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Edward R. Murrow
Edward R. Murrow Edward Roscoe Murrow (April 25, 1908 – April 27, 1965), born Egbert Roscoe Murrow,[1] was an American broadcast journalist and war correspondent. He first gained Edward R. Murrow prominence during World War II with a series of live radio broadcasts from Europe for the news division of CBS. During the war he recruited and worked closely with a team of war correspondents who came to be known as the Murrow Boys. A pioneer of radio and television news broadcasting, Murrow produced a series of reports on his television program See It Now which helped lead to the censure of Senator Joseph McCarthy. Fellow journalists Eric Sevareid, Ed Bliss, Bill Downs, Dan Rather, and Alexander Kendrick consider Murrow one of journalism's greatest figures, noting his honesty and integrity in delivering the news. Contents Early life Career at CBS Radio Murrow in 1961 World War II Born Egbert Postwar broadcasting career Radio Roscoe Television and films Murrow Criticism of McCarthyism April 25, Later television career Fall from favor 1908 Summary of television work Guilford United States Information Agency (USIA) Director County, North Death Carolina, Honors U.S. Legacy Works Died April 27, Filmography 1965 Books (aged 57) References Pawling, New External links and references Biographies and articles York, U.S. Programs Resting Glen Arden place Farm Early life 41°34′15.7″N 73°36′33.6″W Murrow was born Egbert Roscoe Murrow at Polecat Creek, near Greensboro,[2] in Guilford County, North Carolina, the son of Roscoe Conklin Murrow and Ethel F. (née Lamb) Alma mater Washington [3] Murrow. -
The Edward R. Murrow of Docudramas and Documentary
Media History Monographs 12:1 (2010) ISSN 1940-8862 The Edward R. Murrow of Docudramas and Documentary By Lawrence N. Strout Mississippi State University Three major TV and film productions about Edward R. Murrow‟s life are the subject of this research: Murrow, HBO, 1986; Edward R. Murrow: This Reporter, PBS, 1990; and Good Night, and Good Luck, Warner Brothers, 2005. Murrow has frequently been referred to as the “father” of broadcast journalism. So, studying the “documentation” of his life in an attempt to ascertain its historical role in supporting, challenging, and/or adding to the collective memory and mythology surrounding him is important. Research on the docudramas and documentary suggests the depiction that provided the least amount of context regarding Murrow‟s life (Good Night) may be the most available for viewing (DVD). Therefore, Good Night might ultimately contribute to this generation (and the next) having a more narrow and skewed memory of Murrow. And, Good Night even seems to add (if that is possible) to Murrow‟s already “larger than life” mythological image. ©2010 Lawrence N. Strout Media History Monographs 12:1 Strout: Edward R. Murrow The Edward R. Murrow of Docudramas and Documentary Edward R. Murrow officially resigned from Life and Legacy of Edward R. Murrow” at CBS in January of 1961 and he died of cancer AEJMC‟s annual convention in August 2008, April 27, 1965.1 Unquestionably, Murrow journalists and academicians devoted a great contributed greatly to broadcast journalism‟s deal of time revisiting Edward R. Murrow‟s development; achieved unprecedented fame in contributions to broadcast journalism‟s the United States during his career at CBS;2 history. -
Oral History Interview - 4/14/2004 Administrative Information
