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C:\010 MWP-Sonderausgaben (C)\D
Dancando Lambada Hintergründe von S. Radic "Dançando Lambada" is a song of the French- Brazilian group Kaoma with the Brazilian singer Loalwa Braz. It was the second single from Kaomas debut album Worldbeat and followed the world hit "Lambada". Released in October 1989, the album peaked in 4th place in France, 6th in Switzerland and 11th in Ireland, but could not continue the success of the previous hit single. A dub version of "Lambada" was available on the 12" and CD maxi. In 1976 Aurino Quirino Gonçalves released a song under his Lambada-Original is the title of a million-seller stage name Pinduca under the title "Lambada of the international group Kaoma from 1989, (Sambão)" as the sixth title on his LP "No embalo which has triggered a dance wave with the of carimbó and sirimbó vol. 5". Another Brazilian dance of the same name. The song Lambada record entitled "Lambada das Quebradas" was is actually a plagiarism, because music and then released in 1978, and at the end of 1980 parts of the lyrics go back to the original title several dance halls were finally created in Rio de "Llorando se fue" ("Crying she went") of the Janeiro and other Brazilian cities under the name Bolivian folklore group Los Kjarkas from the "Lambateria". Márcia Ferreira then remembered Municipio Cochabamba. She had recorded this forgotten Bolivian song in 1986 and recorded the song composed by Ulises Hermosa and a legal Portuguese cover version for the Brazilian his brother Gonzalo Hermosa-Gonzalez, to market under the title Chorando se foi (same which they dance Saya in Bolivia, for their meaning as the Spanish original) with Portuguese 1981 LP Canto a la mujer de mi pueblo, text; but even this version remained without great released by EMI. -
June 2018 New Releases
June 2018 New Releases what’s PAGE inside featured exclusives 3 RUSH Releases Vinyl Available Immediately! 76 Vinyl Audio 3 CD Audio 15 FEATURED RELEASES HANK WILLIAMS - CLANNAD - TURAS 1980: PIG - THE LONESOME SOUND 2LP GATEFOLD RISEN Music Video DVD & Blu-ray 50 Non-Music Video DVD & Blu-ray 52 Order Form 84 Deletions and Price Changes 82 PORTLANDIA: CHINA SALESMAN THE COMPLETE SARTANA 800.888.0486 SEASON 8 [LIMITED EDITION 5-DISC BLU-RAY] 203 Windsor Rd., Pottstown, PA 19464 HANK WILLIAMS - SON HOUSE - FALL - LEVITATE: www.MVDb2b.com THE LONESOME SOUND LIVE AT OBERLIN COLLEGE, LIMITED EDITION TRIPLE VINYL APRIL 15, 1965 A Van Damme good month! MVD knuckles down in June with the Action classic film LIONHEART, starring Jean-Claude Van Damme. This combo DVD/Blu-ray gets its well-deserved deluxe treatment from our MVD REWIND COLLECTION. This 1991 film is polished with high-def transfers, behind-the- scenes footage, a mini-poster, interviews, commentaries and more. Coupled with the February deluxe combo pack of Van Damme’s BLACK EAGLE, why, it’s an action-packed double shot! Let Van Damme knock you out all over again! Also from MVD REWIND this month is the ABOMINABLE combo DVD/Blu-ray pack. A fully-loaded deluxe edition that puts Bigfoot right in your living room! PORTLANDIA, the IFC Network sketch comedy starring Fred Armisen and Carrie Brownstein is Ore-Gone with its final season, PORTLANDIA: SEASON 8. The irreverent jab at the hip and eccentric culture of Portland, Oregon has appropriately ended with Season 8, a number that has no beginning and no end. -
Lista De Inscripciones Lista De Inscrições Entry List
