Residential Burial at Formative Period Chalcatzingo, Mexico
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Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University
Western Oregon University Digital Commons@WOU Student Theses, Papers and Projects (History) Department of History 2005 Olmecs: Where the Sidewalk Begins Jeffrey Benson Western Oregon University Follow this and additional works at: https://digitalcommons.wou.edu/his Part of the Latin American History Commons Recommended Citation Benson, Jeffrey, "Olmecs: Where the Sidewalk Begins" (2005). Student Theses, Papers and Projects (History). 126. https://digitalcommons.wou.edu/his/126 This Paper is brought to you for free and open access by the Department of History at Digital Commons@WOU. It has been accepted for inclusion in Student Theses, Papers and Projects (History) by an authorized administrator of Digital Commons@WOU. For more information, please contact [email protected]. Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica. -
Formative Mexican Chiefdoms and the Myth of the "Mother Culture"
Journal of Anthropological Archaeology 19, 1–37 (2000) doi:10.1006/jaar.1999.0359, available online at http://www.idealibrary.com on Formative Mexican Chiefdoms and the Myth of the “Mother Culture” Kent V. Flannery and Joyce Marcus Museum of Anthropology, University of Michigan, Ann Arbor, Michigan 48109-1079 Most scholars agree that the urban states of Classic Mexico developed from Formative chiefdoms which preceded them. They disagree over whether that development (1) took place over the whole area from the Basin of Mexico to Chiapas, or (2) emanated entirely from one unique culture on the Gulf Coast. Recently Diehl and Coe (1996) put forth 11 assertions in defense of the second scenario, which assumes an Olmec “Mother Culture.” This paper disputes those assertions. It suggests that a model for rapid evolution, originally presented by biologist Sewall Wright, provides a better explanation for the explosive development of For- mative Mexican society. © 2000 Academic Press INTRODUCTION to be civilized. Five decades of subsequent excavation have shown the situation to be On occasion, archaeologists revive ideas more complex than that, but old ideas die so anachronistic as to have been declared hard. dead. The most recent attempt came when In “Olmec Archaeology” (hereafter ab- Richard Diehl and Michael Coe (1996) breviated OA), Diehl and Coe (1996:11) parted the icy lips of the Olmec “Mother propose that there are two contrasting Culture” and gave it mouth-to-mouth re- “schools of thought” on the relationship 1 suscitation. between the Olmec and the rest of Me- The notion that the Olmec of the Gulf soamerica. -
Olmecs: Where the Sidewalk Begins by Jeffrey Benson Western Oregon University
Olmecs: Where the Sidewalk Begins By Jeffrey Benson Western Oregon University An In Depth Look at the Olmec Controversy Mother Culture or Sister Culture 1 The discovery of the Olmecs has caused archeologists, scientists, historians and scholars from various fields to reevaluate the research of the Olmecs on account of the highly discussed and argued areas of debate that surround the people known as the Olmecs. Given that the Olmecs have only been studied in a more thorough manner for only about a half a century, today we have been able to study this group with more overall gathered information of Mesoamerica and we have been able to take a more technological approach to studying the Olmecs. The studies of the Olmecs reveals much information about who these people were, what kind of a civilization they had, but more importantly the studies reveal a linkage between the Olmecs as a mother culture to later established civilizations including the Mayas, Teotihuacan and other various city- states of Mesoamerica. The data collected links the Olmecs to other cultures in several areas such as writing, pottery and art. With this new found data two main theories have evolved. The first is that the Olmecs were the mother culture. This theory states that writing, the calendar and types of art originated under Olmec rule and later were spread to future generational tribes of Mesoamerica. The second main theory proposes that the Olmecs were one of many contemporary cultures all which acted sister cultures. The thought is that it was not the Olmecs who were the first to introduce writing or the calendar to Mesoamerica but that various indigenous surrounding tribes influenced and helped establish forms of writing, a calendar system and common types of art. -
Olmec Bloodletting: an Iconographic Study
