DOCSLIB.ORG

Tolerance Tourism and Development: Konya Sample

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tolerance Tourism and Development: Konya Sample TOLERANCE TOURISM AND DEVELOPMENT: KONYA SAMPLE 1ABDULLAH KARAMAN, 2KURŞAD SAYIN 1,2Selcuk University Tourism Faculty, Selcuk University Silifke – Taşucu Vocational School, E-mail: [email protected], [email protected] Absract- Historically, Konya has carried all of its wealth while coming from Ikonion to day. It has historical roots having the characteristics of good examples ranging from Anatolia first settlement, Alacahöyük to Klistra and Hittitien civilizations. It has carried a lot of Seljukian and Ottoman magnificent figures because it had been the capital city of Seljuk’s and one of the splendid cities of Ottoman Empire. There are a lot of mosques, churches, madrasahs, caravansaraies and tombs. The geographical beauties of Konya are beyond our images. The green valley Ereğli with İvriz Relief,Beyşehir with its lake and historical ruins, Ilgın with thermals and Akşehir with Nasreddin Hodja call us to see them. Konya has a great importance with this antique cities been employed. (1) Tolerance is a moral principle as Siyata, Ak Monestry, Çatalhöyük,Hittien that holds every kind of differences in peace and Monument Eflatunpınar and Klistra. welfare. (1) Tolerance is a principle holding every However, the most effective sound comes kind of differences together in peace and tranquillity. with Mevlana Celaleddin Rumi’s this statement In his work “A Letter on Tolerance” John Locke “Come, whatever you’re, come again.” This unique consider tolerance as “main characteristic quality of sound aims that to gather all of the desperates and all virtual religion”. (2) Voltaire, who has an important of beliefs. This boundless tolerance spreads its contribution to French Revolution, answers the sincerity to the whole world. With this reason ever question of “what is tolerance?”: “Tolerance is a part year over one million people comes and visits this of humanity. Each of us has faults and deficiencies; tomb, from the sound coming from. let’s forgive them, for tolerance is the first law of The development of the tourism activities in nature”. (3) a region is investigated mainly under the three basic headlines. These are transportation, dynamic “Tolerance is a functional communication process marketing and accommodation. established by showing outright love, respect, Tolerance Tourism: A lot of people like confidence and empathy to people in order to renaissance humanists in 16. century, the great artist understand and accept the feeling, opinion and Rembrandt in 17. century, music composer Ludwig behaviours of all people we find sincere or stranger. Von Beethoven in 17. century writer Joseph Von Based on this functional definition the components of Hammer in 18. century Goethe, Ruckert, Prof.R tolerance can be revealed. These components can be Nichelson, Prof. Arbey was affected by Hz. Mevlana ranged as: love, respect, understanding, facilitating, in 20. century sharing, collaboration, functionalize and Belief Tourism: The three big religions communicate. [4] Islam, Judaism and Christianity is an important A tolerance culture is needed in which potential for the belief tourism as regard to holy differentiation is allowed to form a real freedom in places in Anatolia. The Ministry of Culture and society. The most concrete expression of this is the Tourism has prepared a project for the sacred places right of being different. Some people’s/group of of three religions. Konya is one of the points which is people’s being excluded from society as they are traditional to visit in Islam and a city present and different from majority and they think or behave in a always on the