LISTA DE INSCRIPCIONES La siguiente información, incluyendo los nombres específicos de las categorías, números de categorías y los números de votación, son confidenciales y propiedad de la Academia Latina de la Grabación. Esta información no podrá ser utilizada, divulgada, publicada o distribuída para ningún propósito. LISTA DE INSCRIÇÕES As sequintes informações, incluindo nomes específicos das categorias, o número de categorias e os números da votação, são confidenciais e direitos autorais pela Academia Latina de Gravação. Estas informações não podem ser utlizadas, divulgadas, publicadas ou distribuídas para qualquer finalidade. ENTRY LIST The following information, including specific category names, category numbers and balloting numbers, is confidential and proprietary information belonging to The Latin Recording Academy. Such information may not be used, disclosed, published or otherwise distributed for any purpose. REGLAS SOBRE LA SOLICITACION DE VOTOS Miembros de La Academia Latina de la Grabación, otros profesionales de la industria, y compañías disqueras no tienen prohibido promocionar sus lanzamientos durante la temporada de voto de los Latin GRAMMY®. Pero, a fin de proteger la integridad del proceso de votación y cuidar la información para ponerse en contacto con los Miembros, es crucial que las siguientes reglas sean entendidas y observadas. • La Academia Latina de la Grabación no divulga la información de contacto de sus Miembros. • Mientras comunicados de prensa y avisos del tipo “para su consideración” no están prohibidos, -
Présentation Du Corpus « Chanson, Chant Populaire
Groupe n° 4: «Chanson, chant populaire, genre musical» Projet collectif Ire partie PRÉSENTATION DU CORPUS « CHANSON, CHANT POPULAIRE, GENRE MUSICAL » CONTENU, SÉQUENCES PRINCIPALES ET SCÉNARIO TYPIQUE Karine JOLY – Amina MAZIGHI Sémiotique des Médias Le genre du documentaire audi ovisuel Séminaire de DESS à l'Institut National des Langues et Civilisations Orientales (INaLCO) Paris 2001-2002 Joly - Mazighi Paris, INaLCO 2001 - 2002 Groupe n° 4: «Chanson, chant populaire, genre musical» TABLE DES MATIÈRES I. Présentation générale du corpus………………………………………………………..3 II. Présentation des documentaires………………………………………………………..4 1. Incantamento ………………………………………………………………………………4 2. O Fado!………………………………………………………………………………………5 3. Les dessous de la Lambada ………………………………………………………………6 4. O Sole Mio …………………………………………………………………………………7 III. Découpages séquentiels………………………………………………………………..8 1. Incantamento ………………………………………………………………………………8 2. O Fado! ……………………………………………………………………………………13 3. Les dessous de la Lambada ……………………………………………………………19 4. O Sole Mio…………………………………………………………………………………24 IV. Comparaisons et synthèse 1. Thèmes et mots clés ………………………………………………………………………30 2. Typologie des séquences audiovisuelles ………………………………………………32 3. Un scénario typique? ……………………………………………………………………35 V. Conclusion…………………………………………………………………………….36 Joly - Mazighi Paris, INaLCO 2001 - 2002 2 Groupe n° 4: «Chanson, chant populaire, genre musical» PRÉSENTATION GÉNÉRALE DU CORPUS «Chanson, chant populaire, genre musical» Le Corpus IV, d’une durée totale d’environ trois heures et demi, est constitué -
Property Developers Leave Students in the Lurch
Issue1005.02.16 thegryphon.co.uk News p.5 TheGryphon speaks to University SecretaryRoger Gairabout PREVENTand tuitionfees Features p.10 Hannah Macaulayexplores the possible growth of veganism in 2016 [Image: 20th Century Fox] S [Image: AndyWhitton] Sport TheGryphon explores theincreasing In TheMiddle catchupwith p.19 Allthe lastestnewsand resultsfrom •similaritiesbetween sciencefiction •MysteryJetsbefore theirrecentgig thereturnofBUCSfixtures and reality p.17 at HeadrowHouse ITMp.4 [Image: Jack Roberts] Property Developers Leave Students In TheLurch accommodation until December 2015, parents were refusing to paythe fees for Jessica Murray and were informed that the halls would the first term of residence, or were only News Editor have abuilding certificate at this point. paying apercentage of the full rent owed. Property development companyPinna- According to the parent, whowishes to Agroup of Leeds University students cle Alliance have faced critcism for fail- remain anonymous, the ground floor of have also contacted TheGryphon after ing to complete building work on time, the accommodation wasstill completely they were forced in to finding new accom- leaving manystudents without accommo- unfinished and open to the elements, with modation in September due to their flat on dation or living in half finished develop- security guards patrolling the develop- 75 Hyde Park Road