The Boxue Hongci 博學宏詞examinations, Literary
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Literatura Orientu W Piśmiennictwie Polskim XIX W
Recenzent dr hab. Kinga Paraskiewicz Projekt okładki Igor Stanisławski Na okładce wykorzystano fragment anonimowego obrazu w stylu kad żarskim „Kobieta trzymaj ąca diadem” (Iran, poł. XIX w.), ze zbiorów Państwowego Muzeum Ermita żu, nr kat. VP 1112 Ksi ąż ka finansowana w ramach programu Ministra Nauki i Szkolnictwa Wy ższego pod nazw ą „Narodowy Program Rozwoju Humanistyki” w latach 2013-2017 © Copyright by individual authors, 2016 ISBN 978-83-7638-926-4 KSI ĘGARNIA AKADEMICKA ul. św. Anny 6, 31-008 Kraków tel./faks 12-431-27-43, 12-421-13-87 e-mail: [email protected] Ksi ęgarnia internetowa www.akademicka.pl Spis tre ści Słowo wst ępne . 7 Ignacy Krasicki, O rymotwórstwie i rymotwórcach. Cz ęść dziewi ąta: o rymotwórcach wschodnich (fragmenty) . 9 § I. 11 § III. Pilpaj . 14 § IV. Ferduzy . 17 Assedy . 18 Saady . 20 Suzeni . 22 Katebi . 24 Hafiz . 26 § V. O rymotwórstwie chi ńskim . 27 Tou-fu . 30 Lipe . 31 Chaoyung . 32 Kien-Long . 34 Diwani Chod ża Hafyz Szirazi, zbiór poezji Chod ży Hafyza z Szyrazu, sławnego rymotwórcy perskiego przez Józefa S ękowskiego . 37 Wilhelm Münnich, O poezji perskiej . 63 Gazele perskiego poety Hafiza (wolny przekład z perskiego) przeło żył Jan Wiernikowski . 101 Józef Szujski, Rys dziejów pi śmiennictwa świata niechrze ścija ńskiego (fragmenty) . 115 Odczyt pierwszy: Świat ras niekaukaskich z Chinami na czele . 119 Odczyt drugi: Aryjczycy. Świat Hindusów. Wedy. Ksi ęgi Manu. Budaizm . 155 Odczyt trzeci: Epopeja indyjskie: Mahabharata i Ramajana . 183 Odczyt czwarty: Kalidasa i Dszajadewa [D źajadewa] . 211 Odczyt pi ąty: Aryjczycy. Lud Zendów – Zendawesta. Firduzi. Saadi. Hafis . 233 Piotr Chmielowski, Edward Grabowski, Obraz literatury powszechnej w streszczeniach i przekładach (fragmenty) . -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Ming-Qing Women's Song Lyrics to the Tune Man Jiang Hong
engendering heroism: ming-qing women’s song 1 ENGENDERING HEROISM: MING-QING WOMEN’S SONG LYRICS TO THE TUNE MAN JIANG HONG* by LI XIAORONG (McGill University) Abstract The heroic lyric had long been a masculine symbolic space linked with the male so- cial world of career and achievement. However, the participation of a critical mass of Ming-Qing women lyricists, whose gendered consciousness played a role in their tex- tual production, complicated the issue. This paper examines how women crossed gen- der boundaries to appropriate masculine poetics, particularly within the dimension of the heroic lyric to the tune Man jiang hong, to voice their reflections on larger historical circumstances as well as women’s gender roles in their society. The song lyric (ci 詞), along with shi 詩 poetry, was one of the dominant genres in which late imperial Chinese women writers were active.1 The two conceptual categories in the aesthetics and poetics of the song lyric—“masculine” (haofang 豪放) and “feminine” (wanyue 婉約)—may have primarily referred to the textual performance of male authors in the tradition. However, the participation of a critical mass of Ming- Qing women lyricists, whose gendered consciousness played a role in * This paper was originally presented in the Annual Meeting of the Association for Asian Studies, New York, March 27-30, 2003. I am deeply grateful to my supervisor Grace S. Fong for her guidance and encouragement in the course of writing this pa- per. I would like to also express my sincere thanks to Professors Robin Yates, Robert Hegel, Daniel Bryant, Beata Grant, and Harriet Zurndorfer and to two anonymous readers for their valuable comments and suggestions that led me to think further on some critical issues in this paper. -
Publications Were Issued in Latin Or German
August 23–28, 2016 St. Petersburg, Russia EACS 2016 21st Biennial Conference of the European Association for Chinese Studies Book of ABStractS 2016 EACS- The European Association for Chinese Studies The European Association for Chinese Studies (EACS) is an international organization representing China scholars from all over Europe. Currently it has more than 700 members. It was founded in 1975 and is registered in Paris. It is a non-profit orga- nization not engaging in any political activity. The purpose of the Association is to promote and foster, by every possible means, scholarly activities related to Chinese Studies in Europe. The EACS serves not only as the scholarly rep- resentative of Chinese