Haiti the Beautiful, HASA Cuts Through the Ugly Stereotypes
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Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
University of Pardubice Faculty of Arts and Philosophy Mccarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019
University of Pardubice Faculty of Arts and Philosophy McCarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019 2 3 Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Michal Kleprlík, Ph.D., for his valuable comments and advice he provided for this thesis. I would also like to thank my family for their support. 4 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. Byl jsem obeznámen, že se na moji akademickou práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon a zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru dále na vědomí, že v souladu s § 47b Zákona č.111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách) ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice V Pardubicích, dne 31. prosince 2018 ………………………….. Deni Pitarka 5 ANNOTATION The Bachelors thesis concerns the phenomenon Red Scare and the House of Un-American Activities Committee, which was established in 1938 to investigate communism activity within the United States of America. -
L'arquetip De Periodista Ètic: Com Hollywood El Representa (1914-2015)
Facultat de Ciències de la Comunicació Treball de Fi de Grau Títol L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Autoria Raul Garrigós Porrino Professorat tutor Elisabet García Altadill Grau Periodisme Tipus de TFG Recerca Data 03/06/19 Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Castellà: El arquetipo de periodista ético: Como Hollywood lo representa (1914-2015) Anglès: The archetype of the ethical journalist: How Hollywood represents it (1914-2015) Autoria: Raul Garrigós Porrino Professorat Elisabet García Altadill tutor: Curs: 4t Grau: Periodisme Paraules clau (mínim 3) Català: periodisme, ètica, Hollywood, cinema, model, arquetip Castellà: periodismo, ética, Hollywood, cine, modelo, arquetipo Anglès: journalism, ethics, Hollywood, cinema, archetype Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Aquest projecte consisteix en estudiar quin hauria de ser l'arquetip de periodista ètic, aquell que hauria de convertir-se en un model a seguir, per després analitzar la representació que es fa a Hollywood dels periodistes i determinar si aquests encaixen dins de l'arquetip o no. Castellà: Este proyecto consiste en estudiar cuál debería ser el arquetipo de periodista ético, aquel que debería convertirse en un modelo a seguir, para después analizar la representación que se hace en Hollywood de los periodistas y determinar si estos encajan dentro del arquetipo o no Anglès: This project consists in study which should be the archetype of the ethical journalist, the one that should become a role model, to analyze how Hollywood represents the journalists and decide if they fit inside the archetype or not. -
Masarykova Universita Filosofická Fakulta Ústav Filmu a Audiovizuální
Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristýna Haklová (FAV, bakalářské prezenční) Analýza propojování stylu televize, klasického stylu a postupů typických pro tzv. zesílenou kontinuitu ve filmu Dobrou noc a hodně štěstí (Bakalářská diplomová práce) Vedoucí práce: Mgr. Pavel Skopal, PhD. Brno 2010 Prohlašuji, že jsem pracovala samostatně a použila jen uvedených zdrojů. V Brně 30.června 2010 …………….……………………………………… Kristýna Haklová 2 Na tomto místě děkuji vedoucímu práce Pavlu Skopalovi za trpělivost a podnětné vedení mé práce. Dále chci poděkovat Anně Batistové a Radomíru D. Kokešovi za neustálou podporu a rady. Též děkuji své rodině za vytvoření podmínek vhodných ke studiu a povzbuzování. 3 Obsah: 1. Úvod ........................................................................................................................... 5 1.1. Zdůvodnění výběru .............................................................................................. 5 1.2. Teoreticko-metodologická reflexe ....................................................................... 6 2. Ekonomický a kulturně-historický kontext ................................................................ 8 2. 1. Joseph McCarthy a tzv. mccarthysmums ........................................................... 8 2. 2. Edward R. Murrow – See It Now ....................................................................... 8 2. 3. Vznik filmu ...................................................................................................... -
MIS AGENCY National Endowment for the Humanities (NFAH), Waskington*D.C
