TEMPORARY BOUNDARY a Survey on China Censured Videos and Photographs
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Global City Review International
Global City Review International i s s u i: n u m w i- H i o u k r i: i: n 2 0 0 2 lOlINDINC, !■ DITOR Limey Abrams issiii rniTORS Patricia Dunn and Nina Herzog poiiTRv c o ns m .t a n t : Susan lands CO NTRI B U 11 N G 1- D I TO H S Edith Chevat, Patricia Dunn. Nina Herzog, a n d Susan Lewis MANAGING ANI) I'DITORIAI. HOARD Lisa Bareli t, Eden Coughlin. Patricia Dunn, Joanna Fitzpatrick, Beth Herstein, Nina Herzog, Lance Hunt, Julie Morrisett, Sue Park, a n d Justin Young K FADING SFKIFS PRODUCTION Edith Chevat Ananda La Vita Global City Review is a literary metropolis of the imagination. Edited and produced by writers, it celebrates the difficulties and possibilities of the social world of cit ies, and ot her const ruct ions of community.. .while honoring the inventiveness and originality of ordinary lives. Each pocket-size issue includes stories, poems, memoirs, interviews and essays organized around a broad theme. GLOBAL CITY REVIEW International 2002 NUMBER FOURTEEN COPYRIGHT © 2002 BY GLOBAL CITY PRESS ALL RIGHTS REVERT TO AUTHORS UPON PUBLICATION. Global City Review is published twice yearly. ALL CORRESPONDENCE SHOULD BE SENT TO: GLOBAL CITY REVIEW SIMON H. RIFKIND CENTER FOR THE HUMANITIES THE CITY COLLEGE OF NEW YORK 138TH AND CONVENT AVENUE NEW YORK, NY IOO31 [email protected] GLOBAL CITY REVIEW IS DISTRIBUTED BY BERNHARD DEBOER, INC. ISBN: 1-55605-344-4 GLOBAL CITY REVIEW IS PUBLISHED WITH THE GENEROUS SUPPORT OF THE ROY AND NIUTA TITUS FOUNDATION AND OF THE SIMON H. -
Performing Shakespeare in Contemporary Taiwan
Performing Shakespeare in Contemporary Taiwan by Ya-hui Huang A thesis submitted in partial fulfilment for the requirements of the degree of Doctor of Philosophy at the University of Central Lancashire Jan 2012 Abstract Since the 1980s, Taiwan has been subjected to heavy foreign and global influences, leading to a marked erosion of its traditional cultural forms. Indigenous traditions have had to struggle to hold their own and to strike out into new territory, adopt or adapt to Western models. For most theatres in Taiwan, Shakespeare has inevitably served as a model to be imitated and a touchstone of quality. Such Taiwanese Shakespeare performances prove to be much more than merely a combination of Shakespeare and Taiwan, constituting a new fusion which shows Taiwan as hospitable to foreign influences and unafraid to modify them for its own purposes. Nonetheless, Shakespeare performances in contemporary Taiwan are not only a demonstration of hybridity of Westernisation but also Sinification influences. Since the 1945 Kuomintang (Chinese Nationalist Party, or KMT) takeover of Taiwan, the KMT’s one-party state has established Chinese identity over a Taiwan identity by imposing cultural assimilation through such practices as the Mandarin-only policy during the Chinese Cultural Renaissance in Taiwan. Both Taiwan and Mainland China are on the margin of a “metropolitan bank of Shakespeare knowledge” (Orkin, 2005, p. 1), but it is this negotiation of identity that makes the Taiwanese interpretation of Shakespeare much different from that of a Mainlanders’ approach, while they share certain commonalities that inextricably link them. This study thus examines the interrelation between Taiwan and Mainland China operatic cultural forms and how negotiation of their different identities constitutes a singular different Taiwanese Shakespeare from Chinese Shakespeare. -
Ren Hang What We Do Is Secret
REN HANG WHAT WE DO IS SECRET JUNE 18 – JULY 23, 2016 MAMA Gallery is proud to present What We Do Is Secret, Beijing-based artist Ren Hang’s first solo exhibition with the gallery and his first in Los Angeles. In the face of censorship and social restraints, Hang intuitively creates moments of uninhibited liberty through nude human sculpture. Considered one of the most provocative photographers today, Hang’s work can be considered overtly explicit, emotional, beautiful, funny, and grotesque, all at the same time. While Hang’s public demeanor understates any political significance in his work, Hang’s carefully directed images may suggest