i. AT

17 April – 9 June MMXII

i. Nos. 1 – 80 Archizines celebrates the resurgence of alter- native and independent architectural publish- ing. Edited by architects, artists, and students, these eighty publications provide new platforms for commentary, criticism, and research into the spaces we inhabit and the practice of architec- ture. They make an important and often radical addition to architectural discourse and demon- strate the residual love of the printed word and paper page in the digital age. I. Title & Issue ¶ A. II. Format § & Pages A.

01 Pollen, No. 01 27 dérive, Nos. 40 / 41— 52 San Rocco, No. 02—The 76 face b, No. 03—Back to 01 297 × 420 , 20 pp. 34 200 × 260, 252 pp. 67 145 × 210 , 42 pp. Understanding Even Covering of the Field Basics 02 New City Reader, No. 16— Stadtforschung 02 420 × 600 , 4 pp. 35 276 × 200 , 176 pp. 68 148 × 210 , 24 pp. Front 53 Thresholds, No. 38— 77 PIDGIN, No. 10 w/ insert. 28 PISEAGRAMA, No. 03— Future 03 289 × 400 , 48 pp. 69 148 × 210 , 42 pp. 03 P.E.A.R. : Paper for Emerging Playtime 78 scopio, No. 1 1/3 — 36 254 × 203 , 184 pp. Architectural Research, 54 PLAT, No. 1.0 Aboveground Architecture 04 285 × 390 , 16 pp. 70 148 × 210 , 34 pp. No. 03—Sample & Synthesis 29 Fresh Meat, Vol. IV—The 37 182 × 257 , 100 pp. How-To Issue 55 SPAM, Vol. 6 79 City as Material, No. 01 05 290 × 380 , 12 pp. 71 148 × 210 , 10 pp. 04 The Unlimited Edition, 38 180 × 250 , 160 pp. No. 02—Speculation 30 Conditions, No. 08— 56 The Modernist, No. 02— 80 Journal Illustratif, No. 0.5— 06 290 × 360 , 44 pp. 72 150 × 200 , 44 pp. Preparing for the Unknown Brilliant City / Trip 39 189 × 246 , 116 pp. 05 Preston is my Paris : Preston 07 265 × 320 , 32 pp. 73 101 × 127 , 24 pp. Bus Station 31 Junk Jet, No. 04— 57 Another Pamphlet, No. 02— 40 170 × 240 , 160 pp. Statistics-of-Mystics! REPETITION! ¶ The editors of each publication 08 224 × 315 , 46 pp. 74 115 × 190 , 72 pp. 06 Index Newspaper, No. 01 selected one issue to be 41 170 × 240 , 136 pp. 32 MONU, No. 14—Editing 58 CLOG, No. 02—Apple presented in the exhibition. 09 222 × 305 , 80 pp. 75 130 × 185 , 138 pp. 07 Megawords, No. 15 Urbanism 42 170 × 240 , 224 pp. 59 Maximum Maxim MMX 10 289 × 428 , 28 pp. 76 130 × 180 , 160 pp. 08 archphoto 2.0, No. 01— 33 Ein Magazin über Orte, 43 170 × 240 , 120 pp. Radical City No. 06—HOME 60 One : Twelve, Vol. 1; No. 03 11 297 × 420 , unknown. 77 170 × 240 , 256 pp. 44 170 × 240 , 176 pp. 09 On Site, No. 26—Dirt 34 Bracket, No. 01—On Farming 61 Pablo Internacional— 12 210 × 297 , 36 pp. 78 120 × 160 , 159 pp. Paisaje Inútil / 45 170 × 240 , 144 pp. 10 Scapegoat, No. 01—Service 35 VOLUME, No. 28—Internet Useless Landscape / 13 105 × 297 , 2 pp. 79 88 × 133 , 22 pp. of Things Inútil Paisagem 46 160 × 235 , 135 pp. 11 Anza, No. 01 14 230 × 297 , 224 pp. 80 190 × 125 , 28 pp. 36 New Geographies, Vol. 03— 62 90X60, No. 03 47 165 × 235 , 176 pp. 12 Club Donny, No. 07 Urbanisms of Color 15 190 × 297 , 54 pp. 63 Archinect News Digest, 48 150 × 230 , 144 pp. § Measured and indicated in 13 MAP : Manual of Architectural 37 TOO MUCH, No. 02 No. 01 —The Ai Weiwei Issue 16 292 × 381 , 24 pp. millimeters, width × height. Possibilities, No. 04—Floods 49 170 × 230 , 176 pp. 38 STUDIO©, No. 01 64 matzine, No. 08—Domestic 17 210 × 297 , 70 pp. 14 Mark, No. 36 Exotic 50 90 × 155 , 194 pp. 39 SOILED, No. 02— 18 210 × 297 , 130 pp. 15 Block, No. 01—The Modest Skinscrapers 65 America Deserta Revisited, 51 152 × 228 , 140 pp. No. 03—Detroit 19 232 × 297 , 240 pp. 16 Evil People in Modernist 40 Noz, No. 04 52 170 × 230 , 200 pp. Homes in Popular Films, Vol. 1 66 engawa, No. 04 20 210 × 297 , 40 pp. 41 Candide, No. 04 w/ A3 insert. 53 200 × 230 , 96 pp. 17 Generalist, No. 04— Saving / 67 Friendly Fire, No. 01—Das ist Sparen 42 Apartamento, No. 08 Friendly Fire 21 230 × 297 , 184 pp. 54 160 × 222 , 152 pp.

18 Kerb, No. 19—Paradigms 43 Beyond, No. 01—Scenarios & 68 Public Library : Casa de Todos 22 210 × 297 , 100 pp. 55 170 × 220 , 72 pp. of Nature: Post Natural Speculations Futures 69 Sámi huksendáidda, No. 01— 23 210 × 297 , 4 pp. 56 170 × 220 , 24 pp. 44 Le Journal Spéciale’Z, No. 02 For Beginners 19 PLOT, No. 04—Arriving 24 234 × 285 , 172 pp. 57 140 × 216 , 20 pp. Somewhere 45 OASE, No. 81—Constructing 70 Touching on Architecture, Criticism No. 01 25 228 × 286 , 128 pp. 58 140 × 216 , 152 pp. 20 The Weather Ring, No. 04 46 Criticat, No. 07 71 UP, No. 08 26 210 × 280 , 128 pp. 59 140 × 215 , 68 pp. 21 Trans, No. 20—Relevanz 47 Log, No. 22—The Absurd 72 mono.kultur, No. 18— 27 210 × 275 , 212 pp. 60 95 × 147 , 24 pp. 22 What About It?, No. 01 MVRDV : On Statics and 48 Horizonte, No. 03— Statistics 28 205 × 275 , 66 pp. 61 148 × 210 , 64 pp. 23 FAS : Foreign Architects Re-Definition Switzerland, No. 01 73 no now, No. 01—Towards an 29 210 × 273 , 52 pp. 62 140 × 215 , unknown. 49 UR, No. 02—Conversar / Architecture of Opposition 24 PIN-UP, No. 09—The Conversing 30 200 × 270 , 100 pp. 63 140 × 216 , 30 pp. Los Angeles Issue 74 Civic City Cahier, No. 03— 50 Cornell Journal of Distributed Agency, Design’s 31 190 × 270 , 88 pp. 64 148 × 210 , 40 pp. 25 PRAXIS, No. 09—Expanding Architecture, No. 08—RE Potentiality Surface 32 200 × 270 , 132 pp. 65 148 × 210 , 16 pp. 51 MAS Context, No. 10— 75 Camenzind, No. 08—The 26 Boundaries, No. 03 Conflict Great Report from Paradise 33 210 × 270 , 84 pp. 66 148 × 210 , 64 pp. i. A.

