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Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
CURRICULUM VITAE for Alison Welsh Alison Welsh Is Head Of
CURRICULUM VITAE for Alison Welsh Alison Welsh is Head of Fashion Research at Manchester Metropolitan University, and is based within the Manchester Fashion Institute. She graduated in Fashion Design at Newcastle Polytechnic in 1981 and went on to work as a Menswear designer in London for 10 years. She was a Trend Forecaster and a MeMber of the British Textile Colour Group. Alison headed up the award-winning BA (Hons) Fashion course within the Manchester School of Art for twenty years. In addition, she has been a trustee of Graduate Fashion Week since 2004. As a practicing designer, she has a special interest in slow fashion, ethical practices, the hand-made and methods of valuing the work of those involved within garment production. Her fashion work explores the introduction of high value for conteMporary craft within garMent design, and environmentally friendly textiles, through collaborative projects, such as The Thai Lue Project, Field to Fashion exhibited in New Delhi and Hand Made, which was exhibited in Tokyo. Higher Education: 1976/77 Foundation Course in Art and Design, Bradford Art College. 1977/81 B.A. (Hons) Fashion Design, Newcastle Polytechnic. Current EmployMent Head of Fashion Research 0.5 FTE Manchester Metropolitan University. Previous EmployMent Details: 2013 – 2017 Head of DepartMent, Manchester Fashion Institute 2011 - 2013 Principle Lecturer, (International Development) Manchester School of Art 1992 - 2011 PrograMMe Leader, BA (Hons) Fashion MMU 1991 - 2011 Senior Lecturer, Manchester Metropolitan University 1985 - 1991 Design Manager, International Design Exchange, London Client list included Nike, Levis, and Laura Ashley. 1 1982 - 1985 Menswear Designer, Design Intelligence, London 1986 - 1990 Visiting Lecturer, Derby College of Further Education 1984 Visiting Lecturer, Kingston Polytechnic 1981 Part-tiMe Lecturer, North Tyneside College of Further Education 1980 PlaceMent, Designer & Pattern Cutter. -
Disseminating Design: the Post-War Regional Impact of the Victoria & Albert Museum’S Circulation Department
DISSEMINATING DESIGN: THE POST-WAR REGIONAL IMPACT OF THE VICTORIA & ALBERT MUSEUM’S CIRCULATION DEPARTMENT JOANNA STACEY WEDDELL A thesis submitted in partial fulfilment of the requirements of the University of Brighton in collaboration with the Victoria & Albert Museum for the degree of Doctor of Philosophy April 2018 BLANK 2 Disseminating Design: The Post-war Regional Impact of the Victoria and Albert Museum’s Circulation Department This material is unavailable due to copyright restrictions. Figure 1: Bill Lee and Arthur Blackburn, Circulation Department Manual Attendants, possibly late 1950s, MA/15/37, No. V143, V&A Archive, © Victoria and Albert Museum, London. Joanna Weddell University of Brighton with the Victoria and Albert Museum AHRC Part-time Collaborative Doctoral Award AH/I021450/1 3 BLANK 4 Thesis Abstract This thesis establishes the post-war regional impact of the Victoria and Albert Museum’s Circulation Department (Circ) which sent touring exhibitions to museums and art schools around the UK in the period 1947-1977, an area previously unexplored to any substantial depth. A simplistic stereotypical dyad of metropolitan authority and provincial deference is examined and evidence given for a more complex flow between Museum and regions. The Introduction outlines the thesis aims and the Department’s role in the dissemination of art and design. The thesis is structured around questions examining the historical significance of Circ, the display and installation of Circ’s regional exhibitions, and the flow of influence between regions and museum. Context establishes Circ not as a straightforward continuation of Cole’s Victorian mission but as historically embedded in the post-war period. -
The New Front Line
PRESS RELEASE Phillips Partners with British Vogue to Present The New Front Line A Virtual Selling Exhibition Premiering 27 Photographs by Jamie Hawkesworth Taken for British Vogue’s July Issue Proceeds to Benefit National Emergencies Trust Jamie Hawkesworth, Anisa Omar, Waitrose & Partners Assistant and Karrie Scott, Postal worker, 24 © Jamie Hawkesworth LONDON – 13 JULY 2020 – This July, in collaboration with British Vogue, Phillips will premiere the work of celebrated photographer Jamie Hawkesworth in a virtual selling exhibition The New Front Line. Hawkesworth has selected 27 unique works to be made available for sale for the first time, with all proceeds going to the National Emergencies Trust. The portraits hail from his recent portfolio of front-line workers in the Covid-19 effort, which includes the iconic cover story for British Vogue’s July 2020 issue. These unique works will be available for sale on Phillips.com as part of a virtual exhibition, running from 14 to 28 July 2020. Edward Enninful, Editor in Chief of British Vogue, said, “I am delighted that Jamie Hawkesworth's images of our key workers are going to be included in this important exhibition at Phillips. Vogue’s July cover stars celebrate a moment in time when millions of people in the UK who, at the height of the pandemic, in the face of dangers large and small, put on their uniforms and work clothes and went to help people." Jamie Hawkesworth, said, “I spent two weeks on this project and the most joyous thing about it has been the time I spent with each person I photographed. -
