Copyright and Educational Exceptions in Thailand the Phd Thesis

Total Page:16

File Type:pdf, Size:1020Kb

Copyright and Educational Exceptions in Thailand the Phd Thesis Copyright and educational exceptions in Thailand: A comparative study Noppanun Supasiripongchai Doctor of Philosophy (Ph.D.) in Law University of Edinburgh 2010 Contents Contents ..................................................................................................................... II Abstract ..................................................................................................................... IV Declaration ................................................................................................................. V Acknowledgements ................................................................................................... VI Abbreviations ......................................................................................................... VII Chapter 1: Introduction ............................................................................................ 1 1.1) The role of copyright exceptions and the policy objectives ............................. 8 1.2) The development of copyright law and the exceptions in Thailand ............... 19 1.3) The prospective Thailand-US FTA Agreement .............................................. 26 Chapter 2: The problems of the educational exceptions in Thailand ................. 40 2.1) The impact of the unclear exceptions on the economic interest of copyright owners .................................................................................................................... 40 2.1.1) The ambiguity of the educational exceptions under the Thai CA 1994 .. 43 2.1.2) Problematic approaches to the exceptions by the Thai IP Court ............. 54 2.1.3) The lack of a copyright collecting society (CCS) .................................... 66 2.2) Exceptions and moral rights ........................................................................... 69 2.3) Exceptions and long-distance education ......................................................... 73 2.4) The current approach in Thailand and its problems with the three-step test .. 79 Chapter 3: The educational exceptions .................................................................. 83 3.1) Whether section 32 paragraph 1 should be applied as general exception? ..... 84 3.2) The insertion of the clear limitation as to the amount of reproductions ....... 103 3.2.1) The insertion of clear limitations to the exceptions relating to education104 3.2.2) The insertion of a clear limitation to the exception for the library ........ 114 3.2.3) The need for guidelines.......................................................................... 127 3.3) The insertion of the requirement of ‘sufficient acknowledgement’ ............. 130 3.4) The proposed changes to the exceptions for educational institutions ........... 142 II Chapter 4: Digital copyright protection I: TPMs ............................................... 161 4.1) The TPM provision and its possible impact on non-infringing uses ............ 164 4.2) Exceptions to the protection of the TPMs under the US FTAs .................... 184 4.2.1) The exceptions issued under the rule-making proceeding ..................... 184 4.2.2) The specific exceptions to the TPM provisions ..................................... 190 4.3) What should be the appropriate legal approach for Thailand? ..................... 202 Chapter 5: Digital copyright protection II: RMIs .............................................. 222 5.1) The need for the RMI provisions in the digital environment ....................... 224 5.2) The standard of the RMI provisions ............................................................. 232 5.3) The needs for changes and clarifications of the RMI provisions in the FTA 238 5.3.1) Proposed changes to the definition of RMI in the FTA ......................... 239 5.3.2) The need for the inclusion of the intent requirement ............................. 253 5.3.3) ‘Without authority’ and the exceptions ................................................. 258 Chapter 6: Copyright collecting societies (CCS) and licensing scheme system 264 6.1) The need for a copyright collecting society in the Thai education sector .... 267 6.1.1) The benefit of the CCS for users in Thailand ........................................ 267 6.1.2) The benefit of the CCS for the copyright owners .................................. 271 6.1.3) The benefit of the licensing scheme system provided by the CCS ........ 280 6.2) What should be the solution for Thailand? ................................................... 286 6.2.1) The role of the educational exceptions in supporting the CCS.............. 286 6.2.2) Regulation of the CCS ........................................................................... 290 6.2.2.1) The need to control the CCS ........................................................... 