otherwise. Hang’s perspective of contemporary youth within China’s climate of economic, cultural and social upheaval serves as a strong case for freedom of expression under any circumstance. Perhaps inadvertently, Hang’s subject matter and seemingly simple technique have transcendent ramifications. His subjects project an irreverence that directly disrupts the restrictive realm of heteronormativity and presents alternate sexual and aesthetic realities. The title of Hang’s exhibition, What We Do Is Secret, references the music of punk band the Germs, which aligns with the provocative spirit of the artist’s images. Antagonism abounds in Hang’s work with a counterculture-fueled rebellion lying at its core. Ren Hang was born in Changchun, China in 1987. He currently lives and works in Beijing, China. His work has been exhibited at international museums including; The Museum of Contemporary Art, Shanghai; Songzhuang Art Museum, Beijing; UCCA, Beijing, He Xiangning Art Museum, Shenzhen; Multimedia Art Museum Moscow; China Central Academy of Fine Arts, Beijing; Groninger Museum, Netherlands, and Östasiatiska Museet, Stockholm. -
Paris Photo 2017
Paris Photo 2017 JIANG PENGYI JIANG ZHI MO YI REN HANG HAO JINGBAN 9-12.11.2017 Booth: B34 Jiang Pengyi (b. 1977, Yuanjiang, Hunan, China) Jiang Pengyi graduated from the Beijing Institute of Art and Design in 1999 and the China Academy of Art, Hangzhou in 2014. Jiang is an artist who constantly innovates with the infinitely generative potentialities of the photographic medium. His recent artistic evolution has taken him from digital photography to the experimentation with the materiality of photographic film, from the exteriority of excessive urbanization to the interiority of human existence and sexuality. With the use of cameraless analogue technique, traditional darkroom processes, and the application of instant film materials and found images, Jiang creates large-scale abstracts works and unique sculpturesque instant- film objects. Jiang has been awarded the Aletti ArtVerona Prize for Photography in 2011, the Jury Grand Prize from the Société Générale Chinese Art Awards in 2010 and the Tierney Fellowship Award from the First Annual Three Shadows Photography Award in 2009. Jiang was invited to participate in the Helsinki Photography Biennial 2012 and was nominated for the Prix Pictet 2012. His work is collected by The Burger Collection; CAFA Art Museum (China); DSL Collection (France); Frac des Pays de la Loire (France); Fondazione Banca Aletti (Italy); Guy & Myriam Ullens Foundation Collection (Switzerland); Kadist Art Foundation (France and USA); Tierney Family Foundation (USA); UniCredit Art Collection (Italy and Germany) and White Rabbit Contemporary Chinese Art Collection (Australia). Jiang currently lives and works in Beijing, China. About Dissolution Influenced by Western literature and philosophy, in particular French philosopher Georges Bataille’s L’Erotisme, Jiang Pengyi pondered in seriousness the interweaving relationship among sex, life and death. -
Prepared Statement of Xiaorong Li, Independent Scholar
Prepared Statement of Xiaorong Li, Independent Scholar Congressional-Executive Commission on China Roundtable on "Current Conditions for Human Rights Defenders and Lawyers in China, and Implications for U.S. Policy" June 23, 2011 The serious backsliding of the Chinese government’s human rights records had started before the 2008 Summer Olympics, highlighted with the jailing of activists Hu Jia, Huang Qi, and many others, the torture and disappearance of lawyer Gao Zhisheng, the imprisonment of Nobel Peace Prize laureate Liu Xiaobo and house arrest of his wife, both incommunicado, and the house arrest of Chen Guangcheng after his release. Yesterday’s release of the artist Ai Weiwei on bail awaiting for trial was in the same fashion as his arrest: with disregard of the Chinese law. All these took place in the larger context of severe restrictions on freedom of expression and association, repression against religious and ethnic minorities, and significant roll-back on rule of law reform. Since February, several hundreds of people have been harassed or persecuted in one of the harshest crackdowns in recent years when the Chinese government tried to stamp out any sparks for protests in the Tunisia-style “Jasmine Revolution” after online calls first appeared. According to information documented by the group Chinese Human Rights Defenders, the Chinese government has criminally detained a total of 49 individuals, outside the Tibet and Xinjiang regions. As of today, nine of them have been formally arrested, three sent to Re-education through Labor (RTL) camps, 32 have been released but most of them not free: out of which 22 have been released on bail to await trial, while four remain in criminal detention. -