Curating the Space Magazines Next Generation Technology Matters Please Enjoy This Preview of Our Latest Issue
#29 What’s Next? Winter 2011/2012 €17,50 Independent From Here On(line) Curating the Space Magazines Next Generation Technology Matters Please enjoy this preview of our latest issue. We encourage you to visit our shop and purchase or subscribe to the magazine to get the full experience. Independent From Here On(line) Curating the Space Next Generation Technology Matters and more... foam magazine # 29 what's next? 4 Ten years ago What’s next? What’s In December 2001, a new photography next after I have finished museum opened its doors in Amsterdam – Foam was born. At the same time, a new what I am doing right photography magazine was launched: Foam Magazine started out as a catalogue now? What’s next for me accompanying the first exhibition, but tomorrow, at the begin- immediately became an independent platform for photography. This year marks ning of a brand new the tenth anniversary of both Foam and Foam Magazine – a memorable event that day? What’s next for you, deserves to be celebrated. However, just for us? Promises, expec- looking back and congratulating ourselves on what has been achieved over the tations, hopes and ideas past decade doesn’t fit the mindset that is characteristic of our staff. Our curiosity about what is in the about new developments is simply stronger pipeline are often very than our desire to look back. And so the What’s Next? theme arose naturally for our influential on the way we jubilee year. think, feel or behave. The fact that we found this a fitting theme to reaffirm our ten-year anniversary What’s next? It’s a simple indicates a validation of the current question that can be position of photography. -
A History of the University of Manchester Since 1951
Pullan2004jkt 10/2/03 2:43 PM Page 1 University ofManchester A history ofthe HIS IS THE SECOND VOLUME of a history of the University of Manchester since 1951. It spans seventeen critical years in T which public funding was contracting, student grants were diminishing, instructions from the government and the University Grants Commission were multiplying, and universities feared for their reputation in the public eye. It provides a frank account of the University’s struggle against these difficulties and its efforts to prove the value of university education to society and the economy. This volume describes and analyses not only academic developments and changes in the structure and finances of the University, but the opinions and social and political lives of the staff and their students as well. It also examines the controversies of the 1970s and 1980s over such issues as feminism, free speech, ethical investment, academic freedom and the quest for efficient management. The author draws on official records, staff and student newspapers, and personal interviews with people who experienced the University in very 1973–90 different ways. With its wide range of academic interests and large student population, the University of Manchester was the biggest unitary university in the country, and its history illustrates the problems faced by almost all British universities. The book will appeal to past and present staff of the University and its alumni, and to anyone interested in the debates surrounding higher with MicheleAbendstern Brian Pullan education in the late twentieth century. A history of the University of Manchester 1951–73 by Brian Pullan with Michele Abendstern is also available from Manchester University Press. -
TBN12.Pdf Murray and Robert Parkinson in June 2009
The Blue Notebook Volume 6 No.2 April 2012 1 The Blue Notebook is published in two formats: an online colour version, and a paper, black and white version. An annual subscription covers both formats for two issues, UK or international. For subscriptions, please download the form on our publications page: www.bookarts.uwe.ac.uk/bnotebk.htm or contact us for a postal form. We welcome submissions of writing on contemporary artists’ books and related issues for The Blue Notebook. Please email [email protected] for guidelines or see: www.bookarts.uwe.ac.uk/bnotebk.htm Artists’ contributions are by invitation from the Art Editor, Tom Sowden. The Blue Notebook journal for artists’ books is published by Wild Conversations Press, Bristol www.wildconversations.isophia.co.uk Editor: Sarah Bodman Art Editor: Tom Sowden Design: Sarah Bodman and Tom Sowden Cover design: Tom Sowden Editorial address: Impact Press at the Centre for Fine Print Research UWE Bristol, Kennel Lodge Road, Bristol, BS3 2JT, UK Tel: +44 (0)117 328 4915 Fax: +44 (0)117 328 5865 [email protected] [email protected] www.bookarts.uwe.ac.uk The Blue Notebook Vol.6 No.2 April 2012 ISSN 1751-1712 (print) ISSN 1751-1720 (online) © 2012 publication, Impact Press © 2012 texts, individual authors © 2012 images, individual artists Permission to photocopy texts for personal use, one-off educational use in study packs, or for individual academic study is granted. For any other use, please contact the editor and the individual author or artist for their authorisation. -
