A Persian Translation (An Analytical Study)
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Literatura Orientu W Piśmiennictwie Polskim XIX W
Recenzent dr hab. Kinga Paraskiewicz Projekt okładki Igor Stanisławski Na okładce wykorzystano fragment anonimowego obrazu w stylu kad żarskim „Kobieta trzymaj ąca diadem” (Iran, poł. XIX w.), ze zbiorów Państwowego Muzeum Ermita żu, nr kat. VP 1112 Ksi ąż ka finansowana w ramach programu Ministra Nauki i Szkolnictwa Wy ższego pod nazw ą „Narodowy Program Rozwoju Humanistyki” w latach 2013-2017 © Copyright by individual authors, 2016 ISBN 978-83-7638-926-4 KSI ĘGARNIA AKADEMICKA ul. św. Anny 6, 31-008 Kraków tel./faks 12-431-27-43, 12-421-13-87 e-mail: [email protected] Ksi ęgarnia internetowa www.akademicka.pl Spis tre ści Słowo wst ępne . 7 Ignacy Krasicki, O rymotwórstwie i rymotwórcach. Cz ęść dziewi ąta: o rymotwórcach wschodnich (fragmenty) . 9 § I. 11 § III. Pilpaj . 14 § IV. Ferduzy . 17 Assedy . 18 Saady . 20 Suzeni . 22 Katebi . 24 Hafiz . 26 § V. O rymotwórstwie chi ńskim . 27 Tou-fu . 30 Lipe . 31 Chaoyung . 32 Kien-Long . 34 Diwani Chod ża Hafyz Szirazi, zbiór poezji Chod ży Hafyza z Szyrazu, sławnego rymotwórcy perskiego przez Józefa S ękowskiego . 37 Wilhelm Münnich, O poezji perskiej . 63 Gazele perskiego poety Hafiza (wolny przekład z perskiego) przeło żył Jan Wiernikowski . 101 Józef Szujski, Rys dziejów pi śmiennictwa świata niechrze ścija ńskiego (fragmenty) . 115 Odczyt pierwszy: Świat ras niekaukaskich z Chinami na czele . 119 Odczyt drugi: Aryjczycy. Świat Hindusów. Wedy. Ksi ęgi Manu. Budaizm . 155 Odczyt trzeci: Epopeja indyjskie: Mahabharata i Ramajana . 183 Odczyt czwarty: Kalidasa i Dszajadewa [D źajadewa] . 211 Odczyt pi ąty: Aryjczycy. Lud Zendów – Zendawesta. Firduzi. Saadi. Hafis . 233 Piotr Chmielowski, Edward Grabowski, Obraz literatury powszechnej w streszczeniach i przekładach (fragmenty) . -
Introduction
1 Introduction A jackal who had fallen into a vat of indigo dye decided to exploit his mar- velous new appearance and declared himself king of the forest. He ap- pointed the lions and other animals as his vassals, but took the precaution of having all his fellow jackals driven into exile. One day, hearing the howls of the other jackals in the distance, the indigo jackal’s eyes filled with tears and he too began to howl. The lions and the others, realizing the jackal’s true nature, sprang on him and killed him. This is one of India’s most widely known fables, and it is hard to imagine that anyone growing up in an Indian cultural milieu would not have heard it. The indigo jackal is as familiar to Indian childhood as are Little Red Rid- ing Hood or Snow White in the English-speaking world. The story has been told and retold by parents, grandparents, and teachers for centuries in all the major Indian languages, both classical and vernacular. Versions of the collec- tion in which it first appeared, the Pañcatantra, are still for sale at street stalls and on railway platforms all over India. The indigo jackal and other narratives from the collection have successfully colonized the contemporary media of television, CD, DVD, and the Internet. I will begin by sketching the history and development of the various families of Pañcatantra texts where the story of the indigo jackal first ap- peared, starting with Pu–rnabhadra’s. recension, the version on which this inquiry is based. -
The Semiotics of Axiological Convergences and Divergences1 Ľubomír Plesník
