2003 (the 2003 Bill) in the Legislative Council, some owners of copyright works advocated that the existing scope of criminal liability for using infringing copies for business (end-user criminal liability) should be expanded, whereas users of copyright works expressed grave concerns about the adverse impact of any expansion on dissemination of information and education. Both parties agreed that the subject of expansion in the scope of end-user criminal liability could be further examined together with the subject of exemptions for copyright restricted acts. To enable these related issues to be widely discussed and thoroughly considered, we proposed and the Legislative Council agreed to delete from the 2003 Bill all provisions related to end-user criminal liability. -
Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R
Nebraska Law Review Volume 92 | Issue 4 Article 5 2014 Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R. Goold University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/nlr Recommended Citation Patrick R. Goold, Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right, 92 Neb. L. Rev. (2014) Available at: https://digitalcommons.unl.edu/nlr/vol92/iss4/5 This Article is brought to you for free and open access by the Law, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska Law Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Patrick R. Goold* Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right TABLE OF CONTENTS I. History of the Derivative Work Right in Anglo- American Copyright ................................... 849 A. Anglo-American Copyright During the Eighteenth and Nineteenth Centuries ......................... 850 B. Derivative Works in Twentieth Century U.S. Copyright ......................................... 856 1. The 1909 Copyright Act........................ 856 2. From 1909 to 1976 ............................ 858 a. Motion Pictures ............................ 860 b. Radio Broadcasting ........................ 862 c. Cable Television ........................... 865 3. The Copyright Act 1976........................ 866 C. Derivative Works in Twentieth Century U.K. Copyright ......................................... 868 1. The 1911 Act and the Gramophone Case ....... 869 2. The Copyright Act 1956 and the Copyright, Designs, and Patents Act 1988 ................. 871 D. Summary ......................................... 874 II. Modern Doctrine of the Derivative Work Right in Anglo- American Copyright ................................... 874 A. The Right of Reproduction ........................ -
Intellectual-Property Laws in the Hong Kong S.A.R.: Localization and Internationalization Paul Tackaberry"
Intellectual-Property Laws in the Hong Kong S.A.R.: Localization and Internationalization Paul Tackaberry" In preparation for the handover, Hong Kong en- En vue de la r6trocession, l'ancien conseil 16gis- acted local ordinances in the areas of patents, designs latif de Hong-Kong a adopt6 diverses ordonnances and copyright. A new Trade Marks Ordinance is ex- dans les domaines des brevets, du design et des droits pected after the handover. Interestingly, much of this d'auteurs. On s'attend 6galement . ce qu'une ordon- legislation is based on United Kingdom statutes. The nance sur les marques de commerce soit adoptde peu success of this legislation in safe-guarding intellectual- de temps apr~s la r6trocession. Plusieurs de ces textes property rights ("IPRs") will depend less upon its con- 16gislatifs sont bas6s sur le module anglais. Le succ~s tents, and more upon a clear separation of the state and de la protection des droits de propridt6 intellectuelle judiciary in the Special Administrative Region ddpendra toutefois moins du contenu de ces lois que de ("S.A.R.") of Hong Kong. Despite the absence of a la s6paration claire entre le systime judiciaire et l'tat tradition of the formal protection of IPRs, China has dans la nouvelle Zone administrative sp6ciale de Hong- identified a need to enact comprehensive intellectual- Kong. Bien qu'elle n'ait pas de tradition de protection property legislation. However, the absence of Western- de Ia propri6t6 intellectuelle, la R6publique populaire style rule of law in China has contributed to foreign de Chine a reconnu la n6cessit6 d'adopter une 16gisla- dissatisfaction with the enforcement of IPRs. -
Book XVII License and the Law Editor: Ramon F
8 88 8 8nd 8 8888on.com 8888 Basic Photography in 180 Days Book XVII License and the Law Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Photography and the law ....................................... 1 1.1.1 United Kingdom ....................................... 2 1.1.2 United States ......................................... 6 1.1.3 Hong Kong .......................................... 8 1.1.4 Hungary ............................................ 8 1.1.5 Macau ............................................. 8 1.1.6 South Africa ......................................... 8 1.1.7 Sudan and South Sudan .................................... 9 1.1.8 India .............................................. 10 1.1.9 Iceland ............................................ 10 1.1.10 Spain ............................................. 10 1.1.11 Mexico ............................................ 10 1.1.12 See also ............................................ 10 1.1.13 Notes ............................................. 10 1.1.14 References .......................................... 10 1.1.15 External links ......................................... 12 2 Day 2 13 2.1 Observation .............................................. 13 2.1.1 Observation in science .................................... 14 2.1.2 Observational paradoxes ................................... 14 2.1.3 Biases ............................................. 15 2.1.4 Observations in philosophy .................................. 16 2.1.5 See also ........................................... -
Copyright Guidelines for Research Students
