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Maal Og Minne 1-2010
Ombrukket3_Layout 1 11.06.10 12.28 Side 45 Runes and metrics On the metricity of the older runic inscriptions By Michael Schulte The paper argues that the metrical status of the older runic inscriptions has been partly overestimated in the research literature, and that it is more likely to account for traditions of elevated, stylized prose instead. In the present discussion, three di- agnostic criteria will be assessed: 1. the syllable-count, 2. quantity-sensitivity and 3. the structural complexity of the alliterative scheme. The fine divide between style and metrics will be exemplified by inscriptions such as Noleby, Sjælland II, Tjurkö I and last but not least, the Stentoften–Björketorp group. In conclusion, the Ger- manic long-line represents the only true metrical form within the older runic cor- pus, whereas the bulk of the Early runic inscriptions are identified as artefacts of elevated prose style with typical features of formulaic diction.1 1 Introduction Although mainstream research favours assumptions about elaborate met- rical forms of particular early Runic texts, this is by no means imperative. The overemphasis of metrical structure is partly due to the reliance on Siev- ersian metrical grammar on a strictly measuring basis (e.g. Sievers 1893).2 Frank Hübler, however, in his study of Viking-Age inscriptions, accounts for a state of metrical indeterminacy (cf. Naumann 1997), and edith Marold 1. This article is based on the revised and enlarged version of my presentation at the con- ference Greinir skáldskapar – The Branches of Poetry, which was held at Reykholt, Ice- land, 19 June 2008 (see Schulte 2009). -
ANNUAL REPORT 2006 the International Writing Program At
ANNUAL REPORT 2006 The International Writing Program at The University of Iowa 1 Greetings, I am pleased to send you the annual report of the International Writing Program (IWP), which for nearly forty years has offered a unique residency for professional writers from around the world. The literary community created by the IWP, a community of poets, fiction writers, essayists, playwrights and screenwriters from more than 120 countries, stands as a testament to the myriad ways in which service to the word, in every language, can help to bridge differences between peoples and nations divided. Only connect—the governing idea of the program—means that we devote the fall to connecting writers to readers, translators, students and people from every background. And this report offers a glimpse into some of the connections that last year’s writers made. I am also pleased to tell you that the IWP is evolving in a dynamic fashion. In 2006 we hosted our first symposium on the Greek island of Paros, bringing together writers from every corner of the earth to discuss what we hold in common. A Greek film maker made a documentary about the symposium and an e-book of the essays written for the occasion is in the works. As I write these lines we are preparing not only for another symposium, on the subject of justice, but also for a tour of the Middle East designed to introduce some of America’s most prominent writers to their counterparts in Syria, Jordan, Israel and the West Bank. In the spring of 2008, in partnership with the University of Iowa’s Young Writers Studio, we will launch a project called Between the Lines, bringing a dozen high school students from six Arabic-speaking countries to take part in a summer writing workshop, which we expect to deepen our connection to this strategic part of the world, creating new networks of writers and readers. -
Leeds Studies in English
