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Global City Review International
Global City Review International i s s u i: n u m w i- H i o u k r i: i: n 2 0 0 2 lOlINDINC, !■ DITOR Limey Abrams issiii rniTORS Patricia Dunn and Nina Herzog poiiTRv c o ns m .t a n t : Susan lands CO NTRI B U 11 N G 1- D I TO H S Edith Chevat, Patricia Dunn. Nina Herzog, a n d Susan Lewis MANAGING ANI) I'DITORIAI. HOARD Lisa Bareli t, Eden Coughlin. Patricia Dunn, Joanna Fitzpatrick, Beth Herstein, Nina Herzog, Lance Hunt, Julie Morrisett, Sue Park, a n d Justin Young K FADING SFKIFS PRODUCTION Edith Chevat Ananda La Vita Global City Review is a literary metropolis of the imagination. Edited and produced by writers, it celebrates the difficulties and possibilities of the social world of cit ies, and ot her const ruct ions of community.. .while honoring the inventiveness and originality of ordinary lives. Each pocket-size issue includes stories, poems, memoirs, interviews and essays organized around a broad theme. GLOBAL CITY REVIEW International 2002 NUMBER FOURTEEN COPYRIGHT © 2002 BY GLOBAL CITY PRESS ALL RIGHTS REVERT TO AUTHORS UPON PUBLICATION. Global City Review is published twice yearly. ALL CORRESPONDENCE SHOULD BE SENT TO: GLOBAL CITY REVIEW SIMON H. RIFKIND CENTER FOR THE HUMANITIES THE CITY COLLEGE OF NEW YORK 138TH AND CONVENT AVENUE NEW YORK, NY IOO31 [email protected] GLOBAL CITY REVIEW IS DISTRIBUTED BY BERNHARD DEBOER, INC. ISBN: 1-55605-344-4 GLOBAL CITY REVIEW IS PUBLISHED WITH THE GENEROUS SUPPORT OF THE ROY AND NIUTA TITUS FOUNDATION AND OF THE SIMON H. -
Performing Shakespeare in Contemporary Taiwan
Performing Shakespeare in Contemporary Taiwan by Ya-hui Huang A thesis submitted in partial fulfilment for the requirements of the degree of Doctor of Philosophy at the University of Central Lancashire Jan 2012 Abstract Since the 1980s, Taiwan has been subjected to heavy foreign and global influences, leading to a marked erosion of its traditional cultural forms. Indigenous traditions have had to struggle to hold their own and to strike out into new territory, adopt or adapt to Western models. For most theatres in Taiwan, Shakespeare has inevitably served as a model to be imitated and a touchstone of quality. Such Taiwanese Shakespeare performances prove to be much more than merely a combination of Shakespeare and Taiwan, constituting a new fusion which shows Taiwan as hospitable to foreign influences and unafraid to modify them for its own purposes. Nonetheless, Shakespeare performances in contemporary Taiwan are not only a demonstration of hybridity of Westernisation but also Sinification influences. Since the 1945 Kuomintang (Chinese Nationalist Party, or KMT) takeover of Taiwan, the KMT’s one-party state has established Chinese identity over a Taiwan identity by imposing cultural assimilation through such practices as the Mandarin-only policy during the Chinese Cultural Renaissance in Taiwan. Both Taiwan and Mainland China are on the margin of a “metropolitan bank of Shakespeare knowledge” (Orkin, 2005, p. 1), but it is this negotiation of identity that makes the Taiwanese interpretation of Shakespeare much different from that of a Mainlanders’ approach, while they share certain commonalities that inextricably link them. This study thus examines the interrelation between Taiwan and Mainland China operatic cultural forms and how negotiation of their different identities constitutes a singular different Taiwanese Shakespeare from Chinese Shakespeare. -
Prepared Statement of Xiaorong Li, Independent Scholar
Prepared Statement of Xiaorong Li, Independent Scholar Congressional-Executive Commission on China Roundtable on "Current Conditions for Human Rights Defenders and Lawyers in China, and Implications for U.S. Policy" June 23, 2011 The serious backsliding of the Chinese government’s human rights records had started before the 2008 Summer Olympics, highlighted with the jailing of activists Hu Jia, Huang Qi, and many others, the torture and disappearance of lawyer Gao Zhisheng, the imprisonment of Nobel Peace Prize laureate Liu Xiaobo and house arrest of his wife, both incommunicado, and the house arrest of Chen Guangcheng after his release. Yesterday’s release of the artist Ai Weiwei on bail awaiting for trial was in the same fashion as his arrest: with disregard of the Chinese law. All these took place in the larger context of severe restrictions on freedom of expression and association, repression against religious and ethnic minorities, and significant roll-back on rule of law reform. Since February, several hundreds of people have been harassed or persecuted in one of the harshest crackdowns in recent years when the Chinese government tried to stamp out any sparks for protests in the Tunisia-style “Jasmine Revolution” after online calls first appeared. According to information documented by the group Chinese Human Rights Defenders, the Chinese government has criminally detained a total of 49 individuals, outside the Tibet and Xinjiang regions. As of today, nine of them have been formally arrested, three sent to Re-education through Labor (RTL) camps, 32 have been released but most of them not free: out of which 22 have been released on bail to await trial, while four remain in criminal detention. -