Copyright by James Joshua Hudson 2015
Copyright by James Joshua Hudson 2015 The Dissertation Committee for James Joshua Hudson Certifies that this is the approved version of the following dissertation: River Sands/Urban Spaces: Changsha in Modern Chinese History Committee: Huaiyin Li, Supervisor Mark Metzler Mary Neuburger David Sena William Hurst River Sands/Urban Spaces: Changsha in Modern Chinese History by James Joshua Hudson, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2015 Dedication For my good friend Hou Xiaohua River Sands/Urban Spaces: Changsha in Modern Chinese History James Joshua Hudson, PhD. The University of Texas at Austin, 2015 Supervisor: Huaiyin Li This work is a modern history of Changsha, the capital city of Hunan province, from the late nineteenth to mid twentieth centuries. The story begins by discussing a battle that occurred in the city during the Taiping Rebellion (1850-1864), a civil war that erupted in China during the mid nineteenth century. The events of this battle, but especially its memorialization in local temples in the years following the rebellion, established a local identity of resistance to Christianity and western imperialism. By the 1890’s this culture of resistance contributed to a series of riots that erupted in south China, related to the distribution of anti-Christian tracts and placards from publishing houses in Changsha. During these years a local gentry named Ye Dehui (1864-1927) emerged as a prominent businessman, grain merchant, and community leader. -
Deng Xiaoping, Dazibao and Dissent: a Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College, [email protected]
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Digital Window @Vassar Vassar College Digital Window @ Vassar Senior Capstone Projects 2013 Deng Xiaoping, Dazibao and Dissent: A Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College, [email protected] Follow this and additional works at: http://digitalwindow.vassar.edu/senior_capstone Recommended Citation Levine, Jill, "Deng Xiaoping, Dazibao and Dissent: A Critical Analysis of the Xidan Democracy Wall Movement" (2013). Senior Capstone Projects. Paper 163. This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Levine 1 Deng Xiaoping, Dazibao and Dissent A Critical Analysis of the Xidan Democracy Wall Movement Jill Levine Vassar College Asian Studies April 8 2013 Peipei Qiu Fubing Su Levine 2 Table of Contents 1. Introduction: The Xidan Democracy Wall…………………………………………….1 2. Deng Xiaoping: Political Strategist……………………………………………………10 3. Intellectualism and Activism in Historical Perspective………………………………..29 4. Pluralism in Perspective: The Democracy Wall Activists……………………………..43 5. Conclusion: A Critical Approach to Historical Analysis……………………………....61 6. Works Cited…………………………………………………………………………….66 7. Appendix: Interview Transcripts……………………………………………………….71 I. Interview with Merle Goldman………………………………………………...71 II. Interview with Wei Jingsheng………………………………………………….75 III. Interview with Huang Xiang…………………………………………………...85 Levine 3 1. Introduction: The Xidan Democracy Wall “You walked here? This is not a very safe neighborhood,” said Huang Ciping. Ms. Huang, a dissident in her own right for speaking about against the 1989 Tiananmen Square massacre, is the director of the Washington D.C. -
Ren Hang (1987 – 2017)