290 6.2.2.2) What should be the appropriate approach to controlling the CCS? 296 6.2.3) The need for associations representing the users and educational institutions ........................................................................................................ 308 Chapter 7: Conclusion ........................................................................................... 315 Bibliography ........................................................................................................... 332 III Abstract The thesis starts in Chapter 1 by providing the background to the development of the Thai copyright exceptions and the prospective Thai-US Free Trade Area (FTA) Agreements. In Chapter 2, I identify three major problems which arise from the inappropriate and unclear educational exceptions of the Thai CA 1994. The first problem is that the copyright law and its exceptions cannot effectively protect the economic interest of copyright owners but rather reduce the effectiveness of the copyright protection regime in Thailand as a result of three factors: the unclear educational exceptions; the problematic approaches to the copyright exceptions of the Thai IP Court; and the lack of a copyright collecting society (CCS) and a licensing scheme system in the Thai education sector. The second problem is that the Thai educational exceptions do not properly protect the moral right to be recognized as the author of the work in both the general and digital contexts. Finally, they do not support the long-distance education and lifelong learning policy of the Thai government as well as preventing educational institutions, teachers and students from the benefit of new digital technologies. The thesis recommends that the following tasks be carried out in order to solve the above problems. First, reforms must be made to the educational exceptions in the Thai CA 1994 in order to make them more restrictive and limited than at present. For instance, a clear limitation, a prohibition on multiple reproductions, and a requirement of sufficient acknowledgment must be inserted into the educational exceptions of the Thai CA 1994. Second, I recommend the introduction of digital copyright provisions on Technological Protection Measures (TPMs) and Electronic Rights Management Information (RMIs) into the Thai copyright system. This is necessary in order to ensure that educational materials can be made readily available online for distance education purposes with appropriate protection. These can also protect the economic interests of copyright owners in the digital environment by ensuring that only authorised persons access educational materials, not the public in general. Nevertheless, it is also necessary to ensure that non-infringing uses for educational purposes provided in the copyright exceptions of the Thai CA 1994 will be exempted from the violation of the prospective TPM and RMI provisions. Third, I argue that legislative reform to the educational exceptions and the introduction of the TPM and RMI provisions alone cannot completely solve the problem because the increased numbers of copyright infringements in the Thai education sector result from both the unclear exceptions and the lack of a CCS. Thus, the reforms of the exceptions and the introduction of new law must be carried out together with the establishment of the CCS and a licensing scheme system in the Thai education sector. Nevertheless, the establishment of the CCS without any legal controls upon its activities would result in further problems, so I contend that such establishment must be done together with the introduction of a regulation and a governmental body to prevent the CCS from abusing its licensing scheme or its powers in an anticompetitive way. Finally, the thesis points out several useful lessons arising from the study of the Thai copyright exceptions which could benefit global copyright protection and other countries. I have sought to state the law as it stood at the end of September 2010. IV Declaration Pursuant to Regulation 2.5 of the University of Edinburgh Postgraduate Assessment Regulations for Research Degrees: Academic Year 2009/10, I hereby certify that unless otherwise mentioned by quotation or reference, this thesis has been entirely and solely composed by me, is my own work, and has not been published or submitted for any other degree or professional qualification. Noppanun Supasiripongchai ------------------------------------- Date: 30 September 2010 Citation system of the thesis The thesis uses shortened citations in footnotes, giving just the author, year and the page numbers if available (since many online sources or materials do not give page numbers). Also, the abbreviation
Recommended publications
  • Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1St Edition)
    Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1st Edition) Ronan Deazley, Kerry Patterson & Paul Torremans COPYRIGHT IN TITLES AND NEWSPAPER HEADLINES 1 COPYRIGHT IN THE TYPOGRAPHICAL ARRANGEMENT OF PUBLISHED 7 EDITIONS COPYRIGHT IN PSEUDONYMOUS AND ANONYMOUS WORKS 10 COPYRIGHT IN NEWSPAPER ARTICLES 13 COPYRIGHT IN PHOTOGRAPHS: DURATION 19 COPYRIGHT IN PHOTOGRAPHS: OWNERSHIP 26 USING INSUBSTANTIAL PARTS OF A COPYRIGHT PROTECTED WORK 33 COPYRIGHT ACROSS BORDERS 38 MORAL RIGHTS: ATTRIBUTION 45 MORAL RIGHTS: FALSE ATTRIBUTION 52 MORAL RIGHTS: INTEGRITY 55 MORAL RIGHTS: THE RIGHT TO PRIVACY IN CERTAIN PHOTOGRAPHS AND 66 FILMS This is a compendium of the first version of the Guidance Notes on aspects of UK Copyright law that were created as part of Digitising the Edwin Morgan Scrapbooks, through support by the RCUK funded Centre for Copyright and New Business Models in the Creative Economy (CREATe), AHRC Grant Number AH/K000179/1. The second edition, edited by K. Patterson, can be downloaded individually or as part of the CREATe Working Paper: Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (2nd Edition) available at www.digitisingmorgan.org/resources. Date Created: January 2017 Cite as: R. Deazley, K. Patterson and P. Torremans, Digitising the Edwin Morgan Scrapbooks: Copyright Guidance Notes (1st Edition) (2017), available at: www.digitisingmorgan.org/resources COPYRIGHT IN TITLES AND NEWSPAPER HEADLINES Ronan Deazley and Kerry Patterson 1. Introduction What are the implications of the law for digitisation projects involving newspaper headlines and other titles? This guidance explores the legal background to copyright protection in titles and newspaper headlines, with reference to relevant cases. 2. Legislative Context Literary works first received statutory protection in the UK under the Statute of Anne 1710.
    [Show full text]
  • D4.1 Analysis of Available Resources in the AV Sector
    Project Number: 325135 Project Acronym: FORW AR D Project Title: Framework for a EU-wide Audiovisual Orphan Works Registry Instrument: Pilot B Thematic Priority: CIP-ICT-PSP-2012-6 D4.1 Analysis of available resources in the AV sector Due Date: 30/06/2014 Submission Date: 12/07/2014 Start Date of Project: 01/07/2013 Duration of Project: 36 months Partner in Charge of Deliverable EYE Film Institute Version Status Final Dissemination Level PU File Name: FORWARD D4.1.docx FORWARD Framework for a EU-wide Audiovisual Orphan Works Registry CIP ICT-PSP 325135 Revision History Revision Date Author Organisation Description 1 27/06/2014 EYE Team EYE Draft 2 02/07/2014 GScipione CINECA Revision 3 10/07/2014 NMazznti CRB Final revision D4.1 – Analysis of available resources in the AV sector 2 / 156 EYE Film Institute FORWARD Framework for a EU-wide Audiovisual Orphan Works Registry CIP ICT-PSP 325135 Table of Contents 1. EXECUTIVE SUMMARY ........................................................................................................................ 3 1.1 Legal environment................................................................................................................................ 3 1.1.1 Protection term.......................................................................................................................................................3 1.1.2 Rightsholders .........................................................................................................................................................3
    [Show full text]
  • Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R
    Nebraska Law Review Volume 92 | Issue 4 Article 5 2014 Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right Patrick R. Goold University of California, Berkeley, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/nlr Recommended Citation Patrick R. Goold, Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right, 92 Neb. L. Rev. (2014) Available at: https://digitalcommons.unl.edu/nlr/vol92/iss4/5 This Article is brought to you for free and open access by the Law, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Nebraska Law Review by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Patrick R. Goold* Why the U.K. Adaptation Right Is Superior to the U.S. Derivative Work Right TABLE OF CONTENTS I. History of the Derivative Work Right in Anglo- American Copyright ................................... 849 A. Anglo-American Copyright During the Eighteenth and Nineteenth Centuries ......................... 850 B. Derivative Works in Twentieth Century U.S. Copyright ......................................... 856 1. The 1909 Copyright Act........................ 856 2. From 1909 to 1976 ............................ 858 a. Motion Pictures ............................ 860 b. Radio Broadcasting ........................ 862 c. Cable Television ........................... 865 3. The Copyright Act 1976........................ 866 C. Derivative Works in Twentieth Century U.K. Copyright ......................................... 868 1. The 1911 Act and the Gramophone Case ....... 869 2. The Copyright Act 1956 and the Copyright, Designs, and Patents Act 1988 ................. 871 D. Summary ......................................... 874 II. Modern Doctrine of the Derivative Work Right in Anglo- American Copyright ................................... 874 A. The Right of Reproduction ........................
