Edward R. Murrow from Wikipedia, the Free Encyclopedia

Total Page:16

File Type:pdf, Size:1020Kb

Edward R. Murrow from Wikipedia, the Free Encyclopedia Edward R. Murrow From Wikipedia, the free encyclopedia Edward R. Murrow KBE (born Egbert Edward R. Murrow Roscoe Murrow;[1] April 25, 1908 – April 27, 1965) was an American KBE broadcast journalist. He was generally referred to as Ed Murrow. He first came to prominence with a series of radio broadcasts for the news division of the Columbia Broadcasting System during World War II, which were followed by millions of listeners in the United States. During the war he assembled a team of foreign correspondents who came to be Murrow in April 1956 known as the Murrow Boys. Born Egbert Roscoe Murrow April 25, 1908 A pioneer of television news Guilford County, broadcasting, Murrow produced a series of reports that helped lead to the censure North Carolina, U.S. of Senator Joseph McCarthy. Fellow Died April 27, 1965 (aged 57) journalists Eric Sevareid, Ed Bliss, Bill Pawling, New York, U.S. Downs, Dan Rather, and Alexander Resting Glen Arden Farm Kendrick consider Murrow one of place 41°34′15.7″N 73°36′33.6″W journalism's greatest figures, noting his honesty and integrity in delivering the Alma mater Washington State – 1930 news. Occupation Journalist Radio broadcaster Known for On­the­spot radio reports from Contents London and other locations in Europe during World War II. 1 Early life Series of television news reports 2 Career at CBS that led to the censure of U.S. 2.1 Radio Senator Joseph McCarthy. 3 World War II 4 Postwar broadcasting career Spouse(s) Janet Huntington Brewster (1935–65) 4.1 Radio Children Charles Casey Murrow 4.2 Television and films Parent(s) Roscoe Conklin Murrow 4.2.1 Criticism of Ethel Murrow McCarthyism Signature 4.2.2 Later television career 4.2.3 Fall from favor 4.3 Summary of television work 4.4 United States Information Agency (USIA) Director 5 Death 6 Honors 7 Legacy 8 Filmography 9 References 10 External links and references 10.1 Biographies and articles 10.2 Programs Early life Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Murrow. His parents were Quakers.[3] He was the youngest of three brothers and was a "mixture of English, Scottish, Irish and German" descent.[4] The firstborn, Roscoe Jr., lived only a few hours. Lacey Van Buren was four years old and Dewey Roscoe was two years old when Murrow was born.[5] His home was a log cabin without electricity or plumbing, on a farm bringing in only a few hundred dollars a year from corn and hay. When Murrow was six years old, his family moved across the country to Skagit County in western Washington, to homestead near Blanchard, 30 miles (50 km) south of the Canada– US border. He attended high school in nearby Edison, and was president of the student body in his senior year and excelled on the debate team. He was also a member of the basketball team which won the Skagit County championship. After graduation from high school in 1926, Murrow enrolled at Washington State College (now Washington State University) across the state in Pullman, and eventually majored in speech. A member of the Kappa Sigma fraternity, he was also active in college politics. By his teen years, Murrow went by the nickname "Ed" and during his second year of college, he changed his name from Egbert to Edward. In 1929, while attending the annual convention of the National Student Federation of America, Murrow gave a speech urging college students to become more interested in national and world affairs; this led to his election as president of the federation. After earning his bachelor's degree in 1930, he moved back east to New York. Murrow was assistant director of the Institute of International Education from 1932 to 1935 and served as assistant secretary of the Emergency Committee in Aid of Displaced Foreign Scholars, which helped prominent German scholars who had been dismissed from academic positions. He married Janet Huntington Brewster on March 12, 1935. Their son, Charles Casey Murrow, was born in the west of London on November 6, 1945. Career at CBS Murrow joined CBS as director of talks and education in 1935 and remained with the network for his entire career.[2] CBS did not have news staff when Murrow joined, save for announcer Bob Trout. Murrow's job was to line up newsmakers who would appear on the network to talk about the issues of the day. But the onetime Washington State speech major was intrigued by Trout's on­air delivery, and Trout gave Murrow tips on how to communicate effectively on radio. Murrow went to London in 1937 to serve as the director of CBS's European operations. The position did not involve on­air reporting; his job was persuading European figures to broadcast over the CBS network, which was in direct competition with NBC's two radio networks. During this time, he made frequent trips around Europe.