Edward R. Murrow: His Life, Legacy and Ethical Influence
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Edward R. Murrow Awards
TW MAIN 10-06-08 A 13 TVWEEK 10/2/2008 5:49 PM Page 1 TELEVISIONWEEK October 6, 2008 13 INSIDE SPECIAL SECTION NewsproTHE STATE OF TV NEWS All About ABC The network’s news division will take home half the awards in national/syndie categories. Page 14 Engrossing Stories NBC News’ Bob Dotson gets fourth Murrow for stories that make viewers “late for the bus.” Page 14 Eyeing CBS’ Efforts CBS News, CBSnews.com are honored for excellence in real and virtual worlds. Page 16 ‘Sports Center’ a Winner for ESPN Saga of former tennis champ Andrea Jaeger offers perspective on her unique journey. Page 17 EDWARD R. Murrows Laud Excellence at Network, Local Levels MURROW By Debra Kaufman AWARDS Special to TelevisionWeek Honoring: The Radio-Television News Directors Association gathers Oct. 13 Survival Saga ESPN Deportes’ “Sobrevivientes” Excellence in at the Grand Hyatt Hotel in New York to present the 2008 Edward R. electronic tracks survivors of a rugby team’s plane crash in the Andes. Page 18 journalism Murrow Awards. Where: Grand In addition to recipients of the 38th Murrow Awards, winners Personal Touch Hyatt, New York of the RTNDA/Unity Awards—which acknowledge news organi- Seattle’s KOMO-TV takes large- When: Monday, market laurel for its “Problem Oct. 13 zations’ commitment to covering issues of diversity in their com- Solvers” franchise. Page 18 Presenters: munities—will be honored. Out of an initial pool of 3,459 entries, Lester Holt, Community Service Soledad O’Brien, 54 news organizations are being honored with 77 awards. In the small-market race, WJAR-TV Maggie “Everyone is proud of receiving an Edward R. -
Ext Generatio
MAY24 The News MEDIA nuo11011 .....,1 US West, Time Warner: telco-cable convergence 6 JOURNALISM Rather, Chung: The return of the anchor team PROGRAMING GE Chairman Welch pledges support to NBC affiliates 26 U N!'K; Vol. 123 No.21 62nd Year 1993 $2.95 A Cahners Publication OP Progr : ing the no^o/71G,*******************3-DIGIT APR94 554 00237 ext generatio BROOKLYN CENTER, MN 55430 Air .. .r,. = . ,,, aju+0141.0110 m,.., SHOWCASE H80 is a re9KSered trademark of None Box ice Inc. P 1593 Warner Bros. Inc. M ROW Reserve 5H:.. WGAS E ALE DEMOS. MEN 18 -49 MEN 18 -49 AUDIENCE AUDIENCE PROGRAM COMPOSITION PROGRAM COMPOSITION STAR TREK: DEEP SPACE 9 37% WKRP IN CINCINNATI 25% HBO COMEDY SHOWCASE 35% IT'S SHOWTIME AT APOLLO 24% SATURDAY NIGHT LIVE 35% SOUL TRAIN 24% G. MICHAEL SPORTS MACHINE 34% BAYWATCH 24% WHOOP! WEEKEND 31% PRIME SUSPECT 24% UPTOWN COMEDY CLUB 31% CURRENT AFFAIR EXTRA 23% COMIC STRIP LIVE 31% STREET JUSTICE 23% APOLLO COMEDY HOUR 310/0 EBONY JET SHOWCASE 23% HIGHLANDER 30% WARRIORS 23% AMERICAN GLADIATORS 28% CATWALK 23% RENEGADE 28% ED SULLIVAN SHOW 23% ROGGIN'S HEROES 28% RUNAWAY RICH & FAMOUS 22% ON SCENE 27% HOLLYWOOD BABYLON 22% EMERGENCY CALL 26% SWEATING BULLETS 21% UNTOUCHABLES 26% HARRY & THE HENDERSONS 21% KIDS IN THE HALL 26% ARSENIO WEEKEND JAM 20% ABC'S IN CONCERT 26% STAR SEARCH 20% WHY DIDN'T I THINK OF THAT 26% ENTERTAINMENT THIS WEEK 20% SISKEL & EBERT 25% LIFESTYLES OF RICH & FAMOUS 19% FIREFIGHTERS 25% WHEEL OF FORTUNE - WEEKEND 10% SOURCE. NTI, FEBRUARY NAD DATES In today's tough marketplace, no one has money to burn. -
Broadcast Journalism Course Descriptions and Career Recommendations
Broadcast Journalism Course Descriptions and Career Recommendations JOUR 402 Broadcast Reporting The class will focus on writing and reporting well-balanced, comprehensive and visually compelling stories. Undergraduate and graduate students research, report, write, shoot and edit stories. During TV day-of-air shifts in the Annenberg Media Center, students learn how to meet the same deadlines that professional reporters handle in small, medium and large markets. They also put together feature packages and could get the chance to do live shots for the nightly newscasts. This class is a MUST for any student who wants to be a TV reporter in news, sports or entertainment. It is also strongly recommended for students who want to learn how to field produce packages. JOUR 403 Television News Production Students sharpen news judgment and leadership skills by producing live day-of-air television newscasts, creating digital content, and using social media. They make decisions about news coverage, stories and presentation while managing reporters, anchors, writers, editors and many others under deadline pressure. JOUR 403 producers will write, copy edit and supervise live shots. Students have used skills learned in JOUR 403 to excel in jobs including local news producing, news reporting, sports producing and network segment producing. This class is a MUST for any student who wants to be the producer of a TV newscast or other type of live program. It is STRONGLY recommended for students who want to be TV news producers and reporters, sports producers or local/network segment producers. JOUR 405 Non-Fiction Television This class introduces students to the process of producing a documentary for digital and broadcast platforms. -
