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The Carrying Trade and the First Railways in England, C1750-C1850
The Carrying Trade and the First Railways in England, c1750-c1850 Carolyn Dougherty PhD University of York Railway Studies November 2018 Abstract Transport and economic historians generally consider the change from moving goods principally on roads, inland waterways and coastal ships to moving them principally on railways as inevitable, unproblematic, and the result of technological improvements. While the benefits of rail travel were so clear that most other modes of passenger transport disappeared once rail service was introduced, railway goods transport did not offer as obvious an improvement over the existing goods transport network, known as the carrying trade. Initially most railways were open to the carrying trade, but by the 1840s railway companies began to provide goods carriage and exclude carriers from their lines. The resulting conflict over how, and by whom, goods would be transported on railways, known as the carrying question, lasted more than a decade, and railway companies did not come to dominate domestic goods carriage until the 1850s. In this study I develop a fuller picture of the carrying trade than currently exists, highlighting its multimodal collaborative structure and setting it within the ‘sociable economy’ of late eighteenth- and early nineteenth-century England. I contrast this economy with the business model of joint-stock companies, including railway companies, and investigate responses to the business practices of these companies. I analyse the debate over railway company goods carriage, and identify changes in goods transport resulting from its introduction. Finally, I describe the development and outcome of the carrying question, showing that railway companies faced resistance to their attempts to control goods carriage on rail lines not only from the carrying trade but also from customers of goods transport, the government and the general public. -
Downloaded From: Usage Rights: Creative Commons: Attribution-Noncommercial-No Deriva- Tive Works 4.0
Daly, Timothy Michael (2016) Towards a fugitive press: materiality and the printed photograph in artists’ books. Doctoral thesis (PhD), Manchester Metropolitan University. Downloaded from: https://e-space.mmu.ac.uk/617237/ Usage rights: Creative Commons: Attribution-Noncommercial-No Deriva- tive Works 4.0 Please cite the published version https://e-space.mmu.ac.uk Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly PhD 2016 Towards a fugitive press: materiality and the printed photograph in artists’ books Tim Daly A thesis submitted in partial fulfilment of the requirements of the Manchester Metropolitan University for the degree of Doctor of Philosophy MIRIAD Manchester Metropolitan University June 2016 Contents a. Abstract 1 b. Research question 3 c. Field 5 d. Aims and objectives 31 e. Literature review 33 f. Methodology 93 g. Practice 101 h. Further research 207 i. Contribution to knowledge 217 j. Conclusion 220 k. Index of practice conclusions 225 l. References 229 m. Bibliography 244 n. Research outputs 247 o. Appendix - published research 249 Tim Daly Speke (1987) Silver-gelatin prints in folio A. Abstract The aim of my research is to demonstrate how a practice of hand made books based on the materiality of the photographic print and photo-reprography, could engage with notions of touch in the digital age. We take for granted that most artists’ books are made from paper using lithography and bound in the codex form, yet this technology has served neither producer nor reader well. As Hayles (2002:22) observed: We are not generally accustomed to thinking about the book as a material metaphor, but in fact it is an artifact whose physical properties and historical usage structure our interactions with it in ways obvious and subtle. -
100 Years: a Century of Song 1970S