A. III. Location & Date† A. IV. Edition & Dist. A.

01 Oslo, Norway. September, 2011. 26 Rome, Italy. January, 2012. 51 Chicago, IL, United States. 75 Zurich, Switzerland. January, 01 2500 Units. 32 3000 Units. 64 200 Units & Portable Summer, 2011. 2011. Document Format. 02 New York, NY, United States. 27 Vienna, Austria. October, 02 1000 Units. 33 1500 Units. January, 2011. 2010. 52 Venice, Italy. Summer, 2011. 76 Paris, France. November, 2010. 65 30 Units. 03 1000 Units. 34 2500 Units. 03 London, United Kingdom. May, 28 Belo Horizonte, Brazil. July, 53 Cambridge, MA, United States. 77 Princeton, NJ, United States. 66 50 Units & Print-on-Demand. 2011. 2011. February, 2011. April, 2011. 04 1000 Units. 35 5100 Units. 67 150 Units. 04 London, United Kingdom. 29 Chicago, IL, United States. 54 Houston, TX, United States. 78 Porto, Portugal. October, 2010. 05 500 Units. 36 1000 Units. September, 2011. Spring, 2011. Autumn, 2010. 68 100 Units. 79 London, United Kingdom. 06 15,000 Units. 37 10,000 Units. 05 Preston / London, United 30 Oslo, Norway. June, 2011. 55 Santiago, Chile. November, February, 2011. 69 300 Units. Kingdom. October, 2010. 2008. 07 3000 Units. 38 500 Units. 31 Stuttgart, Germany. October, 80 Brussels, Belgium. February, 70 50 Units. 06 Porto, Portugal. January, 2012. 2010. 56 Manchester, United Kingdom. 2012. 08 1000 Units. 39 Print-on-Demand & Portable September, 2011. Document Format. 71 1500 Units. 07 New York, NY, United States. 32 Rotterdam, Netherlands. April, 09 1000 Units. April, 2010. 2011. 57 New York, NY, United States. † Indicates release date of single 40 2000 Units. 72 5000 Units. August, 2011. selected issue. 10 1000 Units & Portable 08 Genova, Italy. Autumn, 2011. 33 Berlin, Germany. Winter, Document Format. 41 1500 Units. 73 80 Units 2009–10. 58 New York, NY, United States. 09 Calgary, Canada. Autumn, 2011. February, 2012. 11 5000 Units. 42 22,000 Units. 74 750 Units. 34 Toronto, Canada. October, 10 Toronto, Canada. Summer, 2011. 2010. 59 New York, NY, United States. 12 1000 Units. 43 1500 Units. 75 400 Units. October, 2010. 11 Dar es Salaam, Tanzania. 2011. 35 Amsterdam, Netherlands. July, 13 2000 Units. 44 1000 Units. 76 600 Units. 2011. 60 Columbus, OH, United States. 12 Amsterdam, Netherlands. Spring, 2011. 14 19,000 Units. 45 1500 Units. 77 1000 Units. September, 2011. 36 Cambridge, MA, United States. August, 2011. 61 Mexico City, Mexico & London, 15 1300 Units. 46 1300 Units. 78 1000 Units. 13 Copenhagen, Denmark. United Kingdom. 2010. September, 2011. 37 Tokyo, Japan. July, 2011. 16 1000 Units. 47 2000 Units. 79 50 Units & Portable 62 Guadalajara, Mexico. Document Format. 14 Amsterdam, Netherlands. 38 Milan, Italy. Winter, 2011. November, 2011. 17 1000 Units. 48 700 Units. February / March, 2012. 80 100 Units. 39 Chicago, IL, United States. 63 Los Angeles, CA, United States. 18 2000 Units. 49 2000 Units. 15 London, United Kingdom. June, Summer, 2011. July, 2011. 2010. 19 7000 Units. 50 1500 Units. 40 Rio de Janeiro, Brazil. March, 64 Dublin, Ireland & London, 16 New Haven, CT, United States. 2010. United Kingdom. April, 2011. 20 200 Units & Portable 51 Print-on-Demand & Portable Summer, 2010. Document Format. Document Format. 41 Aachen, Germany. July, 2011. 65 London, United Kingdom. 17 Frankfurt, Germany. February, October, 2011. 21 1500 Units. 52 1500 Units. 2011. 42 Barcelona, Spain. Autumn / Winter, 2011–12. 66 Barcelona, Spain. January, 22 50 Units & Portable 53 1000 Units. 18 Melbourne, Australia. 2011. Document Format. September, 2011. 43 Amsterdam, Netherlands. 54 1000 Units. April, 2009. 67 Porto, Portugal. April, 2011. 23 200 Units. 19 Buenos Aires, Argentina. June, 55 2000 Units. 2011. 44 Paris, France. June, 2011. 68 Santiago, Chile. October, 2011. 24 25,000 Units. 56 700 Units. 20 Perth, Australia. February, 2011. 45 Rotterdam, Netherlands. July, 69 Tromsø, Norway. Autumn, 2007. 25 4000 Units. 2010. 57 400 Units & Print-on-Demand 21 Zurich, Switzerland. March, 70 London, United Kingdom. 2008. 26 8000 Units. & Portable Document Format. 2012. 46 Paris, France. March, 2011. 71 Antwerp / Brussels, Belgium. 27 2500 Units. 58 3500 Units. 22 Beijing, China. February, 2011. 47 New York, NY, United States. August, 2009. Spring / Summer, 2011. 28 10,000 Units. 59 100 Units. 23 Zurich, Switzerland. February, 72 Berlin, Germany. Autumn, 2010. 48 Weimar, Germany. April, 2011. 2008. 29 250 Units & Portable 60 500 Units. Document Format. 24 New York, NY, United States. 49 Buenos Aires, Argentina. 73 New York, NY, United States. 61 500 Units. Autumn / Winter, 2010–11. November, 2007. October, 2010. 30 2000 Units. 62 30 Units. 25 Boston, MA, United States. 50 Ithaca, NY, United States. 74 London, United Kingdom. 31 888 Units. October, 2007. January, 2011. March, 2011. 63 100 Units. V. Editor(s) A. VI. Description B.

01 Arild Eriksen, Joakim Skajaa. 24 Felix Burrichter. 45 Tom Avermaete, David de 66 Alberto Twose, Carlos Vilar, 01 Pollen is a fanzine about archi- by architecture and design stu- have a voice free from the noise the exacerbation of the latest Bruijn, Job Floris, Christoph Toño Aller, Javier de las Heras, tecture and society published by dio We Made That, issue two was of commercialization and compet- global economic crisis, increasing 02 Joseph Grima, Kazys Varnelis, 25 Amanda Reeser, Ashley Grafe, Klaske Havik, Anne Rubén Páez, Miguel Hernández, Eriksen Skajaa Architects. “The co-edited with David Knight to ing novelties, and to create an demands for a program of global Alan Rapp, John Cantwell, Schafer, Andrew Colopy, Alayna Holtrop, Ruben Molendijk, Maía Pancorbo, Pedro Puertas, goal of the magazine is to gener- capture the aftermath of the 2011 open and active dialogue between austerity to ‘save capitalism,’ Brigette Borders, Daniel Payne. Fraser, Ben Gilmartin, Elizabeth Véronique Patteeuw, Hans Pablo Twose. ate discussion about architecture London riots and the opening of a Megawords and the community.” and the confrontations that arise Stoel, Frederick Tang, Filip Teerds, Gus Tielens, Tom and the city, not only among vast new shopping centre in East As well as self-publishing the from these intolerable conditions, 03 Rashid Ali, Matthew Butcher, Tejchman. Vandeputte. 67 Alexandra Areia, Ivo Pocas architects. We want the fanzine London. The next series of The magazine since 2005, founders architecture and landscape have Julian Krueger, Megan O’Shea, Martins, Matilde Seabra, Pedro to communicate clear ideas about Unlimited Edition will focus on a Anthony Smyrski and Dan Murphy been called on to manifest a new Avni Patel. 26 Luca Sampò. 46 Pierre Chabard, Valéry Baia, Pedro Barata. change in society.” The first issue, different geographic area. exhibit in galleries and museums iconography for a collapsing civil Didelon, Martin Etienne, addressing the theme of squatting www.wemadethat.co.uk across the United States, and society. Scapegoat responds: in 04 Oliver Goodhall, Holly Lewis. 27 Christoph Laimer. Françoise Fromonot, Bernard 68 Emilio Marin, Diego Córdov, and urban planning, was launched organize events and performances the service of what future will our Marey. Cristobal Palma. at the Oslo Architecture Festival 05 Co-founded by Adam Murray under the banner of Megawords. designs take form? To challenge 05 Adam Murray, Robert 28 Fernanda Regaldo, Renata 2011 with cover design by illustra- and Robert Parkinson in June www.megawordsmagazine.com the anodyne image of ‘Service’, we Parkinson. Marquez, Roberto Andres, 47 Cynthia Davidson, Tina Di 69 Joar Nango. tors Grandpeople. 2009, Preston is my Paris began require a reappraisal of political- Wellington Cançado. Carlo. www.eriksenskajaa.no as a photocopied zine focusing on 08 archphoto 2.0 is a revised, economic power and the place 06 Amélia Brandão Costa, Rodrigo 70 Sebastian Craig, Richard the city of Preston but has since printed version of the website of design as a practice of social da Costa Lima. 29 Alysen Hiller, Jayne Kelley, 48 Michael Kraus, David Bauer, Jones. 