still being under de- ments. ment at all times to prevent break ins. velopment by Pinnacle. Pinnacle began development of Asquith Theparent also stated that the building Thethree students, whodonot wish to House and Austin Hall, twopurpose built had afire safety certificate for habitation be named, signed for the three-bedroom private halls of residence situated next to on the floors above the ground floor,but flat in March 2015, and they state that at Leodis, in January 2015, and students who afull building certificate had not been the end of July they were informed that the signed contracts were to move in Septem- signed off. -
Aquifer Recharg Upheld F3 Ge Ujt Urder, Dnappini Port
- < HISTORY Keeping w/vm ^ N e v a d atown t o a n s w r a p q Dispatcher Angel IVM ajerus serves u p s H r summer gj,m sw ers m an y callsIs Ito d u t y ^ J | K B im dstoryteltelling a r c h i v i ri i gi p r o j e c t SeeC»miliyltMdi,Dl ______ Sw W aglc Valley, ft GoddMoniing H W >:n L " « 6 6 TUESDAY f T i ^ " Augudl,200fi5 Partly cioiKfy and broflzy 0 tim et. OttailK A3 i m ( e s - ' N e w s ^ 5 0 cents - — — M a ^ V a ^ x o mn ------------- ---------------------------- Aquifer F 3 urder, rechargge UjT dnappini•g upheld ...J'[ » i k e i n _ Director findss < '"d' water belongeced , ' ' / I ' port to state, not rail crime numbei3rs canal companiinies rease in MM state,i ByMkMleDtialop , Tlmes-New» w rtter_______________ M ptto UOISE — TIio stale didlid n: o t Jake w a te r fro m M agic ValValley d . 9 ‘n v i NI iIvU.J.S A — 31113 wiis a veae ar ill . « llioMagii-V canal compiitiics whenleh it -\:Uj itf Valley. ■ • rvplvnisbcil (])c aquifer;r thist - ^ ' IB . I'iv o tnnurtlers u r w m ' reporicd in hvinI falls1- sjjfing. according to a rcrcc( c e n t n Couiuy. fourfell nioa- ilian the previous year,yi « Ii-rnmc CotiuiyCm a-porteii one and Unc{icoln, In July. Sen. Quick Coirlo in e r,' ^ two—butliluili liiul noneiiil'tUM. K-1\vin Falls, cast doubt,ibt. -
Nostalgia in Indie Folk by Claire Coleman
WESTERN SYDNEY UNIVE RSITY Humanities and Communication Arts “Hold on, hold on to your old ways”: Nostalgia in Indie Folk by Claire Coleman For acceptance into the degree of Doctor of Philosophy December 20, 2017 Student number 17630782 “Hold on, hold on to your old ways” – Sufjan Stevens, “He Woke Me Up Again,” Seven Swans Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .............................................................................................. Claire Coleman Acknowledgements This thesis could not have been completed without the invaluable assistance of numerous colleagues, friends and family. The love, respect and practical support of these people, too many to name, buoyed me through the arduous privilege that is doctoral research. With special thanks to: The Supers – Dr Kate Fagan, Mr John Encarnacao and Associate Prof. Diana Blom My beloved – Mike Ford My family – Nola Coleman, Gemma Devenish, Neale Devenish, and the Fords. The proof-readers – Alex Witt, Anna Dunnill, Pina Ford, Connor Weightman and Nina Levy. My choir families – Menagerie, Berlin Pop Ensemble and Dienstag Choir Administrative staff at Western Sydney University Dr Peter Elliott Ali Kirby, Kate Ballard, Carol Shepherd, Kathryn Smith, Judith Schroiff, Lujan Cordaro, Kate Ford and the many cafes in Perth, Sydney and Berlin -
Copyright by Gordon Moakes 2019 the Report Committee for Gordon Moakes Certifies That This Is the Approved Version of the Following Report