Walter Cronkite, Oral History Interview - 4/14/2004 Administrative Information Creator: Walter Cronkite Interviewer: Steven Fagan and Vicki Daitch Date of Interview: April 14, 2004 Location: New York, New York Length: 20 pages Biographical Note Cronkite, a journalist and broadcaster for United Press International (UPI) from1941- 1948; and for CBS Evening News from 1951-1991, discusses his first impressions of John F. Kennedy’s (JFK), his one-on-one interviews with JFK, as well as reporting on the assassination and announcing JFK’s death, and covering the 1969 moon landing, among other issues. Access Open. Usage Restrictions According to the deed of gift signed on November 28, 2006, copyright of these materials has been assigned to the United States Government. Users of these materials are advised to determine the copyright status of any document from which they wish to publish. Copyright The copyright law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction for purposes in excesses of “fair use,” that user may be liable for copyright infringement. This institution reserves the right to refuse to accept a copying order if, in its judgment, fulfillment of the order would involve violation of copyright law. -
Michael C. Keith
_____________________________________ M I C H A E L C. K E I T H _________________________________ 3 Howard Street email: [email protected] Easton, MA 02375 Phone/Fax (508) 238-7408 < www.michaelckeith.com > EDUCATION Ph.D. -- University of Rhode Island, 1998. Dissertation Title: Commercial Underground Radio and the Sixties: An Oral History and Narrative M.A. -- University of Rhode Island, 1977 (Highest Honors) Thesis Title: The Obsessed Characters in the Novels of Muriel Spark B.A. -- University of Rhode Island, 1975 (Highest Honors) ACADEMIC EXPERIENCE 1993 - Adj. Associate Professor of Communication Boston College, Boston, MA. (Assistant Chair, 1995-1998). 1992 - 93 Visiting Professor of Communication Marquette University, Milwaukee, WI. 1992 - 93 Chair of Education Museum of Broadcast Communications, Chicago, IL. 1990 - 92 Visiting Professor of Communication The George Washington University, Washington, DC. 1978 - 90 Director of Radio and Television and Associate Professor of Communication. Dean College, Franklin, MA. (Interim Chairperson of English and Communication Departments, 1988-89). 1989 - 90 Adjunct Lecturer of Communication Emerson College, Boston, MA. 1977 - 78 Adjunct Lecturer of Communication Roger Williams University, Bristol, R.I. PUBLICATIONS BOOKS --Academic Monographs-- Norman Corwin’s ‘One World Flight:’ The Lost Journal of Radio’s Greatest Writer, ed. (with Mary Ann Watson) New York: Continuum Books, 2009. Sounds of Change: FM Broadcasting in America (with Christopher Sterling) Chapel Hill, NC: University of North Carolina Press, 2008 Radio Cultures: The Sound Medium in American Life, ed. New York: Peter Lang Publishing, 2008. The Quieted Voice: The Rise and Demise of Localism in American Radio. (with Robert Hilliard) Carbondale, IL: Southern Illinois University Press, 2005. -
LOG of PRESIDENT TRUMAN's FIFTH TRIP to KEY WEST
LOG OF PRESIDENT TRUMAN’S FIFTH TRIP To KEY WEST, FLORIDA November 7 – 21, 1948 LOG NO. 5 Compiled by Lt-Comdr. William M. Rigdon, U.S. Navy CONTENTS The President’s Party Pages I to IV The Log of the Trip Pages 1 to 28 The President’s Party The President Fleet Admiral William D. Leahy, U.S.N. Honorable John R. Steelman Honorable William D. Hassett Honorable Clark M. Clifford Honorable Stanley Woodward Major General Harry H. Vaughan, U.S.A. (Res.) Brigadier General Wallace H. Graham, U.S.A.F. Colonel Robert B. Landry, U.S.A.F. Captain Robert L. Dennison, U.S.N. Mr. Eben a. Ayers Mr. William J. Bray Mr. Jonathan W. Daniels Mr. Donald S. Dawson Senator Alben W. Barkley, joined 11-9 Mr. Leslie Biffle, joined 11-9 Senator J. Howard McGrath, joined 11-11 Mr. William M. Boyle, Jr., joined 11-11 Mrs. Harry S. Truman, joined 11-12 Miss Margaret Truman, joined 11-12 Governor Mon C. Wallgren, joined 11-15 Honorable Mathew J. Connelly, joined 11-15 Honorable Charles G. Ross, joined 11-15 Mr. David K. Niles, joined 11-15 Honorable Sam Rayburn, joined 11-18 Judge J. Caskie Collet, joined 11-18 Mr. Charles S. Murphy, joined 11-18 Mr. George M. Elsey, joined 11-18 Mr. David W. Stowe, joined 11-18 STAFF Lieutenant Commander William M. Rigdon, U.S.N. Mr. Dewey E. Long Chief Photographer’s Mate J. T. McCrosson, U.S.N. Yeoman first class Bernace L. Winkler, U.S.N. Chief Steward Arthur S. -
Found, Featured, Then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D