02 The New City Reader is a developed into a multi-faceted archphoto.it—a webzine founded reproduction.” Julia Sedlock, Matt Vander Dina Dorothea Dönch, Konrad newspaper on architecture, public photographic archive consisting in 2002 by Emanuele Piccardo www.scapegoatjournal.org 07 Anthony Smyrski, Dan Murphy. Ploeg, Jacob Gay, Ivan Lubej, Jonas Malzahn, Marco 71 Koenraad Dedobbeleer, Kris. space and the city. It was origi- of 35 self-published works, live and Luca Mori as a critical review Ostapenko, John Clark. Rüdel, Simon Scheithauer, Kimpe. nally conceived as a performance- events and digital applications of architecture in connection 11 Anza (Swahili for ‘start’) is an 08 Emanuele Piccardo. Martin Schmidt. based editorial residency for The that address themes relating to with visual arts, social sciences architecture magazine for East 30 Tor Inge Hjemdal, Anders 72 Kai von Rabenau. Last Newspaper, an exhibition at everyday life, underappreciated and related disciplines. Both the Africa. The publication consists of 09 Stephanie White. Melsom, Joana Sa Lima. 49 Ariel Jacubovich, Sofía Picozzi, the New Museum in New York in places, architecture, identity and website and the publication aim articles, interviews and photogra- Florencia Alvarez. 73 Melissa J. Frost, Shannon M. 2010, and will be repeated in dif- the now. Preston Bus Station, to coexist and complement each phy that seek to explore the trans- 10 Adrian Blackwell, Adam 31 Asli Serbest, Mona Mahall. O’Neill. ferent cities internationally. The by Adam Murray and Robert other. The theme of archphoto 2.0 formation of East African cities— Bobbette, Jane Hutton, Marcin 50 Caroline O’Donnell. New City Reader takes the form of Parkinson with Jamie Hawkesworth No. 01: Radical City revisits 1960s and their identities—by looking Kedzior, Chris Lee, Christie 32 Bernd Upmeyer, Beatriz Ramo. 74 Jesko Fezer, Matthias Görlich. normal broadsheet-sized papers. and Aidan Turner-Bishop, provides Italian Radical Architecture, using at the past, present, and future Pearson, Etienne Turpin. 51 MAS Studio. www.newcityreader.net a document of a weekend spent the political and cultural context as with fun, seriousness and humor. 33 Elmar Bambach, Julia 75 Jeanette Beck, Benedikt in Preston’s arguably most iconic a departure point. The bold graphic The first issue was produced dur- 11 Comfort Mosha, Comfort, Marquardt, Birgit Vogel. 52 Matteo Ghidoni. Boucsein, Axel Humpert, Tim 03 An architectural zine present- building. “By focusing on the users design is a tribute to the counter- ing a four-week workshop that had Badaru, Paul Bomani, Anitah Seidel. ing work from a variety of con- of the building and small architec- culture magazines of this era. been initiated and organized by S. Hakika. 34 Mason White, Maya Przybylski. 53 Students at the MIT temporary architectural practices, tural details, we aimed to produce www.archphoto.it the Swiss architectural magazine Department of Architecture. 76 Sébastien Martinez Barat, artists, researchers and individu- an alternative to previous projects Camenzind and hosted by the 12 Frank Bruggeman, Ernst van 35 Archis (Arjen Oosterman, Lilet Aurélien Gillier, Benjamin als, P.E.A.R. aims to re-establish which tend to focus on the over- 09 Founded in 2000, On Site is Goethe Institute in Dar es Salaam. der Hoeven, Samira Ben Laloua. Breddels, Jeroen Beekmans, 54 Seanna Walsh, Marti Gottsch, Lafore. the fanzine as a primary medium all architectural structure. The a bi-annual publication on archi- www.anzastart.com Joop de Boer, Timothy Moore, Erin Baer. for the dissemination of architec- collaborative aspect in terms of tecture, urbanism, landscape, www.camenzindeastafrica.org 13 David Garcia Studio. Vincent Schipper), AMO (Rem 77 Matthew Clarke, Brandon tural ideas, musings, research and photographic approach is reflected material culture and infrastruc- Koolhaas, Reinier de Graaf), 55 Pablo Brugnoli, Kathryn Clifford, Margo Handwerker, works. Through its presentation of in the layout and combination of ture published by a non-profit 12 Club Donny is a strictly uned- 14 Arthur Wortmann, David C-Lab (Jeffrey Inaba, Benedict Gillmore. Ang Li, Enrique Ramirez, a wide range of architectural dis- images. By appropriating the ver- group Architectural Fieldwork and ited journal on the personal Keuning. Clouette). Matthew Storrie. courses, P.E.A.R. seeks to present nacular print format of newsprint edited by Stephanie White. “On experience of nature in the urban 56 Jack Hale, Maureen Ward. the complexity and variety of con- we were able to produce a photo- Site started as a response to environment. It was established in 15 Rob Wilson, Ed Wilson. 36 Gareth Doherty, Rania Ghosn, 78 Pedro Leão Neto, Tiago temporary architectural practices. graphic publication that was both the atomization of architectural 2008 by Samira Ben Laloua, Frank El Hadi Jazairy, Antonio 57 Giancarlo Valle, Isaiah King, Casanova. The zine was launched by editors affordable and accessible to all discussion in Canada—no one Bruggeman and Ernst van der 16 Benjamin Critton. Petrov, Stephen Ramos, Neyran Ryan Neiheiser. Rashid Ali, Matthew Butcher, audiences.” really knows much about what is Hoeven and is published biannu- Turan. 79 Giles Lane, Hazem Tagiuri. Julian Krueger and Megan O’Shea www.prestonismyparis. happening in other parts of the ally. The editors invite participants 17 Björn Hekmati, Frank Metzger, 58 Kyle May, Julia van den Hout, with designer Avni Patel in 2009. blogspot.com country, and also in response to to share their personal experience Insa Reichenau, Adeline Seidel. 37 Yoshi Tsujimura, Audrey Jacob Reidel, Human Wu, 80 Bart Van Overberghe, Anne www.pearmagazine.eu the work that Canadian architects on nature in cities from all over Fondecave, Cameron Allan Margot Connor, Nancy Lin, Catherine van Hövell. 06 Published on newsprint, Index do outside the country that we the world. “Due to global urbaniza- 18 Caitrin Daly, Sarah Hicks, Ricky McKean. Carlos Velez. 04 The Unlimited Edition is a Newspaper is a trimonthly maga- rarely hear about.” Each issue has tion, most people consider the city Ricardo, Adrian Keene. super-local newspaper focused zine of architecture with English a theme chosen from an everyday as their natural environment, the 38 Romolo Roberto Calabrese. 59 Mimi Zeiger. purely on the street that con- and Portuguese text and a front social concern. Recent issues have perception of the city and nature 19 Frederick Colella, Florencia nects the City of London to the cover designed by an invited art- included Streets, Water, Weather, has been changed. With Club Rodriguez, Florence Medina, 39 Joseph Altshuler. 60 Greg Evans, Josh Kuhr. new Olympic Park in Stratford. ist. The first issue was launched Museums and Archives, War, Small Donny we offer a platform that Noelia Medina, Victoria Against the backdrop of wide- by Rodrigo da Costa Lima and Things, Migration and Identity. aims to bring into the limelight Pressler, Javier Agustin Rojas. 40 Caio Calafate. 61 Pablo León de la Barra. spread change in the area, the Amélia Brandão Costa in 2012. www.onsitereview.ca observations, coincidences, stories intention was to record and “We want Index Newspaper to go and encounters of the obvious and 20 Andrew Murray, Clare Wohlnick. 41 Axel Sowa, Susanne 62 Felipe Damian, Bernardo explore the familiar high street beyond printing. The first issue 10 Scapegoat, launched in 2010 sometimes absurd existence of Schindler. Sanchez, Omar Marcial, Hector and to celebrate and speculate is the starting point of an idea with No. 00: Property, examines nature in cities.” In addition to the 21 Siham Balutsch, Viviane Damian. on the possibilities that lie in for a publication and a way for the relationship between capital- magazine, Club Donny sees itself Ehrensberger, Steffen Hägele, 42 Nacho Alegre, Omar Sosa, its future. Guest writers, artists, unexpected happenings and open ism and the built environment, as a club in the sense of a ‘glo- Yvonne Michel. Marco Velardi. 63 Christian Chaudhari, Paul urban designers and community discussion.” confronting the coercive and cal’ community where people from Petrunia. members were all invited to con- www.indexnewspaper.info violent organization of space, all over the world can gather and 22 Nathalie Frankowski, Cruz 43 Pedro Gadanho. tribute creative snapshots of the the exploitation of labor and share their images and stories on Garcia. 64 Esme Fieldhouse. area and the papers were distrib- 07 The mission of Megawords resources, and the unequal dis- local nature in a free and demo- 44 Sony Devabhaktuni, Lamis uted for free from dedicated news magazine is “to document our tribution of environmental risks cratic way. 23 Anonymous. Mary Bayar, Franck Le Gac. 65 Tom Keeley. stands along the street. Published surroundings and experience, to and benefits. “As we witness www.clubdonny.com VI. Description (Cont’d) B. VI. Description (Cont’d) B.

