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Literatura Orientu W Piśmiennictwie Polskim XIX W
Recenzent dr hab. Kinga Paraskiewicz Projekt okładki Igor Stanisławski Na okładce wykorzystano fragment anonimowego obrazu w stylu kad żarskim „Kobieta trzymaj ąca diadem” (Iran, poł. XIX w.), ze zbiorów Państwowego Muzeum Ermita żu, nr kat. VP 1112 Ksi ąż ka finansowana w ramach programu Ministra Nauki i Szkolnictwa Wy ższego pod nazw ą „Narodowy Program Rozwoju Humanistyki” w latach 2013-2017 © Copyright by individual authors, 2016 ISBN 978-83-7638-926-4 KSI ĘGARNIA AKADEMICKA ul. św. Anny 6, 31-008 Kraków tel./faks 12-431-27-43, 12-421-13-87 e-mail: [email protected] Ksi ęgarnia internetowa www.akademicka.pl Spis tre ści Słowo wst ępne . 7 Ignacy Krasicki, O rymotwórstwie i rymotwórcach. Cz ęść dziewi ąta: o rymotwórcach wschodnich (fragmenty) . 9 § I. 11 § III. Pilpaj . 14 § IV. Ferduzy . 17 Assedy . 18 Saady . 20 Suzeni . 22 Katebi . 24 Hafiz . 26 § V. O rymotwórstwie chi ńskim . 27 Tou-fu . 30 Lipe . 31 Chaoyung . 32 Kien-Long . 34 Diwani Chod ża Hafyz Szirazi, zbiór poezji Chod ży Hafyza z Szyrazu, sławnego rymotwórcy perskiego przez Józefa S ękowskiego . 37 Wilhelm Münnich, O poezji perskiej . 63 Gazele perskiego poety Hafiza (wolny przekład z perskiego) przeło żył Jan Wiernikowski . 101 Józef Szujski, Rys dziejów pi śmiennictwa świata niechrze ścija ńskiego (fragmenty) . 115 Odczyt pierwszy: Świat ras niekaukaskich z Chinami na czele . 119 Odczyt drugi: Aryjczycy. Świat Hindusów. Wedy. Ksi ęgi Manu. Budaizm . 155 Odczyt trzeci: Epopeja indyjskie: Mahabharata i Ramajana . 183 Odczyt czwarty: Kalidasa i Dszajadewa [D źajadewa] . 211 Odczyt pi ąty: Aryjczycy. Lud Zendów – Zendawesta. Firduzi. Saadi. Hafis . 233 Piotr Chmielowski, Edward Grabowski, Obraz literatury powszechnej w streszczeniach i przekładach (fragmenty) . -
Eastward Spread of Wheat Into China – New Data and New Issues
Zhao Zhijun Eastward Spread of Wheat into China – New Data and New Issues Zhao Zhijun* Key words: Wheat–Diffusion Agriculture–History Eurasia Steppe Flotation Northern Frontier Zone From the beginning of the 21st century, flotation tech- Introduction nique has been widely applied by Chinese archaeology It is well known that wheat was originated in the West as means of obtaining ancient plant remains during rou- Asia. It was introduced into China, and eventually be- tine archaeological excavations. Up to the present, flo- came the dominant crop in the dry-land agriculture of tation work has been practiced at more than one hun- Northern China after replacing the major native crops dred archaeological sites of diverse time periods, and of foxtail millet and broomcorn millet. Yet, neither the large amounts of plant remains of high research poten- time when it arrived in China nor the routes through tial have been found, including wheat remains. These which it was introduced are made clear. Therefore, these new discoveries provide significant archaeological evi- are the major problems we are now dealing with. dence for a better understanding of the spread of wheat It has been widely agreed that the introduction of into China, the route and the temporal-spatial background wheat into China should have occurred before the his- in which the introduction events took place. The present torical time, because the script “来”for “wheat”has paper is aimed at synthesizing these new data, referring been identified from records on oracle bones of the Shang to those data of early wheat remains reported in last Dynasty. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
The Prayer, the Priest and the Tsenpo: an Early Buddhist Narrative from Dunhuang
