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Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
Ysu1311869143.Pdf (795.38
THIS IS LIFE: A Love Story of Friendship by Annie Murray Submitted in Partial Fulfillment of the Requirements for the Degree of M.F.A. in the NEOMFA Program YOUNGSTOWN STATE UNIVERSITY May, 2011 THIS IS LIFE: A Love Story of Friendship Annie Murray I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ________________________________________________________ Annie Murray, Student Date Approvals: ________________________________________________________ David Giffels, Thesis Advisor Date ________________________________________________________ Phil Brady, Committee Member Date ________________________________________________________ Mary Biddinger, Committee Member Date ________________________________________________________ Peter J. Kasvinsky, Dean, School of Graduate Studies and Research Date © A. Murray 2011 ABSTRACT This thesis explores the universal journey of self discovery against the specific backdrop of the south coast of England where the narrator, an American woman in her early twenties, lives and works as a barmaid with her female travel companion. Aside from outlining the journey from outsider to insider within a particular cultural context, the thesis seeks to understand the implications of a defining friendship that ultimately fails, the ways a young life is shaped through travel and loss, and the sacrifices a person makes when choosing a place to call home. The thesis follows the narrator from her initial departure for England at the age of twenty-two through to her final return to Ohio at the age of twenty-seven, during which time the friendship with the travel companion is dissolved and the narrator becomes a wife and a mother. -
Sleepers 1996
Rev. 6/6/95 {Blue) Rev. 7/31/95 ("Pin.kl Rev. 8/14/95 {Yellow) Rev. 8/18/95 {Green) Rev'. 8/29/95 {Goldenrod) Rev. 8/30/95 {Buff) SLEEPERS screenplay by Barry Levinson based on the book by Lorenzo Carcaterra April 14, 1995 SCREEN IS BLACK LORENZO'S NARRATION I sat across the table from the man who had battered and tortured and brutalized me nearly thirty years ago. Al FADE IN Al TIGHT SHOT of a MAN'S face in shadow. The room is dimly-lit and we can't make out where we are. MAN I don't know what you want me to s.ay. I didn't mean all those things. None of us did. ADULT SHAKES O/C I don't need you to be sorry. It doesn't do me any good. MAN I'm begging you ... try to forgive me. Please ... try. ADULT SHAKES O/C Lea= to live with it. MAN I can't. Not any more. ADULT SHAKES 0/C Then die with it, just like the rest of us. FADE TO BLACK LORENZO'S NARRATION This is a true story about friendship that runs deeper than blood. FADE UP 1 INT. GYM - EVENING J. * The gym is full of BOYS and GIRLS between the ages of 9 and J.3. They're dancing in a 'twist' competition while a DJ plays records. However, there is no so1md, and the film is slightly slowed down, making the movements a little e'1<:aggerated. LORENZO'S NARRATION This is my story, and that of the only three friends in my life who truly mattered. -
Blasting at the Big Ugly: a Novel Andrew Donal Payton Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2014 Blasting at the Big Ugly: A novel Andrew Donal Payton Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the Fine Arts Commons Recommended Citation Payton, Andrew Donal, "Blasting at the Big Ugly: A novel" (2014). Graduate Theses and Dissertations. 13745. https://lib.dr.iastate.edu/etd/13745 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Blasting at the Big Ugly: A novel by Andrew Payton A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTERS OF FINE ARTS Major: Creative Writing and Environment Program of Study Committee: K.L. Cook, Major Professor Steve Pett Brianna Burke Kimberly Zarecor Iowa State University Ames, Iowa 2014 Copyright © Andrew Payton 2014. All rights reserved. ii TABLE OF CONTENTS Page ACKNOWLEDGEMENTS iii ABSTRACT iv INTRODUCTION 1 BLASTING AT THE BIG UGLY 6 BIBLIOGRAPHY 212 VITA 213 iii ACKNOWLEDGEMENTS I am graciously indebted: To the MFA Program in Creative Writing and Environment at Iowa State, especially my adviser K.L. Cook, who never bothered making the distinction between madness and novel writing and whose help was instrumental in shaping this book; to Steve Pett, who gave much needed advice early on; to my fellow writers-in-arms, especially Chris Wiewiora, Tegan Swanson, Lindsay Tigue, Geetha Iyer, Lindsay D’Andrea, Lydia Melby, Mateal Lovaas, and Logan Adams, who championed and commiserated; to the faculty Mary Swander, Debra Marquart, David Zimmerman, Ben Percy, and Dean Bakopolous for writing wisdom and motivation; and to Brianna Burke and Kimberly Zarecor for invaluable advice at the thesis defense. -
Name Artist Album Track Number Track Count Year Wasted Words