ways of tours different way, and their freedom’s being confined by Culture Tourism: Çatalhöyük, Glistra, İnce the state is a desperate situation. To express through a Minare Museum, Karatay Museum, Mevlana motto; the right of to be a human, the right of to be Museum, Nasreddin Hodja Tomb, many mosques, different is the right of unique in his/her species. [5] tombs from Seljuk’s and Ottoman should be counted Mevlana and Nasretin Hodja who are the in culture tourism. most important representatives of the culture of tolerance spent their lives in Konya. These values I. TOLERANCE TOURSIM AND KONYA which have about an 800 year of past have contributed to the culture of tolerance remarkably. Tolerance has been identified in TLA (Turkish The year of 2007, the 800th year of the birth Language Association) as the situation of of Mevlana, was declared as “The year of Mevlana”. condonation, indulgence and toleration to everything. It has been announced that Mevlana would be While the word for tolerance in West languages is memorialized in every member countries in 2007. As given as tolérance (French), tolerance (English) and part of this year, a number of organizations were held toleranz (German), in Arabic language the word around the world. Mevlana Celaleddin Rumi, who tesâmuh which means tolerance and flexibility has has an indisputable place unapproachable position, Proceedings of 24th ISERD International Conference, Cairo, Egypt, 30th December 2015, ISBN: 978-93-85832-90-1 52 Tolerance Tourism And Development: Konya Sample especially in Turkish-Islam culture, has been 1. Tomb of Mevlana regarded as “The Master of Tolerance”. In his all 2. Lake of Meke works, especially in his Mesnevi, Mevlana, who loves 3. Çatalhöyük and embraces Allah and the ones he created 4. Tomb of Nasreddin Hodja regardless of their language, religion and race, 5. Tınaztepe Cave attributes tolerance as the most glorious of all virtues. 6. Alâaddin Mosque In accordance with this definition we can mention 7. Yerköprü Waterfall about the concept of tolerance in his Mesnevi. We Involving of Mevlana Museum and Tomb of laid emphasize on this above with some examples. Nasreddin Hodja in these values shows the An another point we laid emphasized on is the main importance the city gives to the subject. In the same source of the love of human being stems from the survey, other important historical heritages were love for Allah. We can say that there is a “concept of ranged as Monument of Ivriz Kaya, Klistra, Eşrefoğlu tolerance based on religion”. In accordance with this, Mosque, Eflatun Fountain, Monument of Fasıllar tolerance is to tolerate the differences, and to invite (Taşbaba), Aya Elena Church, Kubad Abad Palace, for the truth. The call of Mevlana “come” is a Köşk Hot Springs, Karapınar Potholes, Salt Lake, discourse for this invitation. (6) Ince Minaret Medrese and Karatay Medrese, Ilgın Our Anatolia, in his adventure in history, Hot Springs, Oymalı Underground City, Aziziye raised a number of heroes of love and tolerance. From Mosque. Yunus Emre to Mevlana, Hacı Bektaş Veli to Konya has an important world class Nasreddin Hodja are a number of historical characters destination potential with its touristic supply sources have become the symbol of tolerance. Today these in terms of “Belief Tourism”. Especially Mevlana and historical characters are well known around the world the strong doctrine and culture will bring Konya and they are appreciated thanks to their attributes. among the most important belief centres of the world. Sense of tolerance, which exists in Turkish people of Besides Mevlana, existing of other cultural and belief Anatolia, by joining Sufi understanding, has been elements in Konya supports the tourism strategy of brought to the peak