Ren Hang (1987 – 2017) Ren Hang was awarded the Outset | Unseen Exhibition Fund at Unseen, Amsterdam in 2016 and Third Terna Contemporary Art Award, Italy in 2010. His solo exhibitions included “Naked/Nude” (Foam Fotografiemuseum, Netherlands, 2017) and “Human Love” (Fotografiska, Sweden); His selected group exhibitions included “Medium of Desire: An International Anthology of Photography and Video” (Leslie-Lohman Museum of Gay and Lesbian Art, USA, 2015); “Chinese Photography: Twentieth Century and Before” (Three Shadows Photography Art Centre, China, 2015); “Contemporary Photography in China 2009-2014” (Minsheng Art Museum, China, 2014); “Suan Tian Ku La: 4 flavors, 4 photographers, 4 eyes on Chinese society” (Grand Theatre d’Angers, France, 2011); “Curated by RongRong: Inner Ear” (Ullens Center for Contemporary Art, China, 2011); and Rencontres d’Arles Festival (France, 2011). Ren's works is collected by CAFA Art Museum (China) and Three Shadows Photography Art Centre (China); Kansas State University Art Museum (USA); Multimedia Art Museum (Russia); and White Rabbit Contemporary Chinese Art Collection (Australia). Ren died in Beijing, China in 2017. Solo Exhibitions 2017 “Human Love”, Fotografiska, Stockholm, Sweden “Naked/Nude”, Foam Fotografiemuseum, Amsterdam, Netherlands 2016 “What We Do is Secret”, MAMA Gallery, Los Angeles, USA “Athens Love”, Klein Sun Gallery, New York, USA “白日昇天”, Modernsky Lab, Beijing, China 2015 “NEW LOVE”, matchbaco Gallery, Tokyo, Japan “Ren Hang - Morphology”, HDM Gallery, Hangzhou, China “Occupy Atopos# -
General945.Pdf
May 1994 Volume 6, Issue 2 PERSECUTED, BANNED, CENSORED AND JAILED WRITERS RECEIVE GRANTS 30 writers from 17 countries recognized by Lillian Hellman/Dashiell Hammett Funds Five years ago at the request of the trustees of the estates of Lillian Hellman and Dashiell Hammett, the Fund for Free Expression, now known as the Human Rights Watch Free Expression Project, began a program to implement Hellman and Hammett's wishes that their legacies assist writers around the world who have been victims of political persecution. This year the grants totaled approximately $175,000, awarded to 30 writers from 17 countries. In the four previous years of the program, more than 100 writers have received grants, including writers like Liu Qing, a Chinese journalist who was imprisoned and tortured for his repudiation of the Cultural Revolution; Mariella Sala Eguran, a Peruvian novelist who was targeted for assassination by Sendero Luminoso; and Nasir Khaksar, an Iranian author who after eight years in prison under the Shah was sentenced to death by the current regime and fled to the Netherlands. The 1994 recipients include Nguyên Chi Thiên, a dissident Vietnamese poet who has spent the majority of his life in prison for writing poems critical of the Communist regime; the Iranian novelist Shahrunush Parsipur, whose books about the challenges women face in Iran have been banned since 1989; and the courageous editors of two Kenyan news magazines which have been closed and harassed for criticizing the president and writing stories about government corruption. Short biographies of this year's recipients follow: Dodojon Atovullo (Tajikistan), journalist, was fired from his position as head of the arts and literature department on the weekly communist youth paper for writing articles that did not follow the party line. -
Chronicle of Events
Chronicle of Events 1949 July January Congress of Chinese Writers and Artists (renamed to The China Federation of Literary 31 The name Beiping (北平) was reverted to and Art Circles) held the First National Exhibi- Peking (北京 adopted to Beijing in 1958) tion of Fine Arts at National Peking Art College. after the People’s Liberation Army (PLA) conquered the city. 2–19 The First National Congress of Litera- ture and Art Workers met in Beijing. A total of six-hundred-fifty delegates February participated the congress, including eighty-eight art workers. The China Fed- 15 The government took over the National eration of Literary and Art Circles Peking Art College. (CFLAC) was founded. 21 China Artists Association (CAA) was founded in Zhongshan Park, Peking. April The Exhibition of New Guohua, featured more October than eighty artists, was held in Zhongshan Park, Beijing. 1 The People’s Republic of China was founded. May November 25 Shanghai was taken over by the PLA. 23 National Peking Art College combined with the art department of North China Univer- sity, establishing the Central Academy of June Fine Arts (CAFA) in 1950. 6 Shanghai prepared to establish the Shanghai Artists Association. # Springer Nature Singapore Pte Ltd. 2020 459 Y. Zhou, A History of Contemporary Chinese Art, Chinese Contemporary Art Series, https://doi.org/10.1007/978-981-15-1141-7 460 Chronicle of Events 1950 November CAA published four issues of the art journal 7 National Hangzhou Arts College was Renmin Meishu (People’s Fine Arts). renamed to CAFA East China Campus (renamed to the Zhejiang Fine Arts Academy in 1958, and then to the China Academy of January Art in 1993). -