COPYRIGHT GUIDELINES FOR RESEARCH STUDENTS Second Edition Prepared for LCoNZ : Library Consortium of New Zealand by Tony Millett [email protected] January 2012 Available at http://www.lconz.ac.nz/ CONTENTS 1. The purpose of copyright 4 2. Coverage of copyright 4 3. Copyright ownership 5 4. Duration of copyright 5 5. Copyright infringement 6 6. Permitted acts 6 7. Criticism, review, and news reporting 6 8. Research or private study 7 (a) Fair dealing 7 (b) Application to student theses 7 9. Obtaining permission from copyright owners 8 10. Copying for educational purposes 9 11. Copyright and the Internet 10 12. Electronic resources 10 13. Audio and visual resources 10 14. Technological protection measures 11 15. Moral rights 12 16. Performers’ rights 12 17. Copyright and student theses published on the Internet 12 18. Copyright licenses 13 19. Further information 13 Appendix 1 Example of copyright permissions letter 15 Appendix 2 Example of copyright permissions log 16 Appendix 3 Copyright permissions checklist 17 Index 18 2 Copyright statement This work is licensed under the Creative Commons Attribution-ShareAlike 3.0 New Zealand License. See http://creativecommons.org/licenses/by-sa/3.0/nz/ Attribution-ShareAlike 3.0 New Zealand (CC BY-SA 3.0) You are free: • to Share — to copy, distribute and transmit the work • to Remix — to adapt the work • to make commercial use of the work Under the following conditions: • Attribution — You must attribute the work in the manner specified by the author or licensor (but not in any way that suggests that they endorse you or your use of the work). -
STATUTORY REVIEW of the COPYRIGHT ACT Report of the Standing Committee on Industry, Science and Technology
STATUTORY REVIEW OF THE COPYRIGHT ACT Report of the Standing Committee on Industry, Science and Technology Dan Ruimy, Chair JUNE 2019 42nd PARLIAMENT, 1st SESSION Published under the authority of the Speaker of the House of Commons SPEAKER’S PERMISSION The proceedings of the House of Commons and its Committees are hereby made available to provide greater public access. The parliamentary privilege of the House of Commons to control the publication and broadcast of the proceedings of the House of Commons and its Committees is nonetheless reserved. All copyrights therein are also reserved. Reproduction of the proceedings of the House of Commons and its Committees, in whole or in part and in any medium, is hereby permitted provided that the reproduction is accurate and is not presented as official. This permission does not extend to reproduction, distribution or use for commercial purpose of financial gain. Reproduction or use outside this permission or without authorization may be treated as copyright infringement in accordance with the Copyright Act. Authorization may be obtained on written application to the Office of the Speaker of the House of Commons. Reproduction in accordance with this permission does not constitute publication under the authority of the House of Commons. The absolute privilege that applies to the proceedings of the House of Commons does not extend to these permitted reproductions. Where a reproduction includes briefs to a Standing Committee of the House of Commons, authorization for reproduction may be required from the authors in accordance with the Copyright Act. Nothing in this permission abrogates or derogates from the privileges, powers, immunities and rights of the House of Commons and its Committees. -
Copyright, Publishers, and Self-Access Centres in Hong Kong. PUB DATE Sep 93 NOTE 7P.; for Journal in Which This Paper Appears, See FL 021 693
DOCUMENT RESUME ED 365 126 FL 021 702 AUTHOR Gardner, David TITLE Copyright, Publishers, and Self-Access Centres in Hong Kong. PUB DATE Sep 93 NOTE 7p.; For journal in which this paper appears, see FL 021 693. PUB TYPE Viewpoints (Opinion/Position Papers, Essays, etc.) (120) Journal Articles (080) JOURNAL CIT Hong Kong Papers in Linguistics and Language Teaching; v16 p111-116 Sep 1993 EDRS PRICE MF01/PC01 Plus Postage. DESCRIPTORS *Copyrights; Foreign Countries; Higher Education; *Independent Study; *Instructional Materials; *Media Adaptation; *Publishing Industry IDENTIFIERS *Hong Kong ABSTRACT This paper discusses copyright laws in Hong Kong, and how they are an impediment to self-access learning centers. Mostof the published materials needed for use in self-access centers are not suitable without some adaptation. Such adaptations often involve photocopying parts of a book or the whole thing. In addition, it is often felt that it is unsafe to put original audio wid video tapesin the hands of users, so, consequently, safety copies(or backups) are commonly used. Copyright law in Hong Kong does not offer any privileges to educational establishments. As far as self-access cent s are invo1ve6, copyright law does not appearto permit photocopying at all, nor allow copying of audio or video cassettes. There is discussion about an agreement between publishers and materials developers on how to deal with this problem. Such an agreement would allow easier development and adaptation ofpublished material for genuine self access. The draft of a copyright agreement proposal is appended. (JL) *********************************************************************** Reproductions supplied by EARS are the best that can be made from the original document. -
3 the Copyright Act 1968: Its Passing and Achievements
3 THE COPYRIGHT ACT 1968: ITS PASSING AND ACHIEVEMENTS Professor Adrian Sterling 1 INTRODUCTION I hope you will allow me to begin by giving some biographical details to show how it is that I come to be here today and to have the pleasure and privilege of addressing you. After graduating and being admitted to the Bar in Sydney, I went to England and was called to the English Bar. By a strange chance I took up work in 1954 with IFPI, the international organisation representing the record industry in legal matters. So I came to specialise in national, regional and international copyright law: I stayed with IFPI till 1974, when I returned to the Bar in London, eventually in 1992 entering academia to teach international copyright law in the University of London, where I still teach this subject. When at this Conference I look at the Australian Copyright Act, I see it from two perspectives: firstly as regards my participation in the debates on the 1967 Copyright Bill, and secondly from the point of view of a copyright lawyer having spent over 50 years working in the field of international copyright. So I start with a description of some of the events which occurred during the debates on the Bill in 1967–1968, then give general summaries of how I see the achievements of the Act, and of Australia in the copyright field generally. In another paper, I describe some of the challenges facing copyright as I see them. May I say that it gives me particular pleasure to give this address in Old Parliament House, where so much Australian history has taken place, where I came in 1967/1968 1 LL.B.