Edward R. Murrow
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“Authentic” News: Voices, Forms, and Strategies in Presenting Television News
International Journal of Communication 10(2016), 4239–4257 1932–8036/20160005 Doing “Authentic” News: Voices, Forms, and Strategies in Presenting Television News DEBING FENG1 Jiangxi University of Finance and Economics, China Unlike print news that is static and mainly composed of written text, television news is dynamic and needs to be delivered with diversified presentational modes and forms. Drawing upon Bakhtin’s heteroglossia and Goffman’s production format of talk, this article examined the presentational forms and strategies deployed in BBC News at Ten and CCTV’s News Simulcast. It showed that the employment of different presentational elements and forms in the two programs reflects two contrasting types of news discourse. The discourse of BBC News tends to present different, and even confrontational, voices with diversified presentational forms, such as direct mode of address and “fresh talk,” thus likely to accentuate the authenticity of the news. The other type of discourse (i.e., CCTV News) seems to prefer monologic news presentation and prioritize studio-based, scripted news reading, such as on-camera address or voice- overs, and it thus creates a single authoritative voice that is likely to undermine the truth of the news. Keywords: authenticity, mode of address, presentational elements, voice, television news The discourse of television news has been widely studied within the linguistic world. Early in the 1970s, researchers in the field of critical linguistics (CL; e.g., Fowler, 1991; Fowler, Hodge, Kress, & Trew, 1979; Hodge & Kress, 1993) paid great attention to the ideological meaning of news by drawing upon a kit of linguistic tools such as modality, transitivity, and transformation. -
Broadcast Journalism Course Descriptions and Career Recommendations
Broadcast Journalism Course Descriptions and Career Recommendations JOUR 402 Broadcast Reporting The class will focus on writing and reporting well-balanced, comprehensive and visually compelling stories. Undergraduate and graduate students research, report, write, shoot and edit stories. During TV day-of-air shifts in the Annenberg Media Center, students learn how to meet the same deadlines that professional reporters handle in small, medium and large markets. They also put together feature packages and could get the chance to do live shots for the nightly newscasts. This class is a MUST for any student who wants to be a TV reporter in news, sports or entertainment. It is also strongly recommended for students who want to learn how to field produce packages. JOUR 403 Television News Production Students sharpen news judgment and leadership skills by producing live day-of-air television newscasts, creating digital content, and using social media. They make decisions about news coverage, stories and presentation while managing reporters, anchors, writers, editors and many others under deadline pressure. JOUR 403 producers will write, copy edit and supervise live shots. Students have used skills learned in JOUR 403 to excel in jobs including local news producing, news reporting, sports producing and network segment producing. This class is a MUST for any student who wants to be the producer of a TV newscast or other type of live program. It is STRONGLY recommended for students who want to be TV news producers and reporters, sports producers or local/network segment producers. JOUR 405 Non-Fiction Television This class introduces students to the process of producing a documentary for digital and broadcast platforms. -
Summer 2008, Vol. II, Issue 2
RRIIVVEERR TTAALLKK Summer 2008 Summer 2008 THE MINNESOTA RIVER CURRENT Vol. II Is sue 2 “““BBBIIIGGG SSSTTTOOONNNEEE IIIIII CCCOOOAAALLL PPPLLLAAANNNTTT””” Introduction Scott Sparlin, Executive Director of the Not only has the proposed construction Coalition for a Clean Minnesota River spoke of the Big Stone II power plant, located across passionately about the Minnesota River and the from Ortonville in South Dakota, stirred up a consequences on water resources. debate on how each of us looks at the Minnesota “Since 1989, we’ve worked hard to River but also how this coal-generated plant educate and raise awareness about the condition could affect our daily life. of the Minnesota River. Together with our Citizens, legislators and organizations significant partners in business, government, and are concerned about the plant’s impact on the nonprofit sector, we have achieved numerous reducing water flow from the Big Stone Lake, successes and have met challenges head on in increasing mercury pollution and our standard of our efforts to heal and improve water in the living here in the Minnesota River Watershed. Minnesota basin.” For those on the other end of the spectrum, Big Stone II represents economic “Reconvene the development and stable electrical prices. Local MN / SD businesses, unions and power companies see the Boundary Waters plant providing high wage jobs and a way to Commission. meet rising energy demands. Can we talk this Emotion has run high on both sides as through with our good neighbor? people express their view points on climate change, water quality and alternative energy I’m sure they have a sources including wind generation. -
The Producing Process 3
