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Issue 29 PDF.Indd
Now incorporating Audicord THIS ISSUE INCLUDES: “I Love Paris” Organ Arrangement by Tony Back Profile of DirkJan Ranzijn From One Note to Another by John Everett (Part Two) Alan Ashtons Organised Keyboards The Spreckels Organ by Carol Williams The Duo Art Aeolian Organ February to April 2006 to April February Groov’in with Alan Ashton (Part Seven) Issue Twenty-Nine 1 Welcome to Issue Twenty-Nine Contents List for Issue 29: MSS Studios Top Forty Welcome / General Information 2 Our best selling CDs & DVDs from October to December 2005 Alan Ashtons Organised Keyboards 4 Compiled from magazine and website sales The Spreckels Organ by Carol Williams 11 1 Klaus Wunderlich Up, Up & Away (2CD) Profile of DirkJan Ranzijn 12 2 Doreen Chadwick Echoes of Edmonton (Offer) Ian Wolstenholme ReViews... 14 3 Robert Wolfe Over The Rainbow (Offer) From One Note to Another by John Everett (Part Two) 16 4 VARIOUS Electronic Organ Showcase (DVD) The Duo Art Aeolian Organ 18 5 Arnold Loxam Arnold Loxam: 2LS Leeds Bradford… New Organ & Keyboard DVDs 19 6 Robert Wolfe Those Were The Days 7 John Beesley Colours (Offer) Groov’in with Alan Ashton (Part Seven) 22 8 Brett Wales One Way MUSIC FEATURE: I Love Paris 29 9 DirkJan Ranzijn Live in Bournemouth (DVD) ORGAN1st Catalogue 34 10 Byron Jones My Thanks To You (DVD) ORGAN1st New Additions 52 11 Doreen Chadwick Say It With Music 12 Howard Beaumont The Best of Times www.organ.co.uk 13 Tony Stace Happy Days Are Here Again 14 Phil Kelsall Razzle Dazzle 15 Franz Lambert Wunschmelodien, Die Man Nie Verg… 16 VARIOUS Pavillioned -
Picnic Skirt FREE YOUTUBE TUTORIAL
Picnic Skirt FREE YOUTUBE TUTORIAL © 2020 Charm Patterns by Gertie SEWING INSTRUCTIONS NOTES: This style can be made for any size child or adult, as long as you know the waist measurement, how long you want the skirt, and how full you want the skirt. I used 4 yards of width, which results in a big, full skirt with lots of gathers packed in. You can easily use a shorter yardage of fabric if you prefer fewer gathers or you’re making the skirt for a smaller person or child. Seam Finishing: all raw edges are fully enclosed in the construction process, so there is no need for seam finishing. Make a vintage-inspired button-front skirt without 5/8-inch (in) (1.5 cm) seam allowances are included on all pattern pieces, except a pattern! This cute design where otherwise noted. can be made for ANY size, from child to adult! Watch CUT YOUR SKIRT PIECES my YouTube tutorial to see 1. Cut the skirt rectangle: the width should be your desired fullness (mine is how it’s done. You can find 4 yards) plus 6 in for the doubled front overlap/facing. The length should be the coordinating top by your desired length, plus 6 in for the hem allowance, plus 5/8 in for the waist seam subscribing to our Patreon allowance. at www.patreon.com/ Length: 27 in. gertiesworld. (or your desired length) Length: + Skirt rectangle 6 in hem allowance xoxo, Gertie 27 in. Cut 1 fabric (or your + desired length) ⅝ in waist seam + Skirt rectangle 6 in hem allowance Cut 1 fabric MATERIALS + & NOTIONS ⅝ in waist seam • 4¼ yds skirt fabric (you Width: 4 yards (or your desired fullness) + 6 in for front overlap may need more or less depending on the size and Length: 27 in. -
Street Stylers Nailing This Summer’S Key Trends
STYLE KIM: There’s something very CLAIRE: Polka dots don’t have Alexa Chung about this outfit. to be cutesy. Our girl proves While on paper long-sleeved, that a few choice accessories calf-length, polka-dot co-ords can turn a twee print into an sound hard to pull off, this street uber-cool look. I’ll be taking styler rocks it. The cut-out shoes tips from her styling book and and round sunglasses add the teaming dotty co-ords with right amount of edge to make chunky heels, techno shades this all so effortlessly cool. and an ice white backpack. WE ❤ YOUR STYLE Our fashion team spy the street stylers nailing this summer’s key trends Kim Pidgeon, Claire Blackmore, fashion editor deputy fashion editor KIM: If you’ve been looking for CLAIRE: Cropped jacket, double KIM: If you’re going to rock CLAIRE: Culotte jumpsuits double denim inspiration, look denim and flares all in S/S15’s one hot hue, why not make can be a tough trend to wear no further. The frayed jean dress boldest colours – this lady’s top it magenta? This wide-leg well, but with powder blue and flares combo is this season’s of the catwalk class. I love the jumpsuit has easy breezy shoes, matching sunnies and trend heaven. The emerald clashing shades and strong lines summer style written all over an arty bag, this fashionista green boxy jacket, the snake- created by the pockets and it, while the ankle-tie heels masters it. The hot pink works print lace-up heels and the hems cutting her off at different and sunnies give an injection with her pastel accessories patent bag are what make this points on the body. -