View / Open Bratslavsky Oregon 0171A 10830
FROM EPHEMERAL TO LEGITIMATE: AN INQUIRY INTO TELEVISION’S MATERIAL TRACES IN ARCHIVAL SPACES, 1950s -1970s by LAUREN MICHELLE BRATSLAVSKY A DISSERTATION Presented to the School of Journalism and Communication and the Graduate School of the University of Oregon in partial fulfillment of the requirements for the degree of Doctor of Philosophy September 2013 DISSERTATION APPROVAL PAGE Student: Lauren Michelle Bratslavsky Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s This dissertation has been accepted and approved in partial fulfillment of the requirements for the Doctor of Philosophy degree in the School of Journalism and Communication by: Dr. Janet Wasko Chairperson Dr. Carol Stabile Core Member Dr. Julianne Newton Core Member Dr. Daniel Pope Institutional Representative and Kimberly Andrews Espy Vice President for Research and Innovation; Dean of the Graduate School Original approval signatures are on file with the University of Oregon Graduate School. Degree awarded September 2013 ii © 2013 Lauren M. Bratslavsky This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivs (United States) License. iii DISSERTATION ABSTRACT Lauren Michelle Bratslavsky Doctor of Philosophy School of Journalism and Communication September 2013 Title: From Ephemeral to Legitimate: An Inquiry into Television’s Material Traces in Archival Spaces, 1950s -1970s The dissertation offers a historical inquiry about how television’s material traces entered archival spaces. Material traces refer to both the moving image products and the assortment of documentation about the processes of television as industrial and creative endeavors. By identifying the development of television-specific archives and collecting areas in the 1950s to the 1970s, the dissertation contributes to television studies, specifically pointing out how television materials were conceived as cultural and historical materials “worthy” of preservation and academic study. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
Adios Amor: the Search for Maria Moreno
Latino Public Broadcasting | VOCES Season 5 Outreach Guide for Adios Amor: The Search for Maria Moreno Thank you for taking the extra step to encourage viewers of Adios Amor: The Search for Maria Moreno to think critically about the film and its themes, and to share their thoughts with others in their community. According to U.S. Census projections, it is anticipated that the U.S. Latino population will grow by 167% between 2010 and 2050. As Latino Americans expand their impact economically, culturally and politically, they will contribute more and more to our ongoing national conversations about identity and empowerment. As the demographic landscape continues to shift, public media can play a significant role in building bridges of understanding by presenting audiences with trustworthy content and neutral spaces for meaningful dialogue. Community conversations hold tremendous potential to enrich our understanding of our unique and varied stories, as well as our shared values, forging a future as a nation whose strength lies in its diversity. This outreach guide offers themes to inspire conversation, as well as tips for planning events, suggestions for community partners and speakers, social media strategies and discussion questions, supplemental readings and free resources to accompany the film. Film Summary: Set in 1950s and 60s California, Adios Amor recaptures the forgotten yet epic struggle of Maria Moreno, a determined migrant mother who became an early outspoken leader in the movement for farmworker rights years before Dolores -
2006-2007 Impact Report