    [Show full text]
  • Book XVII License and the Law Editor: Ramon F
    8 88 8 8nd 8 8888on.com 8888 Basic Photography in 180 Days Book XVII License and the Law Editor: Ramon F. aeroramon.com Contents 1 Day 1 1 1.1 Photography and the law ....................................... 1 1.1.1 United Kingdom ....................................... 2 1.1.2 United States ......................................... 6 1.1.3 Hong Kong .......................................... 8 1.1.4 Hungary ............................................ 8 1.1.5 Macau ............................................. 8 1.1.6 South Africa ......................................... 8 1.1.7 Sudan and South Sudan .................................... 9 1.1.8 India .............................................. 10 1.1.9 Iceland ............................................ 10 1.1.10 Spain ............................................. 10 1.1.11 Mexico ............................................ 10 1.1.12 See also ............................................ 10 1.1.13 Notes ............................................. 10 1.1.14 References .......................................... 10 1.1.15 External links ......................................... 12 2 Day 2 13 2.1 Observation .............................................. 13 2.1.1 Observation in science .................................... 14 2.1.2 Observational paradoxes ................................... 14 2.1.3 Biases ............................................. 15 2.1.4 Observations in philosophy .................................. 16 2.1.5 See also ...........................................
    [Show full text]
  • 1962 No 33 Copyright
    274 Copyright .1962, No. 33 ANALYSIS Title PART In I. Short Title and commencement 2. Interpretation FAIR DEALING WITH COPYRIGHT 3. Supplementary provisions as to MATERIAL interpretation 19. General exceptions f!om protec~ion 4. Act to bind the Crown of literary, dramatic, and mUSIcal 5. No copyright except by virtue of works and other subject-matter this Act 20. General exceptions from protection of artistic works 21. Special exceptions for libraries, Universities, and schools PART I 22. Special exception for records of musical works COPYRIGHT IN ORIGINAL WORKS 23. Revision of royalty rate 6. Nature of copyright under this Act 7. Copyright in literary, dramatic, PART IV musical, and artistic works B. Term of copyright REMEDIES FOR INFRINGEMENT OF 9. Ownership of copyright in literary, COPYRIGHT dramatic, musical, and artistic 24. Action by owner of copyright for works infringement 10. Infringements by importation, sale, 25. Rights of owner of copyright in and other dealings respect of infringing copies, etc. 11. Provisions as to anonymous and 26. Proceedings in case of copyright pseudonymous works subject to exclusive licence 12. Provisions as to works of joint 27. Proof of facts in copyright actions authorship 2B. Penalties and summary proceedings in respect of dealings which infringe copyright 29. Provisions for restricting importa­ PART II tion of printed copies COPYRIGHT IN OTHER SUBJECT-MATTER PART V 13. Copyright in sound recordings 14. Copyright in cinematograph films COPYRIGHT TRIBUNAL 15. Copyright in televi,ion broadcasts Constitution and sound broadcasts 30. Establishment of Tribunal 16. Extended application of provisions 31. Removal of members from office rela ting to broadcasts 32.