by Yunus Emre. This the city in a positive way. Therefore, the tourism understanding is clearly seen in the poems of Yunus industry potential of Konya has been designed over Emre. Yunus, who regards everyone as equal, by these values. The competition superiority in this area saying “we love the created for the creator’s sake” has also a positive effect on other types of tourism drew attention to the necessity for tolerating people as services. The assets of Konya in belief tourism area: a requirement to respect to the Creator. (7) 1. Mevlana Tomb and Museum The year of 1996-1997 was declared as The 2. Şems-i Tebrîzî Mosque and Tomb Year of Nasreddin Hodja by UNESCO. For this 3. Şeyh Sadreddin Konevî Mosque and Tomb reason, a number of organizations were held in this 4. Ateşbâz-ı Velî Tomb year. (8) Nasreddin Hodja has been a symbol of 5. Kilistra (Church, Chapel) humour and critical thinking that is the basis of 6. Sille (Historical Mosque and Churches) science for approximately eight hundred years. In one 7. Seyyid Mahmud Hayranî Tomb (Akşehir) sense, Nasreddin Hodja, a wise sage of Turkish 8. Seyyid Harun Veli Külliye (Seydişehir) world, has educated many followers at his wisdom 9. Ebu Said Muhammed Hadimî Tomb (Hadim) school for centuries. The problems and secrets of life 10. Handevî Kandevî Zawiya and Tomb (Ilgın) [10] can be solved by humour and critical thinking. They It is a city which has Çatalhöyük that is one create and nourish each other. Analysing life in of the earliest settled life centres. Çatalhöyük has reverse and creating original questions and answers is hosted Paganists, Zarathustra, Christians, Muslim and the foundation of Nasreddin Hodja School. All others on this city. In its 9-thousand-year history, aspects of life constitute the subject of Nasreddin Çatalhöyük which was taken into the list of UNESCO Hodja anecdotes. While the great Sufis such as Yunus World Heritage List in 2012, has hosted a number of Emre and Mevlana being Hodja’s contemporaries civilizations. For this reason, various ethnic, symbolize the heart of Anatolian people, Nasreddin religious, Sufi and intellectual groups have an impact Hodja is symbol of the mind. The harmony of mind on the social and cultural structure of Konya. and soul constitutes Turkish folk philosophy. The Unifying of cultures coming from different countries way of wisdom is opened by this harmony. (9) (Iran, Central Asia, India and Arabic countries) with Christian Culture ongoing pre-Seljukian period II.
Load more

Recommended publications
  • Owner and Publisher/ Sahibi Ve Yayıncısı: Assoc.Prof.Dr./ Doç.Dr Fikret BİRDİŞLİ
    Volume: 2, Number: 3-2020 / Cilt: 2 Sayı: 3-2020 Owner and Publisher/ Sahibi ve Yayıncısı: Assoc.Prof.Dr./ Doç.Dr Fikret BİRDİŞLİ EDITOR-IN-CHIEF/ EDİTOR Assoc. Prof.Dr. Fikret BİRDİŞLİ İnönü University, Center for Strategic Researches (INUSAM), 44280, Malatya-TURKEY Phone: +90 422 3774261/4383 E-mail [email protected] MANAGING EDITORS / ALAN EDİTÖRLERİ Political Science Editor/ Siyaset Bilimi Editörü Prof.Dr. Ahmet Karadağ İnönü University, Faculty of Economic and Administrative Sciences, Department of International Relations, 44280, Malatya-TURKEY Phone: +90 422 3774288 E-mail [email protected] International Relations and Security Studies Editor/ Uluslararası İlişkiler ve Güvenlik Çalışmaları Editörü Assoc.Prof.Dr. Fikret Birdişli İnönü University, Center for Strategic Researches (INUSAM), 44280, Malatya-TURKEY Phone: +90 422 3774261/4383 E-mail [email protected] CONTAC INFORMATION / İLETİŞİM BİLGİLERİ İnönü University, Center for Strategic Researches (INUSAM), 44280, Malatya-TURKEY Phone: +90 422 3774261 İnönü Üniversitesi, Stratejik Araştırmalar Merkezi, İİBF Ek Bina, Kat:3, 44280, Malatya-TÜRKİYE IJPS, 2019; 2(3) International Journal of Politics and Security, 2019: 2(3) 2020, 2 (3), / Volume: 2, Number: 3-2020 OWNER / SAHİBİ/ Assoc. Prof.Dr. Fikret BİRDİŞLİ Managing Editors / Editörler Political Science Editor: Ahmet Karadağ International Relations and Security Studies Editor: Fikret Birdişli Editorial Assistance / Editör Yardımcıları English Language Editors: Christopher Trinh, La Trobe University,