Master for Quark6
Special feature s e Finding a Place for v i a t c n i the Victims e h p s c The Problem in Writing the History of the Cultural Revolution r e p YOUQIN WANG This paper argues that acknowledging individual victims had been a crucial problem in writing the history of the Cultural Revolution and represents the major division between the official history and the parallel history. The author discusses the victims in the history of the Cultural Revolution from factual, interpretational and methodological aspects. Prologue: A Blocked Web topic “official history and parallel history” of the Cultural Memorial Revolution. In this paper I will argue that acknowledging individual vic - n October of 2000, I launched a website, www.chinese- tims has been a crucial problem in writing the history of the memorial.org , to record the names of the people who Cultural Revolution and represents the major division be - Idied from persecution during the Cultural Revolution. tween the official history that the Chinese government has Through years of research, involving over a thousand inter - allowed to be published and the parallel history that cannot views, I had compiled the stories of hundreds of victims, and pass the censorship on publications in China. As of today, placed them on the website. By clicking on the alphabeti - no published scholarly papers have analyzed the difference cally-listed names, a user could access a victim’s personal in - between the two resulting branches in historical writings on formation, such as age, job, date and location of death, and the Cultural Revolution. -
Copyright by James Joshua Hudson 2015
Copyright by James Joshua Hudson 2015 The Dissertation Committee for James Joshua Hudson Certifies that this is the approved version of the following dissertation: River Sands/Urban Spaces: Changsha in Modern Chinese History Committee: Huaiyin Li, Supervisor Mark Metzler Mary Neuburger David Sena William Hurst River Sands/Urban Spaces: Changsha in Modern Chinese History by James Joshua Hudson, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Dedication For my good friend Hou Xiaohua River Sands/Urban Spaces: Changsha in Modern Chinese History James Joshua Hudson, PhD. The University of Texas at Austin, 2015 Supervisor: Huaiyin Li This work is a modern history of Changsha, the capital city of Hunan province, from the late nineteenth to mid twentieth centuries. The story begins by discussing a battle that occurred in the city during the Taiping Rebellion (1850-1864), a civil war that erupted in China during the mid nineteenth century. The events of this battle, but especially its memorialization in local temples in the years following the rebellion, established a local identity of resistance to Christianity and western imperialism. By the 1890’s this culture of resistance contributed to a series of riots that erupted in south China, related to the distribution of anti-Christian tracts and placards from publishing houses in Changsha. During these years a local gentry named Ye Dehui (1864-1927) emerged as a prominent businessman, grain merchant, and community leader. -
The Beijing University Student Movement in the Hundred Flowers
The Beijing University Student Movement in the Hundred Flowers Campaign in 1957 Yidi Wu Senior Honors, History Department, Oberlin College April 29, 2011 Advisor: David E. Kelley Wu‐Beijing University Student Movement in 1957 Table of Contents Introduction................................................................................................................. 4 Chapter 1: The Hundred Flowers Movement in Historical Perspective..................... 6 Domestic Background.......................................................................................... 6 International Crises and Mao’s Response............................................................ 9 Fragrant Flowers or Poisonous Weeds ............................................................... 13 Chapter 2: May 19th Student Movement at Beijing University ............................... 20 Beijing University before the Movement .......................................................... 20 Repertoires of the Movement.............................................................................. 23 Student Organizations......................................................................................... 36 Different Framings.............................................................................................. 38 Political Opportunities and Constraints ............................................................. 42 A Tragic Ending ................................................................................................. 46 Chapter 3: Reflections on -