JIABS Journal of the International Association of Buddhist Studies Volume 30 Number 1–2 2007 (2009) The Journal of the International Association of Buddhist Studies (ISSN 0193-600XX) is the organ of the International Association of Buddhist Studies, Inc. As a peer-reviewed journal, it welcomes scholarly contributions pertaining to all facets of Buddhist EDITORIAL BOARD Studies. JIABS is published twice yearly. KELLNER Birgit Manuscripts should preferably be sub- KRASSER Helmut mitted as e-mail attachments to: [email protected] as one single fi le, Joint Editors complete with footnotes and references, in two diff erent formats: in PDF-format, BUSWELL Robert and in Rich-Text-Format (RTF) or Open- Document-Format (created e.g. by Open CHEN Jinhua Offi ce). COLLINS Steven Address books for review to: COX Collet JIABS Editors, Institut für Kultur- und GÓMEZ Luis O. Geistesgeschichte Asiens, Prinz-Eugen- HARRISON Paul Strasse 8-10, A-1040 Wien, AUSTRIA VON HINÜBER Oskar Address subscription orders and dues, changes of address, and business corre- JACKSON Roger spondence (including advertising orders) JAINI Padmanabh S. to: KATSURA Shōryū Dr Jérôme Ducor, IABS Treasurer Dept of Oriental Languages and Cultures KUO Li-ying Anthropole LOPEZ, Jr. Donald S. University of Lausanne MACDONALD Alexander CH-1015 Lausanne, Switzerland email: [email protected] SCHERRER-SCHAUB Cristina Web: http://www.iabsinfo.net SEYFORT RUEGG David Fax: +41 21 692 29 35 SHARF Robert Subscriptions to JIABS are USD 40 per STEINKELLNER Ernst year for individuals and USD 70 per year for libraries and other institutions. For TILLEMANS Tom informations on membership in IABS, see back cover. -
Nber Working Paper Series from Fog to Smog: the Value
NBER WORKING PAPER SERIES FROM FOG TO SMOG: THE VALUE OF POLLUTION INFORMATION Panle Jia Barwick Shanjun Li Liguo Lin Eric Zou Working Paper 26541 http://www.nber.org/papers/w26541 NATIONAL BUREAU OF ECONOMIC RESEARCH 1050 Massachusetts Avenue Cambridge, MA 02138 December 2019, Revised January 2020 We thank Antonio Bento, Fiona Burlig, Trudy Cameron, Lucas Davis, Todd Gerarden, Jiming Hao, Guojun He, Joshua Graff Zivin, Matt Khan, Jessica Leight, Cynthia Lin Lowell, Grant Mc- Dermott, Francesca Molinari, Ed Rubin, Ivan Rudik, Joe Shapiro, Jeff Shrader, Jörg Stoye, Jeffrey Zabel, Shuang Zhang, and seminar participants at the 2019 NBER Chinese Economy Working Group Meeting, the 2019 NBER EEE Spring Meeting, the 2019 Northeast Workshop on Energy Policy and Environmental Economics, MIT, Resources for the Future, University of Alberta, University of Chicago, Cornell University, GRIPS Japan, Indiana University, University of Kentucky, University of Maryland, University of Oregon, University of Texas at Austin, and Xiamen University for helpful comments. We thank Jing Wu and Ziye Zhang for generous help with data. Luming Chen, Deyu Rao, Binglin Wang, and Tianli Xia provided outstanding research assistance. The views expressed herein are those of the authors and do not necessarily reflect the views of the National Bureau of Economic Research. NBER working papers are circulated for discussion and comment purposes. They have not been peer-reviewed or been subject to the review by the NBER Board of Directors that accompanies official NBER publications. © 2019 by Panle Jia Barwick, Shanjun Li, Liguo Lin, and Eric Zou. All rights reserved. Short sections of text, not to exceed two paragraphs, may be quoted without explicit permission provided that full credit, including © notice, is given to the source. -
Marriage Customs in Shandong During the Ming and Qing