    [Show full text]
  • Rumi's Passion
    Friday, October 20, 2017 • 7:00 P.M. RUMI’S PASSION: MASTER OF MYSTIC LOVE, OR HEALING SOUNDS OF ANCIENT TURKEY DePaul Recital Hall 804 West Belden Avenue • Chicago Friday, October 20, 2017 • 7:00 P.M. DePaul Recital Hall RUMI’S PASSION Latif Bolat PROGRAM Devotional Songs in Makam Nihavend 1. Alem Yuzune Saldi Ziya Ali Muhammed (Bektashi nefesi) 2. Haktir Allahim, Muhammed Mahim (Bektashi Nefes) 3. Seyhimin Illeri (Lyrics: Yunus Emre, 13th century) 4. Askin Kime yar Olur (Lyrics: Niyazi Misri, Music: Latif Bolat) Hiroshima (Lyrics: Nazim Hikmet, Music: Zulfu Livaneli) Devotional Songs in Makam Usak 1. Seni Ben Severim (Yunus Emre, 13th century) 2. Yar Yuregim Yar (Yunus Emre, 13th century) 3. Aynayi Tuttum Yuzume, Ali gorundu gozume (Hilmi Dedebaba) Geldi Gecti Omrum Benim (Lyrics: Yunus Emre, Music: Latif Bolat) Eve Dervisler Geldi (Lyrics: Yunus Emre, 13th century Music: Latif Bolat) Mystic Love Songs in Segah Mode 1. Askin Aldi Benden Beni (Yunus Emre, 13th century) 2. Biz Elest Bezminde (Lyrics: Ibrahim Hakki) 3. Sahim Ali Abaya Girenlere Askolsun (Lyrics: Fahir, Comp: Nezih Uzel) Devotional Songs in Makam Hicaz 1. Hanbaginda Kurulmus Asiklarin Otagi (Lyrics and Music: Hilmi Dedebaba) 2. Daglar ile Taslar ile (Lyrics: Yunus Emre, 13th century) 3. Ya Ali Yaradan Ali (Lyrics: Nesimi, 16th century) ABOUT TONIGHT’S PERFORMANCE Ashk Olsun (Let There Be Love) by Latif Bolat Turkish mystic culture was developed by gigantic poets and philosophers like Rumi, Yunus Emre, Haci Bektas, Nasreddin Hoca, Niyazi Misri, Pir Sultan and hundreds of others. That humanist and universalistic base was indicated beautifully by Rumi in mid-13th century with such lines as: LATIF BOLAT • OCTOBER 20, 2017 PROGRAM NOTES Not Christian or Jew or Muslim, not Hindu, Buddhist, Sufi, or Zen.
    [Show full text]
  • Yunus Emre (Ca. 1238 - 1320)
    Yunus Emre (ca. 1238 - 1320) There is a strong challenge inherent in any attempt to describe a great and influential personality like Yunus Emre in a condensed form such as this. We will, therefore only make an attempt to give an introduction to the man and his philosophy which will tempt you into further reading. Wherever possible we will allow Yunus to speak for himself. Mystic is what they call me, Hate is my only enemy; I harbor a grudge against none, To me the whole wide world is one. Yunus Emre was a great folk poet, a sufi (Islamic mystic), a troubadour and a very influential philosopher who had an effect on the Turkish outlook on life that has stayed alive and vital for 700 years. Above all, and in an age of religious repression, he was a humanist who’s love for God was integral to his love for humanity. His abhorrence for conflict and his dismissive attitude to riches and material assets have been echoed through the ages, not least in the ’flower power’ era of the 1960s and 70s. I am not here on earth for strife Love is the mission of my life. Yunus Emre was more concerned with the reason for living than with the details of how life should be lived. Essentially he thought that people should live modest lives filled with love and friendship, aspiring towards spiritual purity and an indivisible unity with God. He despised the pursuit of fame and riches because none of these could mean anything after death. Death is a recurring theme in his poetry but without morbid overtones.