DOI: 10.2478/aa-2020-0004 West – East: The semiotics of axiological convergences and divergences1 Ľubomír Plesník Professor Ľubomír Plesník works as a researcher and teacher at the Institute of Literary and Artistic Communication (from 1993 to 2003 he was the director of the Institute, and at present he is the head of the Department of Semiotic Studies within the Institute). His research deals primarily with problems of literary theory, methodology and semiotics of culture. Based on the work of František Miko, he has developed concepts relating to pragmatist aesthetics, reception poetics and existential semiotics with a special focus on comparison of Western and oriental epistemes (Pragmatická estetika textu 1995, Estetika inakosti 1998, Estetika jednakosti 2001, Tezaurus estetických výrazových kvalít 2011). Abstract: This study focuses on the verbal representation of life strategies in Vetalapanchavimshati, an old Indian collection of stories, which is part of Somadeva’s Kathasaritsagara. On the basis of the aspect of gain ~ loss, two basic life strategies are identified. The first one, the lower strategy, is defined by an attempt to obtain material gain, which is attained at the cost of a spiritual loss. The second one, the higher strategy, negates the first one (spiritual gain attained at the cost of a material loss) and it is an internally diversified series of axiological models. The core of the study explains the combinatorial variants which, in their highest positions, even transcend the gain ~ loss opposition. The final part of the study demonstrates the intersections between the higher strategy and selected European cultural initiatives (gnosis). 1. Problem definition, area of concern and material field Our goal is to reflect on the differences and intersections in the iconization of gains and losses in life between the Western and Eastern civilizations and cultural spheres. -
Istanbul 2016 T.C. Fatih Sultan Mehmet Vakif Üniversitesi
T.C. FATİH SULTAN MEHMET VAKIF ÜNİVERSİTESİ MEDENİYETLER İTTİFAKI ENSTİTÜSÜ YÜKSEK LİSANS TEZİ BİLİMSEL BİR SÖYLEM FORMU OLARAK TEMSİL: MANDEVİLLE’İN ARILAR MASALI ÜZERİNE BİR İNCELEME FİRDEVS BULUT 130401003 TEZ DANIŞMANI: PROF. DR. RECEP ŞENTÜRK PROF. DR. TAHSİN GÖRGÜN ISTANBUL 2016 T.C. FATİH SULTAN MEHMET VAKIF ÜNİVERSİTESİ MEDENİYETLER İTTİFAKI ENSTİTÜSÜ YÜKSEK LİSANS TEZİ BİLİMSEL BİR SÖYLEM FORMU OLARAK TEMSİL: MANDEVİLLE’İN ARILAR MASALI ÜZERİNE BİR İNCELEME FİRDEVS BULUT 130401003 Enstitü Anabilim Dalı: Medeniyet Araştırmaları Enstitü Bilim Dalı: Medeniyet Araştırmaları Bu tez 23/06/2016 tarihinde aşağıdaki jüri tarafından oy birliğiyle kabul edilmiştir. BEYAN Bu tezin yazımında bilimsel ahlâk kurallarının gözetildiğini, başkalarının eserlerinden yararlanırken bilimsel normlara uygun olarak kaynak gösteriminin yapıldığını, kullanılan veriler üzerinde herhangi bir değişiklik yapılmadığını, tezin herhangi bir kısmının bu üniversite veya başka bir üniversitedeki başka bir tez çalışmasına ait olarak sunulmadığını beyan ederim. FİRDEVS BULUT ÖZET Bu tezde, Bernard de Mandeville’in 1714 yılında kaleme aldığı ve klasik temsili anlatım türünün bir örneği olan Arılar Masalı (The Fable of the Bees) eseri incelenecek, metinde öne çıkan kavramlar ve metnin yazıldığı dönemin özellikleri, temsili anlatım ile bilgi üretimi arasındaki ilişkiyi ortaya koyması açısından ele alınacaktır. Ortaya koyduğu toplum teorisi ve erken modern Batı toplumu örnekliği ile yazıldığı dönemin ender eserlerinden biri olan Arılar Masalı, bu çalışmada öncelikle döneminin düşünsel birikiminin bir parçası olarak değerlendirilecektir. Daha sonra metnin şu ana kadarki iktisadi ve ahlaki açıklama ve yorumlarının ötesine geçilmeye çalışılarak, edebi bir metin olarak ele alınacaktır. Fabl türü ve temsil getirme metodu ile siyasi ve ahlaki bir toplum teorisi kuran eserin, bir edebiyat ürünü olarak döneminin neresinde bulunduğu açıklanacaktır. -
Mitrasamprapthi Preliminary
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From Conversion to Subversion a Selection.Pdf