Olmec Bloodletting: An Iconographic Study ROSEMARY A. JOYCE Peabody Museum, Harvard University RICHARD EDGING and KARL LORENZ University of Illinois, Urbana SUSAN D. GILLESPIE Illinois State University One of the most important of all Maya rituals was ceremonial bloodletting, either by drawing a cord through a hole in the tongue or by passing a stingray spine, pointed bone, or maguey thorn through the penis. Stingray spines used in the rite have often been found in Maya caches; in fact, so significant was this act among the Classic Maya that the perforator itself was worshipped as a god. This ritual must also have been frequently practiced among the earlier Olmec... Michael D. Coe in The Origins of Maya Civilization The iconography of bloodletting in the Early iconographic elements indicating autosacrifice, and Middle Formative (ca. 1200-500 B.C.) Olmec and glyphs referring to bloodletting. Most scenes symbol system is the focus of the present study.1 shown take place after the act of bloodletting and We have identified a series of symbols in large- include holding paraphernalia of autosacrifice, and small-scale stone objects and ceramics repre- visions of blood serpents enclosing ancestors, and senting perforators and a zoomorphic supernatural scattering blood in a ritual gesture. The parapher- associated with bloodletting. While aspects of nalia of bloodletting may also be held, not simply this iconography are comparable to later Classic as indications that an act of autosacrifice has Lowland Maya iconography of bloodletting, its taken place, but as royal regalia. Two elements deployment in public and private contexts dif- are common both in scenes of bloodletting and as fers, suggesting fundamental variation in the way royal regalia: the personified bloodletter, which bloodletting was related to political legitimation Coe (1977a:188) referred to as a god, and bands in the Formative Olmec and Classic Maya cases. -
University of Florida Thesis Or
SOCIAL COMPLEXITY IN FORMATIVE MESOAMERICA: A HOUSE-CENTERED APPROACH By CHIKAOMI TAKAHASHI A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2011 1 © 2011 Chikaomi Takahashi 2 To my parents 3 ACKNOWLEDGMENTS This study would not have been possible without the support and encouragement of many people. In particular, I would like to thank the members of my doctoral committee for their advice and guidance throughout this process of learning. I am very grateful to my advisor, Dr. Susan Gillespie, for all of her valuable guidance and encouragement to complete my study. She profoundly shaped my development as an anthropologist and an archaeologist, and reflective discussions with her influenced the directions I took in this research project. Dr. David Grove has been a fundamental influence in my intellectual development during my graduate study, especially in relation to my understanding of Formative Mesoamerica. Without his encouragement, ideas, and suggestions this dissertation would certainly not be what it is. The thoughtful reviews, comments and encouragements of Dr. Kenneth Sassaman and Dr. Mark Brenner are greatly appreciated. I am also very grateful to Dr. Andrew Balkansky who allowed me to join his Santa Cruz Tayata project and use necessary data for my dissertation. Without his generous support and thoughtful advice in the filed and the lab, I could not complete my research. I’m grateful to my friends in the Mixteca Alta whose support made my fieldwork enriching. Among the people of Tlaxiaco, I would like to specifically thank Mr. -
Interpreting Olmec Style Symbolism at the Formative
THE DAWNING OF CREATION IN THE CENTRAL MEXICAN HIGHLANDS: INTERPRETING OLMEC STYLE SYMBOLISM AT THE FORMATIVE PERIOD SITES OF CHALCATZINGO, OXTOTITLÁN, AND JUXTLAHUACA by Brendan C. Stanley, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Anthropology August 2020 Committee Members F. Kent Reilly III, Chair David A. Freidel Jim F. Garber COPYRIGHT by Brendan C. Stanley 2020 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-533, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Brendan C. Stanley, authorize duplication of this work, in whole or in part, for education or scholarly purposes only. ACKNOWLEDEGEMENTS I would like to express my gratitude towards my committee members, David A. Freidel and Jim F. Garber, for their guidance and support throughout the writing process. I would especially like to thank my committee chair, long time mentor, and friend, F. Kent Reilly III, for all the support and assistance throughout the past years. This thesis would not have been possible without all your help. iv TABLE OF CONTENTS Page ACKNOWLEDGEMENTS ............................................................................................. -
Olmec Art at Dumbarton Oaks