03-Schultz.qxd 6/29/2004 12:34 PM Page 37 The Producing Process 3 y now, you have a pretty good idea of what a producer does to get B a newscast on the air. So far, we have only talked about these duties in the abstract sense. It is now time to take a closer look at the step-by-step process of putting a show together. Story Ideas and News Value A newscast starts with a series of story ideas, which are nothing more than potential ideas that could eventually end up in the show. Story ideas come from a variety of sources, and the good producer will often come to work with several story ideas already formulated. These may come from other media, be follow-ups from stories done the previous day, or be a consequence of personal observation (see Table 3.1 for examples). Producers like their reporters to come to work with story ideas, and reporters should have some concrete suggestions for stories, even if these ideas never pan out. Too many reporters show up with the expectation that producers will have a story already assigned to them. This can waste a lot of precious news time as reporters scramble to try and set up a story or contact news sources. Producers and reporters will suggest their story ideas at the editorial meeting, where they and the news director will discuss events going on in the area. The purpose of the meeting is to consider all possible story ideas and narrow them down to a list of stories that will go in the newscast. -
Bibliography of Recent Books in Communications Law
BIBLIOGRAPHY OF RECENT BOOKS IN COMMUNICATIONS LAW Patrick J. Petit* The following is a selective bibliography of re- the United States, Germany, and the European cent books in communications law and related Convention on Human Rights. Chapter 1 dis- fields, published in late 1996 or 1997. Each work cusses the philosophical underpinnings of the is accompanied by an annotation describing con- right of privacy; Chapter 2 explores the history of tent and focus. Bibliographies and other useful the development of the right in each of the three information in appendices are also noted. systems. Subsequent chapters examine the struc- ture, coverage, protected scope, content, and who are the subjects of the right to secrecy in telecom- FREEDOM OF PRESS AND SPEECH munications. An extensive bibliography and table of cases is provided. KAHN, BRIAN AND CHARLES NEESONS, EDI- TORS. Borders in Cyberspace: Information Policy and the Global Information Infrastructure. Cambridge, . SAJo, ANDRAS AND MONROE E. PRICE, EDI- Mass.: MIT Press, 1997. 374 p. TORS. Rights of Access to the Media. Boston, Mass.: Borders in Cyberspace is a collection of essays pro- Kluwer Law International, 1996. 303 p. duced by the Center for Law and Information Technology at Harvard Law School. The first part Rights of Access to the Media is a collection of es- of the collection consists of six essays which ad- says which examine the theoretical and practical dress the "where" of cyberspace and the legal is- aspects of media access in the United States and Europe. Part I contains essays by Monroe Price sues which arise because of its lack of borders: ju- risdiction, conflict of laws, cultural sovereignty, and Jean Cohen which address the dominant models of access theory. -
Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
The Atom Bomb and the Press
PERIODICALS chant-farmer Hardy Bell, and St. Louis to- former slaves, and viewing the formerly bacconist William Deaderick. dominant class with suspicion and skepti- The Civil War ruined many of the Deep cism," Schweninger writes, "they could South's prosperous blacks, just as it did more easily build on their past experiences many white plantation owners. The Upper during the postwar era to advance not only South's black elite prospered. "More self- their own cause but the cause of freedmen confident, able to mix more easily with as well." PRESS & TELEVISION The Atom Bomb "The Office of Censorship's Attempt to Control Press Coverage of the Atomic Bomb During World War 11" by Patrick S. And the Press Washbum, in Journalism Monographs (~pril1990), 1621 COL . lege St., Univ. of S.C., Columbia, S.C. 29208-0251. A month after the first atomic bomb fell on tarily) to avoid all mention even of the Hiroshima on August 6, 1945, Gen. H. H. element uranium. Almost immediately. Arnold of the Army Air Force wrote a problems appeared. On Halloween D& glowing letter to the head of the U.S. Office for example, the Washington Post ran a of Censorship thanking him for suppress- lighthearted feature story which began: "A ing "any mention" of the new weapon in young fellow who has been studying much the press until it was used. Arnold wrote of his life on the matter of blowing up na- that it "shall go down in history as the best- tions with an atom would like to get a kept secret of any war." wage increase from the War Labor What is interesting, notes Washburn, a Board." In December, the Cleveland Press professor of journalism at Ohio University, published a vague story about the "Forbid- is not the fact that Arnold was wrong but den City" at Los Alamos, New Mexico. -
A Featured Film at the 18Th Annual Stony Brook Film Festival Friday, July 20Th at 3:00 P.M
A featured film at The 18th Annual Stony Brook Film Festival Friday, July 20th at 3:00 p.m. The Stony Brook Film Festival takes place at the Staller Center For The Arts, part of Stony Brook University, which is situated on an 1,100 acre site on the north shore of Long Island in southeastern New York. We are approximately 60 miles east of New York City. http://stonybrookfilmfestival.com/fest13/schedule-1.html TWA Flight 800 Festival Premiere—U.S.A.—86 minutes Directed by Kristina Borjesson. With Tom Stalcup, Ph.D., Henry F. Hughes, Robert Young, James Speer. Premium network EPIX presents a stunning American documentary having its Festival Premiere screening followed by a Q & A panel discussion with the filmmakers, Kristina Borjesson and Tom Stalcup. TWA Flight 800 presents the saga of the catastrophic crash off the south shore of Long Island on July 17, 1996. At the time, it was called "the largest aviation investigation in U.S. and world history.” But it was also the most controversial. Now, a team of insiders from that investigation comes forward in this feature documentary to uncover what really happened to TWA Flight 800. It is also the story of one extraordinary scientist, Tom Stalcup, who spent years fighting for access to documents and evidence. Thirteen years into his quest, several retired members of the official crash investigation joined him. In TWA Flight 800, these former government insiders blow the whistle on their own investigation and spend two years helping the scientist uncover the truth. What follows is a story of intense personal journeys and a grand-scale exposé with breathtaking implications. -