DOCUMINT 2250112 'SD 152 616 SO 010-579 AUTHOR Hellman, Nary TITLE Popular Culture: Mirror of American Life. Source 5 = Book. Courses by Newspaper. INSTITUTION California Univ., San Diego. Univ. Extension. MIS AGENCY National Endowment for the Humanities (NFAH), WasKington*D.C. PUB DATE 77 NOTE 59p.; For related documents, see SO 010 577-580 AVAILABLE FROM Publisher's Inc., 243 12th Street, Drawer P, Del Mar, California 92014 ($2.50 paperbound) EDRS PRICE MF-$0:83 Plus Postage. HC Not Available fro' BUS. DESCRIPTORS Adult Education; Broadcast Industry; Community Programs; Cultural lieges; Culture; *Enrichment Programs; Females; Films; Futures. (of Society); Group Discussion; Husan Living; *Instructional Materials ;.' *Life Style; *Hass Media; Minority Groups; Music; News MedialNewspapers; 4Populat Culture; Resouie Guides; Secondary Education; Stereotypes; Television IDENTIFIERS United States ABSTRACT The sourcebook is one of several supplementary materials for a 15-week newspaper course about popular culture in the __United States. Program ideas and related resources compiled in the sourcebook' are designed to help civic and group leaders and educators plan educational community programs based on the coursetopics. Section one describes ways in which the program can be used in community and - academic programs. Section two,'Suggestions andAids for Educational Community Programs,'suggests backgroundreading in specific periodicals and books, discussion guestionso'and. group research activities for each,of the 15 course topics.Section three describes in detail the activities and publications of 48 national a.0 private organizations concerned with rar4ous\facets ofpopular cuature, including the Agency for Instructional Television, American Film Institute, Federal Communicatipns Commission,,National Association of Broadcasters, and Twentieth Century Fund. -
Reporting Chappaquiddick Continued from Page 1 Told Me
SocietyLIFETIME of the Silurians EXCELLENCEACHIEVEMENT IN AWARDJOURNALISM DINNER HonoringAWARDS Steve GALA Kroft The National Arts Club The15 Gramercy National ParkArts SouthClub 15 Gramercy Park South Wednesday,Wednesday, October May 15,16, 2019 Drinks: 6 P.M. Dinner: 7:15 P.M. Drinks: 6 P.M. • Dinner: 7:15 P.M. PublishedPublished by by The The Society Silurians of thePress Silurians., Club, an an organization organization Meet old friends• and award winners [email protected] by Eventbrite or with ofof veteranveteran NewNew YorkYork CityCity journalistsjournalists foundedfounded inin 19241924 [email protected] NOVEMBERMARCH 2019 2019 ReportingFeminism: Chappaquiddick BY ANTHONY MARRO hen Newsday moved out of Now and its Melville plant back in WAugust, most of the pictures on the walls were put up for grabs. Rita Ciolli, the editorial page editor, grabbed Then and sent me one that showed me and Bob Greene and others standing on the bridge at Chappaquiddick a few days after Sen. Ted Kennedy had driven into the tidal pond, a July 1969 accident that resulted in the death of his passenger, Mary Jo Ko- pechne. It shows that, like most reporters on the job back then, I was wearing a suit and a tie. A few nights later I was back on the bridge again, but this time wearing only my underwear. I dove into the pond and touched bot- tom, which wasn’t difficult because the water seemed to be only about ten feet deep. I came up and then dove down again four or five times. Kennedy had said that he had tried to rescue Kopechne, but that A WOODSTOCKthe current had been too strong. -
Good Night, and Good Luck
GOOD NIGHT, AND GOOD LUCK Film long métrage de fiction, Etats-Unis 2005 Réalisation : George Clooney Interprètes : David Strathairn, George Clooney, Robert Downey Jr, Frank Langella, Jeff Daniels, Patricia Clarkson, Ray Wise, Dianne Reeves Version française et version originale anglaise, sous-titrée français- allemand Durée : 1h30 Sortie en salles en Suisse romande : 8 février 2006 Thèmes : Education aux médias : télévision et pouvoir Histoire des Etats-Unis : le Maccarthysme et la "chasse aux sorcières" Les Organes cantonaux de contrôle des films de Vaud et Genève attribuent aux films un âge d'admission «légal» et un âge «suggéré». Cette distinction indique qu'un film est certes autorisé à un certain âge - donc pas dommageable -, mais pas forcément accessible (peut être ennuyeux pour de jeunes enfants). Ces limites d'âge s'appliquent à l'ensemble de la Suisse romande. Âge légal : 7 ans Âge suggéré : 14 ans Résumé : Good Night, and Good Luck se déroule aux premières heures du journalisme télédiffusé, dans les années 50. En pleine guerre froide, Edward R. Murrow (David Strathairn), présentateur de l'émission CBS "See it now", son producteur Fred Friendly (George Clooney) et leur équipe ont mené un combat courageux contre le tristement célèbre sénateur McCarthy. C’est cet affrontement de la presse contre le pouvoir politique que raconte le deuxième film mis en scène par Clooney. Murrow osa dénoncer à l'antenne les méthodes et tactiques employées par McCarthy dans sa chasse aux sorcières. Le sénateur attaqué répliqua en accusant les journalistes d'être des communistes. Dans un climat de terreur et de représailles, l'équipe de CBS lutta contre vents et marées, et leur ténacité est restée historique. -
Edward R. Murrow: His Life, Legacy and Ethical Influence