    [Show full text]
  • Copyright, Designs and Patents Act 1988 As Amended by the Legislation Indicated Overleaf
    Copyright, Designs and Patents Act 1988 As amended by the legislation indicated overleaf Status of this document This document is an unofficial consolidated text of the main UK legislation on copyright. It has been produced by the United Kingdom Intellectual Property Office but we cannot guarantee its accuracy and it has no legal authority. Only the Copyright, Designs and Patents Act 1988 as enacted and the other Acts of Parliament and Statutory Instruments amending it, or making provision on copyright and related rights separately from the Act, are authoritative. These can be found on the Legislation.gov.uk website at http://www.legislation.gov.uk/. To report errors or omissions in this document, contact [email protected] 1 This text reproduces the provisions of Part I (Copyright), Part II (Rights in Performances) and Part VII (Miscellaneous and General) of the 1988 Act, and relevant Schedules to the Act, as amended or introduced by the following legislation : National Health Service and Community Care Act 1990 Broadcasting Act 1990 Courts and Legal Services Act 1990 Health and Personal Social Services (Northern Ireland) Order 1991, SI 1991/194 (N.I.1) High Court and County Courts Jurisdiction Order 1991, SI 1991/724 (L.5) Copyright (Computer Programs) Regulations 1992, SI 1992/3233 Judicial Pensions and Retirement Act 1993 Charities Act 1993 Trade Marks Act 1994 Criminal Justice (Northern Ireland) Order 1994, SI 1994/2795 (N.I.15) Criminal Justice and Public Order Act 1994 Copyright (EC Measures Relating to Pirated Goods
    [Show full text]
  • Reform of the Law Relating to Copyright (Topic
    THE LAW REFORM COMMISSION OF HONG KONG REPORT REFORM OF THE LAW RELATING TO COPYRIGHT (TOPIC 22) NOVEMBER 1993 THE LAW REFORM COMMISSION OF HONG KONG REPORT ON REFORM OF THE LAW RELATING TO COPYRIGHT _________________________________________ CONTENTS Chapter Page Abbreviations and brief notes iv Introduction ix 1. International Conventions and their Significance for Hong 1 Kong pendants 2. Subsistence of Copyright 10 3. Ownership of Copyright 21 4. Duration of Copyright 28 5. Performing Rights 34 6. Copyright Exceptions 39 7. Moral Rights 61 8. Collective Administration of Rights and Dispute 67 Settlement 9. Mechanical Rights and the Statutory Recording Licence 88 10. Private Copying of Audio and Visual Works 93 11. Broadcasting, Satellite Broadcasting and Cable Diffusion 104 12. Performers' Protection 127 13. Computer Programs and Databases 131 ii Chapter Page 14. Hong Kong Government and Legislative Council 150 Copyright 15. Typefaces 158 16. Folklore 162 17. Copyright in Designs, Registered Designs and Design 164 Rights 18. Importation and Rental Rights 189 19. Remedies 203 20. Summary of Recommendations 228 Appendices A. List of organisations and individuals from whom submissions were received by copyright wording groups 248 between 1988 -1989 B. List of organisations and individuals from whom submissions on the Consultative Document 1991 were 251 received iii Abbreviations and brief notes ______________________________________ Laws of Hong Kong Cap 39: The Copyright Ordinance, Chapter 39, introduced in 1973 principally to supplement and extend the remedies available under the Copyright Act of 1956, which provides the basis of Hong Kong's present law. Cap 44: The United Kingdom Designs (Protection) Ordinance, Chapter 44, provides that the proprietor of a design registered in the United Kingdom under the Registered Designs Act 1949 (which has been amended by the 1988 Act) shall enjoy in Hong Kong the like privileges and rights as though the certificate of registration had been issued with an extension to Hong Kong.