Leeds Studies in English New Series XLII © Leeds Studies in English 2012 School of English University of Leeds Leeds, England ISSN 0075-8566 Leeds Studies in English New Series XLII 2011 Edited by Alaric Hall Editorial assistants Helen Price and Victoria Cooper Leeds Studies in English <www.leeds.ac.uk/lse> School of English University of Leeds 2011 Leeds Studies in English <www.leeds.ac.uk/lse> Leeds Studies in English is an international, refereed journal based in the School of English, University of Leeds. Leeds Studies in English publishes articles on Old and Middle English literature, Old Icelandic language and literature, and the historical study of the English language. After a two-year embargo, past copies are made available, free access; they can be accessed via <http://www.leeds.ac.uk/lse>. Editorial Board: Catherine Batt, Chair Marta Cobb Victoria Cooper, Editorial Assistant Alaric Hall, Editor Paul Hammond Cathy Hume, Reviews Editor Ananya Jahanara Kabir Oliver Pickering Helen Price, Editorial Assistant Notes for Contributors Contributors are requested to follow the MHRA Style Guide: A Handbook for Authors, Editors, and Writers of Theses, 2nd edn (London: Modern Humanities Research Association, 2008), available at <http://www.mhra.org.uk/Publications/Books/StyleGuide/download.shtml>. Where possible, contributors are encouraged to include the digital object identifiers or, where a complete free access text is available, stable URLs of materials cited (see Style Guide §11.2.10.1). The language of publication is English and translations should normally be supplied for quotations in languages other than English. Each contributor will receive a free copy of the journal, and a PDF of their article for distribution. -
Vom Zauber (In) Der Altnordischen Literatur H.U
Vom Zauber (in) der altnordischen Literatur H.U. Schmid I. Gliederung 0. Vorbemerkungen über altnordische Literatur 1. Runenzauber 2. Anti-Liebeszauber in der Edda und in eddischen Dichtungen 2.1. Weiblich (z.B. Skírnis mál) 2.2. Männlich (z.B. Búsla bœn) 3. Zauber in klassischen Isländersagas 3.1. Egils saga Skallagrímssonar 3.2. Frauenzauber und Zauberfrauen in der Fóstbrœðra saga 4. Später Nachklang: Halldór Laxness, Gerpla (1952) II. Texte 1. Runenstein von Blekinge UÞARABASBA ‘Unheilsprophezeiung’ HAIDRRUNO RONU FALAHAK HAIDERA GINARUNAR ARAGEU HAERMA- LAUSAR UTI AR WELADAUDE SAR ÞAT BARUTR ‘Der Glanzrunen Reihe barg ich hier, Zauberrunen. Durch Argheit [Perversion?] ruhelos, draußen ist eines tückischen Todes, wer das [Denkmal] zerstört’ 2. Aus Skírnismál (Liederedda) 26 Tamsvendi ek þik drep, Mit der Zähmungsrute schlag ich dich enn þik temja mun und werde dich zähmen mær, at mínom munom; Mädchen, nach meinem Willen þar skaltu ganga, dorthin sollst du gehen, er þik gumna synir wo dich der Menschen Söhne síðan æva sé niemals mehr sehen 27Ara þúfo á Auf dem Adlershügel skaltu ár sitia sollst du bald sitzen horfa heimi ór von der Welt weggewandt sein snugga heliar til erwartungsvoll zur Hel blicken matr sé þér leiðr Speise sei dir mehr zuwider en manna hveim als irgendeinem Menschen inn fráni ormr með firom unter den Lebenden die schillernde Schlange 28 At undrsiónom þú verðir Zum absonderlichen Anblick sollst du werden er þú út kømr wenn du hinaus kommst á þik Hrímnir hari anglotze dich Hrímnir á þik hotvetna stari! anstarre dich -
Die Runeninschrift Auf Dem Kamm Von Frienstedt, Stadt Erfurt