2018 4th International Conference on Social Science and Management (ICSSM 2018) ISBN: 978-1-60595-190-4 Marriage Customs in Shandong During the Ming and Qing Dynasties from the Novel of Marriages to Awaken the World Chang-Lin WU a, Wen-Jing YU * East China Traffic University, College of Humanities, Nanchang of China, 330013 [email protected] , *[email protected] Keywords: Marriages to Awaken the World ; Ming and Qing Dynasties; Shandong, Marriage customs. Abstract. Marriages to Awaken the World is a long chapter novel in late Ming and early Qing Dynasty. This book takes the marriage of two generations as the plot framework, and the author is very concerned about family marriage. This novel depicts many marriage customs, including three aspects of talking about marriage and preparing for marriage, wedding ceremony and custom after marriage. It helps us to have a comprehensive understanding of the social functions and regional culture of Shandong in Ming and Qing Dynasties by sorting out marriage customs in Marriages to Awaken the World . Introduction Marriages to Awaken the World is a long chapter novel written in the background of Shandong local culture. The book takes the marriage between two generations as the plot frame, which truly reflects the marriage customs and local customs in Shandong province. It provides effective data for later generations to study the literature, culture and folk customs of the Ming and Qing dynasties in Shandong province. Premarital Customs Talk about Marriage Talking about marriage is arranged by the command of parents and the words of a matchmaker. The matchmaker is a middleman, representing the parents of both sides. -
Law, Literature, and Gender in Tang China: an Exploration of Bai Juyi's
NORMAN HO- PAGE PROOF (DO NOT DELETE) 7/8/2009 3:51 AM Law, Literature, and Gender in Tang China: An Exploration of Bai Juyi’s Selected Panwen on Women Norman P. Ho (侯孟沅)* I. INTRODUCTION Since the birth of the law and literature field in the 1970s,1 scho- lars working in the West have primarily focused their attention on analysis of legal issues in American and European literary master- pieces. More recently, academics have begun to explore the inter- sections between law and literature in the literary traditions of late imperial and modern China.2 However, very little scholarly atten- * J.D. candidate and Global Law Scholar (class of 2012), Georgetown University Law Cen- ter. A.M. in Regional Studies-East Asia (Chinese History), Harvard University (2009). Harvard-Yenching Institute Fellow, Department of History, Peking University (2007-2008); A.B. cum laude in History, Harvard University (2007). I would like to thank Professor Wai-yee Li for her extremely helpful comments and suggestions about my translations of Bai Juyi‘s panwen and on this paper in general, as well as her encouragement for pursuing research on this topic. Many thanks also to Professor Xiaofei Tian for first introducing me to panwen as a literary genre. 1 Most scholars credit James Boyd White, currently L. Hart Wright Collegiate Professor of Law at the University of Michigan Law School, and his seminal book: THE LEGAL IMAGINATION: STUDIES IN THE NATURE OF LEGAL THOUGHT AND EXPRESSION (Boston: Little, Brown, 1973), with creating the field. See Professor White‘s faculty website at http://cgi2.www.law.umich.edu/_FacultyBioPage/ facultybiopagenew.asp?ID=14. -
Faith in Buddhism Series Editor: Imre Hamar Faith in Buddhism
FAITH IN BUDDHISM SERIES EDITOR: IMRE HAMAR FAITH IN BUDDHISM EDITED BY IMRE HAMAR, TAKAMI INOUE INSTITUTE FOR EAST ASIAN STUDIES, EÖTVÖS LORÁND UNIVERSITY BUDAPEST 2016 The present volume was published with the support of the Komatsu Chiko Foundation, the Khyentse Foundation and the Shin Buddhist Comprehensive Research Institute, Otani University To the memory of Archbishop-Nun KOMATSU Chiko of Jakkoin Buddhist Temple © Imre Hamar (ed.), 2016 © Takami Inoue (ed.), 2016 ISBN 978-963-284-715-3 ISSN 1787-7482 Cover Art: A Painting of the Mahābodhi Stūpa and the Bodhi Tree at Bodhgaya by Rev. Chikō Komatsu CONTENTS List of Authors...................................................................................................................... vi Preface by Takami Inoue ...................................................................................................vii Preface by Imre Hamar ....................................................................................................... ix Kiyotaka Kimura: The Meaning and Perspective of Buddhist Studies: With Special Reference to Faith ............................................................................. 