    [Show full text]
  • Turkish Literature from Wikipedia, the Free Encyclopedia Turkish Literature
    Turkish literature From Wikipedia, the free encyclopedia Turkish literature By category Epic tradition Orhon Dede Korkut Köroğlu Folk tradition Folk literature Folklore Ottoman era Poetry Prose Republican era Poetry Prose V T E A page from the Dîvân-ı Fuzûlî, the collected poems of the 16th-century Azerbaijanipoet Fuzûlî. Turkish literature (Turkish: Türk edebiyatı or Türk yazını) comprises both oral compositions and written texts in the Turkish language, either in its Ottoman form or in less exclusively literary forms, such as that spoken in the Republic of Turkey today. The Ottoman Turkish language, which forms the basis of much of the written corpus, was influenced by Persian and Arabic and used the Ottoman Turkish alphabet. The history of the broader Turkic literature spans a period of nearly 1,300 years. The oldest extant records of written Turkic are the Orhon inscriptions, found in the Orhon River valley in central Mongolia and dating to the 7th century. Subsequent to this period, between the 9th and 11th centuries, there arose among the nomadic Turkic peoples of Central Asia a tradition of oral epics, such as the Book of Dede Korkut of the Oghuz Turks—the linguistic and cultural ancestors of the modern Turkish people—and the Manas epic of the Kyrgyz people. Beginning with the victory of the Seljuks at the Battle of Manzikert in the late 11th century, the Oghuz Turks began to settle in Anatolia, and in addition to the earlier oral traditions there arose a written literary tradition issuing largely—in terms of themes, genres, and styles— from Arabic and Persian literature.
    [Show full text]
  • İlhan Başgözilhan Özelsayısı
    Cilt - Vol. 25, / folklor/edebiyat folklore literature sayı Sayı - No. 100 folklore folklor/edebi ISSN 1300-7491 İlhan Başgöz ÖzelSayısıİlhan Başgöz / litera HALKBİLİM FOLKLORE Cilt Cilt tur - Vol. 25, Vol. - e ANTROPOLOJİ ANTHROPOLOGY Sayı - Sayı DİL LANGUAGE No. 100- No. DİLBİLİM ya LINGUISTICS sayı 2019/4 t EDEBİYAT LITERATURE folklor/edebiyat folklore& literature halkbilim • edebiyat• antropoloji • dil ve dilbilim dergisi ULUSLARARASI HAKEMLİ DERGİ / YILDA DÖRT SAYI ÇIKAR A Peer Reviewed Quarterly International Journal ISSN 1300-7491 DOI:10.22559 CİLT: 25 SAYI: 100, 2019/4 Sahibi ULUSLARARASI KIBRIS ÜNİVERSİTESİ adına Prof. Dr. Halil Nadiri (Rektör) Yayın Yönetmeni Prof. Dr. Metin Karadağ ([email protected]) Yayın Koordinatörü Metin Turan ([email protected]) Yönetim Yeri ve Yazışma Adresi [email protected] Uluslararası Kıbrıs Üniversitesi, Haspolat-Lefkoşa Tel: 0392 671 11 11 - (2601) folklor/edebiyat’ta yayımlanan yazılar ULAKBİM-Dergipark (Ulusal Akademik Ağ ve Bilgi Merkezi); TR-Dizin; Milli Kütüphane/Türkiye Makaleler Bibliyografyası , Scopus, DOAJ, MLA Folklore Bibliography; Turkologischer Anzeiger; ERIH PLUS (The European Reference Index for the Humanities and the Social Sciences); CEEOL (Central and Eastern European Online Library ); ACLA (American Comparative Literature Association); SOBIAD (Sosyal Bilimler Atıf Dizini); TEI (Türk Eğitim İndeksi; İdealonline Veritabanı; Universityjournals; Worldcat; Elektronische Zeitschriftenbibliothek; International Innovative Journal Impact Factor (IIJIF); Scientific Indexing
    [Show full text]
  • History of Azerbaijan (Textbook)
    DILGAM ISMAILOV HISTORY OF AZERBAIJAN (TEXTBOOK) Azerbaijan Architecture and Construction University Methodological Council of the meeting dated July 7, 2017, was published at the direction of № 6 BAKU - 2017 Dilgam Yunis Ismailov. History of Azerbaijan, AzMİU NPM, Baku, 2017, p.p.352 Referents: Anar Jamal Iskenderov Konul Ramiq Aliyeva All rights reserved. No part of this book may be reproduced or transmitted in any form by any means. Electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the copyright owner. In Azerbaijan University of Architecture and Construction, the book “History of Azerbaijan” is written on the basis of a syllabus covering all topics of the subject. Author paid special attention to the current events when analyzing the different periods of Azerbaijan. This book can be used by other high schools that also teach “History of Azerbaijan” in English to bachelor students, master students, teachers, as well as to the independent learners of our country’s history. 2 © Dilgam Ismailov, 2017 TABLE OF CONTENTS Foreword…………………………………….……… 9 I Theme. Introduction to the history of Azerbaijan 10 II Theme: The Primitive Society in Azerbaijan…. 18 1.The Initial Residential Dwellings……….............… 18 2.The Stone Age in Azerbaijan……………………… 19 3.The Copper, Bronze and Iron Ages in Azerbaijan… 23 4.The Collapse of the Primitive Communal System in Azerbaijan………………………………………….... 28 III Theme: The Ancient and Early States in Azer- baijan. The Atropatena and Albanian Kingdoms.. 30 1.The First Tribal Alliances and Initial Public Institutions in Azerbaijan……………………………. 30 2.The Kingdom of Manna…………………………… 34 3.The Atropatena and Albanian Kingdoms………….