Name Artist Album Track Number Track Count Year Wasted Words Allman Brothers Band Brothers and Sisters 1 7 1973 Ramblin' Man Allman Brothers Band Brothers and Sisters 2 7 1973 Come and Go Blues Allman Brothers Band Brothers and Sisters 3 7 1973 Jelly Jelly Allman Brothers Band Brothers and Sisters 4 7 1973 Southbound Allman Brothers Band Brothers and Sisters 5 7 1973 Jessica Allman Brothers Band Brothers and Sisters 6 7 1973 Pony Boy Allman Brothers Band Brothers and Sisters 7 7 1973 Trouble No More Allman Brothers Band Eat A Peach 1 6 1972 Stand Back Allman Brothers Band Eat A Peach 2 6 1972 One Way Out Allman Brothers Band Eat A Peach 3 6 1972 Melissa Allman Brothers Band Eat A Peach 4 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Blue Sky Allman Brothers Band Eat A Peach 5 6 1972 Ain't Wastin' Time No More Allman Brothers Band Eat A Peach 6 6 1972 Oklahoma Hills Arlo Guthrie Running Down the Road 1 6 1969 Every Hand in the Land Arlo Guthrie Running Down the Road 2 6 1969 Coming in to Los Angeles Arlo Guthrie Running Down the Road 3 6 1969 Stealin' Arlo Guthrie Running Down the Road 4 6 1969 My Front Pages Arlo Guthrie Running Down the Road 5 6 1969 Running Down the Road Arlo Guthrie Running Down the Road 6 6 1969 I Believe When I Fall in Love Art Garfunkel Breakaway 1 8 1975 My Little Town Art Garfunkel Breakaway 1 8 1975 Ragdoll Art Garfunkel Breakaway 2 8 1975 Breakaway Art Garfunkel Breakaway 3 8 1975 Disney Girls Art Garfunkel Breakaway 4 8 1975 Waters of March Art Garfunkel Breakaway 5 8 1975 I Only Have Eyes for You Art Garfunkel Breakaway 7 8 1975 Lookin' for the Right One Art Garfunkel Breakaway 8 8 1975 My Maria B. -
Inside the Trampoline
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Fall 12-18-2014 Inside the Trampoline Eli J. Gay Eli Gay, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Gay, Eli J., "Inside the Trampoline" (2014). University of New Orleans Theses and Dissertations. 1919. https://scholarworks.uno.edu/td/1919 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. Inside the Trampoline A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing Fiction by Eli Gay B.A. The University of the South, 2011 December, 2014 Table of Contents Inside the Trampoline ..........................................................................................................1 Smoke ................................................................................................................................20 -
Preowned 1970S Sheet Music
Preowned 1970s Sheet Music. PLEASE NOTE THE FOLLOWING FOR CONDITION AND PRICES PER TITLE ex No marks or deteriation Priced £15. good As appropriate for age of the manuscript. Slight marks on front cover (shop stamp or owner's name). Possible slight marking (pencil) inside. Priced £12. fair Some damage such as edging tears. Reasonable for age of manuscript. Priced £5 Album Contains several songs and photographs of the artist(s). Priced £15+ condition considered.. Year Year of print. Usually the same year as copyright (c) but not always. Photo Artist(s) photograph on front cover. n/a No artist photo on front cover LOOKING FOR THESE ARTISTS? You’ve come to the right place for The Bee Gees, Eric Clapton, Russ Conway, John B.Sebastian, Status Quo or even “Woodstock”. Just look for the artist’s name on the lists below. Email us if the title you’re looking for, isn’t here. We may still be able to get it for you. STAMP OUT FORGERIES. Although we take every reasonable precaution to ensure that the items we have for sale are genuine and from the period described, we urge buyers to verify purchases from us and bring to our attention any item discovered to be fake or falsely described. The public can thus be warned and the buyer recompensed. Your cooperation is appreciated. 1970s Title Writer and composer condition Photo year Abba Greatest Hits 19 songs B.Andersson/B.Ulvaeus album Abba © 1992 After the goldrush Neil Young ex Prelude 1970 Albertross Peter Green fair Fleetwood Mac 1970 Albertross (piano solo) Peter Green ex n/a © 1970 All around -
Live Auction Catalog
LIVE AUCTION CATALOG PRESIDENT AND MRS. CARTER’S 2018 CARTER CENTER WEEKEND Values expressed in this catalog represent certified appraisals, esti- mates based on sales of comparable items at previous auctions, or sales of similar items from internet sites such as eBay. Any amount paid above the stated value will be considered a donation to The Carter Center and will be tax-deductible. Please read carefully the conditions for travel packages and other restrictions. You can also see these items online at our website: www.cartercenter.org. If a remote bidder desires proxy representation by Carter Center staff for the live auction, those arrangements need to be made with Dianne Bryant by 5 p.m. Pacific Daylight Time (PDT) on June 30, 2018. To make arrangements for bidding by proxy and for details on submitting bids by fax, please see the auction bid sheet at the end of this catalog. Bids submitted via fax will be taken until 4 p.m. PDT on June 30, 2018. Photographs of most auction items were taken by Katie Archibald- Woodward. Additional photographs were received from donors of items and corporate and internet sources. Shipping costs will be added to items that need to be shipped. 