Port Cities and Printers: Reflections on Early Modern Global Armenian
Rqtv"Ekvkgu"cpf"Rtkpvgtu<"Tghngevkqpu"qp"Gctn{"Oqfgtp Inqdcn"Ctogpkcp"Rtkpv"Ewnvwtg Sebouh D. Aslanian Book History, Volume 17, 2014, pp. 51-93 (Article) Rwdnkujgf"d{"Vjg"Lqjpu"Jqrmkpu"Wpkxgtukv{"Rtguu DOI: 10.1353/bh.2014.0007 For additional information about this article http://muse.jhu.edu/journals/bh/summary/v017/17.aslanian.html Access provided by UCLA Library (24 Oct 2014 19:07 GMT) Port Cities and Printers Reflections on Early Modern Global Armenian Print Culture Sebouh D. Aslanian Since the publication of Lucien Febvre and Henri-Jean Martin’s L’aparition du livre in 1958 and more recently Elizabeth Eisenstein’s The Printing Press as an Agent of Change (1979), a substantial corpus of scholarship has emerged on print culture, and even a new discipline known as l’histoire du livre, or history of the book, has taken shape.1 As several scholars have al- ready remarked, the bulk of the literature on book history and the history of print has been overwhelmingly Eurocentric in conception. In her magnum opus, for instance, Eisenstein hardly pauses to consider whether some of her bold arguments on the “printing revolution” are at all relevant for the world outside Europe, except perhaps for Euroamerica. As one scholar has noted, “until recently, the available literature on the non-European cases has been very patchy.”2 The recent publication of Jonathan Bloom’s Paper Before Print (2001),3 Mary Elizabeth Berry’s Japan in Print (2007), Nile Green’s essays on Persian print and his Bombay Islam,4 several essays and works in press on printing in South Asia5 and Ming-Qing China,6 and the convening of an important “Workshop on Print in a Global Context: Japan and the World”7 indicate, however, that the scholarship on print and book history is now prepared to embrace the “global turn” in historical studies.
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