Studies in Europe but also as contact or- ganization for academic matters in this field. One of the Association’s major activities are the biennial con- ferences hosted by various centres of Chinese Studies in diffe- rent European countries. The papers presented at these confer- ences comprise all fields from traditional Sinology to studies of modern China. In addition, summer schools and workshops are organized under the auspices of the EACS. The Association car- ries out scholarly projects on an irregular basis. Since 1995 the EACS has provided Library Travel Grants to support short visits for research in major sinological libraries in Western Europe. The scheme is funded by the Chiang Ching-Kuo Foundation and destined for PhD students and young scholars, primarily from Eastern European countries. The EACS furthers the careers of young scholars by awarding a Young Scholar Award for outstanding research. A jury selects the best three of the submitted papers, which are then presented at the next bi-an- nual conference. -
Miscellaneous Subjects from Japan of Huang Zunxian (1848-1905)
Early Modern Cross-Cultural Perspectives: the Poems on Miscellaneous Subjects from Japan of Huang Zunxian (1848-1905) RU, , hyw'.. 卜』 /1.林可 田主彰 n G3 mo、 JFO 3 KnU tr- nnu ATE 、 ﹒仇 凹 n ω Huang Zunxian 黃遵憲, diplomat, statesman, rustorian, and poet, w的 a natÌve of Jiayingzhou 嘉應州(p resent-day Meizhou 梅州), Guangdong, 企om a H泳協 (X可ia) 客家 family , which, like so many of the area, had originally moved 企om northem China and settled during the Song and Yuan eras (ten出-出 irteen也 centuries). Hu組 g's family had achieved local promi nence by the time of rus great-grandfa也 er,也 d Huang's fa也缸, Huang Hongzao 黃鴻藻(1 828-1891) , had a long and dis也guished 0伍 cial c訂 eer and is remembered in history for his management of supplies to the Chinese 缸myd盯 ing 血 e Sino-French W訂 (1882-1884) 也 southem Guangdong and Vietnam. Huang Zunxi徊 's 0伍 cial c缸eer began in 1877, when he became Coun selor to 也 e Imperial Chinese Legation in Tokyo (Canzanguan 參贊官), Secre taIγ (Shujiguan 書記官) responsible for researching and drafting documents ,組lO ng other duties ,也甘d in rank after the Ambassador (Gongshi 公士 or Dachen 大臣) and Vice-Ambassador (Fugo咚.shi 副公士 IFudachen 副大臣), a post he filled until 1882 when he was appointed Consul-General in San Francisco. He stayed in Califomia until 1889, re i••• -TB tumed briefly to Chi凶, and the following ye訂 he was installed as Counselor i to the Chinese Legation in London. In 1891 Huang became Consul-General in Singapore, where he remained until 1894. -
Representing Talented Women in Eighteenth-Century Chinese Painting: Thirteen Female Disciples Seeking Instruction at the Lake Pavilion
REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION By Copyright 2016 Janet C. Chen Submitted to the graduate degree program in Art History and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. ________________________________ Chairperson Marsha Haufler ________________________________ Amy McNair ________________________________ Sherry Fowler ________________________________ Jungsil Jenny Lee ________________________________ Keith McMahon Date Defended: May 13, 2016 The Dissertation Committee for Janet C. Chen certifies that this is the approved version of the following dissertation: REPRESENTING TALENTED WOMEN IN EIGHTEENTH-CENTURY CHINESE PAINTING: THIRTEEN FEMALE DISCIPLES SEEKING INSTRUCTION AT THE LAKE PAVILION ________________________________ Chairperson Marsha Haufler Date approved: May 13, 2016 ii Abstract As the first comprehensive art-historical study of the Qing poet Yuan Mei (1716–97) and the female intellectuals in his circle, this dissertation examines the depictions of these women in an eighteenth-century handscroll, Thirteen Female Disciples Seeking Instructions at the Lake Pavilion, related paintings, and the accompanying inscriptions. Created when an increasing number of women turned to the scholarly arts, in particular painting and poetry, these paintings documented the more receptive attitude of literati toward talented women and their support in the social and artistic lives of female intellectuals. These pictures show the women cultivating themselves through literati activities and poetic meditation in nature or gardens, common tropes in portraits of male scholars. The predominantly male patrons, painters, and colophon authors all took part in the formation of the women’s public identities as poets and artists; the first two determined the visual representations, and the third, through writings, confirmed and elaborated on the designated identities. -