Found, Featured, then Forgotten Image created by Jack Miller. Courtesy of Vietnam Veterans Against the War. Found, Featured, then Forgotten U.S. Network TV News and the Vietnam Veterans Against the War Mark D. Harmon Newfound Press THE UNIVERSITY OF TENNESSEE LIBRARIES, KNOXVILLE Found, Featured, then Forgotten: U.S. Network TV News and the Vietnam Veterans Against the War © 2011 by Mark D. Harmon Digital version at www.newfoundpress.utk.edu/pubs/harmon Newfound Press is a digital imprint of the University of Tennessee Libraries. Its publications are available for non-commercial and educational uses, such as research, teaching and private study. The author has licensed the work under the Creative Commons Attribution-Noncommercial 3.0 United States License. To view a copy of this license, visit http://creativecommons.org/licenses/by-nc/3.0/us/. For all other uses, contact: Newfound Press University of Tennessee Libraries 1015 Volunteer Boulevard Knoxville, TN 37996-1000 www.newfoundpress.utk.edu ISBN-13: 978-0-9797292-8-7 ISBN-10: 0-9797292-8-9 Harmon, Mark D., (Mark Desmond), 1957- Found, featured, then forgotten : U.S. network tv news and the Vietnam Veterans Against the War / Mark D. Harmon. Knoxville, Tenn. : Newfound Press, University of Tennessee Libraries, c2011. 191 p. : digital, PDF file. Includes bibliographical references (p. [159]-191). 1. Vietnam Veterans Against the War—Press coverage—United States. 2. Vietnam War, 1961-1975—Protest movements—United States—Press coverage. 3. Television broadcasting of news—United States—History—20th century. I. Title. HE8700.76.V54 H37 2011 Book design by Jayne White Rogers Cover design by Meagan Louise Maxwell Contents Preface ..................................................................... -
The Davie Record DAVXE COUNTY’S OLDEST NEW SPAPER-THE PAPER the PEOPLE READ
The Davie Record DAVXE COUNTY’S OLDEST NEW SPAPER-THE PAPER THE PEOPLE READ W I t SHALL THE PRESS. THE PEOPLEfS RIGHTS MAINTAlNt UNAWEO BY INFLUENCE AND UNBRIBED BY GAIN." VOLUMN XLIV. MOCKSVILLE. NORTH CAROLINA, WEDNESDAY. MAY 5. tg*3 NUMBER 42 NEWS OF LONG AGO. Knowledge Apart From JoggliDg The Facts The Little Man Lags H oots M illing Firm Pur Seen Along M ain Street The Office of War Information re There is some cotnplalnt from By The Street Rambler. chases Davie Farm What Was Happeiiif h Unit G o d cently reported that there was the treasury officials at Washington , oooooo Bcfwc The New Deal Used Up Re*. Walter E. Uenhour. HMdenlte. N. C. probability that there would be a that "the little man” is lagging in Marchmont, 7ta-acre estate in Four pretty girl j and one small Only a few decades ago Germany serious food shortage and counseled Second Victory loan purchases, Davie county, and one of tbe few dog sitting in parked auto— Mr. The Alpbabdt Drowied Tie was the most highly educated, civi civilians to expect more or less se while those of more ample means undivided plantations remaining in and Mrs John Swing purchasing Hof * and Plowed Up The Iized nation on earth In order to w e shortage this year. are responding quite freely. Not this section of the S'ate, has been War Bonds in bank—Mrs. John L. purchased by Z. D. Hoots, of the Coltoi aid Cera. finish an education In any part of But the Agriculture Department only is there a note of complaint, Vogter, of Advance, using ration the world, regardless of how great disagrees with the OWI. -
Doherty, Thomas, Cold War, Cool Medium: Television, Mccarthyism