Pre-Columbian Art at Dumbarton Oaks, No. 2 OLMEC ART AT DUMBARTON OAKS OLMEC ART AT DUMBARTON OAKS Karl A. Taube Dumbarton Oaks Research Library and Collection Washington, D.C. Copyright © 2004 by Dumbarton Oaks Trustees for Harvard University, Washington, D.C. Library of Congress Cataloging-in Publication Data to come To the memory of Carol Callaway, Alba Guadalupe Mastache, Linda Schele, and my sister, Marianna Taube—four who fought the good fight CONTENTS PREFACE Jeffrey Quilter ix ACKNOWLEDGMENTS xi List of Plates xii List of Figures xiii Chronological Chart of Mesoamerica xv Maps xvi INTRODUCTION: THE ORIGIN AND DEVELOPMENT OF OLMEC RESEARCH 1 THE DUMBARTON OAKS COLLECTION 49 BIBLIOGRAPHY 185 APPENDIX 203 INDEX 221 Preface lmec art held a special place in the heart of Robert Woods Bliss, who built the collection now housed at Dumbarton Oaks and who, with his wife, Mildred, conveyed the gar- Odens, grounds, buildings, library, and collections to Harvard University. The first object he purchased, in 1912, was an Olmec statuette (Pl. 8); he commonly carried a carved jade in his pocket; and, during his final illness, it was an Olmec mask (Pl. 30) that he asked to be hung on the wall of his sick room. It is easy to understand Bliss’s predilection for Olmec art. With his strong preference for metals and polished stone, the Olmec jades were particularly appealing to him. Although the finest Olmec ceramics are masterpieces in their own right, he preferred to concen- trate his collecting on jades. As Karl Taube discusses in detail in this volume of Pre-Columbian Art at Dumbarton Oaks, Olmec jades are the most beautiful stones worked in Mesoamerica. -
Open NEJ Dissertation.Pdf
The Pennsylvania State University The Graduate School OBSIDIAN EXCHANGE AND PIONEER FARMING IN THE FORMATIVE PERIOD TEOTIHUACAN VALLEY A Dissertation in Anthropology by Nadia E. Johnson ©2020 Nadia E. Johnson Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2020 The dissertation of Nadia E. Johnson was reviewed and approved by the following: Kenneth G. Hirth Professor of Anthropology Dissertation Adviser Chair of Committee José Capriles Assistant Professor of Anthropology Kirk French Associate Teaching Professor of Anthropology Larry Gorenflo Professor of Landscape Architecture, Eleanor P. Stuckeman Chair in Design Timothy Ryan Program Head and Professor of Anthropology ii ABSTRACT: The Formative Period marked a period of rapid social change and population growth in the Central Highlands of Mexico, culminating in the emergence of the Teotihuacan state in the Terminal Formative. This dissertation explores several aspects of economic life among the people who occupied the Teotihuacan Valley prior to the development of the state, focusing on the Early and Middle Formative Periods (ca. 1500 – 500 B.C.) as seen from Altica (1200 – 850 B.C.), the earliest known site in the Teotihuacan Valley. Early Formative populations in the Teotihuacan Valley, and northern Basin of Mexico more broadly, were sparse during this period, likely because it is cool, arid climate was less agriculturally hospitable than the southern basin. Altica was located in an especially agriculturally marginal section of the Teotihuacan Valley’s piedmont. While this location is suboptimal for subsistence agriculturalists, Altica’s proximity to the economically important Otumba obsidian source suggests that other economic factors influenced settlement choice. -
Une 30, 2018: National Endowment for the Humanities Collaborati E Research Grant
)ORULGD6WDWH8QLYHUVLW\/LEUDULHV 2018 Final Performance Report, November 1, 2012 June 30, 2018: National Endowment for the Humanities Collaborative Research Grant Christopher L. von Nagy and Mary D. Pohl Title of Project: Origins of the Mesoamerican City: Ritual and Polity Name of Project Directors: Mary D. Pohl (FSU), with project co-directors Christopher L. von Nagy (UNR and FSU) and Paul Schmidt Schoenberg (UNAM). Follow this and additional works at DigiNole: FSU's Digital Repository. For more information, please contact [email protected] Cover Page Type of Report: National Endowment for the Humanities Collaborative Research Grant Final Performance Report, November 1, 2012 – June 30, 2018 Grant Number: RZ-51497-12 Title of Project: Origins of the Mesoamerican City: Ritual and Polity Name of Project Directors: Mary D. Pohl (FSU), with project co-directors Christopher L. von Nagy (UNR and FSU) and Paul Schmidt Schoenberg (UNAM). Name of Grantee Institution: Florida State University Date: September 30, 2018 Report authored by Christopher L. von Nagy and Mary D. Pohl Pohl, von Nagy, Schmidt Schoenberg Accomplishments Major goals The National Endowment for the Humanities (NEH) awarded Florida State University (FSU) a collaborative research grant for the period November 1, 2012 through June 30, 2018. The Origins of the Mesoamerican City: Ritual and Polity at La Venta, Tabasco, Mexico grant co-directed by Mary D. Pohl (FSU), Christopher L. von Nagy (FSU/UNR), and Paul Schmidt Schoenberg (UNAM) has several primary goals: 1) to promote close -