13 Published twice a year by lighthearted investigation of the could transform into a dynamic, undergraduate or graduate and photography, PIN-UP features geography, geography and urban urbanism in Scandinavia. The edi- Architecture, Research, and Design David Garcia Studio, MAP presents representation of modernist archi- interactive organism of limitless architecture students. They a mix of established and emerging planning, planning and philosophy, tors seek to present new perspec- (BOARD) and managing editor itself as a folded A1 poster where tecture in popular film, reflecting potential. are responsible for all stages architects, artists, and designers philosophy and economics—and tives for conceiving and analyzing Beatriz Ramo, MONU now pro- information is immediate, dense on the convention of associating www.kerb19.com of producing and managing the from around the world. A 2010 res- vice versa. Most issues focus on a architectural designs, works and vides a platform for comparative and objective on one side, and evil characters and events with journal, from setting a theme to idency at the MAK Center resulted specific theme explored by experts theory through regular calls for urban analysis, with contributions architectural and subjective on the modern buildings, and also, more 19 PLOT is a platform for dissemi- acquiring advertisements and in a special Los Angeles issue from a number of perspectives submissions. “It is organized in from Tokyo, Thailand, Detroit, Los other. MAP is “a guide to potential generally, on the relation between nating contemporary architectural sponsors, and layout and design. that celebrated the modern to the and feature urban projects, town a fluctuating network of agents Angeles, London and other cities. actions in the built environment, cinema and architecture. A series practice and thinking. Launched in Themes for recent issues have kitsch, and included commissions portraits, interviews, articles on reflecting the present globalized www.monu-magazine.com a folded encyclopedia of the pos- of film stills, quotes and accom- 2010 by a collective of architects included Participation, Politics, for new case study houses by four the history of urban life, criti- state of a dynamic society, eco- sible, a topography of ideas, or a panying texts point to examples and academics, the publication Composition and Relevance. experimental architects. The scope cal reviews and unique artwork. nomics, politics and culture, which 33 Ein Magazin über Orte (A poster on the wall’. Issue No. 4 in The Damned Don’t Cry (1950), set out to offer new opportuni- www.trans.ethz.ch of PIN-UP now extends beyond the Articles are written in German are the motivators of architecture. Magazine About Places) is a mono- deals with the spatial implications Diamonds are Forever (1971), ties for architectural criticism and publication itself to curating exhi- and/or English, with over 400 con- Through a play of thoughts in an thematic magazine which deals of flooding with projects in the Blade Runner (1982), Body Double commentary from Latin America. 22 What About It?, also known as bitions and hosting events. tributors—from young scientists open-ended forum, predefined with a different location in every Netherlands, Italy, the USA and (1984), Lethal Weapon 2 (1989), “PLOT is idealistic. We are inter- WAIzine, is a “graphic narrative in www.pinupmagazine.org to well established, internation- ‘facts’ will be unsecured and con- issue. The magazine collects works the Maldives” L.A. Confidential (1997), The Big ested in discourse regarding the magazine format” that presents ally-acclaimed authors—publish- stantly reinvented. The forum will of various authors in the form www.map.davidgarciastudio.com Lebowski (1998), and Twilight history, theory and criticism, tech- the ideas, projects, and research 25 Founded by architects, the first ing more than 1000 articles and gather the architect, client, politi- of photographs, drawings, paint- (2008). nology, communications and sci- from WAI Architecture Think issue of PRAXIS was published in reviews in its first decade. cian and the public, a communion ings and texts and is published 14 Mark was launched in 2005 www.benjamincritton.com ence, aesthetics, social responsi- Tank’s Nathalie Frankowski and 2000. The annual journal focuses www.derive.at of ideas creating conditions for twice a year. The Home issue tells with three guiding principles: the www.surplusurplusurplus.com bility and politics.” After a year of Cruz Garcia, currently based in exclusively on projects designed by evolution.” The magazine is pub- different stories about the way first is a radically international publishing, issue No. 04 shows how Beijing. It is aimed to serve as a an American architect or built in 28 PISEAGRAMA is published lished four times a year. people are living today and the perspective; the second is viewing 17 Launched in 2008 to discuss PLOT has matured and defined its platform through which questions the Americas with an ambition to bimonthly and distributed for free www.conditionsmagazine.com spaces they inhabit. Published the magazine as a visual medium; and popularize current debates identity. “Through feedback from are asked, ideas are diffused, and consider prominent design issues throughout Brazil under a Creative and designed by Elmar Bambach, the third is the attempt to escape as well as practical and theoreti- architects, editors, friends and discussions are initiated. What through the relation of contempo- Commons License. The magazine 31 Junk Jet is conceived as a Julia Marquardt and Birgit Vogel jargon and academicism. “The cal trends in architecture, urban students, we are beginning to feel About It? includes critical and the- rary projects, emerging building is dedicated to public space, both ‘zine-jet’, a collaborative format since 2007, other issues include magazine sets out to seduce and design and other related profes- part of a big community. We are oretical texts, research projects, technologies, history, design, and existing and imagined, and relies set up to discuss speculative Kitchen, Desk, Crime Scene, Park, enchant, and address the visual sions, Generalist seeks to provide committed to represent different narrative architectures, and archi- theory. “We strive to increase on essays, short texts, images, works on topics of architecture, and Berlin. intelligence of today’s reader.” broad, multidisciplinary editorial voices and to show Latin American tectural and urban experiments awareness of lesser-known work by videos or hybrid works in order to media, aesthetics and electron- www.orte-magazin.de With a strong focus on image and content. The magazine combines production alongside that of the that have been developed by WAI. publishing it alongside more estab- approach contemporary culture ics. It is an irregular publica- aesthetics, the bi-monthly maga- different professional perspec- rest of the world.” The first issue is also available as lished work. We seek out emerg- from different angles. It aims to tion (including irrational special 34 Bracket is a new annual series zine is more closely aligned to the tives on specific subjects that www.revistaplot.com.ar a free download online. ing architectural practices; firms broaden the transformative power gifts) on a non-commercial scale structured around an open call for style press than traditional archi- annotate current tendencies and www.wai-architecture.com located beyond the media centers of art and architecture and inject edited by Asli Serbest and Mona entries that highlights emerging tectural publishing and presents developments, and deals with a 20 The Weather Ring is a journal of New York and Los Angeles; and imagination into politics. “The Mahall and published by their critical issues at the juncture of itself as alternative in this way. variety of topics and questions that explores architecture and 23 Foreign Architects Switzerland others whose work tests conven- third issue presents non-technicist own igmade.edition. Junk Jet is architecture, environment and dig- www.mark-magazine.com reaching beyond the confined design in Western Australia. It was (FAS) is a zine dedicated to filling tional disciplinary boundaries.” and non-functionalist occupations interested in “counter works (and ital culture. Conceived as an alma- fields that architectural maga- launched by Andrew Murray and the gaps of theoretical and politi- www.praxisjournal.net of public space, playing and play- counter counter works) of counter nac, the series looks at emerging 15 Block is a magazine for writ- zines usually cover. Published with Clare Wohlnick out of an interest cal dialogue in the Swiss architec- ful practices, pauses and breaks aesthetics, tunneling practices thematics in our global age that ing—review, reflection, story, English and German text, editors in the uncharted histories, stories tural community. FAS is meant as 26 Boundaries is concerned in space and time, the (im)pos- that show lack of any irony or are shaping the built environment poem or polemic—on architec- Björn Hekmati, Frank Metzger, and work from the state: “Through a platform for ideas, projects and with innovative, less-known and sibilities of childhood in the city, fiction. It is about wild forms and in radically significant, yet often ture, built space and the city and Insa Reichenau and Adeline Seidel our investigations we hope to con- people that remain illegitimate to emerging architecture and urban records of collective experiences found objects, about weird theo- unexpected ways. The first issue its representation or exploration require all contributions, whether tribute to the understanding of our the “brain-dead, incestuous archi- research. A call for articles is and memories.” ries and (small) narratives, anti- looks at the capacity for architec- through sketch, photograph, draw- analysis, interpretation or a par- design history. We feel the fourth tectural media” of Switzerland. announced for each issue on a www.piseagrama.org fashions and non-styles, about ture to address ideas and issues ing and graphic image. Launched ticular position, to be structured issue is moving closer to what The anonymous editors organize particular theme. “The border in exploring do-it-yourself works, of productive landscapes and by Rob Wilson and Ed Wilson, and as open discussions. Responding we aimed for when we began the competitions and calls for ideas Boundaries has nothing to do with 29 Fresh Meat is the student pub- accidental outcomes, deviant and urbanisms. Bracket is produced as designed by Ellie and Katya Duffy, to the current economic climate, magazine. It contains new work published in the zine. The first the political frontier; it is that lication of the University of Illinois normal aesthetic forms that result a collaboration between InfraNet Block aims to present architec- the fourth issue of Generalist by practices that have rarely been issue set out the FAS manifesto, line that the imagination continu- at Chicago, School of Architecture. from jammed common practices, Lab and Archinect, and published ture’s reflection across a wider offers different responses to ‘sav- published, and interviews with launched the WTF award and, in ously moves a bit further beyond Run entirely by students, it is a misused media, and subverted by Actar. field of contemporary culture, and ing’ in architecture, design and designers involved with projects we reaction to the Swiss minaret ban, the horizon, that pushes us to set vehicle to further the dialogue customary tools.” Recent themed www.brkt.org its place within it. Each issue is the urban realm. feel need to be discussed. It also called for an open competition for forth, that speaks about invention, of the school—among students, issues include Statistics-of- themed and the content combines www.generalist.in has the best jokes on the cover.” a mosque in Zurich to prove that about discovery. It has nothing between students and faculty, Mystics!, Speculative-Architecture! 