    [Show full text]
  • Law and Cultural Institutions
    Copyright for Archivists: An Introduction A CREATe / Scottish Council on Archives Education and Training Resource Version: 1.1 Date: November 2016 Venue: New Register House 3 West Register Street Edinburgh EH1 3YT Ronan Deazley Updated by Victoria Stobo [email protected] A Note from the Authors The following commentary incorporates changes to the law implemented by the Copyright and Rights in Performances (Research, Education, Libraries and Archives) Regulations 2014. For a discussion of the law as it stood before the 2014 Regulations, see: Ronan Deazley and Victoria Stobo, Archives and Copyright: Risk and Reform, CREATe Working Paper No.3 (March 2013), 6-18 (available here). CREATe and the Scottish Council on Archives intend to release subsequent updates of this resource as and when appropriate. As such we would welcome comments upon the material and arguments set out within this resource, and well as suggestions for further development. Please direct all relevant correspondence to Victoria Stobo, School of Law, University of Glasgow ([email protected]). Introducing Copyright October 2016 1. INTRODUCTION The term copyright may be used in different senses. It may, for example, be used to describe all of that area of the law dealing with authors’ works, or to describe the particular right granted under the relevant statute protecting such works. Also, different jurisdictions describe the scope of copyright differently. For some, the concept of copyright only refers to productions like literary, dramatic, musical and artistic works; for others, the concept of copyright also includes rights in productions such as sound recordings and films. Within the UK, the main legislative provision regulating copyright law is the Copyright, Designs and Patents Act 1988 (the CDPA) (as amended).
    [Show full text]
  • Employer's Copyright Vis-À-Vis Author's Right 113
    Journal of Intellectual Property Rights Vol 10, March 2005, pp 112-118 Employer’s Copyright vis-à-vis Author’s Right: An Unresolved Legal Dilemma Harsh Kumar The National University of Juridical Sciences, N U J S Bhawan, 12 L B Block, Sector-III, Salt Lake, Kolkata 700 098 Received 11 August 2004, revised 7 February 2005 This article explores the protection to authors-employees and freelancers-in India in the light of the recent US decision in the Tasini case. Traversing the history and context of the Tasini case, particularly, explaining the court’s philosophy behind the recognition of a freelancers right over his employer/publisher, the paper highlights the concept of authorship in India and the significant differences in the manner employees and freelancers are treated under the Indian legal system. Keywords: Tasini, employees’ copyright, freelancer’s copyright The bundle of rights, which copyright professes to be, than an employer/publisher. This decision might has a profound impact in the determination of render security to freelancers against the exploitation authorship. With the theory of indivisibility of of their works by employers/publishers in the copyrights gaining redundancy,1 coupled with the American world. However, when viewed in the Indian increase in electronic publishing, complex issues arise context, the decision opens an arena of complex as regards authorship of a copyrightable work. issues as already aforesaid like the determination of Laws virtually vest authorship to the creator of an copyright ownership to the intricate issue of the original work2. This simplicity in the basic applicability of moral rights; the analysis of which understanding of copyright ownership, however, forms the crux of this paper.
    [Show full text]
  • COPYRIGHT and Subsidiary Legislation
    MONTSERRAT CHAPTER 15.10 COPYRIGHT and Subsidiary Legislation Revised Edition showing the law as at 1 January 2002 This is a revised edition of the law, prepared by the Law Revision Commissioner under the authority of the Revised Edition of the Laws Act. This edition contains a consolidation of the following laws— Page COPYRIGHT (MONTSERRAT) ORDER 3 S.I. 1965 No. 1858 Amended by: UK S.I. 1985 No. 1987 COPYRIGHT (SINGAPORE) ORDER 11 S.I. 1987 No. 940 MONTSERRAT CHAPTER 15.10 COPYRIGHT and Subsidiary Legislation Revised Edition showing the law as at 1 January 2002 This is a revised edition of the law, prepared by the Law Revision Commissioner under the authority of the Revised Edition of the Laws Act. This edition contains a consolidation of the following laws— Page COPYRIGHT (MONTSERRAT) ORDER 3 S.I. 1965 No. 1858 Amended by: UK S.I. 1985 No. 1987 COPYRIGHT (SINGAPORE) ORDER 11 S.I. 1987 No. 940 LAWS OF MONTSERRAT Copyright CAP. 15.10 3 Revision Date: 1 Jan 2002 CHAPTER 15.10 COPYRIGHT U.K. STATUTORY INSTRUMENT 1965 NO. 1858 THE COPYRIGHT (MONTSERRAT) ORDER 1965 Made ..................................... 29th October 1965 Laid before Parliament ........ 4th November 1965 Coming into Operation ........ 5th November 1965 At the Court at Buckingham Palace, the 29th day of October 1965 Present, The Queen’s Most Excellent Majesty in Council Her Majesty, by and with the advice of Her Privy Council, and by virtue of the authority conferred upon Her by section 31 of the Copyright Act 1956(a) and of all other powers enabling Her in that behalf, is pleased to direct, and it is hereby directed, as follows— 1.