The Ann Arbor Register Vol Xix
THE ANN ARBOR REGISTER VOL XIX. NO. 25 ANIN ARBOR, MICHIGAN, THURSDAY, JUNE 22, 1893. WHOLE NO. 965 FRANTIC LEGISLATION- representative saloon keepers had said that from this time on he (Manly) pro- Having frequently drawn relief from a to him on the subject. John Goetz, jr., posed to do something about it. Just UNIVERSITY OF MICHIGAN. glass of water near at hand he remark- desired no longer hours unless perhaps what, was left in doubt, but from the ed apologetically when it was emptied THE rOJISOS COISIII, AGAIN I)1S on Saturday evening. Wm. Mclntyre fierce look and portentious snort which JTEWN AMD I.OSHIP GLEANED FBOH that he did not think he had ever drunk TI.\«IIJ*HKS ITS K 1.1 said 10 o'clock is late enough for me, 9 terminated this outburst.the conclneiou THE CAMPUS. a full glass of water before—the lawB would suit me except for Saturda; was that it would be somewhere be- howled with glee—during a lecture. night. Chas. Binder was satisfied wit] tween terrible and pretty bad in char- Items of Interest Berardln* Our Big The Athletic Association have been THE SUIT SALE! Tbe Saloon Ordinance Passea—Tbe University.—A Column Especially Hnyor Qnotert—Aid. Wasner Visited 10 o'clock, but had no objections t acter. Devoted to University News. — Per- straightening out their inter-collegiate tneSaloons—Six to Six— Tlioso Parity keeping open later. John Goetz, sr Aid. Prettyman sharply informed Aid. sonals, Gossip, Ete. field day records made at Chicago re- AT THE People—Sunday | Law Violated—Py thought the hours too long now. -
ALL the TIME in the WORLD a Written Creative Work Submitted to the Faculty of San Francisco State University in Partial Fulfillm
ALL THE TIME IN THE WORLD A written creative work submitted to the faculty of San Francisco State University In partial fulfillment of The Requirements for 2 6 The Degree 201C -M333 V • X Master of Fine Arts In Creative Writing by Jane Marie McDermott San Francisco, California January 2016 Copyright by Jane Marie McDermott 2016 CERTIFICATION OF APPROVAL I certify that I have read All the Time in the World by Jane Marie McDermott, and that in my opinion this work meets the criteria for approving a written work submitted in partial fulfillment of the requirements for the degree: Master of Fine Arts: Creative Writing at San Francisco State University. Chanan Tigay \ Asst. Professor of Creative Writing ALL THE TIME IN THE WORLD. Jane Marie McDermott San Francisco, California 2016 All the Time in the World is the story of gay young people coming to San Francisco in the 1970s and what happens to them in the course of thirty years. Additionally, the novel tells the stories of the people they meet along-the way - a lesbian mother, a World War II veteran, a drag queen - people who never considered that they even had a story to tell until they began to tell it. In the end, All the Time in the World documents a remarkable era in gay history and serves as a testament to the galvanizing effects of love and loss and the enduring power of friendship. I certify that the Annotation is a correct representation of the content of this written creative work. Date ACKNOWLEDGMENT Thanks to everyone in the San Francisco State University MFA Creative Writing Program - you rock! I would particularly like to give shout out to Nona Caspers, Chanan Tigay, Toni Morosovich, Barbara Eastman, and Katherine Kwik. -
Dress Code Is a Presentation of Who We Are.” 1997-98 Grand Officers
CLOTHING GUIDELINES: MEMBERS AND ADULTS (Reviewed annually during Grand Officer Leadership; changes made as needed) Changes made by Jr. Grand Executive Committee (November 2016) “A dress code is a presentation of who we are.” 1997-98 Grand Officers One of the benefits of Rainbow is helping our members mature into beautiful, responsible young women - prepared to meet challenges with dignity, grace and poise. The following guidelines are intended to help our members make appropriate clothing choices, based on the activities they will participate in as Rainbow girls. The Clothing Guidelines will be reviewed annually by the Jr. Members of the Grand Executive Committee. Recommendations for revisions should be forwarded to the Supreme Officer prior to July 