Die Runeninschrift auf dem Kamm von Frienstedt, Stadt Erfurt CHRISTOPH G. SCHMIDT, ROBERT NEDOMA und KLAUS DÜWEL Disposition: A. Archäologischer Befund (CHRISTOPH G. SCHMIDT): 1. Fundort, S. 123; 2. Zum Kamm mit Runeninschrift, S. 126 – B. Runeninschrift (ROBERT NEDOMA, KLAUS DÜWEL): 1. Lesung, S. 136; 2. Sprachliche Deutung, S. 139; 3. Sprachhistorischer Stel- lenwert, S. 141; 4. Funktion der Inschrift, S. 158; 5. Ausblicke, S. 164 A. Archäologischer Befund (CHRISTOPH G. SCHMIDT) 1. Fundort Bereits seit Ende der 1970er Jahre war bekannt, dass sich auf dem Alacher Feld und benachbarten Fluren zwischen den Erfurter Vororten Gottstedt, Frienstedt und Bindersleben eine Siedlung der römischen Kaiserzeit befand. Der Bau der Autobahn 71 im Rahmen des Verkehrsprojektes Deutsche Ein- heit sollte den Fundplatz durchschneiden. Daher wurden auf der geplanten Trasse in den Jahren 2000–2003 Ausgrabungen durchgeführt und auf den Nachbarfluren noch einmal 2004 und 2005 Sondagen vorgenommen. Es wur- den gut zwei Hektar und damit ein Drittel des Fundplatzes untersucht, dabei konnten ungefähr 1500 archäologische Befunde erfasst und neben ungefähr einer Tonne Keramik, Hüttenlehm und Tierknochen etwa 3000 Sonderfunde (Bunt- und Edelmetall, Eisen, Knochengeräte, Spinnwirtel, Webgewichte) ge- borgen werden.1 1.1. Zentralplatz: Siedlung mit Bronzeschmieden, Gräbern und Kultstätte Der Fundplatz liegt im fruchtbaren, leicht hügeligen Thüringer Becken in ei- ner flachen Senke beiderseits des Flüsschens Nesse. Im Zentrum der Fund- 1 Vorbericht: Schmidt 2008a. Die Auswertung der Grabungen erfolgt z. Z. im Rahmen eines Forschungsprojektes des Thüringischen Landesamtes für Denkmalpflege und Ar- chäologie (TLDA) und des Zentrums für Baltische und Skandinavische Archäologie (ZBSA), Schleswig. Dieses Projekt wird durch die Fritz-Thyssen-Stiftung finanziert. -
Recherche Littéraire Literary Research Volume 32 (Été 2016 / Summer 2016)
RECHERCHE LITTÉRAIRE running head 1 LITERARY RESEARCH R ECHE R CHE LITTÉ R AI R E / L ITE R A R Y R ESEA R CH • Vol. 32 (Été 2016 / Summer 2016) 2016 / Summer 32 (Été Vol. • CONTRIBUTEURS / CONTRIBUTORS Karine Alaverdian Audrey Louckx Corina Beleaua Joyce Martin Franca Bellarsi Marc Maufort Hans Bertens Kitty Millett Jean Bessière Jean-Marc Moura Véronique Bragard Mireille Naturel Marcelo G. Burello David O’Donnell Assumpta Camps Sowon S. Park Marcel Cornis-Pope Randolph D. Pope Sayantan Dasgupta Fabrice Preyat Birgit Däwes Monika Schmitz-Emans Clément Dessy Tasneem Shahnaaz César Dominguez Monica Spiridon Theo D’haen Asha Sundaram Tom De Keyser Anne Tomiche John Burt Foster Jenny Webb D’apres Sargent Massimo Fusillo Chantal Zabus D'après Sargent Katiliina Gielen ZHANG Longxi Gerald Gillespie 32 (Été 2016 / Summer 2016) Cover 2016.indd 1 7/8/16 1:16 PM Recherche littéraire Literary Research Volume 32 (Été 2016 / Summer 2016) Table des matières / Table of Contents ÉDITORIAL / EDITORIAL From World Literature to Postcolonial Literary Studies: Comparative Journeys / Entre littérature mondiale et études littéraires postcoloniales: voyages comparatistes MARC MAUFORT 1 ESSAIS / REVIEW ARTICLES Worlding World Literature THEO D’HAEN 7 Ce que nous disent les commémorations à propos de la recherche proustienne…. Compte rendu de Philippe Chardin et Nathalie Mauriac Dyer, dir. Proust écrivain de la Première Guerre mondiale. Erika Fülöp et Philippe Chardin, dir. Cent ans de jalousie proustienne. MIREILLE NATUREL 24 Comparison and Interconnectedness Review of Gerald Gillespie and Haun Saussy, eds. Intersections, Interfer- ences, Interdisciplines: Literature with Other Arts. ZHANG LONGXI 30 ii recherche littéraire / literary research COMPTES RENDUS / BOOK REVIEWS Jean Bessière and Gerald Gillespie, eds. -
79117262.Pdf