35 Launched in 2005, VOLUME is documentary, commentary, opinion www.theweatherring. architects can, and should, be to do with the idea of limit; it is and between the school and out- and Noise-and-Failure! “an independent quarterly maga- and critique, the fictional and the 18 Kerb is a landscape architec- wordpress.com political. FAS is posted as a hard rather an invitation: it is the line side voices. Operating through www.junkjet.net zine that sets the agenda for archi- imaginary. “This launch issue feels ture journal produced by students copy to 200 architecture offices, that divides only to join together, both digital platforms and printed tecture and design.” It is produced like a statement of intent for the from RMIT University. The journal 21 Trans is a semi-annual profes- institutions and newspapers in and that enhances the differences so media, Fresh Meat curates con- 32 MONU is a bi-annual interna- as a collaboration between Archis magazine as a whole, establishing is an annual publication edited sional journal of the Department out of Switzerland. The number of that it may be possible to set up a versations to explore the role of tional forum for artists, writers (Arjen Oosterman, Lilet Breddels, an initial marker for its content, each year by a new team of stu- of Architecture at the Swiss publications is restricted; people true dialogue.” architecture in today’s world. “We and designers who are working on Jeroen Beekmans, Joop de Boer, structure, format and feel.” dents who curate a collection of Federal Institute of Technology requesting to be added to the mail- www.boundaries.it make them available for you to do topics of urban culture, develop- Timothy Moore, Vincent Schipper), www.blockmagazine.co.uk projects and articles relevant to ETHZ run by an independent stu- ing list replace an existing address. with as you please: to think on, ment and politics. Each issue col- AMO (Rem Koolhaas, Reinier de topical themes. A total restructure dent editorial team since 1997. The www.faszine.blogspot.com 27 dérive is an international inter- to talk about, to design with. Feel lects essays, projects and photo- Graaf), C-Lab (Jeffrey Inaba, 16 Benjamin Critton launched in 2010 provided a new level of journal sees itself as a platform disciplinary journal focusing on free to take them and run, mis- graphs from contributors from all Benedict Clouette) and other exter- Evil People in Modernist Homes focus and identity for the journal. for interdisciplinary discourse 24 PIN-UP is a bi-annual urbanism that has been published read and butcher. After all, they over the world providing a variety nal partners. “By going beyond in Popular Films (E.P.i.M.H.i.P.F.) Kerb No. 19 is the first issue to be and addresses current issues in ‘Magazine for Architectural quarterly in Vienna since 2000 are only ideas…” of perspectives on a given topic. It architecture’s definition of ‘making as an annual zine while study- produced under this new model architecture and urban develop- Entertainment’ launched by archi- by an independent group of art- www.freshmeatjournal.org was launched in 2004 as a small, buildings,’ it reaches out for global ing graphic design at the Yale and explores how the development ment from the perspective of the tect and writer Felix Burrichter ists, researchers and writers. The stapled together, black and white views on designing environments, School of Art. Printed on archival of bio-technological possibilities humanities, politics, philosophy while he was working at a corpo- magazine juxtaposes sociology 30 Conditions, launched in 2009, publication. Overseen by editor-in- advocates broader attitudes to newsprint in red and yellow ink, will shape the way we create land- and the arts. The editorial staff is rate architecture firm in New York and architecture, architecture and is a magazine focusing on the chief Bernd Upmeyer together with social structures, and reclaims the E.P.i.M.H.i.P.F. offers a serious but scapes where the city environment composed of four editors, all City. Through interviews, essays art, art and politics, politics and conditions of architecture and his Rotterdam-based Bureau of cultural and political significance VI. Description (Cont’d) B. VI. Description (Cont’d) B. of architecture. Created as a global the contemporary urban condi- literature, philosophy and urban it includes contributions from an explorations of criticism in prac- media studies and is set up as an to instigate the debate. Published 54 PLAT is a student-directed idea platform to voice architecture tion published by RCC Studio issues. Parallel to the publica- extended network of young and tice. NAi Publishers also issues independent student organization. four times per year, every issue journal published out of the Rice any way, anywhere, anytime, it Architects. Each issue is con- tions, events are organized around upcoming European architec- the Berlage Institute’s Hunch since www.m18.uni-weimar.de/ is centred on a single topic. With School of Architecture. It aims represents the expansion of archi- ceived as a collection of writ- the themes covered in each issue, tural writers who are given the 2009 and SKOR’s Open since 2004. horizonte a global approach and reach, it to shift architectural discourse tectural territories and the new ings, commentaries, reportages, such as lectures, film sessions and freedom to survey the outline of www.oasejournal.nl is a platform of discussion and by stimulating new relationships mandate for design.” VOLUME was photographic galleries, films and debates. themes and things to come. The 49 Conceived by architect Ariel collaboration where relevant pro- between design, production and created as a continuation of Archis videos on urban topics following a www.revistanoz.com first issue set the series’ agenda 46 Launched by Pierre Chabard, Jacubovich, Sofía Picozzi and posals, ideas and experiences are theory. Launched in 2010, PLAT magazine which launched in 1986, call for papers. The launch issue of focusing on the near future. Valéry Didelon, Martin Etienne, Florencia Alvarez, UR attempts shared to help advance the design operates by interweaving student, which again is a continuation of reflects on the impact of economic 41 Candide, Journal for While subsequent themes were Françoise Fromonot and Bernard to expand the discourse and the field. Topics are approached faculty, and professional work Wonen / TABK, formed in turn from crisis on urban landscapes and Architectural Knowledge was broader in philosophical implica- Marey in 2008 as a space for possibilities of architecture by through different communication into an open and evolving dia- two magazines dating from 1946 the opportunity this provides for founded at the Department for tions, Scenarios and Speculations reflection on architecture indepen- making visible certain contem- techniques, such as essays, photo- logue which progresses from issue and 1929. metamorphosis. “The Greek krísis Architecture Theory, RWTH Aachen addressed the way in which fiction dent from institutions, Criticat is a porary points of view and forms graphs, diagrams, interviews and to issue. Editors Seanna Walsh, www.volumeproject.org means decision, a turning point; University, Germany in 2009 to and other experimental forms of critical review of architecture. The of production that intersect in case studies. The journal is cur- Marti Gottsch and Erin Baer invite a condition of instability or dan- explore the culture of knowledge architectural writing can help us editors believe that since architec- Buenos Aires. “It is a collection rently available online, as a free international submissions for the 36 New Geographies is a journal ger leading to a decisive change: specific to architecture. The peer- envisage and reflect upon pos- ture enjoys a privileged position at of projects, works and processes downloadable PDF, and as a print- bi-annual issues to serve as a pro- of design, agency and territory, the necessary one to re-think, reviewed journal is published twice sibilities for architecture and the heart of politics, society and which, when grouped together, give on-demand publication. jective catalyst for architectural produced by doctoral candi- re-write, and re-use architecture a year in German and English. the coming city. The first three economics, describing and examin- rise to a new reading.” Themed www.mascontext.com discourse. dates at the Harvard University either on the physical territory or Inspired by Voltaire’s fictional issues were published by SUN ing architecture and its issues is issues in English and Spanish con- www.platjournal.com Graduate School of Design since on the theoretical one.” character Candide, who travelled Architecture. a way to critique the world that nect projects and the people who 52 San Rocco was launched in 2008. New Geographies aims to www.rrcstudio.com/ the eighteenth-century world in www.sunarchitecture.nl/ builds it. To remain independent, participate in them to broader 2010 as “a magazine about archi- 55 SPAM magazine is focused on examine the emergence of the studiomagazine an eager but often disappointed custom/beyond.html Criticat was formed as an associa- cultural issues. Launched in 2006, tecture” and takes its name from being a tool of critical analysis geographic, a new but for the most search for knowledge, the journal’s tion and relies on support from its the editorial team is currently an unrealized competition entry of the new spatial relationships part latent paradigm in design 39 Operating at the interstices editors, Axel