[6] In 1937, Murrow hired journalist William L. Shirer, and assigned him to a similar post on the continent. This marked the beginning of the "Murrow Boys" team of war reporters.[7] Radio Murrow gained his first glimpse of fame during the March 1938 Anschluss, in which Adolf Hitler engineered the annexation of Austria by Nazi Germany. While Murrow was in Poland arranging a broadcast of children's choruses, he got word from Shirer of the annexation—and the fact that Shirer could not get the story out through Austrian state radio facilities. Murrow immediately sent Shirer to London, where he delivered an uncensored, eyewitness account of the Anschluss. Murrow then chartered the only transportation available, a 23­passenger plane, to fly from Warsaw to Vienna so he could take over for Shirer.[8] At the request of CBS management in New York, Murrow and Shirer put together a European News Roundup of reaction to the Anschluss, which brought correspondents from various European cities together for a single broadcast. On March 13, 1938, the special was broadcast, hosted by Bob Trout in New York, including Shirer in London (with Labour MP Ellen Wilkinson), reporter Edgar Ansel Mowrer of the Chicago Daily News in Paris, reporter Pierre J. Huss of the International News Service in Berlin, and Senator Lewis B. Schwellenbach in Washington, D.C. Reporter Frank Gervasi, in Rome, was unable to find a transmitter to broadcast reaction from the Italian capital, but phoned his script to Shirer in London, who read it on the air.[9]:116–120 Murrow reported live from Vienna, in the first on­ the­scene news report of his career: "This is Edward Murrow speaking from Vienna.... It's now nearly 2:30 in the morning, and Herr Hitler has not yet arrived." The broadcast was considered revolutionary at the time. Featuring multipoint, live reports in the days before modern technology (and without each of the parties necessarily being able to hear one another), it came off almost flawlessly. The special became the basis for World News Roundup—broadcasting's oldest news series, which still runs each weekday morning and evening on the CBS Radio Network. In September 1938, Murrow and Shirer were regular participants in CBS's coverage of the crisis over the Sudetenland in Czechoslovakia, which Hitler coveted for Germany and eventually won in the Munich Agreement. Their incisive reporting heightened the American appetite for radio news, with listeners regularly waiting for Murrow's shortwave broadcasts, introduced by analyst H. V. Kaltenborn in New York saying, "Calling Ed Murrow ... come in Ed Murrow." During the following year, leading up to the outbreak of World War II, Murrow continued to be based in London. William Shirer's reporting from Berlin brought him national acclaim, and a commentator's position with CBS News upon his return to the United States in December 1940. (Shirer would describe his Berlin experiences in his best­selling 1941 book Berlin Diary.) When the war broke out in September 1939, Murrow stayed in London, and later provided live radio broadcasts during the height of the Blitz in London After Dark. These broadcasts electrified radio audiences as news programming never had: previous war coverage had mostly been provided by newspaper reports, along with newsreels seen in movie theaters; earlier radio news programs had simply featured an announcer in a studio reading wire service reports. World War II Murrow's reports, especially during the Blitz, began with what became his signature opening, "This is London," delivered with his vocal emphasis on the word this, followed by the hint of a pause before the rest of the phrase. His former speech teacher, Ida Lou Anderson, suggested the opening as a more concise alternative to the one he had inherited from his predecessor at CBS Europe, Cesar Saerchinger: "Hello America. This is London calling." Murrow's phrase became synonymous with the newscaster and his network.[10] Murrow achieved great celebrity status as a result of his war reports. They led to his second famous catchphrase. At the end of 1940, with every night's German bombing raid, Londoners who might not necessarily see each other the next morning often closed their conversations with "good night, and good luck." The future British monarch, Princess Elizabeth, said as much to the Western world in a live radio address at the end of the year, when she said "good night, and good luck to you all". So, at the end of one 1940 broadcast, Murrow ended his segment with "Good night, and good luck." Speech teacher Anderson insisted he stick with it, and another Murrow catchphrase was born.
