BOOK ARTS NEWSLETTER ISSN 1754-9086 No

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BOOK ARTS NEWSLETTER ISSN 1754-9086 No BOOK ARTS NEWSLETTER ISSN 1754-9086 No. 81 Mid-April - May 2013 Published by Impact Press at the Centre for Fine Print Research, UWE Bristol, UK ARTIST’S COVER PAGE: THE SOFT CITY (A.K.A DANIEL SPEIGHT) In this issue: National and International Artists’ Books Exhibitions Pages 1 - 19 Courses & Workshops Pages 19 - 28 Opportunities Pages 28 - 34 Lectures & Conferences Pages 35 - 36 Artist’s Book Fairs Pages 36 - 38 Internet News Pages 38 - 39 New Artists’ Publications Pages 40 - 50 Stop Press! Pages 50 - 51 Artists’ Books Exhibition, UWE, Bristol, UK Tom Trusky Exhibition Cases, Bower Ashton Library Jon Bentley: Peter and Jane, the lost episodes 15th April - 2nd June 2013 Jon Bentley is an artist working in the Mivart studios in Easton, Bristol. “The surreal narrative that runs through my work has a tendency, in the same way that dreams do, to ask more questions than provide answers. Leafing through the old familiar pictures I began to imagine a series of paintings exploring a parallel Peter and Jane universe where the surreal and the absurd become the commonplace. Like many people of my generation (born 1960) I learned to read with Peter, Jane, Mummy, Daddy and Pat the dog. As I struggled with the unfamiliar letters my eyes were invariably drawn to the picture on the opposite page, full of strange details that drew me in and seemed to suggest a richer more mysterious narrative than the prosaic stories and dialogue on the written page. The format of the appearance of an open book displaying a page of text alongside the painting in order to give the painting some meaning, like an elaborate label, seemed the obvious way to present the series and thus was born “Peter and Jane, the lost episodes”. The other objects on display are an ongoing exploration of image making and painting onto less conventional materials; in this case bread and eggs. “Holy toast” and “Unholy toast” where created using silver foil stencils and are about 5 years old suggesting that once bread is cooked it will be preserved indefinitely. So when I accidently burned a piece of French bread it suggested itself as a surface to 45 years later I am drawn back to the same pictures by a paint on with encrypted lettering, “we cannot live on bread chance encounter in a second hand book shop. Perhaps the alone”. The goose eggs are blown and filled with silicone images are etched particularly deep in my subconscious before being primed and painted with oils. If you go by the process of learning to read, which seemed to me back far enough all life has a common ancestry, hence as a child such a miraculous act; the ability to hear stories “Tree of the greater family.” without anyone else being present. www.jonbentley.co.uk Page 1 www.bookarts.uwe.ac.uk Mishka Henner - Precious Commodities Enjoy book, print, paper and installation artworks on Open Eye Gallery, Liverpool, UK the themes of space, science (fiction and non-fiction), Until 5th May 2013 exploration and humanity. Precious Commodities presents US feedlots, a giant oil field, geologic maps, mass youth culture magazines, erased Cosmic Arcade All-Ages Discovery Day, Saturday 4th May; masterpieces, a curated selection of artists’ books and 10am-2pm. Visit MCBA for a Stellar day full of creative thousands of definitions of photography culled from blogs, exploration and hands-on artmaking opportunities for all technical manuals, advertisements and scientific journals. ages! Free and open to the public. An exhibition catalogue limited to 150 copies is available, Open to the public seven days a week. consisting of a signed and numbered information sheet and Minnesota Center for Book Arts is located in the the December 2012 US edition of VICE magazine presented Open Book Building in downtown Minneapolis: in a 9 x 12 inch black envelope branded in gold. Copies of 1011 Washington Ave S, First Floor Minneapolis, the new edition of Less Americains are available. MN 55415, USA. www.mnbookarts.org Open Eye Gallery, 19 Mann Island, Liverpool Waterfront Liverpool L3 1BP, UK. Tel: 0151 236 6768 Druckworks www.openeye.org.uk [email protected] 40 Years of Books and Projects by Johanna Drucker http://mishka.lockandhenner.com/blog/ Denison Museum, Denison University, USA Until 11th May 2013 Organised by the Center for Book and Paper Arts, Columbia College Chicago. Johanna Drucker is a The Scottish Colourist Series: S.J. Peploe (1871-1935) distinguished writer, typographic poet, and scholar- S.J. Peploe : Beyond Painting critic. Her interests include history of the book, alphabet Afterword - contemporary responses to Peploe historiography, modeling interpretation for electronic Scottish National Gallery of Modern Art Two (Keiller scholarship, digital aesthetics, and the design of information Library), Until 23rd June 2013 visualization. Her writings have helped shape the field of This display features a selection