iMitteraria Tartu Ülikooli maailmakirjanduse õppetooli ja Eesti Võrdleva Kirjandusteaduse Assotsiatsiooni rahvusvaheline aastakiri. Annual international refereed edition of the Chair of Comparative Literature of Tartu University and the Estonian Association o f Comparative Literature. Edition annuelle internationale de la Chaire de Litterature Comparee de I'Universite de Tartu et de l'Association Estonienne de Litterature Comparee. Internationales Jahrbuch des Lehrstuhls fü r Weltliteratur an der Universität Tartu und der Assoziation der Vergleichenden Literaturwissenschaft in Estland. Ediciön anual international de la Cätedra de Literatura Comparada de la Universidad de Tartu у de la Asociaciön Estonia de Literatura Comparada. Toimetuskolleegium/Editorial Board: Aadress/Address: INTERLITTERARIA, Tartu Ülikool, maailmakirjanduse õppetool, 50090 Tartu, Estonia tel./fax: +372 73 7 5350, e-mail: [email protected]; website: www.ut.ee/inlit Kirjastaja ja levitaja/Publisher and Distributor: Tartu Ülikooli Kirjastus/Tartu University Press, Tiigi 78, Tartu 50410, Eesti/Estonia tel.: +372 73 7 5945, fax: +372 73 7 5944, e-mail: [email protected], website: www.tyk.ee Kujundaja/Designer: Lemmi Koni Copyright 2009 by Tartu University Press Printed and bound by Tartu University Press. Order No 224 МегИшжй 14 - 2009 - vol II TARTU ÜLIKOOLI KIRJASTUS “INTERLITTERARIA” VALJAANDMIST TOETAB EESTI KULTUURKAPITAL Contents ■ Matieres ■ Inhalt ■ Contenido VOLUME 2 MARINA GRISHAKOVA ■ 261 Time, Narrative Sequence and Causality LIISA STEINBY ■ 273 Kultur als Differenzierung: Die Funktion der Klöpfgeißel-Geschichte in Thomas Manns Doktor Faustus LUULE EPNER • 290 Authenticity and Fictionality in Post-dramatic Theatre ANNELI SARO ■ 303 The Reader in Reading Theatre EVELIN BANHARD - 317 Spatial and Temporal Contrasts In Shakespeare’s As You Like It DANIELE MONTICELLI ■ 327 Crossing Boundaries. -
PUBLICATIONS (MAY 2021) Monographs Articles in Journals
PUBLICATIONS (MAY 2021) Monographs 1. (with Klaus Düwel und Robert Nedoma) Die Südgermanischen Runeninschriften. Vol. I–II. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde, Vol. 119 (Berlin, Boston 2020). 2. Die Bildsteine Gotlands – Probleme und neue Wege ihrer Dokumentation, Lesung und Deutung. Vol. I–II. Studia archaeologiae medii aevi 3 (Friedberg 2019). 3. Vierbeinerdarstellungen auf schwedischen Runensteinen. Studien zur nordgermanischen Fesselungsikonografie. Ergänzungsband zum Reallexikon der Germanischen Altertumskunde 72 (Berlin, New York 2011). 4. Zur Deutung anthropomorpher und theriomorpher Bilddarstellungen auf den spätwikingerzeitlichen Runensteinen Schwedens. Wiener Studien zur Skandinavistik 16 (Wien 2006). Articles in journals and book chapters 5. (with Anne Pedersen) Late Viking Age Dragon Slayers – two unusual Urnes style brooches from Sjælland, Denmark. Medieval Archaeology (in print). 6. (with Matthias Toplak) Gotländische Bildsteine in Kirchen. Ein Beitrag zur Spolienforschung und mittelalterlichen Mentalitätsgeschichte. Festschrift (in print). 7. The spear of death in the iconography of the Gotland picture stones. New considerations based on digital imaging techniques. In: Pawel Szczepanik (ed.), Pre- Christian Beliefs of Central and Northern Europe. Interdisciplinary Investigations. The Archaeology of Northern Europe, Brepols (in print). 8. (with Mike Fergusson) A digital edition of the gotlandic picture stones. In: Babette Ludowici et al. (ed.), New Narratives for the First Millennium? Alte und neue Perspektiven der archäologischen Forschung zum 1. Jahrtausend. Neue Studien zur Sachsenforschung (in print). 9. Þórr och Midgårdsormen på bildstenen Ardre VIII – en omvärdering. In: Wilhelm Heizmann / Jan van Nahl (ed.), Gedenschrift Heinrich Beck. Ergänzungsbände zum Reallexikon der Germanischen Altertumskunde (in print). 10. Verborgene Figuren auf gotländischen Bildsteinen und die Frage nach ihren Rezipienten”. In: Michaela Helmbrecht et al. -