doherty_FM 8/21/03 3:20 PM Page i COLD WAR, COOL MEDIUM TELEVISION, McCARTHYISM, AND AMERICAN CULTURE doherty_FM 8/21/03 3:20 PM Page ii Film and Culture A series of Columbia University Press Edited by John Belton What Made Pistachio Nuts? Early Sound Comedy and the Vaudeville Aesthetic Henry Jenkins Showstoppers: Busby Berkeley and the Tradition of Spectacle Martin Rubin Projections of War: Hollywood, American Culture, and World War II Thomas Doherty Laughing Screaming: Modern Hollywood Horror and Comedy William Paul Laughing Hysterically: American Screen Comedy of the 1950s Ed Sikov Primitive Passions: Visuality, Sexuality, Ethnography, and Contemporary Chinese Cinema Rey Chow The Cinema of Max Ophuls: Magisterial Vision and the Figure of Woman Susan M. White Black Women as Cultural Readers Jacqueline Bobo Picturing Japaneseness: Monumental Style, National Identity, Japanese Film Darrell William Davis Attack of the Leading Ladies: Gender, Sexuality, and Spectatorship in Classic Horror Cinema Rhona J. Berenstein This Mad Masquerade: Stardom and Masculinity in the Jazz Age Gaylyn Studlar Sexual Politics and Narrative Film: Hollywood and Beyond Robin Wood The Sounds of Commerce: Marketing Popular Film Music Jeff Smith Orson Welles, Shakespeare, and Popular Culture Michael Anderegg Pre-Code Hollywood: Sex, Immorality, and Insurrection in American Cinema, ‒ Thomas Doherty Sound Technology and the American Cinema: Perception, Representation, Modernity James Lastra Melodrama and Modernity: Early Sensational Cinema and Its Contexts Ben Singer -
University of Pardubice Faculty of Arts and Philosophy Mccarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019
University of Pardubice Faculty of Arts and Philosophy McCarthyism in Hollywood Deni Pitarka Bachelor Thesis 2019 2 3 Acknowledgement I would like to express my gratitude to my supervisor, Mgr. Michal Kleprlík, Ph.D., for his valuable comments and advice he provided for this thesis. I would also like to thank my family for their support. 4 Prohlášení Prohlašuji, že jsem bakalářskou práci vypracoval samostatně, že jsem řádně citoval všechny použité prameny a literaturu a že práce nebyla využita v rámci jiného vysokoškolského studia či k získání jiného nebo stejného titulu. Byl jsem obeznámen, že se na moji akademickou práci vztahují práva a povinnosti vyplývající ze zákona č. 121/2000 Sb., autorský zákon a zejména se skutečností, že Univerzita Pardubice má právo na uzavření licenční smlouvy o užití této práce jako školního díla podle § 60odst. 1 autorského zákona, a s tím, že pokud dojde k užití této práce mnou nebo bude poskytnuta licence o užití jinému subjektu, je Univerzita Pardubice oprávněna ode mne požadovat přiměřený příspěvek na úhradu nákladů, které na vytvoření díla vynaložila, a to podle okolností až do jejich skutečné výše. Beru dále na vědomí, že v souladu s § 47b Zákona č.111/1998 Sb., o vysokých školách a o změně a doplnění dalších zákonů (zákon o vysokých školách) ve znění pozdějších předpisů, a směrnicí Univerzity Pardubice č. 9/2012, bude práce zveřejněna v Univerzitní knihovně a prostřednictvím Digitální knihovny Univerzity Pardubice V Pardubicích, dne 31. prosince 2018 ………………………….. Deni Pitarka 5 ANNOTATION The Bachelors thesis concerns the phenomenon Red Scare and the House of Un-American Activities Committee, which was established in 1938 to investigate communism activity within the United States of America. -
Jim Upshaw to Receive Ed Bliss Award
The Newsletter of the Radio-Television Journalism Division of AEJMC Vol. 46, No. 3 July, 2007 Jim Upshaw to Receive Ed Bliss Award producer, working for NBC “He believes in the power of journalism . .” News and local stations in Washington D.C., Los Angeles, Oakland and By Kim Piper-Aiken Denver. Michigan State University Jim has held leadership RTVJ Division Head 2006-2007 positions in AEJMC, BEA, The 2007 selection committee has awarded RTNDA and uncounted national, regional and Jim Upshaw of the University of Oregon the local media groups. He served as head of the Edward L. Bliss award for Distinguished RTVJ division of AEJMC from 1998-99 and Broadcast Journalism Education. continues to serve on committees, moderate Upshaw has taught at UO since 1992. panels and support the leadership in any way During that time he is credited with revamping possible. the electronic media curriculum to reflect the Perhaps Jim’s colleague Tim Gleason says it current state of the industry. He has taught best: “Jim is an extraordinary colleague and a courses ranging from International Journalism voice of wisdom and reason. He believes in the to Media Criticism to introductory courses in power of journalism and journalism education to production and reporting and everything in make a positive difference in the world. He has between. UO honored him with the Marshall great faith in students and will go to great lengths Award for Teaching Innovation in 2002. A to help them succeed.” former student says, “Professor Upshaw has The award will be presented at the American always been extremely generous with his time, University Reception and Bliss Award his expertise and his support. -