Imagery of Female Daoists in Tang and Song Poetry
Imagery of Female Daoists in Tang and Song Poetry by Yang Liu B.A. Changchun Normal University, 1985 M.A. Jilin University, 1994 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY in THE FACULTY OF GRADUATE STUDIES (Asian Studies) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) April, 2011 © Yang Liu, 2011 Abstract This dissertation involves a literary study that aims to understand the lives of female Daoists who lived from the eighth to the twelfth centuries in China. Together with an examination of the various individual qualities manifested in their poetry, this study includes related historical background, biographical information and a discussion of the aspirations and cultural life of the female clergy. Unlike some of the previous scholarship that has examined Daoist deities and mythical figures described in hagiographical texts and literary creations, or on topics such as the Divine Mother of the West and miscellaneous goddesses and fairies, this work takes the perspective of examining female Daoists as historical persons who lived in real Daoist convents. As such, this work concentrates on the assorted images of female Daoists presented in their own poetic works, including those of Yu Xuanji, Li Ye, Yuan Chun, Cao Wenyi and Sun Bu-er. Furthermore, this thesis also examines poetic works about female Daoists written by male literati from both inside and outside the Daoist religion. I do this in order to illustrate how elite men, the group with whom female Daoists interacted most frequently, appreciated and portrayed these special women and their poetry. I believe that a study of their works on Daoist women will not only allow us a better understanding of the nature and characters of female Daoists, but will also contribute to our knowledge of intellectual life in Tang and Song society. -
Table of Contents and Contributors
Contents List of Entries viii List of Contributors ix Introduction and Acknowledgments xxx Joan Lebold Cohen xxxviii Volume 1 Abacus to Cult of Maitreya Volume 2 Cultural Revolution to HU Yaobang Volume 3 Huai River to Old Prose Movement Volume 4 Olympics Games of 2008 to TANG Yin Volume 5 Tangshan Earthquake, Great to ZUO Zongtang Image Sources Volume 5, page 2666 Index Volume 5, page 2667 © 2009 by Berkshire Publishing Group LLC List of Entries Abacus Asian Games BORODIN, Mikhail Academia Sinica Asia-Pacific Economic Cooperation Boxer Protocol (Xinchou Treaty) Acrobatics Atheism Boxer Rebellion Acupuncture Australia China Friendship Society Boycotts and Economic Adoption Australia-China Relations Nationalism Africa-China Relations Auto Industry BRIDGMAN, E. C. Agricultural Cooperatives Autonomous Areas British American Tobacco Movement BA Jin Company Agriculture Bamboo British Association for Chinese Agro-geography Bank of China Studies American Chamber of Commerce Banking—History British Chamber of Commerce in in China Banking—Modern China Ami Harvest Festival Banque de l’Indochine Bronzes of the Shang Dynasty An Lushan (An Shi) Rebellion Baojia Brookings Institution Analects Baosteel Group Buddhism Ancestor Worship Beijing Buddhism, Chan Anhui Province Beijing Consensus Buddhism, Four Sacred Sites of Antidrug Campaigns Bian Que Buddhism, Persecution of Anti-Spiritual Pollution Campaign Bianzhong Buddhism, Pure Land Anyang Bishu Shanzhuang Buddhism, Tibetan Aquaculture Black Gold Politics Buddhist Association of China Archaeology and -
Hellenes and Romans in Ancient China (240 BC – 1398 AD)
SINO-PLATONIC PAPERS Number 230 August, 2012 Hellenes and Romans in Ancient China (240 BC – 1398 AD) by Lucas Christopoulos Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. Sino-Platonic Papers emphasizes substance over form. We do, however, strongly recommend that prospective authors consult our style guidelines at www.sino-platonic.org/stylesheet.doc. -
Images of the Immortal : the Cult of Lu Dongbin At