Sowa and Susanne 44 Published twice a year by the readership. Criticat is sold by mail considering its future direction. by Giorgio Grassi and Aldo Rossi that are being generated and today—to articulate it and bring of architecture, urbanism and the Schindler, have embarked on a Ecole Spéciale d’Architecture in order from its website. www.ur-arquitectura.com.ar in 1971. The magazine, designed their encounter with the social it to bear effectively on the social pedosphere, SOILED is a venue for 21st century search for architec- Paris, Le Journal Spéciale’Z looks www.criticat.fr with a strong black-and-white and political changes of the cur- role of design. Through critical dialogue and exploration. It inves- tural knowledge. Each issue is at architecture, art and urban- 50 The Cornell Journal of identity, has a limited life of five rent city. SPAM is defined by edi- essays and design projects, New tigates the role that the built envi- made up of five distinct sections ism, bringing together academic 47 Log is a journal for new archi- Architecture is a critical jour- years and will publish no more tor Pablo Brugnoli and designer Geographies seeks to position ronment plays in social issues of that “respond to the diversity of research, interviews, commentary, tectural writing and criticism. A nal of architecture and urban- than 20 issues. The editors pub- Kathryn Gillmore as “an experi- design’s agency amidst concerns earthly but marginalized propor- architectural knowledge being pro- narrative and projects. The jour- compendium of essays, conver- ism produced by editors in the lish a call for papers for each mental course, without precise of scale, infrastructure, ecology, tions; it documents hidden sys- duced, while challenging authors nal favors emerging voices and sations and short observations Department of Architecture at issue and contributions can take destination of the route, watching and globalization. Vol. 3 brings tems and in-between spaces. The of all disciplines to test a vari- original, critical investigations. on contemporary buildings and the College of Architecture, Art the form of essays, illustrations, as a process of experimentation, together artists and designers, editor-in-chief Joseph Altshuler ety of genres to write about and It is structured around thematic trends, Log eschews the visual and Planning, Cornell University. designs, comic strips or fiction. the movement of the city, its ser- anthropologists, geographers, and editorial team curate ideas, represent architecture.” Graphic questions announced in monthly, culture of the moment in favour of Established in 1981, the journal The second issue investigates vices, contacts and activities.” historians, and philosophers with from the arable to the obscene, by designer Katja Gretzinger recon- open calls for submissions. Recent determined forays into the critical was relaunched in 2011 after a the aesthetic consequences of the The magazine seeks to create an the aim of exploring the potency, seeking the active participation siders the design of each issue, themes include The Destination, and cultural implications of the decade’s absence as an annual field, from both urban and archi- environment of open discussion, the interaction, and the neglected of multi-disciplinary contributors. renegotiating a new form (type, ori- Resistance, Number and Revisiting discipline. Recent topics include: publication with editor-in-chief tectural perspectives. Upcoming without attempting to represent design possibilities of color at the SOILED employs narratives, mani- entation, paper) and its underlying the Vernacular. the necessity of the metacritique Caroline O’Donnell. It forms a issues include Scary Architects, and build an institutional policy. It scale of the city. festos, mappings, ephemera and assumptions and reasoning. The www.specialez.fr in architecture; burgeoning urban- locus for critical discussions ema- 666 Ways To Be a Communist is committed to a vision of multi- www.gsd.harvard.edu/ live events to mediate its archi- first three issues were published by ism in Dubai; lying with images; nating from the study of archi- Architect, and Fuck Concepts! plicity and diversity with contribu- newgeographies tectural discourse to the broader Transcript. Issue No. 4 is the first 45 OASE is an independent peer- and unanswerable questions posed tecture at Cornell. In addition Context! “San Rocco is written tions from Chile and abroad. Vol. public. By focusing on the surface issue to be published by Actar. reviewed journal that brings by signature buildings. Log is pub- to an open call, student editors by architects. As such, San Rocco 6 was co-published with Roulette 37 TOO MUCH, a magazine about of the skin as a natural mediator, www.candidejournal.net together academic discourse and lished three times a year. solicit texts and drawings from a is not particularly intelligent, or Magazine. ‘romantic geography’, is made by Skinscrapers navigates a contin- the sensibilities of design prac- www.anycorp.com range of disciplines and locations philologically accurate.” www.spam.cl international writers and photog- uum of scale, starting inside the 42 Apartamento features pho- tice. Three thematic issues are both inside and outside Cornell www.sanrocco.info raphers with a Japanese design gut, proceeding to the contours of tography, essays and discussions published each year. Originally 48 Students at the Bauhaus- University, centered around a spe- 56 The Modernist, published quar- team. As the world enters an era the body, and culminating in the about the spaces people occupy. launched in 1983 by the architec- Universität Weimar launched cific theme. At the heart of issue 53 Thresholds is a journal edited terly by the Manchester Modernist of widespread urbanization, TOO anthropomorphic city. SOILED is The first issue was launched in tural students at the Delft Faculty, their own architecture journal in No. 8—RE is the understand- by students at the Massachusetts Society, was launched in June MUCH gathers thoughts about published twice per year on each April 2008 as “a magazine inter- OASE is published since 2003 by 2010 loosely based on the weekly ing that the creative act itself Institute of Technology Department 2011 as “a quarterly magazine cities, the people who live in solstice. ested in homes, living spaces and NAi Publishers reaching a new, lectures at the student initia- is reiterative; that in rethinking, of Architecture. Reflecting the about twentieth century design.” them, and the effects they have www.soiled.cartogram.org design solutions as opposed to international audience. The edi- tive Horizonte. With interviews, recombining, reshuffling, recycling, department’s interdisciplinary It combines the D.I.Y. ethos of the on societies and our environment. houses, photo ops and design dic- tors—Tom Avermaete, David de essays, photography and projects, and reimagining aspects of the nature with foci in architecture, society with a design influenced by The magazine also reports on 40 Noz was launched in 2007 by tatorships.” As well as publishing Bruijn, Job Floris, Christoph Grafe, each issue addresses one singu- world around us, we produce work art, design, urbanism, history and the modern graphics and typogra- migrations in and between cit- students at PUC-Rio (Pontifícia the magazine twice a year, direc- Klaske Havik, Anne Holtrop, Ruben lar subject. The journal’s focus is that both belongs to the current technology, Thresholds publishes phy of the postwar period. Under ies, and the impact this has on Universidade Católica of Rio de tors Nacho Alegre and Omar Sosa Molendijk, Véronique Patteeuw, on questions that pertain to the moment and establishes new scholarly and project-based work the editorship of Jack Hale and race, nationality, language, tradi- Janeiro) with the involvement of and editor-in-chief Marco Velardi Hans Teerds, Gus Tielens, Tom relationship between architecture future trajectories. that revolves around an indepen- Maureen Ward, the magazine pub- tion and customs. Issue No. 2 of teachers from various depart- create projects and events at the Vandeputte—insist on the discus- and society and provides a plat- www.cornelljournalof dent theme chosen for each issue. lishes contributions that share an TOO MUCH—a response to the ments. The magazine aims to Salone de Mobile in Milan, London sion of the historical and theo- form for discussing current archi- architecture.cornell.edu Topics covered in the Future issue affection for the twentieth-century recent catastrophic earthquake broaden the fields of architecture Design Festivals and other cities. retical aspects of contemporary tectural topics from a student’s include anti-Taylorisation art, built environment and modern, in Japan—looks at experiences and urbanism by encompassing www.apartamentomagazine.com design issues, bridging the gap perspective, alongside publishing 51 MAS Context is a quarterly golf landscapes, and the history brutalist architecture. related to rebuilding, relocating, a broad range of concerns that between theory and practice. OASE works of established professionals, journal, launched by MAS Studio of Lenin’s dead body. Launched www.the-modernist-mag.co.uk shelter building and the construc- relate to cities, people, image and 43 Beyond: Short Stories on the No. 81 offers both theoretical argu- theorists and practitioners alike. in 2009, that addresses issues originally in 1992 as a curated tion of ideal cities. construction. Articles, interviews, Post-Contemporary is dedicated ments concerning the limits and Published twice a year, Horizonte: affecting the urban context. Its collection of essays and projects, 57 Another Pamphlet was www.toomuchmagazine.com projects and essays reflect criti- to new, experimental forms of the domain of criticism, opinions Journal for Architectural Discourse aim is to provide a comprehensive Thresholds was relaunched in its launched by Isaiah King, Ryan cally on the connections between architectural and urban writ- on the role of architecture criti- is an interdisciplinary and collab- view of a topic by the active par- current format as an annual peer- Neiheiser and Giancarlo Valle in 38 Based in Milan, STUDIO© is architecture and art, cinema, ing. Conceived by editor-in-chief cism and identifies potential fields orative effort between the facul- ticipation of people from different reviewed journal in 2009. 