of work produced as part visual poetics and digital aesthetics. She is also a prolific of a collaborative project between the Scottish National creative artist with more than four-dozen editioned artist’s Gallery of Modern Art Archive & Library and Edinburgh book to her credit. The DRUCKWORKS retrospective College of Art. Students have been asked to make a book allows audiences to experience the course of her artistic work (or works) in response to the S.J. Peploe exhibition, development while offering key insights into the evolution which opened to the public on the 3rd of November 2012. of the field of artists’ books as an interdisciplinary, and often collaborative, artistic and literary activity. The aim of the project is to highlight the relevance of work by early 20th century artists to contemporary practice, A full length catalogue features commentary and essays by enabling students to contextualise their own work in over twenty critics, scholars and artists including Jerome relation to art history and tradition, whether this is to McGann, Marjorie Perloff, Susan Bee, Emily McVarish, celebrate it or to subvert it. Brad Freeman, Kyle Schlesinger, Craig Dworkin, and others. To order call 312-360-6630 email: book&[email protected] Scottish National Gallery of Modern Art Library Modern or see: http://www.colum.edu/Academics/Interarts/book- Two, 73 Belford Road, Edinburgh EH4 3DS, UK. Free entry and-paper/online-store.php www.nationalgalleries.org The exhibition tour continues to San Francisco Center for the Book, May – August 2013. Stellar: Book Art and the Cosmos Denison Museum, Denison University An international juried exhibition exploring outer space 240 West Broadway, Granville, OH 43023, USA Minnesota Center for Book Arts, USA http://denisonmuseum.org Until 5th May 2013 “A book is made from a tree. It is an assemblage of flat, flexible parts (still called “leaves”) imprinted with dark 12 + 12, ‘Wine and Dreams of Art’ pigmented squiggles. One glance at it and you hear the voice Curators: Mikhail Pogarskij (Russia), Serge-Aljosja of another person -- perhaps someone dead for thousands Stommels (The Netherlands), various venues. of years. Across the millennia, the author is speaking, clearly For the exhibition ‘Wine and Dreams of Art’ 12 artists and silently, inside your head, directly to you. Writing is from The Netherlands and 12 from Russia produced artists’ perhaps the greatest of human inventions, binding together books based on the Apollonian and Dionysian principles people, citizens of distant epochs, who never knew one in art. The exhibition is part of 12 +12, an international another. Books break the shackles of time, proof that programme that includes several countries. humans can work magic.” - Carl Sagan, Cosmos National Center of Contemorary Art Explore the outer reaches of both our universe and our Zoologicheskaja 13, Moscow, Russia – April, 2013 collective imagination in Stellar: Book Art and the Cosmos, More information at www.pogarsky.ru featuring work by dozens of local and international artists. Page 2 this newsletter can be downloaded from www.bookarts.uwe.ac.uk/banlists.htm An Inventory Of Al-Mutanabbi Street make visible the literary bridge that connects us, made of The first shows in the tour of “An Inventory Of Al- words and images that move back and forth between the Mutanabbi Street” are on now: until 29th July 2013, at the readers in Iraq and ourselves” - The al-Mutanabbi Street John Rylands Library, Manchester, UK; until 11th May Coalition. 2013, at the San Francisco Center for the Book, USA; until 21st June 2013, at Cambridge Arts Council, Cambridge, Build-a-book - Friday 26th April 1.00-4.00 FREE Massachusetts. For a complete list of exhibitions in the tour In this workshop, led by Guy Begbie of Begbiebook, you to date, see http://www.al-mutanabbistreetstartshere-boston. will discover how to make an ingenious concertina-style com/exhibitions.html hardback book which opens out to display larger pages. This workshop is most suitable for adults and older teenagers (16+). The John Rylands Library, 150 Deansgate, Manchester, M3 3EH, UK. www.library.manchester.ac.uk/deansgate/ Al-Mutanabbi Street Starts Here A three-part exhibit of 261 international artists’ books CAC Gallery at the Cambridge Arts Council City Hall Annex, 344 Broadway, 2nd Floor, Cambridge, MA Until 21st June 2013 Exhibition #2: Until 30th April 2013 Exhibition #3: May 13 – June 21 2013 Opening Reception: Monday 13th May 2013, 6pm - 8pm On March 5, 2007, a car bomb exploded on al-Mutanabbi Al-Mutanabbi Street Starts Here Street, the ancient street of booksellers, poets and writers, The San Francisco Center for the Book, San Francisco, located at the literary and cultural heart of Baghdad, Iraq. California, USA The attack killed 30 people and injured scores more. As part Until 11th May 2013 of an international response to this event, the Cambridge Exhibition coordinated by Sas Colby.
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