100 Years: A Century of Song 1970s Page 130 | 100 Years: A Century of song 1970 25 Or 6 To 4 Everything Is Beautiful Lady D’Arbanville Chicago Ray Stevens Cat Stevens Abraham, Martin And John Farewell Is A Lonely Sound Leavin’ On A Jet Plane Marvin Gaye Jimmy Ruffin Peter Paul & Mary Ain’t No Mountain Gimme Dat Ding Let It Be High Enough The Pipkins The Beatles Diana Ross Give Me Just A Let’s Work Together All I Have To Do Is Dream Little More Time Canned Heat Bobbie Gentry Chairmen Of The Board Lola & Glen Campbell Goodbye Sam Hello The Kinks All Kinds Of Everything Samantha Love Grows (Where Dana Cliff Richard My Rosemary Grows) All Right Now Groovin’ With Mr Bloe Edison Lighthouse Free Mr Bloe Love Is Life Back Home Honey Come Back Hot Chocolate England World Cup Squad Glen Campbell Love Like A Man Ball Of Confusion House Of The Rising Sun Ten Years After (That’s What The Frijid Pink Love Of The World Is Today) I Don’t Believe In If Anymore Common People The Temptations Roger Whittaker Nicky Thomas Band Of Gold I Hear You Knocking Make It With You Freda Payne Dave Edmunds Bread Big Yellow Taxi I Want You Back Mama Told Me Joni Mitchell The Jackson Five (Not To Come) Black Night Three Dog Night I’ll Say Forever My Love Deep Purple Jimmy Ruffin Me And My Life Bridge Over Troubled Water The Tremeloes In The Summertime Simon & Garfunkel Mungo Jerry Melting Pot Can’t Help Falling In Love Blue Mink Indian Reservation Andy Williams Don Fardon Montego Bay Close To You Bobby Bloom Instant Karma The Carpenters John Lennon & Yoko Ono With My -
Central Lancashire Open Space Assessment Report
CENTRAL LANCASHIRE OPEN SPACE ASSESSMENT REPORT FEBRUARY 2019 Knight, Kavanagh & Page Ltd Company No: 9145032 (England) MANAGEMENT CONSULTANTS Registered Office: 1 -2 Frecheville Court, off Knowsley Street, Bury BL9 0UF T: 0161 764 7040 E: [email protected] www.kkp.co.uk Quality assurance Name Date Report origination AL / CD July 2018 Quality control CMF July 2018 Client comments Various Sept/Oct/Nov/Dec 2018 Revised version KKP February 2019 Agreed sign off April 2019 Contents PART 1: INTRODUCTION ................................................................................................ 1 1.1 Report structure ...................................................................................................... 2 1.2 National context ...................................................................................................... 2 1.3 Local context ........................................................................................................... 3 PART 2: METHODOLOGY ............................................................................................... 4 2.1 Analysis area and population .................................................................................. 4 2.2 Auditing local provision (supply) .............................................................................. 6 2.3 Quality and value .................................................................................................... 7 2.4 Quality and value thresholds .................................................................................. -
Central Lancashire Employment Land Study Technical Report
Central Lancashire Employment Land Study – Technical Report Chorley, Preston and South Ribble Councils FRONT COVER S153(e)/Technical Report – Final Report/November 2017/BE Group Central Lancashire Employment Land Study – Technical Report Chorley, Preston and South Ribble Councils CONTENTS 1.0 INTRODUCTION .................................................................................................. 1 2.0 STRATEGIC CONTEXT ....................................................................................... 7 3.0 ECONOMIC CONTEXT ASSESSMENT ............................................................. 34 4.0 DEMAND ASSESSMENT – PROPERTY MARKET ASSESSMENT .................. 48 5.0 DEMAND ASSESSMENT – STAKEHOLDER CONSULTATIONS ..................... 68 6.0 DEMAND ASSESSMENT – COMPANY SURVEY ............................................. 78 7.0 DEMAND ASSESSMENT – FUNCTIONAL ECONOMIC MARKET AREA ......... 99 8.0 DEMAND ASSESSMENT – OBJECTIVELY ASSESSED NEEDS ................... 119 9.0 DEMAND ASSESSMENT – LAND NEEDS OF NON-B CLASS USES ............ 152 10.0 EMPLOYMENT LAND AND PREMISES SUPPLY ........................................... 170 11.0 CONCLUSIONS ............................................................................................... 204 12.0 RECOMMENDATIONS ..................................................................................... 237 Appendix 1 – List of Consultees Appendix 2 – Business Survey Questionnaire Appendix 3 – Business Survey Responses by Sub-Area Appendix 4 – In and Out Flows of Central Lancashire -