2014 FROM CONVERSION TO SUBVERSION: 250 years of the printed book in India 2014 From Conversion to Subversion: 250 years of the printed book in India. A catalogue by Graham Shaw and John Randall ©Graham Shaw and John Randall Produced and published in 2014 by John Randall (Books of Asia) G26, Atlas Business Park, Rye, East Sussex TN31 7TE, UK. Email: [email protected] All rights are reserved. No part of this publication may be reproduced without prior permission in writing of the publisher and copyright holder. Designed by [email protected], Devon Printed and bound by Healeys Print Group, Suffolk FROM CONVERSION TO SUBVERSION: 250 years of the printed book in India his catalogue features 125 works spanning While printing in southern India in the 18th the history of print in India and exemplify- century was almost exclusively Christian and Ting the vast range of published material produced evangelical, the first book to be printed in over 250 years. northern India was Halhed’s A Grammar of the The western technology of printing with Bengal Language (3), a product of the East India movable metal types was introduced into India Company’s Press at Hooghly in 1778. Thus by the Portuguese as early as 1556 and used inter- began a fertile period for publishing, fostered mittently until the late 17th century. The initial by Governor-General Warren Hastings and led output was meagre, the subject matter over- by Sir William Jones and his generation of great whelmingly religious, and distribution confined orientalists, who produced a number of superb to Portuguese enclaves. -
Indian Fables – Panchatantra – Illustrated and Picture Book Versions
INDIAN FABLES – PANCHATANTRA – ILLUSTRATED AND PICTURE BOOK VERSIONS The following list accompanies the Panchatantra Fables chapter to be found in the Allyn & Bacon Anthology of Traditional Literature edited by Judith V. Lechner, Allyn & Bacon, 2003. • Brown, Marcia. The Blue Jackal. Scribner’s. 1977. • Gobhai, Mehlli The Blue Jackal. Prentice Hall, 1968. • Gobhai, Mehlli. Usha, the Mouse Maiden. Hawthorn Books, 1969. • Kajpust, Melissa. The Peacock’s Pride. Illustrated by Anne Kelley. Hyperion, 1997. • Kamen, Gloria The Ringdoves. Atheneum, 1988. • Upadhyay, Asha. Tales From India. Illustrated by Nickzad Nojoumi. Random House, 1971. This is a lively retelling of ten of the stories without the framework. • Tehranchian, Hassan. Kalilah and Dimnah. Illustrations by Anatole Ur. Harmony Books, 1985. 75 p. This is a translation of the Persian version of The Panchatantra. For a beautifully illustrated version see the Smithsonian’s edition of Kalila wa Dimna, 1981, or Jill S. Cowan’s translation of Kalila wa Dimna: An Animal Allegory of the Mongol Court. with Persian illuminations. Oxford University Press, 1989. These two editions are meant for adults. Another collection that includes some “Panchatantra Tales” is: • Kherdian, David. Feathers and Tails: Fables from Around the World. Illustrated by Nonny Hogrogian. Philomel, 1992. • Several of the Panchatantra tales are also available from the India Parenting Web site: http//:www.indiaparenting.com/stories/panchatantra/index.shtml INDIAN FABLES – JATAKA TALES – ILLUSTRATED AND PICTURE BOOK VERSIONS • Demi Buddha Stories. Henry Holt, 1997. Includes ten Jataka tales. • Hodges, Margaret. The Golden Deer. Illustrated by Daniel San Souci. Scribner’s, 1992. • Lee, Jeanne M. I Once Was a Monkey: Stories Buddha Told. -
Article (176.8Kb)