1 Akihiro Oda: The Concept of “Faith” in the Discourse on the Awakning of Mahayana Faith ...................................................................... 7 Gergely Hidas: References to Faith in Dhāraṇī Literature ............................................. 15 Erzsébet Tóth: The Concept of Tibetan Dad-pa (Faith) in Lam-rim (Stages of the Path to Enlightenment) ................................................................. -
Dissertation Section 1
Elegies for Empire The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 ! 2013 Gregory M. Patterson All rights reserved ABSTRACT Elegies for Empire: The Poetics of Memory in the Late Work of Du Fu (712-770) Gregory M. Patterson This dissertation explores highly influential constructions of the past at a key turning point in Chinese history by mapping out what I term a poetics of memory in the more than four hundred poems written by Du Fu !" (712-770) during his two-year stay in the remote town of Kuizhou (modern Fengjie County #$%). A survivor of the catastrophic An Lushan rebellion (756-763), which transformed Tang Dynasty (618-906) politics and culture, Du Fu was among the first to write in the twilight of the Chinese medieval period. His most prescient anticipation of mid-Tang concerns was his restless preoccupation with memory and its mediations, which drove his prolific output in Kuizhou. For Du Fu, memory held the promise of salvaging and creatively reimagining personal, social, and cultural identities under conditions of displacement and sweeping social change. The poetics of his late work is characterized by an acute attentiveness to the material supports—monuments, rituals, images, and texts—that enabled and structured connections to the past. The organization of the study attempts to capture the range of Du Fu’s engagement with memory’s frameworks and media. It begins by examining commemorative poems that read Kuizhou’s historical memory in local landmarks, decoding and rhetorically emulating great deeds of classical exemplars. -
The Appropriation of Tang Poetry in Later Chinese Painting
The Andrew L. Markus Memorial Lecture Andrew Lawrence Markus taught Japanese language and literature at the University of Washington from 1986 to the time of his death in 1995. Established through the generosity of family and friends, this annual lecture honors Professor Markus’s contributions to the study of Asian languages and literature. The Appropriation of Tang Poetry in Later Chinese Painting Ronald Egan is currently Chair of the Department of East Asian Languages Tuesday, May 8th, 2018, 6:30pm and Cultures at Stanford University. He received his Ph.D. in Chinese lit- Kane Hall Room 225 erature from Harvard University. His research focuses on Chinese literature, Walker-Ames Room aesthetics, and cultural history of the Tang-Song period, as well as on text and image studies (poetry and paint- We know that the practice of inscribing poems on paintings was widespread ing) of the later imperial period. His in Chinese painting of the Ming and Qing dynasties. A special and often publications include books on the liter- overlooked instance of that practice was the inscription of poems from ary works and lives of Ouyang Xiu and Su Shi, the latter entitled Word, Image, centuries earlier as part of the newly completed painting (poetry from the and Deed in the Life of Su Shi. He has Tang period was the favorite choice). Such inscription holds particular also published a general study of Song interest for what it shows about the intersection of verbal and pictorial arts as dynasty aesthetic thought, entitled The Problem of Beauty: Aesthetic Thought and well as the aesthetic interplay of past and present. -