Red Jackets and Entertainment in 1960S Birmingham Alan Pianosmith Lan Pianosmith Has Written a Book About the Enigmatic 'Professor' Arthur C Aifhroovest
El) , ' ,,, , , , ,, ·, Red ,Jackets and Entertainment in 1960s Birmingham Red Jackets and Entertainment in 1960s Birmingham Alan Pianosmith lan Pianosmith has written a book about the enigmatic 'professor' Arthur C Aifhroovest. Alan and Throovest are one and the same person. But this stage name - dreamed up in the 1950s - came into its own with the advent of the internet. There's only one Throovest and it's Arthur! Or rather, Alan. rm sure you get the idea. Back in 50s Birmingham, however, the only net was what you kept fish in which you hoiked out of the canal at the Maypole. And a mobile hung over babies' cots. Although born in West Bromwich, Arthur lived out his formative years in King Edward Road, Moseley, ._·1; Arthur trying to look cool .•• andfailing miserably! Squirrels publicity snap. Birmingham, up by the 'Fighting someone else. Saturday morning Cocks' pub. It was post-war Brum: cinema. Saturday afternoon bussing an Arthur celebrates passing the rationing; arguing neighbours; into Birmingham - on his own, aged most advanced grade on occasional suicide. Just three car six. · accordton; thanks to Mr. Barrett owners in a cul-de-sac of some 160 of Woodroffe's, John Bright souls. No cash. Kicking tin cans in the Kings Heath Infant & Junior schools. Street. road. Breaking windows and blaming His mother sent him there because she didn1t like the condition of the f, Ii tt Red Jackets and Entertainment in 1960s Birmingham , · ·' · ' Qi) i I' I ' Ricardo Palomino falls asleep during Arthur's somnolent solo at Moseley Grammar. outside lavatories at Moseley Junior songs and life in general, must surely Well, there were no phones back School. -
The New Front Line
PRESS RELEASE Phillips Partners with British Vogue to Present The New Front Line A Virtual Selling Exhibition Premiering 27 Photographs by Jamie Hawkesworth Taken for British Vogue’s July Issue Proceeds to Benefit National Emergencies Trust Jamie Hawkesworth, Anisa Omar, Waitrose & Partners Assistant and Karrie Scott, Postal worker, 24 © Jamie Hawkesworth LONDON – 13 JULY 2020 – This July, in collaboration with British Vogue, Phillips will premiere the work of celebrated photographer Jamie Hawkesworth in a virtual selling exhibition The New Front Line. Hawkesworth has selected 27 unique works to be made available for sale for the first time, with all proceeds going to the National Emergencies Trust. The portraits hail from his recent portfolio of front-line workers in the Covid-19 effort, which includes the iconic cover story for British Vogue’s July 2020 issue. These unique works will be available for sale on Phillips.com as part of a virtual exhibition, running from 14 to 28 July 2020. Edward Enninful, Editor in Chief of British Vogue, said, “I am delighted that Jamie Hawkesworth's images of our key workers are going to be included in this important exhibition at Phillips. Vogue’s July cover stars celebrate a moment in time when millions of people in the UK who, at the height of the pandemic, in the face of dangers large and small, put on their uniforms and work clothes and went to help people." Jamie Hawkesworth, said, “I spent two weeks on this project and the most joyous thing about it has been the time I spent with each person I photographed. -
Curating the Space Magazines Next Generation Technology Matters Please Enjoy This Preview of Our Latest Issue
