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Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
New COB Dean: Accreditation First by Andrea Colllna "We've Got to Package the Product We Dr
Marshall University Marshall Digital Scholar The Parthenon Student Publications Spring 4-14-1993 The Parthenon, April 14, 1993 Marshall University Follow this and additional works at: https://mds.marshall.edu/parthenon Recommended Citation Marshall University, "The Parthenon, April 14, 1993" (1993). The Parthenon. 3142. https://mds.marshall.edu/parthenon/3142 This Newspaper is brought to you for free and open access by the Student Publications at Marshall Digital Scholar. It has been accepted for inclusion in The Parthenon by an authorized administrator of Marshall Digital Scholar. For more information, please contact [email protected]. April 14, 1993 MARSHALL UNIVERSITY WEDNESDAY Rain likely high in low 70's New COB dean: Accreditation first By Andrea Colllna "We've got to package the product we Dr. J . Wade Gilley said Kent is the Reporter have in such a way that the excellence unanimous choice of the search com "We've got to package the we have is given the credit it richly mittee. product we have In such a A Baylor University professor has deserves," he said. "He has outstanding credentials as a way that the excellence we been appointed as the new COB dean. It usually takes about two years to teacher, administrator and entrepre have Is given the credit it On June 1,Dr. Calvin A Kent will re complete the accreditation process. neur," Gilley said. richly deserves." place Dr. Robert B. Hayes, interim dean Kent is the founder of Baylor Kent said he-plans a "growing part Dr. Calvin A. Kent of the College of Business since last University's Center for Private Enter nership with the legislature, city gov- · July. -
University of Pardubice Faculty of Arts and Philosophy Mccarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019
University of Pardubice Faculty of Arts and Philosophy McCarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019 2 3 Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Michal Kleprlík, Ph.D., for his valuable comments and advice he provided for this thesis. I would also like to thank my family for their support. 4 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. Byl jsem obeznámen, že se na moji akademickou práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon a zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru dále na vědomí, že v souladu s § 47b Zákona č.111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách) ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice V Pardubicích, dne 31. prosince 2018 ………………………….. Deni Pitarka 5 ANNOTATION The Bachelors thesis concerns the phenomenon Red Scare and the House of Un-American Activities Committee, which was established in 1938 to investigate communism activity within the United States of America. -
L'arquetip De Periodista Ètic: Com Hollywood El Representa (1914-2015)
Facultat de Ciències de la Comunicació Treball de Fi de Grau Títol L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Autoria Raul Garrigós Porrino Professorat tutor Elisabet García Altadill Grau Periodisme Tipus de TFG Recerca Data 03/06/19 Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Castellà: El arquetipo de periodista ético: Como Hollywood lo representa (1914-2015) Anglès: The archetype of the ethical journalist: How Hollywood represents it (1914-2015) Autoria: Raul Garrigós Porrino Professorat Elisabet García Altadill tutor: Curs: 4t Grau: Periodisme Paraules clau (mínim 3) Català: periodisme, ètica, Hollywood, cinema, model, arquetip Castellà: periodismo, ética, Hollywood, cine, modelo, arquetipo Anglès: journalism, ethics, Hollywood, cinema, archetype Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Aquest projecte consisteix en estudiar quin hauria de ser l'arquetip de periodista ètic, aquell que hauria de convertir-se en un model a seguir, per després analitzar la representació que es fa a Hollywood dels periodistes i determinar si aquests encaixen dins de l'arquetip o no. Castellà: Este proyecto consiste en estudiar cuál debería ser el arquetipo de periodista ético, aquel que debería convertirse en un modelo a seguir, para después analizar la representación que se hace en Hollywood de los periodistas y determinar si estos encajan dentro del arquetipo o no Anglès: This project consists in study which should be the archetype of the ethical journalist, the one that should become a role model, to analyze how Hollywood represents the journalists and decide if they fit inside the archetype or not. -
Masarykova Universita Filosofická Fakulta Ústav Filmu a Audiovizuální
Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristýna Haklová (FAV, bakalářské prezenční) Analýza propojování stylu televize, klasického stylu a postupů typických pro tzv. zesílenou kontinuitu ve filmu Dobrou noc a hodně štěstí (Bakalářská diplomová práce) Vedoucí práce: Mgr. Pavel Skopal, PhD. Brno 2010 Prohlašuji, že jsem pracovala samostatně a použila jen uvedených zdrojů. V Brně 30.června 2010 …………….……………………………………… Kristýna Haklová 2 Na tomto místě děkuji vedoucímu práce Pavlu Skopalovi za trpělivost a podnětné vedení mé práce. Dále chci poděkovat Anně Batistové a Radomíru D. Kokešovi za neustálou podporu a rady. Též děkuji své rodině za vytvoření podmínek vhodných ke studiu a povzbuzování. 3 Obsah: 1. Úvod ........................................................................................................................... 5 1.1. Zdůvodnění výběru .............................................................................................. 5 1.2. Teoreticko-metodologická reflexe ....................................................................... 6 2. Ekonomický a kulturně-historický kontext ................................................................ 8 2. 1. Joseph McCarthy a tzv. mccarthysmums ........................................................... 8 2. 2. Edward R. Murrow – See It Now ....................................................................... 8 2. 3. Vznik filmu ...................................................................................................... -
The History of CBS New York Television Studios: 1937-1965
1 The History of CBS New York Television Studios: 1937-1965 By Bobby Ellerbee and Eyes of a Generation.com Preface and Acknowledgements This is the first known chronological listing that details the CBS television studios in New York City. Included in this exclusive presentation by and for Eyes of a Generation, are the outside performance theaters and their conversion dates to CBS Television theaters. This compilation gives us the clearest and most concise guide yet to the production and technical operations of television’s early days and the efforts at CBS to pioneer the new medium. This story is told to the best of our abilities, as a great deal of the information on these facilities is now gone…like so many of the men and women who worked there. I’ve told this as concisely as possible, but some elements are dependent on the memories of those who were there many years ago, and from conclusions drawn from research. If you can add to this with facts or photos, please contact me, as this is an ongoing project. (First Revision: August 6, 2018). Eyes of a Generation would like to offer a huge thanks to the many past and present CBS people that helped, but most especially to television historian and author David Schwartz (GSN), and Gady Reinhold (CBS 1966 to present), for their first-hand knowledge, photos and help. Among the distinguished CBS veterans providing background information are Dr. Joe Flaherty, George Sunga, Dave Dorsett, Allan Brown, Locke Wallace, Rick Scheckman, Jim Hergenrather, Craig Wilson and Bruce Martin. -
MIS AGENCY National Endowment for the Humanities (NFAH), Waskington*D.C
DOCUMINT 2250112 'SD 152 616 SO 010-579 AUTHOR Hellman, Nary TITLE Popular Culture: Mirror of American Life. Source 5 = Book. Courses by Newspaper. INSTITUTION California Univ., San Diego. Univ. Extension. MIS AGENCY National Endowment for the Humanities (NFAH), WasKington*D.C. PUB DATE 77 NOTE 59p.; For related documents, see SO 010 577-580 AVAILABLE FROM Publisher's Inc., 243 12th Street, Drawer P, Del Mar, California 92014 ($2.50 paperbound) EDRS PRICE MF-$0:83 Plus Postage. HC Not Available fro' BUS. DESCRIPTORS Adult Education; Broadcast Industry; Community Programs; Cultural lieges; Culture; *Enrichment Programs; Females; Films; Futures. (of Society); Group Discussion; Husan Living; *Instructional Materials ;.' *Life Style; *Hass Media; Minority Groups; Music; News MedialNewspapers; 4Populat Culture; Resouie Guides; Secondary Education; Stereotypes; Television IDENTIFIERS United States ABSTRACT The sourcebook is one of several supplementary materials for a 15-week newspaper course about popular culture in the __United States. Program ideas and related resources compiled in the sourcebook' are designed to help civic and group leaders and educators plan educational community programs based on the coursetopics. Section one describes ways in which the program can be used in community and - academic programs. Section two,'Suggestions andAids for Educational Community Programs,'suggests backgroundreading in specific periodicals and books, discussion guestionso'and. group research activities for each,of the 15 course topics.Section three describes in detail the activities and publications of 48 national a.0 private organizations concerned with rar4ous\facets ofpopular cuature, including the Agency for Instructional Television, American Film Institute, Federal Communicatipns Commission,,National Association of Broadcasters, and Twentieth Century Fund. -
This Year's 40 Under 40