Copyright by Gordon Moakes 2019 The Report Committee for Gordon Moakes Certifies that this is the approved version of the following report: No Future: Punk, Design and Resistance to Dystopian Technologies APPROVED BY SUPERVISING COMMITTEE: Kate Catterall, Supervisor Jiwon Park, Co-supervisor No Future: Punk, Design and Resistance to Dystopian Technologies by Gordon Moakes Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Fine Arts The University of Texas at Austin May, 2019 Dedication For Scarlet and Nico, who inherit a future more uncertain—but perhaps more full of possibility—than I did. Acknowledgements I would firstly like to thank my supervisor Kate Catterall, whose generosity and encouraging spirit made my application to, and place within, the MFA program a possibility in the first place. Thank you to all the professors in the Design faculty who’ve offered insights, advice, pushback, provocation and encouragement: Jiwon Park, for her calm, affirmatory enthusiasm and ideas; Jim Walker, for his practical insights, gentle humor and invaluable coding assistance; and Carma Gorman, for her rigorous eye for detail. Thanks also to Alyson, Monica, Kate and Jon. My cohort have been able shipmates on my journey, always guiding, responding and suggesting—thank you Jacob Degeal, Bhargavi Jogkelar, Lauren Smedley and Mukhtara Yussuf: without you I’d be sunk. The MFA cohort of 2018 gave further support—in particular Ekin Levent and Juliana Castro-Varón. I’d like to thank a number of professors from the wider University of Texas community who’ve accommodated my scattered approach to my topic and given theoretical and historical framework for my ideas, including Craig Campbell, Kirkland Fulk, Snehal Shingavi, Neil Nehring, Lynne Wilkinson and Petre Petrov. -
Dawson's Auctioneers
Dawson's Auctioneers The Auction House 9 King's Grove Estate Maidenhead Rock & Pop Music Vinyl & Memorabilia Berkshire SL6 4DP Started 04 Nov 2017 10:00 GMT United Kingdom Lot Description The Beatles A rare printer's proof of The Beatles 'For Sale' album, (stereo), (A rejected proof due to too much red used on the band 1 member's faces), 1970's issue, 76 x 35.5 cm. Thin Lizzy original xerox copy of the Reading Festival 1981 contract over 14 pages, showing a stage plan Thin Lizzy to recieve £25,000, 2 together with Flexipop! magazine with single 'Song For Jimmy', etc. The Rolling Stones, Bridges to Babylon Fully signed promotional pack, (one of only 10 signed by the band) to include poster, box and 3 promotion-only Double CD pack. Assorted Reggae albums, original and unusual 1970's LP's on Trojan catalogue TRLS81, TRLS76, Others all TBL numbers, TBL209, 4 193 188, 191, 198, all examples in excellent condition. Five Lp's of English Psychedlia 'Rubble' albums to include 'The Psychedelic Snarl', 'The Electric Crayon Set', 'The 49 Minute 5 Techniclour Dream', 'Nightmares In Wonderland' 'Pop-Sike Pipe Dreams (to include Idle Race) All on Pilot records, features artists such as The Mark 4, Jason Crest, Kaleid ...[more] Oasis, a signed album 'Definitely Maybe' an original release 1994 gatefold double album on Creation records, signed to front cover by 6 the entire original band (Liam Gallagher, Noel Gallagher, Paul Arthurs, Paul McGuigan and Tony McCarroll). 7 Curved Air and Saturnalia Early picture discs (late 1960's), 'Air Conditioning' and 'Magical Love' (Magical Love missing booklet). -
Contwe're ACT
Media contacts for Linkin Park: Dvora Vener Englefield / Michael Moses / Luke Burland (310) 248-6161 / (310) 248-6171 / (615) 214-1490 [email protected] / [email protected] / [email protected] LINKIN PARK ADDS BUSTA RHYMES TO 2008 SUMMER TOUR ACCLAIMED HIP HOP INNOVATOR WILL PERFORM WITH LINKIN PARK, CHRIS CORNELL, THE BRAVERY, ASHES DIVIDE ON PROJEKT REVOLUTION MAIN STAGE REVOLUTION STAGE HEADLINED BY ATREYU AND FEATURING 10 YEARS, HAWTHORNE HEIGHTS, ARMOR FOR SLEEP & STREET DRUM CORPS TOUR BEGINS JULY 16 IN BOSTON Los Angeles, CA (June 3, 2008) – Multi-platinum two-time Grammy-winning rock band Linkin Park has announced that acclaimed hip-hop innovator Busta Rhymes will join their Projekt Revolution 2008 lineup. Rhymes and Linkin Park recently collaborated on “We Made It,” the first single and video from Rhymes’ upcoming album, Blessed. By touring together, Linkin Park & Busta are taking a cue from the chorus of their song: “…we took it on the road…”. As recently pointed out in Rolling Stone’s “Summer Tour Guide,” the tour will see nine acts joining rock superstars Linkin Park, who are also offering concertgoers a digital souvenir pack that includes a recording of the band’s entire set. As the band’s co-lead vocalist Mike Shinoda told the magazine, “That puts extra pressure on us to make sure our set is different every night.” The fifth installation of Linkin Park’s raging road show will see them headlining an all-star bill that features former Soundgarden/Audioslave frontman Chris Cornell, electro-rockers The Bravery and Ashes Divide featuring Billy Howerdel, known for his work with A Perfect Circle. -