15th of each year. REGULAR MEETINGS Appropriate: Short dress, including tea-length and high-low length, or skirt and blouse or sweater or Nevada Rainbow polo shirt (tucked in) with khaki skirt or denim skirt. Vests are acceptable. Skirt length: Ideally, HEMS should not be more than three inches above the knee. Skirts, like pencil skirts that hug the body and require “adjustment” after bowing or sitting, are unacceptable. How to tell if a skirt has a Rainbow appropriate length? Try the “Length Test”, which includes: When bowing from the waist, are your undergarments visible, or do you need to hold your skirt - or shirt - down in the back? If so, it's too short for a Rainbow meeting. Ask your mother or father to stand behind you and in front of you while you bow from the waist. If she/he gasps, the outfit is not appropriate for a Rainbow meeting. -
The Cyborg Griffin: a Speculative Literary Journal
Hollins University Hollins Digital Commons Cyborg Griffin: a Speculative Fiction Literary Journal 2014 The yC borg Griffin: ap S eculative Literary Journal Hollins University Follow this and additional works at: https://digitalcommons.hollins.edu/cyborg Part of the Fiction Commons, Higher Education Commons, and the Literature in English, North America Commons Recommended Citation Hollins University, "The yC borg Griffin: a Speculative Literary Journal" (2014). Cyborg Griffin: a Speculative Fiction Literary Journal. 3. https://digitalcommons.hollins.edu/cyborg/3 This Book is brought to you for free and open access by Hollins Digital Commons. It has been accepted for inclusion in Cyborg Griffin: a Speculative Fiction Literary Journal by an authorized administrator of Hollins Digital Commons. For more information, please contact [email protected], [email protected]. Volume IV 2014 The Cyborg Griffin A Speculative Fiction Literary Journal Hollins University ©2014 Tributes Editors Emily Catedral Grace Gorski Katharina Johnson Sarah Landauer Cynthia Romero Editing Staff Rachel Carleton AnneScott Draughon Kacee Eddinger Sheralee Fielder Katie Hall Hadley James Maura Lydon Michelle Mangano Laura Metter Savannah Seiler Jade Soisson-Thayer Taylor Walker Kara Wright Special Thanks to: Jeanne Larsen, Copperwing, Circuit Breaker, and Cyberbyte 2 Table of Malcontents Cover Design © Katie Hall Title Page Image © Taylor Hurley The Machine Princess Hadley James ......................................................................................... -
P&G Turns the Tide
MEDIA GETS INSIDE YOUR BRAIN CANUCK CREATIVE AT CANNES WHO OUR MARKETING JURY THINKS SHOULD WIN PP&G&G TTURNSURNS TTHEHE TTIDEIDE TIM PENNER ON HOW TO BECOME AN INNOVATION GIANT IN FIVE YEARS CCover.Jun06.inddover.Jun06.indd 1 55/18/06/18/06 112:13:102:13:10 PPMM SST.6637.TaylorGeorge.dps.inddT.6637.TaylorGeorge.dps.indd 2 55/18/06/18/06 44:23:10:23:10 PMPM taylor george SERVICES OFFERED: Taylor George began operations in the fall of 1995 as a General Agency/AOR two-person design studio. Over the next several years the company grew to a full service agency with a staff of Direct Agency 20. In 2003, Taylor George co founded BRAVE Strategy, Interactive Agency a creative and strategic boutique with expertise in tar- Public Relations Agency geting Canada's diverse Aboriginal population. Design Agency Taylor George and BRAVE are headquartered in Winnipeg, Media Agency Manitoba. The agencies have a sales office in Toronto and will be opening a Vancouver office in July of 2006. “Our approach is all about stories. Stories affect people. APTN Program Guide. Recent national campaigns for Stories APTN have substantially increased audience numbers create emotion. Stories get a response.” Peter George TelPay B-to-B magazine campaign. TelPay President has achieved significant growth since being rebranded by TG in 2005. Subscription Brochure, Manitoba Opera. Season campaign for Manitoba Opera increased subscriptions 28% over the previous year. CLIENT LIST KEY PERSONNEL CONTACT US. 1. Aboriginal People's 12. TelPay Peter George, President and CEO, Taylor George/BRAVE Strategy Television Network 13. -
Eric Clapton