    [Show full text]
  • Sufism As a Turkish Renaissance
    Дінтанулық және исламтанулық зерттеулер UDK 141.336Религиоведческие и исламоведческие https://doi.org/10.48010/2021.2/1999-5849.11 исследования SUFISM AS A TURKISH RENAISSANCE ¹Ş.Filiz, ²L.Nurpeııs ABSTRACT The Turkish Sufis, who created the Turkish Renaissance for centuries, should also be called Turkish philosophers. They take a human-centered religion and worldview as their main ¹Akdeniz University, Antalya, point of departure. In their humanistic approach, Islam has Turkey been adapted to Anatolian Turkish culture. Because Turkish Sufism is the practical view of Turkish philosophy in Anatolia. ²Sakarya University, Serdivan, In addition, every Turkish philosopher has taken a philosopher, a philosophical system or a gnostic view from the ancient times Turkey and the Islamic world as a guide. From Ahmed Yesevi to Otman Baba, the Turkish Sufism tradition combined and reinterpreted Islam with all cultures that lived in Anatolia, creating a Turkish-style world view. It is imperative Author-correspondent: to understand this four-hundred-year period in shaping the Ş.Filiz, [email protected] way the Turks view people, life and existence. Turkish Sufism is also the proof of the fact why the history of the Turks should be based on centuries before Islam, when viewed from the perspective of philosophy of history. Thus, historically, culturally and religiously, Turkish Sufism, Islam that started with Farabi, refers to an original Renaissance, not a transition period between the Western Renaissance that started in Italy three years later. A Republic culture that keeps faith and secularism in consensus Reference to this article: for the two worlds has taken its spiritual inspiration from the Filiz Ş., Nurpeııs L.
    [Show full text]
  • Eksiz Her Sey
    HUMANITIES INSTITUTE TURKIC FOLKLORE As Performance Art Course Description: Designed for English-speaking students, this course will cover some of the major issues surrounding Turkish folklore and oral literature. Among the subjects are the Turkish epic, romantic epic (or hikâye), Turkish name-giving traditions, folklore and nationalism, folk religion, the structure and performance of Turkish romances, the formula in oral creation, performer-audience relationship, folklore as a political instrument, digression in oral narrative, proverbs and social change, folk theater, orality in the written text, and the gender dynamics of oral literature and performance. The course will also integrate some of the fundamental theoretical works of the field of Folklore, and their applicability to the Turkish context. About the Professor This course was developed by Ilhan Basgoz, Ph.D., Professor Emeritus of Folklore at Indiana University. Professor Basgoz is widely recognized as a preeminent scholar of Turkish folklore, and is author of numerous articles, essays, and many books, including Hikaye: Turkish Folk Romance as Performance Art, Turkish Folklore Reader, I, Hoca Nasreddin, Never Shall I Die: A Thematic Analysis of Hoca Stories. © 2015 by Humanities Institute 1 Contents Unit I Folklore Studies in the World Week 1: Introduction to the Study of Folklore Week 2: Folklore Studies in the West Week 3: The Function of Folklore Week 4: Folklore as Performance Unit II Turkic Folklore Studies Week 5: Turkish Folklore Studies Week 6-7: Epics Turkic Epics Manas The Dede Qorqut Epic Koroglu Epic Cycle Week 8: Folk Romance (hikaye) Week 9: Folk Tales Week 10: Humor, Jokes, and Anecdotes Week 11: Legends Week 12: Proverbs Week 13: Riddles Week 14: Onomastics: The Study of Names Week 15: Folk Theatre 2 ASSIGNMENTS Unit Essays : Write a paper of 3000 words on ONE of the following topics for each unit.