Manchester Science Festival
Manchester Thursday 18 October – Science Sunday 28 October Festival Produced by Welcome to Manchester Science Festival It’s a huge pleasure to introduce this Create, play and experiment with science year’s programme. at this year's Manchester Science Festival. This Festival started life twelve years Experience what it's like to step inside a ago as a small, grassroots event and black hole with Distortions in Spacetime, has grown steadily to become the a brand new immersive artwork by largest, most playful and most popular cutting-edge audiovisual pioneers Science Festival in the country. Marshmallow Laser Feast. Play among gravitational waves and encounter one Here at the Science and Industry of the biggest mysteries of the universe. Museum we’re immensely proud to produce the Festival each year as it is Electricity: The spark of life is our an incredible opportunity to work with headline exhibition for 2018. Explore wonderful partners and venues across with us this vital but invisible force Greater Manchester. All of our partners from its discovery in nature to our continue to surprise us with new ideas high tech dependence on it today. for ways to get more people excited Award-winning data design studio about the science that shapes our lives. Tekja has created a new “electric” installation that captures the sheer On behalf of the wider Festival scale of electricity used in the North community, I would like to extend West. This beautiful and thought- a particularly warm welcome to all our provoking experience will encourage new partners this year, from community you to imagine the new ways electricity interest company Reform Radio to might be made and used in the future. -
The Sporting Image: a Personal Journey Utilising History to Develop Academic Inquiry and Creativity
The Sporting Image: A personal journey utilising history to develop academic inquiry and creativity Iain Adams International Football Institute, University of Central Lancashire, Preston, UK. In 1997, an optional third year undergraduate module, The Sporting Image, was developed for sports studies students in which they scrutinized the portrayal of sport in popular and high culture; including literature, film, TV, art and music. Fifteen years later, this module, now compulsory for Sports Journalism students, continues to examine the portrayal of sport and ways in which it has become an integral part of popular culture and resonates with values and standards specific in time and place. This paper describes the evolution of the module and its successes and failures in obliging both the lecturers and students to move outside of their comfort zones and engage with creative writing, poetry, music and the visual arts. Introduction In the late 1970s, I was engaged in my PhD research at the University of North Dakota when I noticed an interesting optional module being offered on the taught Master’s programme by my Master’s degree supervisor, Bill Bolonchuk. This was called George Plimpton and Sport and seemed to be a radical departure for Bill, a hardnosed quantitative kinesiologist, so I attended the module. George Plimpton, a graduate of Harvard and Kings College, Cambridge, a close friend of Bobby Kennedy, editor of the influential literary journal The Paris Review, a CIA agent of note and occasional Sports Illustrated writer produced a number of books as he swam against Don Schollander, sparred with Archie Moore, golfed against Nicklaus and Palmer, quarterbacked for Detroit Lions and netminded for the Boston Bruins.1 With Bill, we discussed Plimpton’s work in this new genre of participatory journalism and hypothesized about its impact on people’s views of sport and the place of professional sport in American society and culture. -
Manchester Metropolitan University