2011 as “a conversation, a loose an independent magazine about graphic and product design, Pedro Gadanho as a ‘bookazine’, of action while offering tentative ties of architecture, design and fields and different perspectives; www.thresholds.mit.edu exchange of forms and ideas, an VI. Description (Cont’d) B. VI. Description (Cont’d) B. excuse to play, a frame through and Architecture’s Book Launch at FIL (Feria Internacional del guidebooks to the soul, rather 68 Public Library is an indepen- presents their own outlook on at cost just to get it out there to issue draws, depicts and forms which to look, a shared excite- Cabaret to celebrate The Studio-X Libro de Guadalajara). It features than the sights of a place.” It is dent publishing house based in what architecture does or is or friends and peers in order to start through the work of architects, ment. It is an open dialogue with NY Guide to Liberating New Forms text and images from architects, a response to Reyner Banham’s Santiago, Chile, that publishes could be in society. dialogs.” a fragile and cold fellowship that our friends, our histories, and our of Conversation (GSAPP Books, planners and artists in Mexico and touristic approach to exploring the the work of architects, artists, www.i-cabin.co.uk www.nonow.net can be dissolved at any time. Back surroundings.” Each submission 2010). abroad. The publication, website state of the union in the US, and photographers and designers. It to Basics does not impoverish his- is limited to 300 words and one www.loudpaper.typepad.com and Tumblr blog are edited by examines the key urban issues the was founded in 2008 by architect 71 UP is a fanzine about ‘interest- 74 The Civic City Cahier series, tory, instead it capitalizes vacant image. The A5 zine is self-printed, Felipe Damian and Hector Damian, country faces as the oil gradually Emilio Marin and graphic designer ing architectures’ published by launched by Jesko Fezer and referential territories. This issue folded and stapled. The second 60 One:Twelve is a self-funded, Arquitectura Mexicana Diseño runs out. The five fanzines in the Diego Córdova, and joined by artists Koenraad Dedobbeleer and Matthias Görlich in 2010, intends embodies—in its editorial state- issue of Another Pamphlet con- student-run magazine at Ohio Experimental; Bernardo Sanchez, series are available as a boxset. photographer Cristobal Palma in Kris Kimpe. Each issue is pre- to provide material for a criti- ment, in the curated contributors, siders the possibilities of repeti- State University. It was launched Plan_B; and Omar Marcial. www.mrtomkeeley.co.uk 2010. The output allows architects sented in A5, stapled or concertina cal discussion about the role in its for— what can be called a tion—to order, to interrogate, to by Greg Evans and Josh Kuhr to www.90x60.com to experiment with printed mat- folded, and features photography of design for a new social city. critical project.” produce, to reveal, to obfuscate, provide a cohesive student voice 66 The engawa project launched ter including zines and posters. by Dedobbeleer, Kimpe and others It publishes short monographic www.faceb.fr and to change. Six issues of the that connects the disciplines of 63 Archinect News Digest is a in January 2010 from a need to Casa de Todos features a house of a single work of architecture texts by authors who specialize zine will be produced each year. architecture, landscape architec- publication that culls content from provide an open forum to discuss designed by Veronica Arcos in the that inspires them. Accompanying in urban and design theory and 77 The student-run journal of the www.anotherpamphlet.com ture and planning at the Knowlton Archinect.com and redistributes architecture by people located in foothills of Santiago de Chile. text provides credit and dates for practice. Civic City Cahier is pub- Princeton University School of School of Architecture to the cam- it into themed and curated issues different cities. The zine takes www.publiclibrary.cl the architect and photographer. lished by Bedford Press, a publish- Architecture was first published in 58 CLOG was launched as a pus community and the broader of “immediate and pressing inter- its name from the Japanese word Issue No. 08 reads: “The issue ing imprint of the Architectural 2006 by graduate students Marc response to the speed at which discourse. “As a student collabor- est.” A collaboration between meaning the space between the 69 Sámi huksendáidda (‘The Sámi stars the ‘door situation’ of the Association that seeks to develop McQuade, Caroline O’Donnell, and architectural imagery is distrib- ative searching for the voice of the Archinect.com and Friction House interior and the exterior of clas- Art of Building’) was launched master bedrooms at Haus Lange in contemporary models of publica- Brian Tabolt to make the work uted and consumed online. “While Knowlton School of Architecture, Publishing, the first issue focuses sic Japanese architecture. It is a in 2007 by Sámi architect Joar Krefeld, designed by Mies van der tion practice. generated at Princeton accessible an unprecedented amount of One:Twelve is aimed at collecting on the artist, architect and activ- transitional space which suggests Nango as an attempt to raise the Rohe in 1928. Photographs were www.bedfordpress.org to fellow students and the outside work is available to the public, the provocative ideas and intensi- ist Ai Wei Wei. According to the things like invitation or welcome, awareness of the architecture of taken in January 2009 by Volker world. Maintaining its 256-page the lifespan of any single design ties of the School’s environment editors Christian Chaudhari and but also the contrary, that is to the indigenous people of Arctic Döhne.” 75 Camenzind was founded in format, PIDGIN now operates with or topic has been reduced in the into a raw, dynamic platform of Paul Petrunia, “super-compressed say projection and opening. The and Northern Europe. “It is an 2005 and positions itself in the gap six student editors and features profession’s collective conscious- expression and analysis. Through one week production time makes topic of each issue comes from unwritten chapter in the European 72 The concept for the indepen- between glossy magazines and pro- the work of students, faculty, staff ness to a week, an afternoon, a the sharing of theories, experi- the magazine hyper-responsive one image chosen by a member history of architecture. The aim dent magazine published by Kai fessional architectural journals. The and friends of the school. “PIDGIN single post—an endlessly chang- ences, and culture, One:Twelve and gives it a rough and energetic of engawa. “After some time has been to visualize a complete von Rabenau is simple: one issue, editors believe that since architec- acts as both a language (pidgin) ing architecture du jour. In the becomes the voice of the students styling.” our image returns, multiplied, in picture of the traditional Sámi one interview. Every issue of ture concerns everyone, it should and a transmitter (pigeon) for the deluge, excellent projects receive across physical and disciplinary www.archinect.com different articles. It is an experi- architectural typology as a cre- mono.kultur is dedicated entirely be discussed in a way comprehen- school. It’s a marker of a moment the same fleeting attention as boundaries, offering an intimate ment based on randomness and ative bank of the development to one artist from across the cul- sible for everybody and include in time, and an ongoing record of mediocre ones. Meanwhile, mere dialogue between local and even 64 matzine is a collaborative the pleasure of sharing thoughts.” of new design-knowledge.” The tural spectrum and contains one contributions from a wide range of the school’s interests.” exposure has taken the place of global communities.” publication which dwells on the In issue No. 4: an image of a group annual zine project is intended extensive and in-depth interview. disciplines and users of architec- www.pidgin-magazine.net thoughtful engagement, not to www.ksacommunity.osu.edu/ peripheries of architecture, and of shoes that became an essay to be a forum for critical reflec- Carefully edited and designed, ture. “Our eighth issue represents mention a substantive discussion.” group/onetwelve through its inquiries traverses on a cathedral, the discovery of tions and creative research on the each issue is adapted to and pro- a new step in terms of layout 78 scopio magazine is a bi-annual Launched in 2011, each issue of art, illustration, historical reflec- the addition law in Le Corbusier’s architectural potential for the con- duced in close co-operation with technique, materiality and content publication on photography, archi- CLOG explores a single subject 61 Pablo León de la Barra’s zine tions, experimental writing and Venice Hospital, a story of an struction of new identities through the given interview partner lead- complexity. Jokes about famous tecture and public space from the particularly relevant to contempo- was launched in 2005 with the more. Begun in 2009, matzine imaginary city, a subtle drawing merging traditional and contempo- ing to bespoke design solutions. architects stand alongside serious Cityscopio Cultural Association rary architecture; it does so from tagline ‘macho not rough: art, originated from the desire of a of nude feet, and more. rary design methods. The launch Architects interviewed in mono. reports about prostitution in Zurich, and the Espaço F-FAUP / CCRE multiple viewpoints and through men and architecture’. The issues group of MArch students at the www.engawa.es issue, Sámi huksendáidda: For kultur include MVRDV and David a rather dry historical excursus is research group. The editors aim a variety of means, succinctly, on have consistently brought together Dundee School of Architecture to Beginners, provides an overview of Adjaye. followed by a passionate letter to a to promote awareness of the pho- paper, away from the distractions articles and photography on archi- quickly disseminate initial 67 The first issue of Friendly Fire traditional Sámi architecture— www.mono-kultur.com very conservative features writer. tographic image with regard to and imperatives of the screen. tecture, art and sexuality, with a research ideas and to explore is the result of seven months of the structures and buildings that The satirical tone means that the its ability to question real space www.clog-online.com focus on Latin American culture. cheap, independent publication. It conversation about the state of are connected to both a nomadic 73 no now is a publishing ven- reader can never be sure whether and its experiences, a support Special editions are produced to has gradually expanded to include architecture between an indepen- reindeer-herding culture and the ture from Melissa J. Frost and they are expected to laugh out loud and technique for the mediation 59 Maximum Maxim MMX is a fan- accompany exhibitions including contributions from many disci- dent architecture collective com- resident fishermen and farmers of Shannon M. O’Neill. “We make or express concern; we aspire to and reception of