#29 What’s Next? Winter 2011/2012 €17,50 Independent From Here On(line) Curating the Space Magazines Next Generation Technology Matters Please enjoy this preview of our latest issue. We encourage you to visit our shop and purchase or subscribe to the magazine to get the full experience. Independent From Here On(line) Curating the Space Next Generation Technology Matters and more... foam magazine # 29 what's next? 4 Ten years ago What’s next? What’s In December 2001, a new photography next after I have finished museum opened its doors in Amsterdam – Foam was born. At the same time, a new what I am doing right photography magazine was launched: Foam Magazine started out as a catalogue now? What’s next for me accompanying the first exhibition, but tomorrow, at the begin- immediately became an independent platform for photography. This year marks ning of a brand new the tenth anniversary of both Foam and Foam Magazine – a memorable event that day? What’s next for you, deserves to be celebrated. However, just for us? Promises, expec- looking back and congratulating ourselves on what has been achieved over the tations, hopes and ideas past decade doesn’t fit the mindset that is characteristic of our staff. Our curiosity about what is in the about new developments is simply stronger pipeline are often very than our desire to look back. And so the What’s Next? theme arose naturally for our influential on the way we jubilee year. think, feel or behave. The fact that we found this a fitting theme to reaffirm our ten-year anniversary What’s next? It’s a simple indicates a validation of the current question that can be position of photography. -
RCHS Journal Combined Index 1955-2019
JOURNAL of the RAILWAYRAILWAY and CANALCANAL HISTORICALHISTORICAL SOCIETYSOCIETY DECENNIAL INDEX No.1No.1 Volumes I to X INTRODUCTIONINTRODUC TION The first volumevolume ofof thethe JournalJournal ofof thethe RailwayRailway andand Canal Historical SocietySociety was published inin 1955; itit consistedconsisted of fourfour issuesissues of duplicated typescript in quarto format. CommencingCommencing withwith the secondsecond volume, six issues werewere publishedpublished eacheach year until the end of thethe tenthtenth volume,volume, after which thethe Journal was published asas aa prinprin- ted quarterly. AA slight slight change change in in the the method method of of reproduction reproduction was was introducedintroduced withwith volume IX; thisthis and thethe succeeding volumevolume werewere producedproduced byby offset-lithooffset-litho process.process. The first fourfour volumesvolumes included notnot onlyonly original original articles,articles, compilations,compilations, book reviewsreviews and correspondence,correspondence, but also materialmaterial concerned concerned with with thethe day-to-dayday-to-day running of thethe Society,Society, suchsuch as announcementsannouncements of forthcoming events,events, accountsaccounts of meetings andand visits,visits, listslists of of new new membersmembers andand the like. CommencingCommencing withwith volume V,V, all such material waswas transferred to to a a new new andand separateseparate monthly monthly pub-pub lication, thethe R.R. di& C.C.H.S. H. S. Bulletin, aa practicepractice which which hashas continuedcontinued to the present time. The purpose of the present publicationpublication is toto provideprovide aa comprehensivecomprehensive andand detailed Index toto allall thethe originaloriginal material in the first tenten volumesvolumes ofof the Society'sSociety's JournallikelJournal likely y to be of interestinterest toto thethe canalcanal oror railwayrailway historian historian or or student.student. -
TBN12.Pdf Murray and Robert Parkinson in June 2009
The Blue Notebook Volume 6 No.2 April 2012 1 The Blue Notebook is published in two formats: an online colour version, and a paper, black and white version. An annual subscription covers both formats for two issues, UK or international. For subscriptions, please download the form on our publications page: www.bookarts.uwe.ac.uk/bnotebk.htm or contact us for a postal form. We welcome submissions of writing on contemporary artists’ books and related issues for The Blue Notebook. Please email [email protected] for guidelines or see: www.bookarts.uwe.ac.uk/bnotebk.htm Artists’ contributions are by invitation from the Art Editor, Tom