NARVA COLLEGE of the UNIVERSITY of TARTU DIVISION of FOREIGN LANGUAGES
NARVA COLLEGE OF THE UNIVERSITY OF TARTU DIVISION of FOREIGN LANGUAGES Kristina Shapiro ESTONIAN POETRY IN ENGLISH: MEANING IN TRANSLATION Bachelor’s thesis Supervisor: Lect. N.Raud, PhD NARVA 2015 PREFACE The place of Estonian poetry in world poetry has always been dependent on the fact that the Estonian language is spoken and understood by a comparatively small number of people. Due to particularities in grammar and vocabulary, Estonian stands rather isolated from other languages. One should invest in proper learning of Estonian to understand it. Moreover, the amount of Estonian speakers around the world makes it hard for Estonian poetry to be introduced to general public. That is why translation of Estonian poetry into English is needed. The present Bachelor’s thesis, titled “Estonian Poetry in English: Meaning in Translation”, is aimed to reveal the difficulties that might occur while translating Estonian poetry into English. The paper consists of four parts. The introduction introduces such notions as poetry, Estonian poetry, Estonian poetry in English. Chapter I “Aspects of Poetry Translation“ overviews theories of poetry translation aspects as well as techniques and poetry genre features and problems. Chapter II “Estonian Poetry in English Translations: Poetic Meaning“ focuses on the problems of translation from Estonian into English by analysing opinions and experiences of translators, their points of view on difficulties which might occur when translating poetry, the Estonian one in particular. It includes the analysis of poems written by the most famous Estonian writers of the 20th century – Marie Under and Doris Kareva. The conclusion sums up the results of the research and comments on the hypothesis. -
Frontiers in Comparative Metrics 2, in Memoriam Lucyllae Pszczołowskae (April 19–20, 2014, Tallinn University, Estonia)
Studia Metrica et Poetica 1.2, 2014, 144–157 Frontiers in Comparative Metrics 2, in memoriam Lucyllae Pszczołowskae (April 19–20, 2014, Tallinn University, Estonia) Igor Pilshchikov The second international conference on comparative prosody was organised by the Department of Cultural Theory of Tallinn University and the Department of Classical Philology of the University of Tartu and held in Tallinn in April 2014. The first such conference took place in Estonia in 2008, and was devoted to the memory of the prominent Russian scholar Mikhail Gasparov (1935– 2005); the proceedings were published three years later (Lotman & Lotman 2011). The present conference was devoted to the memory of another impor- tant representative of international verse studies, the Polish scholar Lucylla Pszczołowska (1924–2010). The main topics of the conference included verse theory and methods of verse analysis, frontiers in Indo-European and Fenno-Ugric prosody as well as non-European poetic systems, the poetics of written and oral texts, cognitive poetics, and the analysis of the verse structures of translated texts and their originals. The keynote speakers were Nigel Fabb (University of Strathclyde, U.K.), Tomas Riad (Stockholm University, Sweden), and Paul Kiparsky (Stanford University, USA). The conference was opened by Nigel Fabb’s talk, “Lines and other layers of the poetic text: their differentiated formal, aesthetic and psychological prop- erties”. The speaker developed Roman Jakobson’s distinction between verse design (resp. verse instance) of the poet and delivery design (resp. delivery instance) of the reciter (Jakobson 1960: 366–367), and explored whether met- rical verse in performance, when line boundaries are not cued auditorily, is experienced differently from prose in performance. -