Penny C. Sansevieri
:gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`rhnk;hhd PENNY C. SANSEVIERI New York FROM BOOK TO BESTSELLER :gBglb]^kl@nb]^mhIn[eb\bsbg` Zg]FZkd^mbg`Rhnk;hhd by Penny C. Sansevieri © 2007. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, mechanical or electronic, including photocopying and record- ing, or by any information storage and retrieval system, without permission in writing from author or publisher (except by a reviewer, who may quote brief passages and/or show brief video clips in a review). ISBN: 1-60037-088-8 (Hardcover) ISBN: 1-60037-085-3 (Paperback) ISBN: 1-60037-086-1 (eBook) ISBN: 1-60037-087-X (Audio) Published by: Morgan James Publishing, LLC 1225 Franklin Ave. Ste 325 Garden City, NY 11530-1693 Toll Free 800-485-4943 www.MorganJamesPublishing.com Interior Design by: Bonnie Bushman [email protected] MORE BOOKS BY PENNY C. SANSEVIERI GhgÛ\mbhg Get Published Today (Morgan James Publishing 2006) From Book to Bestseller (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! (PublishingGold.com, Inc. 2005) No More Rejections: Get Published Today! ,QÀQLW\3XEOLVKLQJ Get Published! $QDXWKRU·VJXLGHWRWKH RQOLQHSXEOLVKLQJUHYROXWLRQ (1st Books, 2001) ?b\mbhg 7KH&OLIIKDQJHU (iUniverse, 2000) Candlewood Lake (iUniverse, 2006) To subscribe to our free newsletter send an e-mail to ln[l\kb[^9ZfZkd^mbg`^qi^km'\hf P^]eho^rhnk_^^][Z\d' A^k^lahpmh\hgmZ\mnl3 Author Marketing Experts, Inc. 3RVW2IÀFH%R[ San Diego, CA 92142 www.amarketingexpert.com [email protected] ?hk?kZgl The best dad a girl could ever have. -
Mass Media and the Transformation of American Politics Kristine A
Marquette Law Review Volume 77 | Issue 2 Article 7 Mass Media and the Transformation of American Politics Kristine A. Oswald Follow this and additional works at: http://scholarship.law.marquette.edu/mulr Part of the Law Commons Repository Citation Kristine A. Oswald, Mass Media and the Transformation of American Politics, 77 Marq. L. Rev. 385 (2009). Available at: http://scholarship.law.marquette.edu/mulr/vol77/iss2/7 This Article is brought to you for free and open access by the Journals at Marquette Law Scholarly Commons. It has been accepted for inclusion in Marquette Law Review by an authorized administrator of Marquette Law Scholarly Commons. For more information, please contact [email protected]. MASS MEDIA AND THE TRANSFORMATION OF AMERICAN POLITICS I. INTRODUCTION The importance of the mass media1 in today's society cannot be over- estimated. Especially in the arena of policy-making, the media's influ- ence has helped shape the development of American government. To more fully understand the political decision-making process in this coun- try it is necessary to understand the media's role in the performance of political officials and institutions. The significance of the media's influ- ence was expressed by Aleksandr Solzhenitsyn: "The Press has become the greatest power within Western countries, more powerful than the legislature, the executive, and the judiciary. One would then like to ask: '2 By what law has it been elected and to whom is it responsible?" The importance of the media's power and influence can only be fully appreciated through a complete understanding of who or what the media are. -
TV Journalism & Programme Formats
Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats TV Journalism & Programme Formats SEMESTER 3 Study Material for Students 1 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats CAREER OPPORTUNITIES IN MEDIA WORLD Mass communication and Journalism is institutionalized and source specific. It functions through well-organized professionals and has an ever increasing interlace. Mass media has a global availability and it has converted the whole world in to a global village. A qualified journalism professional can take up a job of educating, entertaining, informing, persuading, interpreting, and guiding. Working in print media offers the opportunities to be a news reporter, news presenter, an editor, a feature writer, a photojournalist, etc. Electronic media offers great opportunities of being a news reporter, news editor, newsreader, programme host, interviewer, cameraman, producer, director, etc. Other titles of Mass Communication and Journalism professionals are script writer, production assistant, technical director, floor manager, lighting director, scenic director, coordinator, creative director, advertiser, media planner, media consultant, public relation officer, counselor, front office executive, event manager and others. 2 Edited with the trial version of Foxit Advanced PDF Editor To remove this notice, visit: www.foxitsoftware.com/shopping TV Journalism & Programme Formats INTRODUCTION The book deals with Television for journalism and Writing for visuals. Student will understand the medium f r o m Piece to Camera. The book will tell students about Presentation, Reporting, Interview, Reportage, Live Shows and Anchoring a Show.