Sowden. The Blue Notebook journal for artists’ books is published by Wild Conversations Press, Bristol www.wildconversations.isophia.co.uk Editor: Sarah Bodman Art Editor: Tom Sowden Design: Sarah Bodman and Tom Sowden Cover design: Tom Sowden Editorial address: Impact Press at the Centre for Fine Print Research UWE Bristol, Kennel Lodge Road, Bristol, BS3 2JT, UK Tel: +44 (0)117 328 4915 Fax: +44 (0)117 328 5865 [email protected] [email protected] www.bookarts.uwe.ac.uk The Blue Notebook Vol.6 No.2 April 2012 ISSN 1751-1712 (print) ISSN 1751-1720 (online) © 2012 publication, Impact Press © 2012 texts, individual authors © 2012 images, individual artists Permission to photocopy texts for personal use, one-off educational use in study packs, or for individual academic study is granted. For any other use, please contact the editor and the individual author or artist for their authorisation. -
Benny's Babbies
2 1 3 11 12 8 14 13 4 5 28 29 31 9 10 27 7 6 50 51 19 24 93 37 21 22 23 30 36 38 39 52 16 25 26 32 35 49 54 55 56 18 102 20 42 43 73 53 57 62 15 33 86 34 40 46 66 64 95 94 90 89 88 83 82 47 72 65 85 84 81 79 48 58 17 44 74 69 63 101 99 41 45 61 97 92 80 75 71 103 96 78 77 68 100 87 70 98 76 115 67 60 91 120 121 109 59 107 110 114 106 117 118 108 112 105 116 111 113 122 119 104 The Birmingham figures shown in the image are: 1 Steel Pulse (band) 33 Laura Rollins (actress) 65 Lee Child (author) 97 Adrian Lester (actor) 2 Black Sabbath (band) 34 Steve Winwood (musician) 66 Kate Ashfield (actress) 98 Gillian Wearing (artist) 3 Paul Henry (actor) 35 Jeff Rawle (actor) 67 Natalie Haynes (writer/comedian) 99 Duran Duran (band) 4 Cold War Steve (ahem… artist) 36 Jacob Banks (singer) 68 Maizie Williams (model/singer) 100 John Oliver (comedian/TV host) 5 Jemmy (the Rockman) 37 Samuel Anderson (actor) 69 Hard Kaur (rapper) 101 Shefali Chowdhury (actress) 6 James and Oliver Phelps (actors) 38 Alice Amter (actress) 70 Julie Walters (actress) 102 Joe Dixon (actor) 7 Broadcast (band) 39 Hunt Emerson (cartoonist) 71 Donnaleigh Bailey (actress) 103 David Harewood (actor) 8 Apache Indian (rapper) 40 Mr Hudson (musician) 72 Jude Bellingham (footballer) 104 Musical Youth (band) 9 ROMderful (DJ) 41 Jonathan Coe (author) 73 Jack Grealish (footballer) 105 Mist (rapper/grime) 10 The Move (band) 42 Susan Fletcher (author) 74 Anna Brewster (actress) 106 Joe Lycett (comedian) 11 Mike Skinner (musician, rapper, producer) 43 Dr Pogus Caesar (photographer, artist, -
The Preston Magazine the Preston Magazine
The Preston IssueIssue 2020 Magazine RhymesRhymes ofof aa RedRed CrossCross ManMan PrivatePrivate JosephJoseph SmythSmyth PrivatePrivate JamesJames GreenGreen F R E E Penwortham Supported & Printed by: ACADEMY To submit any old images of Preston and area please email [email protected] or ring 07733 321911 Welcome Welcome to the 20th issue of The Preston Magazine, our free monthly magazine containing snippets of lesser-known history articles relating to Preston. A big thankyou to our advertisers, without them we could not produce this magazine. Please support them whenever you can. If you would like to help us by advertising, please do contact us. Our thanks to Penwortham Priory Academy for their help and support in the production of our magazine. A link on their website's community pages allows you to read all issues online, as well as our sister magazines, The Penwortham Magazine and The Lostock Hall Magazine.www.priory.lancs.sch.uk you can also access The Preston and Penwortham Magazines via www.blogpreston.co.uk Included this month are – A Poem from Preston born Canadian poet Robert Service, from his book of poems entitled Rhymes of a Red Cross Man, which was dedicated to his brother, Albert, who was killed in action, in France in August 1916, Memories of Preston Shed by Robin Bamber, Joseph Smyth by Frank Smith, Old Betty Redhead by Janet Rigby. Memories of Preston Grammar School by Allan Fazackerley and also Preston Catholic College by Tony Billington. Part 3 of the diary of James Green 305712, who also served in the Great War, our thanks go to Mrs Rita Finley for her permission to print her Uncle Jimmy's diary.