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Picnic Skirt FREE YOUTUBE TUTORIAL
Picnic Skirt FREE YOUTUBE TUTORIAL © 2020 Charm Patterns by Gertie SEWING INSTRUCTIONS NOTES: This style can be made for any size child or adult, as long as you know the waist measurement, how long you want the skirt, and how full you want the skirt. I used 4 yards of width, which results in a big, full skirt with lots of gathers packed in. You can easily use a shorter yardage of fabric if you prefer fewer gathers or you’re making the skirt for a smaller person or child. Seam Finishing: all raw edges are fully enclosed in the construction process, so there is no need for seam finishing. Make a vintage-inspired button-front skirt without 5/8-inch (in) (1.5 cm) seam allowances are included on all pattern pieces, except a pattern! This cute design where otherwise noted. can be made for ANY size, from child to adult! Watch CUT YOUR SKIRT PIECES my YouTube tutorial to see 1. Cut the skirt rectangle: the width should be your desired fullness (mine is how it’s done. You can find 4 yards) plus 6 in for the doubled front overlap/facing. The length should be the coordinating top by your desired length, plus 6 in for the hem allowance, plus 5/8 in for the waist seam subscribing to our Patreon allowance. at www.patreon.com/ Length: 27 in. gertiesworld. (or your desired length) Length: + Skirt rectangle 6 in hem allowance xoxo, Gertie 27 in. Cut 1 fabric (or your + desired length) ⅝ in waist seam + Skirt rectangle 6 in hem allowance Cut 1 fabric MATERIALS + & NOTIONS ⅝ in waist seam • 4¼ yds skirt fabric (you Width: 4 yards (or your desired fullness) + 6 in for front overlap may need more or less depending on the size and Length: 27 in. -
Street Stylers Nailing This Summer’S Key Trends
STYLE KIM: There’s something very CLAIRE: Polka dots don’t have Alexa Chung about this outfit. to be cutesy. Our girl proves While on paper long-sleeved, that a few choice accessories calf-length, polka-dot co-ords can turn a twee print into an sound hard to pull off, this street uber-cool look. I’ll be taking styler rocks it. The cut-out shoes tips from her styling book and and round sunglasses add the teaming dotty co-ords with right amount of edge to make chunky heels, techno shades this all so effortlessly cool. and an ice white backpack. WE ❤ YOUR STYLE Our fashion team spy the street stylers nailing this summer’s key trends Kim Pidgeon, Claire Blackmore, fashion editor deputy fashion editor KIM: If you’ve been looking for CLAIRE: Cropped jacket, double KIM: If you’re going to rock CLAIRE: Culotte jumpsuits double denim inspiration, look denim and flares all in S/S15’s one hot hue, why not make can be a tough trend to wear no further. The frayed jean dress boldest colours – this lady’s top it magenta? This wide-leg well, but with powder blue and flares combo is this season’s of the catwalk class. I love the jumpsuit has easy breezy shoes, matching sunnies and trend heaven. The emerald clashing shades and strong lines summer style written all over an arty bag, this fashionista green boxy jacket, the snake- created by the pockets and it, while the ankle-tie heels masters it. The hot pink works print lace-up heels and the hems cutting her off at different and sunnies give an injection with her pastel accessories patent bag are what make this points on the body. -
Clothing of Kansas Women, 1854-1870
CLOTHING OF KANSAS WOMEN 1854 - 1870 by BARBARA M. FARGO B. A., Washburn University, 1956 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Clothing, Textiles and Interior Design KANSAS STATE UNIVERSITY Manhattan, Kansas 1969 )ved by Major Professor ACKNOWLEDGMENTS The author wishes to express sincere appreciation to her adviser, Dr. Jessie A. Warden, for her assistance and guidance during the writing of this thesis. Grateful acknowledgment also is expressed to Dr. Dorothy Harrison and Mrs. Helen Brockman, members of the thesis committee. The author is indebted to the staff of the Kansas State Historical Society for their assistance. TABLE OP CONTENTS PAGE ACKNOWLEDGMENT ii INTRODUCTION AND PROCEDURE 1 REVIEW OF LITERATURE 3 CLOTHING OF KANSAS WOMEN 1854 - 1870 12 Wardrobe planning 17 Fabric used and produced in the pioneer homes 18 Style and fashion 21 Full petticoats 22 Bonnets 25 Innovations in acquisition of clothing 31 Laundry procedures 35 Overcoming obstacles to fashion 40 Fashions from 1856 44 Clothing for special occasions 59 Bridal clothes 66 SUMMARY AND CONCLUSIONS 72 REFERENCES 74 LIST OF PLATES PLATE PAGE 1. Bloomer dress 15 2. Pioneer woman and child's dress 24 3. Slat bonnet 30 4. Interior of a sod house 33 5. Children's clothing 37 6. A fashionable dress of 1858 42 7. Typical dress of the 1860's 47 8. Black silk dress 50 9. Cape and bonnet worn during the 1860's 53 10. Shawls 55 11. Interior of a home of the late 1860's 58 12. -
Dress Code Is a Presentation of Who We Are.” 1997-98 Grand Officers