Influences of Pre-Christian Mythology and Christianity on Old Norse Poetry
Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry NORTHERN MEDIEVAL WORLD EDITORIAL BOARD Carolyne Larrington (Chair) St. John’s College, Oxford Oren Falk Cornell University Dawn Hadley University of Sheffi eld Jana Schulman Western Michigan University Jón Viðar Sigurðsson Universitetet i Oslo Medieval Institute Publications is a program of Th e Medieval Institute, College of Arts and Sciences WESTERN MICHIGAN UNIVERSITY Infl uences of Pre-Christian Mythology and Christianity on Old Norse Poetry A Narrative Study of Vafþrúðnismál Andrew McGillivray Northern Medieval World MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2018 Walter de Gruyter GmbH, Berlin/Boston Library of Congress Cataloging-in-Publication Data are available from the Library of Congress. ISBN: 9781580443357 eISBN: 9781580443364 All rights reserved. Without limiting the rights under copyright reserved above, no part of this book may be reproduced, stored in, or introduced into a retrieval system, or trans- mitted, in any form, or by any means (electronic, mechanical, photocopying, recording, or otherwise) without the written permission of both the copyright owner and the author of the book. Every effort has been made to obtain permission to use all copyrighted illustrations reproduced in this book. Nonetheless, whosoever believes to have rights to this material is advised to contact the publisher. Contents Abbreviations vii Acknowledgments ix 1. Vafþrúðnir Who? 1 2. Critical Contexts 25 3. At Home in Ásgarðr 53 -
L-G-0011233239-0030638377.Pdf
Kössinger · Krotz · Müller · Rychterová · (Hg.) Anfangsgeschichten Origin Stories MITTELALTER STUDIEN des Instituts zur Interdisziplinären Erforschung des Mittelalters und seines Nachwirkens, Paderborn Herausgegeben von JÖRG JARNUT , STEPHAN MÜLLER UND MATTHIAS WEMHOFF Band 31 Paderborn 2018 Anfangsgeschichten Origin Stories Der Beginn volkssprachiger Schriftlichkeit in komparatistischer Perspektive The Rise of Vernacular Literacy in a Comparative Perspective Herausgegeben von Norbert Kössinger, Elke Krotz, Stephan Müller und Pavlína Rychterová Wilhelm Fink The research and publication leading to the present volume has received funding from the European Research council under the European Community’s seventh Framework Programme (FP7/2007-2013) / ERC grant Agreement No. 263672 and from the University of Vienna. Umschlagabbildung: Marx Anton Hannas, Der Turm zu Babel (17. Jh.) Bibliografische Information der Deutschen Nationalbibliothek Die Deutsche Nationalbibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografie; detaillierte bibliografische Daten sind im Internet über http://dnb.d-nb.de abrufbar. Alle Rechte vorbehalten. Dieses Werk sowie einzelne Teile desselben sind urheberrechtlich geschützt. Jede Verwertung in anderen als den gesetzlich zugelassenen Fällen ist ohne vorherige schriftliche Zustimmung des Verlags nicht zulässig. © 2018 Wilhelm Fink Verlag, ein Imprint der Brill Gruppe (Koninklijke Brill NV, Leiden, Niederlande; Brill USA Inc., Boston MA, USA; Brill Asia Pte Ltd, Singapore; Brill Deutschland GmbH, Paderborn, Deutschland) Internet: www.fink.de Einbandgestaltung: Evelyn Ziegler, München Herstellung: Brill Deutschland GmbH, Paderborn E-Book ISBN 978-3-8467-6346-9 ISBN der Printausgabe 978-3-7705-6346-3 Inhalt Introduction/Einleitung . 7 Wolfgang Haubrichs Pragmatic and Cultural Conditions of Vernacular Literacy in Carolingian Times . 11 Carolina Cupane Volkssprache und Volksliteratur in Byzanz . 39 Lars Boje Mortensen Latin as Vernacular .