IMAGES OF THE IMMORTAL IMAGES OF THE THE CULT OF LÜ DONGBIN AT THE PALACE OF ETERNAL JOY IMMORTAL Paul R. Katz University of Hawai‘i Press Honolulu © 1999 University of Hawai‘i Press All rights reserved Printed in the United States of America 040302010099 54321 Library of Congress Cataloging-in-Publication Data Katz, Paul R., 1961– Images of the immortal: the cult of Lü Dongbin at the Palace of Eternal Joy/Paul R. Katz. p. cm. Includes bibliographical references and index. ISBN 0–8248–2170–X (alk. paper) 1. Yung-le kung (Temple; Jui-ch’eng, China) 2. Lü, Tung- pin, b. 798. 3. Taoism. I. Title. II. Title: Cult of Lü Dongbin at the Palace of Eternal Joy. BL1941.5.J84K37 1999 99–31640 299’.51—dc21 CIP University of Hawai‘i Press books are printed on acid-free paper and meet the guidelines for permanence and durability of the Council on Library Resources. Designed by Jeanne Calabrese Printed by The Maple Vail Manufacturing Group To Shufen, Emily, and Philip Contents Preface ix Notes on Citation and Transliteration xiii Periods of Chinese History xv Abbreviations xvi Introduction 1 Chapter 1 The Site—the Palace of Eternal Joy 24 Chapter 2 The Cult—the Immortal Lü Dongbin 52 Chapter 3 Text 1—Temple Inscriptions 94 Chapter 4 Text 2—the Murals 131 Chapter 5 Reception and Reinterpretation 177 Conclusion 195 Appendix A Stele Inscriptions at the Palace of Eternal Joy 203 Appendix B Hagiographic Murals in the Hall of Purified Yang 211 Notes 225 Glossary 247 Bibliography 257 Index 299 vii Preface hortly after completing the rough draft of this book, I received the summerS 1997 issue of the Asian Studies Newsletter (vol. -
Bachelor's Thesis
MASARYK UNIVERSITY Faculty of Arts China Studies Seminar Bachelor‘s Thesis 2018 Petra Zigáčková MASARYK UNIVERSITY Faculty of Arts China Studies Seminar Petra Zigáčková The Life and Work of the Tang Poet Li He Bachelor‘s Thesis Supervisor: Assoc. Prof. Lucie Olivová, MA, Ph.D., DSc. Brno 2018 I hereby declare that the submitted thesis is the result of my own original independent work. All references have been properly cited and acknowledged. ………………………… Acknowledgement I would like to give special thanks to my supervisor, Assoc. Prof. Lucie Olivová, MA, Ph.D., DSc., for the professional and patient guidance she has been providing me with throughout the whole process of writing the thesis. Anotace Cílem této práce je představení čínského básníka Li He žijícím v období panování dynastie Tang. Li He se proslavil díky svému jedinečnému básnickému stylu, reprezentovaným především v básních ve starém stylu gushi a básních ve stylu lidových písní yuefu. Práce seznamuje s básníkovým životem a poté se zaměřuje na jeho básnickou tvorbu. Básníkův styl s označením changji ti je analyzován z hlediska jeho formálních a stylistických kvalit. Z dochovaných básní básníka Li He je hlubší pozornost věnována jeho básním fantastickým, milostným, historickým, autobiografickým a básním, které Li He věnoval svým přátelům. Jednotlivé popisy typů tvorby jsou doplněny ukázkami. Tyto ukázky básní jsou interpretovány v kontextu básníkova života. V podkapitolách jsou stručně nastíněny oblíbené básnické žánry dynastie Tang a jejich představitelé. Také je věnována pozornost dílům a osobnostem, které ovlivnily tvorbu Li He, např. básníci Li Bai a Han Yu. V neposlední řadě je krátce zhodnocen básníkův odkaz a jeho přijetí veřejností. -
Rereading Yu Xuanji's Poetry
Intersections: Prejudice and Protestations: Rereading Yu Xuanji's Poetry Intersections: Gender and Sexuality in Asia and the Pacific Issue 44, April 2020 Prejudice and Protestations: Rereading Yu Xuanji's Poetry Yang Liu Introduction 1. Aged only fifteen, Yu Xuanji 魚玄機 (ca. 844–869), a native of Chang'an 長安, began her adult life as a lesser wife of a learned man. After losing her husband's favours, she joined the Daoist priesthood and remained single for the rest of her days. Graced with both uncommon beauty and a flair for composition, Yu lived only for twenty-five years but she managed to leave behind a valuable collection of poems, forty-nine of which are preserved in Quan Tangshi (The Completed Tang Poems).[1] For centuries, many of her poems have been criticised as decadent and depraved by traditional critics such as Huang-fu Mei 皇甫枚 (ca. 880–901), Sun Guangxian 孫光憲 (ca. 900– 968) and Hu Zhenheng 胡震亨 (1569–1645), who attacks her fiercely, claiming that 'Yu is the most lascivious; her poetry is decadent too' (魚最淫蕩 詩体亦靡弱).[2] Such criticism has influenced Chinese literati of later periods so profoundly that even today it remains the wont of many to label Yu as a dissolute woman. Recently, however, her reputation has been partially salvaged by some scholars. For example, the two articles written by Suzanne Cahill[3] and a book-length study by the Chinese scholar Li Suping 李素平 have challenged the orthodox view about Yu and offered new perspectives on her work.[4] 2. Though pioneering and inspiring, neither of these authors examines the roots of Yu's notoriety.