    [Show full text]
  • EMT3610/6610HS Religious Thought and Spirituality in Islam
    EMT3610/6610HS Religious Thought and Spirituality in Islam General Information Instructor: Nevin Reda El-Tahry E-mail: [email protected] Office Hours: R 11:00 am –12:00 noon Office: 215 Class time: R 9:00 am – 11:00 am Classroom: 108 Course Description This is a historical and topical survey of the origins and development of Islamic religious practices and mysticism. The course is primarily concerned with the growth of mystical tradition in Islam, the rise of asceticism, the early forms of personal piety that culminated into emphasis over mystical dimensions of Islamic religious experience and practice. The course will examine the rise of Sufi orders, the systematization of Sufi teaching and the evolution of theosophical dimensions of mysticism, and finally, the contribution of Sufism in the Islamic arts and literatures. Lectures, readings and class discussions. Annotated bibliography: 25%, oral presentation: 15%, project (research paper): 45%, class participation: 15%. Learning Outcomes Upon successful completion of the course, students are expected to: Religious Faith and Heritage • Demonstrate knowledge of religious heritage, and articulate clearly their own theological positions (as related to pastoral practices). • Interpret scripture and religious texts using a variety of methods, sources, and norms. • Identify and respect the diversity of theological viewpoints and practices within their religious tradition. Culture and Context • Give evidence of critical self-awareness with regard to their own and other faith perspectives and practices of educational ministry. Spiritual/Vocational Formation • Display capacity for self-reflexive and spiritual practices within communities of faith. Ability with Scholarly Tools and Skills Demonstrate competence in the use of a library and in the construction of an annotated bibliography Demonstrate familiarity with pertinent web-based resources and skills.
    [Show full text]
  • Arab Scholars and Ottoman Sunnitization in the Sixteenth Century 31 Helen Pfeifer
    Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 Islamic History and Civilization Studies and Texts Editorial Board Hinrich Biesterfeldt Sebastian Günther Honorary Editor Wadad Kadi volume 177 The titles published in this series are listed at brill.com/ihc Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 Edited by Tijana Krstić Derin Terzioğlu LEIDEN | BOSTON This is an open access title distributed under the terms of the CC BY-NC-ND 4.0 license, which permits any non-commercial use, distribution, and reproduction in any medium, provided no alterations are made and the original author(s) and source are credited. Further information and the complete license text can be found at https://creativecommons.org/licenses/by-nc-nd/4.0/ The terms of the CC license apply only to the original material. The use of material from other sources (indicated by a reference) such as diagrams, illustrations, photos and text samples may require further permission from the respective copyright holder. Cover illustration: “The Great Abu Sa’ud [Şeyhü’l-islām Ebū’s-suʿūd Efendi] Teaching Law,” Folio from a dīvān of Maḥmūd ‘Abd-al Bāqī (1526/7–1600), The Metropolitan Museum of Art. The image is available in Open Access at: https://www.metmuseum.org/art/collection/search/447807 Library of Congress Cataloging-in-Publication Data Names: Krstić, Tijana, editor. | Terzioğlu, Derin, 1969- editor. Title: Historicizing Sunni Islam in the Ottoman Empire, c. 1450–c. 1750 / edited by Tijana Krstić, Derin Terzioğlu. Description: Boston : Brill, 2020. | Series: Islamic history and civilization. studies and texts, 0929-2403 ; 177 | Includes bibliographical references and index.