garcin de tassy Origin and Diffusion of Hindustani [translator’s note: Presented here is the translation of a memorandum entitled ìOrigine et Diffusion de líHindoustani Appelé Language Générale ou Nationale de líIndeî (Origin and Diffusion of Hindustani, Called the Common or National Language of India) by Garcin de Tassy (1871) published in the transactions of the Royal Academy of Science, Arts, and Belles-Lettres of Caen, France. Written in the last decade of his life, this brief memorandum contains some of his observations and conclusions based on over half a century of involvement with Indian languagesóespecially Urdu, which was gener- ally called Hindustani during his time. Most of his peer academy members, to whom this communication was directed, probably did not know much about Urdu. Consequently, he includes some explanations and background information that would seem too elementary nowadays. Nevertheless, some of his remarks still seem fresh and surprising. Even his digressionary remarks, which are dispersed throughout the note and which often seem factitious, contain much information about the historical and cultural factors influencing the development of Urdu. The note also reveals de Tassyís passionate at- tachment to Urdu and his angst over the Urdu-Hindi controversy which, he thought, was going to lead to disastrous religious and political strife in India.] We can only make conjectures about the exact dates of Indiaís invasion by the Aryans and the diffusion of their language; the language was called Sanskrit (well-formed), in contrast to the language of the natives and its various dialects that were together given the name Prakrit (ill-formed) by the scornful victors. -
Catalogue of Bengali Printed Books in the Library of the British Museum. By
- ' - .. ' - ^ - . - -- n $m . \ *<H >r, t&OHC*tU> V>IV\T \soafe*. tx ISi, -s^ A SUPPLEMENTAEY CATALOGUE OF BENGALI BOOKS\ IN THB LIBRARY OP THE BRITISH MUSEUM ACQrii:Ki> THK YK.*I;S i886-r.m. COMPILED BY J. F. BLrMHARDT, MA. AJO> OJC BIXDI OF HMDCITAXI, UUTCkB* AXD MKOALI AT CKTrKKSITT COIXEOI, LONDON ; AJTD TCACBBB Of CHUALI AT TIB CNIVBUtTT OF OXFORD. PRINTED BY ORDER OF THE TRUSTEES lonDon : SOLD AT TUB BRITISH MUSEUM; Ar> IT Ac CO.. 39, PATKRXoerai Row; BERNARD QUARITCH, 11, GRAFTO* STRBKT, Niw BOXD W. ; A8HER & BiDromo STBKT, CO., 14, STRMT, Cornrr GAEDKN ; AHD 1IKNRY FROWDE, OXFORD UKIYKMITT PKIM WARKBOUBI, AMEN CORNBR. 1910 [AU rigklt LONDON: PRINTED BY WILLIAM CLOWES AND SONS, LIMITED, PUKE STREET, STAMFORD STREET, S.E., AXD GREAT WINDMILL STRKET, W. PREFACE. THIS Catalogue of the Bengali Printed Books acquired by the Library of tli- I>riti>h Museum during the years 18861910 has been prepared by Mr. Bliimlmnlt as a supple- of ment to the volume compiled l<y him and published by order the Trustees in 1886. In the present catalogue a classified index of titles has been added; in other respects the methods employed in the earlier volume have been closely followed in this work. I. 1'. BARNETT. ' r cf Ori> "''I/ I'rin-- /.' nut .I/NX. ,i-ii MI-KIM, 1910. AUTHOE'S PEEFACE. THIS Catalogue of Bengali liooks acquired during the last 24 years forms a supplement to the Bengali Catalogue published in 1886. It has been prepared on the .same principle-;, and with the same system of transliteration. -
The Evolution of the Printed Bengali Character
The Evolution of the Printed Bengali Character from 1778 to 1978 by Fiona Georgina Elisabeth Ross School of Oriental and African Studies University of London Thesis presented for the degree of Doctor of Philosophy 1988 ProQuest Number: 10731406 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. ProQuest 10731406 Published by ProQuest LLC (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, MI 48106 - 1346 20618054 2 The Evolution of the Printed Bengali Character from 1778 to 1978 Abstract The thesis traces the evolution of the printed image of the Bengali script from its inception in movable metal type to its current status in digital photocomposition. It is concerned with identifying the factors that influenced the shaping of the Bengali character by examining the most significant Bengali type designs in their historical context, and by analyzing the composing techniques employed during the past two centuries for printing the script. Introduction: The thesis is divided into three parts according to the different methods of type manufacture and composition: 1. The Development of Movable Metal Types for the Bengali Script Particular emphasis is placed on the early founts which lay the foundations of Bengali typography. -