ERIC CLAPTON BIOGRAFIA Eric Patrick Clapton nasceu em 30/03/1945 em Ripley, Inglaterra. Ganhou a sua primeira guitarra aos 13 anos e se interessou pelo Blues americano de artistas como Robert Johnson e Muddy Waters. Apelidado de Slowhand, é considerado um dos melhores guitarristas do mundo. O reconhecimento de Clapton só começou quando entrou no “Yardbirds”, banda inglesa de grande influência que teve o mérito de reunir três dos maiores guitarristas de todos os tempos em sua formação: Eric Clapton, Jeff Beck e Jimmy Page. Apesar do sucesso que o grupo fazia, Clapton não admitia abandonar o Blues e, em sua opinião, o Yardbirds estava seguindo uma direção muito pop. Sai do grupo em 1965, quando John Mayall o convida a juntar-se à sua banda, os “Blues Breakers”. Gravam o álbum “Blues Breakers with Eric Clapton”, mas o relacionamento com Mayall não era dos melhores e Clapton deixa o grupo pouco tempo depois. Em 1966, forma os “Cream” com o baixista Jack Bruce e o baterista Ginger Baker. Com a gravação de 4 álbuns (“Fresh Cream”, “Disraeli Gears”, “Wheels Of Fire” e “Goodbye”) e muitos shows em terras norte americanas, os Cream atingiram enorme sucesso e Eric Clapton já era tido como um dos melhores guitarristas da história. A banda separa-se no fim de 1968 devido ao distanciamento entre os membros. Neste mesmo ano, Clapton a convite de seu amigo George Harisson, toca na faixa “While My Guitar Gently Weeps” do White Album dos Beatles. Forma os “Blind Faith” em 1969 com Steve Winwood, Ginger Baker e Rick Grech, que durou por pouco tempo, lançando apenas um album. -
Orbit-ALA Sampler 2021.Indd
ALA ANNUAL EXCLUSIVE SAMPLER 7/20/21 8/17/21 9/8/21 Notes from the Wildwood Whispers The Seven Visitations Burning Age Willa Reece of Sydney Burgess Claire North Redhook • pg. 17 Andy Marino Orbit • pg. 2 Redhook • pg. 27 9/21/21 10/19/21 10/26/21 The Body Scout Sistersong Far from the Light Lincoln Michel Lucy Holland of Heaven Orbit • pg. 38 Redhook • pg. 46 Tade Thompson Orbit • pg. 55 WWW.ORBITBOOKS.NET Chapter 1 Yue was twelve when she saw the kakuy of the forest, but later she lied and said she saw only fl ame. “Keep an eye on Vae!” hollered her aunty from her workshop door. “Are you listening to me?” It was the long, hot summer when children paddled barefoot in the river through the centre of Tinics, a time for chasing but- terfl ies and sleeping beneath the stars. School was out, and every class had found the thing that was demonstrably the best, most impressive thing to do. For the tenth grades about to take their aptitudes, it was cycling down the path from the wind farm head fi rst, until they either lost their courage or their bikes fl ipped and they cartwheeled with bloody knees and grazed elbows. For the seventh, it was preparing their kites for the fi ghting season; the ninth were learning how to kiss in the hidden grove behind the compression batteries, and to survive the fi rst heartbreak of a sixty- second romance betrayed. Yue should have been sitting on grassy roofs with her class, making important pronouncements about grown- up things, now that she was twelve and thus basically a philosopher- queen. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
Translating Rubén Darío's Azul…
Translating Rubén Darío’s Azul… A Purpose and a Method Adam Michael Karr Chesapeake, Virginia B.S. International History, United States Military Academy at West Point, 2005 A thesis presented to the Graduate Faculty of the University of Virginia in Candidacy for a Degree of Master of Arts English Department University of Virginia May, 2014 TABLE OF CONTENTS Thesis Text……….3-47 References………..48-50 Appendix A: “Stories in Prose”………51-88 Appendix B: “The Lyric Year”……….89-116 2 George Umphrey opens the preface of his 1928 edited assortment of Rubén Darío’s prose and poetry with the familiar type of panegyric that begins much of the dissemination and exegesis of Darío’s work – “No apology is needed for [this] publication…he is one of the great poets of all time.” To Umphrey it was nothing more than a quip and a convenient opening statement. Darío had passed away just 12 years earlier but his posterity was assured. The Nicaraguan modernista poet has inspired an entire academic and publishing industry in Spanish language literature that is analogous to Milton or Dickens in English.1 He has had every possible commendation lavished on his legacy, is credited with revolutionizing the Spanish language, dragging it out of two centuries of doldrums following the glorious “Golden Age” of Cervantes and Lope de Vega, and creating the ethos and the identity for an independent Spanish America that would later inspire Borges, Neruda, and García-Márquez. Umphrey had no reason to doubt that any reproduction and exploration of Darío’s work, regardless of language, would be self- justifying, but he unwittingly makes assumptions about the future of language study in universities, priorities and structure in literature departments, the publishing industry and commercial audience, and a myriad of other contextual factors that would complicate Darío’s legacy.