An Analysis of Olmec Iconography
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2014 NATURALISM AND SUPERNATURALISM IN ANCIENT MESOAMERICA: AN ANALYSIS OF OLMEC ICONOGRAPHY Sarah Silberberg Melville The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Melville, Sarah Silberberg, "NATURALISM AND SUPERNATURALISM IN ANCIENT MESOAMERICA: AN ANALYSIS OF OLMEC ICONOGRAPHY" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4198. https://scholarworks.umt.edu/etd/4198 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. NATURALISM AND SUPERNATURALISM IN ANCIENT MESOAMERICA: AN ANALYSIS OF OLMEC ICONOGRAPHY By SARAH SILBERBERG MELVILLE Bachelor of Fine Arts, California State University East Bay, Hayward, California, 2006 Bachelor of Science, California Maritime Academy, Vallejo, California 1983 Thesis presented in partial fulfillment of the requirements for the degree of Master of Art in Art with a concentration in Art History The University of Montana Missoula, MT May 2014 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Julia Galloway, Director School of Art H. Rafael Chacón, Professor School of Art Valerie Hedquist, Professor School of Art Mary Ann Bonjorni, Professor School of Art Kelly J. Dixon, Professor Anthropology Department © COPYRIGHT by Sarah Silberberg Melville 2014 All Rights Reserved. Melville, Sarah, M.A., Spring 2014 Art History Naturalism and Supernaturalism in Ancient Mesoamerica: An Analysis of Olmec Iconography H. -
Desde La Matriz De Olman: the Birth of Writing in Formative Era Mesoamerica
Desde la matriz de Olman: The Birth of Writing in Formative Era Mesoamerica by Stephanie Michelle Strauss B.A. in Anthropology & Latin American Studies, May 2011, Yale University A Thesis submitted to The Faculty of The Columbian College of Arts and Sciences of The George Washington University in partial fulfillment of the requirements for the degree of Master of Arts May 19, 2013 Thesis directed by Jeffrey P. Blomster Associate Professor of Anthropology © Copyright 2013 by Stephanie Michelle Strauss All rights reserved ii Dedication The author wishes to dedicate this work to Stephen, for love, support, and never losing hope; to Debbie and Dale, for 23 years of encouragement and brave draft reading; to Scott, Aiden, Gregg, Laura, and Nathan, for providing love and levity; and to Dean, for keeping me company along the way. iii Acknowledgements The author wishes to acknowledge and sincerely thank Dr. Jeffrey Blomster for two years of guidance, encouragement, instruction, and support. I have become a better scholar, writer, and thinker under his excellent tutelage, and owe him a debt of gratitude. I would further like to thank Dr. Catherine Allen and Dr. Alexander Dent, both of who have deepened and enriched my theoretical work, and Dr. Linda Brown for her enthusiasm and suggestions. Lastly, I would like to thank Dr. Mary Miller for inspiring me to both begin and formally pursue this journey into Mesoamerican archaeology and epigraphy. iv Table of Contents Dedication..........................................................................................................................iii -
Plain but Not Simple: Middle Preclassic Stone Monuments of Naranjo, Guatemala
PLAIN BUT NOT SIMPLE: MIDDLE PRECLASSIC STONE MONUMENTS OF NARANJO, GUATEMALA By KAREN PEREIRA A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2009 1 © 2009 Karen Pereira 2 ACKNOWLEDGMENTS This work has been possible thanks to the constant aid of my advisor Dr. Susan Gillespie. I thank her for her tireless effort to help me understand new bodies of theory and for helping me frame this work. I also thank my other committee members, Dr. David Grove and Dr. Kitty Emery: to Dr. David Grove for sharing his knowledge and enthusiasm of Formative Mesoamerica, and to Dr. Kitty Emery for her prompt and detailed comments about how to improve the methods in this thesis. I want to thank specially Dr. Bárbara Arroyo, director of the Proyecto Arqueólogico de Rescate Naranjo in Guatemala, who has been a great mentor throughout my career. Without her support and enthusiasm about the plain stone monuments topic I would have never been able to do this work. I also want to thank the rest of the Proyecto Naranjo team, for their help in the field and laboratory back in Guatemala City. Special thanks go to Lorena Paiz who answered all my e-mails every time I had to find specific information of the monuments in the Proyecto Naranjo’s archive. This work was made possible thanks to the support of Fulbright Foundation and the Wenner-Gren Foundation who have sponsored my graduate studies at the University of Florida.