Estudando O Tropicalismo Na Tropicália Lixo Lógico De Tom Zé1
CONTRAPONTO Estudando o Tropicalismo na Tropicália Lixo Lógico de Tom Zé1 Emília Saraiva Nery Quem são os pais da Tropicália? No encarte do CD Tropicália Lixo Lógico2, Tom Zé responde a essa pergunta e amplia os “mitos de origem” do Tropicalismo: 6 Atribui-se ao rock internacional e a Oswald de Andrade o surgimento da Tropicália. Não é exato. Somem-se Oiticica, Rita, Agripino, o teatro de Zé Celso, etc... eis a constelação que cria um gatilho disparador e provoca em Caetano e Gil o vazamento do lixo lógico, esse sim, fez a Tropicália3. É interessante perceber, através da citação acima, que as declarações do compositor e o seu último trabalho podem ser vistos, sobretudo, como exemplos emblemáticos de afirmação do Modernismo Oswaldiano, enquanto um dos “mitos de origem” do Tropicalismo numa linha evolutiva4 da Música Popular Brasileira. É possível, por outro lado, encontrar recentes afirmações tomzénianas indignadas com a limitação em torno dos referidos mitos, tal como abaixo: Veja: todo mundo trombeteia que o tropicalismo não existiria sem a influência do Oswald de Andrade, o poeta modernista. E do José Celso Martinez Corrêa, o diretor de teatro. E do Hélio Oiticica, o artistas plástico. E do José Agrippino de Paula, o escritor. E dos Mutantes. E do rock internacional. E... Sempre me chateei com esse papo. [...] Considere que eu sou a ostra e que a pedra é a tal história de Oswald, Zé Celso, Oiticica, Agrippino... Eles exerceram, claro, um papel fundamental no tropicalismo. Mas alardear que o originaram? Comigo não, violão! Afirmações do gênero me pareciam incompletas. Uma facilitação, um engano, uma irresponsabilidade! Levei um tempão refletindo sobre o assunto. -
Impurezas Extraordinárias De Miriam Inez Da Silva [The Extraordinary Impurities of Miriam Inez Da Silva]
As impurezas extraordinárias de Miriam Inez da Silva [The Extraordinary Impurities of Miriam Inez da Silva] 28/11/20 27/03/21 curadoria e organização [curatorship and edition] Bernardo Mosqueira assistência curatorial [curatorial assistance] Ana Clara Simões Lopes 20 As impurezas extraordinárias de Miriam Inez da Silva [The Extraordinary Impurities of Miriam Inez da Silva] Bernardo Mosqueira 72 A vida livre de minha mãe, Miriam Inez da Silva [My Mother’s Free Life, Miriam Inez da Silva] Sofia Cerqueira 84 O camp-naïf de Miriam [Miriam’s Camp-Naïve] Kiki Mazzucchelli 106 Miriam Inez: Zonas insubmissas [Miriam Inez: Insubordinate Zones] Marcelo Campos 120 Metabolizando Miriam [Metabolizing Miriam] Ana Clara Simões Lopes 163 Obras [Work] O pouso do pavão misterioso... [The landing of Mysterious Peacock...], 1985 Óleo sobre madeira [Oil on wood] 44,8 × 34,5 cm Coleção particular – SP [Private Collection – SP] 20As impurezas Este é o primeiro livro dedicado exclusivamente à 21 extraordinárias de obra de Miriam Inez da Silva (Trindade – GO, 1937. Miriam Inez da Silva Rio de Janeiro – RJ, 1996), uma mulher que viveu [The Extraordinary em busca da liberdade, e que, com frequência, Impurities of transgrediu normas, convenções e classificações. Miriam Inez da Silva] Durante os quarenta anos em que desenvolveu sua Bernardo Mosqueira prática artística, Miriam construiu um universo encantado e impuro, marcado pela amálgama entre o banal e o extraordinário. Com uma obra extremamente singular e complexa, pôde retratar como poucos os conflitos micropolíticos do processo de modernização do Brasil no século XX. Entre as décadas de 1950 e 1990, a artista realizou dezenas de exposições individuais e participou de numerosas bienais e mostras coletivas no país e no exterior.