Recommended publications
  • Edward R. Murrow
    Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow.
    [Show full text]
  • The Edward R. Murrow of Docudramas and Documentary
    Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history.
    [Show full text]
  • Oral History Interview - 4/14/2004 Administrative Information
    Walter Cronkite, Oral History Interview - 4/14/2004 Administrative Information Creator: Walter Cronkite Interviewer: Steven Fagan and Vicki Daitch Date of Interview: April 14, 2004 Location: New York, New York Length: 20 pages Biographical Note Cronkite, a journalist and broadcaster for United Press International (UPI) from1941- 1948; and for CBS Evening News from 1951-1991, discusses his first impressions of John F. Kennedy’s (JFK), his one-on-one interviews with JFK, as well as reporting on the assassination and announcing JFK’s death, and covering the 1969 moon landing, among other issues. Access Open. Usage Restrictions According to the deed of gift signed on November 28, 2006, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law.
    [Show full text]
  • Michael C. Keith
    _____________________________________ M I C H A E L C. K E I T H _________________________________ 3 Howard Street email: [email protected] Easton, MA 02375 Phone/Fax (508) 238-7408 < www.michaelckeith.com > EDUCATION Ph.D. -- University of Rhode Island, 1998. Dissertation Title: Commercial Underground Radio and the Sixties: An Oral History and Narrative M.A. -- University of Rhode Island, 1977 (Highest Honors) Thesis Title: The Obsessed Characters in the Novels of Muriel Spark B.A. -- University of Rhode Island, 1975 (Highest Honors) ACADEMIC EXPERIENCE 1993 - Adj. Associate Professor of Communication Boston College, Boston, MA. (Assistant Chair, 1995-1998). 1992 - 93 Visiting Professor of Communication Marquette University, Milwaukee, WI. 1992 - 93 Chair of Education Museum of Broadcast Communications, Chicago, IL. 1990 - 92 Visiting Professor of Communication The George Washington University, Washington, DC. 1978 - 90 Director of Radio and Television and Associate Professor of Communication. Dean College, Franklin, MA. (Interim Chairperson of English and Communication Departments, 1988-89). 1989 - 90 Adjunct Lecturer of Communication Emerson College, Boston, MA. 1977 - 78 Adjunct Lecturer of Communication Roger Williams University, Bristol, R.I. PUBLICATIONS BOOKS --Academic Monographs-- Norman Corwin’s ‘One World Flight:’ The Lost Journal of Radio’s Greatest Writer, ed. (with Mary Ann Watson) New York: Continuum Books, 2009. Sounds of Change: FM Broadcasting in America (with Christopher Sterling) Chapel Hill, NC: University of North Carolina Press, 2008 Radio Cultures: The Sound Medium in American Life, ed. New York: Peter Lang Publishing, 2008. The Quieted Voice: The Rise and Demise of Localism in American Radio. (with Robert Hilliard) Carbondale, IL: Southern Illinois University Press, 2005.
    [Show full text]
  • LOG of PRESIDENT TRUMAN's FIFTH TRIP to KEY WEST
    LOG OF PRESIDENT TRUMAN’S FIFTH TRIP To KEY WEST, FLORIDA November 7 – 21, 1948 LOG NO. 5 Compiled by Lt-Comdr. William M. Rigdon, U.S. Navy CONTENTS The President’s Party Pages I to IV The Log of the Trip Pages 1 to 28 The President’s Party The President Fleet Admiral William D. Leahy, U.S.N. Honorable John R. Steelman Honorable William D. Hassett Honorable Clark M. Clifford Honorable Stanley Woodward Major General Harry H. Vaughan, U.S.A. (Res.) Brigadier General Wallace H. Graham, U.S.A.F. Colonel Robert B. Landry, U.S.A.F. Captain Robert L. Dennison, U.S.N. Mr. Eben a. Ayers Mr. William J. Bray Mr. Jonathan W. Daniels Mr. Donald S. Dawson Senator Alben W. Barkley, joined 11-9 Mr. Leslie Biffle, joined 11-9 Senator J. Howard McGrath, joined 11-11 Mr. William M. Boyle, Jr., joined 11-11 Mrs. Harry S. Truman, joined 11-12 Miss Margaret Truman, joined 11-12 Governor Mon C. Wallgren, joined 11-15 Honorable Mathew J. Connelly, joined 11-15 Honorable Charles G. Ross, joined 11-15 Mr. David K. Niles, joined 11-15 Honorable Sam Rayburn, joined 11-18 Judge J. Caskie Collet, joined 11-18 Mr. Charles S. Murphy, joined 11-18 Mr. George M. Elsey, joined 11-18 Mr. David W. Stowe, joined 11-18 STAFF Lieutenant Commander William M. Rigdon, U.S.N. Mr. Dewey E. Long Chief Photographer’s Mate J. T. McCrosson, U.S.N. Yeoman first class Bernace L. Winkler, U.S.N. Chief Steward Arthur S.