Three Kingdoms Unveiling the Story: List of Works
Celebrating the 40th Anniversary of the Japan-China Cultural Exchange Agreement List of Works Organizers: Tokyo National Museum, Art Exhibitions China, NHK, NHK Promotions Inc., The Asahi Shimbun With the Support of: the Ministry of Foreign Affairs of Japan, NATIONAL CULTURAL HERITAGE ADMINISTRATION, July 9 – September 16, 2019 Embassy of the People’s Republic of China in Japan With the Sponsorship of: Heiseikan, Tokyo National Museum Dai Nippon Printing Co., Ltd., Notes Mitsui Sumitomo Insurance Co.,Ltd., MITSUI & CO., LTD. ・Exhibition numbers correspond to the catalogue entry numbers. However, the order of the artworks in the exhibition may not necessarily be the same. With the cooperation of: ・Designation is indicated by a symbol ☆ for Chinese First Grade Cultural Relic. IIDA CITY KAWAMOTO KIHACHIRO PUPPET MUSEUM, ・Works are on view throughout the exhibition period. KOEI TECMO GAMES CO., LTD., ・ Exhibition lineup may change as circumstances require. Missing numbers refer to works that have been pulled from the JAPAN AIRLINES, exhibition. HIKARI Production LTD. No. Designation Title Excavation year / Location or Artist, etc. Period and date of production Ownership Prologue: Legends of the Three Kingdoms Period 1 Guan Yu Ming dynasty, 15th–16th century Xinxiang Museum Zhuge Liang Emerges From the 2 Ming dynasty, 15th century Shanghai Museum Mountains to Serve 3 Narrative Figure Painting By Qiu Ying Ming dynasty, 16th century Shanghai Museum 4 Former Ode on the Red Cliffs By Zhang Ruitu Ming dynasty, dated 1626 Tianjin Museum Illustrated -
A Abbasid Caliphate, 239 Relations Between Tang Dynasty China And
INDEX A anti-communist forces, 2 Abbasid Caliphate, 239 Antony, Robert, 200 relations between Tang Dynasty “Apollonian” culture, 355 China and, 240 archaeological research in Southeast Yang Liangyao’s embassy to, Asia, 43, 44, 70 242–43, 261 aromatic resins, 233 Zhenyuan era (785–805), 242, aromatic timbers, 230 256 Arrayed Tales aboriginal settlements, 175–76 (The Arrayed Tales of Collected Abramson, Marc, 81 Oddities from South of the Abu Luoba ( · ), 239 Passes Lĩnh Nam chích quái liệt aconite, 284 truyện), 161–62 Agai ( ), Princess, 269, 286 becoming traditions, 183–88 Age of Exploration, 360–61 categorizing stories, 163 agricultural migrations, 325 fox essence in, 173–74 Amarapura Guanyin Temple, 314n58 and history, 165–70 An Dương Vương (also importance of, 164–65 known as Thục Phán ), 50, othering savages, 170–79 165, 167 promotion of, 164–65 Angkor, 61, 62 savage tales, 179–83 Cham naval attack on, 153 stories in, 162–63 Angkor Wat, 151 versions of, 170 carvings in, 153 writing style, 164 Anglo-Burmese War, 294 Atwill, David, 327 Annan tuzhi [Treatise and Âu Lạc Maps of Annan], 205 kingdom, 49–51 anti-colonial movements, 2 polity, 50 371 15 ImperialChinaIndexIT.indd 371 3/7/15 11:53 am 372 Index B Biography of Hua Guan Suo (Hua Bạch Đằng River, 204 Guan Suo zhuan ), 317 Bà Lộ Savages (Bà Lộ man ), black clothing, 95 177–79 Blakeley, Barry B., 347 Ba Min tongzhi , 118, bLo sbyong glegs bam (The Book of 121–22 Mind Training), 283 baneful spirits, in medieval China, Blumea balsamifera, 216, 220 143 boat competitions, 144 Banteay Chhmar carvings, 151, 153 in southern Chinese local Baoqing siming zhi , traditions, 149 224–25, 231 boat racing, 155, 156.