Deng Xiaoping, Dazibao and Dissent: a Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Window @Vassar Vassar College Digital Window @ Vassar Senior Capstone Projects 2013 Deng Xiaoping, Dazibao and Dissent: A Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Levine, Jill, "Deng Xiaoping, Dazibao and Dissent: A Critical Analysis of the Xidan Democracy Wall Movement" (2013). Senior Capstone Projects. Paper 163. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Levine 1 Deng Xiaoping, Dazibao and Dissent A Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College Asian Studies April 8 2013 Peipei Qiu Fubing Su Levine 2 Table of Contents 1. Introduction: The Xidan Democracy Wall…………………………………………….1 2. Deng Xiaoping: Political Strategist……………………………………………………10 3. Intellectualism and Activism in Historical Perspective………………………………..29 4. Pluralism in Perspective: The Democracy Wall Activists……………………………..43 5. Conclusion: A Critical Approach to Historical Analysis……………………………....61 6. Works Cited…………………………………………………………………………….66 7. Appendix: Interview Transcripts……………………………………………………….71 I. Interview with Merle Goldman………………………………………………...71 II. Interview with Wei Jingsheng………………………………………………….75 III. Interview with Huang Xiang…………………………………………………...85 Levine 3 1. Introduction: The Xidan Democracy Wall “You walked here? This is not a very safe neighborhood,” said Huang Ciping. Ms. Huang, a dissident in her own right for speaking about against the 1989 Tiananmen Square massacre, is the director of the Washington D.C. -
TEMPORARY BOUNDARY a Survey on China Censured Videos and Photographs
TEMPORARY BOUNDARY A survey on China censured videos and photographs Video section curated by CIFA-China Independent Film Archive PRESS RELEASE GALERIE PARIS-BEIJING 62, rue de Turbigo 75003 Paris M°Arts et Métiers / Temple TEL: +33 (0)1 42 74 32 36 [email protected] www.galerieparisbeijing.com TEMPORARY BOUNDARY GROUP SHOW : A survey on China censured videos and photographs Video section curated by CIFA-China Independent Film Archive Chi Peng, Gao Brothers, Liu Bolin, Mo Yi, Ren Hang, Zhang Dali, Liu Wei, Wu Junyong, Ma Yong Feng, Huang Xiang, Jin Shan, Chen Shaoxiong, Jiang Zhi, Xu ong 07.11 - 19.12.2015 Opening 07.11 from 6 to 9 pm Tuesday-Saturday 11am-7pm Temporary Boundary is a curatorial project presented in two parts, revealing a selection of contemporary Chinese photographs and artist’s videos that have been censured in their own country. Galerie Paris-Beijing is very proud to host the curator of CIFA-China Independent Film Archive for the video part of the exhibition. Among the photographic works, the selection of which was conceived by Romain Degoul, the gallery’s Gao Brothers: since the 1980s, the two brothers have been practicing politi- cal satire through their pieces, which has brought them under close surveillance. Two guards are regularly posted at the entrance of their studio. The photograph Now-ing, by Chi Peng was censured right in the middle of the SH Contemporary fair in Shanghai, where the gallerist initially had to cover the work with a sheet before removing it… only to sell it to the censor’s friend, who was amused by the whole polemic! Such are the anecdotes that we recount through the exhibition. -
Popular Memories of the Mao Era
Popular Memories of the Mao Era From Critical Debate to Reassessing History Edited by Sebastian Veg Hong Kong University Press The University of Hong Kong Pokfulam Road Hong Kong www.hkupress.hku.hk © 2019 Hong Kong University Press ISBN 978-988-8390-76-2 (Hardback) All rights reserved. No portion of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publisher. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 Printed and bound by Paramount Printing Co. Ltd., Hong Kong, China Contents Acknowledgments vii 1. Introduction: Trauma, Nostalgia, Public Debate 1 Sebastian Veg Part I. Unofficial Memories in the Public Sphere: Journals, Internet, Museums 2. Writing about the Past, an Act of Resistance: An Overview of Independent Journals and Publications about the Mao Era 21 Jean-Philippe Béja 3. Annals of the Yellow Emperor: Reconstructing Public Memory of the Mao Era 43 Wu Si 4. Contested Past: Social Media and the Production of Historical Knowledge of the Mao Era 61 Jun Liu 5. Can Private Museums Offer Space for Alternative History? The Red Era Series at the Jianchuan Museum Cluster 80 Kirk A. Denton Part II. Critical Memory and Cultural Practices: Reconfiguring Elite and Popular Discourse 6. Literary and Documentary Accounts of the Great Famine: Challenging the Political System and the Social Hierarchies of Memory 115 Sebastian Veg 7. -
Congressional-Executive Commission on China Annual Report 2012
CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2012 ONE HUNDRED TWELFTH CONGRESS SECOND SESSION OCTOBER 10, 2012 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov 2012 ANNUAL REPORT CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA ANNUAL REPORT 2012 ONE HUNDRED TWELFTH CONGRESS SECOND SESSION OCTOBER 10, 2012 Printed for the use of the Congressional-Executive Commission on China ( Available via the World Wide Web: http://www.cecc.gov U.S. GOVERNMENT PRINTING OFFICE 76–190 PDF WASHINGTON : 2012 For sale by the Superintendent of Documents, U.S. Government Printing Office Internet: bookstore.gpo.gov Phone: toll free (866) 512–1800; DC area (202) 512–1800 Fax: (202) 512–2104 Mail: Stop IDCC, Washington, DC 20402–0001 CONGRESSIONAL-EXECUTIVE COMMISSION ON CHINA LEGISLATIVE BRANCH COMMISSIONERS House Senate CHRISTOPHER H. SMITH, New Jersey, SHERROD BROWN, Ohio, Cochairman Chairman MAX BAUCUS, Montana FRANK WOLF, Virginia CARL LEVIN, Michigan DONALD A. MANZULLO, Illinois DIANNE FEINSTEIN, California EDWARD R. ROYCE, California JEFF MERKLEY, Oregon TIMOTHY J. WALZ, Minnesota SUSAN COLLINS, Maine MARCY KAPTUR, Ohio JAMES RISCH, Idaho MICHAEL M. HONDA, California EXECUTIVE BRANCH COMMISSIONERS SETH D. HARRIS, Department of Labor MARIA OTERO, Department of State FRANCISCO J. SANCHEZ, Department of Commerce KURT M. CAMPBELL, Department of State NISHA DESAI BISWAL, U.S. Agency for International Development PAUL B. PROTIC, Staff Director LAWRENCE T. LIU, Deputy Staff -
General945.Pdf
May 1994 Volume 6, Issue 2 PERSECUTED, BANNED, CENSORED AND JAILED WRITERS RECEIVE GRANTS 30 writers from 17 countries recognized by Lillian Hellman/Dashiell Hammett Funds Five years ago at the request of the trustees of the estates of Lillian Hellman and Dashiell Hammett, the Fund for Free Expression, now known as the Human Rights Watch Free Expression Project, began a program to implement Hellman and Hammett's wishes that their legacies assist writers around the world who have been victims of political persecution. This year the grants totaled approximately $175,000, awarded to 30 writers from 17 countries. In the four previous years of the program, more than 100 writers have received grants, including writers like Liu Qing, a Chinese journalist who was imprisoned and tortured for his repudiation of the Cultural Revolution; Mariella Sala Eguran, a Peruvian novelist who was targeted for assassination by Sendero Luminoso; and Nasir Khaksar, an Iranian author who after eight years in prison under the Shah was sentenced to death by the current regime and fled to the Netherlands. The 1994 recipients include Nguyên Chi Thiên, a dissident Vietnamese poet who has spent the majority of his life in prison for writing poems critical of the Communist regime; the Iranian novelist Shahrunush Parsipur, whose books about the challenges women face in Iran have been banned since 1989; and the courageous editors of two Kenyan news magazines which have been closed and harassed for criticizing the president and writing stories about government corruption. Short biographies of this year's recipients follow: Dodojon Atovullo (Tajikistan), journalist, was fired from his position as head of the arts and literature department on the weekly communist youth paper for writing articles that did not follow the party line. -
Student Activism and Campus Politics in China, 1957
UNIVERSITY OF CALIFORNIA, IRVINE Blooming, Contending, and Staying Silent: Student Activism and Campus Politics in China, 1957 DISSERTATION submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in History by Yidi Wu Dissertation Committee: Professor Jeffrey Wasserstrom, Chair Professor Susan Morrissey Professor Paul Pickowicz 2017 © 2017 Yidi Wu DEDICATION To All my interviewees, who kindly shared their time, experience and wisdom with me. ii TABLE OF CONTENTS Page ACKNOWLEDGMENTS iv CURRICULUM VITAE v ABSTRACT OF THE DISSERTATION vi CHAPTER 1: Introduction: Student Activism in 1957’s China 1 CHAPTER 2: 1919, 1957, 1966, and 1989: Student Activism in Twentieth-Century China 14 CHAPTER 3: From Moscow to Beijing: Chinese Students Learn from Crises in the Soviet Bloc 39 CHAPTER 4: Student Activism as Contentious Politics at Peking University I: Contentious Repertoire and Framing Techniques 78 CHAPTER 5: Student Activism as Contentious Politics at Peking University II: Political Opportunity and Constraint, Organization and Mobilization, and Divisions 131 CHAPTER 6: Variations across Campuses: Similarities and Differences in Beijing, Wuhan and Kunming 168 CHAPTER 7: Stand in Line: Classification of College Students’ Political Reliability in the Anti-Rightist Campaign 205 CHAPTER 8: Epilogue: The Past Has Not Passed 257 REFERENCES 269 APPENDIX: Interview List 274 iii ACKNOWLEDGMENTS I would like to express sincere gratitude to my dissertation committee. I could not ask for a better advisor, as Professor Wasserstrom has continued to help me connect with various people in the field, and he has provided opportunities for co-authorship in several publications. Professor Pickowicz generously included me in the UC San Diego Chinese history research seminar and the joint conference at East China Normal University, Shanghai.