20120326-NEWS--0050-NAT-CCI-CN_-- 3/23/2012 6:33 PM Page 1 ® VOL. XXVIII, NO. 13 www.crainsnewyork.com MARCH 26-APRIL 1, 2012 PRICE: $3.00 HEREHERE THEYTHEY ARE!ARE! THISTHIS YEAR’SYEAR’S 4040 UNDERUNDER 4040 DoSomething.org’s ALSO INSIDE ARIA FINGER Andrew Cuomo: ‘Her energy is almost NY’s take-charge guv? contagious,’ said a fan Or control freak? of the 29-year-old It all depends on MEET THEM ALL: Pages F1-F25 where you sit Action! Film studios 13 5 running out of space ELECTRONIC EDITION A not-so-wonderful NEWSPAPER turn for stellar bank 71486 01068 0 CN015034.qxp 3/21/2012 2:19 PM Page 1 I am Indian Point. I am Theresa Motko, one of 1,200 workers at the Indian Point Energy Center who takes personal pride Theresa Motko, 33, is an in helping to provide New York City and Westchester Electrical Engineer at the with over 25 percent of our power. That power is clean, Indian Point Energy Center. it’s reliable, and it’s among the lowest cost electricity in the region. We are New Yorkers. We are your neighbors, our Lately a few people have been talking about replacing children attend the same schools, and we support Indian Point with electricity from sources yet to be many of the same causes. For example, our employer, developed. According to experts, without Indian Point Entergy, proudly supports the U.S. Chamber of air pollution would increase, our electricity costs would Commerce’s Hiring Our Heroes program, whose increase, and blackouts could occur. -
Good Night, and Good Luck
GOOD NIGHT, AND GOOD LUCK Film long métrage de fiction, Etats-Unis 2005 Réalisation : George Clooney Interprètes : David Strathairn, George Clooney, Robert Downey Jr, Frank Langella, Jeff Daniels, Patricia Clarkson, Ray Wise, Dianne Reeves Version française et version originale anglaise, sous-titrée français- allemand Durée : 1h30 Sortie en salles en Suisse romande : 8 février 2006 Thèmes : Education aux médias : télévision et pouvoir Histoire des Etats-Unis : le Maccarthysme et la "chasse aux sorcières" Les Organes cantonaux de contrôle des films de Vaud et Genève attribuent aux films un âge d'admission «légal» et un âge «suggéré». Cette distinction indique qu'un film est certes autorisé à un certain âge - donc pas dommageable -, mais pas forcément accessible (peut être ennuyeux pour de jeunes enfants). Ces limites d'âge s'appliquent à l'ensemble de la Suisse romande. Âge légal : 7 ans Âge suggéré : 14 ans Résumé : Good Night, and Good Luck se déroule aux premières heures du journalisme télédiffusé, dans les années 50. En pleine guerre froide, Edward R. Murrow (David Strathairn), présentateur de l'émission CBS "See it now", son producteur Fred Friendly (George Clooney) et leur équipe ont mené un combat courageux contre le tristement célèbre sénateur McCarthy. C’est cet affrontement de la presse contre le pouvoir politique que raconte le deuxième film mis en scène par Clooney. Murrow osa dénoncer à l'antenne les méthodes et tactiques employées par McCarthy dans sa chasse aux sorcières. Le sénateur attaqué répliqua en accusant les journalistes d'être des communistes. Dans un climat de terreur et de représailles, l'équipe de CBS lutta contre vents et marées, et leur ténacité est restée historique. -
Haiti the Beautiful, HASA Cuts Through the Ugly Stereotypes
{ visit us on the web at www.brooklynexcelsior.com } brooklyn brooklyn college theEXCELSIOR VO LUME EIGHTEEN , ISSUE FI V E OCT O BER 24, 2011 CAMPUS NEWS Haiti the Beautiful, HASA Cuts McD's Shooting BRIEFS Through the Ugly Stereotypes Leaves Students Concerned Residents Speak Up On How BY CONOR FEBOS does the public know about it?” the most intense debate of the To Spend A $1 Million asked Rosemond. “I would ven- day, “Haiti beyond light and Councilman Jumaane Williams A passionate, determined ture to say no, and it’s a shame dark skin,” resonated through- hosted the first ever participatory group of Brooklyn College because Haiti is a wonderfully out the room as poignant, lu- budget hearing in Brooklyn Col- Students met last week in the beautiful country.” minous points were made by lege last week. Residents suggest- Student Center as the Haitian Other students who have many of the students present. ed the $1 million that have been American Student Association family in Haiti and who have “Too many people disre- allocated to the district should be addressed the misconceptions recently visited, supported gard the vast complexities of spent on building community gar- of Haitian culture and the stig- Rosemond’s statements by re- Haitian people,” said the reso- dens, installing more street light- mas that plague its reputation. inforcing the point that their lute Sophia Molieur, HASA’s ing across Nostrand Ave., and to The Haitian American family members have attractive director of media relations. put new lockers in at the Flatbush Student Association, HASA, homes and continue to live in “The media has often depicted YMCA among other things.