INTERNATIONAL WOMEN’S MEDIA FOUNDATION The Global Network for Women in the News Media 2006–2007 Annual Report From the IWMF Executive Director and Co-Chairs March 2008 Dear Friends and Supporters, As a global network the IWMF supports women journalists throughout the world by honoring their courage, cultivating their leadership skills, and joining with them to pioneer change in the news media. Our global commitment is reflected in the activities documented in this annual report. In 2006-2007 we celebrated the bravery of Courage in Journalism honorees from China, the United States, Lebanon and Mexico. We sponsored an Iraqi journalist on a fellowship that placed her in newsrooms with American counterparts in Boston and New York City. In the summer we convened journalists and top media managers from 14 African countries in Johannesburg to examine best practices for increasing and improving reporting on HIV/AIDS, TB and malaria. On the other side of the world in Chicago we simultaneously operated our annual Leadership Institute for Women Journalists, training mid-career journlists in skills needed to advance in the newsroom. These initiatives were carried out in the belief that strong participation by women in the news media is a crucial part of creating and maintaining freedom of the press. Because our mission is as relevant as ever, we also prepared for the future. We welcomed a cohort of new international members to the IWMF’s governing board. We geared up for the launch of leadership training for women journalists from former Soviet republics. And we added a major new journalism training inititiative on agriculture and women in Africa to our agenda. -
ESG Report Viacomcbs 2019
ACTIONEnvironmental, Social, and Governance Report ViacomCBS 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Contents Introduction 3 CEO letter 4 Our approach to ESG 6 About ViacomCBS 9 About this report 10 Our material topics 11 Case study: Responding to a global pandemic 12 Aligning with the UN Sustainable Development Goals 15 Governance 17 ESG governance 19 Corporate governance 20 Data privacy and security 22 Public policy engagement 23 On-screen content and social impact 24 Diverse and inclusive content 26 Responsible content and advertising 31 Using our content platforms for good 33 Expanding our social impact through community projects 35 Workforce and culture 38 A culture of diversity and inclusion 40 Preventing harassment and discrimination 45 Employee attraction, retention, and training 46 Health, safety, and security 48 Labor relations 50 Sustainable production, and operations 51 Climate change 53 Sustainable production 58 Environmental impacts of our operations and facilities 60 Supply chain responsibility 63 Consumer products 66 Reporting indices 68 GRI Index 69 SASB Index 81 COVER IMAGES (FROM LEFT TO RIGHT): CBS, NCIS; CBS Sports; CBS, Super Bowl LIII; CBS News, CBS This Morning ViacomCBS ESG Report 2019 Introduction Governance On-screen Workforce Sustainable Reporting content and and culture production indices social impact and operations Introduction Welcome to our first ESG Report, Action: ESG at ViacomCBS. As we unleash the -
* (Asterisk) in Google, 6 with Group Syntax, 215 in Name
CH27_228-236_Index.qxd 7/14/04 2:48 PM Page 229 INDEXINDEX * (asterisk) Applied Power, Principle of, brand names, 86–88 in Google, 6 102–106 Brooklyn Public Library, 119 with group syntax, 215 area codes, 169–170. See also browsers, 22–40 in name searches, 75 phone number searches bookmarklets with, 34–36 as wildcard, 6 art. See images gadgets for, 36–39 + (plus sign), 4–5. See also askanexpert.com, 93 iCab, 24 Boolean modifiers Ask Jeeves, 17–18 Internet Explorer, 23 – (minus sign), 4–5. See also for Kids, 210 listing, 25 Boolean modifiers toolbar, 32–33 Lynx, 24 | (pipe symbol), 5 associations Mozilla, 23 experts in, 91–93 Netscape, 23 finding, 92–93 Opera, 24 A audio, 154–163 plugins for, 27–29 finding, 159–160 Safari, 24–25 About.com, genealogy at, formats, 154–156 search toolbars with, 29–33 179–180 fun sites for, 162–163 security with, 25–26 address searches playing, 156–158 selecting, 25 driving directions and, 173 search engines/directories specialty toolbars with, 33 names in, 76–77 for, 160–162 speed optimization with, reverse lookups, 168–169 software sources, 158 26–27 229 for things/sites, 78 AU format, 155 turning off auto-password zip code helpers and, 172 reminders in, 26 AIFF format, 155 turning off Java in, 26 ALA Great Web Sites, 210 B turning off pop-ups in, 26 All Experts, 93–94 turning off scripting in, 25 AllPlaces, 134 Babelfish, 227 browser sniffer, 36–37 AlltheWeb, 160 BBB database, 195, 198 Bureau of Consumer Protection, almanacs, 186 Better Business Bureau, 195, 198 195 AltaVista, 148 biographical information, -
Cbcopland on The