CLOTHING GUIDELINES: MEMBERS AND ADULTS (Reviewed annually during Grand Officer Leadership; changes made as needed) Changes made by Jr. Grand Executive Committee (November 2016) “A dress code is a presentation of who we are.” 1997-98 Grand Officers One of the benefits of Rainbow is helping our members mature into beautiful, responsible young women - prepared to meet challenges with dignity, grace and poise. The following guidelines are intended to help our members make appropriate clothing choices, based on the activities they will participate in as Rainbow girls. The Clothing Guidelines will be reviewed annually by the Jr. Members of the Grand Executive Committee. Recommendations for revisions should be forwarded to the Supreme Officer prior to July 15th of each year. REGULAR MEETINGS Appropriate: Short dress, including tea-length and high-low length, or skirt and blouse or sweater or Nevada Rainbow polo shirt (tucked in) with khaki skirt or denim skirt. Vests are acceptable. Skirt length: Ideally, HEMS should not be more than three inches above the knee. Skirts, like pencil skirts that hug the body and require “adjustment” after bowing or sitting, are unacceptable. How to tell if a skirt has a Rainbow appropriate length? Try the “Length Test”, which includes: When bowing from the waist, are your undergarments visible, or do you need to hold your skirt - or shirt - down in the back? If so, it's too short for a Rainbow meeting. Ask your mother or father to stand behind you and in front of you while you bow from the waist. If she/he gasps, the outfit is not appropriate for a Rainbow meeting. -
SWART, RENSKA L." 12/06/2016 Matches 149
Collection Contains text "SWART, RENSKA L." 12/06/2016 Matches 149 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0001.008 PLAIN TALK TICKET 1892 OK MCHS Building Ticket Ticket to a Y.M.C.A. program entitled "Plain Talk, No. 5" with Dr. William M. Welch on the subject of "The Prevention of Contagion." The program was held Thursday, October 27, 1892 at the Central Branch of the YMCA at 15th and Chestnut Street in what appears to be Philadelphia O 0063.001.0002.012 1931 OK MCHS Building Guard, Lingerie Safety pin with chain and snap. On Original marketing card with printed description and instructions. Used to hold up lingerie shoulder straps. Maker: Kantslip Manufacturing Co., Pittsburgh, PA copyright date 1931 O 0063.001.0002.013 OK MCHS Building Case, Eyeglass Brown leather case for eyeglasses. Stamped or pressed trim design. Material has imitation "cracked-leather" pattern. Snap closure, sewn construction. Name inside flap: L. F. Cronmiller 1760 S. Winter St. Salem, OR O 0063.001.0002.018 OK MCHS Building Massager, Scalp Red Rubber disc with knob-shaped handle in center of one side and numerous "teeth" on other side. Label molded into knob side. "Fitch shampoo dissolves dandruff, Fitch brush stimulates circulation 50 cents Massage Brush." 2 1/8" H x 3 1/2" dia. Maker Fitch's. place and date unmarked Page 1 Catalog / Objectid / Objname Title/Description Date Status Home Location O 0063.001.0002.034 OK MCHS Building Purse, Change Folding leather coin purse with push-tab latch. Brown leather with raised pattern. -
Fashion Trends 2016
Fashion Trends 2016 U.S. & U.K. Report [email protected] Intro With every query typed into a search bar, we are given a glimpse into user considerations or intentions. By compiling top searches, we are able to render a strong representation of the population and gain insight into this population’s behavior. In our second iteration of the Google Fashion Trends Report, we are excited to introduce data from multiple markets. This report focuses on apparel trends from the United States and United Kingdom to enable a better understanding of how trends spread and behaviors emerge across the two markets. We are proud to share this iteration and look forward to hearing back from you. Olivier Zimmer | Trends Data Scientist Yarden Horwitz | Trends Brand Strategist Methodology To compile a list of accurate trends within the fashion industry, we pulled top volume queries related to the apparel category and looked at their monthly volume from May 2014 to May 2016. We first removed any seasonal effect, and then measured the year-over-year growth, velocity, and acceleration for each search query. Based on these metrics, we were able to classify the queries into similar trend patterns. We then curated the most significant trends to illustrate interesting shifts in behavior. Query Deseasonalized Trend 2004 2006 2008 2010 2012 2014 Query 2016 Characteristics Part 1 Part 2 Part 3 Top Risers a Spotlight on an Extensive List and Decliners Top Trending of the Top Volume Themes Fashion Trends Trend Categories To identify top trends, we categorized past data into six different clusters based on Sustained Seasonal Rising similar behaviors. -
Broadway Costumes 2012 Rental List