Manchester Metropolitan University Manchester Metropolitan University (often abbreviated MMU) is a public university located in Manchester, England. The university traces Manchester Metropolitan its origins to the Manchester Mechanics Institute and the Manchester University School of Design, which formed Manchester Polytechnic in 1970. Manchester Polytechnic then gained university status under the government's Further and Higher Education Act, becoming the Manchester Metropolitan University in 1992. Today, it is headquartered in the city of Manchester. Former name Manchester Manchester Metropolitan University is an accredited member of the Polytechnic Association of MBAs, and member of the University Alliance, the Association of Commonwealth Universities, the North West Type Public Universities Association, Association to Advance Collegiate Schools Established 1824 - of Business and the European University Association. Manchester Mechanics' Today, it is also home to the Manchester School of Art, the Institution Manchester School of Theatre, as well as the Manchester School of 1838 - Architecture (MSA) administered in collaboration with the University of Manchester. Manchester School of The University's logo is derived from the upper part of the shield of the Design university's coat-of-arms, with six spade-irons positioned together, 1970 - suggesting hard toil and entrenchment. Manchester Polytechnic History 1992 - gained university status Manchester Metropolitan University was developed from mergers of as Manchester various colleges with various specialisms, including technology, art and Metropolitan design. Its founding can be traced back to the Manchester Mechanics University Institute, and the Manchester School of Design latterly known as the Endowment £1.0 m (2015) Manchester School of Art. The painter L. S. Lowry attended in the years after the First World War, where he was taught by the noted Chancellor Peter impressionist Adolphe Valette. -
The Manchester Esrc Festival of Social Science 2018 Think About the Future…
3-10 November 2018 THE MANCHESTER ESRC FESTIVAL OF SOCIAL SCIENCE 2018 THINK ABOUT THE FUTURE… 3-10 November 2018 across the UK http://www.esrcmanchesterfest.ac.uk/ #McrESRCFest THINK ABOUT THE FUTURE… On behalf of all the University partners we wish you a warm welcome to the ESRC Manchester Festival of Social Science 2018! The Manchester version of this national festival is now in its fourth year and it’s bigger and better than ever. For 8 days each November our mission is to take over Manchester and Salford’s museums, bars, theatres, classrooms and galleries to present the very latest in social science research. This year our programme features 36 events on a variety of themes including ageing, virtual reality, climate change, the future of work and employment, place making and cities, devolution and…dare we say it…Brexit! We’ve got presentations, workshops, debates, drop-ins, exhibitions, film screenings, club nights, participatory research and story-telling workshops. There’s something for everybody; from sensory workshops aimed at pre-schoolers to bus tours for older adults and everything in between. Every event in our schedule is underpinned by high-quality social science research – much of it funded by the Economic and Social Research Council. We believe that the challenges and opportunities that we are facing in the twenty first century; whether that’s Greater Manchester devolution, Brexit or the perceived lack of trust in “experts”; makes it more important than ever for our research to make meaningful connections with wider society. So yes, we want to use this festival to showcase what we consider to be fantastic research but we also want to get your feedback on this work; we want to hear what you think and we want your help in shaping the research agendas of the future. -
North West Cheshire
Archaeological Investigations Project 2007 Desk-based Assessment Version 4.1 North West Cheshire Congleton (B.13.321) SJ87306330 AIP database ID: {52999963-B8E9-47B5-AB99-12ECE1C98B40} Parish: Congleton Postal Code: CW122HD BATH VALE WORKS, CONGLETON Bath Vale Works, Congleton. An Archaeological Desk-based Assessment Arrowsmith, P Manchester : University of Manchester Archaeological Unit, 2007, 42pp, colour pls, figs, refs Work undertaken by: University of Manchester Archaeological Unit The known and potential remains within the study area related to Bath Vale Mill, originally built in 1800-1 for cotton spinning, to which, in the late 1820s and early 1830s, was briefly added silk throwing. The mill house will be demolished under the proposed development. It was suggested that the buildings be recorded prior to development. [Au(abr)] Archaeological periods represented: PM OASIS ID :no (B.13.322) SJ70106640 AIP database ID: {E8D1D465-A6E1-456F-9801-22A33A734D39} Parish: Middlewich Postal Code: CW109AD KINDERTON HALL, MIDDLEWICH Kinderton Hall, Middlewich. Archaeological Assessment Webster, T Chester : Gifford & Partners, 2007, 43pp, colour pls, figs, refs Work undertaken by: Gifford & Partners The assessment identified that the development site, part of a Scheduled Ancient Monument, had the potential for archaeological survival. The main earthworks of the monument were to the north and west of the development. A Grade II 18th century Listed Building, Kinderton Hall Farm, was to the west, with the development sited in the area of former agricultural buildings. Work on conversion of the farm buildings (into dwellings) by the implementation of planning permission, was near completion and the laying of the associated services had commences, prior to any schedule consent.