THE UNITED STATES ARMY FIELD BAND The Legacy of AARON COPLAND Washington, D.C. “The Musical Ambassadors of the Army” rom Boston to Bombay, Tokyo to Toronto, the United States Army Field Band has been thrilling audiences of all ages for more than fifty years. As the pre- mier touring musical representative for the United States Army, this in- Fternationally-acclaimed organization travels thousands of miles each year presenting a variety of music to enthusiastic audiences throughout the nation and abroad. Through these concerts, the Field Band keeps the will of the American people behind the members of the armed forces and supports diplomatic efforts around the world. The Concert Band is the oldest and largest of the Field Band’s four performing components. This elite 65-member instrumental ensemble, founded in 1946, has performed in all 50 states and 25 foreign countries for audiences totaling more than 100 million. Tours have taken the band throughout the United States, Canada, Mexico, South America, Europe, the Far East, and India. The group appears in a wide variety of settings, from world-famous concert halls, such as the Berlin Philharmonie and Carnegie Hall, to state fairgrounds and high school gymnasiums. The Concert Band regularly travels and performs with the Sol- diers’ Chorus, together presenting a powerful and diverse program of marches, over- tures, popular music, patriotic selections, and instrumental and vocal solos. The orga- nization has also performed joint concerts with many of the nation’s leading orchestras, including the Boston Pops, Cincinnati Pops, and Detroit Symphony Orchestra. The United States Army Field Band is considered by music critics to be one of the most versatile and inspiring musical organizations in the world. -
The Book Thief
Ryde Library Service Community Book Club Collection Becoming By Michelle Obama First published in 2018 Genre & subject Biography Michelle Obama President’s spouses Synopsis An intimate, powerful, and inspiring memoir by the former First Lady of the United States In a life filled with meaning and accomplishment, Michelle Obama has emerged as one of the most iconic and compelling women of our era. As First Lady of the United States of America- the first African-American to serve in that role-she helped create the most welcoming and inclusive White House in history, while also establishing herself as a powerful advocate for women and girls in the U.S. and around the world, dramatically changing the ways that families pursue healthier and more active lives, and standing with her husband as he led America through some of its most harrowing moments. Along the way, she showed us a few dance moves, crushed Carpool Karaoke, and raised two down-to-earth daughters under an unforgiving media glare. In her memoir, a work of deep reflection and mesmerizing storytelling, Michelle Obama invites readers into her world, chronicling the experiences that have shaped her-from her childhood on the South Side of Chicago to her years as an executive balancing the demands of motherhood and work, to her time spent at the world's most famous address. With unerring honesty and lively wit, she describes her triumphs and her disappointments, both public and private, telling her full story as she has lived it-in her own words and on her own terms. Warm, wise, and revelatory, Becoming is the deeply personal reckoning of a woman of soul and substance who has steadily defied expectations-and whose story inspires us to do the same. -
On the Fringe: a Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Oregon Scholars' Bank ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON By Chelsea Colette Bushnell A Master’s Project Presented to the Arts and Administration program of the University of Oregon in partial fulfillment of the requirements for the degree of Master’s of Science in Arts and Administration November 2004 1 ON THE FRINGE: A Practical Start-Up Guide to Creating, Assembling, and Evaluating a Fringe Festival in Portland, Oregon Approved: _______________________________ Dr. Gaylene Carpenter Arts and Administration University of Oregon Date: ___________________ 2 © Chelsea Bushnell, 2004 Cover Image: Edinburgh Festival website, http://www.edfringe.com, November 12, 2004 3 Title: ON THE FRINGE: A PRACTICAL START-UP GUIDE TO CREATING, ASSEMBLING, AND EVALUATING A FRINGE FESTIVAL IN PORTLAND, OREGON Abstract The purpose of this study was to develop materials to facilitate the implementation of a seven- to-ten day Fringe Festival in Portland, Oregon or any similar metro area. By definition, a Fringe Festival is a non-profit organization of performers, producers, and managers dedicated to providing local, national, and international emerging artists a non-juried opportunity to present new works to arts-friendly audiences. All Fringe Festivals are committed to a common philosophy that promotes accessible, inexpensive, and fun performing arts attendance. For the purposes of this study, qualitative research methods, supported by action research and combined with fieldwork and participant observations, will be used to investigate, describe, and document what Fringe Festivals are all about.