Broadway Costumes Costume Rentals How-To’s, Contract Terms & Conditions Rental Rates & Deposits: The basic rental period is 2 nights. We do not charge for any days that Broadway Costumes is closed. Additional days rent at the rate of 20% per day plus tax. Special weekly rates and “play” rates may apply. Just inquire as to your special needs. Deposits are required and are usually twice the amount required as the stated rental rate up to and including the current retail value. Minimum deposit is $20. Deposits are not refundable for any cancellations unless 1 (one) week or more in advance, then 50% refunded. The deposit is NOT part of the rental balance. The entire rental balance is due when the costume is picked up. Deposits may be made by credit card (Visa, MasterCard, American Express) or by cash. Deposits are refunded after costume return and any applicable fees are paid. Rental Return: You must return all rented items by the date stated on the contract. Items not returned on the specified date are subject to a late fee of 20% of the basic rental rate per day late plus tax. Alterations by Broadway Costumes: Alterations and cleaning are normally included in the rental price. However, alterations may take up to two weeks at peak seasons; faster service may require an additional service charge. Alterations by Customer: NO ALTERATIONS are allowed by the customer. Any alterations done outside of Broadway Costumes will be considered as damage and will result in assessed fees. Smoking and Eating While in Costume: Be very cautious. -
Ysu1311869143.Pdf (795.38
THIS IS LIFE: A Love Story of Friendship by Annie Murray Submitted in Partial Fulfillment of the Requirements for the Degree of M.F.A. in the NEOMFA Program YOUNGSTOWN STATE UNIVERSITY May, 2011 THIS IS LIFE: A Love Story of Friendship Annie Murray I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: ________________________________________________________ Annie Murray, Student Date Approvals: ________________________________________________________ David Giffels, Thesis Advisor Date ________________________________________________________ Phil Brady, Committee Member Date ________________________________________________________ Mary Biddinger, Committee Member Date ________________________________________________________ Peter J. Kasvinsky, Dean, School of Graduate Studies and Research Date © A. Murray 2011 ABSTRACT This thesis explores the universal journey of self discovery against the specific backdrop of the south coast of England where the narrator, an American woman in her early twenties, lives and works as a barmaid with her female travel companion. Aside from outlining the journey from outsider to insider within a particular cultural context, the thesis seeks to understand the implications of a defining friendship that ultimately fails, the ways a young life is shaped through travel and loss, and the sacrifices a person makes when choosing a place to call home. The thesis follows the narrator from her initial departure for England at the age of twenty-two through to her final return to Ohio at the age of twenty-seven, during which time the friendship with the travel companion is dissolved and the narrator becomes a wife and a mother. -
Exhibition Catalog
The Missouri Historic Costume and Textile Collection presents FASHIONING A COLLECTION: 50 Years 50 Objects March 7 – May 20, 2017 State Historical Society of Missouri Gallery FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Missouri Historic Costume and Textile Collection Department of Textile and Apparel Management College of Human Environmental Sciences University of Missouri State Historical Society of Missouri FASHIONING A COLLECTION: 50 YEARS, 50 OBJECTS Curated by Nicole Johnston and Jean Parsons The Missouri Historic Costume and Textile Collection was established in 1967 by Carolyn Wingo to support the teaching mission of the Department of Textile and Apparel Management within the College of Human Environmental Sciences at the University of Missouri. MHCTC received its first donation of artifacts from the Kansas City Museum in Kansas City, Missouri and has grown to include over 6,000 items of apparel, accessories and household textiles donated by alumni, faculty and friends. Curator Laurel Wilson guided and nurtured the collection for over half of the Collection’s fifty years, and today, the MHCTC collects and preserves clothing and textiles of historic and artistic value for purposes of teaching, research, exhibition and outreach. This exhibit celebrates the variety and mission of the collection, and is thus organized by the three branches of that mission: education, research and exhibition. It was a challenge to choose only 50 objects as representative. We have chosen those objects most frequently used in teaching and are student favorites, as well as objects used in research by undergraduate and graduate students, faculty, and visiting scholars. Finally, favorites from past exhibits are also included, as well as objects and new acquisitions that have never been previously exhibited. -