L'arquetip De Periodista Ètic: Com Hollywood El Representa (1914-2015)
Facultat de Ciències de la Comunicació Treball de Fi de Grau Títol L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Autoria Raul Garrigós Porrino Professorat tutor Elisabet García Altadill Grau Periodisme Tipus de TFG Recerca Data 03/06/19 Universitat Autònoma de Barcelona Facultat de Ciències de la Comunicació Full resum del TFG Títol del Treball Fi de Grau: Català: L'arquetip de periodista ètic: Com Hollywood el representa (1914-2015) Castellà: El arquetipo de periodista ético: Como Hollywood lo representa (1914-2015) Anglès: The archetype of the ethical journalist: How Hollywood represents it (1914-2015) Autoria: Raul Garrigós Porrino Professorat Elisabet García Altadill tutor: Curs: 4t Grau: Periodisme Paraules clau (mínim 3) Català: periodisme, ètica, Hollywood, cinema, model, arquetip Castellà: periodismo, ética, Hollywood, cine, modelo, arquetipo Anglès: journalism, ethics, Hollywood, cinema, archetype Resum del Treball Fi de Grau (extensió màxima 100 paraules) Català: Aquest projecte consisteix en estudiar quin hauria de ser l'arquetip de periodista ètic, aquell que hauria de convertir-se en un model a seguir, per després analitzar la representació que es fa a Hollywood dels periodistes i determinar si aquests encaixen dins de l'arquetip o no. Castellà: Este proyecto consiste en estudiar cuál debería ser el arquetipo de periodista ético, aquel que debería convertirse en un modelo a seguir, para después analizar la representación que se hace en Hollywood de los periodistas y determinar si estos encajan dentro del arquetipo o no Anglès: This project consists in study which should be the archetype of the ethical journalist, the one that should become a role model, to analyze how Hollywood represents the journalists and decide if they fit inside the archetype or not. -
Masarykova Universita Filosofická Fakulta Ústav Filmu a Audiovizuální
Masarykova universita Filosofická fakulta Ústav filmu a audiovizuální kultury Kristýna Haklová (FAV, bakalářské prezenční) Analýza propojování stylu televize, klasického stylu a postupů typických pro tzv. zesílenou kontinuitu ve filmu Dobrou noc a hodně štěstí (Bakalářská diplomová práce) Vedoucí práce: Mgr. Pavel Skopal, PhD. Brno 2010 Prohlašuji, že jsem pracovala samostatně a použila jen uvedených zdrojů. V Brně 30.června 2010 …………….……………………………………… Kristýna Haklová 2 Na tomto místě děkuji vedoucímu práce Pavlu Skopalovi za trpělivost a podnětné vedení mé práce. Dále chci poděkovat Anně Batistové a Radomíru D. Kokešovi za neustálou podporu a rady. Též děkuji své rodině za vytvoření podmínek vhodných ke studiu a povzbuzování. 3 Obsah: 1. Úvod ........................................................................................................................... 5 1.1. Zdůvodnění výběru .............................................................................................. 5 1.2. Teoreticko-metodologická reflexe ....................................................................... 6 2. Ekonomický a kulturně-historický kontext ................................................................ 8 2. 1. Joseph McCarthy a tzv. mccarthysmums ........................................................... 8 2. 2. Edward R. Murrow – See It Now ....................................................................... 8 2. 3. Vznik filmu ......................................................................................................