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Theses from the College of Journalism and Journalism and Mass Communications, College Mass Communications of 5-2010 Edward R. Murrow: His Life, Legacy and Ethical Influence Howard Lester Rose University of Nebraska at Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/journalismdiss Part of the Journalism Studies Commons Rose, Howard Lester, "Edward R. Murrow: His Life, Legacy and Ethical Influence" (2010). Theses from the College of Journalism and Mass Communications. 2. https://digitalcommons.unl.edu/journalismdiss/2 This Article is brought to you for free and open access by the Journalism and Mass Communications, College of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Theses from the College of Journalism and Mass Communications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. EDWARD R. MURROW: HIS LIFE, LEGACY AND ETHICAL INFLUENCE by Howard Lester Rose A THESIS Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirement For the Degree of Master of Arts Major: Journalism and Mass Communications Under the Supervision of Professor Nancy Mitchell Lincoln, Nebraska May, 2010 EDWARD R. MURROW: LIFE, LEGACY AND BROADCAST ETHICS TODAY Howard Lester Rose, M.A. University of Nebraska, 2010 Adviser: Nancy Mitchell This study researched the life and legacy of Edward R. Murrow and examined broadcast ethics today. Murrow invented radio news, as we know it and was the standard-bearer of journalism, ethics, and reporting. Many consider him the father of broadcast journalism. -
KILLING OUR OWN the Disaster of America's Experience With______Atomic Radiation Harvey Wasserman & Norman Solomon with Robert Alvarez & Eleanor Walters
KILLING OUR OWN The Disaster of America's Experience with___________________ Atomic Radiation Harvey Wasserman & Norman Solomon with Robert Alvarez & Eleanor Walters A Delta Book 1982 -2- A DELTA BOOK Published by Dell Publishing Co., Inc. 1 Dag Hammarskjold Plaza New York, N.Y. 10017 Grateful acknowledgment is made for permission to use the following material: Excerpts from "Three Mile Island: No Health Impact Found" by Jane E. Brody from The New York Times, April 15, 1980; "Nuclear Fabulists" from The New York Times, April 18, 1980; editorial from The New York Times, November 23, 1980. (c) 1980 by The New York Times Company. Reprinted by permission. Excerpts from "The Down Wind People" by Anne Fadiman in Life. (c) 1980 Time, Inc. Reprinted with permission. Excerpts from "No Place to Hide" by David Bradley. Copyright 1948 by David Bradley. By permission of Little, Brown and Company in association with the Atlantic Monthly Press. Excerpts from NAAV Atomic Veterans' Newsletters. Reprinted by permission of the National Association of Atomic Veterans, 1109 Franklin Street, Burlington, Ia. 52601. Excerpts from the editorial "The Bomb's Other Victims" in the St. Louis Post-Dispatch, December 1, 1979. Excerpts from the editorial "Old or Dead Before Their Time" in the Seattle Post-Intelligencer, June 17, 1979. Copyright 1979 Seattle Post-Intelligencer. Excerpt of letter from Penny Bernstein to authors, used with permission of Penny Bernstein. Excerpt of letter from Pat Broudy to authors, used with permission of Pat Broudy. Excerpt of letter from William Drechin to authors, used with permission of William Drechin. Excerpt of letter from Bob Drogin to authors, used with permission of Bob Drogin. -
Retratos Modernos De Periodismo En El Cine Muriel
Universidad de Chile Instituto de la Comunicación e Imagen Escuela de Periodismo RETRATOS MODERNOS DE PERIODISMO EN EL CINE MURIEL LOVO AHUMADA MEMORIA PARA OPTAR AL TÍTULO DE PERIODISTA Categoría: Ensayo PROFESORA GUÍA: XIMENA PÓO FIGUEROA SANTIAGO DE CHILE MARZO, 2017 Many thanks to un Popoki and Mary Fulfuns for proofreading my life, To the Arsenal of Punk Rock ladies and gents that inspired a Nonconformist Conscience, y para la Nena, donde estés, gracias por todas esas tardes de cine. M.L 2 INDICE Introducción……………………………………………………………………………………………………...4 CAPÍTULO I: Feminismo, sus imperfectas perfectas heroínas........................................8 240 Palabras por Minuto………………………………………………………………8 Lois Lane, Reportera …………………………………………………………………….13 Lisbeth contra la brutalidad ………………………………………………………….20 Los Blues del Burka………………………………………………………………………27 La revolución comienza en casa ……………………………………………………33 CAPÍTULO II: Sobre los que están contra la humanidad ……………………………………...39 Un sutil llamado a las armas ………………………………………………………...39 Una Pequeña historia ilustrada de Indonesia………………………………...44 El imborrable dolor……………………………………………………………………...51 La Vergüenza ………………………………………………………………………………56 Sobre los que matan la luz …………………………………………………………...63 CAPÍTULO III: Guía práctica para ser un buen o mal periodista …………………………..69 La conciencia intranquila …………………………………………………………….69 Periodismo una historia de amor ………………………………………………...75 El Estado de la Situación ……………………………………………………………..81 Más Extraño que la Ficción ………………………………………………………....85 Un cambio