    [Show full text]
  • Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
    Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface .....................................................................
    [Show full text]
  • The Davie Record DAVXE COUNTY’S OLDEST NEW SPAPER-THE PAPER the PEOPLE READ
    The Davie Record DAVXE COUNTY’S OLDEST NEW SPAPER-THE PAPER THE PEOPLE READ W I t SHALL THE PRESS. THE PEOPLEfS RIGHTS MAINTAlNt UNAWEO BY INFLUENCE AND UNBRIBED BY GAIN." VOLUMN XLIV. MOCKSVILLE. NORTH CAROLINA, WEDNESDAY. MAY 5. tg*3 NUMBER 42 NEWS OF LONG AGO. Knowledge Apart From JoggliDg The Facts The Little Man Lags H oots M illing Firm Pur­ Seen Along M ain Street The Office of War Information re­ There is some cotnplalnt from By The Street Rambler. chases Davie Farm What Was Happeiiif h Unit G o d cently reported that there was the treasury officials at Washington , oooooo Bcfwc The New Deal Used Up Re*. Walter E. Uenhour. HMdenlte. N. C. probability that there would be a that "the little man” is lagging in Marchmont, 7ta-acre estate in Four pretty girl j and one small Only a few decades ago Germany serious food shortage and counseled Second Victory loan purchases, Davie county, and one of tbe few dog sitting in parked auto— Mr. The Alpbabdt Drowied Tie was the most highly educated, civi civilians to expect more or less se while those of more ample means undivided plantations remaining in and Mrs John Swing purchasing Hof * and Plowed Up The Iized nation on earth In order to w e shortage this year. are responding quite freely. Not this section of the S'ate, has been War Bonds in bank—Mrs. John L. purchased by Z. D. Hoots, of the Coltoi aid Cera. finish an education In any part of But the Agriculture Department only is there a note of complaint, Vogter, of Advance, using ration the world, regardless of how great disagrees with the OWI.
    [Show full text]
  • Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
    doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer
    [Show full text]
  • University of Pardubice Faculty of Arts and Philosophy Mccarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019
    University of Pardubice Faculty of Arts and Philosophy McCarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019 2 3 Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Michal Kleprlík, Ph.D., for his valuable comments and advice he provided for this thesis. I would also like to thank my family for their support. 4 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. Byl jsem obeznámen, že se na moji akademickou práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon a zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru dále na vědomí, že v souladu s § 47b Zákona č.111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách) ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice V Pardubicích, dne 31. prosince 2018 ………………………….. Deni Pitarka 5 ANNOTATION The Bachelors thesis concerns the phenomenon Red Scare and the House of Un-American Activities Committee, which was established in 1938 to investigate communism activity within the United States of America.