2 1 CAMP DAVID MEMORABILIA In addition to serving as a retreat for the President of the United States, Camp David was also the site of the famous meetings in September 1978 that resulted in the signing of the Camp David Accords. Offered here are a 21-inch by 15-inch photo- graph of Jimmy Carter, Menachem Begin, and Anwar Sadat, signed by President Carter; a collection of six glasses emblazoned with the Camp David insignia; and a set of Camp David playing cards from the President Kennedy era. -
The Comfort of Strangers Contents
IAN McEWAN The Comfort of Strangers Contents Cover Title Copyright About the Author Epigraph Chapter 1 Chapter 2 Chapter 3 Chapter 4 Chapter 5 Chapter 6 Chapter 7 Chapter 8 Chapter 9 Chapter 10 Also by Ian McEwan This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly. Version 1.0 Epub ISBN 9781409089865 www.randomhouse.co.uk Published by Vintage 2006 21 23 24 22 Copyright © Ian McEwan 1981 Ian McEwan has asserted his right under the Copyright, Designs and Patents Act, 1988 to be identified as the author of this work This book is sold subject to the condition that it shall not by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including this condition being imposed on the subsequent purchaser First published in Great Britain in 1981 by Jonathan Cape First published by Vintage in 1997 Vintage Random House, 20 Vauxhall Bridge Road, London SW1V 2SA www.vintage-books.co.uk Addresses for companies within The Random House Group Limited can be found at: www.randomhouse.co.uk/offices.htm The Random House Group Limited Reg. -
Polydor Records Discography 3000 Series
Polydor Records Discography 3000 series 25-3001 - Emergency! - The TONY WILLIAMS LIFETIME [1969] (2xLPs) Emergency/Beyond Games//Where/Vashkar//Via The Spectrum Road/Spectrum//Sangria For Three/Something Special 25-3002 - Back To The Roots - JOHN MAYALL [1971] (2xLPs) Prisons On The Road/My Children/Accidental Suicide/Groupie Girl/Blue Fox//Home Again/Television Eye/Marriage Madness/Looking At Tomorrow//Dream With Me/Full Speed Ahead/Mr. Censor Man/Force Of Nature/Boogie Albert//Goodbye December/Unanswered Questions/Devil’s Tricks/Travelling PD 2-3003 - Revolution Of The Mind-Live At The Apollo Volume III - JAMES BROWN [1971] (2xLPs) Bewildered/Escape-Ism/Get Up, Get Into It, Get Involved/Get Up I Feel Like Being A Sex Machine/Give It Up Or Turnit A Loose/Hot Pants (She Got To Use What She Got To Need What She Wants)/I Can’t Stand It/I Got The Feelin’/It’s A New Day So Let A Man Come In And Do The Popcorn/Make It Funky/Mother Popcorn (You Got To Have A Mother For Me)/Soul Power/Super Bad/Try Me [*] PD 2-3004 - Get On The Good Foot - JAMES BROWN [1972] (2xLPs) Get On The Good Foot (Parts 1 & 2)/The Whole World Needs Liberation/Your Love Was Good For Me/Cold Sweat//Recitation (Hank Ballard)/I Got A Bag Of My Own/Nothing Beats A Try But A Fail/Lost Someone//Funky Side Of Town/Please, Please//Ain’t It A Groove/My Part-Make It Funky (Parts 3 & 4)/ Dirty Harri PD 2-3005 - Ten Years Are Gone - JOHN MAYALL [1973] (2xLPs) Ten Years Are Gone/Driving Till The Break Of Dawn/Drifting/Better Pass You By//California Campground/Undecided/Good Looking -
In My Heart Was a Kind of Fighting
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses Spring 5-15-2015 In My Heart was a Kind of Fighting Dana Glass University of New Orleans, [email protected] Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Glass, Dana, "In My Heart was a Kind of Fighting" (2015). University of New Orleans Theses and Dissertations. 1964. https://scholarworks.uno.edu/td/1964 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. In My Heart was a Kind of Fighting A Thesis Submitted to the Graduate Faculty of The University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Creative Writing by Dana R. Glass B.A. Smith College May 2015 Table of Contents There is Perfection in You Also………………………………………………1 In My Heart was a Kind of Fighting…………………………………………16 Outside……………………………………………………………………….32 This Would be the First Time………………………………………………..43 The Three Dreams of Mark Glass……………………………………………65 Above Ground ……………………………………………………………….74 The Things You Do for Love………………………………………………..84 Saul Seen at the Bicycle Track 1981/2001…………………………………..91 Wild Mind…………………………………………………………………..102 Vita………………………………………………………………………….123 ii Acknowledgements My profound thanks to my director Barb Johnson, my committee M.O.