Sugar Coated Alex Champagne Cornell University, [email protected]
International Textile and Apparel Association 2018: Re-Imagine the Re-Newable (ITAA) Annual Conference Proceedings Jan 1st, 12:00 AM Sugar Coated Alex Champagne Cornell University, [email protected] Susan P. Ashdown Cornell University, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/itaa_proceedings Part of the Fashion Design Commons, and the Social Influence and Political Communication Commons Champagne, Alex and Ashdown, Susan P., "Sugar Coated" (2018). International Textile and Apparel Association (ITAA) Annual Conference Proceedings. 24. https://lib.dr.iastate.edu/itaa_proceedings/2018/design/24 This Design is brought to you for free and open access by the Conferences and Symposia at Iowa State University Digital Repository. It has been accepted for inclusion in International Textile and Apparel Association (ITAA) Annual Conference Proceedings by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Cleveland, Ohio 201 8 Proceedings Sugar Coated Alex Champagne Fashion Design Major, College of Human Ecology, Cornell University Susan P. Ashdown Department of Fiber Science & Apparel Design Keywords: Truth, Corset, Hoop, Transparent Mentor Statement: This student is a second semester freshman, and created this outfit in response to a thought- provoking but difficult conceptual challenge that I proposed to my draping class. In this class I teach patternmaking and construction skills, but I have found that challenging students to think conceptually about their designs helps them to focus their work. They tend to rise to the challenge, and the best students then make design decisions guided by the need to communicate their understanding of the concept. -
ITAA 2018 Design Catalog
Design Exhibition Committees Reviews of Designs Design Review Committee Reviewers for Creative Design Submissions Review Chair: Belinda Orzada, University of Delaware First Review Catalog Chair: Review Chair: Belinda Orzada, University of Delaware Sheri L. Dragoo, Texas Woman’s University V.P. for Scholarship: ITAA Review Members Youn-Kyung Kim, University of Tennessee Lynn Boorady, SUNY Buffalo State Elizabeth Bye, University of Minnesota A total of 118 design pieces were accepted for display Melanie Carrico, University of North Carolina at Greensboro at the 2018 ITAA Design Exhibition. Submissions May Chae, Montclair State University included 122 professional submissions, 78 graduate Chanjuan Chen, Kent State University submissions, and 134 undergraduate submissions, Deborah Christiansen, Indiana University representing respective acceptance rates of 49%, 34% Bridgett Clinton-Scott, University of Maryland Eastern Shore and 29%. All jurying employed a double blind pro- Andrea Eklund, Central Washington University cess so the jurors had no indication of whose work Adriana Gorea, Syracuse University they were judging. A double-blind jury of textile and Denise Green, Cornell University apparel peers reviewed each submission including Bora Han, Fashion Institute of Design and Merchandising design statement and images. Susan Hannel, University of Rhode Island Cynthia Istook, North Carolina State University Design Exhibit Committee Sandra Keiser, Mount Mary University Laura Kane, Framingham State University Eundeok Kim, Florida State University -
Sew Wow Advanced Clothing Member's Guide
SEW WOW #32009 Advanced Clothing Member’s Guide and Project Requirements This guide belongs to:_________________________________ Year:________ SEW WOW Advanced Clothing Member’s Guide and Project Requirements Contents Project Objectives Project Objectives............................................2 • Learn to enjoy and appreciate the process of clothing construction. Requirements ...................................................2 • Acquire the advanced skills needed to create Focus Areas Summary .....................................3 a garment, outfit, and/or accessories. General Resources ...........................................3 • Develop confidence through successfully Focus Area A: Active/Sportswear....................4 completing the project. Focus Area B: Outdoor Wear...........................6 • Share what you have learned with others. Focus Area C: Western Wear ...........................8 Focus Area D: Formal Wear ..........................10 Requirements Focus Area E: Embellished Apparel..............12 1. Select one project focus area that includes the clothing item(s), fabric, and construction Focus Area F: Tailored Apparel.....................14 skills you want to master. A summary of Focus Area G: Pattern Your Own..................16 focus areas is on page 3. General Advanced Activities .........................18 2. Set at least three goals to achieve in this project year. Project Summary ...........................................19 Part A: General Advanced Activity ..........19 3. Do one of the “General Advanced