    [Show full text]
  • An Analysis of the English Translations of Erzurum Folk Riddles in the Light of Raymond Van Den Broeck's Translation Critici
    Hacettepe University Graduate School of Social Sciences Department of Translation and Interpreting AN ANALYSIS OF THE ENGLISH TRANSLATIONS OF ERZURUM FO LK RIDDLES IN THE LIGHT OF RAYMOND VAN DEN BROECK’S TRANSLATION CRITICISM MODEL Duygu DALASLAN Master’s Thesis Ankara, 2015 AN ANALYSIS OF THE ENGLISH TRANSLATIONS OF ERZURUM FOLK RIDDLES IN THE LIGHT OF RAYMOND VAN DEN BROECK’S TRANSLATION CRITICISM MODEL Duygu DALASLAN Hacettepe University Graduate School of Social Sciences Department of Translation and Interpreting Master’s Thesis Ankara, 2015 iii DEDICATION I would like to dedicate my thesis to deceased Asst. Prof. Dr. İsmail BOZTAŞ who supported me a lot throughout my academic life. I feel very proud to be one of his students. iv ACKNOWLEDGEMENTS Writing this thesis is one of the most difficult tasks of my life but I have been lucky for being surrounded by wonderful people who have never given up helping me during the course of writing my thesis. First of all, I would like to express my sincere feelings of appreciation to my thesis advisor Prof. Dr. Asalet ERTEN who has never hesitated to take the time to read all the sentences in my thesis one by one and to guide me through all of the difficulties I have experienced until the end. I am highly grateful for her patience. I would also like to thank all of the academicians, especially Asst. Prof. Dr. Hilal ERKAZANCI and Asst. Prof. Dr. Elif ERSÖZLÜ in the Department of Translation and Interpretation in English. This thesis would not have existed without their guidance and suggestions.
    [Show full text]
  • Resources for the Study of Islamic Architecture Historical Section
    RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION Prepared by: Sabri Jarrar András Riedlmayer Jeffrey B. Spurr © 1994 AGA KHAN PROGRAM FOR ISLAMIC ARCHITECTURE RESOURCES FOR THE STUDY OF ISLAMIC ARCHITECTURE HISTORICAL SECTION BIBLIOGRAPHIC COMPONENT Historical Section, Bibliographic Component Reference Books BASIC REFERENCE TOOLS FOR THE HISTORY OF ISLAMIC ART AND ARCHITECTURE This list covers bibliographies, periodical indexes and other basic research tools; also included is a selection of monographs and surveys of architecture, with an emphasis on recent and well-illustrated works published after 1980. For an annotated guide to the most important such works published prior to that date, see Terry Allen, Islamic Architecture: An Introductory Bibliography. Cambridge, Mass., 1979 (available in photocopy from the Aga Khan Program at Harvard). For more comprehensive listings, see Creswell's Bibliography and its supplements, as well as the following subject bibliographies. GENERAL BIBLIOGRAPHIES AND PERIODICAL INDEXES Creswell, K. A. C. A Bibliography of the Architecture, Arts, and Crafts of Islam to 1st Jan. 1960 Cairo, 1961; reprt. 1978. /the largest and most comprehensive compilation of books and articles on all aspects of Islamic art and architecture (except numismatics- for titles on Islamic coins and medals see: L.A. Mayer, Bibliography of Moslem Numismatics and the periodical Numismatic Literature). Intelligently organized; incl. detailed annotations, e.g. listing buildings and objects illustrated in each of the works cited. Supplements: [1st]: 1961-1972 (Cairo, 1973); [2nd]: 1972-1980, with omissions from previous years (Cairo, 1984)./ Islamic Architecture: An Introductory Bibliography, ed. Terry Allen. Cambridge, Mass., 1979. /a selective and intelligently organized general overview of the literature to that date, with detailed and often critical annotations./ Index Islamicus 1665-1905, ed.
    [Show full text]