    [Show full text]
  • Literary Copyright Reform in Early Victorian England: the Framing of the 1842 Copyright Act
    LITERARY COPYRIGHT REFORM IN EARLY VICTORIAN ENGLAND: THE FRAMING OF THE 1842 COPYRIGHT ACT CATHERINE SEVILLE Cambridge University Press LITERARY COPYRIGHT REFORM IN EARLY VICTORIAN ENGLAND The Framing of the 1842 Copyright Act Talfourd's ®rst copyright bill was presented in 1837, and the public and parliamentary controversy it provoked is re¯ected in contemporary pamphlets, correspondence and hundreds of petitions presented to parlia- ment, as well as in the changing aims of the bill itself. In addition to the expected debate as to the nature of literary property and the economic effects on the publishing trade, discussion of copyright law raised broader questions: the relative values of literature and science, the importance of public education, the dangers of monopolies and the nature of public interest. In a period of social, political and technological upheaval, these were incendiary matters. Talfourd audaciously demanded not only a considerable extension of copyright term, but also international protec- tion. This book explores and sets in context the making of this crucial Act, using it to illuminate enduring issues and dif®culties in the legal concept of intellectual property. CATHERINE SEVILLE is director of studies in law at Newnham College, Cambridge. This Page Intentionally Left Blank CAMBRIDGE STUDIES IN ENGLISH LEGAL HISTORY Edited by J. H. BAKER Fellow of St Catherine's College, Cambridge Recent series titles include Sir William Scott, Lord Stowell Judge of the High Court of Admiralty 1798±1828 HENRY J. BOURGUIGNON Sir Henry Maine A study in Victorian jurisprudence R. C. J. COCKS Roman canon law in Reformation England R. H.
    [Show full text]
  • Copyright Act 1962
    274 Copyright _1962, No. 33 ANALYSIS Title PART III I. Short Title and commencement 2. Interpretation FAIR DEALING WITH COPYRIGHT 3. Supplementary provisions as to MATERIAL interpretation 19. General exceptions from protection 4. Act to bind the Crown of literary, dramatic, and musical 5. No copyright except by virtue of works and other subject-matter this Act 20. General exceptions from protection of artistic works 21. Special exceptions for libraries, Universities, and schools PART I 22. Special exception for records of musical works COPYRIGHT IN ORIGINAL WORKS 23. Revision of royalty rate 6. Nature of copyright under this Act 7. Copyright in literary, dramatic, PART IV musical, and artistic works 8. Term of copyright REMEDIES FOR INFRINGEMENT OF 9. Ownership of copyright in literary, COPYRIGHT dramatic, musical, and artistic 24. Action by owner of copyright for works infringement 10. Infringements by importation, sale, 25. Rights of owner of copyright in and other dealings respect of infringing copies, etc. 11. Provisions as to anonymous and 26. Proceedings in case of copyright pseudonymous works subject to exclusive licence 12. Provisions as to works of joint 27. Proof of facts in copyright actions authorship 28. Penalties and summary proceedings in respect of dealings which infringe copyright 29. Provisions for restricting importa­ PART II tion of printed copies COPYRIGHT IN OTHER SUBJECT-MATTER PART V 13. Copyright in sound recordings 14. Copyright in cinematograph films CoPYRIGHT TRIBUNAL 15. Copyright in televi<ion broadcasts Constitution and sound broadcasts 30. Establishment of Tribunal 16. Extended application of provisions 31. Removal of members from office relating to broadcasts 32.
    [Show full text]