Indian Children's Literature in Ancient Epoch – a Bird's Eye View
INTERNATIONAL JOURNAL OF RESEARCH CULTURE SOCIETY ISSN: 2456-6683 Volume - 5, Issue - 3, Mar - 2021 Monthly Peer-Reviewed, Refereed, Indexed Journal Scientific Journal Impact Factor: 5.743 Received on : 15/03/2021 Accepted on : 26/03/2021 Publication Date: 31/03/2021 Indian Children’s Literature in Ancient Epoch – A Bird’s Eye View Dr.J. Sripadmadevi Assistant Professor, Department of English PSG College of Arts & Science, Coimbatore – 14, Tamilnadu, India. E-Mail Id: [email protected] Abstract: Since India is a land of affluent stories and folktales, a strong verbal tradition vehemently imprints its mark on Children’s literature, which can be traced back to at least ten thousand years in the form of lullabies, cradle songs, tongue twisters, nursery rhymes and fairy tales. Consequently, India can also be termed as the cradle of Children’s literature; and this is mainly because of its rich oral tradition. The orally transmitted stories paved way for the augmentation of this literary domain by having a steady and firm reservoir of stories especially in the primeval times of India. Hence the present paper focusses on the genesis and augmentation of Literature for children in India in the ancient epoch. Keywords: Children’s literature, India, Stories, ancient days. Key Words: 1. INTRODUCTION: Mapping out the development of Children’s literature seems to be equivalent to trace the genesis of literature in India, since in the primordial times, literature is meant for both the adults and young people. Accordingly, the art and literature have been developed for the enjoyment of the entire family. Children’s literature in India, as a separate genus, is a fairly recent phenomenon. -
Evolution of Ayar-E-Danish
EVOLUTION OF AYAR-E-DANISH Md. Marghoob Zia Department of Persian, Jamia Milia Islamia, New Delhi, India ABSTRACT: In the era of Persian literature when we talk about the history and evolution of Persian literary works, Ayar-e-Danish is amongst those famous literary works which has gained its popularity in the entire world. Ayar-e-Danish was written by Shaikh Abul Fazl Allami in 1588 A.d during the reign of Akbar which was considered as the golden period in the history of the Mughals. This literary work is translation of the famous Sanskrit book “Panchatantra” which is an ancient India collection of animal fables and often considered as a common folklore in India. There were many translations of the Panchatantra before Ayar-e-Danish and this article will highlight the various translations of this folklore and later it will elaborate the Ayar-e-Danish in a large scale. HOW THE PANCHATANTRA JOURNEY STARTED IN IRAN? Panchatantra is the famous book written by Pandit Vishnu Sharma. This book was first translated in the Pahlavi language by Hakeem Burzoy in the year 1550 titled as Kartak-wa-Damnak. The Arabic translation of this book was done by Abd- allah ibn al-Muqaffa and it was given the title of Kalilah-wa-Dimnah. In the Kalila wa Dimnah, it is believed he deliberately used characters from other cultural contexts to suggest the need for political reform in the Abbasid period.Rudaki translated the Panchatantra in a poetic form under the order of the Sultan of the Samanid period, Abul Fazl Muhammad Balami.