Download the Publication
NEWCOL D WEAR IVIDENCENTERNATIONAL HISTORY PROJECT ON BULLETIN 207 MAO ZEDONG’S HANDLING OF THE TAIWAN STRAITS CRISIS OF 1958: CHINESE RECOLLECTIONS AND DOCUMENTS Translated and Annotated by Li Xiaobing, Chen Jian, and David L. Wilson Translators’ Note: On 23 August 1958, as abruptly as it initiated it? For a long time, Guang Zhang, Deterrence and Strategic Cul- Chinese Communist forces in the Fujian scholars have been forced to resort to “edu- ture: Chinese-American Confrontations, area along the People’s Republic of China’s cated guesses” to answer these questions. 1949-1958 (Ithaca, NY: Cornell University Pacific Coast began an intensive artillery The materials in the following pages, Press, 1992), 225-267; Qiang Zhai, The bombardment of the Nationalist-controlled translated from Chinese, provide new in- Dragon, the Lion, and the Eagle: Chinese- Jinmen Island. In the following two months, sights for understanding Beijing’s handling British-American Relations, 1949-1958 several hundred thousand artillery shells of the Taiwan crisis. They are divided into (Kent, OH: Kent State University Press, exploded on Jinmen and in the waters around two parts. The first part is a memoir by Wu 1994), 178-207; and a forthcoming study by it. At one point, a Chinese Communist Lengxi, then the director of the New China Thomas Christensen to be published by invasion of the Nationalist-controlled off- News Agency and editor-in-chief of Renmin Princeton University Press.] shore islands, especially Jinmen (Quemoy) ribao (People’s Daily). Wu was personally Rendering Chinese- or English-lan- and Mazu (Matsu), seemed imminent. In involved in the decision-making process in guage materials into the other language is response to the rapidly escalating Commu- Beijing during the 1958 Taiwan crisis and difficult because the two languages have no nist threat in the Taiwan Straits, the attended several Politburo Standing Com- common linguistic roots. -
Singing Solo
Notes to this edition This is an electronic edition of the printed book. Minor corrections may have been made within the text; new information and any errata appear on the current page only. China Research Monograph 63 A Lifetime Is a Promise to Keep: Poems of Huang Xiang Michelle Yeh, editor and translator ISBN-13: 978-1-55729-152-3 (electronic) ISBN-13: 978-1-55729-096-0 (print) ISBN-10: 1-55729-096-2 (print) Please visit the IEAS Publications website at http://ieas.berkeley.edu/publications/ for more information and to see our catalogue. Send correspondence and manuscripts to Katherine Lawn Chouta, Managing Editor Institute of East Asian Studies 1995 University Avenue, Suite 510H Berkeley, CA 94720-2318 USA [email protected] May 2015 CHINA RESEARCH MONOGRAPH 63 INSTITUTE OF EAST ASIAN STUDIES UNIVERSITY OF CALIFORNIA ● BERKELEY CENTER FOR CHINESE STUDIES A Lifetime Is a Promise to Keep Poems of Huang Xiang INTRODUCED AND TRANSLATED BY Michelle Yeh A publication of the Institute of East Asian Studies, University of California, Berkeley. Although the institute is responsible for the selection and acceptance of manuscripts in this series, responsibility for the opinions expressed and for the accuracy of statements rests with their authors. The China Research Monograph Series is one of the several publications series sponsored by the Institute of East Asian Studies in conjunction with its constituent units. The others include the Japan Research Monograph series, the Korea Research Monograph series, and the Research Papers and Policy Studies series. Send correspondence and manuscripts to Katherine Lawn Chouta, Managing Editor Institute of East Asian Studies 2223 Fulton Street, 6th Floor Berkeley, CA 94720-2318 [email protected] Library of Congress Cataloging-in-Publication Data Huang, Xiang, 1941- [Poems.