    [Show full text]
  • Jim Upshaw to Receive Ed Bliss Award
    The Newsletter of the Radio-Television Journalism Division of AEJMC Vol. 46, No. 3 July, 2007 Jim Upshaw to Receive Ed Bliss Award producer, working for NBC “He believes in the power of journalism . .” News and local stations in Washington D.C., Los Angeles, Oakland and By Kim Piper-Aiken Denver. Michigan State University Jim has held leadership RTVJ Division Head 2006-2007 positions in AEJMC, BEA, The 2007 selection committee has awarded RTNDA and uncounted national, regional and Jim Upshaw of the University of Oregon the local media groups. He served as head of the Edward L. Bliss award for Distinguished RTVJ division of AEJMC from 1998-99 and Broadcast Journalism Education. continues to serve on committees, moderate Upshaw has taught at UO since 1992. panels and support the leadership in any way During that time he is credited with revamping possible. the electronic media curriculum to reflect the Perhaps Jim’s colleague Tim Gleason says it current state of the industry. He has taught best: “Jim is an extraordinary colleague and a courses ranging from International Journalism voice of wisdom and reason. He believes in the to Media Criticism to introductory courses in power of journalism and journalism education to production and reporting and everything in make a positive difference in the world. He has between. UO honored him with the Marshall great faith in students and will go to great lengths Award for Teaching Innovation in 2002. A to help them succeed.” former student says, “Professor Upshaw has The award will be presented at the American always been extremely generous with his time, University Reception and Bliss Award his expertise and his support.
    [Show full text]
  • L'arquetip De Periodista Ètic: Com Hollywood El Representa (1914-2015)
    Facultat de Ciències de la Comunicació Treball de Fi de Grau Títol L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Autoria Raul Garrigós Porrino Professorat tutor Elisabet García Altadill Grau Periodisme Tipus de TFG Recerca Data 03/06/19 Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Castellà: El arquetipo de periodista ético: Como Hollywood lo representa (1914-2015) Anglès: The archetype of the ethical journalist: How Hollywood represents it (1914-2015) Autoria: Raul Garrigós Porrino Professorat Elisabet García Altadill tutor: Curs: 4t Grau: Periodisme Paraules clau (mínim 3) Català: periodisme, ètica, Hollywood, cinema, model, arquetip Castellà: periodismo, ética, Hollywood, cine, modelo, arquetipo Anglès: journalism, ethics, Hollywood, cinema, archetype Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Aquest projecte consisteix en estudiar quin hauria de ser l'arquetip de periodista ètic, aquell que hauria de convertir-se en un model a seguir, per després analitzar la representació que es fa a Hollywood dels periodistes i determinar si aquests encaixen dins de l'arquetip o no. Castellà: Este proyecto consiste en estudiar cuál debería ser el arquetipo de periodista ético, aquel que debería convertirse en un modelo a seguir, para después analizar la representación que se hace en Hollywood de los periodistas y determinar si estos encajan dentro del arquetipo o no Anglès: This project consists in study which should be the archetype of the ethical journalist, the one that should become a role model, to analyze how Hollywood represents the journalists and decide if they fit inside the archetype or not.
    [Show full text]
  • Masarykova Universita Filosofická Fakulta Ústav Filmu a Audiovizuální
    Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristýna Haklová (FAV, bakalářské prezenční) Analýza propojování stylu televize, klasického stylu a postupů typických pro tzv. zesílenou kontinuitu ve filmu Dobrou noc a hodně štěstí (Bakalářská diplomová práce) Vedoucí práce: Mgr. Pavel Skopal, PhD. Brno 2010 Prohlašuji, že jsem pracovala samostatně a použila jen uvedených zdrojů. V Brně 30.června 2010 …………….……………………………………… Kristýna Haklová 2 Na tomto místě děkuji vedoucímu práce Pavlu Skopalovi za trpělivost a podnětné vedení mé práce. Dále chci poděkovat Anně Batistové a Radomíru D. Kokešovi za neustálou podporu a rady. Též děkuji své rodině za vytvoření podmínek vhodných ke studiu a povzbuzování. 3 Obsah: 1. Úvod ........................................................................................................................... 5 1.1. Zdůvodnění výběru .............................................................................................. 5 1.2. Teoreticko-metodologická reflexe ....................................................................... 6 2. Ekonomický a kulturně-historický kontext ................................................................ 8 2. 1. Joseph McCarthy a tzv. mccarthysmums ........................................................... 8 2. 2. Edward R. Murrow – See It Now ....................................................................... 8 2. 3. Vznik filmu ......................................................................................................
    [Show full text]