architecture by zine from Mimi Zeiger, editor of the Paisaje Inútil / Useless Landscape plines and geographies, and with prising Alexandra Areia, Ivo Poças the coastline—and research into and make available carefully con- make people laugh and then think a wide public, and an instrument ongoing New York-based zine proj- / Inútil Paisagem: A notebook on each issue a new editor brings Martins, Matilde Seabra, Pedro the methodology used by archi- structed publications because we within the space opened up by for exploring spatial forms and ect Loud Paper, and is “maximized cities and places, commissioned original thematic focus. The con- Baía and Pedro Barata Castro. tects for contemporary design in believe in something: architecture, laughter. With this anarchic eclecti- new architecture. The publication, with maxims germane to architec- by the 2da Trienal Poli/Gráfica tent to date has included combi- The zine was designed entirely on Sámi communities. urbanism, history, art, literature, cism we aspire to democratize the inspired by bookzines and zines ture and publishing. The popularity de San Juan: América Latina y el nations of short essays, a range AutoCad and sets the tone for what libraries and long walks on the discourse and offer a new way for and taking its name from a Greek of the aphorism, a short, memo- Caribe, organized by El Instituto of drawing types, photographs and is expected to be a regular edito- 70 Touching on Architecture is beach.” Towards an Architecture readers to engage with architecture word describing an instrument rable, often pithy statement, goes de Cultura Puertorriqueña. video. matzine is published online rial project producing “subversive published by i-cabin(texts), the of Opposition is a zine in the and urbanism.” for viewing, features visual narra- hand in hand with the invention of This issue uses photography to as a free digital edition and a and humorous narratives and publishing department of the DIY tradition by Melissa J. Frost. www.cazmag.com tives, texts or other related works printing. Throughout the 18th, 19th, compare streets and buildings print-ready PDF which anyone may practices” to share with a limited social, architectural and artistic It is an exploration of the cur- in which photography is used as a and 20th centuries, aphorisms and from cities across the Americas print and distribute. number of readers in Portuguese. research project i-cabin. The spo- rent attempts at architecture as 76 face b is a cultural and archi- research instrument. “We selected maxims were published globally in including Acapulco, Bogotá, Cali, www.matzine.wordpress.com Sent selectively by post and sold radic series of saddle-stitched activism and provides “20 pages tectural journal based in Paris. authors and works where the con- thick, bound collections. Although Caracas, Guadalajara, Guatemala, during a launch event, the zine booklets is a step into architec- of architecture criticism at its Launched in 2008 by Sébastien cept of architecture is explored, print remains precarious in a digi- Los Angeles, La Habana, Ciudad 65 America Deserta Revisted is aims to address the architectural ture via the critical work of a sin- most punk rock.” “When a scath- Martinez Barat, Aurélien Gillier specifically in relationship to light, tal age, the aphoristic statement de México, Panamá, Recife, Rio de the latest self-publishing project culture and its effects on everyday gle non-architect. Writers, artists, ing political critique of activist and Benjamin Lafore, each issue form, detail and how architecture lives on. According to Oscar Wilde: Janeiro, Salvador, San Juan, São from artist Tom Keeley, a co- life in an alternative and informal musicians, designers and theorists architecture had to be toned down presents interviews and essays by is experienced through imagina- ‘In the old days books were written Paulo and Veracruz. founder of the Sheffield-based perspective. Friendly Fire operates are invited to publish their cur- for an institutional magazine, I renowned and emerging critics, tion and reality. The intent is to by men of letters and read by the www.centrefortheaesthetic fanzine Go that ran from 2004 to from a corner shop in the Bouça rent work or research, in reflec- realized a zine would be a more curators, architects and artists. present diverse visual narratives public. Now books are written by revolution.blogspot.com/ 2008. The series of 5 titles is the Housing Complex designed by tion of how these outputs touch appropriate format to say what I “Back to Basics defines itself as that convey a position, argument the public and read by nobody.’” output from a trip by train across Álvaro Siza—Porto’s first Pritzker upon architectural constructions. needed to with complete honesty a break, a moment of wholesome or story about a particular archi- Maximum Maxim MMX was first 62 90X60 Arqzine was launched the USA, and is considered by Prize laureate. The first issue by illustrators and and freedom. I put it together by and opportune autarky when archi- tectural problem.” presented at Storefront for Art in 2009 and is presented annually the author as a “series of urban www.friendlyfire.info graphic designers The Jan Press hand in the copy shop and sold it tecture withdraws into itself. This www.scopiomagazine.com VI.(Cont’d) Archizines & Storefront

79 City As Material is an ongoing Gower, Michael Manfredi, William series of collaborative exploratory Menking, Margery Perlmutter, walks and book-making events. Linda Pollak, Robert M. Rubin, It emerged from a desire to bring Archizines at Storefront for Art Storefront for Art and Architec- Artur Walther, Mabel Wilson, people together to create publica- and Architecture ture is a nonprofit organization Karen Wong. tions, taking a deeper look at the committed to the advancement cities we inhabit—their patterns, April 17 – June 9, 2012 of innovative positions in archi- Director's Council rhythms, fissures and faults—so tecture, art and design. Since Kyong Park, Founder that these spaces can inform and Curation 1982 Storefront has presented the Sarah Herda, Joseph Grima inspire creative work. An initial Elias Redstone work of more than one thousand series of five events in Autumn architects and artists who chal- Board of Advisors 2010 took groups of people on Exhibition lenge conventional perceptions of Kent Barwick, Stefano Boeri, Peter routes through London guided \ / |< | \ | space-form aesthetic experiments Cook, Chris Dercon, Elizabeth by topics and themes, to trigger (Giancarlo Valle, Isaiah King, to explorations of the concep- Diller, Claudia Gould, Dan Graham, shared discourse and making, Ryan Neiheiser) tual, social and political forces Peter Guggenheimer, Richard and resulting in creating collab- that shape the built environ- Haas, Brooke Hodge, Steven orative book. Issue No. 10 is an Graphic Design ment. The organization’s gallery Holl, Steven Johnson, Toyo Ito, overview of the first series of City B.C...A.D. space includes a 12-panel facade Mary Jane Jacob, Mary Miss, As Material, chronicling each of (Benjamin Critton) designed in a collaborative project Antoni Muntadas, Shirin Neshat, the five events and the process of by artist Vito Acconci and archi- Hans Ulrich Obrist, Lucio Pozzi, creating the series as a whole. Printing tect Steven Holl that is regarded Frederieke Taylor, Anthony Vidler, www.proboscis.org.uk Linco, Long Island City, NY. as a contemporary architectural James Wines landmark and that exhibiting art- 80 Journal Illustratif was launched The Archizines project was con- ists often utilize in their creations. The Storefront for Art and by Bart Van Overberghe in 2010 ceived by Elias Redstone to cata- Through its exhibitions, public Architecture’s exhibitions and to create a series of visual and logue, celebrate and promote the programs, publications, competi- programs are made possible by tactile ‘architectural’ narratives. recent explosion of architectural tions and special projects, Store- the Andy Warhol Foundation for The first issue, a graphic short publishing activity. It was originally front creates an open forum to the Visual Arts through the Warhol story between abstraction and launched online, with art direc- help architects and artists realize Initiative; Bloomberg; the New representation, was an attempt to tion by Folch Studio. An exhibition work and present it to a diverse York State Council on the Arts illustrate possible links between initiated in collaboration with the audience of artists, architects and with the support of Governor real, existing places and unreal, Architectural Association School scholars form around the world. Andrew Cuomo and the New York imagined spaces. The second of Architecture was presented in State Legislature; public funds issue, No. 0.5—City / Trip refer- London from 5 Nov. – 14 Dec. 2011. Director from the New York City Depart- ences Google Street View and its The exhibition will continue to tour Eva Franch i Gilabert ment of Cultural Affairs in part- endless flow of images: a story internationally through 2013 as the nership with the City Council; The without a beginning or an end. primary collection is transferred Director of External Relations Peter T. Joseph Foundation; by “The succession of images sug- to the National Art Library at the Kara Meyer its Board of Directors, members gests the idea of time, motion and Victoria & Albert Museum, London. and by individuals. Additional passage, elements that are also www.archizines.com. Operations Manager support for Archizines is pro- part of the architectural experi- Erica Freyberger vided by Arquine, Architectural ence.” Future issues will feature Record/McGraw–Hill Construction, collaborations with other design- Producer DOMUS, eVolo, and Susan Szenasy, ers and illustrators. Gjergji Shkurti Metropolis, leaders in print pub- www.serviceillustratif.be lication interested in supporting Webmaster the next generation of publications Angie Waller because “printed matter matters.”

Interns Tomaz Capobianco, Zeynep Goskel, Eleanor Lygo, Amanda Madigan, Dina Muenzfeld Storefront proudly lists all of Volunteers its members and supporters on Richard Duff, Idil Erdemli, Whitney the Storefront website. If you Joslin, Linh Pham, Ryan Ripoli, would like to lend your support to Charlie Sneath, Pau Suris Sunyer Storefront by becoming a member, please visit www.storefrontnews. Board of Directors org/support to make your tax- Charles Renfro, President deductible contribution. Campbell Hyers, Vice President R. Douglass Rice, Treasurer For more information about Lauren Kogod, Secretary upcoming programs and support- Carlos Brillembourg, Madeline ing Storefront please visit our Burke-Vigeland, Beatriz Colomina, website at www.storefront.org, or B. Belmont Freeman, Terence call +1 (212) 431 5795.